The Dove in the Ash Grove for Wind Ensemble

Page 1

Keane Southard

The Dove in the Ash Grove A Fantasy on Two Welsh Folk Songs for

Wind Ensemble

(2020) (Duration: c. 6 mins.)


Instrumentation: Piccolo 2 Flutes 2 Oboes English Horn 3 Clarinets in Bb Bass Clarinet in Bb 2 Bassoons Contrabassoon Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone 4 Trumpets in Bb 4 Horns in F 2 Trombones Bass Trombone Euphonium Tuba Piano Double Bass (optional) Timpani Percussion 1: Crash Cymbals (shared w/perc. 2), Cabasa, Medium Triangle, Tenor Drum, Whip (may be shared with perc. 3), Glockenspiel (shared w/perc. 2), Suspended Cymbal Percussion 2: Xylophone, Glockenspiel (shared w/perc. 1), Crash Cymbals (shared w/perc. 1) Bass Drum (shared w/perc. 3), Hi-hat Percussion 3: Snare Drum, High Triangle, Marimba (5 octave), Whip (may be shared with perc. 1), Egg Shaker, Wood Block, Bass Drum (shared w/perc. 2)

Transposed Score Winner of the Dartmouth College Wind Ensemble Competition. The Dartmouth College Wind Ensemble Composition Competition was made possible by the Scott G. Smedinghoff fund, created in memory of Scott G. Smedinghoff GR’17.

Program notes: The Dove in the Ash Grove for Wind Ensemble was originally written for Cello and Piano, commissioned by the Cellist Christine Thomas Tsen, in 2012. After hearing a concert band setting of “The Ash Grove” at the 2019 Midwest Clinic, I started thinking about whether this cello and piano piece of mine might work for band as well. This version for wind ensemble was created in June and July of 2020 during the COVID-19 pandemic of that year. The piece is a fantasy on two Welsh folk songs that have to do with birds. “The Ash Grove,” which is well known as the tune for the hymn “Let All Things Now Living” was the original basis for the piece, but later on in the compositional process I decided to add another folk song, “The Dove,” which I found fit well in counterpoint with The Ash Grove. What ultimately resulted was a fun fantasy on these two tunes with some tinges of jazz. Keane Southard 2020 Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.com


 

For the Dartmouth College Wind Ensemble

The Dove in the Ash Grove

Transposed Score

Piccolo

 

q = 132 

   

f

 

Keane Southard

 

f

   

 

Oboe 1-2

English Horn

Clarinet in Bb 1-2

Clarinet in Bb 3

Flute 1-2

f

    f

   

     mf

 

  

mf

Bass Clarinet in Bb



mf

Bassoon 1-2



 







 

   

  

   

  

 

mf

Contrabassoon



 ff





    



 

 

  









    

  ff







 





   

  

   

    

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone



   

 

 

 Trumpet in Bb 1-2 

 

 

ff

q = 132 

ff

with harmon mutes



mf

3        

con sord.

Horn in F 1-2

con sord.

Horn in F 3-4

Trumpet in Bb 3-4

  

con sord.

Trombone 1-2

3

     f    f

f

Bass Trombone

  

con sord.

f Euphonium

Tuba

Piano

Double Bass (optional)

con sord.

con sord.

 

  

 

            

  

  

 

 Timpani 

Percussion 1

Percussion 2

Percussion 3

 

 

    

ff

q = 132 

ff

   

    f

ff

 

   

f



ff

   f

f

Crash Cymbals

   

mf

Snare Drum w/snare sticks  

   

   

Xylophone w/hard mallets

f

f

 

  

 

   

 

  

 

 

 

 

 

  

mp

©2020

 

   

 

 

   

 

  

 

   


2

 

12

Picc.

Fl. 1-2

Cl. 1-2

  

 

 

B. Cl.

   

   3       

  

    

    

3           

mf

Cl. 3

mf

Eng. Hn.

B

 

   

   



 

   

3           

 

   

   

  

  

   3       

   





   

 

 

 

mp



mp

 



mp

 

 









mf

 

mf

mf

Sop. Sax.

3

Alto Sax.

   mp

3

Ten. Sax.

   mp

   



Bari. Sax.

A

senza sord.

  

1.

Pno.

Db.

   mf

 



  

Perc. 1

Perc. 2

   

         



B

  

    

  

 

  

 

   

  

(senza sord.)

    

 

 

    

 



      



    



 

pizz.

  



  

  

A 

  

  

 

f

  

f





(Crash Cymbals)

   

 

 

 

   

 





    

  

arco



 

 

mp

    

      



 

mp

mp

B 



   

 

   mp

   

mf

  

  

mf

mp

mf

mf

4. with straight mute

f

   2.

mf

f

3. with harmon mute

mf



mf

(Snare Drum) Perc. 3



3

mf

  

mf



3

  

 

     

ff

f

Timp.

     

ff

    

senza sord.

mf

Tba.

 

mp

ff

Euph.

   

f

B. Tbn.

f

ff

Tbn. 1-2

mf

Hn. 3-4

  

mf

Hn. 1-2

    

mp

 Tpt. 1-2 

Tpt. 3-4



  

Cbsn.

mp

    



mp

  

   

Bsn. 1-2

 mp

Ob. 1-2

A

  

   

  

   

  

   

  

  

 

 

Glockenspiel w/brass mallets

 snares off    

  

mp

 

 

 

 

 mp

   


 

    

       

Ob. 1-2

Eng. Hn.

Cl. 1-2

24

Picc.

Fl. 1-2

Cl. 3

3

Bsn. 1-2

Sop. Sax.

Alto Sax.



 

  



    

mp





mp



   

 

 

   

     



            

    mp

 

f

mp

   

  

mp

f

        

    

 



     

  

 

mp

   3

 

 

mp

   3

f

mp

  



 

        



 

   

  

   

     

   



  



3

 

    

f

mp

f

     

mp

3

C  Tpt. 1-2 

  

mp

 

 (open)

  

mp

Hn. 3-4

  



Hn. 1-2

1. senza sord.





mf

Tpt. 3-4

    f

      

    

(open)



     



  

  

 

mp

 

    

f

 

  

 

f

 



f



 

 

     

    

 

 

  

  

f

     



  

 





C

    



mp

 

 

  

sf

 

 

 



  

 

  

(Snare Drum) Perc. 3



  

(Glockenspiel) Perc. 2

    f



Perc. 1

 

  



Timp.

 

     f



Db.



1.

Euph.

Pno.

mf

con sord.

mp

Tba.

1.

mp

mp

B. Tbn.

   

mp

Tbn. 1-2

3





mp

Ten. Sax.

 

Cbsn.

  

 

B. Cl.

Bari. Sax.

3

C

 

   

  

  

 snares on

 

p

Cabasa

mp

  

mf

 

 

  

  

f

    

p


4

35

Picc.

 

Ob. 1-2

Eng. Hn.

Cl. 3

B. Cl.

f 3

3

3

        3

    

   

   3  

f

1.

 

f 3

3



 

 

    

  



  

 

3

3

mf

   

     mf

 

mf

3

Alto Sax.

3

mp

 1.       

    

     

mp

 3

    

3       

 





   

f

   

  

   

   

mf

   

Hn. 1-2

  

  

  

 

  

  

 

  

  

 

  

  

  



  

 

 

  

  









 



 











 





 

  

  





 





mf

mf

D

 

  p

 

 

    



 





 

  

p

 

p

      

  

 

  

 

  



  

 



 

 





   

 





  

 



 

 mp

   



 





 

   

 

 

f

Perc. 3

mp

Tpt. 3-4

Perc. 2

Perc. 1

mp

Timp.

Db.

mf

Pno.

  

3

3

3

pp

Tba.

 

Euph.

3

3

B. Tbn.

ppp

3

      

3

     

mp

 Tpt. 1-2 

Tbn. 1-2

3



Hn. 3-4

3

      

mf

Ten. Sax.

Bari. Sax.

mp

f

Sop. Sax.

    

    

mp



3

a2

 

ff Cbsn.

    



   

ff Bsn. 1-2

 

Cl. 1-2

1.

Fl. 1-2

D       

pizz.



mf







p

D

 p

(Cabasa)

 

 



 

 

 

 

 

 

mp

 

(Glockenspiel)

f

mf



Bass Drum

mp

(Snare Drum) snares off

 

p

 

p  


45

E Suddenly slower q = 92    

5

 

Ob. 1-2

Eng. Hn.

Picc.

Fl. 1-2

    

3

3

3

3

3

          3

3

p



mp





 mp

mp

mf

    



 



   

   

   



 





  

  

mp 3

B. Cl.

 

 







 

p

                  

Cl. 3

p

3

Cl. 1-2

   

   

ff





ff

mf

Bsn. 1-2

Cbsn.

        

E Suddenly slower q = 92  



Sop. Sax.

Alto Sax.

f





 



f Bari. Sax.

        



3         

   

pp

p

3

3

3

3

3

mf

   

3

mf

   

         

3

3

mp

3

   

            

3

3

p



3

3

3

         

3

3

p



 



f

Ten. Sax.







3

mf

 

Tpt. 3-4

Hn. 1-2

Hn. 3-4

Tpt. 1-2

Tbn. 1-2

B. Tbn.

Euph.

Tba.

Pno.

Db.

 

  

 

 

 

f

 





 

Perc. 1

Perc. 2

Perc. 3



p

f

p

f

 

p

 

 

 





 

 

 



 

 

 

ff

 





 

ff

ff

 



f

Timp.

 

  

 







mp

f

(Bass Drum)

(Snare Drum)

 

  















 

 

 snares on  

p

E Suddenly slower q = 92   

  

 

ff

mf

  

mp

ff

   

f



p

ff

f

 



p

f

Crash Cymbals



 

 

ff  

ff


6

54

Picc.

  

Fl. 1-2





mf



 

1.

p

 

  1.



p

pp

   

mp



pp

   



mf

1.

    

p 2.

mp

Cl. 3

B. Cl.

Bsn. 1-2

Cbsn.

Solo

   

   

Ten. Sax.

Bari. Sax.



 



Cl. 1-2

Sop. Sax.

Alto Sax.

 Tpt. 1-2  

Tpt. 3-4

Hn. 1-2

Hn. 3-4

B. Tbn.

 



  

 

senza sord.

Db.

Timp.

Perc. 1

senza sord. 3.

 

mf



Perc. 3

    

              3

 

3.

 

mf

  

con sord.

 

senza sord.

p

   

 



  

1.

   

  

 

  

 

  

   

   

 

   

mf

senza sord.



mf

  

  

senza sord.

  



mf

 

 



  



 



 



 



 



 

mf

  mf

 

 

Medium Triangle mf



w/brass mallets



  

  

p

mf

  mf

Glockenspiel Perc. 2

mf

p

Pno.

mf

mf

p

Tba.

p

mf

mf

p

mf

Euph.

mp

p

Tbn. 1-2

p

Eng. Hn.

2.

Ob. 1-2

   

mf

       





  

pp

mf



High Triangle

  p



mf

 p


67

Picc.

 

 

Fl. 1-2

Ob. 1-2

Eng. Hn.

1.

1.

 





   



   

    

  f

  p



p

f







 1.

n

a2







f

n

 



  

f

Cl. 3

B. Cl.

Bsn. 1-2

 



 

 



 











mp

Cbsn.

7

f

2.

Cl. 1-2

F Suddenly Tempo I q = 132  



mp

Sop. Sax.

Alto Sax.



Ten. Sax.

Bari. Sax.



f



f

 

a2 with straight mutes

   



f

F Suddenly Tempo I q = 132 Tpt. 1-2

with straight mutes

sfz

Tpt. 3-4

a2

   

sfz

  

  

Hn. 1-2

pp

f

3. senza sord.

 

Hn. 3-4

  

pp

Tbn. 1-2

f

con sord.

 

f

B. Tbn.

Euph.

Tba.

Pno.

Db.

 

f

   

 

   

   

 

  

 

 

 

 

  

  

  

 

 

 



 





 

 

 

 

   

 

 



   

  

  

mp



 

 

 

mp



 mp

Perc. 1

  

   

       sfz      

pp

 

mp



(pizz.)









F Suddenly Tempo I q = 132   



(snares on)     f







Tenor Drum w/snare sticks  

p

 

 

 

 

 

  

 

mf

Snare Drum w/snare sticks Perc. 3

Crash Cymbals Perc. 2



mp

f

Timp.

pp

con sord.

 

 

 

 

 

 

 

 p


8

78

Picc.

  

f

Fl. 1-2

Ob. 1-2

Eng. Hn.

Cl. 1-2

   

   3

accel.





 



 

      

Cbsn.

 

f





   





 

mf

Bsn. 1-2

   f

B. Cl.

ff

mf Cl. 3

  

 

 f



  

f







  

   







 

 

 





  



mf

 f

  

 

f

 f



mp

 



 



 

 

 

 

















mp

mp

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.



accel.

 Tpt. 1-2 

Tpt. 3-4

senza sord.

  

 (open)

 

mf

mf

Hn. 3-4

mf

Hn. 1-2

 

senza sord.

senza sord. (open)

  

mf

Tbn. 1-2

 

senza sord.



 



 







 



 







 



 







mp

B. Tbn.

senza sord.

 

mp

Euph.

senza sord.



mp

Tba.

Pno.

Db.

Perc. 1





 

 



(Tenor Drum)

  

 

 

 



3









           f

mp

mf

  



f Perc. 3

Xylophone w/hard mallets

Perc. 2

f

Timp.

   

  

 

 

  

p

 

 

 

 

accel. 

 

 

 

 

 

 

    

f

ff


G

q = 168

  88

Picc.

Fl. 1-2

Ob. 1-2

Eng. Hn.

Cl. 1-2

1.    

f

    

        

  



   

1.

    



     



  



1.

 

 

    

   

     

    



 

 

f



 



        

 



 



 

 

     

     

     

     

      

     

     

     

     

     

     

     

     

                       

     

     

     

     

     

                            

     

     

     

     

     

f

f

f

G

q = 168

 

Tpt. 3-4

Hn. 1-2

Tbn. 1-2

     

   

   

      f

 

a2 Soli

  

         

f

           

 arco

  

G q = 168    (Tenor Drum)

ff

  



 



 



  



  

 

             

         

              

 

  



               



  



f

 

senza sord.

f

a2 Soli

 

 

f

f

f

  

 

 

f

Euph.



  



        

 

    

  molto rit. 

 

 



 

(q = 90)  

f

f

Perc. 2

Marimba w/hard mallets

Perc. 3



ff

f

B. Tbn.

(q = 90)

molto rit.

Hn. 3-4

Perc. 1

f



       

     

9

     

Ten. Sax.

Timp.

   

     

Alto Sax.

Db.

 

     

f

Pno.

     

1.

      

Sop. Sax.

Tba.

   

f



f

Tpt. 1-2

  

f

Bari. Sax.

              

f

Cbsn.

 

f

Bsn. 1-2

   

2.

f

f

B. Cl.

 

f

Cl. 3

    

(q = 90)

molto rit.     

    f

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

              

  

           

  

  

              

  

  

 


 

H

10 97

Picc.

 

q = 108

 

Fl. 1-2

a2

a2

  

  

        

    

  

  

 

  



ff

   

ff

f

3

3

ff

ff

 

a2

 



      

ff

         f

f

ff Cl. 3

      

Cl. 1-2

Eng. Hn.

f

Ob. 1-2



   

  

  

        ff 

ff

f

ff

B. Cl.

ff

Bsn. 1-2

    

    ff

Sop. Sax.

  

  

  

  

f

ff

Alto Sax.





H

 Tpt. 1-2 

Hn. 1-2

Hn. 3-4

q = 108

 

  

 

  



     ff 

 



 



  

  

 



   

 



  

   

  

   

 

   

      

ff

Euph.

 

  

ff

B. Tbn.

     

  



   



  

ff



   

Pno.

  ff    

 

Db.

 

H

Timp.

Perc. 1

  

 

      

  

   

  

   

mf

  

mf

  

 



 



 

  

  

     

 

mf

    

 



    

  

 

     

 

 

     

 

ff

   



ff

  

 

 

ff

mf

  

   



   ff

mf

   

mf

 



  

 



 



 

ff

   ff

Perc. 3

              

ff

 Bass Drum

3

3              pizz.      

ff

q = 108

   

   

ff

ff

 

ff

  

   

f

ff

 

 

Crash Cymbals

 

 

    

 

 

 

 

  

 

 

 

    

   

 

 

mp

  

mp

 



  

 



 



   f

   f

(Marimba)

       ff 3

ff

f Perc. 2

ff

ff

ff

ff

Tba.

        ff  

ff

Tbn. 1-2

ff

Tpt. 3-4

 

  

3

3

f

ff Bari. Sax.

 

f

ff Ten. Sax.

 

3

a2

ff

Cbsn.

      ff 

   


101

Picc.

 

Fl. 1-2

Ob. 1-2

Eng. Hn.

Cl. 1-2

Cl. 3

B. Cl.

Bsn. 1-2

  

11

fff

a2

       

       

 

ff

a2

 

 

 

ff

  

 

  

 

  



  

 

  



  

  ff

a2

ff

ff

 

 

  a2

fff

Cbsn.

Sop. Sax.

Alto Sax.

Tpt. 1-2



Hn. 3-4

Tbn. 1-2

B. Tbn.

 

 

 

fff



  

  

  



  

  



  

 

 

 

 

 

fff

 

      

 



 

  

 

  

 

 

  

 

 

 

  

  

      mf

 

  

 

  

 

  

  

   mf

ff

   

  

  



  

  



  

 

  

 

  

 



  

 



  

 

 



  



  

 

  

 

  

       

  

  

  

  

  

  

   

 

  

 

  

  

 

Euph.

ff

    

Hn. 1-2

ff

Tpt. 3-4

ff

Ten. Sax.

Bari. Sax.

mf

mf



ff

ff

ff

     



 



  

 

 



  

  

  fff

Tba.

   fff

Pno.

(pizz.)

Db.

     

fff

      fff

Timp.

 

  ff

Perc. 1

(Crash Cymbals)

 

 

(Bass Drum)

 

Perc. 2

Perc. 3

 

 

 

 

 

 

 

 

 

 

 

 

mp

 Whip

  ff

mp

 

 

 



 



 



 

 

 



 



 



 

f

f

  ff


12 Picc.

I  105     

   

  

   

   

Fl. 1-2

 

 

fff

Ob. 1-2

fff

Eng. Hn.

fff

Cl. 1-2

2.

fff

f

   

Cl. 3

fff

   

f

     

Bsn. 1-2

     

Cbsn.

mf

      

    

  mf

 

  

  

  

fff

f

       

f

 

  

 

 

f

                                   Solo

   

Sop. Sax.

 

mf

                                      Solo

B. Cl.

      

f

   

   

   

     

   

   

      fff    

Alto Sax.

fff

Ten. Sax.

fff

Bari. Sax.

I   Tpt. 1-2    

 

 

fff

Tpt. 3-4

fff

Hn. 1-2

fff

Hn. 3-4

fff

   

Tbn. 1-2

fff

B. Tbn.

Euph.

Tba.

Pno.

Db.

Timp.

Perc. 1

           

f

              

I       

  

 

    

 (pizz.)

 

mf

     

  

mf

 

 



(Crash Cymbals)

  

 

ff

(Bass Drum)

Perc. 2

    ff

   

(Whip)

Perc. 3

fff

f

 


  110

 

 

Ob. 1-2

Eng. Hn.

Cl. 1-2

Fl. 1-2

13

Picc.

1.

1.

                   

f

mp

  

      

  

mp

ff

Cl. 3

B. Cl.

 

Bsn. 1-2

 

  



 

 

  

ff

f

Cbsn.

Sop. Sax.

Alto Sax.

 







f

ff

           ff

mp

mf

             

 

ff

Bari. Sax.

Tpt. 1-2

Ten. Sax.

  

 

 

  

   

mp

mp

  

ff

 



mp

Tpt. 3-4

 









 

3.



mp

Hn. 1-2

Hn. 3-4

Tbn. 1-2



 

 

 

mf

B. Tbn.

mf

Euph.

Tba.

Db.

Timp.

Perc. 1

f



Perc. 3

 

f

                              

 

  

 

 







mf

 

 

Hi-hat w/snare sticks Perc. 2

 

mp

Pno.



mp

 



mf

 

p

gliss.



 

6

6

 6

 

 

f

Marimba w/wooden mallets 6



 

 

Medium Triangle

mp

 


14

  115

Picc.

 

   f

                           

Fl. 1-2

J

  

   

ff 1.

ff

f

Ob. 1-2

Eng. Hn.

Cl. 1-2

Cl. 3

B. Cl.

Bsn. 1-2

    

1.

               

mp

f

   



6

                  ff

 

                  ff

 

mp

Cbsn.

mp

Sop. Sax.

Ten. Sax.



 Tpt. 1-2 

Tpt. 3-4

Hn. 1-2

Hn. 3-4

 

mf



f

 

mf





f

 





mf

J

 

mp

 

Pno.

Timp.

Perc. 1

Perc. 3

   

    

ff

f

 

 

     



  

mf

f

mf

   

  



mp

   

f

 

   

f

 

   

    

 

 

f

 

   

mf

       

f



 

mf

f

   

6



 

gliss.

  6

    6

  

ff

 

senza ped.

   

6

p

 

J

  

(Hi-hat) Perc. 2

    

ff

mp

Db.

mp

Tba.

   

ff

Euph.

ff

mp

B. Tbn.

f





Tbn. 1-2

                     

f

Alto Sax.

Bari. Sax.

 

mp

    

    

 

Crash Cymbals

 



f

mf

Bass Drum

 

p

Snare Drum

 

mf

 

w/snare sticks

 

f

  

mp


119

Picc.

      

Fl. 1-2

Ob. 1-2

Eng. Hn.

  

K

p

    

  

   

    

15

sffz

 

    sffz



      



p

 

Cl. 3

sffz

                

Cl. 1-2

      

                              1.                     

3

                                mf 

ff B. Cl.

Bsn. 1-2

2.

ff

   mf

                

Cbsn.

                        mf

7

     

            

mf

Sop. Sax.

  



Alto Sax.

 



           

  



 



 Tpt. 1-2   

 

 

 

 

 

 

 

 

 

Bari. Sax.

Tpt. 3-4

Hn. 1-2

Hn. 3-4

Tbn. 1-2

B. Tbn.





   

 

  

  

f

Pno.

Db.

  

ff

Timp.

   ff

Perc. 1

Perc. 3

 

                      

                      

K

 

 

  

sffz

sffz

sffz



mf

Solo    

     

mf

       



mf





 

sffz

Whip

K

  ff

(Bass Drum) Perc. 2

sffz

arco



mf





mf

f Tba.

           

mf



 

Euph.

              mf

ff

Ten. Sax.

ff

(Snare Drum)

on hoop

                    

mp

 

          

Xylophone w/hard mallets

             p

                       


16

125

Picc.

 

Fl. 1-2

 

Ob. 1-2

Eng. Hn.

Cl. 1-2

 

   

1. Solo

       

   1.    

         

f

B. Cl.

             



 

Ten. Sax.

Bari. Sax.

Tpt. 1-2

Alto Sax.

Tpt. 3-4

Hn. 1-2

Hn. 3-4

Tbn. 1-2

f

   

a2

  

   

f

1.

  

  

 a2    

    

              

  

                        mf 

f

    f

                             

                         

mf

             

Sop. Sax.

  

mf

Cl. 3

Cbsn.

   

f

mf

Bsn. 1-2

  

mf

  

   

f

                       

    

                       

             

mf

           

mf

mf

mf

   f

                           

mf

1.

           

   

mf



 

f

 

            

1.      f

       

   

f

f

 1.    

 

   

    

 

f

3.

   

    f

1.

f

B. Tbn.

  

Euph.

Tba.

Pno.

Db.

Timp.

Perc. 1

 

  

                                                                                                             p  

Perc. 3

col legno battuto

 

              (Snare Drum)

                                                        mp

(Xylophone)

Perc. 2

 

 

   

Glockenspiel w/brass mallets

   f

    

 



   

                                                               p

                                                                 


  

      

 

     

133

Picc.

Fl. 1-2

Ob. 1-2

Eng. Hn.

 

    

 



   

  

  

                   

  L 

     

Cl. 3

 

 

          

 

f

  

            

Alto Sax.

 

      ff       

1.

  

2.

f

   

f

ff

 

 

    

ff

 

 

sffz

            ff

   

                 

Solo

f

     

f

f

                        

Ten. Sax.

sffz

            

   

Sop. Sax.

17

sffz

f

Cbsn.

sffz

                   mf          

Bsn. 1-2

sffz

f

B. Cl.

sffz

     

                           mf ff                       

Cl. 1-2

ff

Bari. Sax.

                          ff

                       Tpt. 1-2              

L 

1.

Tpt. 3-4

                           f

Hn. 1-2

               

Hn. 3-4

                     

 

Tbn. 1-2

a2

B. Tbn.

                 

       

       

sffz

                 

sffz

sffz

sffz

Tba.

 

       

Pno.

Db.

f

      

  

      

sffz

       

sffz

                        

 

  

 

 

 

 

 

 

 

mf

        

   

mf

sffz

f

Euph.

  

f

sffz

  

  

with straight mute

f

  

   

 

  

  

 

    

 

   

   

  

  

 

  

  

  

      

    

ff

Timp.

 

   

    

(Glockenspiel)

Perc. 1



Perc. 2



L

    

           (Xylophone)



    

    ff

                

Perc. 3

            

rim shot

            ff

    

f

sffz

(Snare Drum)

 

on hoop

 

mf

 

 

 

 

 

 

 

 

 


18

138

Picc.

 

 

 





 

 







 

M      

                               

Eng. Hn.

Cl. 1-2

1.                                       

 

mf

  

 

mf

  

Cl. 3

mf

 

  

B. Cl.

f

mf

Ob. 1-2

f

    

  

  

  

  

  

 

  

  

  

 

 

    

f

 

   

ff

f

  

      

     

ff

   

   

ff

  

  

      

ff

Bsn. 1-2

  

ff

1.

f

mf

Fl. 1-2

    

ff

Cbsn.



Alto Sax.

Ten. Sax.

Tpt. 1-2

  

     

      

Hn. 3-4

       

  

   

   

  

  

Tba.

  

 

Db.

Timp.

Perc. 1

Perc. 3

    f

   f

   

  

  

  

 





   

   

   



Solo

           p           

   

    

 

  

norm.

M 

 

f

 

(Glockenspiel)

 

   

mp

  

 

 

   

 

 

 (Snare Drum)

  

  



 

Solo

 

 

Egg Shaker

 

mf

  

  

 

 

  

 

 

   

f

 

Crash Cymbals

       ff

f

    ff

f

    ff

           

  

  

High Triangle

p

 

   

f

  

ff

  

f

(Xylophone) Perc. 2

     

  

 

          f           f           

          

f

Pno.

senza sord.

M 

Hn. 1-2

Euph.

f

   

ff

B. Tbn.

ff

f

Tbn. 1-2

   

ff

  

Tpt. 3-4

ff

                    

Sop. Sax.

Bari. Sax.

   f

  

 


144

Picc.

 

 

Ob. 1-2

Eng. Hn.

Cl. 1-2

Cl. 3

Bsn. 1-2

Sop. Sax.

Alto Sax.

mf





  

1.

1. Solo

  



    

 

       

  



 



Tpt. 1-2

 

         

a2

sfz

 p

    

 

mp



 1.

  

 



 

p

 



mf

p

  

 

p





mp

   



    

p

  

  

1. Solo

p

   

  



sfz

mf



      



mp

Bari. Sax.

       

mp

Ten. Sax.

 

Cbsn.

    

 

 

mp

p



mp

sfz

mf

accel.

Hn. 1-2

Hn. 3-4

Tbn. 1-2

B. Tbn.

Euph.

Db.

Timp.

Perc. 1

  

 

 

Perc. 3





 

     

mp

  



mf



 

 

arco



p



p

mp



   





mf

 

N q = 168

accel.

 

 

pizz.

  

(Xylophone)

Perc. 2

 

sfz

N q = 168

Pno.











mf

 

  

Tpt. 3-4

Tba.

 

19

(2+2+3)

p

N q = 168

        

   

B. Cl.

 

 

p

Fl. 1-2

accel.

   

  sfz

Marimba w/medium mallets

 p

   mp

 p

  



 mf




20 149

Picc.

 

 

Ob. 1-2

Eng. Hn.

  

mf

   

Fl. 1-2

  

  

   

   

 

   

   

 

 



 

   

 

  

  

 

1. Solo

 

B. Cl.

 

      

  

mf            

mp

   

mf

 





   





    



Alto Sax.





mf











 



p









mf

 



   





   



(q = 80)

 

 

q. = 64 (q = 96) 

Hn. 1-2

Hn. 3-4

Tbn. 1-2

B. Tbn.

Euph.

   

Pno.

   f

Db.

 

     

 

     

   

   



   



   

       







Timp.

Perc. 1

  

  

Medium Triangle







   



(q = 80)

 





 

 

 

 

 

 

mf

(Marimba) Perc. 3

   mf

  

 

 

 

 

 

    p

   



mf



O q. = 64 (q = 96) 



 

p

 

mf

(Xylophone) Perc. 2

rit.

    

mf

                  

mp



 

mp

 

mp

Tpt. 3-4

mf

O

rit.



mp

p

 

3         



mf



 

 

mf



  

mf

Tba.

 

Sop. Sax.

 



              

mp

Tpt. 1-2

   





 

mp

Bari. Sax.

mf

Ten. Sax.

p

Cbsn.

 

p

Cl. 3

Bsn. 1-2

 

mf

Cl. 1-2

 

(q = 80)

rit.  

O q. = 64 (q = 96) 





mf



 


154

Picc.

 

 

   



f

Fl. 1-2

1.



Ob. 1-2

    

   

      

Eng. Hn.



3

3



Cl. 3

ff

           



mf

            

 

 

       





        

     





3

f



f

 

       

     

    

mp

    

        

    

   

    

   

    

   

   

   





 

 

       

mf

 

       

    

f

Tpt. 3-4

Hn. 1-2

Hn. 3-4

Tbn. 1-2

B. Tbn.

Tba.

 

Pno.

Db.

Timp.

Perc. 1

   

   

1.

mf





 





 f

 



 







pizz.



mp

f

Euph.

f

 

Tpt. 1-2

f

    

 



Bari. Sax.

mf

mp

f





mf

                  





mf

ff

mp

  

              

f

mf

    

  

ff

      

 

Ten. Sax.

 

Alto Sax.

  

f

Sop. Sax.

1.

           

f

Cbsn.

mf

mf

Bsn. 1-2

f

        

         

   



mp

mf

B. Cl.



   

   

    f

ff

   f

  

   

 

ff



f

ff

  mf

   





         



p

(Xylophone)

      

Perc. 2

Perc. 3

 

21

mf

    1.

ff

f

Cl. 1-2

              

mf

                  

     

ff

     

f

 

3

 

Wood Block w/yarn mallet

    

mf

  

    

  

    

f


 

P A tempo (q = 96)              

poco rit.

22 161

Picc.

 

    

p

     

  

 

   

    

a2

Fl. 1-2

   

      

2.

Ob. 1-2

 

       

B. Cl.

     

  

f

mp Cl. 3

  

      

    

    

  1.   

p

     

     

a2

p

     



p

      

a2

 

  

 

  

 

p





 

Cbsn.

Tpt. 1-2



    

p

 

      

  

  

  

a2

 

      

    

      

  



      

 

1.

 

    



 1.

 

       

   3.

       

mf

 

p

mp

B. Tbn.

mp

Tbn. 1-2

  

p

f



P A tempo (q = 96)

f

f

 poco rit.

  

f

3.

Hn. 3-4

mf

Hn. 1-2

 p

Tpt. 3-4

   

  

Bari. Sax.

   

Ten. Sax.

  

Bsn. 1-2

Alto Sax.

 

p

p

Sop. Sax.

p

       

p

 

Cl. 1-2

f

Eng. Hn.

1.

   

        

    

 

a2                a2                 1.



p



   









 

p

Euph.

Tba.

Db.

 p

    

Pno.

          

            

        

f

p

     

 

                         

        

                    

  

        

P

poco rit. Timp.

Perc. 1

  

 

 

   

      

p



f

      

  

  

 

  

Whip

f

   

          

   

         

p

f

p

Perc. 3

Suspended Cymbal w/yarn mallets

(Xylophone)

Perc. 2

A tempo (q = 96)

Marimba w/hard mallets

p

   

          

    

           

        

 


  167

Picc.

Fl. 1-2

  

Eng. Hn.

Cl. 1-2

Cl. 3

B. Cl.

Bsn. 1-2

          3

    

       a2              

Cbsn.

3

  

a2             3

3

3

      a2

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1-2



 

Hn. 1-2

Hn. 3-4

Tbn. 1-2

B. Tbn.

Euph.

Tba.

Db.

  

f



3

  

Perc. 1

  

Perc. 3

f

       

f

f

       f

     





f

  f

    

 

     

 

 arco

  f

 

   

    

     

   

   

(Xylophone)

f



           fff

    

 

  

   

   



 

  



   

  



   

   

    

   



   

   



f

  

 

   

   

   

      

  

fff

a2          fff

      fff

      

 



 



     



 







   



 



 



f

f

 





 



f

   





   



  

 

 





   





   



 

 

f

   

  

   

     

  

a2

    

    

   

     

 

f

fff

fff

   

ff

     

  





 



   

 

 

  

       

 

 

 

 

   





f

     

(q = 72)      fff

ff

  

               

fff

ff

      



       





   



   

 

                        



Q h. = 64 (q = 192)     

a2

fff



 



 

       fff    

  

  

fff

Bass Drum

   

 

         

 

 

 

(q = 72)

fff

Crash Cymbals

   

f

        fff



 



Allargando

   

  

f

  

 

  

fff

f

       fff     

    a2      

 

           

        fff             

   

Allargando      

 

      fff    a2        fff

 

 

f

 1.  2.           fff f           

f

    

fff



     

f

 1.  a2      2.       fff



fff

                       

      

          

f

f

Perc. 2

   

      

3

f

Timp.

   

a2             

Q h. = 64 (q = 192)        

fff

             

 

 

   

f

    

    

f

3

f

Pno.



               3 f               

    

Tpt. 3-4

3

  

f

         

f

Sop. Sax.

f

 

fff

   1. 2.                     

f

3

 

ff

                        

f

        a2            

f

f

3

   

Ob. 1-2

(q = 72)                  

Allargando

pizz.

f

Q

h. = 64 (q = 192)     

   

fff

     

fff

23


24 Picc.

174         

Fl. 1-2

Ob. 1-2

Cl. 1-2

R

    

    

  

a2

f

  

 

      

  







  



  



        





f

  

Cl. 3

  

      

   

Eng. Hn.



  









 

2.

    

     

f

    

  





 

        

    

   

 

  

 



f

 



a2



f



 

f

B. Cl.

   

   

Bsn. 1-2

  

Cbsn.



     

      

    

  

 

  f

     f

  f

Sop. Sax.

Alto Sax.



  

 

  





      

    

 

  

f

 

f

    

Ten. Sax.

Bari. Sax.

  

 

 

  

      

f

f

   f

   f

 Tpt. 1-2 

Tpt. 3-4

Hn. 1-2

Hn. 3-4

Tbn. 1-2

R

a2

    





    

   



a2

  

    





    

   



a2







f

  

f

f to the fore

B. Tbn.

   

Euph.

Tba.



  

 

 

Pno.

Db.

       

    

      

  



 

  

          

 

Perc. 1

Perc. 2

Perc. 3

                   

      f

arco



Marimba w/hard mallets

         

 

 







R



 





 



 

f

Timp.

 



f

            



 

f

              

           



  

 

 

  f



   

    

 

f

 (Xylophone)

  

  

f

               

  

        

    

              

f

   

f

   

 



  

          

     





 



  

     

      



 

 


Picc.

rit. 184     

Fl. 1-2

 

Ob. 1-2

Eng. Hn.

Cl. 1-2

Cl. 3

B. Cl.

Bsn. 1-2

Cbsn.

 



Alto Sax.

Ten. Sax.

  

 





 

 

 

Tba.

Pno.

Db.

 



    







   



   

ff

ff

 





ff

 

     



a2

ff

 



ff

 

  



  







3



  





  

 

 

  



 









ff

ff



  

 







    

       f

  

3

   3



 

 



ff

 

  



3

ff

 



3

       3

3

ff

  



       



 





3

2.

f













  

  

  

 

 



3

3

       3

3

3

       3

3

 

     



 



              



3

3



 

  

3

3

      3

3





  





3

f

         3

3

3

3

f

         3

 

  

f

  



 

 





 

 

 





 



 

   

  ff  

  

  



     

 



ff



3

3

 

3

3

        

f

ff

4.

 

f

f



f

       3

 

f

 



f

ff

S (q = 100) A Tempo          ff            

  

 f

  

      



25

   

  

ff 1.

   

 

  



 

Euph.





 

 

B. Tbn.

 

   

f

Tbn. 1-2

a2

     

ff

 

Hn. 3-4

 



   

 

rit.  Tpt. 1-2  

Hn. 1-2

  

   

a2

  

Tpt. 3-4

ff

ff



 

Sop. Sax.

Bari. Sax.



S (q = 100) A Tempo      



  f

ff

ff

  

ff

 

 

 

 

 



  

  

  







    f

  f

        

ff



   

        

 

 



  

   ff

  

 

   

 

  

ff



 

 

ff

             



      

 



 

 

f

S

Timp.

Perc. 1

  

rit.

(q = 100) A Tempo       



Perc. 3



 

ff

  

(Crash Cymbals)

(Xylophone)

Perc. 2

            

ff

 

(Marimba)

 

 

     

ff

ff

  

 

 

   

 

 


26

  192

Picc.

f

Fl. 1-2

2.         

f

Ob. 1-2

Eng. Hn.

 

Cbsn.

Bari. Sax.



B. Tbn.



 

 



 

  

3

3

    

 

3

 

   

 



  

          ff

 con ped.

  

     Suspended Cymbal w/yarn mallets

  p

(Xylophone) Perc. 2

  f

(Marimba)

Perc. 3



 

 

 



f

   

ff

f

ff

  

ff

3



3

3







  

  

  





            3

3

            3

3

ff

  

ff



f













   

   

    

    

ff



ff

f

f

   

ff

  

ff

   

ff

   

 



  

  



    f

     



 

 

 

 

 

 

 

 

 

 









 n

ff

 



n

ff

f

  

 





    



f

ff

f

    

 

   

ff

1.

  

    

  



fp

Perc. 1

1.

ff

 

1.

f

3



Timp.



   

        

 

 

Db.

    

ff

ff

f

Pno.

3  3 3                   



ff

ff

Euph.

 

3

             



 

 

  

Tbn. 1-2

Tba.

 

 

3

ff

 

3

   

3

   

3

f

f

    

        

3

3

3

  

Hn. 3-4

3

    

3

f

3

3

ff

3

        

   

3

3

3

3

3

3

 Tpt. 1-2   

Hn. 1-2

3

        



Tpt. 3-4

         

3

3

3

3

   

Ten. Sax.



Alto Sax.

3

Sop. Sax.

3

         f

3

3

3



Bsn. 1-2

3

        

        

B. Cl.

         3

2.

3

        



3

2.

3

f

Cl. 3



 

Cl. 1-2

              

  

n





ff

   

                   fff

    

    





ff



n

                              

 

 

 

 

 

 

 

ff

 ff

  

 

 

 



 

ff

ff

 


 

Picc.

 

  

Fl. 1-2

  

Eng. Hn.

2.

Cl. 1-2

Ob. 1-2

1.

  

Bsn. 1-2

2.

  

Sop. Sax.

   

       

1.



  

     

  

mp





    



  mp

       





    Solo

 

   

  

    



  



mp

poco rit. 

 

 n

T

poco rit.

q = 168



1.





mp

3.

    mf

1. Solo

  

      a2

Tbn. 1-2

B. Tbn.

Euph.

Hn. 3-4

p



Hn. 1-2



  

Tpt. 3-4



n



p

mp

 



 

Ten. Sax.

Tpt. 1-2

Alto Sax.

Bari. Sax.



      

mp Cbsn.

     

mp

 



     

 

B. Cl.

   

   

    

poco rit.

1.

mp

(2+2+3)

mp

Cl. 3

27

q = 168

poco rit. 199

T

mp



  





     

mp

Tba.

Pno.

Timp.

Perc. 1

                                  



        pizz.

 

n

poco rit. 









p

 

mp

         

      

Db.



p

T q = 168

arco

 

p

Glockenspiel w/brass mallets



  

 p

mp

mp





poco rit.

 

 

p

(Xylophone) Perc. 2

 

 

(Marimba)

Perc. 3

  

  

  

  

 

   

 

p

  

 p

   mp

 p

      


A Tempo

28

204

Picc.

 

 

Fl. 1-2

Ob. 1-2

Eng. Hn.

        

Cl. 3

B. Cl.

Bsn. 1-2

a2

f

 

 

     

 





      



a2

f

 

 

 

 

a2

ff



        

a2

       

ff

 

   

f



          

 

  

 

  

f



f

 











    



a2

     

 

        





    



ff

        

     

   

 

  





ff



 

















Bari. Sax.

 











 





 

 







 

 

ff

 

 

Db.



 

 

 



 

 



 





  

 

 

a2



 

   





 



 



 









 





 

  

rit.  





  

 

  



 

  

 

 



 

  

 









  

 





 

 



 

 















 

 

 



 

 



f

   

   

 



     

 

     



            

           

  

   

 

  

   

 













 

rit.  

f

Timp.

A Tempo      f

 

  



(Glockenspiel)

Perc. 1

 

 



 

 

  (Marimba)

Perc. 3

   f

 

 

 

(Xylophone)

f



 



f

Perc. 2

 

f

 



 

f

f

Pno.



    

f

Tba.





f

Euph.

 

 

 

 



f

    

B. Tbn.



ff

ff

f

Tbn. 1-2

 



f

a2

Hn. 3-4







f

Hn. 1-2

A Tempo   

  

Tpt. 3-4



f

 

 Tpt. 1-2 





f

 

Ten. Sax.

ff

 

Alto Sax.

ff

f

Sop. Sax.

ff

f

Cbsn.

 

rit.        

 





ff



a2



ff

f

Cl. 1-2



       

 

       ff

  ff

  

     fff

   fff

 


  207

Picc.

Ob. 1-2

Eng. Hn.



 

Tpt. 3-4

Hn. 1-2

Hn. 3-4

Tbn. 1-2

 

 

 

fff

 

   

  

 

 

 

  

 

fff

 

fff

 

fff

Tba.

Db.

Timp.

 



  

pp



 



 



2.

  

pp



 

Solo



 

 

 

 

 

p

 

 

h. = 64 (q = 192)

 

 

 

 

fff

 

 

      

 

  

        

 

fff

  

 

 

 

  

  

 

fff

 

   

  

 

    

  

 

    

 

pizz.







h. = 64 (q = 192)

pp

Crash Cymbals

    

     pp

pp

fff

(Marimba) Perc. 3

 

 

   

(Xylophone) Perc. 2

fff

fff

Perc. 1

 

   

 

   

pp

  

 

fff

Pno.



 

fff

 

 

fff

 

fff

Euph.

 

pp

pp

 

fff

 

   

 



pp

 

 



 

 

 



 

 



fff

 

 

    fff  



 

 

fff

B. Tbn.

   

Ten. Sax.

1.

pp

  

  

 

 

fff

Alto Sax.

 

h. = 64 (q = 192)

p

fff

 

Sop. Sax.

fff

Cbsn.

 

    

 

fff

  

fff

Bsn. 1-2

Tpt. 1-2

B. Cl.

   fff

Cl. 3

 

fff

Cl. 1-2

  

Fl. 1-2

Bari. Sax.

 

 

Glockenspiel w/brass mallets





p

   

High Triangle

 

pp

 

29


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.