Kurt Jackson: Foxgloves

Foxgloves Kurt Jackson

i

Foxgloves Kurt Jackson to Caroline front cover Morning hedgetop. 2025. (detail) mixed media on museum board

ii

22 × 22 cm

KU R T J AC K S O N Editions 2026

Foxgloves 2025 was the year of the foxgloves, not as in a Chinese year but simply in the mass and profusion of these flowers blooming. I have obviously worked with these plants many times before, but this year I studied them intensely across Cornwall; everywhere I found myself, the foxgloves were there as well, waiting to be painted.

It often seems to me incredible that the hedges and field margins are bedecked by such a magnificent flower. As showy and eye-catching as any lupin or del­ phinium, in fact it is one of the few wildflowers often grown in the garden in the same form as is found in the wild in Britain; it just doesn’t need to be improved or changed.

I painted them repeatedly and found that their colour and tone depended on the light; they are creatures of sunlight, absorbing and reflecting, their form defined by strong directional light. High-lit or silhouetted, the bells can be deep purple almost black to shining white, pink, fuchsia with all the range between; maroon, mauve, magenta, carmine. Up close they are a column, a spike of pods and bells; a stack arranged vertically, tottering in declining size as they rise up the stem. And when studied within touching

distance they come alive with the endless visits of bumblebees, rattling and buzzing with the hum and drone of these speedy pollinators. They are beautiful plants to paint, complete in colour, form, movement and sound.

They are also powerful plants. When admiring their beauty and charisma there is also a wisdom somehow attached to those nodding heads. Can there be such a thing as a wise plant? Or is it a sort of well-bred, noble presence? I think it’s tied up with their herbal, chemical properties. A plant that can control your heart.

As I read in the Woodland Trust magazine: “…tower­ ing flower spikes bring a splash of colour to the wood­ land understory, but common foxgloves (Digitalis purpurea) – also known as dead men’s bells – have a deadly defence mechanism. Toxic cardiac glycosides throughout the plant can cause severe poisoning to anyone who consumes them. However, these same chemicals are used in conventional medicine to treat heart failure and high blood pressure. It’s therefore been said that foxgloves have the power to ‘raise the dead but kill the living’.”

I painted them against the sky and the land, laying them over the background or bringing the surround­ ings in and over to establish their exact form, their ‘fox­gloveness’; dark shadows pushing in, to contrast them against their backlit varnished glow or layers of

← Pushing up through the burnt gorse, Wingletang, St Agnes. 2025. oil and mixed media on canvas 100 × 100 cm

2

vivid grass-green placed up to and around the silhouetted bells and thin stem. In the early mornings and late afternoons, the plants carry their halos when the low light delineates each bell, bud, pod and the stem. Edged, rimmed as if by ice they shine sharply to define their distinct form.

Sorrel and foxgloves. 2025.

mixed media on museum board 22 × 22 cm

3

4

From the studio door. 2025.

mixed media on canvas 100 × 100 cm

Studio foxgloves. 2025. oil and mixed media on canvas 100 × 100 cm

5

Hedge Ogle I look at you And you look at me Every hedge has an eye (and ditch an ear) An eye to eye contact Crossing the animal-plant divide Multi-eyed feminine fatale In your feminizing purple You shimmy, shudder, sway Seductively Freckled, heavy browed, brooding All noddle and backbone Confident You, hold your head high Fix me with that stare A stare across an empty room We know our place, our stations Never to really meet We cannot connect across this divide.

May, 2025

From witches and weasels…. 2025.

oil and mixed media on canvas 122 × 183 cm

6

7

← Walking to the pub one evening.2025.

oil and mixed media on canvas 122 × 122 cm

8

Evening sealight. 2025.

mixed media on museum board

22 × 22 cm

9

The white foxglove. 2025.

mixed media on museum board

10

Sea murmur, foxglove stalks’ whisper. 2024. mixed media and collage on canvas 130 × 130 cm

22 × 22 cm

Jam jar of foxglove, sticky willy, buttercup and sow thistle. 2025. mixed media on museum board 22 × 22 cm

11

Inconvenient Beauty Ascending the steps Those chunky granite blocks As lumpen as handmade chips I come face to face With a bold brazen foxglove Centre stage Floodlit in glorious saturated colour By the low solstice sun She blocks my stride Stares me down All buzzy and rattley With her fat bumbles In vibrant violet bells What can I do?

But step aside Detour around Acknowledging her superiority A bow to hierarchy I pass on by Summer, 2025

Foxglove cliff. 2025.

mixed media on card

12

101 × 149 cm

13

Foxglove box. 2005.

box construction 16.5 cm × 11.5 cm × 9 cm

14

“ Oh foxglove on the wall you meet me nicely today”. 2025. mixed media on museum board 22 × 22 cm

November foxglove, up the Church Path to St Just. 2025. mixed media on museum board 22 × 22 cm

15

Sun down behind the rocks, campion and foxgloves. St Agnes 2025. mixed media on museum board

16

22 × 22 cm

Jam jar of foxgloves, navelwort, bluebells and three-cornered leek. 2025. mixed

media on museum board 22 × 22 cm

Gorse and foxgloves. 2024.

mixed media on museum board

22 × 22 cm

Pint of Scillonian foxgloves, gladioli and campion. 2025. mixed media on museum board 22 × 22 cm

17

← Autumn 2025.

mixed media on canvas 122 × 122 cm

Foxglove and buttercups. 2025. mixed media on museum board

18

22 × 22 cm

To St Just. 2026.

Etching

Plate size 40.5 × 28.5 cm Edition of 30 cm

19

Frenchman’s Creek jug. Mayweed, foxglove, woundwort, knapweed, nightshade. 2025 mixed media on museum board

20

22 × 22 cm

Hot foxgloves, St Agnes. 2025.

mixed media on museum board 22 × 22 cm

Foxglove, knapweed, woundwort, nightshade, mayweed. 2025. mixed media on museum board

22 × 22 cm

Evening hedge. 2024.

mixed media on museum board 22 × 22 cm

21

They look down on me. 2023.

mixed media on museum board

22

22 × 22 cm

By my front door. 2025.

mixed media on museum board 22 × 22 cm

Western Rocks off St Agnes. Troy Town patch of foxgloves. 2025.

mixed media on museum board

40 × 40 cm

23

Thistles and foxgloves in the sunshine. 2025.

mixed media on museum board

24

22 × 22 cm

Verge. 2021.

mixed media on museum board

22 × 22 cm

25

I went to the flower shop in Penzance and bought local dahlias and ornamental foxgloves. 2025. mixed media on museum board

26

60 × 60 cm

Bioblitz of a common foxglove. 2024. mixed media on museum board

60 × 60 cm

27

Two foxgloves. 2025.

mixed media on museum board

28

31.5 × 21.5 cm

The palm, the foxglove, Cornwall. 2025.

mixed media on museum board 22 × 22 cm

Hum, buzz and rattle. 2024.

mixed media on museum board

30 × 30 cm

29

St Agnes skyline, linnets singing. 2025. mixed media on canvas board

30

40 × 40 cm

Choughs calling, foxgloves swaying, the rain arrives. 2025.

mixed media and collage on card 40 × 40 cm

31

Morning hedgetop. 2025.

mixed media on museum board

32

Gone to seed. 2025.

22 × 22 cm

mixed media on museum board 22 × 22 cm

Carn Gloose Cliff. And the foxgloves dare to put their heads up in the wind to sway and nod gracefully. 2025. mixed media on museum board

50 × 50 cm

33

Happy bird song and the murmur of the sea. Buzzed by rose chaffers, bumble bees and burnet moths. 2025. mixed media on museum board

34

50 × 50 cm

Every hedge has an eye, every ditch an ear. 2024. mixed media on museum board

50 × 50 cm

35

Summer hogweed bank. 2025. mixed media on canvas board

36

40 × 40 cm

Above the bracken with the blackbird song. 2025. mixed media on wood panel 60 × 60 cm

37

The last foxglove of the year? 2025. mixed media on museum board

38

60 × 30 cm

Woodland seedhead. 2025.

mixed media on museum board

46 × 37 cm

39

St Just Church hiding in the mist. Flowers hiding in the hedge. 2025. mixed media on wood panel

40

60 × 60 cm

Poolside, rain coming in. 2023.

mixed media on mount board 60 × 60 cm

41

Horse and foxgloves. 2025. mixed media on wood panel

42

60 × 60 cm

Hot afternoon, St Just foxgloves. 2025.

mixed media on wood panel 60 × 60 cm

43

Mid-August, Frenchman’s Creek At the side of the path, on the ground amongst the ferns I see a scattering of pink foxglove tubes. Up above me, standing looking down on me is a final flowering foxglove. Over two meters tall, the stalk is as knobbly as a line of vertebrae and lanky with just four bright flowers perched on the very top. It must have bloomed dozens of times over its three or four months of contin­ ual flowering, and now was on its last. It tottered, swayed in the breeze. A bee landed on the pink petals causing the plant to bow down. The bumblebee, a carder bee, orange-brown and furry, disappeared inside the flower but the rattling buzz was audible as it tumbled around inside. When it took off and flew away, the plant once again sprang back, delicately balanced like a set of weighing scales.

I stood and drew the tall thin foxglove in its wood­ land setting beneath the ash trees. Was this my last flowering foxglove of the year? Around her feet next year’s plants were growing, bunched crowns of green leathery leaves.

A vivid orange apparition alighted on the foxglove flower, tangerine bright, as if a piece of orange peel had floated down. The comma butterfly fluttered to sip from the petals, perched for a few minutes and then was off, disappearing into the trees.

Yet another tube fell from the foxglove, tumbled down to join the others littering the woodland floor.

Now only three remained; time was visible here, tangible.

Frenchman’s Creek. There is tidal time and foxglove time. Low water and foxglove seed head. 2025. mixed media on canvas board

44

60 × 60 cm

Creek. Foxglove stalks and oak branches. 2025. mixed media on museum board 60 × 60 cm

45

Cottage garden. 2024.

mixed media on wood panel

46

Foxglove and comma butterfly in a sun-filled glade. 2025.

60 × 60 cm

mixed media on wood panel 60 × 60 cm

47

Glade I sit in the deep dark shade of a patch of Cornish wood­ land. In front of me stands a solitary foxglove, vertical and still; seven purple bells on top of a thin stem. The plant is noticeable because dappled sunlight spotlights the topmost buds against the dark green background.

Almost theatrical, the colourful star on her stage, and I am the audience. I paint her portrait on a board propped before me, this purple in the green.

The air is dominated by the stink of a fox; ironically the flower’s namesake has scented this place, marked my spot, made it foxy. Reynard’s aftershave is cloying and probably clinging; I wonder whether I will carry it away with me afterwards along with my painting.

Midges nibble, distracting me. A blackcap sings above, a beautiful summer melody while the occasional visiting bumblebee buzzes into my arena and out again, entering stage left, leaving stage right.

As the afternoon progresses, the sunlight’s focus shifts to other parts of the foxglove. A single bell is illuminated fuchsia bright, then a large pale leaf at the base lights up, then a section of the stem. Searchlight bright. It makes me examine the plant part by part, almost anatomically, botanically. The same shift with the sun’s arc happens all around, the mass of brambles, grass and tree leaf are dappled bright and dark with a host of shades of green, vivid grass-green through to almost black; moving slowly all-around. All is dynamic but in slow motion.

June, 2025 Glade. 2025.

mixed media on wood panel

48

60 × 60 cm

Summer between the fields. 2025.

mixed media on canvas board 60 × 60 cm

49

Cornish hedge, whitethroat singing. 2025. mixed media on wood panel

50

60 × 60 cm

Solstice foxgloves. 2025. pencil on paper

57 × 57 cm

51

Calm warm May morning, “Plover Cove”, Scilly. 2025. mixed media on museum board

52

60 × 60 cm

Scilly blue seas, foxgloves in the sea pink meadows. 2025. mixed media on museum board

60 × 60 cm

53

Rocking back and forth in the breeze. 2025. mixed media on museum board

54

22 × 22 cm

The foxgloves have finished flowering. Tresco to St Martins. 2024. mixed media on paper 57 × 60 cm

In the gorse. To Gugh. 2025.

mixed media on museum board

60 × 60 cm

55

Periglis Foxgloves Gladioli Some campion A smudge of seasonal glow For the winds to blow Of Scilly pink, magenta, maroon Party bright Confectionary dainties Toe varnish vivid Lipstick hues This warmth of the hedge Skirts the sea’s edge Gathers the sunlight The sun’s own paint At the end of the day In this summer’s May To the delight of the evening This red array May, 2025

Morning sharp light, Scilly. 2025. mixed media on museum board

56

60 × 60 cm

Western Rocks, Scilly foxglove, Scilly heat. 2025. mixed media on museum board 60 × 60 cm

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Close Up Looked at closer, full in the face, eye to eye so to speak, you see that the mauve gloves are paler inside with a rash of tiny spots, a dark purple, measly, speckled in the interior. The ceiling of the flower is lined with delicate linear anthers, each loaded with yellow pollen, ready to stroke the hairy back of a bee. The anthers surround the stamen, and once the flowering is over and the petals have fallen, this single filament is what remains, protruding from the slowly swelling base – the new seedpod. The pods, each with their multilobed surrounds, desiccate and turn brown once all the flowers have finished, and then the dried foxglove soon resembles a rusty wrought-iron floral piece, a vertical length of gothic metalwork, decorative, almost like ecclesiastical Victoriana.

When accompanied by a haze of pretty pink from the campion flowering alongside, the array of purplepink-cerise is nearly garish. Gorgeous. And then the sorrel’s rusty red sprays of Venetian terracotta add to the red spectrum and the occasional wild gladiolus (the whistling jacks) trespass into the wildflower show, just to confuse the eye and exaggerate this floral display.

The foxgloves provide a welcome vertical element to my compositions in this horizontal world. They disrupt the flatness, provide drama as well as the dabs of colour punctuating the hedges, backs of beaches and field edges.

On St Agnes on Scilly I wrote, “… are these the most westerly foxgloves? ... The skyline is broken by the purple spikes everywhere you look. Except for at the actual water’s edge, they grow across the island pushing up through the gorse, brambles or grass; swaying gently in the breeze.”

I wandered all over the island, across and around, finding foxgloves posing for me against blue seas and the glowing Atlantic, between the small fields and on the verge of the paths. Every carn was topped by its own massive granite boulders but alongside foxgloves competed, piercing the skies to overlook the island.

They kept watch, stately, aristocratic, graceful.

I was there at the peak of their flowering season; they are at their best in May but will continue for a good few more months as the buds open further up the spikes.

June, 2019

Goldfinch, campion, foxgloves, sorrel, wren. Distant isles. 2025. mixed media on museum board

58

60 × 60 cm

59

Periglis foxgloves and sea beet. 2025. mixed media on museum board

60

60 × 60 cm

St Warna’s Cove, St Agnes. Bees buzz in the foxglove, blackbirds whistling, silent sea. 2025. mixed media on museum board

60 × 60 cm

61

Hot Ginamoney evening. The foxgloves watch the sunlight silver the sea. 2025. mixed media on paper

62

57 × 57 cm

Thrift and foxgloves. Porth Coose, St Agnes. 2025. mixed media on paper

57 × 60 cm

63

Peraskin, stand of foxgloves. 2025. mixed media on paper

64

57 × 61 cm

Back of Beady Pool, brambly boulders and foxgloves. 2025. mixed media on paper

57 × 60 cm

65

The Season’s End Summer is moving on now, and yet I still find one last foxglove in flower. A few bright petals at the top of the tall stem. It’s funny this seasonal business we all live through, take for granted. The last flash of purple by the hedge before the long autumn and winter, before we (us and the foxglove) will meet again. It’s like saying goodbye to someone; knowing that you won’t meet again till the next whatever – holiday, visit? That enforced gap of separation. These timely associations that result, when a presence is combined with a season and the weather at the time, it all leads to memories, nostalgia, emotive connections. This year will always exist as the ‘foxglove year’ for me, these plants will now always provoke memories of the family and these times, walking in our fields with the grandchildren, the cattle, the long hot summer; joy and happiness.

August, 2025

Summer into autumn. 2025. oil on wood panel

66

60 × 60 cm

A change of season. 2025.

mixed media on wood panel

60 × 60 cm

67

Solstice foxgloves. 2025. ink on paper

68

57 × 57 cm

Foxglove. 2025.

soft ground etching

Edition of 30

69

Tonic. 2025.

serpentine and bronze unique

70

25 × 32 × 8 cm

Pods. 2025.

stoneware 12 × 10 cm each (approx.)

71

About Kurt Jackson A environmentalist and true polymath, Jackson’s holistic approach to his subject seamlessly blends art and politics providing a springboard to create a hugely varied body of work unconstrained by format or scale.

Jackson’s artistic practice ranges from his trad­­e­mark visceral plein-air sessions to studio work and embraces an extensive range of materials and techniques including mixed media, large canvases, print-making and sculpture.

The son of artists, Jackson was born in Blandford, Dorset in 1961. While studying Zoology at Oxford University he spent most of his time paint­ing and attending courses at Ruskin College of Art. On gaining his degree he travelled extensively and independently, painting wherever he went before putting down roots in Cornwall with his wife Caroline in 1984.

Jackson’s focus on the complexity, diversity and fragility of the natural world has led to artist-in-

JacksonFoundation North Row | St Just | tr19 7lb

residencies on the Greenpeace ship Esperanza, the Eden Project and for nearly 30 years Glastonbury Festival which has become a staple of his annual working calendar.

Over the past forty years Jackson has had numerous art publications released to accompany his exhibitions.

Six monographs on Jackson have been published by Lund Humphries depicting his career so far; A New Genre of Landscape Painting (2010), Sketchbooks (2012), A Kurt Jackson Bestiary (2015), Kurt Jackson’s Botanical Landscape (2019), Kurt Jackson’s Sea (2021) and Kurt Jackson’s Rivers (2024). A Sansom & Com­pany published book based on his touring exhibition Place was released in 2014.

Jackson regularly contributes to radio and television and presents environmentally informed art documen­ taries for the BBC and was the subject for an awardwinning BBC documentary, A Picture of Britain.

He has an Honorary Doctorate (DLitt) from Exeter University and is an Honorary Fellow of St Peter’s College, Oxford University and an Honorary Fellow of Arts University Plymouth and a Bard of the Gorsedh Kernow (Cornish Gorsedd). He is an a­mb ­ assador for Survival International and frequently works with Green­ peace, Surfers Against Sewage, Friends of the Earth and The Wildlife Trusts. He is a patron of human rights charity Prisoners of Conscience. He is an academician at the Royal West of England Academy.

Kurt Jackson and his wife Caroline live and work in the most-westerly town in Britain, St Just-in-Penwith where in 2015 they set up the Jackson Foundation.

Kurt and Caroline have three grown children and eight young grandchildren.

First published in 2026 for the Foxgloves exhibition,

Printed by Park Lane Press on FSC-certified paper using fully sustainable, vegetable oil-based inks.

Powered by 100% renewable resources, utilising waterless printing technology and achieving zero waste to landfill.

Print production systems are registered to ISO 14001 and ISO 9001, B Corp certified, and a SEDEX member.

by Kurt Jackson Editions www.kurtjackson.com isbn 978-1-0686620-6-5

info@kurtjackson.com

Publication © Kurt and Caroline Jackson Ltd 2026

jacksonfoundationgallery.com

All images, words and poetry © Kurt Jackson 2026

+44 (0) 1736 787638

f jacksonfoundation @jacksonfgallery

72

Portrait photography © Maceo Tucker 2026 Art Photography by Fynn Tucker and The Logical Choice Design by Lyn Davies www.lyndaviesdesignfolio.com

KU R T J AC K S O N Editions 2026

Jackson Foundation

KURT JACKSON page

Foxgloves March – August 2026 price list

title / media

dimensions

price

22 × 22 cm

£3,500

f. cover Morning hedgetop. 2025 mixed media on museum board 2

Pushing up through the burnt gorse . . . 2025 oil and mixed media on canvas

3

122 × 183 cm 122 × 122 cm

£35,000

22 × 22 cm

£3,500

Sea murmur, foxglove stalks’ whisper. 2024 130 × 130 cm 22 × 22 cm 22 × 22 cm 101 × 149 cm

Two foxgloves. 2025

mixed media on museum board mixed media on museum board

22 × 22 cm

£3,500

22 × 22 cm

£3,500

22 × 22 cm

31

Choughs calling, foxgloves swaying . . . 2025

32

Morning hedgetop. 2025.

mixed media and collage on card mixed media on museum board 32

22 × 22 cm

£3,500

Pint of Scillonian foxgloves, gladioli . . . 2025 mixed media on museum board Autumn. 2025

19

Foxglove and buttercups. 2025

22 × 22 cm

£3,500

mixed media on canvas

122 × 122 cm

mixed media on museum board

£35,000

22 × 22 cm

£3,500

To St Just. 2026 (unframed) solar etching, edition of 30

40.5 × 28.5 cm

£850

40 × 40 cm

£6,500

22 × 22 cm

£3,500

22 × 22 cm

£3,500

60 × 60 cm

£8,500

60 × 60 cm

nfs

31.5 × 21.5 cm

£4,000

22 × 22 cm

£3,500

30 × 30 cm

£5,000

40 × 40 cm

£6,500

40 × 40 cm

£6,500

22 × 22 cm

£3,500

22 × 22 cm

£3,500

50 × 50 cm

£7,500

50 × 50 cm

£7,500

50 × 50 cm

£7,500

40 × 40 cm

£6,500

Every hedge has an eye, every ditch an ear. 2024 mixed media on museum board

36

£3,500

Happy bird song and the murmur of the sea . . . 2025 mixed media on museum board

35

22 × 22 cm

Carn Gloose Cliff. And the foxgloves dare . . . 2025 mixed media on museum board

34

£3,500

Gone to seed. 2025 mixed media on museum board

33

22 × 22 cm

St Agnes skyline, linnets singing. 2025 mixed media on canvas board

£3,500

Gorse and foxgloves. 2024

£3,500

Hum, buzz and rattle. 2024 mixed media on museum board

30

22 × 22 cm

The palm, the foxglove, Cornwall. 2025 mixed media on museum board

£3,500

Jam jar of foxgloves, navelwort, bluebells . . . 2025

18

19

22 × 22 cm

Sun down behind the rocks, campion . . . 2025

mixed media on museum board 17

28

mixed media on museum board

29

November foxglove, up the Church . . . 2025

mixed media on museum board 17

Bioblitz of a common foxglove. 2024

nfs

“Oh foxglove on the wall . . . 2025

mixed media on museum board 16

27

28

mixed media on museum board 16

I went to the flower shop in Penzance . . . 2025

£20,000

Foxglove box. 2005

mixed media on museum board 15

mixed media on museum board

£3,500

Foxglove cliff. 2025

£3,500

Verge. 2021

26 £3,500

Jam jar of foxglove, sticky willy, buttercup . . . 2025

box construction 16.5 cm × 11.5 cm × 9 cm 15

£52,000

The white foxglove. 2025

22 × 22 cm

Thistles and foxgloves in the sunshine. 2025 mixed media on museum board

25

£3,500

Western Rocks off St Agnes. Troy Town . . . 2025 mixed media on museum board

24

22 × 22 cm

By my front door. 2025 mixed media on museum board

23

£3,500

They look down on me. 2023 mixed media on museum board

£50,000

22 × 22 cm

Evening hedge. 2024 mixed media on museum board

22

price

Foxglove, knapweed, woundwort . . . 2025 mixed media on museum board

£30,000

Evening sealight. 2025

mixed media on card 14

100 × 100 cm

dimensions

Hot foxgloves, St Agnes. 2025 mixed media on museum board

£30,000

Walking to the pub one evening. 2025

mixed media on museum board 12–13

£3,500

From witches and weasels…. 2025

mixed media on museum board 11

mixed media on museum board

22

mixed media and collage on canvas 11

22 × 22 cm 100 × 100 cm

mixed media on museum board 10

£30,000

Studio foxgloves. 2025

oil and mixed media on canvas 9

Frenchman’s Creek jug. Mayweed, foxglove . . . 2025

21

oil and mixed media on canvas 8

100 × 100 cm

From the studio door. 2025

oil and mixed media on canvas 6–7

20

21

mixed media on canvas 5

title / media

20

Sorrel and foxgloves. 2025 mixed media on museum board

4

page

Summer hogweed bank. 2025 mixed media on canvas board

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page

title / media

37

Above the bracken with the blackbird song. 2025 mixed media on wood panel

38

The last foxglove of the year? 2025

39

Woodland seedhead. 2025

mixed media on museum board mixed media on museum board 40

60 × 60 cm

£8,500

60 × 60 cm 57 × 57 cm 60 × 60 cm

mixed media on museum board 57

Western Rocks, Scilly foxglove, Scilly heat. 2025

58

Goldfinch, campion, foxgloves, sorrel . . . 2025

60

Periglis foxgloves and sea beet. 2025

61

St Warna’s Cove, St Agnes. Bees buzz . . . 2025

62

Hot Ginamoney evening. The foxgloves . . . 2025

63

Thrift and foxgloves. Porth Coose, St Agnes. 2025

64

Peraskin, stand of foxgloves. 2025

65

Back of Beady Pool, brambly boulders . . . 2025

mixed media on museum board mixed media on museum board mixed media on museum board mixed media on museum board mixed media on paper mixed media on paper mixed media on paper mixed media on paper 66

Summer into autumn. 2025

67

A change of season. 2025

68

Solstice foxgloves. 2025

69

Foxglove. 2025 (unframed)

oil on wood panel mixed media on wood panel

£8,500

ink on paper

£5,500

soft ground etching. edition of 30 70

Tonic. 2025

71

Pods. 2025

nfs

60 × 60 cm

£8,500

22 × 22 cm

£3,500

Rocking back and forth in the breeze. 2025 mixed media on museum board

mixed media on museum board

£8,500

Scilly blue seas, foxgloves . . . 2025 mixed media on museum board

54

£8,500

Calm warm May morning . . . 2025 mixed media on museum board

53

60 × 60 cm

60 × 60 cm

Morning sharp light, Scilly. 2025

£8,500

Solstice foxgloves. 2025 pencil on paper

52

60 × 60 cm

56

mixed media on paper

£8,500

Cornish hedge, whitethroat singing. 2025 mixed media on wood panel

51

60 × 60 cm

In the gorse. To Gugh. 2025

£8,500

Summer between the fields. 2025 mixed media on canvas board

50

60 × 60 cm

55

£8,500

Glade. 2025 mixed media on wood panel

49

60 × 60 cm

The foxgloves have finished flowering . . . 2024

£8,500

Foxglove and comma butterfly . . . 2025 mixed media on wood panel

48

60 × 60 cm

54

£8,500

Cottage garden. 2024 mixed media on wood panel

47

£8,500

Creek. Foxglove stalks and oak branches. 2025 mixed media on museum board

46

60 × 60 cm

Frenchman’s Creek. There is tidal time . . . 2025 mixed media on canvas board

45

£6,500

Hot afternoon, St Just foxgloves. 2025 mixed media on wood panel

44

46 × 37 cm

60 × 60 cm

title / media

£6,500

Horse and foxgloves. 2025 mixed media on wood panel

43

60 × 30 cm

page

£8,500

Poolside, rain coming in. 2023 mixed media on mount board

42

60 × 60 cm

price

St Just Church hiding in the mist . . . 2025 mixed media on wood panel

41

dimensions

serpentine and bronze unique stoneware

dimensions

price

57 × 60 cm

£8,500

60 × 60 cm

£8,500

60 × 60 cm

£8,500

60 × 60 cm

£8,500

60 × 60 cm

£8,500

60 × 60 cm

£8,500

60 × 60 cm

£8,500

57 × 57 cm

£8,500

57 × 60 cm

£8,500

57 × 61 cm

£8,500

57 × 60 cm

£8,500

60 × 60 cm

£8,500

60 × 60 cm

£8,500

57 × 57 cm

£5,500

30 × 25 cm

£550

25 × 32 × 8 cm

£7,000

12 × 10 cm each

nfs