Rebels In Paradise

The skies darken: unsuspecting blue ethers engulfed by

mutinous Cumulonimbus1 rebels. Fiery bodies of fuchsia, magenta, and aubergine hover ominously over Miami Beach. 13 clouds prophesizing the celestial tempest.

Sailors heed warning: The disenfranchised Southern Californians (and a few of their offspring), who combed

the wasteland of Venice Beach in the 1960s, are hunting with empty jam jars open, looking to capture the elusive sorcery of Apollo.

50 odd years later, Apollo’s 13 muses encamp on the shores of Miami Beach, their idols displayed in the

Bacchanalian grounds of Delano: Bungalow 5. Like Sirens of Light and Space; ships wreck, cars crash, and

a convention center is set ablaze in the wake of their beauty. Meanwhile, on the West Coast, the L.A. County Museum burns in a tribunal inferno.

1. A Badass rainy cloud.

APOLLO’S F E A S T OF F IRE T U E S D A Y, D E C E M B E R 4 T H 9 P M — 1 2 A M S O P H I A U R I S TA C O N C E R T 1 0 : 3 0 P M

R E B E L L I N G I N PA R A D I S E W E D N E S D A Y, D E C E M B E R 5 T H 7 P M — 9 P M S O P H I A U R I S TA C O N C E R T 8 P M

CASA DEL MAGUE Y T H U R S D A Y, D E C E M B E R 6 T H — S AT U R D A Y D E C E M B E R 8 T H , 7 P M — 1 0 P M F R E E M E Z C A L TA S T I N G I N B U N G A L O W 5 P R E S E N T E D B Y M I A M I ’ S F I N E S T M I XO L O G I S T S .

R E B E L S I N PA R A D I S E W E D N E S D A Y, D E C E M B E R 5 T H — S AT U R D A Y, D E C E M B E R 8 T H , N O O N T O M I D N I G H T

PETER ALEXANDER 10/17/12, 2012 Urethane 40 x 40 in.

PETER ALEXANDER 8/7/12 (Big Pink Square), 2012 Urethane 60 x 60 in.

PETER ALEXANDER Untitled (Leaner), 1970 Polyester resin 104 1/2 x 5 1/2 x 3 in.

PETER ALEXANDER Wedge (Pink), 1965 Cast polyester 9.5 x 5.5 x 5.5 in.

JOHN ALTOON F-4, 1963 Pastel and ink on board 60 x 40 in.

STEVE BURTCH No.12028 & 12029, 2012 Polyester resin 104 1/2 x 5 1/2 x 3 in.

LARRY BELL Untitled, 1969 Vacuum-plated glass with metal binding 20 x 20 x 20 in.

JUDY CHICAGO Grey Domes With Solid Core, 1968 Sprayed acrylic lacquer on formed clear acrylic domes, 3 domes: 5 x 10 in. each Installed size: 30 x 30 x 43 in.

JUDY CHICAGO Iridescent Domes #2 (Small), 1968 Sprayed acrylic inside successive formed clear acrylic domes 3 domes: 2 x 5 in. each Installed size: 15 x 15 x 4 in.

JUDY CHICAGO Model For Fresno Fan #6, 1971 Sprayed acrylic lacquer on acrylic 15 x 30 in.

JUDY CHICAGO Rearrangeable Rainbow Blocks, 1965/2011 Sprayed acrylic inside successive urethane paint on aluminum Varies: 12 pieces, 6 - 12 x 12 x 48 in., 6 - 24 x 24 x 12 in.

RON COOPER Light Trap 8298, 1982 Plexiglass, front surface mirror, fiberglass and polyester resin, red pigment 24 x 24 x 3 5/8 in.

MARY CORSE Untitled (From the Inner Band Series), 2012 Glass microspheres in acrylic on canvas 84 x 84 in.

LADDIE JOHN DILL Light Sentence, 1971 Argon, mercury, and glass 89.5 in.

LADDIE JOHN DILL Light Sentence (30), 1971 Argon, mercury, and glass 89.5 in.

LADDIE JOHN DILL Light Sentence (6), 1971 Zenon and argon 67 in.

LADDIE JOHN DILL Primordial Fountain (Model), 2012 Tempered glass, argon light, cement and polymer emulsion, steel, pump, tubing and 40 gallon tank 44 x 60.25 x 37 in.

JOHANNES GIRARDONI Metaspace V2, 2012 Interactive light and sound sculpture with raw aluminum, fiberglass, resin leds and sensors with spectro-sonic re-frequencer 27 x 43 x 22 in.

JOHANNES GIRARDONI The (Dis)Appearance Of Everything, 2011 Installation with resin, led lights and spectro sonic refrequencer (v2.0) Dimensions variable

CRAIG KAUFFMAN Untitled, “Loop,” 1969 Acrylic and lacquer on plastic 94 x 47.25 x 9 in.

JOHN MCCRACKEN Energy, 2007 Resin, fiberglass, and plywood 89 x 17 x 11 in.

DE WAIN VALENTINE Clear Ring, 1969 Polyester resin 46 x 4 in.

DE WAIN VALENTINE Untitled (Discs), 1968 Fiberglass reinforced polyester 64 x 64 x 56 in.

BRIAN WILLS Untitled, 2012 Oil and rayon thread on wood 25 panels: 12 x 12 in. each

BRIAN WILLS Untitled, 2012 Oil, rayon thread and linear polyurethane on wood 60 x 48 in.

GISELA COLĂ“N Baby Pod (Nye + Brown Orange), 2012 Acrylic automotive lacquer on blow-molded plastic 14 x 21.5 x 7.5 in.

WENDELL CASTLE “Molar Group” settee white gel-coated fiberglass-reinforced plastic, 1969 Rochester, New York 52” L x 31” W x 26” H

WENDELL CASTLE “Molar Group” armchair white gel-coated fiberglass-reinforced plastic, 1969 Rochester, New York, 37” L x 32” W x 26” H

JORGE ZALSZUPIN Small cube shaped side table in jacaranda with glass top, 1960 For L’atelier, Brazil 18” L x 18” W x 20” H

JORGE ZALSZUPIN Pair of square side tables in jacaranda with glass tops, 1950s Brazil 23.5” L x 23.5” W x 12” H

JOAQUIM TENREIRO Set of eight upholstered chairs and black wrought iron legs, 1958 Brazil 17” L x 17.25” W x 36.25” H

ZONG-SUN BAHK “Trans-Sep09L03” floor lamp in beech and maple wood, 2009 Korea 7.09” L x 11.22” W x 74.02” H

GIUSEOOE OSTUNI Brass floor lamp with three adjustable shades in red, blue and white aluminum, 1950s For Oluce, Italy 70.75� H

JOAQUIM TENREIRO Rocking chaise lounge in solid jacaranda with upholstered cushion fiberglass reinforced polyester, 1947 Brazil 72” L x 28” W x 30” H

CHARLES HOLLIS JONES “Waterfall” barstool in acrylic with leather upholstery, 1963 Originally made for the Pip’s club in Los Angeles, owned by Playboy Magazine USA 16.7” L x 17” W x 33” H

CHARLES HOLLIS JONES “Waterfall” barstool with back, in acrylic with leather upholstery, 1963 Originally made for the Pip’s club in Los Angeles, owned by Playboy Magazine USA 18” L x 15.6” W x 45.5” H

358 W E S T 20T H S T REE T N E W Y O R K , N Y 10 011 212 3 6 6 4 4 9 3 G A L L E R Y @ N Y E H A U S.C O M

2 6 8 5 S O U T H L A C I E N E G A B LV D .

LOS ANGELE S, CA 90 034 310 5 5 9 5 215 G A L L E R Y @ N Y E P L U S B R O W N.C O M

16 8 5 C O L L I N S A V E N U E BUNGALOW 5 M I A M I B E A C H , F L 3 313 9

C ATA LO G M U SI C B Y S O PHI A U R I S TA “ W H O L E LO T TA LOV E” L I V E I N B R O O K LY N, N Y

Villain Brewing Co. Find us at villainbrewingco.com

“The destroyed live with panic the way others do with morning cough” – David Lerner

Get refreshed: societeperrier.com societeperrierus @sperrier_USA @societeperrierUS

Distiller of the Year 2011 - SF World Spirits Competition

DEL MAGUEY SINGLE VILLAGE ® MEZCAL From The Heart of the Agave and the Soul of the Village

Chichicapa, San Luis del Rio, Albarradas, Minero, Tobala, Pechuga, Crema.

Each variety is named after the Single Village where it is handcrafted. No chemicals. No comparison.

— New York Times

T H E

S I N G L E

V I L L A G E

S T O R Y

Del Maguey (ma-gay: Spanish for agave) was founded in 1995 by world-renowned artist Ron Cooper to bring to the marketplace previously unavailable 100% certified organic, artisanal Single Village Mezcal produced the original handcrafted way.

Through deep cultural relationships with Zapotec Mexican Indian producers in the remote villages of Oaxaca, Mexico, Del Maguey harnesses original 400 year-old, organic production processes that with varying micro-climates give the brands their individual, rich, sweet and smoky characteristics.

Imported by Sazerac Company, Louisville, KY

PLEASE DRINK RESPONSIBLY

EJ

C ON S

AL

L

E3-2012

www.mezcal.com

G

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A

And Four Time Double Gold Winner.

X I CA N O R E

AD

Distiller of the year 2011 SF World Spirits Competition

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“By any account, and as confirmed in our blind tasting, the mezcals of Del Maguey offer an opportunity to taste some of the best in the world”.

CA E LID LM C O AD DE MERCAM

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