What’s Included
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The Wave transforms a row of retiring apartments into a modern commerical complex of rental housing and a shopping center. Through personal experience and memories of the comminity and the grand canal, I focused on offering solutions to the unsatisfied demand for temporary living, parking, and a unified dinning/shopping experience.
The Grand Canal is the guiding star for my design. Through the past years, water quality has been improved to a level suitable for close interactions. I decided to utilize the view of the improved water way as well as the greenery nearby. Jiangnan is to China as Venice to Italy; as a city of Jiangnan, Changzhou could bring back the living-by-water habit with mordern architectures. To highlight the relationship of life and water way, I use wave to form the facade and name the project.
Changzhou has a long history of culture and architecture, and Qingguo Valley, which sits right next to the site, is one of the best preserved symbol. Adjacent to the Qingguo influence circle, The Wave aim for extending the water town traveling experience, and showcase a possibilty of inhertating and expanding the traditions under the modern context--ancient towns should not be crudely restored and transformed into a shopping streets.
RESIDENTIAL
Qingguo Lane was first built in Ming Dynasty with a history more than 400 years. It includes many traditional architectural forms in a small area.
Old structures were wore out, and no longer fit the modern life style. Stone bridges like this one has been removed in the past years.
SITE
Qingguo Alley is a pearl of my home town--Changzhou, which sits in the center of city. Due to the location, the area is much smaller than a typical ancient town--expansion is unlikely to happen with all the new roads and buildings. Disregard its scale, Qingguo Alley concentrates all the cultural elements essential to all water towns (ancient towns). Qingguo was the historical home to many influencial people of the city, from poets, to revolutionists, to educationists, the small alley is a mojor symbol of the city.
In recent years, Changzhou government achieved some success in transforming the alley, mainly through building an entrance with mordern material (glass and steel) to exhibite the reflections on the canal, as well as maintainence of the historical buildings. The areas has become popular tourist attraction that remains genuine in style. Its success inspires me to extend that combination of of old buildings and mordern material, while featuring the beauty of water town, to my site that is just a block away.
Qingguo were home to many famous educators, such as “father of Pinyin” Zhou Youguang, and female rights activist Shi Liang.
With the idea “restore/rebuild as it was”, local government successfully transformed the alley which brought considerable tourists. The nearby hotels and parking can longer satisfy the demands.
The design of the apartment is inspired by the fluidity of water. The traditional architectural style of Jiangnan Water Town pays great attention to environmental factors, so I hope to show the feeling of waves in the architectural form.
Original site: Old apartments by the canal
Entrance & decorative wall: Local building format
Lifted ground floor
20 pillars in symmetry
Long rectangular cube: Lower in height (21m)
Water side platform: A new relationship with the canal
Irregular windows: Water reflections
lifted, travel to roof
Glass lift lobby: Divides 2 sections
Wave shape exterior wall
Circular skylight: Traditional philosophy
Rooftop garden/bar area
Third floor rental apartments/supermarket
Second floor rental apartments/supermarket
First floor public park /temporary exhibitions
Entrance
Basement open dining area, waterbrone platform
Renderings
The Wave in different lighting and angles. The low height and lifted first floor allaws a continuation This design features wave shaped facade, a glass atrium, and a black-and-white gable. These
Renderings
continuation of water town esthetic, while adding light and wind to the narrow street.
These mordern structure merge with traditional design philosophies, blends into the surrounding community.
2022 Personal Project
The Mogao Caves is enlisted in UNESCO world heritages. It includes hundreds of Buddahist caves with history span over thousands of years. For this project, I focused on accessibilty and conservation. The modern glass strcuture not only allows barrier-free access, but also sheilds the nine-floor tower from erosion of sandstorms.
The form of the new building is inspired by the main tower and the various cave shapes surrouding it. Ancient architects and builders balances strcutral intergrity, light, and esthetic in the cave digging; while I attempt to carry on their wissdom, but express through different materials, volumes, and positive/negative spaces.
In addition to the easy access design, this new building also carries exhibitory funtions. Caves that are collapsed or under maintainence will be displayed here. Visitors get to learn deeper about Mogao’s architectural wisdom and hisotry of presevation, right on site, all year around.
Dunhuang is here
desert plantations
dried river
sand dunes
1340m
1135m
Mogao Caves sits in desert west to the city. The historical site suffer from erosions.The Iconic nine-floor tower was built during Tang dynasty, when economic power also at the peak.
Mogao Caves was rediscovered by a Taoist priest during Qing dysnasty. The weak government could not stop
The Mogao Caves is an epitome of religion and lives for the spand of thousand years; Its art contains architecture, drawings, music, sculptures, scripts are much more.
~1930
Stolen/Documented by foreign parties
Rediscovered
West of the caves there are “Stupa forest” in the open ground
Large sculptures in Mogao is mostly built during Tang dynasty. columns with niches for small statues.
Large scale frescos protraits of the Budda
Large Buddah Sculpture
Stupas Frescos
Since the establishment of Dunhuang Research Center, protection and renovation works has continued and growed. The recent Digital Exhibition Center helped to document and present the artifacts in a modern way.
In
Most common form of caves at Mogao. A centered stage is used for monk’s meditation
Early form of caves: aacentered cubic column supports the structure, also provides niches for arhat statues.
The iconic 9-level pagoda is the exterior of a Budda Stuatue Cave, allows visitors to see the budda from different heights.
Representive cave form of Song dynasty. The four corners of the ceilings are typically pitted and painted with the Four Gods. A bodhisatva statue is at the center.
Longitudinal caves for displaying nirvana budda (lying pose). The celings have smooth slope. Only two were left, both built in Tang dynasty.
Memorial space for past head monks, dipicting monks ture look through statue and frescos. Relatively small and dense.
Homelessness is a longstanding social issue in the Los Angeles region. The situation got even worse since the pendamic, as more people became unemployed. With increasing number of unhoused individuals, the city is in need of more beds and shelters. This shelter complex responds to the basic need, but also explores ways to alleviate people out of their poverty trap.
Intrinsic causes, such as unwelling to work, is identified to be the cutting point. Homeless population vary in their ability to work, but to begin with, to create a supportive commnity that brings people at the edge back, can be helpful to encourge the healthy individuals to get retrained and earn their living.
Inspired by the natures geometry miracle, the honey comb, I hope to combine modular living units into a spacially efficient, self-supported community that provides variety support, from education, to career, to mental health. Tthe modern design with 3 floor height means to demonstrate the ability for welfare facility to move out of skid row and become a neigborhood friendly site, which is not exclusive to the homeless ones.
The homeless population of Skid Row is now estimated at 8,000. Twenty years ago, most of them lived within a 20-block area. Now, the pavements of nearly 60 city blocks are occupied by tents and shabby constructions.
Approximately 72% of the total homeless population in the Los Angeles area remains unsheltered, much higher than the national average of 35%. As a result, this area contains roughly a quarter of all unsheltered homeless people in the nation.
Most homeless shelters and other facilities locate in the Skid Row area due to historical reasons, which led to high concentration of homeless population in downtown LA. In order to provide shelters for more, new shelters are needeed in locations other than the Skid Row.
Homeless Count
2013 2015 2017
2018
2019 2020
LA county has the largest percentage of unsheltered homelessness in the US. Need for more beds stays high.
Possible Sites
Main homeless Gather
Other Homeless Dense Area
Most homeless people in LA is among working ages. Getting people back to self-sufficent can reduce homelessness.
Social welfare facilities are unevenly distributed across LA. Some homeless do not have access due to immobility.
Homelessness is created by individual, societal reasons--each stage causes different issues and lead to various needs.
family issues work issue
innate reasons
vagrancy
live under support
potential risk to society
rehab
unable to work
on-site job
motivation
shelter complex
unwilling to work
re-training
The Hexagon
honeycomb structure
Bees live in highly organized, effecient communities. Every bees work hard, contribute to the greater good. This symbology is used to inspire the homeless to earn their living, start in the supportive shelter community.
less material, more spaces
robust structure
sessions
windows to outside
space effciency
personal spaces
clear out original area
elevate first floor for easy access &
empty out cneter area
elevator, escalator, stairways
four-storey meets the surrounding building heights
honey comb units as exterior walls
structural columns
irregular window openings
The honeycomb structure is achieved by combining hundreds of individual living socializing spaces spreads among the repetitions, having irregular window openings first floor makes the complex easier to access, and more welcoming for the neigborhood homeless ones. A central courtyard allows relation, also provide place for food
living units. The non-residential areas, such as dining, meeting, educating, and openings which indicate the functions and brings abundant light inside. The lifted neigborhood to provide leisure and career support for more than the current giveaway events.
A Cantilever Living/Dining/Researching Complex near RISD regenerative garden
2023 RISD Project
By lifting the living area from the ground, this design intent to offer a cozy living experience with less humidity and better natural light. Meanwhile, with ample height to the ground, the floor slab creates a shaded park area underneath that encoruges community engagements.
The two towers locates adjacent to their target audiences: lab tower sits right across the street to the regenerative garden, where tool storage locates on the first floor, no afraid of getting messy; dining towers faces the main street, welcomes RISD/Brown students, not exclusive to the residents.
The towers locate at the north half of the cantilever, make the south side extra light and spatious.
The height of the cantilever creates a comfortable space leisure activity--shaded from sun, while still having sufficient light from the sloped side.
A diaganl circulation connects the public dining tower and lab tower, allows quick navigation while creating a semi-public space that encrourages the residents to hang out.
plan
Three concrete ‘steps’ allows residents enter the towers easily from both sides of the block, while maintaining the functions of reading, chatting, and chilling under shade.
(base)
Big windows opening at ends of corridors aim to guide the circulation and turn each dead end into a welcoming resting spot.
Big windows opening at ends of corridors aim to guide the circulation and turn each dead end into a welcoming resting spot.