Issue 28 / January to March 2026
YO U R F R E E A I R TA N Z A N I A M AGA ZINE
T R AV E L / TA ST E / TALEN T
Natural wonder Twiga A I R TA N Z A N I A Issue 28
New flights to Victoria Falls
Escape to the Cape The best hiking trails in Cape Town
The luxury list Africa’s most luxurious and exclusive accommodation options
contents 14
30
48
50
Regulars
Features
6
14 This is GSan
52 Victoria Falls
10 Air Tanzania news
New doc pays tribute to Arusha’s much-missed hero of hip-hop
42 Cookery column
20 Africa's most luxurious hotels
56 Get the look
Foreword
Belinda Mkony's shares her recipe for a one-pan pork chop
62 Faysal’s blog
Stylish stays across East Africa
24 The best hiking in Cape Town Iconic trails for all skill levels
The best new releases in books, film and music
63 Arts column 65 Ol Doinyo Lengai in numbers 71 Competition 75 The Air Tanzania mobile app
East African talent brings new thriller to the big screen
34 Cleft palate care
Pioneering partnership in Tanzania
Land & Marine Publications (Tanzania) Ltd 5th floor, Josam House Plot Number 16, Mikocheni Area Along Coca-Cola Road, Dar es Salaam Tel: +255 686 118 816 www.landmarine.com Head Office: Land & Marine Publications Ltd 6 The Square, Ipswich Suffolk, IP5 3SL, UK Tel: +44 (0)1206 752902 Email: publishing@landmarine.com
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59 Rescue.co
67 African-set adventures
The best video games putting Africa on the gaming map
72 African Employment Law Unpacking the complexities
37 Insider's guide
A Lagos local reveals her favourite attractions in West African megacity
44 White-water rafting
Kenya flying the flag for Africa at extreme sport's world champs
48 Sauti za Busara
The Golden Voice of Africa is set to headline Zanzibar music festival
Twiga is published by:
The East African fashion brands shaping our style Adventures assured
30 Bus 338
62 Sound and vision Body
10 Reasons why you’ll fall for this natural wonder of the world
Read Twiga online: qrs.ly/qdbooco
Editor: Mark Edwards markedwards@landmarine.com Advertising sales: Godfrey S. Urassa Tel: +255 (0) 686 118 816 (WhatsApp) Email: godfreyurassa@landmarine.com Printed by Jamana Printers Ltd, Dar es Salaam
Air Tanzania information 76 Travel information 77 Air Tanzania fleet 78 Air Tanzania destinations 80 Air Tanzania contacts
On behalf of: Call: +255 748 773 900 International customers: +255 748 773 900 Air Tanzania Company Ltd (ACTL) Second floor, ATC House, Ohio Street Dar es Salaam. Email: info@airtanzania.co.tz Office (JNIA) Telephone: +255 222113248
@AirTanzania @airtanzania airtanzania_atcl
For the latest flights, information and to book online, visit:
www.airtanzania.co.tz The opinions expressed in this publication are not necessarily those of the editor, or any other organisation associated with this publication. No liability can be accepted for any inaccuracies or omissions. ©2025 Land & Marine Publications Ltd.
CEO foreword
Dear Valued Guest Welcome aboard.
EDITOR’S NOTE While the passing of music legends is a sad reality, their lasting influence and the continuous emergence of new talent ensure the future of music remains bright. In 2025, Tanzania mourned the loss of one of its most respected musical icons, GSan – the co-founder of trailblazing rap collective X-Plastaz. Nowhere was GSan’s passing more keenly felt than in his hometown of Arusha. New documentary ‘This Is GSan’ reveals the scale of the city’s mourning, yet also the vibrancy of its hip-hop scene today. It is as much a celebration as a tribute. Inside Twiga, we talk to the film’s director about how the future looks bright for Arusha’s creative scene. As evidence of Tanzania and Africa’s musical health, this issue previews February’s Sauti za Busara festival in Zanzibar. As 2026 begins, let me wish you a year full of wonderful music – from the new to the timeless. Mark Edwards markedwards@landmarine.com
www.airtanzania.co.tz
There is a distinct energy that comes with air travel—that moment when the engines power up and the ground falls away. As you settle into your seat today, you are part of something significant. You are witnessing a national airline in the midst of a powerful transformation, a story of African ambition becoming reality. As we enter 2026, I want to welcome you not just to a new year, but to a new chapter for Air Tanzania. Building a world-class airline requires thousands of moving parts working in perfect synchronization. But the most important element is trust. Before we discuss our new destinations, I want to address how we get you there. At Air Tanzania, safety is not just a regulation; it is the absolute core of our operations. It defines the rigorous training of our pilots, who meet the highest international benchmarks. It drives our engineering teams, who work around the clock to ensure every aircraft in our modern fleet is maintained to exacting standards. From the moment you check in to the moment you land, an entire team of professionals is dedicated to one purpose: bringing you home safely. That commitment is the foundation of everything we do. Once we are airborne, our focus turns to your comfort. We believe that hospitality should be an authentic reflection of who we are as Tanzanians. Our cabin crew members are not simply attendants; they are ambassadors of Karibu—that warm Swahili welcome that comes from the heart. Whether you are traveling for business, reuniting with family, or exploring the world, we strive to make every moment onboard a reflection of the pride we take in serving you.
Follow us on:
@AirTanzania @airtanzania airtanzania_atcl Air Tanzania ATCL
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Continued on page 8
CEO foreword
It is with this same pride that we are expanding our reach. This year, Air Tanzania is connecting more of the continent than ever before. In September 2025, we began linking East and West Africa with our service to Lagos. This January, we are strengthening that connection by launching flights to Accra, Ghana. Departing every Monday, Wednesday, and Friday, this new route is a vital link between the Indian Ocean and the Atlantic, bringing the economic and cultural centres of our continent closer together. We have also turned our focus southward. Following our launch in December, we are proud to offer a unique triangular route connecting Dar es Salaam to Cape Town via Victoria Falls. This route offers more than just convenience; it connects you to the natural wonders of our region, from the thundering mists of Mosi-oaTunya to the dramatic coast of South Africa. By linking these iconic destinations, we are opening new doors for tourism and trade alike. Air Tanzania’s growth over the last few years has been a journey of resilience and clear vision. But ultimately, an airline is defined by the people it carries. It is defined by the students, the entrepreneurs, the families, and the dreamers who step onto our aircraft every day. Thank you for trusting us with your journey. Thank you for flying with the Wings of Kilimanjaro. As we move into 2026, I invite you to sit back, relax, and enjoy the flight. The future is bright, and we are just getting started. Karibu tena na tena. (Welcome, again and again.)
Eng. Peter Rudolf Ulanga Managing Director & CEO Air Tanzania
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Air Tanzania news
See you soon, Accra Air Tanzania will be launching a new route to Accra in the new year. The direct flights will link Dar es Salaam with the Ghanaian capital and further strengthen our East-West African connectivity following our Lagos route launch in 2025.
Connecting Tanzania and Ghana makes multi-destination trips easier. Tourists will be able to seamlessly combine Tanzania’s iconic wildlife and beaches with Ghana's rich history, culture, and coastal beauty in one trip. The direct flights cut travel time and hassle, especially with Ghana introducing visa-free entry to citizens of African countries. Get ready – Accra is waiting to welcome you
Felix Lipov / Shutterstock.com
The new service will mark the firstever direct connection between Tanzania and Ghana, offering businesses and cargo operators a faster and more efficient route linking two of Africa’s fastest-growing economies.
Leisure travellers will also find plenty of attractions. Accra is known for its rich history and vibrant culture. Visitors can explore the city’s storied colonial past in areas like Jamestown, honour independence heroes at Kwame Nkrumah Park, and experience local life in bustling markets like Makola – amid a dynamic, modern African city.
Linking Dubai to Bujumbura
Anne Czichos | Shutterstock.com
Air Tanzania flights connecting Dubai and Bujumbura via our hub in Dar es Salaam, mark a major leap in East Africa–Middle East connectivity. The route, operated with the state-of-the-art Boeing 737 MAX 9, provides a gateway for Burundi’s trade and travel to the world while also fostering tourism, and family connections across borders.
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MOBILE APP To book flights or gain more information, visit airtanzania. co.tz or download the Air Tanzania Mobile App at the App Store or Google Play.
TWIGA MILES BONUS POINTS
Top Mumbai attractions
Passengers can really rack up reward points through our loyalty scheme in the run-up to the festive season. We will double the Twiga miles earned on any domestic or international flights booked during this period. On top of tghis there are 500 Twiga Miles bonus points to be had if you book through the Air Tanzania Mobile App. Twiga Miles can also be used to secure seating upgrades.
Ready to explore the vibrant heart of India? ‘The City of Dreams’ pulses with energy and history at every turn. Here are five iconic places you simply must experience:
Coloba Causeway Dive into a shopper’s paradise where vibrant stalls and bustling crowds create an electrifying atmosphere – perfect for finding unique treasures and soaking up local colour.
Marine Drive and ChowPatty Beach
Gateway of India Stand before the majestic archway at Mumbai’s harbour, where you can embark on boat trips to destinations like Elephanta Caves, and feel the thrill of Mumbai’s welcoming spirit as history and modernity meet.
Chhatrapati Shivaji
Stroll along the sweeping curve of Marine Drive as the sun sets, then savour street food at ChowPatty Beach while the city lights shimmer beside the waves.
Elephanta Caves Journey by ferry to these ancient rock-cut caves, where mysterious sculptures and centuries-old carvings transport you to the heart of India’s spiritual heritage.
CONTACT CENTRE Location: ATC House, Ohio Street. Email: info@airtanzania.co.tz
Marvel at the grandeur of this historic railway terminus, a Unesco World Heritage site that blends stunning Victorian Gothic architecture with the heartbeat of Mumbai’s daily life.
+255 748 773 900 Tel: +255 22 2117500 International customers: +255 748 773 900 E-COMMERCE Location: ATC House, Ohio Street. Email: tce-commerce@airtanzania.co.tz For the latest flights, information and to book online, visit: Ultimate Travel Photos / Shutterstock.com
www.airtanzania.co.tz Follow us on:
@AirTanzania @airtanzania airtanzania_atcl Air Tanzania ATCL
airtanzania.co.tz / 11
NEW DOC CELEBRATES ARUSHA’S HEROES OF
HIP-HOP New documentary ‘This is GSan: The Untold Story of X-Plastaz and Maasai Hip-Hop’ pays tribute to the life and legacy of the pioneering Tanzanian rapper, who died in March 2025. Twiga speaks to the film’s American director, Gordon Fischer, about why hip-hop is so popular in GSan’s hometown of Arusha and how the music continues to give voice to a new generation of artists in the city.
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(Above) The album 'X Plastaz' released in 2004 and (right) GSan with Mos Def
All images are © JCB and J Flow / This is GSan
T American film director, Gordon Fischer
he annual BET (Black Entertainment Awards) celebrates African Americans in music. A highly anticipated section of the event is the ‘Cypher’ in which the year’s biggest hip-hop stars take turns to rap live over a beat. The 2009 performance is widely regarded as one of the most memorable in the event’s history. The stellar line-up included legends Eminem, Mos Def (Yasiin Bey), and KRS-One, but it was the appearance of a handsome, charismatic Tanzanian freestyling (performing an improvised rap) in Swahili that was arguably the highlight. The artist was GSan (real name Godsun Rutta) – an Arusha-born rapper who was one of the founding members of pioneering Tanzanian hip-hop collective X-Plastaz. The band had become hugely influential in their home country, attracting a fervent following for their distinctive fusion of hardcore rap with traditional Maasai vocal styles and socially conscious lyrics. Their renown grew globally with tours across Europe and South America. They were also embraced by the US rap scene with GSan becoming the first Tanzanian rapper to be invited to the BET Cypher. GSan’s amazing musical journey is chronicled in a new feature-length documentary, ‘This is GSan: The Untold Story of X-Plastaz and
Maasai Hip-Hop’. Sadly, the film was prompted by the untimely passing of GSan – he died from cancer in March last year in Chicago, USA, at the age of just 47. The film’s director, Gordon Fischer, was given privileged access to GSan’s family – including younger siblings Diney and Steve who became part of X-Plastaz as pre-teens – as well as the wider Arusha hip-hop community. The result is a unique and intimate perspective of ‘A-Town’ – the name rap-loving locals have given the city. We see Arushans united in grief at the loss of a ‘soldier’ but also energised by plans to carry GSan’s legacy into the future.
EXCLUSIVE ACCESS Fischer’s access included being among those invited to receive GSan’s body when it was flown in from the US the ahead of his burial in Arusha. “When GSan passed, I began discussing the idea of a commemorative documentary with (prominent local hip-hop artists) JCB and Chaka, who were chairing the funeral ceremonies,” Fischer says. “They introduced me to GSan’s parents. Everyone blessed the idea and encouraged me to go ahead. The next night when I went to Kilimanjaro International Airport with JCB, Sugu and Chaka to receive GSan’s body from Chicago, I knew that it was my duty to make this documentary.”
Fischer, an American who first came to Tanzania in 2013, has gained respect from Arusha’s hip-hop inner circle since basing himself in the city over a year ago. A life-long fan of hip-hop music – Fischer says his childhood was soundtracked by an iTunes library of over 20,000 songs, “most of them being old school New York rap” – he has gone on to embrace the culture and community beyond the music. “After living in the Bronx – the birthplace of hip-hop culture – for years, Arusha attracted me as the home of hip-hop in Tanzania,” he says. “When I came here after college, I found a country that shared my understanding that hip hop is more than music – it’s a culture, a tribe, a religion.” The New Yorker has learnt to speak – and rap – Swahili and says the mellifluous language lends itself to an MC’s flow. “Swahili is truly a beautiful language and there are thousands of incredibly talented MCs here in Arusha alone. There are also new slang words invented daily. The language itself is melodic sounding even in casual conversation, so when rapping over a beat, the flow comes naturally.” Fischer launched Metisha Movement in 2020, a social enterprise and streetwear brand, that provides an outlet for Tanzanian creatives through elements of hip-hop culture such as street art,
airtanzania.co.tz / 15
/ This is GSan
live concerts, fashion and studio recordings. He says: “Thanks to my best friends like Scooby ‘Askari Wa Miguu’, JCB, Fekeche ‘Beat Kubwa’ and Sanaa Maisha, I’ve been welcomed into the music scene. After one year in Arusha Metisha Movement has a role as a cultural architect and respected figure in the game due to our series of open mics, live shows, murals and streetwear. It’s a huge honour to be here contributing to the Arusha hip-hop scene.” As part of the scene, Fischer felt the shock waves that ran through it at the news of GSan’s death. “When GSan passed, the whole Tanzanian hip-hop community came together in mourning. As I began to learn more about the legacy of GSan and X-Plastaz, I realised their story is incredible.”
FAMILY AFFAIR Arusha was integral to the music and identity of X-Plastaz. GSan and his older brother Faza Nelly (real name Nelson Chrizostom Rutta) started out rapping to entertain their friends and customers at the barber shop they ran in the city’s Kijenge neighbourhood. X-Plastaz was launched in 1996 with their Arushan roommate Ziggy-Lah the third founding member. While the trio were influenced by urban US rap they wanted to give their music a Tanzanian twist with Swahili lyrics and traditional instrumentation that acknowledged the country’s tribal heritage. When demand grew for their music and live concerts were organised, X-Plastaz did not just perform in Tanzania’s key cities, they also toured Arusha’s surrounding rural areas. Fans in these remote communities included Yamat Ole Meipuko (also known as Merege), a Maasai singer who joined the group in 1997. Merege’s traditional chanting would become key to the group’s unique ‘Maasai hip-hop’ style. X-Plastaz’s first single, ‘Bamiza’, became a big hit across Africa and was followed by
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many more successful releases that demonstrated the group’s lyrical skill in addressing societal issues and what it means to be young and African. “X-Plastaz were rapping about the reality of life in the streets, the struggle and the culture which is why I believe their message and music lives on today nearly 20 years after they stopped performing regularly,” says Fischer. While the renown of X-Plastaz spread worldwide, the group never forgot their roots. As ‘This Is GSan’ reveals, the Rutta family are still closely linked to Arusha. Steve still lives in the city and the film captures both he and Diney recreating one of their X-Plastaz raps as adults. GSan’s parents also still call the city home. One of the film’s most powerful moments is at the funeral when the artist’s mother – who has had to bury two of her sons, Faza Nelly was killed in 2006 when he tried to intervene in a neighbourhood dispute – addresses the camera to eloquently reveal amid evident grief how she always supported her sons’ musical aspirations and believes all parents should encourage their children to pursue their talents.
VIDEO STORIES Knowing the importance of the project, Fischer put his heart and
Diney attends to GSan's hair ahead of a show on the X-Plastaz European tour
soul into ‘This Is GSan’. He has been making independently produced documentaries since he was a student at Colby College in Maine, in the US. “I gravitated to the art form of documentary after growing up making collages, learning how to take pictures in the streets of New York, and realizing that video storytelling would be essential in the age of smartphones and the internet.” Many of his films would focus on
When GSan died, Mama C became the spiritual force that united the community around conscious remembrance
All images are © JCB and J 4 / This is GSan
his triptych of passions: basketball, social justice, and hip-hop. “Some of my best pieces include ‘Flags Are Merely Symbols’ (2014) about how history is taught in post-colonial Tanzania, and ‘This is G-House’ (2020) about a basketball team from Brooklyn,” he says. Fischer employs a narrative structure that much like a hip-hop track ‘cuts and pastes’ interviews, archival footage, and music samples to piece together an affecting portrait of the Arusha music scene. “I approached editing the film like a producer, historian and philosopher making a memorial mixtape,” Fischer says. “One of the core elements of the documentary is a mural commissioned by Metisha Movement and painted by our graffiti artist Sanaa Maisha with assistance from MC Marangii. The painting of the mural is the symbolic backbone of the doc, a grounding motif we keep coming back to. As viewers' understanding of the X-Plastaz legacy expands, the evolution and eventual completion of the mural mirrors that evolving awareness. By the end of the documentary, we are reviving their legacy and memorialising them to be remembered forever.” Memories of GSan and X-Plastaz are also brought to life by some excellent archive footage, which was recorded during the band’s European tour by their then manager, Thomas Gesthuizen or J4. “It became a key foundation of the documentary,” says Fischer. ‘This Is GSan’ also explores the roots of the America-Arusha cultural cross-fertilisation. There are scenes of the Tanzanian city’s streets clogged with dala dala minibuses decorated with graffiti depicting US rap stars such as 2Pac and Fat Joe while Arushan MCs are interviewed on camera about the Stateside hip-hop albums and artists that inspired their musical journey. Arusha is also famous as the Tanzanian city that gave sanctuary to Black Panther power couple Pete and Charlotte O’Neal when they were forced to flee the US in the
early 1970s. The couple have called A-Town home ever since and have built strong connections with the local music scene just as the Black Panther Party (BPP) served as a significant inspiration for early political hip-hop artists in America. Charlotte O’Neal – now best known to Arushans as ‘Mama C’ – is a captivating presence in ‘This Is GSan’, seen performing her own music and as a figure of wisdom and dignity at the funeral. “I heard about the mythic legend of Mama C a decade ago, and this year I was fortunate to meet her at an event she was performing at with her band,” says Fischer. “We became friends and when GSan died, Mama C became the spiritual force that united the community around conscious and collective remembrance. It is a huge honour to unite with her here in East Africa, and I’m proud that the documentary also helps shine light on the legacy of the Black Panthers.”
HIP-HOP EXCHANGE Fischer’s presence continues the American connection, and his hope is that he can be the conduit for further hip-hop cultural exchange. “When I began seeing myself in Tanzania for the long term, I realized I’m naturally positioned as a bridge between New York and Arusha, someone rooted in the culture who can help connect the two cities through our shared love of hip-hop. One of our upcoming goals is to host a concert in Arusha for New York legends and to organize a crew of Arusha MCs to perform in New York.” Fischer hopes that his film raises awareness of the richness of the Arusha hip-hop scene and the foundational role played by GSan and X-Plastaz. Watch the film – it’s available to stream on YouTube by scanning the QR code on this page – and you’ll find plenty of reasons to visit the city beyond its renown as the gateway to wildlife adventures in Tanzania’s northern safari circuit.
WHERE TO START WITH X-PLASTAZ MUSIC ‘Msimu kwa msimu’ – Maasai Hip Hop Version One of their most notable and popular hits that showcases the band’s unique blend of traditional Maasai chanting with hip hop.
‘Nini dhambi kwa mwenye dhiki? A conscious rap song dedicated to the poor. The video was shot on the top of the Ol Doinyo Lengai volcano.
‘Dunia dudumizi’ A standout track that demonstrates the group’s lyrical skill in addressing societal issues with captivating rhythms.
‘Bamiza’ This was the group's very first single and became a big hit across East Africa shortly after its release in 1998.
The city looks fantastic through Fischer’s lens – it is incredible he was working with just a smart phone – with the streets bathed in evening light as Mount Meru looms mistily in the background. Music lovers will find plenty to do and listen to here. Fischer says the hip-hop scene in Arusha is thriving right now with Metisha Movement at the centre of the action. “We have our own studio with an in-house producer graffiti artist and photographer and videographer,” he says. “We have a dream of opening our own radio station, complete with podcasts, a magazine and online blog. There is so much talent here and Metisha Movement is a platform for organizing and collaborating. We host Open Mics and Live Shows almost every weekend so if you’re in Arusha, hit us up.”
How to watch ‘This Is GSan’ Stream for free on YouTube, scan the code or go to www.qrs.ly/uch6hxz airtanzania.co.tz / 17
Luxurious Hotels
Africa’s most luxurious
thepeech.co.za
HOTELS
From a hilltop hideaway in Kigali with its own cinema to a barefoot retreat on a private island in the Zanzibar archipelago, the continent is home to some exclusive accommodation options.
thepinnaclekigali.com
Chef prepares a meal at The Pinnacle Hotel
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This high-end boutique hotel in the leafy Melrose area offers a supreme level of luxury with a personal touch. The Peech is just a short drive from Joburg’s city centre, but with its serene gardens that enshrine the property it feels a world away. The 16 beautifully appointed en-suite guest rooms make the most of the leafy surrounds with stackable glass doors opening to balconies or private patios to take in the gardens and the hotel’s two outdoor swimming pools. The garlanded bars and restaurants of Melrose Arch – one of the city’s trendiest social hubs – are just minutes away, but you don’t have leave The Peech if you are in
thepinnaclekigali.com
The Peech, Johannesburg
search of fine dining. The onsite Pot Luck Club restaurant has only been open a matter of months, but it is already winning praise among foodie locals for its menu of small plates of modern global dishes made for sharing.
For more details or to book, visit www.thepeech.co.za/
The Pinnacle, Kigali After a soft launch last year, this spectacular hotel and members’ club officially opened in January 2026 as one of the most exclusive new addresses in the Rwandan capital. The nine-suite luxury retreat has a hilltop location in the prestigious and peaceful Rebero neighbourhood. Guests can take in those awe-inspiring views
For more details or to book, visit www.thepinnaclekigali.com
thepinnaclekigali.com
(Top right) The Pinnacle in Kigali and (above) andBeyond Mnemba Island Lodge
andBeyond Mnemba Island Lodge, Zanzibar Zanzibar is renowned for its beautiful beaches, but such is the growing tourism allure of the archipelago, you are unlikely to be enjoying them alone. If you are prepared to pay for it, a more solitary sandy experience is available on the Mnemba, a 500-metre-wide private coral atoll around three km off the north coast of Unguja, the main island in the archipelago. Here you’ll find the andBeyond luxury resort, an intimate and idyllic collection of 12 rooms each with their own thatched beachside banda. It was opened in
1997 and rebuilt lovelier than ever in 2024 by lauded South African interior designers Fox Browne Creative and architects at Jack Alexander Studio. The shell-shaped rooms blend into the pristine natural environment of bone-white beaches fringed by forest that is home to resident Aders’ duiker and suni antelope. Just a short swim from shore is one of East Africa’s healthiest coral reefs with more than 600 species of fish recorded. The reef is protected by the Mnemba-Chwaka Bay Marine Conservation Area that ensures local fisherman stay at least 400 metres away. Guests have this miraculous underwater world as their playground for snorkelling or diving adventures. Catamarans, kayaks and paddleboards are also available to take to the water. For zen-like levels of relaxation there are yoga classes and a top-class spa or you can just bask in the barefoot luxury on the beach – with a butler on hand, of course, for when it’s cocktail o’clock.
For more details or to book, visit www.andbeyond.com/
andbeyond.com
over the city from the hotel’s rooftop bar and restaurant. Other top-tier amenities include a saltwater infinity pool, a full-service spa and wellness centre, and a modern fitness facility. A stay here also entitles guests to make use of the facilities of the onsite members club that include a 21-seat private cinema, a four-lane bowling alley, a games lounge, and a library. Founder and owner Sheila Kyarisiima hopes The Pinnacle’s wealth of attractions will encourage visitors to linger longer in Kigali and soak up the vibrant culture of one of Africa’s most progressive cities. Shorter stays, though, are also elegantly catered for with luxurious stopovers for travellers heading to or returning from Rwanda’s world-renowned wildlife attractions. The exclusive service starts at Kigali International Airport with transfers using The Pinnacle’s fleet of fully electric vehicles.
andbeyond.com
andbeyond.com
virginlimitededition.com
/ Luxurious Hotels
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virginlimitededition.com
/ Luxurious Hotels
Safari in style: Finch Hattons in Tsavo West National Park
thelagoscontinental.com
For more details or to book, visit www.virginlimitededition. com/finch-hattons/
The Lagos Continental Hotel, Lagos
thelagoscontinental.com
This 35-acre luxury camp set in pristine wilderness at the foot of the scenic Chyulu Hills in Tsavo West National Park is a must for travellers who want to safari in style. Its 17 beautifully appointed luxury tented suites each have private elevated decks for uninterrupted views of a neighbouring natural spring that supports a rich ecosystem with resident populations of hippos and Nile crocodiles as well as vervet monkeys and plentiful bird life. Beyond the wildlife on their doorstep, guests enjoy two guided game drives each day of their stay with likely encounters including Tsavo’s famous red elephants, buffalo, giraffes, cheetahs, lions and leopards. The camp is a soothing retreat after these animal adventures with the tented suites boasting their own plunge pools and freestanding copper bathtubs. Guests can also enjoy a spa, an infinity pool, a fitness centre, and gourmet dining.
virginlimitededition.com
Finch Hattons, Kenya
The stylish five-star stands out from the wealth of luxurious accommodation options in the West African mega city of Lagos. The 23-storey Continental is the tallest hotel in the commercial capital offering guests eye-popping views over the city skyline, port and Atlantic Ocean from its 358 rooms and suites. The fifth floor is taken over by a recreation centre with amenities including an infinity pool, spa, hair salon and round-the-clock fitness centre. Dining options include the award-winning Soho Restaurant that focuses on Chinese cuisine and Ekaabo, which is renowned for its lavish buffets. Accommodation options include a range of exquisite suites. The pick of them is found on the top floors with perks including the best of those views and 24-hour butler service.
virginlimitededition.com
For more details or to book, visit www.thelagoscontinental.com/
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Cape Town Hiking
THE BEST HIKING IN
CAPE TOWN
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/ Cape Town Hiking
New Air Tanzania destination Cape Town’s rugged coastline is heavenly for hikers. Whether you are after child-friendly strolls or thrilling ascents, here is our guide to the best trails to try. airtanzania.co.tz / 25
/ Cape Town Hiking
LION’S HEAD This 669-metre peak next to Table Mountain, Lion’s Head in Cape Town is a hugely popular spot for hiking and trail running – you’ll understand why once you see the incredible views which unfold as you ascend. Not surprising then that the trail can get crowded, especially at sunsets, which are something to behold here. Difficulty: If you take the most direct route the rocky final stages will require a bit of climbing, but there are handholds and chains to assist you. There is a gentler route to the top, which will add around 30 minutes each way to your climb time. Sights: Panoramic views of the city, Table Mountain and the Twelve Apostles mountain range, Table Bay and the Atlantic Seaboard. Starting/ending point: Signal Hill Drive, at the base of the Forestry Road. Time to complete: Two to three hours (up and down) depending on the route you choose. Tip: If you do choose to take the longer route, you’ll get the chance to see the Islamic shrine that was erected in remembrance of two anti-apartheid religious leaders.
Lion's Head as seen from Sea Point, Cape Town
PLATTEKLIP GORGE There is a cable car to take you to the top of Cape Town’s iconic Table Mountain, but where’s the fun in that? Hardy hikers will much prefer this direct, steep route up to Platteklip Gorge at the mountain’s summit, which traces the first recorded ascent of Table Mountain by António de Saldanha in 1503.
Time to complete: It takes around three hours one-way, though there are some super-fit trail runners that can get to the top in around 30 minutes.
Difficulty: There’s no on-your-knees scrambling required, but it is still a long and pretty relentless stone staircase all the way to the top.
Tip: If the testing ascent leads you to reappraise your opinion that the cable car is only for lightweights and decide coasting down to sea level is an appealing option, make sure you reach the station before the last car leaves. Times change depending on the season.
Sights: The route overlooks the city, Table Bay and Devil’s Peak. On a clear day, you can see for miles.
Starting/ending point: Tafelberg Road just further on from the cableway station.
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/ Cape Town Hiking
THE PIPE TRACK This rocky, but not too steep path is an ideal beginner hike to wind your way up Table Mountain’s sandstone cliffs (though not all the way to the top). Its name comes from the fact it was built in the 19th Century to service a pipeline to supply Cape Town with water from the Disa Gorge. Difficulty: As the Pipe Track circles Table Mountain rather than going straight up it is a pretty easy-going route – though the initial climb requires some effort – that makes it achievable for children and beginner hikers. Sights: You can take in the mesmerising landscapes here from all angles with views over Lion’s Head, the Atlantic Ocean, the Twelve Apostles and the ‘Mother City’ of Cape Town. Starting/ending point: The parking lot at the junction of Tafelberg and Kloof Nek Roads. Time to complete: There and back in four hours. Tip: While the Pipe Track is child friendly there are several trails that lead off it that are not. If you are unsure, organise a guided hike.
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MACLEAR’S BEACON This is the highest point on the Table Mountain plateau at 1,088 metres. You can either begin at the Upper Cableway Station where you’ll find a 5.5km trail marked by yellow footprints to the top or you can tag this hike on to your Platteklip Gorge ascent and then truly say you have hiked Table Mountain from the bottom all the way to the top. At the summit you’ll find the beacon which gives the place its name. It is actually a reconstruction of the original stone-cairn trigonometrical beacon placed on the north-eastern face by South African astronomer Sir Thomas Maclear in the 19th century to determine the earth’s circumference. Difficulty: There is a short section of rocky steps on the edge of the mountain that needs to be negotiated using chains and handholds. On a clear day this is straightforward, but cloudy or misty conditions make it treacherous and best avoided. Sights: Maclear’s Beacon is the highest point in all of Cape Town so, not surprisingly, the views on a clear day are spectacular.
On top of Table Mountain with views of the 12 Apostles
Starting/ending point: Upper Cableway Station Time to complete: Two hours (there and back) Tip: It can get very windy up here, especially in summer. Severe conditions will cause the route to be closed so it is advisable to check ahead.
/ Cape Town Hiking
DEVIL’S PEAK The spire of Devil’s Peak – at ‘just’ 1,000 metres the little brother to Table Mountain at its side – is one of the most recognisable features of the dramatic Cape peninsula. Its diabolical name is thought to derive from a local story about a Dutch pirate named Jan van Hunks who is challenged by a mysterious stranger on the mountain to see who can smoke their pipe the longest. The pair’s smoke causes a huge cloud to form overhead before van Hunks finally admits defeat. Only then does his opponent reveal himself as the Devil himself and claims his prize – the soul of van Hunks. Legend has it that the thick cloud that still rolls over the peak is evidence of the pair still puffing away. Difficulty: There are three possible paths to the top with the 2.8km Tafelberg Road route the most beginner-friendly. The Mowbray Ridge route (5km) is more testing and not for the faint-hearted, especially
on a section known as the Knife’s Edge, which has steep drops and necessitates some all-fours scrambling. Whichever route you choose, they all converge at The Saddle where the hiking becomes trickier as you approach the summit. Sights: The route up to Devil’s Peak offers many vantage points to take in the cityscape from the bay to the foot of the mountain. The views are at their most arresting from The Saddle, which connects Devil’s Peak and Table Mountain. Starting/ending point: Tafelberg Road or the Rhodes Memorial for the Mowbray Ridge route or the Contour Path for the Newlands Ravine route. Time to complete: Four to five hours depending on the route taken. Tip: The Newlands Ravine route to the top is challenging, but in the baking summer months its forest canopy provides welcome shade and during the wet winter months the waterfalls en-route flow with fresh abundance.
SAFETY REMINDER No matter how easy seeming your trail of choice, it pays to be prepared. Make sure someone not on the trip knows about where you are headed and when, and pack water, food and warm clothing. Never hike alone and take it slow. A useful online resource is SafetyMountain tracking, a free WhatsApp-based service which allows you to notify local trackers of your route and progress.
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Bus 338
Collective of East African talent bring thriller
BUS 338 to the big screen
New movie Bus 338 has as many twists and turns as the long-distance coach ride that is its central setting. The thriller is the first release by production company SNT and showcases a host of East African talent in front and behind the camera. The film’s Kenyan actor and producer Serah Ndanu and its Tanzanian screenwriter Angela Ruhinda unpick their creative processes and reveal what it is they love about single-location dramas.
Serah Ndanu The Kenyan actor has appeared in films such as The Rugged Priest, Noose of Gold, and Igiza. She is also the founder of SNT Productions Ltd. Bus 338 marks her debut as a film producer. Q: The plot of Bus 338 centres on strangers trapped on a brokendown long-distance bus during the outbreak of a deadly virus. How did the idea come to you? The seed of Bus 338 was planted during the 2020 lockdown while I was visiting the UK. That period brought an unprecedented sense of isolation and uncertainty. I was deeply struck by how a single event, in this case, a virus, could change human behaviour overnight. I began to imagine what it would be like if a group of strangers were forced to be together while danger loomed outside. It’s that collision of fear, survival, and shared humanity that inspired the story. Q: The film is set to have premieres in both London and Nairobi. Can you share details?
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London felt like the natural choice for the premiere because it’s a city that embraces diverse voices and global stories, and it has a thriving African diaspora community. For Kenyan audiences, we’re planning an exclusive premiere followed by a wider cinema release. Kenya is at the heart of this story, and it’s very important to me that the film is experienced on the big screen back home.
Serah Ndanu on set of the new thriller Bus 338 and above with co-star
Bus 338
familiar and nostalgic part of East African life. They’re places where stories collide. A bus is also a liminal space: you’re not quite at your destination, and anything can happen in between.
Q: Why were you drawn to the thriller genre? Thrillers have a way of cutting straight to the human condition by stripping away the polite layers of society. As an African storyteller, I find that incredibly powerful. We have so many untold stories on this continent that lend themselves naturally to the thriller format: real stakes, complex people, moral tension. It’s an exciting time to be part of this genre’s evolution in Africa. Q: The film is mostly shot onboard the bus. How do you feel that heightens the tension of the story? Shooting primarily inside the bus allowed us to create a sense of claustrophobia and mounting tension. That environment amplifies conflict and intimacy in equal
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measure, which was crucial for the story we wanted to tell. Q: There is a long cinematic tradition of single-location thrillers. Were there any films in particular that influenced you in the making of Bus 338? I love classic single-location thrillers like Red Eye, The Taking of Pelham 123, and even Phone Booth. They’re masterclasses in pacing, suspense, and character dynamics. Those films influenced how we approached the rhythm of Bus 338. We wanted the tension to build steadily. Q: Long-distance bus rides are a slice of life that many East Africans will be familiar with. Why did you choose that mode of transport in particular? Long-distance bus rides are such a
Behind-the-scenes on Bus 338
Q: Your production company SNT aims to showcase African talent. How impressed are you by the wealth of cinematic talent in East Africa? I’m incredibly proud of the team behind Bus 338. We worked with a Kenyan cast, a Tanzanian screenwriter, and a brilliant Kenyan director, Isaya Evans. The depth of talent in East Africa is extraordinary. We have world-class storytellers, technicians, and creatives. My goal through SNT Productions Ltd is to help spotlight that talent on global platforms. Bus 338 is just the beginning.
We have so many untold stories on this continent that lend themselves naturally to the thriller format
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Q: You play one of the lead characters in the film – a role that was based on your sister. How did she inspire you? Yes, my character was inspired by my elder sister. who is a medical practitioner. I’ve always admired her sense of duty. nurses don’t really have ‘days off’. Whenever they’re needed, they step up. During extreme moments like the Covid pandemic, I watched her and so many others put their own lives on the line to save strangers. I channelled those qualities into the character. Screen shots and behind-the-scenes images from Bus 338
Q: How was juggling being producer and actor on set? Wearing both hats meant that my focus had to shift constantly from performance to logistics, from emotional depth to practical decisions. It was challenging but also incredibly rewarding. I had a strong team supporting me, which allowed me to fully inhabit the character while steering the bigger picture of the film.
Angela Rushida Tanzanian Angela is a screenwriter, playwright and award-winning film producer. She is the co-founder of the Dar es Salaam-based Black Unicorn Studios, which brought Binti and The Christmas Run – both scripted by Angela – to the big screen. Q: When Serah brought the idea for Bus 338 to you, what was it that made you want to write the script? It was clear from the beginning that this story really meant a lot to Serah and she was very passionate about it. I also really loved the idea of writing a movie that happens in a short span of time and in mostly one location. It was an easy sell. It was a very collaborative process for Serah and me. There was some brainstorming over the phone before I went into treatment and scripting. The core of the story remains Serah’s baby; I helped put some meat on the bones and fill out the world more.
Q: You’re an award-winning scriptwriter, but in most of your past work the focus has been on romance and comedy. Did you enjoy being out of your comfort zone writing a thriller? I really enjoyed working in another genre. It’s a genre I’ve been curious about yet equally terrified of diving into. The challenge was raising the stakes for the character in such a confined setting, but I got creative, and I hope it paid off.
Q: Was the single setting of the bus a test or a release for your creative skills? It was definitely a challenge, but I found new ways to create tension and drama by using the character’s polarising personalities against each other. Q: Your script switches from English to Swahili to Sheng. Was that important to get a sense of authenticity and represent the different backgrounds of characters? As a Tanzanian, how is your Sheng? Authenticity is very important when it comes to East African films and language plays a big part. Because I’ve started doing so many Kenyan projects, I have picked up some sheng! However, I usually write the scripts in English and later, a consultant will come in and translate to Sheng for the characters who speak it.
Q: With Bus 338 you have a busload of characters, all with their own back story. How was that to navigate? I submitted a treatment to Serah before writing the script where I broke down all the character journeys so that we made sure we knew where everyone’s arc was before scripting. This made it easier for us to track all storylines and to see if any storyline was lacking. airtanzania.co.tz / 33
Cleft Lip and Palate Care in Tanzania
Advancing
Rowan Griffiths
CLEFT LIP AND
PALATE CARE IN TANZANIA A pioneering partnership between clinics in Mwanza and the UK, inspired by world renowned surgeon Brian Sommerlad’s sustainable approach, is improving treatment for Tanzanian children born in the Lakes Region with cleft lips and palates.
Brian in surgery in Bangladesh – teaching other surgeons, and ward round with Professor Rabiul Khan, below
Rowan Griffiths
C
left lip and palate is the most common craniofacial birth condition, affecting approximately one in 700 babies worldwide. While treatment in high-income countries is often comprehensive, children born with clefts in low- and middle-income
countries face significant barriers to care. Many go undiagnosed, untreated, or receive suboptimal interventions, leading to malnutrition (babies with the condition struggle to suckle from a breast or bottle), speech and hearing difficulties, and social isolation.
Rowan Griffiths
A new model for sustainable surgery
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Among those contributing to the global shift in cleft care is Brian Sommerlad, Honorary Consultant Plastic Surgeon at London’s Great Ormond Street Hospital and chairman of the charity CLEFT. Unlike the traditional “fly-in, operate and leave” approach, Sommerlad has championed a model that prioritises training local surgeons and building lasting capacity. His work has spanned countries such as Iraq, Bangladesh, Nepal, Egypt, Sri Lanka, Uganda, and notably, Tanzania. Reflecting on his career, Sommerlad says: “My best guess is that I have personally operated on 3 to 4,000 children born with clefts in the UK and overseas. However, by being involved in teaching and training in many countries my
Rowan Griffiths
personal influence, for better or worse, has spread far wider. Videos of surgical procedures have been freely available from our charity CLEFT and many surgeons have found them very helpful. A development of the surgical reconstruction of the muscles in cleft palate repair has been widely adopted.
The challenge in Tanzania Tanzania, with a population of around 70 million, sees more than 1,000 babies born with cleft lip and palate each year. Yet, the lack of a national cleft registry and limited access to specialist care means many children do not survive infancy due to nutritional challenges. The Bugando Medical Centre (BMC) Cleft Team in Mwanza is considered one of the largest and most significant multidisciplinary cleft care providers in Tanzania, serving a population of 20 million in the Lake Zone and providing treatment to over 100 babies annually.
Building bridges A pioneering partnership between the cleft centre in the Welsh city of Swansea, and the BMC in Mwanza exemplifies Sommerlad’s vision. The Swansea team, led by surgeon Matthew Fell, is working closely with Tanzanian colleagues to deliver ongoing training, teaching, and guidance. The aim is not just to provide short-term surgical missions,
but to empower the Tanzanian team to become self-sufficient and, eventually, independent of external support. As Sommerlad explains: “The support by the Welsh team will involve training, teaching and ongoing guidance – not simply flying in to do a few operations. The aim is to help the Tanzanian team to grow and for the Welsh team to be, in the future, no longer needed” This partnership also recognises shared challenges, such as multiple languages spoken and the rural nature of many patients’ communities. The teams are committed to learning from each other and developing innovative solutions together.
Rowan Griffiths
Images taken in Bangladesh, illustrating the same training-led approach to cleft lip and palate care facilitated by CLEFT
Child and mother in Bangladesh.
Lasting impact Sommerlad’s legacy is not only in the thousands of children he has helped directly, but in the global network of surgeons and multidisciplinary teams he has inspired and trained. His approach has set new standards for cleft care, emphasising the importance of achieving the best possible outcomes with the fewest interventions, and ensuring
The teams are committed to learning from each other and developing innovative solutions together
ongoing, comprehensive support for each child. Looking ahead, Sommerlad envisions a future where “the aim should be to achieve the best possible outcome with as few operations and other interventions as possible. That means improving the results of the first operations in infancy, producing the best possible functional outcomes and reducing the potential damage of multiple operations. It means ensuring continuing care by all the specialties involved in cleft care.” The story of Brian Sommerlad and the global reach of CLEFT is a testament to the power of sustainable, collaborative healthcare. By sharing skills, building local capacity, and fostering international partnerships, the efficacy of cleft palate surgery – and the lives of thousands of children, in Tanzania and across the world – have been transformed. airtanzania.co.tz / 35
Lagos
THE ENERGY NEVER RUNS OUT IN
ba55ey / Shutterstock.com
LAGOS New Air Tanzania destination Lagos is a lot. The Nigerian mega-city is known for its relentless energy, vibrant music, and a culture of constant work and creativity. To navigate the potential overwhelm of Lagos, a local’s help is invaluable. Twiga talks to travel and lifestyle content creator Odenike Oresanya about where to go and what to see.
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/ Lagos
Q: Which part of Lagos do you live in? Why did you choose there? I live on the mainland, in Surulere. I love that it’s the heart of the city, vibrant, central, and full of life. It gives you easy access to both the island and the mainland, so you can experience the best of both worlds. It’s also one of the few places that still feels like old Lagos where culture, food, and community blend
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seamlessly. Plus, everything you need is close by from local eateries to creative hubs. Q: Where is your favourite place to start the day in Lagos? I love starting my day somewhere calm and inspiring. Sometimes it’s relaxing at one of the numerous parks like Freedom Park or JJT park. Other times, it’s going for physical
activities at the National Stadium, Onikan. Q: As a travel influencer, what are some of the Lagos attractions you have recently recommended to your followers? I’ve been recommending the John Randle Centre for Yoruba Culture and History. It’s a beautiful space that tells the Lagos story in a modern,
/ Lagos
I love starting my day somewhere calm and inspiring. Sometimes it’s relaxing at one of the numerous green spaces like Freedom Park or JJT park. bold, expressive, chaotic, and full of rhythm. He made Lagos a global sound long before Afrobeats took off, and his influence is still everywhere.
interactive way. It’s a perfect place to learn about one of the major tribes in Nigeria and one of those places where you can feel connected to the city’s roots and heritage.
ba55ey / Shutterstock.com
I also love the Lekki Conservation Centre where you’ll find the longest canopy walk in West Africa. It’s a place to experience nature right in the heart of Lagos. Q: Which shops do you rely on in the city? I love supporting local brands, so I usually shop from the local markets. One of the most popular places to get items is the Balogun Market at Marina. It is one of the largest markets in West Africa and known for its variety and affordability.
Dumbra / Shutterstock.com
For everyday things, I rely on supermarkets like Shoprite or Spar. They’re convenient. I also go thrifting at Katangua market in Abule Egba. Q: Who is your Lagos icon? For me, it’s musician Fela Kuti. He captured the true essence of Lagos;
Q: How would you spend the perfect lazy Sunday in the city? I start slow with good food, soft music, and no rush. Then maybe brunch with friends at Crust Café in Lekki followed by a drive to Lufasi Park to just relax in nature then I’d end the day at one of the lovely beaches. Q: How would you describe the character of a typical Lagosian? Resilient, witty, and full of hustle. We’re sharp, fast thinkers, and always find a way no matter what. Lagosians can turn chaos into creativity and challenges into opportunities. We complain about the traffic but can’t imagine living anywhere else. Q: What do you miss most about the city when you are away? Definitely the energy. Lagos has this pulse that you can’t find anywhere else. It’s in the sounds, the people, the street food, the hustle. It’s unpredictable, but it keeps you alive. I also miss the spontaneous hangouts that just happen out of nowhere. There’s always an event or activity to do in Lagos. Q: When you are hungry, what is your favourite local delicacy to sample? Amala with ewedu [a popular Yoruba
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/ Lagos
Tolu Owoeye / Shutterstock.com
just driving through the city at night with music on.
dish consisting of the soft, dough-like ‘amala’ and ‘ewedu’ soup made from jute leaves], hands down especially at Amoke Oge in Surulere. It’s legendary. I also love street snacks like suya [spicy skewered beef]. Q: Where is your favourite place to escape into nature in the city? Lufasi Park and Lekki Conservation Centre in Lekki. They’re really peaceful and they make you feel like you’ve left the city completely. I also love Tarkwa Bay, an Island beach only accessible by boat. Q: The city’s traffic is notorious. Can you offer any advice on beating the jams in getting around Lagos? Timing is everything! Leave at low-traffic periods usually at midday or late night. I also rely on Google Maps and local knowledge to find shortcuts. The low traffic times are between 11am to 3pm and10pm to dawn.
Q: What is your favourite building in the city? The National Theatre. It’s one of Lagos’s most iconic structures and a reminder of our creative and cultural strength. Q: Lagos has a thriving arts scene. Where are some of the best places to view the work of emerging local artists? Terra Kulture and Art Twenty One are always inspiring. I also love smaller art pop-ups and galleries like Omenka
Gallery or Nike Art Gallery. They showcase the new wave of Lagos creativity raw, vibrant, and powerful. Q: If you are up for a late night, where do you go in Lagos to party? The energy never runs out here! If I’m in the mood to dance, I always go for House Music at D Code Lounge in Lekki or BBF Lagos in Yaba. It’s always buzzing. I also go for the house music events that happen each month on the Island. For a more laid-back vibe, I’d go to Moist Beach for drinks, music, and good company.
The real Lagos lives in its people and local neighbourhoods. Places like Balogun Market, Ikeja, and Surulere show the city’s soul…
Q: Where would you recommend visiting to see the real Lagos? The real Lagos lives in its people and local neighbourhoods. Places like Balogun Market, Ikeja, and Surulere show the city’s soul, full of grit and community. But also, areas like Yaba and Lekki are where you see the new Lagos creative, expressive, and evolving. Q: Where do you go to find joy in the city? By the water, mostly Tarkwa Bay. Lagos feels softer near water. I also find joy exploring new spots hidden cafés, art exhibitions, or airtanzania.co.tz / 41
Cooking with Belinda Mkony
DINNER IN ONE: A ONE-PAN PORK
CHOP WITH CARAMELISED APPLES AND HERBS Belinda Mkony delivers maximum flavour with minimal effort with her latest recipe exclusively for Twiga readers.
You all clearly love quick and easy one-pan, one-pot meals, so I’m bringing you another favorite. There’s something deeply satisfying about cooking an entire meal in a single pan. It feels like working smarter, not harder. And the best part? Only one pan to wash. With the holidays in full swing, no one wants to spend hours in the kitchen, and this recipe delivers maximum flavour with minimal effort. This pork chop has everything you crave in a comforting summer-to-holiday dish: rich yet balanced flavours, wholesome ingredients, and a hearty feel without being heavy. Best of all, they come together in just 40 minutes, all in one pan. Sweet apples that are caramelised and infused with herbs pair beautifully with perfectly pan-seared pork chops, all in a silky pan sauce made with apple cider and broth. It’s simple, satisfying, and full of cosy flavor. So, grab your cast-iron skillet, and let’s get cooking.
Ingredients
Method
• 4 bone-in pork chops (about 2.5 cm thick)
Pat the pork chops dry and season generously with salt and pepper on both sides.
• 2-3 medium apples (Honeycrisp, Granny Smith) cored and sliced into wedges • 1 medium onion, sliced • 2 tablespoons butter • 2 tablespoons olive oil • 3 cloves garlic, minced • 1/2 cup chicken broth • 2 tablespoons apple cider vinegar • 1 tablespoon Dijon mustard • 1 tablespoon fresh thyme (or 1 teaspoon dried) • Salt and pepper plus sugar/ honey to taste
Heat the olive oil in a large skillet over medium-high heat. Once hot, add the pork chops, herbs, and garlic, and sear for four to five minutes per side until golden brown. Remove the chops from the pan and set aside. In the same pan, reduce the heat to medium and add the butter. Once melted, add garlic and cook for one to two minutes until they begin to soften. Add the apple slices and cook for another four minutes, stirring occasionally, until they start to caramelise. Add chopped thyme, cooking for about 30 seconds until fragrant. Pour in the chicken broth and apple cider vinegar, scraping
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up any browned bits from the bottom of the pan. Stir in the Dijon mustard. Add some honey to balance the taste. Return the pork chops to the pan, nestling them among the apples. Reduce the heat to medium-low, cover, and simmer for up to 7 minutes until the pork chops reach an internal temperature of 62°C. Let rest for a few minutes before serving. Spoon the apples and pan sauce over the pork chops. Tips: This pairs wonderfully with mashed potatoes, rice, or roasted vegetables. For extra flavour, you can add a splash of heavy/double cream to the sauce at the end or a pinch of cinnamon for a sweeter profile.
All images courtesy of Belinda Mkony / Cooking with Belinda Mkony
FOLLOW BELINDA To keep up with her latest recipes and events, visit Fork.Ur.Munchies on Instagram
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White-water Rafting
The rapid rise of
WHITE-WATER RAFTING IN KENYA
After dominating the first-ever African Rafting Championships and competing against the world’s best in Argentina, Kenya has proved itself an emerging force in the extreme sport. William Kinuthia, the general secretary of the Kenya Rafting Federation, promises there is much more to come.
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/ White-water Rafting
I
n July this year Kenya won all six gold medals at the first African Rafting Championship. The clean sweep means Kenya qualifies as the only African nation at the Senior World Rafting Championships to be held in Argentina from November 3 to 9. It's a landmark achievement made all the more impressive by the fact that white water rafting was only recognised as a professional sport in Kenya in 2024. William Kinuthia, the general secretary of the Kenya Rafting Federation (KRF), is understandably proud of the achievement, but adds that it is “just the beginning”. The KRF was launched in early 2025 as the national governing body of the sport and aims to nurture young talent and establish Kenya as a global leader in the sport. Kinuthia’s roadmap for raising the sport’s domestic and international profile includes Kenya being selected as host nation for next year’s world champs. An official decision on which country is assigned is just weeks away when Kinuthia and I speak on the phone. He is hopeful the country’s bid is successful and that the 2026 event can be held in May or June when East Africa’s long rainy season raises river levels.
Sagana River
Championship winners
Kenya’s bid is strengthened by having an established championship-level location for white water rafting. The small town of Sagana in the Kenya’s Central Province is dissected by the roaring waters of the Tana River. “It is the best course in Africa,” says Kinuthia. The river has a variety of rapids and a 14km unbroken stretch of water meaning it can cater to the three championship rafting disciplines: slalom, RX knockout race and downriver endurance. The recent African Rafting Championships were held in and the town also hosted African Olympic qualifiers for Beijing in 2008 and Rio de Janeiro in 2016. “Many African rivers are too big for white water rafting with extremely powerful rapids and large water volumes,” Kinuthia says. “Sagana’s rapid areas are Grade 2 to Grade 5, depending on the season, so are suitable for airtanzania.co.tz / 45
/ White-water Rafting
a good deal lower than the Kenyan teams are used to. While these chilly conditions are hard to replicate in East Africa, Kinuthia says the teams have been training in unfamiliar waters in preparation for the South America trip. These include Jinja in Uganda and the Indian Ocean off the coast of Mombasa in Kenya’s first sea rafting competition launched this October.
World Championships
Kinuthia says the coaching was inspired by the country’s legacy of dominance in middle- and long-distance running
beginners to professionals. This stretch of the river also has no dangerous wildlife such as hippos and crocodiles.” Sagana also has the infrastructure in place to support a grand-scale international event. The town – which is about a two-hour drive from Nairobi – has for decades been a hub for adventure sports in Kenya with rock climbing, bungee-jumping, and zip-lining complementing the white-water rafting opportunities. To cater for the sports tourism traffic, plenty of riverside hotels and resorts have sprung up. Such a wealth of hospitality options is ideal for an event such as the World Champs with competitors from around 100 countries taking part. Kinuthia points out that accommodation for athletes is proving a significant challenge in the build-up to the Argentina event, which is being held along the Aluminé River in the remote, mountainous, and relatively isolated region of Patagonia. Many teams – Kenya included – are still working to secure places to stay during the event. The Kenyans had home advantage at
the African Rafting Championship. Members of the 25-strong national team are students in either sports management or sport science courses at local universities so were able to get together to train regularly on the Sagana course in the run-up to the event. Kinuthia says the coaching was inspired by the country’s legacy of dominance in middle- and long-distance running. “They trained for five months ahead of the African Champs,” Kinuthia says. “We wanted them to train at a similar intensity to our running athletes. They understood the Sagana course very well by the end.” The training also ingrained the trust and collaboration needed between all six rowers on the inflatable dinghy to navigate the fast-flowing water and rocks – it’s no surprise that recreational rafting in Sagana is so popular with Nairobi businesses as a thrilling team-building activity for employees. Rafting in Argentina will be more of a journey into the unknown. With the Aluminé River largely formed by melting snow and glacial ice from the mountains surrounding its source, the water temperature is likely to be
Championship winners
Kinuthia is confident the Kenya national team will “perform well” in Argentina. Whatever the result, the World Championships is sure prove an important learning experience for the young competitors. The team’s youth – all are aged 24 or younger – is important, Kinuthia says, as the KRF looks to foster the sport’s longterm development in Kenya. “We are looking to the future,” he says. This search for the next generation of rafting stars is beginning even earlier in Sagana with the Federation looking to get keen local high school students – aged 15 to 19 – on the white water. As these young athletes develop and are helped to reach their full potential, Kinuthia says the sport of white-water rafting will grow around them. The KRF is already looking for new white-water rafting locations in the country for sporting and recreational purposes. Kinuthia says the federation has begun safety checks and mapping of the Yala River in Western Kenya with this in mind. With youthful energy, world-class training, and a vision for the future, Kenya isn’t just competing; it’s redefining what’s possible on the continent’s rivers. The waves ahead may be unpredictable, but for Kenya, the current is only getting stronger.
To follow the Kenya team’s progress at the Senior World Rafting Championships from November 3 to 9, visit www.kenyaraftingfederation.co.ke
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Sauti za Busara Festival
THE GOLDEN VOICE OF AFRICA is coming to Zanzibar Malian music legend Salif Keita will headline the 2026 Sauti za Busara festival.
Photography: Alfou3059. Art Direction: Carolina Vallejo. © One World Records 2024.
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/ Sauti za Busara Festival
map. His songs that blend traditional Malian sounds with jazz, funk, and rock were important in shaping Afropop. Known as the ‘Voice of Africa’, the multi-Grammy-nominated artist is able to convey poignant emotion in songs that explore themes of love, identity, and social justice, with a strong focus on the challenges and pride of his own albinism.
S Managing director of Busara Promotions Lorenz Herrmann (photo by Aclovious Benedicto)
auti za Busara is one of Africa’s most respected music festivals. Its reputation has been earned over more than 20 years of showcasing authentic live music from across the continent. Held annually in the spectacular open-air arena of the Old Fort in Stone Town, Zanzibar, the three-day festival attracts a diverse audience of locals and international visitors. The event joins the dots between established and emerging local talent to show the rich heritage that informs African music old and new. The line-up for next year’s event – which runs from February 5 to 8 – has been announced. It is typically eclectic with the live acts ranging from a Malian musical legend who has been performing for more than half a century to the latest singeli disco dance from the streets of Dar es Salaam. Here is Twiga’s guide to some of the musical highlights in store.
SALIF KEITA Mali
World Music star Salif Keita will play Sauti za Busara for the first time in 2026
Sauti za Busara has bagged itself a bona fide African legend. The 76-year-old Malian superstar Salif Keïta stands among the pioneers who put African music on the global
Must-listen: Salif Keita’s 2025 album So Kono showed the septuagenarian is still in fine form with a collection of pared-back songs that showcase his nimble guitar playing and poignant voice.
BEN POL Tanzania
Ben Pol is one of Tanzania’s leading contemporary singers, known for his smooth vocals and heartfelt lyrics. Blending Bongo Flava with R&B and Afrobeat, his music often explores themes of love and relationships. Ben Pol’s collaborations with artists across East Africa have helped him build a strong regional following. Must-listen: ‘Moyo Mashine’ – a soulful hit that showcases his emotive singing and songwriting.
MAN FONGO Tanzania
Man Fongo is a pioneer of singeli, Tanzania’s fast-paced street dance music. His energetic performances and witty lyrics have made him a favourite among younger audiences. Man Fongo’s music is rooted in the vibrant urban culture of Dar es Salaam, bringing a raw and infectious energy to the stage. Must-listen: ‘Hainaga Ushemeji’ – a singeli anthem that captures the spirit of Tanzania’s dance floors.
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/ Sauti za Busara Festival
Must-listen: ‘Miss Understood’ – a reflective track from her album “Folklore Chapter 1” that highlights her lyrical depth.
LINDIGO
Réunion island Lindigo brings the sounds of the Indian Ocean to Zanzibar, fusing traditional rhythms from Réunion island with contemporary influences. Their music is a celebration of cultural diversity, featuring lively percussion and melodic vocals. Must-listen: ‘Maloya Power’ – a vibrant song that showcases the group’s roots in Réunion’s maloya tradition.
Sweden/Senegal
This duo combines Swedish and Senegalese musical traditions, creating a rich tapestry of kora (West African harp), vocals, and modern arrangements. Their performances are both joyful and deeply moving, reflecting themes of unity and cross-cultural dialogue. Must-listen: ‘Africa’ – a beautiful collaboration that highlights their mastery of the kora and harmonious vocals.
AHAMADA SMIS France/Comoros
Ahamada Smis is a FrenchComorian artist whose music blends hip-hop, spoken word, and traditional Comorian sounds. His lyrics often address identity, migration, and social issues, delivered with poetic flair.
TARAJAZZ Zanzibar
Tarajazz is a local Zanzibar band known for their innovative fusion of taarab (Swahili orchestral music) and jazz. Their performances are a celebration of Zanzibar’s musical heritage, reimagined for contemporary audiences.
Must-listen: ‘Origines’ – a track that explores his roots and the fusion of cultures in his music.
Must-listen: ‘Zanzibar Nights’ – a lively piece that captures the spirit of the island and the band’s creative approach.
(Below) Mozambique artist Assa Matusse performs on the Sauti za Busara main stage
Thandiswa (South Africa) photo by Dhruv Chauhan
Pilani Bubu is a South African singer-songwriter celebrated for her unique blend of folk, jazz, and soul. Her music draws on personal stories and African heritage, delivered with a warm, expressive voice. Pilani’s performances are known for their intimacy and storytelling.
SOUSOU AND MAHER CISSOKO
ZENJI BOY (Zanzibar) photo by Dhruv Chauhan
South Africa
Assa Matusse (Mozambique) photo by Masoud Khamis
PILANI BUBU
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Victoria Falls
10 Reasons why you’ll fall for
VICTORIA FALLS With two direct flights each week from Dar es Salaam to Victoria Falls in Zimbabwe, Air Tanzania gives passengers a chance to experience one of the Seven Natural Wonders of the World.
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/ Victoria Falls
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IT’S ONE OF THE SEVEN NATURAL WONDERS OF THE WORLD Standing before Victoria Falls is like witnessing nature’s grand masterpiece – a title well-earned among the planet’s most awe-inspiring sights.
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TWICE THE HEIGHT OF NIAGARA FALLS At 108 metres high and 1.7 kilometres wide, Victoria Falls is the largest curtain of falling water on Earth – prepare to feel tiny!
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THE ‘SMOKE THAT THUNDERS’ Victoria Falls is known locally as Mosi-oa-Tunya, or the ‘Smoke that Thunders’, as the mist rising from the falls can be seen from kilometres away, creating a magical, almost mystical aura.
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RAINBOWS ALL YEAR ROUND Thanks to the constant spray, rainbows dance across the gorge almost daily. Visit during a full moon for the rare lunar rainbow – pure magic.
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Victoria Falls isn’t just about water – it’s surrounded by national parks teeming with elephant, buffalo, and exotic birdlife.
GATEWAY TO TWO COUNTRIES Straddling Zimbabwe and Zambia, Victoria Falls offers a unique chance to experience two cultures in one trip.
A PHOTOGRAPHER’S DREAM Every angle is Instagram gold: misty panoramas, sunset silhouettes, and dramatic rainbows. Your camera will thank you.
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HEART-PUMPING ADVENTURES From white-water rafting on the Zambezi to bungee jumping off the iconic Victoria Falls Bridge bridge, thrill-seekers will find their paradise here.
StanislavBeloglazov/Shutterstock.com
Framalicious /Shutterstock.com
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WILDLIFE ENCOUNTERS
THE ‘DEVIL’S POOL’ DARE For the brave, swim at the edge of the falls in the Devil’s Pool on the Zambian side (tour operators will include border crossings).
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EASY ACCESS FROM DAR ES SALAAM With Air Tanzania’s new flights, this bucket-list destination is now just a short hop away – no excuses!
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Fashion
THE FASHION BRANDS SHAPING
OUR STYLE GIRL ABOUT (KENYA)
Cornelia ‘Corrie’ Mukandie is the founder of this new Kenyan fashion brand. Its debut capsule collection launched earlier this year with a range of sustainably made statement dresses. Aesthetic: This chic collection of five stylish and versatile outfits is ideal for work, travel or social occasions. They combine modern femininity with a touch of ease. Ready to wear: The Alessia is a sleek, short, and elegant dress that has long sleeves that can be worn in two different ways, allowing you to effortlessly switch up your look. It retails at KES 4,500 (US$ 35).
Find out more at www.girl-about.com/
Looking for your next look? Here are five standout East African fashion brands to inspire your search.
LEMLEM
(ETHIOPIA) Founded by supermodel Liya Kebede, Lemlem (meaning "to flourish" in Amharic) is a brand of sustainable clothes hand spun and embroidered in Ethiopia Aesthetics: The collections feature vibrant, handwoven textiles and are inspired by traditional Ethiopian craftsmanship. Perfect for a relaxed, resort-ready style, the brand’s kaftans, dresses, and tops add a splash of unique colour and texture to your wardrobe. Ready to wear: The new collection, Resort ‘26, includes beach-ready swimwear and cool kaftans and slip dresses. Our pick is the ‘Edna’ dress with its flattering v-neck and short bell sleeves. Price US$ 555
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DOREEN MASHIKA (ZANZIBAR)
The Zanzibar-based designer is inspired by the colours and the cosmopolitan culture of her island home. Her clothes draw on local traditional weaving skills and the bright patterns of khanga cotton prints, but with a modern twist. Mashika works with local artisans, including Maasai women who hand-work glass beads and Zanzibari weavers with each hand-worked garment often demanding four to six hours of weaving. Aesthetic: Designs feature a fusion of Zanzibari tradition and contemporary style, characterised by vibrant colours, breezy silhouettes, and rich cultural
storytelling. Her work is inspired by the island's multicultural heritage and natural beauty, combining high-quality materials and craftsmanship for a luxurious, resort-wear feel. Ready to wear: Mashika’s new range of cropped jackets and coats are a riot of colourful khanga prints. A wonderful mix of energy and elegance.
Shop the range @doreenmashika on Instagram
BUZIGA HILL (UGANDA) This Kampala-based fashion brand takes a stand against the supply chain of second-hand clothing (known in East Africa as mitumba) from the global north. Intended as charity, the avalanche of donated clothes actually stifles the work of the local textile industry. Buziga Hill’s Return to Sender range customises these gifted clothes to create imaginative and desirable products available worldwide. Aesthetic: Unique upcycled creations include four-panel hoodies, snap track pants and customised denim jackets. Ready to wear: We love the striking Nyakihanda Double Neck Shirt. It’s two cotton shirts joined diagonally at the shoulder.
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KIKI’S FASHION Kiki's Fashion was founded by Christine Kissa ‘Kiki’ Zimba. The brand creates bespoke couture designs as well as ready-to-wear collections. Clothes are available online and from the brand’s studio in Masaki, Dar es Salaam. Aesthetic: Kiki’s designs adapt African textiles into contemporary pieces that are accessible and stylish for everyday wear. Many of the brand’s garments, such as kaftans and boubous, are characterized by their loose, flowing, and comfortable fit. This creates a relaxed yet sophisticated “rich aunty vibe,” as the brand puts it. Ready to wear: The brand’s new summer-ready ‘Batik’ collection creates an elegant silhouette with loose-fitting viscose maxi dresses and trouser suits. Visit @kikisfashion on Instagram for full details.
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Rescue.co
ADVENTURES ASSURED
Air Tanzania transports explorers to some of East Africa’s wildest frontiers, while Rescue.co stands ready to respond should the unexpected happen. Twiga speaks to Darshani Haria, commercial director at Rescue.co, about how their rapid response service brings peace of mind to adventurers. Q: What sets Rescue.co’s approach apart in East Africa’s emergency landscape? Rescue.co’s model redefines emergency response in East Africa by uniting hundreds of independent first responders into one coordinated, tech-enabled ecosystem. In East Africa, where infrastructure and geography pose unique challenges, our strength lies in our hybrid model:
we don’t rely on owning vehicles. Instead, we partner with over 800 ground ambulances and 90-plus aircraft, including rotary and fixed-wing options, all connected through our Flare dispatch technology. This 24/7 platform enables our medically trained dispatchers to instantly locate, deploy, and live-track the nearest available ambulance or
rescue.co has handled over 55,000 rescues across east africa
aircraft, ensuring patients reach the most equipped and capable facility as quickly as possible. Q: How have technology and partnerships enhanced your operations? Our proprietary platform, Flare, integrates real-time data on responders and hospitals across Tanzania, Kenya, and Uganda. It’s the backbone of airtanzania.co.tz / 59
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our speed and reliability; reducing average response times by up to 91%, from 162 minutes to as low as 15 minutes in cities and under an hour in wilderness areas. We collaborate with operators across East Africa to ensure continuous, high-quality response coverage. Q: What inspired the creation of SafeTravels, the company’s fully comprehensive ground and air rescue cover across East Africa. How is it tailored for tourists? SafeTravels was born out of a simple reality: tourists exploring East Africa often lack rapid access to emergency response, especially in remote destinations. We created SafeTravels to bridge that gap, offering shortterm evacuation cover (30 days) for medical emergencies. It’s specifically designed for the safari and adventure travel industry, where time, terrain, and communication can mean the difference between life and death. The product caters to both domestic and international travellers, ensuring peace of mind for visitors exploring places like Kilimanjaro, Serengeti, and Zanzibar. Q: What are the main features and benefits of SafeTravels?
We actively engage with tour operators, and conservancies to refine training and logistics A 24/7 emergency hotline staffed with physicians, nurses, and paramedics. Air evacuations from mountains, islands, or bush locations using helicopters or fixedwing aircraft. Ground ambulance and inter-facility transfers with live-tracking. Night-time rescue capability is supported by ground ambulances when aircraft cannot operate. Medical concierge and over-the-phone guidance during critical moments. One number, one team, one solution, complete coordination from distress to hospital admission. Crucially, we don’t require insurance pre-authorization; our team launches immediately based on your membership status. Q: How does Rescue.co handle emergencies in remote locations? Our distributed network allows us to respond from multiple dispatch
The Rescue.co ground network can link with remote air bases
bases across East Africa. In Tanzania, we leverage multiple airbases and ground networks to reach remote areas such as the Ngorongoro Crater, Serengeti plains, and Zanzibar islands. Where air evacuation isn’t possible (for example at night or during severe weather), our ambulance network provides stabilisation and overland transfer until a flight is feasible. Q: What is the enrolment process for SafeTravels? Travellers can enrol through partner tour operators, lodges, or directly online for the duration of their trip. No medical exams or pre-approvals are required, just coverage that activates the moment help is needed. Q: Does Rescue.co offer multilingual support?
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Yes. Our dispatch centre currently supports English, Swahili, and French, with ongoing plans to expand to more languages to better serve the growing number of international travellers across East Africa. Q: Are there any exclusions travellers should note? SafeTravels has minimal exclusions. We do not exclude high-risk or high-altitude activities, chronic conditions, or adventure sports; key for tourists climbing Kilimanjaro or diving in Zanzibar. The only exclusion is travel undertaken against a doctor’s advice. Q: Can you share impact stories or data from SafeTravels? To date, Rescue.co has handled over 55,000 rescues across East Africa and supports over 30,000 travellers
One number, one team, one solution, complete coordination from distress to hospital admission. Crucially, we don’t require insurance pre-authorization; our team launches immediately based on your membership status. annually through SafeTravels partnerships. In Tanzania, recent rescues include many successful high-altitude evacuations from Kilimanjaro and the first-ever HEMS [helicopter emergency medical service] transfer from the Serengeti. Q: How do you gather feedback and continuously improve? Every case is tracked and reviewed through our digital systems, including caller experience metrics, partner feedback, and quality audits. We actively engage with tour
operators, conservancies, and our partners to refine training, logistics, and communication protocols, ensuring seamless collaboration in future emergencies. Q: Are there plans for regional expansion? Yes. We are currently expanding from East Africa into Southern Africa and are looking to build a truly pan-African emergency response network capable of serving both residents and travellers across the continent. airtanzania.co.tz / 61
Sound and vision
Faysal’s blog
For the past three months, I have travelled across 16 countries in Europe by trains, buses, and planes. I attended global tourism fairs, explored unfamiliar streets, and stepped into spaces I once only imagined. Yet the defining element of this journey was not distance, but identity: I was traveling with a Tanzanian passport. Before the first flight departed, there were visas, interviews, bank statements, and careful explanations of intent. Travelling with my Tanzanian passport meant being repeatedly asked for proof that I would return home and that my purpose was genuine. Every border crossed felt quietly earned.
MUSIC REVIEWS
Blogger and content creator Faysal Alao – the founder of Arusha-based tour company All Day In Africa – shares his take on life in Tanzania.
FILM REVIEWS
Seen and unseen: travelling Europe with a Tanzanian passport
Mark Edwards rounds up the latest releases Bodyto stream, screen and read
Central Europe surprised me – accommodation, food, and transport were far more affordable than expected. Italy stood out for history and fashion, Spain for value, and places like Czechia quietly offered both beauty and affordability. In some places, I blended in. In others, I stood alone. Walking through Bratislava, in Slovakia, I realised I hadn’t seen a single black person all day. Not because Africans cannot go, but because we often concentrate on familiar destinations. Along the way, I learned new cultures, made friendships, and experienced daily life beyond guidebooks. Travelling as a tour operator, every conversation became a lesson, and every journey improved how I serve my guests back home. Wherever I went, I spoke proudly about Tanzania and my company, Allday in Africa Limited, building connections and planting seeds for future journeys. My passport may limit access, but it does not limit ambition.
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BOOK REVIEWS
Europe is expensive. How did I stretch my finances? I travelled slowly, relied on buses and trains, stayed with friends when possible, chose modest accommodation, and planned with precision. In Europe, a journey that appears to cost €2 can quietly become €20 if you miss a detail.
KING PROMISE Bad Habits
New Air Tanzania destination Accra pulses with one of Africa’s most exciting music scenes. Local hero King Promise – real name Gregory Bortey Newman – was recently crowned Artiste of the Year at the 2025 Ghana Music Awards. His new single sees him collaborate with another West African star in Davido. The talented pair share advice on their winner’s mindset in this slinky and self-assured anthem.
KIDAWA Tanzanian drama Kidawa has been officially selected for this year’s African Film Festival. Directed by Florence Mkingwa, the feature-length film centres on the efforts of Kidawa – played by award-winning actress Cathryn Credo – to launch a range of natural and organic cosmetics. The ambitious young entrepreneur is met with a lack of support as she tries to pursue her passion with friends of family pressuring her to conform to a more conventional career path. This is a significant moment for Tanzanian cinema.
THE CREATION OF HALF-BROKEN PEOPLE Siphiwe Gloria Ndlovu
A haunting, genre-bending African Gothic novel that masterfully blends history and myth. Zimbabwean Ndlovu is a filmmaker as well as a novelist, and her prose has a cinematic quality. The tale focuses on a woman who works at a museum dedicated to artefacts collected by the family of Captain John Good, a key character in H Rider Haggard’s novel King Solomon’s Mines. She is visited by visions that reveal the truth behind a complex colonial history.
Arts column
MOHRICH Mtanzania
Tanzanian rising star Mohrich is back with ‘Mtanzania’, a soulful anthem that radiates pride, unity, and love for his homeland. Blending the rich rhythms of Afrobeats with smooth touches of R&B, pop, and zouk, the song explores what it means to be Tanzanian: resilient, passionate, and deeply rooted in culture. Since the release of his debut single, ‘Die For You’, in 2023, the singer, songwriter, and composer has emerged as one of the country’s most compelling storytellers.
DHURUNDHAR This epic drama set box office records on its opening in India. It’s an epic tale – it clocks in at a bum-numbing three hours and 32 minutes – inspired by the real-life efforts of India’s intelligence agency to crack down on local gangs. It features a star-studded cast with breathtaking action sequences, Shakespearean betrayals, and plenty of twists and turns. In Hindi with English subtitles.
HARMATTAN SEASON Tochi Onyebuchi
Onyebuchi builds on the promise of his award-winning 2020 debut ‘Riot Baby’ with this fantasy noir. Protagonist Bouba is a hapless private eye who finds trouble far easier than he finds work. Destitute, he wants just to hunker down during Harmattan season, but when a bleeding woman stumbles into his office he is drawn into a new case that reveals the secrets of a city on the brink of violence.
Lilian Hipolyte is the executive director of Dar es Salaam creative community Nafasi Arts Space. In her latest column she reveals how women artists are becoming agents of change through their thoughtprovoking work.
The brighter side of uncertainty Uncertainty has a way of reshaping our days, our routines, even our sense of direction. Yet across Tanzania, and much of the continent, creativity continues to cut through the noise with remarkable clarity. Artists have long understood that art is the highest form of hope: a connective force, a healer, and a reminder that imagination remains steady even when the world does not. This spirit was tested in recent months as political unrest swept through Tanzania and the East African region. Cultural institutions, including Nafasi Art Space, were compelled to pause and reassess. The postponement of its bi-annual Tukutane Dar Arts Week was a decision grounded in responsibility, not retreat. It reflected a truth familiar in creative circles: resilience isn’t only about pressing on; it’s also about choosing the right moment to re-emerge. And when Tukutane Dar did return, the effect was electric. The festival became a celebration of what is possible when imagination refuses to be dimmed. Local and international delegates arrived with renewed purpose. Showing up, especially in uncertain times, became an affirmation of commitment to the cultural and creative industries and to Africa’s ever-evolving artistic landscape. Workshops hummed with fresh ideas. Performances carried an extra charge. Conversations lingered longer, richer, more intentional. The festival radiated the sense that creativity doesn’t merely survive turbulence, it often becomes sharper because of it. In a world that feels increasingly unpredictable, the arts offer something steady: connection, colour, possibility. They remind us that even as circumstances shift, the creative impulse continues to push forward, quietly hopeful, persistently bold, and endlessly willing to imagine what comes next.
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…by numbers
OL DOINYO LENGAI: the Mountain of God in numbers
metres
2,962
Striking stats from Tanzania’s unique volcano
500°C
Its lava is the coolest in the world, erupting at temperatures of around 500°C. That’s almost half as hot as most other volcanoes.
1966 The year of one of its most famous eruptions, which sculpted new craters and drew scientists from across the globe.
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The only volcano on Earth that erupts natrocarbonatite lava, giving it a unique, ashy-grey flow instead of the typical red-hot glow.
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The number of major craters formed during its lifetime, all visible from the summit on a clear day.
9,000 The approximate number of Maasai living in the surrounding area, for whom the mountain holds deep spiritual significance.
kilometres
Age is just a number! Geologists estimate the volcano began forming approximately 50,000 years ago.
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In the past 100 years, Ol Doinyo Lengai has erupted around 15 times. Now that’s an active volcano!
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50,000 15
That’s the height of Ol Doinyo Lengai, dominating the sweeping plains of northern Tanzania.
The distance from Ol Doinyo Lengai to Arusha, the nearest large city and gateway for adventurers.
Keen trekkers can summit and descend the volcano within a single day, though expect a strenuous climb and dramatic sunrise views.
hours
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/ Video Games
AFRICAN VIDEO GAMES YOU SHOULD BE PLAYING NOW
Video game developers on the continent are increasingly creating games targeting the local market. Harriet James reveals how the sector is redefining how Africa plays.
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cross Africa, game developers are turning folklore, city life, and culture into digital adventures, creating computer and mobile games designed by Africans for African players. Industry analysts estimate that Africa’s gaming market could surpass US$1.5 billion by 2025, fuelled by smartphone adoption, affordable data, and the rise of mobile payment systems. Africa’s game developers are not just coding; they are redefining how the world plays, learns, and dreams.
Each title, from Lagos to Nairobi to Joburg, is more than entertainment; it’s a digital expression of culture, resilience, and imagination. ‘Nairobi X’, created by self-taught game developer and 3D animator Andrew Kaggia, remains a landmark in African gaming. First released in 2015, the 3D first-person shooter game is set in a futuristic version of Nairobi and follows ‘Otero’, a special forces agent battling alien invaders threatening the city. There are nine missions to be completed with each success unlocking the next level. The airtanzania.co.tz / 67
/ Video Games
game involves moving through the environment, shooting at enemies, and managing your health and ammunition, which is communicated through prompts that include Kenyan Sheng slang.
3D trailblazer When it launched, it made headlines as one of Africa’s first high-quality 3D games proving that African stories could be told with the same ambition and technical skill as any Hollywoodinspired franchise. Another standout Kenyan adventure game is ‘Mzito’, a free mobile platformer aimed at children in which players take on a heroic quest across iconic locations to save Africa from an ancient corruption by journeying across iconic locations.
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As one of the two ‘Mzitos’ – the Swahili word means ‘chosen ones’ – players use ancient spirits to awaken sleeping lions and purge the land of evil. It was created by Weza Interactive, a Nairobi-based developer creating instructive content for and about Africa. Meanwhile, Usiku Games, founded by Jay Shapiro, focuses on fun, education, and local relevance. Its Ukweli Trivia game, a Swahili–English quiz, promotes general knowledge while integrating African culture and language. Another hit, Super Jump, encourages young coders to develop digital creativity skills while keeping entertainment accessible and relatable. Kenya’s success story extends beyond indie studios. Tales of
Kenzera: ZAU , developed by Abubakar Salim’s Surgent Studios and published by EA Originals, draws from Swahili mythology and explores themes of grief and ancestral connection through an Afrofuturist lens. The game’s global release in 2024 marked a milestone in placing African-inspired storytelling on the international gaming map. In Ethiopia, Qene Games, founded in 2016 by Henok Tesfaye, has established itself as a trailblazer in East Africa’s digital entertainment
African game developers are transforming the industry by blending local stories and culture with digital innovation
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Qene’s approach, combining local art, music, and cultural storytelling, demonstrates how African studios can create world-class games grounded in local identity. Rwanda is quickly positioning itself as a hub for digital innovation. Digital Realm Entertainment, also known as Realm Games, based in Kigali, is working on Tribal Conclave, an upcoming title inspired by East African myths and storytelling traditions. Another studio, DopeApps, developed Keza 3D, an educational endless-runner focused on adolescent and reproductive health – showing how games can also serve as tools for social impact.
West African pioneers
scene. The Addis Ababa–based studio became Ethiopia’s first dedicated game company, focusing on Africaninspired mobile games.
Award-winning app Its first title, Kukulu, is a 3D adventure in which players help the titular chicken avoid becoming someone’s dinner. It won the AppsAfrica Award for Best Media and Entertainment App in 2018. Qene Games’ second hit, Gebeta – a modern, digital take on the traditional mancala board game – won AppsAfrica’s Best App of the Year in 2020. The studio has since partnered with Ethio Telecom to improve in-app payments and distribution, helping overcome a key challenge for local developers: monetization.
In Uganda, Kola Studios, founded by Tshaka Mayanja, made a breakthrough with Matatu, a mobile version of the country’s popular two-player card game amatatu. The game achieved over one million downloads, becoming one of East Africa’s most-played titles. Its success demonstrated the commercial potential of games that reflect daily African life and culture. West Africa is home to some of the continent’s earliest and most influential studios. Leti Arts, founded by Eyram Tawia in Ghana, has led the movement with its Africa’s Legends series – a blend of comic-book storytelling and superhero gameplay. Its digital heroes draw inspiration from African folklore and real-world icons, tackling themes from corruption to justice. Ananse: The Origin, another Leti Arts title, revives the famous trickster spider god from West African mythology, bridging ancient tales with modern, interactive storytelling. In Nigeria, Maliyo Games, founded by Hugo Obi, captures the spirit of everyday African life through relatable humour and experiences. Its titles, like Okada Ride – where players weave through chaotic Lagos traffic – and SweeperMan, which turns street cleaning into an urban adventure, have resonated with players across Africa. In Cameroon, Kiro’o Games, founded by Olivier Madiba, achieved international acclaim with Aurion:
African studios can create world-class games
Legacy of the Kori-Odan, a fantasy RPG (role-playing game) rooted in African mythology and ancestral power.
Unique perspectives Released on Steam, it became the first major African RPG to reach a global audience, proving that African studios could compete internationally with original, high-quality storytelling. In Morocco, Funsoft Studios developed Rangi, a virtual reality puzzle game that immerses players in a world inspired by African tribal patterns, rhythm, and mysticism. Its artistic design and engaging gameplay earned global praise. And in South Africa, Free Lives, creators of the hit Broforce, have shown that African developers can balance commercial success with creative freedom. African game developers are transforming the industry by blending local stories and culture with digital innovation. As the sector grows, these games not only entertain, but also share Africa’s unique perspectives with the world
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Simba ad
Twiga competition
WIN A TWO-NIGHT STAY AT TREETOP BY EIGHT CONTINENTS ZANZIBAR TO ENTER:
Email a photo of yourself holding this issue of Twiga on your Air Tanzania flight to competition@landmarine.org by 20 March 2026. THE PRIZE DOES NOT INCLUDE AIR TRANSPORT TO AND FROM ZANZIBAR.
COMPETITION TERMS AND CONDITIONS: Prizes dependent on availability. One entry per person. Entrants must be 18 years or over. The decision of the organisers will be final. The competition is not open to employees and their relatives of Air Tanzania, Land & Marine Publications (Tanzania) Ltd or Eight Continents Hotels & Resorts. The prize does not include flights to the destination. Images are for representation only. Competition ends 20 March 2026; winners will be announced in the next issue of Twiga and contacted directly.
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scape to paradise with this unforgettable competition prize. One lucky winner will enjoy a two-night stay for two people in a Deluxe Room at Treetop by Eight Continents Zanzibar, including Half Board dining (breakfast and lunch or dinner). Perched on a dramatic oceanside cliff overlooking a stunning bay, Treetop Zanzibar offers a tranquil retreat immersed in nature. The resort features 32 exquisitely designed rooms that blend contemporary style with warm hospitality, creating a comfortable and private “home-awayfrom-home” experience amid beautiful tropical surroundings. Wake each morning to breathtaking views of the Indian Ocean or unwind by the pool. Savour delicious cuisine across multiple dining venues – from international favourites to authentic local flavours – and indulge in the resort’s world-class amenities, including a gym, spa and sauna.
For more details, visit: www. eightcontinentshotels.com
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Employment Law
UNPACKING EMPLOYMENT LAW ACROSS
AFRICA
Employment law in Africa is always evolving due to its diversity across more than 50 countries. A recent webinar involving employment law experts from Kenya, South Africa, and Namibia unpicked some of the complexities.
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mployment law across Africa is dynamic and often nuanced. With more than 50 countries/jurisdictions, each with its own distinct labour codes and evolving case law, the continent is far from a single legal market/ jurisdiction. For employers operating across borders, this creates significant compliance challenges, particularly in sensitive areas like dismissal, where missteps can result in costly disputes and reputational damage.
Daniel Kiragu, Senior Associate at CDH
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This was the focus of a recent Cliffe Dekker Hofmeyr (CDH) webinar, which brought together three employment law experts from the firm’s South African, Namibia and Kenyan practices. Together, Imraan Mahomed, Director at CDH South Africa; Frieda Kishi, Director at CDH
Namibia and Daniel Kiragu, Senior Associate at CDH Kenya unpacked the similarities and differences in dismissal frameworks across the three countries, offering employers practical guidance on compliance.
Three developed jurisdictions, but not without shared influences According to Imraan, South Africa’s employment law is well developed and, as a result, is often persuasive beyond its borders. “South African employment law is well anchored, and its jurisprudence continues to be referenced in other countries as a basis upon which to develop and compare employment law principles.” Daniel notes that Kenya has its own robust homegrown legal framework but can occasionally lean on South African Authority. He says: “We rely primarily on our own precedents. Where there are gaps or novel questions, South African decisions can be persuasive – used to illuminate ambiguities, but not to override Kenyan law.” Namibia follows a similar path. “Like
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Kenya, where there are gaps in our system where we cannot find authority, we also do make use of the South African authority and rely on that,” says Frieda.
procedure should also be fair,” says Frieda. Importantly, she highlights that fairness starts at the investigation stage, not only once a notice has been issued. Courts have found that excluding employees from investigations can render a dismissal unfair.
While each legal framework is uniquely developed, it is important to note that the relationship between the three countries is rooted in shared legal influences. South Africa’s relationship with Kenya is rooted in a shared colonial history and involvement in the Commonwealth through the British Empire, while its relationship with Namibia arises out of English and Roman-Dutch law.
Contracts and probation Across all three jurisdictions, employment contracts play a central role. In South Africa, contracts must be read alongside constitutional and statutory protections, while in Kenya, contracts can often extend beyond statutory minimums. “In Kenya, if the contract provides for benefits or standards above the statute, the employer will be held to those higher standards,” Daniel explains. Namibia takes a similar approach. “Contracts should not be in conflict with the law, which is the governing laws such as the labour acts and the constitution. So, you can negotiate for better terms, but not for less favourable terms,” says Frieda. Probationary periods, however, are treated differently. In Namibia, Frieda notes that probation should be carefully managed. “Employers should contract deeply or make clear the provisions under which an employee is contracted and what the probationary period requirements are.” Importantly, terminations at the end of probation still require procedural fairness. Kenya once allowed simpler probationary terminations, but this changed after a 2021 court ruling. Daniel says: “Since then, even for employees on probation, you must
South Africa has moved towards a more informal approach, though with similar emphasis on fairness. “Our law has well shifted to a decriminalised process,” Imraan explains. “The investigation may even at times actually constitute the enquiry. But the principle is that employees must be given the opportunity to state their position before a dismissal is effected.”
follow essentially the same procedural safeguards –appraisals, PIPs, reviews and support – before termination for performance issues and a disciplinary hearing before termination for misconduct.” By contrast, Imraan says South Africa sets a lower threshold for probationary. “The standard in relation to probationary employees is much lower than it would be for a permanent employee. The process is informal, but the employee must still be given an opportunity to be heard before either an extension of probation or termination.”
Procedural and substantive fairness A key similarity across all three jurisdictions is the requirement that dismissals be both substantively and procedurally fair. Kenya follows what Daniel describes as a “twin-engine aircraft” model: “One, is there a valid and justifiable reason for termination? Two, was the process compliant with the law? A failure of one engine renders the entire dismissal unfair. The task is not just proving what the employee did wrong but that the employer did everything right.” Namibia mirrors this approach. “Section 33 of the Labour Act provides for the dual requirement for dismissal. It must be substantively fair, and the
Remedies and outcomes
Frieda Kishi, Director at CDH and Imraan Mahomed, Director in Employment Law, above.
The remedies available for unfair dismissal also vary across the three countries. In both Namibia and South Africa, reinstatement remains the primary outcome, while in Kenya reinstatement is far less common and compensation is the most frequently awarded remedy. Across all three countries, however, the emphasis is on fairness, transparency and due process. For multinational employers, the key takeaway is that while principles of fairness echo across jurisdictions, procedural detail can vary significantly. “The golden thread that permeates all three jurisdictions is fairness,” notes Imraan. “But as any legal expert will caution, the devil is often in the detail. Employers operating across borders must therefore be acutely aware of local nuances and understand the specific procedural requirements of each country, especially when dealing with dismissals,” he concludes.
ABOUT CLIFFE DEKKER HOFMEYR With over 350 lawyers nationwide, Cliffe Dekker Hofmeyr (CDH) is one of the largest law firms in South Africa. For more information, visit www. cliffedekkerhofmeyr.com
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In-flight magazine
Don’t miss out, read all back-issues of Twiga magazine available online, scan the code or visit: www.qrs.ly/sme7ugr
INSPIRING CAPTIVATING INFORMATIVE
Multi-platform publishing services in East Africa
Tel: +44 (0)1206 752902 Email: publishing@landmarine.com
www.landmarine.com
Air Tanzania travel app
YOUR ULTIMATE TRAVEL COMPANION Fly with ease and book your next adventure with the new Air Tanzania mobile app FEATURES INCLUDE: • Book a flight • Change or cancel your flight and purchase extras such as additional baggage allowance • Check in, view your boarding pass and add it to Apple Wallet. • View or change your seat. • Check the latest flight status and receive flight and gate change notifications. • Join Air Tanzania’s rewards programme Twiga Miles and earn points every time you travel to enjoy premium services • Book Twiga Miles award tickets. • Check your Twiga Miles account balance and current tier status. • Manage your trips, profile and customise your travel preferences.
Download the Air Tanzania App now on Play Store and App Store airtanzania.co.tz / 75
Travel information
Before take-off Taking your first flight is certainly exciting, but can also become a source of stress for those who are unfamiliar with the rules, procedures and customs of flying. To prepare yourself for your first flight, it is therefore important to get information on everything you need to do before and during your journey. Here is a useful pre-departure checklist.
For Booking & Enquiries: +255 748 773 900 www.airtanzania.co.tz
departing, it is 1 Before important to check the
in online, if possi3 Check ble. If travelling with hand
To prevent sickness from 5 ruining your first flight on
airline’s website for its hand luggage rules: weight, sizes and types of objects you can take on board. For example, as regards liquids, you are advised to carry these in your hand luggage, only in transparent, reseal able, plastic containers, not exceeding 100 ml. If you have connection flights, we advise that you also check the websites of other airlines.
luggage alone, you can check in online and print or download your boarding pass which you must take with you directly to security checks.
a plane, we advise you to take natural remedies, such as, for example, ginger tablets or gum to chew.
at the airport in 2 Arrive advance (at least two hours for domestic flights and three hours for international flights).
your mobile to flight 4 Set mode, as well as other devices connected to the internet that you are taking on board. Cabin crew will remind you of this step before take-off. With flight mode set, you can still take photos of your unforgettable journey and you can also enjoy the in-flight entertainment system!
Enjoy the view! By 6 choosing a seat near the window, you will see breath-taking landscapes and you can take photos of the exquisite white clouds you will be flying above. Try to take a nap. Sleeping on the plane will make time pass faster and you will arrive at your destination calm and rested.
7
especially during 8 Lastly, take-off and landing, the change in pressure inside the cabin may cause discomfort in your ears. Chew gum or wear earplugs to combat this.
carrier Air Tanzania is justifiably proud of its revamped six-strong fleet. AIR TANZANIA FLEET National Here we take a close-up look at our aircraft with technical data and specifications.
BOMBARDIER DASH 8-Q300 Number of aircraft available: 1 Seat capacity: 56 Number of flight-deck crew: 2 Range: 1,711 km (1,486 Nm) Typical cruising speed: 271 knots (502 km/hr) Wingspan: 91 ft 8 in (28 m) Length: 82 ft 4 in (25 m)
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DE HAVILLAND CANADA DASH 8-Q400 Number of aircraft available: 5 Seat capacity: (3 De Havilland Canada) Business Class 6, Economy 70, (1 De Havilland Canada) Business class 10, Economy 68 Number of flight-deck crew: 2 Range: 2,063 km (1,362 Nm) Typical cruising speed: up to 360 knots (414 mph or 667 km/hr) Wingspan: 93 ft 3 in (28.4 m) Length: 107 ft 9 in (32.8 m)
AIRBUS 220-300 (CS300) Number of aircraft available: 4 Seat capacity: Business Class 12 and 120 Economy Class Number of flight-deck crew: 2 Range: 6,112 km (3,300 Nm) Typical cruising speed: 470 knots (541 mph or 871 km/hr) Thrust per engine at sea level: 23,300 lbf / 103.6 kN Wingspan: 115 ft 1 in (35.1 m) Length: 127 ft (38.7 m) Interior cabin width: 129 inches (3.28 m)
BOEING 737-MAX 9 Number of aircraft available: 2 Seat capacity: Business Class 16 and 165 Economy Class Number of flight-deck crew: 2 Range: 6,570 km (3,550 Nm) Wingspan: 117 ft (35.9 m) Speed: 853 km/h Length: 138 ft (42.1 m) Fuel capacity: 25,800 litres
BOEING 787-8 DREAMLINER Number of aircraft available: 3 Seat capacity: Business Class 22 and 240 Economy Class Number of flight-deck crew: 2 Range: 13,621 km (7,355 Nm) Typical cruising speed: 488 knots (561 mph or 903 km/hr) Thrust per engine at sea level: 64,000 lbf / 280 kN Wingspan: 197 ft 3 in (60.12 m) Length: 186 ft 1 in (56.72 m) Interior cabin width: 18 ft 0 inch (5.49 m)
Passports and visas A valid passport or travel document that is valid for at least six months is required to enter the United Republic of Tanzania. Visitors will also require a valid visa upon arrival. There are a range of visas available depending on the nature and frequency of your visits, but a single entry visa can be obtained on arrival in Tanzania subject to the fulfilment of all immigration requirements. There is a US$ 50 charge for the visa. Those travelling to Zanzibar require an inbound health insurance policy, which is mandatory for all
Flying between TANZANIA - TANZANIA AFRICA - INDIA/CHINA/DUBAI AFRICA - AFRICA
foreign visitors. The insurance can be purchased in advance online or at check-in when departing for Zanzibar. The insurance is charged at $44 per person. For a full list of visas available and for countries for which special terms exist, visit the Air Tanzania website.
Check-in Check in online, if possible. If travelling with hand luggage alone, you can check in online and print or download your boarding pass, which you must take with you directly to security checks. You should check in two hours ahead of your flight time for domestic flights and three hours for international flights.
Family travel
BOEING 767-300F CARGO Number of aircraft available: 1 Seat capacity: N/A Range: 6,025 km (3,253 Nm) Typical cruising speed: 488 knots (561 mph or 903 km/hr) Cargo volume: 438 cubic metres Cargo weight: 52.7 tonnes Thrust per engine at sea level: 60,600 lbf / 270 kN Wingspan: 156 ft 3 in (47.57 m) Length: 180 ft 3 in (54.94 m)
Fares for infants and children As a general rule, children up to two years old are not required to have their own seat and are allowed to travel on parents’ lap. An infant tickets costs 10 per cent of the regular fare. Depending on the destination, taxes and fees may apply. Please note that only 1 baby per adult is accepted. You can choose to buy a seat for your baby at the reduced rates for children if any children’s rate is applicable. If your child is older than two years or turns two while you are travelling, you will have to book a separate seat for him or her and book the children fare for the entire journey. If a child travels with an accompanying adult in the same class of cabin, the child should be seated in the same seat row as the accompanying adult. Where this is not possible, the child should be seated no more than one
Free allowance
23 kg 2Pc @ 23 kg 2Pc @ 23 kg
seat row or aisle away. Reduced rates apply for children aged two to 11 on most routes, depending on the travel class. Children turning 12 years en route need to be booked as adults for the entire journey. Expectant mothers Our priority is always your safety and that of your unborn child. To avoid unnecessary risks to you and your baby, we recommend that all expectant mothers consult a doctor before booking their ticket and inquire about their fitness to fly the length of the trip they intend to take. Depending on the stage and circumstances of your pregnancy, you may be required to present certain medical forms before flying. For your own safety and the well-being of your child, Air Tanzania will not accept expectant mothers who are pregnant from their 34th week or beyond. UMNR (children travelling alone) If you’re planning for your child to travel alone, we’re here to make sure they enjoy their trip and that they are well taken care of throughout their journey. When you book our unaccompanied minor service, your child will be received at the originating airport, taken care of during transit and while on board the aircraft. He or she will be handed over to the person designated by the parents/guardians upon arrival at the final destination.
Cost To avail the unaccompanied minor service, an adult fare needs to be purchased for the child. Please contact us to book the flight and the service.
BUSINESS
Air Tanzania has a free allowance for passengers’ baggage across economy and business class. For full details and rates please see our website www.airtanzania.co.tz or contact booking enquiries +255 748 773 900
ECONOMY
FREE BAGGAGE ALLOWANCE
Free allowance
30 kg 3Pc @ 23 kg 3Pc @ 23 kg
Infant fare checked baggage allowance Infants travelling on an infant fare are allowed 10 kg as baggage allowance. Child fare baggage allowance Children and infants travelling on a child fare are eligible for the same baggage allowance as adults.
Wheelchairs If you need wheelchair assistance at the airport, you must advise Air Tanzania of this at the time of booking. You can request wheelchair assistance through our Call Centre or at Air Tanzania Sales offices.
Inflight Wi-Fi On board Wi-Fi Enable Wi-Fi on your laptop, tablet or smartphone, and select AirTanzaniaWifi You will need to launch your web browser, which will display the log-in web portal. From the portal, simply select your preferred price plan. Portable electronic devices (PEDs) You can use your e-readers, tablets and smartphones from gate to gate – including taxiing, take-off and landing – without a risk to safety. Note that on-board Wi-Fi is only available on certain aircraft. Please follow cabin crew instructions at all times.
Zanzibar Those travelling to Zanzibar require an inbound health insurance policy, which is mandatory for all foreign visitors. The insurance can be purchased in advance online or at check-in when departing for Zanzibar. The insurance is charged at $44 per person.
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Air Tanzania destinations
DISCOVER
Domestic and international routes
Musoma Mwanza
Seronera Arusha
Kilimanjaro
Shinyanga Tabora
Kigoma
Pemba Zanzibar Mpanda
Dar es Salaam Iringa Mbeya
Active routes
Songea
Mtwara
Upcoming routes
For Booking & Enquiries: +255 748 773 900 | www.airtanzania.co.tz
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SENEGAL
Dakar
Dodoma
UK
London
CHINA UAE
Dubai OMAN
Guangzhou
Muscat
Mumbai
INDIA
Bangkok NIGERIA
SOUTH SUDAN
Lagos
Juba
GHANA
SOMALIA
UGANDA Entebbe
Accra DRC
THAILAND
Kinshasa
DRC Goma RWANDA Kigali BURUNDI
Bujumbura
Mogadishu KENYA
Nairobi Mombasa TANZANIA
Dar es Salaam Comoros
DRC
Lubumbashi ZAMBIA Ndola Lusaka Victoria Falls
MALAWI
Lilongwe Lilong Blantyre Bla ZIMBABWE
MAYOTTE
Dzaoudzi
Active routes Upcoming routes
Harare
MOZAMBIQUE
SOUTH AFRICA
Maputo
Johannesb Johannesburg Cape Town
International customers call: +255 748 773 900
airtanzania.co.tz / 79
Air Tanzania contacts
WHERE TO CONTACT US CONTACT CENTRE Location: ATC House, Ohio Street. Email: info@airtanzania.co.tz
E-COMMERCE Location: ATC House, Ohio Street. Email: tce-commerce@airtanzania.co.tz
For the latest flights, information and to book online, visit:
www.airtanzania.co.tz
+255 748 773 900 Tel: +255 22 2117500 International customers: +255 748 773 900
Follow us on:
@AirTanzania
@airtanzania
airtanzania_atcl
Air Tanzania ATCL
AIR TANZANIA CONTACTS DAR ES SALAAM (HQ)
KIGOMA
ATC House, Ohio Street PO Box 543 Office (JNIA) Tel: +255 222 117 500 Email: darairport.station@airtanzania.co.tz
Lumumba Road, opp. Mambo Leo Pharmacy Email: kigoma.station@airtanzania.co.tz Mob: +255 742 580 580
Bujumbura - Mairie, Rohero, 1, Chaussee Prince Louis Rwagasore, House No. 57 Email: burundi.station@airtanzania.co.tz Tel: +257 628 703 55
IRINGA
INDIA
ARUSHA Old Moshi Road, NSSF Mafao House Email: arusha.station@airtanzania.co.tz Tel: + 255 272 520 177 / +255 739 787 500
MBEYA Mbeya Mjini Email: godfrey.Samanyi@airtanzania.co.tz Mob: 0714 800 080 / 0737 800 090
COMOROS Immeuble MATELEC Moroni, Grande Comores Email: com’airgsaatc@gmail.com Tel: +269 3312570 / +269 3322058
BUKOBA Jamhuri Road, NSSF Building Email: airtanzaniasalesbukoba@gmail.com Tel: 0767351336 / 0735351336
KILIMANJARO KIA Email: arusha.station@airtanzania.co.tz Mob: +255 735 787 249
DODOMA Hatibu Road, Tofiki Street, CDTF Building Tel: + 255 262 322 272 / 0735 787 241 (mobile) 0683 776 744 (mobile) Email: dodoma.station@airtanzania.co.tz
MWANZA Tel: +255 735 787 239 / +255 28 2501059 Email: mwanza.station@airtanzania.co.tz
Asas House, Dodoma Road, opp. TCC. Email: Iringa.station@airtanzania.co.tz Mob: +255 753 574 986
ZANZIBAR Postal Building, Kijangwani Email: zanzibar.station@airtanzania.co.tz Mob: +255 785 452 585
ZIMBABWE LED House, 6 Fereday Drive, Eastlea, Harare Email: hresalestc@airtanzania.co.tz Email: hreairportsales@airtanzania.co.tz Telephone: +263 242 778833 Mobile: +263 785 898 479 / +263 772 900 046 +263 719 898 481 ZAMBIA Barnetts Building, Shop 3, Hailie Selasie Avenue, Longacres, Lusaka. Mob: +260 956 610 250 Email: support.lusaka@airtanzania.co.tz LUBUMBASHI Avenue Lomani N 548, Laurent Desire Kabila Moulacom building. Mob: +243 830 538 008/9 Email: ops.fbm@airtanzania.co.tz/sales.fbm@ airtanzania.co.tz/marketing.fbm@airtanzania.co.tz
KAMPALA
Email: tabora.station@airtanzania.co.tz
Park Royal Mall, Room 208, Buganda Road. Email: uganda.station@airtanzania.co.tz Email: bbesalestc@airtanzania.co.tz Tel: +256 414 289 474 / +256 393 517 145
SONGEA
ENTEBBE
TABORA
African Benedict Office Hanga- opposite TRA Songea Email: songea.station@airtanzania.co.tz Mob: +255 712 796 421
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Entebbe International Airport, Room no 095. Email: uganda.station@airtanzania.co.tz Email: bbesalestc@airtanzania.co.tz Tel: +256 716 680 250
BURUNDI
001 Midas, Sahar Plaza Complex, near Chakala Metro Station, Andheri – Kurla Road, Andheri East, Mumbai 400 059. Email: res.bom@airtanzaniaindia.com Tel: 022 49790108 / 49790109 / 49710208
JOHANNESBURG
Unit 9, Fountain View, Constantia Office Park, Vlakhaas Avenue, Constantia Kloof, 1709 Email: info@airtanzaniasa.co.za Landline: +271 00258871 After Hours: +277 22050343
NAIROBI
International House Limited, Mama Ngina Street, Nairobi, 3rd Floor, House No.36 CTO Reservations: +254 702 247000 Airport Reservations: +254 753 121077 Operations : +254704197197 Sales: +254 704 197197 Email: Kenya.reservations@airtanzania.co.tz Sales email: Kenya.sales@airtanzania.co.tz
CHINA
Rm1323 Tower A Yaozhong Plaza, No. 3-15 Linhexi Rd. Guangzhou Tel: +86 20 38550084 Email: service.can@airtanzania.cn
UNITED ARAB EMIRATES
Dubai Ticketing Office 1908A Business Central Towers 19th Floor, Room No. 1908A, Dubai, UAE Tel: +971 (0) 4 433 5952 Mob: +971 52 692 7533 Email: dxb.reservations@airtanzania.co.tz Dubai - Cargo Office 202 Arcade Building, Al Garhoud, Dubai, UAE Tel: +971 (0) 4 2394 757 Mob: +971 52 180 7500 Email: uaecargosales@airtanzania.co.tz / uaecargoops@airtanzania.co.tz
Issue 28 / January to March 2026
YO U R F R E E A I R TA N Z A N I A M AGA ZINE
T R AV E L / TA ST E / TALEN T
Natural wonder Twiga A I R TA N Z A N I A Issue 28
New flights to Victoria Falls
Escape to the Cape The best hiking trails in Cape Town
The luxury list Africa’s most luxurious and exclusive accommodation options