KUSH SAVSANI - UG ARCHITECTURAL PORTFOLIO

“ YOU SEE, YOU EXPLORE ‘CAUSE WHAT YOU SEE SAYS MUCH MORE THAN THAT. ” -KUSH

KUSH SAVSANI

Curriculum Vitae

Kush Savsani

CONTENT

01 Academic Project 02 BMCT 03 Competeeon 04 Competeeon 05 Photographs 06

Academic Project Campus Design

Central Library

Working Drawings

Entry 1

Entry 2

07 BMCT & Graphics Sheets 08 Academic Project 09 Wriings

Weekend house

“The Sun does not realise how wonderful it is until after a room is made.”

- Louis Kahn

01

Academic Project Campus Design 4th Year Spring, 2020 Brief The main focus of the studio was to learn space management on a larger scale and redesign our own university campus.

The site is situated on jaipur-delhi higways with a huge land of 152 acre.The site has a vast mountain views around it.

MASTER PLAN The areas were divided acoording to the uses by students and faculties. also a huge green space was provides with large number of vegetation so that a micro climate is created.

Services and solar plant are provide on either sides of the site, also they are approachable with different enteries.

Lake along with amphitheatre is provided so that students can refresh their mind performing various activities there.

Cycle stands are provided at certain distance so they they can travel easily from one place to another.

Hotel Management Department

02

Academic Project CENTRAL LIBRARY 2ND Year Spring, 2019 Brief The main focus of the studio was to work according to column grid and design should be apropriate that it gives a mixed use of different enviroment.

To build a Library that provides a central learning and social space, as well as an informaaon and technology services hub for the whole student community. It needs to offer an environment that is different to the classroom.

TO PROVIDE PROPER ENVIROMENT WITHOUT USING MUCH MECHANICLE FACILITIES. A READER MUST CONNECT TO NATURE ON SITE THOROUGH OPENINGS PROVIDED IN BUILDING. GIVING THEM MORE NATURAL VENTILATION AND LIGHTING.

HUGE COURTYARD IS PROVIDED FOR NATURAL LIGHTNING

OPENING PROVIDED FOR VENTILATION ALSO PROVIDES LIGHTING

SITE PLAN

GROUND FLOOR PLAN

FIRST FLOOR PLAN

SECTION AA’

BASEMENT FLOOR PLAN

LEFT ELEVATION

SECTION BB’

FRONT ELEVATION

03

BMCT

Working Drawings 4th Year Spring, 2019 Brief The studio demanded a working plan and elevaaons of all the four walls of a toilet of an exissng house in Jaipur.

04

Competeeon

Entry 1 (ANDC 2018) “REMINISCING THE PAST”

THE

CITY OF JAIPUR WAS SPLITED INTO 9 BLOCKS, TWO OF THAT INCLUDES THE STATE BUILDING AND PALACES. THE REMAINING 7 PARTS ARE ALLOTED TO THE COMMUNITY

THE WALKWAYS OF THE PARKOTA MARKET ARE BETWIXT THE SHOPS AND THE MAIN ROAD. IT CONVEYS THE TRANSITION BETWEEN OPEN

AND CLOSE ENVIRONMENT ON ITS EITHER SIDES DUE TO THE HEAVY VEHICULAR MOVEMENT AND REGULAR CHAOS, THESE SPACES ARE UNAPPRECIATED AND MISUSED. LACK OF PARKING SPACES, HAWKER ENCROACHMENT AND LITTERING HAVE BECOME MAJOR CONCERNS AT THE SITE, THEREBY MAKING IT THANKLESS. THESE DRAWBACKS HAVE DEPRECIATED THE ESSENCE OF THE SITE, PROVING IT TO BE

JJJJJJ

A space is not just dimensions of height, depth and width within which all things exist and move, rather it is a mull-dimensional combinaaon and interaccon of input variables, such as material attributes, and process parameters that have been demonstrated to provide assurance of quality.

The design programme intends to delve into, recognize, and re-discover the liminal spaces in the respeccve context in order to educate the society.

RAM LILA MAIDAN RAM NIWAS BAGH PARKING LOT

The shaded steps serve as a siing space that concentrate on the screens installed for quick adver-sing and live telecasts. The steps are designed in such a manner that it provides transiion from the street to the siings.

There are places where boundaries dissolve a liile and we stand there, on the threshold geeng ourselves ready to learn the context of the unique architecture across the limits. A transiion can be in between the following: Nature and Buildings Open and Closed Dark and Light

“Music is the space between the notes.�

This space can be a bridge, foyer, hallway, stairs, sidewalks or the streets.

PATRIMONY R

EMINISCING

THE PAST

YESTERDAY

OOO CCCC MMMMMM

Jaipur, the capital city of Rajasthan, India, sets the perfect example of melessness and culture owing to its parkotas, chaupars, bazars that are accve even today.

Originally, the parkota bazar was designed to promote the pedestrian movement on the roads with shops aligned on either sides. But the whole concept has been altered over the years due to perpetual vehicular movement leading to noise, traďŹƒc jams, polluuon, etc.

To regain the essence of the pedestrian walkways, in consultaaon with the residents and the shopkeepers, we propose to rearrange and accvate the parking lots of Ram Niwas Bagh, Ramlila Maidan, Chandpole Metro Sta-on and Aaash Market.

According to Transit-Oriented Development (TOD) theory, i.e. minimising the private transport and maximising the public transport, we propose a ‘Tram Train’ which will facilitate tourists and ciizens to get a ride through the vibrant pink heritage. Once these issued are resolved, special design elements are introduced that aim to bring back the spirit of the streets.

With our proposal we hope to unite future with the past, imbibing the crux of yesterday to build a sustainable tomorrow.

TODAY

TOMORROW

05

Competeeon

Entry 2 (ANDC 2018)

06 PHOTOGRAPHS “Taking an image, freezing a moment, reveals how rich reality truly is.”

07 WRITTINGS “Write to yourself, ‘cause someeme talking to yourself is beeer then talking to someone else.”

-KUSH I SEE THINGS, FEEL IT AND SOME SOMETIMES IT FEELS SICK TO THINK OF SOMETHINGS THAT WAS NOT GOOD, THE WORLD HAS BEEN SO MEAN THAT WE CAN’T SHARE THINGS BECAUSE THERE ARE PEOPLE TO JUDGE, BUT SOMEHOW WRITTING HAS MADE ME FEEL BETTER THEN TO KEEP THINGS TO MY SELF AND FOUND A MEDIUM TO SHARE MY THOUGHTS & VISION TO SEE WORLD IN A DIFFERENT PRESPECTIVE.

08

BMCT & Graphics Sheets

09

Academic Project Primary School - 3rd sem

THANKYOU savsanikush143@gmail.com +91 9001087351