Russian Design before 1917

As a notion (or movement), Russian design was born at the end of the 19th century, when some welleducated but not so noble or royalty individuals (bourgeois) started to create everyday objects for a living. Most of the time, for them, it was not the only professional direction. The market only had begun to evolve (comparing to jewelry, that was well developed). These professionals established a core of the local Art & Craft movement with two main creative centers — Abramtsevo and Talashkino. The main goal for both was to evaluate, interpret, and preserve national heritage. After the revolution of 1917, the activity of these centers was stopped. Most of the specialists have emigrated. Those who stayed and cooperated with a new government chose different (more corresponded to new reality) creative approaches.

Here I put objects that, in my opinion, should be placed in a traditional Russian house. In must be mentioned that my opinion has a little in common with real history. It is more of an impression, based on my experience and knowledge. Most of these examples were designed at the beginning of the 20 th century and were intended to take place in some wealthy persons’ houses, who admired the “Russian” style.

Although these objects have different functionality and must be placed in different parts of a house, they have something in common. First, a high amount of decorative elements. Russian style generally is incredibly decorative, and patterns are mesmerizing, despite the general simplicity of shape. Presented Bratina (which is a kettle or jar) is an exception. Second, wood is one of the favorite materials of those days artisans and designers (among with ceramics, precious metals, and fabric). Finally, the color palette is not vivid (as usually assumed), but more natural, even desaturated. It is also caused mostly by fashion and designers’ interpretation of that time. But after more than a hundred years only art specialists remember that. As a designer, I feel a full right to play with this knowledge. Besides, all of these objects are no longer relevant. So for any potential adaptation, it is required to glance at their evolution at first. I have no strict plan to design any of these. To me, it is essential to observe current trends and general spirit.

From a personal perspective