"Waltzing Dervish" for Wind (powered) Ensemble by Keane Southard

Keane Southard

Waltzing Dervish For

Wind (powered) Ensemble

(2010) (Duration: c. 10 mins.)

Instrumentation: Piccolo 3 Flutes 2 Oboes English Horn Eb Clarinet 4 Clarinets in Bb Bass Clarinet in Bb (with low C) 2 Bassoons Contrabassoon (if not available, Contrabass Clarinet in Bb may be used [part included in set]) Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone 4 Trumpets in Bb (Trumpet 1 doubling Flugelhorn) 4 Horns in F 2 Trombones Bass Trombone Euphonium Tuba Piano String Bass Timpani Percussion 1: Crash Cymbals, Suspended Cymbal, Rute on Bass Drum Shell, Xylophone, Tambourine, Large Bass Drum, Crotales Percussion 2: Snare Drum, Cabasa, Hi-hat, Marimba, Cuica (Lion's Roar), Sizzle Cymbal, High Triangle, Large Tam-tam, Crash Cymbals, Siren (with crank) Percussion 3: Large Bass Drum, Rute on Bass Drum Shell, Glockenspiel, Sandblocks, Xylophone

Transposed Score

Program notes: Waltzing Dervish for Wind (powered) Ensemble was begun in January 2010 and finished in March of the same year. For the past year or so, I have been struggling to find a way to marry my passion for music with my desire to contribute as much as I can to solving the immense and pressing crises of the world. While I have no doubt that Art plays an important role in the wellbeing and healing of the world, I feel that the impact of great music, especially “classical” music that has been written since the 20th century, is less immediate. Who am I to make a living spending most of my time in solitude writing music that few people will hear, and even fewer will be impacted positively by, when these huge crises threaten to end human existence in the relatively near future? How can I make a real, immediate, and positive contribution to ensuring a just, stable, and improved future for our world through the medium I am most passionate about? Around the same time, I started to recognize my affinity for waltzes. The image of people dancing the Viennese Waltz with their constant spinning has always appealed to me as being so carefree and a way to lose oneself. I find the feel and lilt of the waltz to be so wonderfully cathartic (although I confess I'm not a very good dancer at all). I also realized that I've subconsciously associated this dance with spirituality, just as whirling dervishes in the Mevlevi order of Sufi Islam use spinning to lose their ego and attain a closer connection to God. After identifying this connection, I remembered that as a young child I used to love to spin in place as fast as I could to get as dizzy as possible in, of all places, church during the coffee hour after the service. We also had a “Sit 'n Spin” that I remember spinning on all the time, so I had made this connection ever since I was very young. In addition, the waltz is an extremely adaptable dance form, and I enjoy Viennese, Chopin, Circus, Ravel, Brazilian, Russian, Schoenberg, and Strauss waltzes to name a few manifestations. It can, and has been, adopted by many different cultures, yet still maintains the same wonderful feel. And so I began formulating a plan to write a set of waltzes where the individual dances would be in contrasting styles. The idea stayed in my mind until I drove cross-country with my father in September 2009 while moving from Massachusetts to Colorado to begin graduate school. While driving through Iowa, we passed through two wind farms, and I was struck at how majestic and beautiful these spinning structures were, as well as their obvious symbolism of a new clean-energy future. On our “Great American Road-trip” across my home country that I have become increasingly critical of and disillusioned with, I had found something that I could be proud of. Looking across the vast expanse of the golden plains, I realized the enormous potential for clean renewable wind energy we have in this country. There is no arguing about the clean energy resources we have in our country (one recent study suggests that we have enough potential wind energy in the USA satisfy our current energy needs sixteen times over) and our only obstacle is to move away from fossil fuels and simply put up more wind farms. Yet many people still view these turbines as eyesores and feel that their clean-energy production is not worth having such “hideous” structures in their line of view. The spinning of the wind turbines immediately connected with my idea to write a set of waltzes. By writing a set of diverse waltzes, I could help to elevate and show the beauty of the wind turbine as a symbol of the Real America. The use of the waltz in different cultural styles and my association with its spiritual side would show that climate change transcends cultural differences and that we all need to address this problem together as one humankind instead of wasting our precious time arguing that one country or religion is more responsible for our problems than others. I hope that this music depicts the majesty, power, beauty, hopefulness, playfulness, ecstasy, and “Joie de vivre” of these spinning structures and people. And what better medium to write this work for than an ensemble that runs on wind power itself? Keane Southard 2010

Performance instructions: 1.

Tenuto marks (-) over notes indicate more weight/stress on the note and does not indicate space to be placed in between that note and the next (unless the tenuto is combined with a staccato).

2. Notes with triangle noteheads (∆) indicate that the performer should play the highest note possible on the instrument (or the indicated string for the String Bass) at the given moment. 3. Near the end of the work, the pianist is required to wear a glove on their right hand in order to execute the loud and fast cluster-glissandi. The glove must be of a material that will glide smoothly and quickly across the keys while protecting the performer's hand from damage. 4. It is preferred that the work is performed with one player per part. 5. Unless otherwise indicated, the damper pedal (for the piano) should be used discreetly to allow for maximum clarity. 6. In the section beginning at m. 379, each added line to the texture should clearly heard upon entering. 7. In the Trumpet soli from m. 191-231, if it is necessary for ANY of the Trumpets to play the Ossia, then ALL trumpets must play their own Ossias.

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com

Transposed Score

Piccolo

 

Flutes 1-2

Flute 3

 

Waltzing Dervish for Wind (powered) Ensemble













 





English Horn







Clarinet in Eb







Oboes 1-2

Clarinets in Bb 3-4



Bass Clarinet in Bb



Bassoons 1-2



Contrabassoon



Soprano Saxophone



Alto Saxophone



Tenor Saxophone









Clarinets in Bb 1-2

                     

h. = 84





  

a2

p

ff

p

ff

Trumpet in Bb 1-2

  

p

p

p

ff

p



fp

















     a2

ff

 

fp



ff

h. = 84  





  

   

ff

 

              

 

              















     

      

Trombone 1-2











Bass Trombone











 

















h. = 84  



 















 Timpani 

   

 

 

























Percussion 3

fp

   ff



ff

  

 

  p

Snare Drum with sticks



Large Bass Drum

  p

 

  

   ff

  

  

   

   

   

           ff                 

                           

  

  

  





 

Crash Cymbals

      





ff



    

 



   

 













   











    





























































































 

























                      ff

 

 

     



ff

 

                   

 



              

 

3          

   



3         





3

           

                                                                        

    

3 3

    

   



                

ff

 

      



ff

ff



  

 

    

  

ff

 

 



    

ff



Percussion 2



             



Percussion 1



ff

             







                     p ff                            p ff                               ff  fp                             



String Bass



           

    







ff



Piano



   a2                           p ff  fp                                  ff

Horn in F 1-2





                        







a2



Tuba



ff







                        







a2



Euphonium



ff

Trumpet in Bb 3-4

Horn in F 3-4



                      

fp

Baritone Saxophone



                     

                       ff fp                       

Keane Southard

   



                     

 

    



     

  3 3

   

           



ff

©2010

                                       



































  











        





















3



2

15

Picc.

 





 



 

a2 Fl 1-2

Fl. 3

Ob. 1-2

Eng. Hn.

Eb Cl.

Cl. 1-2

Cl. 3-4

B. Cl.

Bsn. 1-2







 







 





















 



Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1-2

ff a2

   a2

 





fff f





1.

fff







ff

a2

  



fff





fff



ff





fff



ff





 fff

  



  

















 

 

 ff

 

  













 



ff



 



          





    

Tpt. 3-4

Hn. 1-2

Hn. 3-4

Tbn. 1-2

ff

            ff              ff            











B. Tbn.

Euph.

  

ff

Tba.

 

 

 







 

 

 

 

 

 

 

 

 

 

 

ff



















 

Pno.





S. Bass



         

 

Perc. 1

Perc. 2

  

fff

 



  

 

 

 







Perc. 3















































f











































 

 

 

 

 

3.







 











    











  





               





 

 

   



ff

f

































































  



     



f

     



      





      





ff

  



f

ff











































































molto rit.





































































 







 

mp



  f









ff



f

mp

 

    

  

molto rit.

         ff

 

          

 



 









































    



















  





  



fff

Large Bass Drum

fp





                               



 

  



     

ff

f

   

f

fff

Susp. Cym. with mallets



  

 





  21 h. = 66  

p



        

fff

fff

 





ff

  



fff

ff

Timp.

            

ff

fff

ff

              





1. to Flugelhorn

fff





mp

fff











fff

   





21 h. = 66 

ff





mp

fff

ff

   



f



    

fff

   

    



f

fff

ff

a2





fff











 

fff



   



fff

ff

 





f

ff









f

ff

fff









   

molto rit.

ff



ff





       

 

ff

fff







mp





 



f

fff

    ff

 

fff

a2





  



ff

   

ff

Sop. Sax.

ff





ff

Cbsn.













ff



21 h. = 66     





 

Cabasa

f



    

fff



Rute on Bass Drum shell



  

mp

     

f

 

















ff



  f





 

 ff



31

33 (q=60) h. = 66

3

 





























Fl 1-2































Fl. 3































Ob. 1-2































Eng. Hn.































Eb Cl.



















Cl. 1-2































Cl. 3-4































B. Cl.















































































Sop. Sax.































Alto Sax.































Ten. Sax.































Bari. Sax.































 



Picc.

Bsn. 1-2

Cbsn.

Tpt. 1-2

  







 

  



 



p

                          

Solo

 

1. Flugelhorn

p

mp





 

Hn. 1-2























  

 





                                







  

 







 



  





 

 



 

 





































    

poco a poco crescendo

p





 

 



                                p



  

 

poco a poco crescendo



 

1.

33 (q=60) h. = 66





 

mf

Tpt. 3-4

Hn. 3-4







poco a poco crescendo

 

Tbn. 1-2































B. Tbn.































Euph.







Tba.







 



 

p











 

 

 

 

Pno.

S. Bass





    senza ped.!!























  





 

 

  









                         



                         p poco a poco crescendo

p

 

 

poco a poco crescendo

33 (q=60) h. = 66 







 





     

pizz.





    

     

mp



















poco a poco crescendo



















 





























































Perc. 2































Perc. 3































Timp.

Perc. 1



4

45

 Picc. 





    



 

    1.

Fl 1-2





 





   

   

mf

  

 

    

  



   

 

f

 



 



f

mf Fl. 3

























Ob. 1-2

























Eng. Hn.

























Eb Cl.



  









 

poco a poco crescendo

  



 



  

  









 

  







 

  



 

Cl. 1-2

























Cl. 3-4

























B. Cl.



























Bsn. 1-2

2.

a2

 





 



 











f

























Sop. Sax.

























Alto Sax.

























Ten. Sax.

























Bari. Sax.



Cbsn.

Tpt. 1-2

 



mf

poco a poco crescendo

   

  



 





  

 





 



 

 

 





  



  

 





 





   

 





 

 





f

  

 





 





Tpt. 3-4



Hn. 1-2

  















 









  



















 









 























































Hn. 3-4





 



f

f

Tbn. 1-2

























B. Tbn.

























  

Euph.

Tba.







 







 

 

 

  







 

 



mf



 

 





f

f

                                                               

Pno.





S. Bass

Timp.

Perc. 1

Perc. 2



 







f

                                                         



























































f

 









































































Glock.

Perc. 3



   

mf

 



  

  



  

   

 



   f



 



5

Picc.

56       

   

   

   



Fl 1-2

 

59 h. = 88 































 

































mp

mp

Fl. 3







 

































Ob. 1-2







 

































Eng. Hn.







 

































Eb Cl.



  

 



































  

f



mp

Cl. 1-2







 

































Cl. 3-4







 

































B. Cl.







 

































 

































 

































Bsn. 1-2

  

 

p



Cbsn.





  

f

Sop. Sax.







 

































Alto Sax.







 

































Ten. Sax.







 

































Bari. Sax.



 

































h. = 88 





























































 

 

  mf

  

 

 

 

 

    

  

  

 









Tpt. 1-2

 

 

p

59

    

  

 





 

   f

Tpt. 3-4



Hn. 1-2

   



   



Hn. 3-4



mp

 

 





 

p

 

p







 

B. Tbn.







 

Tba.

  

   



     

 



a2         



       



      

          ff

 

         



 

ff

Tbn. 1-2

Euph.

1. to Trumpet









          ff



             ff

S. Bass

Timp.

Perc. 1

Perc. 2









        



        





  



 

















   







p

 

  



 

ff

p

                      

 

 

 



 

 

 



  

     

mf











   



   

  

 

 

mf



   



   

 



 



   mf

 



 

 

   

   

 











































































 

 

 

  mf



     

p

 





  

p

 





 









































 







































 

































 

































    (Glock.)

Perc. 3

a2



59          h. = 88       

Pno.



a2



    mp



6

79 75

Picc.

 















   



  







  

                  





Fl. 3

































Ob. 1-2

































Eng. Hn.

































Eb Cl.

































    mp

    

 

ff

 



  







 

                                  mp 

     a2

Bsn. 1-2

  

ff

   

Cbsn.

 

ff





    

    

 

 









  

mp



   

  

pp













Ten. Sax.







Bari. Sax.







Alto Sax.





   

   

f Cut loose!





  

   





       

    

 





 

   mp





 

 

 

 





f

         

pp

   



 2.

 

mp

   

         





p

mf

3     

 

   

           p mf

f

   

mp





    

    pp













3

Solo

















































































 









Tpt. 3-4









Hn. 1-2

   



    

Tpt. 1-2



a2

        

 

Solo

f

     



mp

Sop. Sax.

  



1.

  

   f

ff

B. Cl.

f

mf

                      

Cl. 3-4



a2    



Cl. 1-2







Fl 1-2





f

mf



87                  

79

87

f Cut loose!





























































































































 





























    





























 





























































































































 































  

  

a2

ff

Hn. 3-4

Tbn. 1-2



B. Tbn.



ff

 ff

Euph.

Tba.





ff

 ff

Pno.

S. Bass

Timp.

Perc. 1





Rute on Bass Drum shell

           



f

Perc. 2

Perc. 3













79



 







  

mp





  

   









     

  

          





             





mp

f







Snare Drum with brushes

   mf





87







Glock.



  mf

  

f

  

f

7

90

 Picc. 





   mf

a2

  

       

 

95               

  

3











   mf

f

         





























Ob. 1-2





























Eng. Hn.





























Eb Cl.





























Cl. 1-2

Cl. 3-4

mf

     



 





Bsn. 1-2

Cbsn.

f

  

   





  



       





f



 







 

 



 pp





           



       

3



3











Tpt. 3-4











Hn. 1-2









Hn. 3-4







Tbn. 1-2





B. Tbn.



Euph.

Perc. 3



3



  



   



 

f



   



     

     







f



  





     

    

 

 



 

1.

mf

 

Perc. 2



p



Perc. 1

  





Timp.



 





S. Bass

    mp



         



Pno.



 

mf



Tba.

mp

  

  



Tpt. 1-2



   mp 



Bari. Sax.

mf

 





Ten. Sax.



p









f

          

   

 

  











  



    



Alto Sax.





f

Sop. Sax.

     

f





B. Cl.

   



                

Fl. 3

3



   







  

                



Fl 1-2



a2

   

 





 

pp



Cut loose!

 

    







 

 

 

 



Solo



f



  



p

 





 

      

 



 

f

 



  

  







    

 

 

 

f

 

     

     

   

 

p



 

  p

pp

 

  

     

 

3



























































































































































































































































































 

































(Rute on Bass Drum shell)

    







  

  

  





95

95





f (Snare Drum with brushes)

  

  

mf (Glock.)    mf



mp

          



 



 



 



  

 

3           

f



 

 



  

        

  

         

f









  

f

  

  

mf











  mf

8

103      Picc. 

111

103













f















Ob. 1-2



                         







3

mf





f

a2

f

Fl. 3

3

mf

    

Fl 1-2

              











f

3

mf



   



   



   



   



   



   



   

3

                         a2

   

f

    





f

Eng. Hn.





























Eb Cl.





























 

Cl. 1-2

  mp

 

Cl. 3-4

   mp



Bsn. 1-2







   

2.        

  



Cbsn.









B. Cl.



 

mf

mp

 



 



Sop. Sax.



 







 



Alto Sax.



Ten. Sax.

 



Bari. Sax.   



Solo

f



  

f





f

  

       

    





     

     

 

     

     

     

  

     



  



  

 

f

a2









    

  

   

   

  

 

   







    

  

 

 

  

 





      

 

  

 

  





   

  

 

 

  

 



   



  

 

 

 

 

f

p

3

  

 



3

    

3

















pp









Tpt. 3-4

















Hn. 1-2















Hn. 3-4













Tbn. 1-2











B. Tbn.









Euph.













111



































































































































































































































 





























103





(Rute on Bass Drum shell)

 



mp

(Snare Drum with brushes)

   

f (Glock.)

Perc. 3



  



Perc. 2

     

    



Perc. 1

     





Timp.

     

  



S. Bass

  

     





Pno.

    



103  

Tba.



 

OSSIA 

Tpt. 1-2



 



3

Cut loose!



          









pp

  

  

     

     



   

       3

 

   f

    

       



 

 

 



 



  

mf

     



 

     f

















 

 





 



 





111





 

  

  

  

  

f

 

 

 

 

              

mf

f

mf

f

                         3

 

    

 

Snare Drum with sticks

 

pp

   

9 116   Picc. 

 







Fl 1-2



Fl. 3



Ob. 1-2









































        





















       





















       ff

 

 



ff



 



119         

 

ff

 

ff

Eng. Hn.































Eb Cl.































     





















   





















Cl. 1-2

Cl. 3-4

     



  

 



 

 

      



 

 



 

 



  



B. Cl.

Bsn. 1-2



Cbsn.





    

 





















 

      

 





















      

 





















                      









































                          





















                        









































 







ff

ff

    mf



Sop. Sax.



Alto Sax.



Ten. Sax.







ff

3

3

3

3

3

3

ff

                     

 

3

 

Bari. Sax.

ff



  



  

ff

 

     

3

ff

3

3

3

3

3

3

3

ff

ff

            



ff

119  









     









a2

 

Hn. 1-2





















Hn. 3-4



































Tpt. 1-2

Tpt. 3-4

Tbn. 1-2

ff



ff



B. Tbn.

a2

a2

 ff

 

 





 

     





 











   

    

 

    

 

    

      

 

  









   















    

 

     







 

        





     



     







 





     

 





       





 

 

          3  3     3                    ff

     

ff



Euph.







ff

Tba.











 

 

ff





Pno.















 



 

(Rute on Bass Drum shell)

   

















3

  

3

    









ff

3

 

3

Sul D arco



 

f



   



3

3

 





    





3

gliss.

ff





  





Sul A





gliss.

ff





















 





















  





  





  





      













ff





     





 ff

  

 

 



 

 





 

pp

(Glock.) Perc. 3





(Snare Drum with sticks)

Perc. 2

              3

3



 Timp. 

Perc. 1

119



 

f



S. Bass



 

ff

ff

Hi-hat-closed (tight) with sticks

  f



with tips of sticks



ff

 

ff

f







10

130

 











Fl 1-2











Fl. 3









Ob. 1-2







Eng. Hn.





Eb Cl.



Cl. 1-2

Cl. 3-4

135

143



























































































































































































  































Bsn. 1-2































Cbsn.































Picc.

B. Cl.

mf









mf Sop. Sax.













Alto Sax.













Ten. Sax.













Bari. Sax.













Tpt. 1-2

S. Bass

  

  

          



 

  

 

  

   

   



   

  

 

 









 





3

gliss.

ff

 Timp. 

    













   











mf































     

            



 

 

    



     



         

   

 



   mp

            









f

     f

mp

   mp



































ff







     





 







    





ff

ff

135 3     3           3  3 ff fff                   3 3 3





gliss.

   mp





f





pp

 p

 

 mf

143

































    



































fff





  







p

ff

Perc. 3

p













Solo

     f

(Hi-hat closed with sticks)

Perc. 2

     

     

    

ff











143

                     

Xylophone with hard mallets

Perc. 1



3



  

 

    



                mp   





ff

3



ff

mf

3



f

ff



  



     

ff





  

  

    





           

f

 

 3     3     3                mp





 

mf

Pno.



 



   



 



  





 

mf

Tba.



 

mf

Euph.



 

mf

 

B. Tbn.



mf





Tbn. 1-2





     f

n



135             





Hn. 3-4



mp

  

Hn. 1-2

ff



           

mf

   

Tpt. 3-4

a2





  p

  

 

  

Marimba with hard mallets

Cut loose!

  



































Solo



f

ff





11

144

 















Fl 1-2















Fl. 3















Picc.











































  

    































Cl. 1-2







































  





































Bsn. 1-2































Cbsn.





































































  











B. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.



f







mf





a2

  

  

  

    

mf





    

       







 

  

  



 

  

 

f













Tpt. 3-4

















Hn. 1-2

   

 

    

     

     



    

 

   

     



     

f

   

  

 

    

   



   3

3

f

 





























 

 

   mp





 









           



mp

mf

151

    

      



mf



p



f



      



   

mf

    



 

    



f

   



        

a2



f

mf

  

Hn. 3-4



mf

mp

Tpt. 1-2



   

Eb Cl.







      



mf



a2



Cl. 3-4

  

   





Eng. Hn.



  





Ob. 1-2



a2

151

  mp

 

     

        

 

   

 

     

       

 



f

 

    

     

  

 

     



f

    

Tbn. 1-2































B. Tbn.































Euph.































Tba.

Pno.

S. Bass

Timp.





   





pp





pp











































 











                         

 

   











151





    



f

pp







 pp































































     

                                    

            

Glock. with brass mallets







Cut loose!

Perc. 3





       



  mf







p



(Marimba with hard mallets)

Perc. 2



f

(Xylophone with hard mallets)

Perc. 1

 















Solo





f



Cut loose!

  



 

12

158

 



Fl 1-2



Fl. 3



Picc.



Ob. 1-2























































a2



f







 

f



Cl. 1-2





Cl. 3-4









     



167



































mf

      

 



Eb Cl.

    





 

Eng. Hn.

159

mf















     

























f

 mf



    



    







 



















f

f

 a2



f

mf





 







   









 













f





























Bsn. 1-2





























Cbsn.





























Sop. Sax.





























Alto Sax.

 







B. Cl.





3

p

 



Tpt. 3-4





Hn. 1-2

   

Hn. 3-4

mf

159





 

 

   Bari. Sax.       









   







mf

 3

3

Tpt. 1-2



f



Ten. Sax.

      

 

   3

3

mp



  

  





f

 3



   



3

3

f

   3











   

   

  

   

   

















3

































3

3

167

3

3

3

 

 

                    mp

 

     

    

      

 

 

     

     

   

   



 



 

    

     

     



 

    

    

    

    

   mp

               

f

f

Tbn. 1-2





























B. Tbn.





























Euph.





























Tba.



 









mf

Pno.

S. Bass

Timp.

159

pp



p

 



f





































 

















(Marimba with hard mallets)

    

(Glock. with brass mallets)









pp



     Perc. 1 

Perc. 3









(Xylophone with hard mallets)

Perc. 2



















 

       

  

          

  

      











f



 



167











































              

           

 



 



 



 



  

 





 



  

 



 



 

 



13

171

Picc.

 

Fl 1-2

Fl. 3

Ob. 1-2

Eng. Hn.



















  



  



 



 

 

 

 

Cl. 3-4















       

  







          a2





 

    

 

    









 

   

ff

  

Cl. 1-2

175



ff





Eb Cl.

























       





















       





















       



















  











































ff

ff

ff





 

  

 



ff



          ff

































Bsn. 1-2

































Cbsn.



















































B. Cl.

Sop. Sax.

Ten. Sax.



Bari. Sax.



Tpt. 1-2











































3

   





































































          

3

  

ff













175

     

    

    

  

 

a2     

  



     

    

     

   

 

            ff

 

ff

  

Tbn. 1-2















B. Tbn.











    ff

  

 

   

  











ff

Tba.





 

S. Bass

Timp.

 



Pno.



   



 

 



 

ff

175







  

   

 





 

































 















  

 





(Glock. with brass mallets)

  



 



   

s.

(Marimba with hard mallets)

          







ff r.h. glis

 l.h.    

ff

           gliss.     ff

 

   

 

   

  

 

  





 















   



 

ff

   

       

 

   

        

















  

   





 

   





ff

     

s gli

s.



ff

f



 

  

  







  

 

     







   

 

  



ff

Tambourine



s.







     



f

ff

              glis  s.    

 

(white-note gliss.) l.h.

f

s gli





a2

  

       





 

  







        





   Perc. 1 

Perc. 3

  

(Xylophone with hard mallets)

Perc. 2

 





Euph.







Hn. 3-4

        

        



Hn. 1-2



ff

 

 

 

 

Tpt. 3-4



ff

 

Alto Sax.

         

ff

f









































14

186

 Picc.  

Fl 1-2

     







191         

     f

     







     

      

f

      

 









     





Cl. 1-2













Cl. 3-4













B. Cl.













Eb Cl.



    



Eng. Hn.

 

















































ff

f







ff



Ob. 1-2





ff



Fl. 3

199











   



a2

mf

f

mf

f

                         



























































        

f

                          

ff

  

  

mp

           

  

f





 

      p

mf

Bsn. 1-2































Cbsn.

































       













Sop. Sax.

Alto Sax.

   



    

          



             





     

mp









mp

Bari. Sax.





Ten. Sax.









mp











              



 



  

  



 

  









f

f



f



     f

mp



  



 

 



    





  



  

  







mp







 

mp

   mp

     mp

191

 







199                                                              

Solo



3

3

f

3

Cut loose!

*

OSSIA

Tpt. 1-2





Tpt. 3-4





Hn. 1-2

  

   mf

  

 

    

    

  

  

Hn. 3-4



mf





Euph.



  

Tba.





Pno.

S. Bass

Timp.



 



mf



mf

 

 









ff

g

. liss



      

 

 

      

 

















mp









(Tambourine)





    

Solo



 

 

p





















 

    

















 

     

































































































a2

ff



ff













     ff      







    

ff

ff

     ff

191 gli





mp

fff

ss.

   



 

 







      







mf

       



















 

    

















 

 

   



















ff

ff





Snare Drum with brushes



     

   





 



Sandblocks



























f











mp

                       

mf

*

199

p

f



mp Perc. 3



  mp

f

Perc. 2



 



 







   





      

    







f

Perc. 1







mf

    





 

B. Tbn.



                               

f Cut loose!



Tbn. 1-2





If it is necessary for ANY of the Trumpets to play the Ossia, then ALL trumpets must play their own Ossias.

f

15 200

 















Fl 1-2















Fl. 3















Picc.





Ob. 1-2

Eng. Hn.

Eb Cl.









































                        a2



mf















         

a2







          

mf

                       







f

mf





f









mf









         



mf





Cl. 3-4





B. Cl.



Cl. 1-2



207



                           a2



mf

    

 

mp

   









    

 

f

 





p

   

           

         

mf

f

    





a2

   

  



mp

mf



   



  

 

f

Bsn. 1-2





























Cbsn.





























Sop. Sax.

    

  

  



 

  



 

f

 

   

  

    



 

    

 

 

Alto Sax.

Ten. Sax.

Bari. Sax.

   

   

 (Ossia for 1.)





Tpt. 1-2



f



f

  

 















  











 



  































f

 



    

 



  



  

 



  

 



f

 

  

  



  

  





    





    





mp

mp

mp



207                                                       

                            

 OSSIA 







 









f



f

  



    



 

                         

 

   

                    











      



  





  













 



     

         



  





     



 

 

f

mp

            

Tpt. 3-4









     

       

 

   

 



 

     

         3. Solo



f

OSSIA 



Cut loose!

            f

Hn. 1-2





























Hn. 3-4





























Tbn. 1-2





























B. Tbn.





























Euph.





















































































Tba.

Pno.

S. Bass

Timp.

Perc. 1