Keane Southard
No Interior do Rio de Janeiro For
Wind Ensemble
(2013/2015) (Duration: c. 5 mins.)
Instrumentation: 4 Flutes 2 Oboes English Horn 4 Clarinets in Bb Bass Clarinet in Bb 2 Bassoons Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone 3 Trumpets in Bb 4 Horns in F 3 Trombones (3. Bass Trombone) Euphonium Tuba Double Bass (optional) Harp (optional) Timpani Percussion 1: Agogô Bells, Guiro, Triangle Percussion 2: Claves, Vibraslap, Triangle Percussion 3: Shaker, Suspended Cymbal
Transposed Score
Performance instructions:
1. Tenuto marks (-) over notes indicate more weight/stress on the note and does not indicate space to be placed in between that note and the next (unless the tenuto is combined with a staccato). 2. Notes in parentheses are ossias, to be played if the non-parenthetical notes are too difficult for the player.
Program notes: No Interior do Rio de Janeiro (“In the Interior of Rio de Janeiro”) for Wind Ensemble was commissioned by the Northeastern State University Wind Ensemble, Norman A. Wika, conductor. The piece was originally written for orchestra in November 2013 while living in Rio de Janeiro, Brazil as a Fulbright scholar, and this wind ensemble version was created in July of 2015. During my time in Brazil, I had spent 2.5 months in the city of Campos dos Goytacazes, a city in the state of Rio de Janeiro about a 4 hour bus-ride away from the capital city. Campos is a mediumsize city in what Brazilians call “o interior,” (“the interior”) which refers essentially to the vast expanse of land away from the large capital cities on the coast, such as Rio de Janeiro, São Paulo, and Salvador. I had already lived in Brazil, in Rio de Janeiro city, for a month, but I was told the interior was a completely different world. Unlike Rio, I couldn’t find anything about this city in guide books, and very little online, and even less in English, as no tourists ever go there and very little English is spoken there. In fact, the only thing I could find in English about the city called it “the worst city in the world.” What was I getting myself into! The whole reason I was going to this city was to work with “Orquestrando a Vida” (“Orchestrating Life”), the oldest music project in Brazil that was inspired by Venezuela’s famous “El Sistema” system of youth orchestras. After spending 9 days trying to find a place to live, and then another week sick with dengue fever, I spent a wonderful time working with the teachers, staff, and students and witnessing the wonderful work they are doing both musically and socially. This piece is a gift to my friends at Orquestrando a Vida for the wonderful time I was fortunate to spend with them. During my time there, I realized that there are two different kinds of repertoire that the orchestras play: the great masterworks of the European classical tradition, and Latin American works filled with dance rhythms. They play both very well, but they really get into the Latin works, dancing and having lots of fun with them because these rhythms are in their blood. I was fortunate enough to play piano with them performing Arturo Marquez’s “Danzon No. 2” and the energy level was just incredible. In my piece, I wanted to use these rhythms that I’ve heard so much of during my time in Brazil. The other musical inspiration for this piece came from when I tagged along with one of their orchestras on a trip to perform at a theater in Rio. During their rehearsal onstage right before the performance, they warmed up playing a C major scale in 4 voices, each coming in a third lower, creating these beautiful parallel diatonic 7th chords. I use the idea of this exercise in the opening and closing sections of the piece, but add to it these Latin rhythms.
Keane Southard 2015
Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com
Flute 1-2
Flute 3-4
Oboe 1-2
English Horn
q = 145
Commissioned by the Northeastern State University Wind Ensemble, Norman A. Wika, conductor
No Interior do Rio de Janeiro
Clarinet in Bb 1-2
Clarinet in Bb 3-4
f
a2
f Bass Clarinet in Bb
Keane Southard
f
Soprano Saxophone
Alto Saxophone
Bassoon 1-2
Tenor Saxophone
Baritone Saxophone
Trumpet in Bb 1-2
f
q = 145
f
f
1.
Horn in F 1-2
Horn in F 3-4
Trumpet in Bb 3
Trombone 1-2
1.
f
Bass Trombone
Euphonium
Tuba
Double Bass (optional)
Harp (optional)
Timpani
Percussion 1
D C Bb / Eb F G A
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q = 145
Percussion 3
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3 3 3 3 3 3 3 3
Agogô Bells
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Percussion 2
3
Claves
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©2015
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Ten. Sax.
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Tpt. 3
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Perc. 1
Perc. 2
Perc. 3
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non arppegiando
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Sop. Sax.
Alto Sax.
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Tba.
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Perc. 1
Perc. 2
Perc. 3
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Perc. 2
Perc. 3
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Tba.
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Tpt. 1-2
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Bari. Sax.
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Ten. Sax.
Tpt. 3
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Cl. 3-4
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Cl. 1-2
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Eng. Hn.
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(Agogô Bells)
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Fl. 1-2
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Sop. Sax.
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B. Tbn.
Euph.
Tba.
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Timp.
Perc. 1
Perc. 2
Perc. 3
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(Agogô Bells)
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Tbn. 1-2
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Hn. 3-4
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Bari. Sax.
Hn. 1-2
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3 3 3
Tpt. 3
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Ten. Sax.
Tpt. 1-2
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Alto Sax.
3
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Bsn. 1-2
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B. Cl.
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Cl. 1-2
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Eng. Hn.
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Ob. 1-2
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(Claves)
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(Shaker)
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Fl. 1-2
Fl. 3-4
Ob. 1-2
3 3 3
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Cl. 1-2
Cl. 3-4
B. Cl.
Bsn. 1-2
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1-2
Tpt. 3
Hn. 1-2
3
3
Db.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
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Tba.
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Euph.
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D a2
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3 3
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B. Tbn.
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3 3 3 3 3 3 3 3 3 3 3 3
3 3
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Tbn. 1-2
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3 3
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Hn. 3-4
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Sop. Sax.
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Eng. Hn.
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(Agogô Bells)
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(Claves)
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(Shaker)
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Fl. 1-2
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Fl. 3-4
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E q = 112 3 3 3 7
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Ob. 1-2
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Ten. Sax.
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Bari. Sax.
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Perc. 2
Perc. 3
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Ten. Sax.
Bari. Sax.
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Perc. 2
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Vibraslap
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Perc. 2
Guiro f
Claves
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(Shaker) Perc. 3
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Triangle
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Fl. 1-2
Fl. 3-4
Ob. 1-2
Eng. Hn.
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q = 80
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Hn. 3-4
Tbn. 1-2
Perc. 1
Perc. 3
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(Triangle) Perc. 2
Timp.
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Hp.
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Db.
1.
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Tba.
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Euph.
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Tpt. 3
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Bari. Sax.
Ten. Sax.
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Bsn. 1-2
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Alto Sax.
Ten. Sax.
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Tpt. 1-2
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Euph.
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Cl. 3-4
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Perc. 1
Perc. 2
Perc. 3
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Triangle
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Ob. 1-2
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Bsn. 1-2
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
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Tpt. 1-2
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3 3 3 3
Hn. 1-2
Tbn. 1-2
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B. Tbn.
Tba.
Db.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
1.
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3
3
p
sfz
mf
mf
mf
mf
f
p
mf
p
sfz
mf
mf
3
a2
f
3
sfz
f
3
mf
3.
f
3
sfz
mf
sfz
f
p
sfz
f
f
L accel.
3
3 3
mf
3
3
mf
sfz
mp
mf
p
3
mf
p
sfz
3
p
mf
mf
sfz
p
a2
3
3
sfz
1.
3
sfz
mf
Euph.
3
3
3
3
sfz
K
3
3
fp
mf
mf
1.
p
3
sfz
3
3
3
3
J
3
fp
3
fp
mf
Hn. 3-4
3
3
3
3 3 3
mf
Tpt. 3
fp
f
sfz
3
3
3
3
3
3
f
3 3 3
mf
fp
3
3
mf
mf
3
sfz
mp
3
3
3
mf 3.
mf
mf
3
L accel.
mp 1.
1.
mf
K
mf
mp Cl. 3-4
J
mf
(Triangle)
J
K
mp
mf
3
3
3
3
mf
3
3
(Claves)
3
Shaker
mf
accel.
L
3
3
3
80
Fl. 1-2
3
ff a2
Fl. 3-4
3
ff
Ob. 1-2
3
M q = 112
3
Cl. 3-4
mf
f
Bsn. 1-2
Sop. Sax.
Alto Sax.
mp
ff
Bari. Sax.
mp
f
mp
ff
ff
mp
f
mf
ff
mf
f
ff
a2
f
mf
f
f
mp
Ten. Sax.
mf
f
13
ff
mf
f
ff
a2
mf
B. Cl.
f
mf
ff
fff
ff
Cl. 1-2
fff
ff
Eng. Hn.
N
a2
f
mf
mf
a2
a2
ff
ff
ff
ff
sfz
ff
sfz
M Tpt. 1-2
Tpt. 3
Hn. 1-2
Hn. 3-4
Tbn. 1-2
q = 112
ff
ff
mf
ff
Euph.
Tba.
Db.
Hp.
mf
ff
D C Bb / Eb F G A
mp
mp
ff
ff mf
mf
Timp.
mf
Perc. 1
Perc. 2
Perc. 3
(Triangle)
3
3
q = 112
mp
(Shaker)
3
3
f
ff
f
sfz
sfz
ff
ff
sfz
f
ff
arco
ff
N
f
pizz.
sfz
sfz
arco
sfz
f
Guiro ff
sfz
mf
sfz pizz.
ff
sfz
ff
a2
ff
ff
f
f
mp
ff
3
ff
3
f
f
f
(Claves)
f
M
f
ff
ff
N
f
ff
B. Tbn.
ff
ff
86
14 Fl. 1-2
Fl. 3-4
Ob. 1-2
Eng. Hn.
Cl. 1-2
Cl. 3-4
B. Cl.
Bsn. 1-2
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Hn. 1-2
Hp.
Timp.
Perc. 1
(a2) O 6
f
p
a2
p
6
a2
p
p
3
p
f
mp
3
f
mp
3
p
arco
sfz
f
pizz.
sfz
sfz
sfz
O
pizz.
f
f
f
f
f
mp f
(Guiro)
mf
f
mp
f
f
f
f
f
f
mp
f
f
f
a2
mp
f
f
mf
f
f
p
O
3
mp
mp
f
3
mp
f a2
f 3
mp
mp
mf
f
mp
f
mp
f
3
f
sfz
mp
3
p
f
3
p
arco
f
3
p
sfz
f
3
p
f
3
mp
f
3
mp
sfz
mp
mp
f
p
f
mp
sfz
arco
p
sfz
sfz
mp
3
p
sfz
sfz
f
mp
6
mp
f
p
f
f
p
sfz
sfz
pizz.
sfz
sfz
sfz
sfz
p
sfz
p
sfz
Tbn. 1-2
Db.
Tba.
Euph.
Hn. 3-4
B. Tbn.
Tpt. 1-2 Tpt. 3
f
mf
f
f
Perc. 2
Perc. 3
(Claves)
f
(Shaker)
p
f
mp
f
90
Fl. 1-2
mf
Fl. 3-4
Ob. 1-2
Eng. Hn.
Cl. 1-2
mf
mf
ffp
ff ffp
mf
mf B. Cl.
Sop. Sax.
Alto Sax.
ffp
Hn. 1-2
mf
Hn. 3-4
mf
Tbn. 1-2
ffp
ffp
mf
Euph.
ffp
f
ffp
f
ffp
a2
ffp
f
mf
Db.
Timp.
ffp
Perc. 3
ff
(Shaker)
mf
f f
f
3
3
3
3
3
f
3
3
3
3
3
3
f
f
f
q = 145
3
3
3
3
3
f
3
3
3 3
3
f
f
3
3
Agogô Bells
ff
ff
3
f
f
ff
f
( q = 60 ) P
rit.
ff
3
f
3 3 3 3 f 3 3 3 3 1. 3 3 3
f
3
ff
(Guiro)
ffp
3 3
3
f
3
3
3
P ( q = 60 ) q = 145 3 3 3 3
3
f
f
rit.
3
3
3
ff
3
f
ff
ff
3
3
3
f
ff
f
f f
(Claves)
ff
a2
f
f
ff
ffp
Perc. 2
ff
ffp
f
Perc. 1
f
15
f
ff
Hp.
f
mf
ffp
ff
ffp
f Tba.
a2
ff
f
ff
ffp
f
ff
ffp
f
ff
f
mf B. Tbn.
f
ff
ff
ffp
f Tpt. 3
ffp
mf
Tpt. 1-2
ffp
f
f
mf
Bari. Sax.
a2
mf
mf Ten. Sax.
mf
ff
ffp
ff
a2
f
ffp
mf
Bsn. 1-2
f
ff
mf
Cl. 3-4
ff
ffp
( q = 60 ) P q = 145 rit.
3
16
96
Fl. 1-2
Q
a2
Cl. 1-2
Cl. 3-4
B. Cl.
Fl. 3-4
Ob. 1-2
Eng. Hn.
f a2
3
3
3
f
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Sop. Sax.
Alto Sax.
Bari. Sax.
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Ten. Sax.
3
Bsn. 1-2
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Tpt. 1-2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Q 3 3 3 3 3 3 3 3
1.
f
3
3
3
3
3
3
3
3
3
3
3
3
Hn. 1-2
Hn. 3-4
Tpt. 3
Tbn. 1-2
3
B. Tbn.
Euph.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Db.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
3
3
3
3
Q
3
non arpeggiando
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Tba.
3
3 3 3 3 3 3 3
(Agogô Bells)
3
(Claves)
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Shaker
f
17
103
Fl. 1-2
Fl. 3-4
Ob. 1-2
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
Cl. 1-2
Cl. 3-4
Bsn. 1-2
3
3
3
3
3 3
3 3 3
3
3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
3
3
3
3
3 3
a2
f
B. Cl.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
Eng. Hn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
a2
3 3 3 3 3 3 3 3
f
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Tpt. 1-2 3 3 3
2.
3
Tpt. 3
3 3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
a2 Hn. 1-2
Hn. 3-4
Tbn. 1-2
f
Euph.
Tba.
Db.
Hp.
Timp.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
B. Tbn.
3
3
3
3
3 3 3 3 3 3 3 3 f
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3 3 3 3 3 3 3 3
f
f
3
3
3
3
3
3
3
3
3
3
(Agogô Bells) Perc. 1
3 3 3 3 3 3 3
(Claves) Perc. 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(Shaker) Perc. 3
3
3
3
3
3
3
18 Fl. 1-2
R a2 110 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f
Fl. 3-4
Ob. 1-2
3 3
3 3 3 3 3 3 a2 3 3 3 3 3 3 3 3 3 3 3
3
Cl. 1-2
3
B. Cl.
Bsn. 1-2
Sop. Sax.
Ten. Sax.
3
3
3 3
3
3
3 3
3
3
3
3
3 3 3 3
3
Hn. 1-2
3
3
3
3
3
3
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Perc. 1
Perc. 2
Perc. 3
3
3
3
3
3
3
3
3
3
R
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3
3
3
3 3
3
3
3 3 3
3
3
3
3
3
3
a2
f
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3 3 3 3 3 3 3 3 3 3
3 3 3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3 3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 a2 3 3 3 3
3 3 3
R
3 3 3
3 3 f
a2
3 3 3
Hp.
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
Hn. 3-4
3
3 3 3 3 3
Tpt. 1-2
Tpt. 3
3
3 3 3 3 3 3 3 3 a2 3 3 3 3 3 3 3 3 3 3 3 3
f
Bari. Sax.
3
3 3 3
f
Alto Sax.
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 a2
f
Cl. 3-4
3
a2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Eng. Hn.
3
(Agogô Bells)
3 3 3 3 3 3 3 3
(Claves)
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(Shaker)
Fl. 1-2
Fl. 3-4
117 3 3 3 3
3
3
3
3
Ob. 1-2
3
3
Cl. 1-2
3
3
3
Eng. Hn.
19 S 3 3 3 3 3 3 3 3 a2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
Cl. 3-4
B. Cl.
Sop. Sax.
3
3
3
3
3
3
3
3
3
3
3
3
3
Bari. Sax.
3
3
3
3
3
3
3
3
3
3
3
3
3
a2
3
3
3
3
3
3
3
3
3
3
3
Tpt. 1-2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Hn. 1-2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Hn. 3-4
Tbn. 1-2
3 3
3 3
3
3 3 a2
f
B. Tbn.
Euph.
Tba.
Db.
Hp.
Timp.
Perc. 1
Perc. 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
S
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
(Agogô Bells)
3 3 3 3 3 3 3
3
3
(Claves)
3
3
3
3
3
3
3
3
3
3
3
(Shaker) Perc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
a2
3
3 3
3
3
3 3
3
3
3
3
3
S 3 3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3
3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
Ten. Sax.
Tpt. 3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
Alto Sax.
3
3 3 3 3 a2 3
Bsn. 1-2
3
3
3
3
3
3
3
3
3
3
3
20
3 3 124
Fl. 1-2
3
3
Fl. 3-4
Cl. 1-2
Cl. 3-4
Bsn. 1-2
3
3
3
3
Perc. 2
Perc. 3
3
3
3
3
3
3
3 3
3 3
3
3
3
3 3
3
3
3
3
3
3
a2
3
3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3 3
3
3
3
T
3
a2
3 3
3
3 3
3 3 3
3 3 3
3
3
3
3
3
3
3
3 3 3
3
3
3
T
3
3
3
3
3
3
3 3
3
3
3 3 3
3
3
3
3 3 3 3 3 3
3 3
3
3
3
3
3
3 3 3
3
3
3
3
3
3
3
Perc. 1
3
3
3
Timp.
3
3
Tpt. 1-2
Hp.
3
3 3 3
Db.
3
3
Bari. Sax.
Tba.
3
3
Euph.
3
3
3 3
Ten. Sax.
B. Tbn.
3
Tbn. 1-2
3 3
3 3 3 3 3 3
Alto Sax.
Hn. 3-4
3 3 3
3 3 3
Hn. 1-2
3 3 3
3 3
Sop. Sax.
Tpt. 3
3
3 3 3
3
B. Cl.
3
3 3 3
3
Eng. Hn.
3
3
T 3 3
3 3 3
Ob. 1-2
3
3 3 3
(Agogô Bells)
3 3 3 3 3 3 3 3
(Claves)
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(Shaker)
3
3
3
3
3
3
3
3
3 3
131
Fl. 1-2
Fl. 3-4
Ob. 1-2
21
3
a2
3
Eng. Hn.
Cl. 1-2
Cl. 3-4
B. Cl.
Bsn. 1-2
a2
3 3
3
3
3
3
3
3
3
a2
3
3
3
3
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
3
3 a2
Tpt. 1-2
Tpt. 3
Hn. 1-2
Hn. 3-4
B. Tbn.
Euph.
Tba.
Db.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
3 3
3 3
3
3
3
3
3
3
3
3
3
3
3
a2
3
3
3
3
3
Tbn. 1-2
3
3
(Agogô Bells)
3 3 3 3 3 3 3 3
3
(Claves)
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(Shaker)
3
3
3
3
22
U
138
Fl. 1-2
Fl. 3-4
Ob. 1-2
Eng. Hn.
Cl. 1-2
B. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
a2
ff
3
ff
3
Tpt. 3
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Db.
Timp.
Perc. 1
ff
3 ff
ff
Perc. 2
3
3 ffp fff 3
3
3
7
ffp
7
ffp
7
ff
3
3
3
3
fff
7
ffp
fff
3 3 3
3
7
ffp
fff
3 3 3 3
ffp
ff
fff
3 3 3
ff
a2
a2
ff
ffp
ff
ffp
fff
3 3 3
U
ffp
3
3
3
3
(Claves)
3
3
ff
fff
3 3 3
ff
3
ff
ffp
3
3
3
3
(Shaker)
p
ff
3
ffp
3
ff
ff
ffp
p
fff
ffp
3
gli
ss.
ff
3
3
fff
fff
3
3 3
3
fff
3 3 3 3 ffp
3 3 3 3 3 3
ffp
(Agogô Bells)
3
fff
3 3 3
3
fff
3 3 3 3
ffp
fff
ff
fff
3 3 3 3
ffp
3 3 3 3
ff
fff
Susp. Cymbal with yarn mallets
Perc. 3
3 3
3
fff
3 3 3 3
7
ffp
7 3 3 3 3 ff fff ffp 7 3 3 3 3 ff fff ffp 3 3 3 3 7 ffp fff
ff
fff
fff
ff
U
7
3 3 3 3
Hp.
ffp
fff
ff
ff
Tba.
7
3 3 3 7 ffp
ff
Tpt. 1-2
ffp
3 3 3
a2
3 3 3
3
Bsn. 1-2
Cl. 3-4
a2
fff
fff
fff