Page 1

Claude Debussy Arranged by Keane Southard

Menuet From

Suite Bergamasque For

Wind Ensemble

(2012) (Duration: c. 5 mins.)


Instrumentation: Piccolo Flute 1+2 Oboes 1+2 Clarinet in Eb Clarinets in Bb 1,2+3 Bass Clarinet in Bb Bassoons 1+2 Alto Saxophone 1+2 Tenor Saxophone Baritone Saxophone Trumpets in Bb 1,2+3 Horns in F 1+2 Trombones 1+2 Bass Trombone Euphonium Tuba Timpani Percussion 1: Cabasa, Large Bass Drum, Glockenspiel, Tam-tam Percussion 2: Tambourine, Sandblocks, Temple Blocks, Snare Drum, Xylophone Percussion 3: Crash Cymbals, High Triangle, Suspended Cymbal,

Transposed Score

Program Notes: Menuet for Wind Ensemble was originally a piano piece by Claude Debussy, the second movement of the Suite Bergamasque (which also contains the famous Clair de lune) which was composed around 1890. I adored this entire set as a student and always could “hear� orchestral instruments in spots of the second movement as I would play it. So while I was taking an orchestration class as an undergraduate and was assigned to choose a piano piece and orchestrate (or, actually, band-strate) it, I chose this piece. Several years later, I revisited my arrangement, revised and improved it into the present version.

Keane Southard 2012

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com


Menuet from



Suite Bergamasque

Transposed Score

Piccolo

 

Flute 1

for Wind Ensemble

Andantino q = 60-72

Claude Debussy Arr. Keane Southard

5

                     

   

     

p mf

mp

Flute 2

                p mf

mp

Oboe 2

Clarinet in Bb 1

            

              

             

Oboe 1

Clarinet in Bb 2

Clarinet in Bb 3

           p 

             p

Alto Saxophone 1

Alto Saxophone 2

  mp



 Trumpet in Bb 1 

 

     

  

mp

    



           

 

  



mf

 

    

    mp

          

  

 

mp

 

mp

Baritone Saxophone

mp

mp

mp

                   

p

p

Tenor Saxophone

mp

p

3

p

Bassoon 2

                                                   

Bassoon 1

mf

mf

             p

Bass Clarinet

            

mp

 

mp

p

Andantino q = 60-72

5

Trumpet in Bb 2

Trumpet in Bb 3

Horn in F 1

mp

Horn in F 2

mp

Trombone 1

 

p

 mp

  

mp



 

p

mf

Trombone 2

 mf

Trombone 3

mf

Euphonium

mf Tuba

Timpani

Percussion 1

Percussion 2



 



q = 60-72

         

    

p

mf

Andantino

Cabasa

 Tambourine rest on knee

     

5

p

Percussion 3



©2012


2

10

Picc.

 

Fl. 1

        

 

pp

    

p

   pp

        

    

                        

3

 

            

p

Bsn. 1

Bsn. 2

A. Sax. 1

A. Sax. 2

pp

 

3

  

            

       

  

        

pp

        

p

p

                        3 mf

f

  

  

p

         

f

 

f

     

          

             

p

                            p

p

    

 

                  mf

f

f

      p mp

                  mf

p

p

                       p

f

  

p

   

p

3

 

         

p

3

mf

   

T. Sax.

     pp    

   mf

f

f

                

18

f

p

B. Cl.

3

p

Cl. 3

f

f

3

         

        

   

  

mf

Cl. 2

Cl. 1

mf

p

Ob. 2

mf

 

Ob. 1

                 mf

Fl. 2

12

p

 

         

 

   

       



 Tpt. 1 

Tpt. 2

Tpt. 3

Hn. 1

     

B. Sax.

pp

 

Tbn. 3

                              

f



         

p

          p

Timp.



Perc. 2

Perc. 3

  



           

f

 f

 

                   

p

p

          

f

f



f

12  

pp

Perc. 1

p

mf



 

p

Tba.

          

p

Euph.

          

18

p

 

p

f

     

mf

3

p

mf

p

Tbn. 2



 

Tbn. 1

12

mp

p

Hn. 2

        mp

f

18          

 

    



p

f

 

Large Bass Drum



mf

Sandblocks

  

p

       

            

 

Temple Blocks with soft mallets

      pp



Crash Cymbals

mf


3

Picc.

26

22

19    

  

  

  

  

  

f

Fl. 1

             f

f

   

Fl. 2

f

   

Ob. 1

   

 

mp

 



                        mf           mp    

B. Cl.

  

f

Bsn. 1

Bsn. 2

espress.

B. Sax.

                   mf

                      

mp

                             

 

 

22

Tpt. 3

Hn. 1

 

   













mp



 



26 

      mp

       mp

      

mp

Tbn. 3

  

  

   

f

Timp.

mf

Tbn. 2

mf

mf

Tba.

       

mf

Euph.

mp

Tbn. 1

mf

mp

mp

 Tpt. 1 

Hn. 2

    

mf

mf

           mp

mf

mf

mp

mf

mf

mp

mp



Tpt. 2

T. Sax.

    



mf espress.

mf

espress.

A. Sax. 2

          

mp



                  

espress.

                                     mf mp

A. Sax. 1

  

mf

mp

Cl. 3

    



mp

mp

                                  mf

mf

mp

Cl. 2

espress.



 

mp

         

mf

                                      

Cl. 1

mp

Ob. 2



   

 

mf

 

 

mp

     





mf

   

  

   

   

  

  

f

  

f

    f



mf

22

26

Glockenspiel with brass mallet

Perc. 1

    f

                          (Temple Blocks)

Perc. 2

p

High Triangle

Perc. 3

     mf

  

mp

  


35

4 29

Picc.

  

Fl. 1

Fl. 2

Ob. 1

mp

   

 

   

 

   

  

mf

 

p

 

    

 

             f

  

 

  

 

    

  

 

           

p

mf

mf

p

mf

mp

mf

mp









ff

                                                        f

ff

                            

mp

mf



ff

f

mp

mf

  

 

mp

    

p

   mp

mf

  

mf

     mf

ff

f

                                                                                   

        

Cl. 1

mf

p

f

     

  

     

                             

ff

                                

ff

f

                                                                                            ff

Cl. 2

mf p

mf

mf p

mf

mp

f

mp

f

                                                                     

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2



A. Sax. 1

A. Sax. 2







mp





p

   

   





mp

mf

ff





       









f

f

  

mp

   























    

  

ff

     

ff

     

 

     

 ff

  

 

 

ff

f

mf





ff

  f



ff

f

f

 

T. Sax.

mp

mp

B. Sax.

 

p

mf

 

 

Ob. 2

  

   

A Tempo

poco rit.

30





ff

35  Tpt. 1 

Tpt. 2

Tpt. 3

30   

 

  

 

p

  

p

  mp

Tbn. 2

   

   

     

      

   p

Tbn. 3

Euph.

  p

Tba.





mp

p

  

 

     

  

 

     

mp

f

f

  

 

mp

mp

mf





     







     

     

     

    

f

            

  







f

     

mp

mf

   

     

 





     

ff

  



        

       

Timp.





    

  

 

  

 

    

  

 

ff

 





ff

 







 









ff

f

 

f

ff

ff

 

 

 



35 



mf

A Tempo

poco rit.

 





mf

Perc. 2



Susp. Cymbal with yarn mallets

f

Perc. 1

Perc. 3

 

ff

f

   

  

ff

f

30 

A Tempo

f

  

mp

   

 

mp

mf

                   

     

f

mp

mf

     

mp

    

mf

mf

     mf

  

 

mp

mf

p

Tbn. 1

    

p

   mp

mf

  

mp

Hn. 2

    

p

 

Hn. 1

 

poco rit.

  p

 f


5

Picc.

38  38     

mp

  

       

      





mp

Ob. 2

Cl. 3

    

    

    

 

p

3





pp

3

                         

      

           p

mp

 



mp

             

                     mp

B. Cl.

mp

   

pp

mp

 

      

Cl. 2

mp

mp

Cl. 1

42

  

mp

mp

Ob. 1

mp

mp

Fl. 2

p

  

Fl. 1

 

46



   

   



     



pp

  

                

                   

mp

 

pp

pp

mp

   

 

   

   



   



      

pp

mp

Bsn. 1

mp

Bsn. 2

   

mp

mp

A. Sax. 1

mp





mp

    

A. Sax. 2





  

mp

T. Sax.

B. Sax.

 mp





mp





38   Tpt. 1    

   

    

    

mp

Tpt. 2

     

   

pp

  

mp

   

  

   

mp

   

   

  

   

   

  

   

   

  

   

mp

pp

pp

pp

mp

pp

mp

Tba.

   

  

mp



 

  

 pp

pp

pp

 pp

pp

38 Timp.

   

Euph.

    

Tbn. 3

mp

Tbn. 2

    

Tbn. 1

    

Hn. 2

mp

mp

Hn. 1

46

    

mp

Tpt. 3

42

 46

42

 pp

Tam-tam scrape with metal beater

Perc. 1

 

mf

Perc. 2

Perc. 3

 

pp

mf

Crash Cymbals swish

scrape with metal beater

 

swish

pp

 Snare Drum  

   

pp

 

 

 

   

High Triangle

 p


6

47

Picc.

     

Fl. 1

     

f

f

    

     

f

Fl. 2

50     

54 

  

  

f

        

Ob. 1

p

Ob. 2

 

Cl. 1

Cl. 3

    



pp

            

f

  

f

  

mp

   

p

  

            

     

f

f

    

Cl. 2

f

     

  

f

f

  

  

   

                  f

pp

mp

    

 

  

   

Bsn. 2

 

                 

pp

f

         

f

pp

  

pp

A. Sax. 1

 

   

 

T. Sax.

B. Sax.



 Tpt. 1  Tpt. 2

Tpt. 3

Hn. 2

Tbn. 1

Tbn. 2

  

    

mp

        mp

 

mp

f

            mp

f



f

50  



mp f

    

    

   

   

 

 

 

pp

f

 









    

mf



Perc. 1

Perc. 2

 

 

 

 

 

f

 





 mp

 

 mp

f

 

mp



 



 



 

 

   

Glockenspiel

with brass mallets 

mp

mp f



mp

mp

mp

 



mp

50   

 

f

 

mp

f

mp f

f

Timp.



mp

 

f

mp



f

 

           

 

           

f



     

mp

mp

f

         

54

      

f Tba.

  

f

mp

      

f



             

f Euph.



mp

f

pp

Tbn. 3



pp

    

Hn. 1



f

           

f

f

f

A. Sax. 2

f

pp

Bsn. 1

f

mp B. Cl.

mp

54        

 



f

 Xylophone with medium mallets

      

 

  

f

Perc. 3



High Triangle

 

mf




7

Picc.

56        

f

Fl. 1

Fl. 2

Ob. 1

   f

  

58

 

        mp

62

    

65 

 

          

fp

 f

               p

    

      

     

     

f

              

p

p

f

Ob. 2

  

  

f Cl. 1

Cl. 2

Cl. 3

B. Cl.

 

Bsn. 2

A. Sax. 1

p

f

  

  





f

 

     

f

   

 

  

    

f

 

  

f

Hn. 2

Tbn. 1

 

           

Perc. 1

    

            

   

 

 

 

p

p

p

 



p

p

p

 

            

p

p

 

       

f

  

 

   



p

    

mf

             

p

62



p





f

 

 

 

p

  

f

mf

  

65    

       

   

  

  

con sord.

con sord.

con sord.

                p

   

mp



p

p

 

         

p

mf

  

             

con sord.

f

f

f

mf

p con sord.

          

senza sord.

p

mp

p

 

 

 

 

 

p

  

p

  

p

  

p

  



 

58

f

Timp.

p

f Tba.

p

f Euph.

f

  

    

p

f Tbn. 3

p

p

p

f Tbn. 2

     

f

Hn. 1

      

     

 Tpt. 1 

Tpt. 3

     

p

     

f

Tpt. 2

  

      

     

         

mp

B. Sax.

     

     

 

f

T. Sax.

       

         

        

       

p

p

f

A. Sax. 2

     

p

f

mp

Bsn. 1

                        

       

 

58

 

p

62

65 

(Xylophone) Perc. 2

      

(High Triangle)

Perc. 3

  




8

73

69

         68

Picc.

p

 

Fl. 1

    p

  

 

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

B. Cl.

Bsn. 2

p

     

 

       p

 

p

      

 



pp

 

ppp



A. Sax. 2

T. Sax.

A. Sax. 1







   



   

 

 

mp

  





 f

 f

 

 

 



mp

mp

   

  

 

   

  

 

 

   

   

   

mp

 





mf

 

 

mp



   





  

    mp

  

    mp

 

  mp

  mp

mp

mf

senza sord.





f

Tpt. 3





f

  

 

Hn. 1

Hn. 2

Tbn. 1



3 3                                 

senza sord.





 

 

 

 

senza sord.    f





  



 

Tbn. 3

 

 

  f





 





Tba.

 

 

 

    f

Timp.

Perc. 1

Perc. 2

 

 

 

  

 



                      

 



 

mp

mp

      

      

   



mp

mp







mp

 

mp

mp

f

 

 

mp

 









mp





 

 

 

poco rit.

77

A Tempo

 

 

f

 

 

mp

Cabasa

     

p

 

 

      

 

 Tambourine rest on knee

     

  

    

 

  

p

Perc. 3





73

69 

mp

f

Euph.

mp

f

Tbn. 2

  

mp

mp

senza sord.

  

mf

mp

Crash Cymbals

  

77

A Tempo

mp Tpt. 2

 

   

mp

mp

 

 



 

   

 

 

 

mp

 

mp

poco rit.





  

mp



 

   

mp

mf

mf

   

73 69

mp

f

 Tpt. 1 

 

 

mp

f

mp

   

mp

 

 

mp

 

f

 f

77

mp

         



f

ppp

mp

p



p

 

   

    

     p

ppp

       

       

f



  

   

p

pp

3

p

 

Bsn. 1

B. Sax.

p

A Tempo



         

 

p Cl. 3

poco rit.


9

82    80

Picc.

80 

 

Fl. 1

3

 

    

Cl. 3

 

Bsn. 1

 

     

   

 

B. Sax.



      

    



    



    



 

   

   

      



 

 f

   

mf

mf





mf

f



Hn. 1





 

Hn. 2

 

Tbn. 1



   

Tbn. 3

 

Tba.

 

  



Timp.



mf

 

 f



 80

  

Perc. 2

 

 

   

mp



  p

mp

cresc.

 

    

     







f

mp

 

cresc.





mp

cresc.



cresc.



f



f

f



 f

f

     



 

cresc.

 

    mp

 

  

 



mp

  

mp

 mp

 mf

cresc.



mf cresc.



 

cresc.



 mf

 mf

 ossia



Glockenspiel with brass mallets

 

mf

f



p

f

mp subito but still rich



        

mp

f





  

p

   





 

  

mp subito but still rich



cresc.

cresc.



                   

f

   



mp cresc.

 mp

f

 mp

f

mp



86

   

mp



 

   



mp subito but still rich



f

mp subito but still rich

cresc.

 



mp cresc.

mp cresc.









86

f







 

 

f

Susp. Cymbal with yarn mallets

Perc. 3



f



Sandblocks

 

    

f

mp subito but still rich



A Tempo

poco rit.

  

cresc.

f

mf

Perc. 1

 

f

 

 

cresc.

cresc. mp espress.

     



82 

 

f





 

  

cresc.

  

f

mp subito but still rich

f

 

 

mp

   

 

    



f

mf

mf

Euph.

f



mf

Tbn. 2

f

  

cresc.

                   

f

mp subito espress., rich

   



A Tempo

mf

  

mp

    

mp subito but still rich

    



f

 

 

mp





  

mp subito but still rich

 

    

     



mf

   

 

f

mp espress., rich

   

mf

Tpt. 3

    

   

mp

f

    

mp

   



f

                    



80 poco rit. 3           Tpt. 1          

mp subito espress., rich

   



82

Tpt. 2

    

mp subito espress., rich

f

 

mp subito espress., rich

f

                                              

    

T. Sax.

f

    

A. Sax. 2



f

mf

A. Sax. 1

    

f

f

mf Bsn. 2

86    

mf



 



f

mf

 

                                                                                        

mf

   

B. Cl.

   mf

 

f

    

f

             

mf

    

Cl. 2

  

mf

   

Cl. 1

         

              

 

Ob. 2

3

 

Ob. 1

A Tempo

              

 

Fl. 2

poco rit.

 f

  p

 f


10

poco rit.

   90

Picc.

90 

Fl. 2

Ob. 1

Ob. 2

 

 

 

Cl. 2

 

   



 







ff

cresc.

   

 

 

 

 

 

 ff



ff

   

                                       

ff



  

                                       

ff

    

Cl. 1

mf

 

Fl. 1

93  



   

 

ff

                                                                   

                                

ff

   

Cl. 3

   

B. Cl.

 

Bsn. 1

 

Bsn. 2

ff

 



 

 

 

 



               

A. Sax. 2

    

T. Sax.





   



    

       

Tbn. 1

 

Tbn. 2

 

Tbn. 3









ff

ff

       

 

 

 

 

 

       

 

 

 

ff

   

 



 



 



ff

ff







93 



poco rit.











ff

mf

cresc.





    



   

 

 

ff

   

 







 

 







 

 















 

ff



  

 

cresc.



cresc.





ff

 







ff

 

 

ff















93   p



 ff

 

Euph.

Tba.

Timp.

 



 





 

90



 ff



ff













ff

                

ff

    

Hn. 2

 

cresc.

Hn. 1



ff

Tpt. 3



ff



  



ff



90     Tpt. 1  Tpt. 2



mp

ff

                                    

A. Sax. 1

B. Sax.

mp

poco rit.

 

f

f

Perc. 1

Perc. 2

Perc. 3




97

11

A Tempo

  

   

     

     

     

      

  

     

     

     

 

          

     

     

     

 

     

   96

Picc.

 

Fl. 1

 

Fl. 2

Ob. 1

Ob. 2

pp

 

pp

pp

pp

 

 

Bsn. 1

 

Bsn. 2

A. Sax. 1

A. Sax. 2

T. Sax.

 

 

  pp

 

     

     

   

 

pp

 

    

     

    

     

    

     

 



      

      

      

   

    

     pp

    

pp

pp



     

     

       

     

     

     

     

   

    

   

   

      

 

 

 



Hn. 1

Hn. 2

Tbn. 1

Tbn. 2

Tbn. 3

Euph.

Tba.

Perc. 2

Perc. 3

     ppp

    

     

    

      

 

  

    

     

     

    

    

    

   

pp

 

pp

pp

pp

pp



A Tempo





 

 

 



    ppp

 



 



    pp

 



   



 

   

102

pp



  

pp

A Tempo



102 

mp Perc. 1

97 Timp.

pp

p

     

Tpt. 3

pp

p

     

97

Tpt. 2

p

    Tpt. 1 

ppp



ppp

     

mp

p

102

pp

pp

pp

pp

      



pp

     

B. Cl.

pp

pp

   

Cl. 3

   

Cl. 2

   

Cl. 1

B. Sax.

  

 

      

Crash Cymbals

pp

      

      

 

    

pp

 

Xylophone with medium mallets . gliss

pp

   

    

   

ppp

 

(slow gliss)

Menuet from "Suite Bergamasque" by Claude Debussy (arranged by Keane Southard) for Wind Ensemble  

Menuet from "Suite Bergamasque" by Claude Debussy (arranged by Keane Southard) for Wind Ensemble Purchase performance materials at: http://k...

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