Issuu on Google+

Claude Debussy Arranged by Keane Southard

Menuet From

Suite Bergamasque For

Wind Ensemble

(2012) (Duration: c. 5 mins.)


Instrumentation: Piccolo Flute 1+2 Oboes 1+2 Clarinet in Eb Clarinets in Bb 1,2+3 Bass Clarinet in Bb Bassoons 1+2 Alto Saxophone 1+2 Tenor Saxophone Baritone Saxophone Trumpets in Bb 1,2+3 Horns in F 1+2 Trombones 1+2 Bass Trombone Euphonium Tuba Timpani Percussion 1: Cabasa, Large Bass Drum, Glockenspiel, Tam-tam Percussion 2: Tambourine, Sandblocks, Temple Blocks, Snare Drum, Xylophone Percussion 3: Crash Cymbals, High Triangle, Suspended Cymbal,

Transposed Score

Program Notes: Menuet for Wind Ensemble was originally a piano piece by Claude Debussy, the second movement of the Suite Bergamasque (which also contains the famous Clair de lune) which was composed around 1890. I adored this entire set as a student and always could “hear� orchestral instruments in spots of the second movement as I would play it. So while I was taking an orchestration class as an undergraduate and was assigned to choose a piano piece and orchestrate (or, actually, band-strate) it, I chose this piece. Several years later, I revisited my arrangement, revised and improved it into the present version.

Keane Southard 2012

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com


Menuet from



Suite Bergamasque

Transposed Score

Piccolo

 

Flute 1

for Wind Ensemble

Andantino q = 60-72

Claude Debussy Arr. Keane Southard

5

                     

   

     

p mf

mp

Flute 2

                p mf

mp

Oboe 2

Clarinet in Bb 1

            

              

             

Oboe 1

Clarinet in Bb 2

Clarinet in Bb 3

           p 

             p

Alto Saxophone 1

Alto Saxophone 2

  mp



 Trumpet in Bb 1 

 

     

  

mp

    



           

 

  



mf

 

    

    mp

          

  

 

mp

 

mp

Baritone Saxophone

mp

mp

mp

                   

p

p

Tenor Saxophone

mp

p

3

p

Bassoon 2

                                                   

Bassoon 1

mf

mf

             p

Bass Clarinet

            

mp

 

mp

p

Andantino q = 60-72

5

Trumpet in Bb 2

Trumpet in Bb 3

Horn in F 1

mp

Horn in F 2

mp

Trombone 1

 

p

 mp

  

mp



 

p

mf

Trombone 2

 mf

Trombone 3

mf

Euphonium

mf Tuba

Timpani

Percussion 1

Percussion 2



 



q = 60-72

         

    

p

mf

Andantino

Cabasa

 Tambourine rest on knee

     

5

p

Percussion 3



©2012


2

10

Picc.

 

Fl. 1

        

 

pp

    

p

   pp

        

    

                        

3

 

            

p

Bsn. 1

Bsn. 2

A. Sax. 1

A. Sax. 2

pp

 

3

  

            

       

  

        

pp

        

p

p

                        3 mf

f

  

  

p

         

f

 

f

     

          

             

p

                            p

p

    

 

                  mf

f

f

      p mp

                  mf

p

p

                       p

f

  

p

   

p

3

 

         

p

3

mf

   

T. Sax.

     pp    

   mf

f

f

                

18

f

p

B. Cl.

3

p

Cl. 3

f

f

3

         

        

   

  

mf

Cl. 2

Cl. 1

mf

p

Ob. 2

mf

 

Ob. 1

                 mf

Fl. 2

12

p

 

         

 

   

       



 Tpt. 1 

Tpt. 2

Tpt. 3

Hn. 1

     

B. Sax.

pp

 

Tbn. 3

                              

f



         

p

          p

Timp.



Perc. 2

Perc. 3

  



           

f

 f

 

                   

p

p

          

f

f



f

12  

pp

Perc. 1

p

mf



 

p

Tba.

          

p

Euph.

          

18

p

 

p

f

     

mf

3

p

mf

p

Tbn. 2



 

Tbn. 1

12

mp

p

Hn. 2

        mp

f

18          

 

    



p

f

 

Large Bass Drum



mf

Sandblocks

  

p

       

            

 

Temple Blocks with soft mallets

      pp



Crash Cymbals

mf


3

Picc.

26

22

19    

  

  

  

  

  

f

Fl. 1

             f

f

   

Fl. 2

f

   

Ob. 1

   

 

mp

 



                        mf           mp    

B. Cl.

  

f

Bsn. 1

Bsn. 2

espress.

B. Sax.

                   mf

                      

mp

                             

 

 

22

Tpt. 3

Hn. 1

 

   













mp



 



26 

      mp

       mp

      

mp

Tbn. 3

  

  

   

f

Timp.

mf

Tbn. 2

mf

mf

Tba.

       

mf

Euph.

mp

Tbn. 1

mf

mp

mp

 Tpt. 1 

Hn. 2

    

mf

mf

           mp

mf

mf

mp

mf

mf

mp

mp



Tpt. 2

T. Sax.

    



mf espress.

mf

espress.

A. Sax. 2

          

mp



                  

espress.

                                     mf mp

A. Sax. 1

  

mf

mp

Cl. 3

    



mp

mp

                                  mf

mf

mp

Cl. 2

espress.



 

mp

         

mf

                                      

Cl. 1

mp

Ob. 2



   

 

mf

 

 

mp

     





mf

   

  

   

   

  

  

f

  

f

    f



mf

22

26

Glockenspiel with brass mallet

Perc. 1

    f

                          (Temple Blocks)

Perc. 2

p

High Triangle

Perc. 3

     mf

  

mp

  


35

4 29

Picc.

  

Fl. 1

Fl. 2

Ob. 1

mp

   

 

   

 

   

  

mf

 

p

 

    

 

             f

  

 

  

 

    

  

 

           

p

mf

mf

p

mf

mp

mf

mp









ff

                                                        f

ff

                            

mp

mf



ff

f

mp

mf

  

 

mp

    

p

   mp

mf

  

mf

     mf

ff

f

                  ���                                                                 

        

Cl. 1

mf

p

f

     

  

     

                             

ff

                                

ff

f

                                                                                            ff

Cl. 2

mf p

mf

mf p

mf

mp

f

mp

f

                                                                     

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2



A. Sax. 1

A. Sax. 2







mp





p

   

   





mp

mf

ff





       









f

f

  

mp

   























    

  

ff

     

ff

     

 

     

 ff

  

 

 

ff

f

mf





ff

  f



ff

f

f

 

T. Sax.

mp

mp

B. Sax.

 

p

mf

 

 

Ob. 2

  

   

A Tempo

poco rit.

30





ff

35  Tpt. 1 

Tpt. 2

Tpt. 3

30   

 

  

 

p

  

p

  mp

Tbn. 2

   

   

     

      

   p

Tbn. 3

Euph.

  p

Tba.





mp

p

  

 

     

  

 

     

mp

f

f

  

 

mp

mp

mf





     







     

     

     

    

f

            

  







f

     

mp

mf

   

     

 





     

ff

  



        

       

Timp.





    

  

 

  

 

    

  

 

ff

 





ff

 







 









ff

f

 

f

ff

ff

 

 

 



35 



mf

A Tempo

poco rit.

 





mf

Perc. 2



Susp. Cymbal with yarn mallets

f

Perc. 1

Perc. 3

 

ff

f

   

  

ff

f

30 

A Tempo

f

  

mp

   

 

mp

mf

                   

     

f

mp

mf

     

mp

    

mf

mf

     mf

  

 

mp

mf

p

Tbn. 1

    

p

   mp

mf

  

mp

Hn. 2

    

p

 

Hn. 1

 

poco rit.

  p

 f


5

Picc.

38  38     

mp

  

       

      





mp

Ob. 2

Cl. 3

    

    

    

 

p

3





pp

3

                         

      

           p

mp

 



mp

             

                     mp

B. Cl.

mp

   

pp

mp

 

      

Cl. 2

mp

mp

Cl. 1

42

  

mp

mp

Ob. 1

mp

mp

Fl. 2

p

  

Fl. 1

 

46



   

   



     



pp

  

                

                   

mp

 

pp

pp

mp

   

 

   

   



   



      

pp

mp

Bsn. 1

mp

Bsn. 2

   

mp

mp

A. Sax. 1

mp





mp

    

A. Sax. 2





  

mp

T. Sax.

B. Sax.

 mp





mp





38   Tpt. 1    

   

    

    

mp

Tpt. 2

     

   

pp

  

mp

   

  

   

mp

   

   

  

   

   

  

   

   

  

   

mp

pp

pp

pp

mp

pp

mp

Tba.

   

  

mp



 

  

 pp

pp

pp

 pp

pp

38 Timp.

   

Euph.

    

Tbn. 3

mp

Tbn. 2

    

Tbn. 1

    

Hn. 2

mp

mp

Hn. 1

46

    

mp

Tpt. 3

42

 46

42

 pp

Tam-tam scrape with metal beater

Perc. 1

 

mf

Perc. 2

Perc. 3

 

pp

mf

Crash Cymbals swish

scrape with metal beater

 

swish

pp

 Snare Drum  

   

pp

 

 

 

   

High Triangle

 p


6

47

Picc.

     

Fl. 1

     

f

f

    

     

f

Fl. 2

50     

54 

  

  

f

        

Ob. 1

p

Ob. 2

 

Cl. 1

Cl. 3

    



pp

            

f

  

f

  

mp

   

p

  

            

     

f

f

    

Cl. 2

f

     

  

f

f

  

  

   

                  f

pp

mp

    

 

  

   

Bsn. 2

 

                 

pp

f

         

f

pp

  

pp

A. Sax. 1

 

   

 

T. Sax.

B. Sax.



 Tpt. 1  Tpt. 2

Tpt. 3

Hn. 2

Tbn. 1

Tbn. 2

  

    

mp

        mp

 

mp

f

            mp

f



f

50  



mp f

    

    

   

   

 

 

 

pp

f

 









    

mf



Perc. 1

Perc. 2

 

 

 

 

 

f

 





 mp

 

 mp

f

 

mp



 



 



 

 

   

Glockenspiel

with brass mallets 

mp

mp f



mp

mp

mp

 



mp

50   

 

f

 

mp

f

mp f

f

Timp.



mp

 

f

mp



f

 

           

 

           

f



     

mp

mp

f

         

54

      

f Tba.

  

f

mp

      

f



             

f Euph.



mp

f

pp

Tbn. 3



pp

    

Hn. 1



f

           

f

f

f

A. Sax. 2

f

pp

Bsn. 1

f

mp B. Cl.

mp

54        

 



f

 Xylophone with medium mallets

      

 

  

f

Perc. 3



High Triangle

 

mf




7

Picc.

56        

f

Fl. 1

Fl. 2

Ob. 1

   f

  

58

 

        mp

62

    

65 

 

          

fp

 f

               p

    

      

     

     

f

              

p

p

f

Ob. 2

  

  

f Cl. 1

Cl. 2

Cl. 3

B. Cl.

 

Bsn. 2

A. Sax. 1

p

f

  

  





f

 

     

f

   

 

  

    

f

 

  

f

Hn. 2

Tbn. 1

 

           

Perc. 1

    

            

   

 

 

 

p

p

p

 



p

p

p

 

            

p

p

 

       

f

  

 

   



p

    

mf

             

p

62



p





f

 

 

 

p

  

f

mf

  

65    

       

   

  

  

con sord.

con sord.

con sord.

                p

   

mp



p

p

 

         

p

mf

  

             

con sord.

f

f

f

mf

p con sord.

          

senza sord.

p

mp

p

 

 

 

 

 

p

  

p

  

p

  

p

  



 

58

f

Timp.

p

f Tba.

p

f Euph.

f

  

    

p

f Tbn. 3

p

p

p

f Tbn. 2

     

f

Hn. 1

      

     

 Tpt. 1 

Tpt. 3

     

p

     

f

Tpt. 2

  

      

     

         

mp

B. Sax.

     

     

 

f

T. Sax.

       

         

        

       

p

p

f

A. Sax. 2

     

p

f

mp

Bsn. 1

                        

       

 

58

 

p

62

65 

(Xylophone) Perc. 2

      

(High Triangle)

Perc. 3

  




8

73

69

         68

Picc.

p

 

Fl. 1

    p

  

 

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

B. Cl.

Bsn. 2

p

     

 

       p

 

p

      

 



pp

 

ppp



A. Sax. 2

T. Sax.

A. Sax. 1







   



   

 

 

mp

  





 f

 f

 

 

 



mp

mp

   

  

 

   

  

 

 

   

   

   

mp

 





mf

 

 

mp



   





  

    mp

  

    mp

 

  mp

  mp

mp

mf

senza sord.





f

Tpt. 3





f

  

 

Hn. 1

Hn. 2

Tbn. 1



3 3                                 

senza sord.





 

 

 

 

senza sord.    f





  



 

Tbn. 3

 

 

  f





 





Tba.

 

 

 

    f

Timp.

Perc. 1

Perc. 2

 

 

 

  

 



                      

 



 

mp

mp

      

      

   



mp

mp







mp

 

mp

mp

f

 

 

mp

 









mp





 

 

 

poco rit.

77

A Tempo

 

 

f

 

 

mp

Cabasa

     

p

 

 

      

 

 Tambourine rest on knee

     

  

    

 

  

p

Perc. 3





73

69 

mp

f

Euph.

mp

f

Tbn. 2

  

mp

mp

senza sord.

  

mf

mp

Crash Cymbals

  

77

A Tempo

mp Tpt. 2

 

   

mp

mp

 

 



 

   

 

 

 

mp

 

mp

poco rit.





  

mp



 

   

mp

mf

mf

   

73 69

mp

f

 Tpt. 1 

 

 

mp

f

mp

   

mp

 

 

mp

 

f

 f

77

mp

         



f

ppp

mp

p



p

 

   

    

     p

ppp

       

       

f



  

   

p

pp

3

p

 

Bsn. 1

B. Sax.

p

A Tempo



         

 

p Cl. 3

poco rit.


9

82    80

Picc.

80 

 

Fl. 1

3

 

    

Cl. 3

 

Bsn. 1

 

     

   

 

B. Sax.



      

    



    



    



 

   

   

      



 

 f

   

mf

mf





mf

f



Hn. 1





 

Hn. 2

 

Tbn. 1



   

Tbn. 3

 

Tba.

 

  



Timp.



mf

 

 f



 80

  

Perc. 2

 

 

   

mp



  p

mp

cresc.

 

    

     







f

mp

 

cresc.





mp

cresc.



cresc.



f



f

f



 f

f

     



 

cresc.

 

    mp

 

  

 



mp

  

mp

 mp

 mf

cresc.



mf cresc.



 

cresc.



 mf

 mf

 ossia



Glockenspiel with brass mallets

 

mf

f



p

f

mp subito but still rich



        

mp

f





  

p

   





 

  

mp subito but still rich



cresc.

cresc.



                   

f

   



mp cresc.

 mp

f

 mp

f

mp



86

   

mp



 

   



mp subito but still rich



f

mp subito but still rich

cresc.

 



mp cresc.

mp cresc.









86

f







 

 

f

Susp. Cymbal with yarn mallets

Perc. 3



f



Sandblocks

 

    

f

mp subito but still rich



A Tempo

poco rit.

  

cresc.

f

mf

Perc. 1

 

f

 

 

cresc.

cresc. mp espress.

     



82 

 

f





 

  

cresc.

  

f

mp subito but still rich

f

 

 

mp

   

 

    



f

mf

mf

Euph.

f



mf

Tbn. 2

f

  

cresc.

                   

f

mp subito espress., rich

   



A Tempo

mf

  

mp

    

mp subito but still rich

    



f

 

 

mp





  

mp subito but still rich

 

    

     



mf

   

 

f

mp espress., rich

   

mf

Tpt. 3

    

   

mp

f

    

mp

   



f

                    



80 poco rit. 3           Tpt. 1          

mp subito espress., rich

   



82

Tpt. 2

    

mp subito espress., rich

f

 

mp subito espress., rich

f

                                              

    

T. Sax.

f

    

A. Sax. 2



f

mf

A. Sax. 1

    

f

f

mf Bsn. 2

86    

mf



 



f

mf

 

                                                                                        

mf

   

B. Cl.

   mf

 

f

    

f

             

mf

    

Cl. 2

  

mf

   

Cl. 1

         

              

 

Ob. 2

3

 

Ob. 1

A Tempo

              

 

Fl. 2

poco rit.

 f

  p

 f


10

poco rit.

   90

Picc.

90 

Fl. 2

Ob. 1

Ob. 2

 

 

 

Cl. 2

 

   



 







ff

cresc.

   

 

 

 

 

 

 ff



ff

   

                                       

ff



  

                                       

ff

    

Cl. 1

mf

 

Fl. 1

93  



   

 

ff

                                                                   

                                

ff

   

Cl. 3

   

B. Cl.

 

Bsn. 1

 

Bsn. 2

ff

 



 

 

 

 



               

A. Sax. 2

    

T. Sax.





   



    

       

Tbn. 1

 

Tbn. 2

 

Tbn. 3









ff

ff

       

 

 

 

 

 

       

 

 

 

ff

   

 



 



 



ff

ff







93 



poco rit.











ff

mf

cresc.





    



   

 

 

ff

   

 







 

 







 

 















 

ff



  

 

cresc.



cresc.





ff

 







ff

 

 

ff















93   p



 ff

 

Euph.

Tba.

Timp.

 



 

���



 

90



 ff



ff













ff

                

ff

    

Hn. 2

 

cresc.

Hn. 1



ff

Tpt. 3



ff



  



ff



90     Tpt. 1  Tpt. 2



mp

ff

                                    

A. Sax. 1

B. Sax.

mp

poco rit.

 

f

f

Perc. 1

Perc. 2

Perc. 3




97

11

A Tempo

  

   

     

     

     

      

  

     

     

     

 

          

     

     

     

 

     

   96

Picc.

 

Fl. 1

 

Fl. 2

Ob. 1

Ob. 2

pp

 

pp

pp

pp

 

 

Bsn. 1

 

Bsn. 2

A. Sax. 1

A. Sax. 2

T. Sax.

 

 

  pp

 

     

     

   

 

pp

 

    

     

    

     

    

     

 



      

      

      

   

    

     pp

    

pp

pp



     

     

       

     

     

     

     

   

    

   

   

      

 

 

 



Hn. 1

Hn. 2

Tbn. 1

Tbn. 2

Tbn. 3

Euph.

Tba.

Perc. 2

Perc. 3

     ppp

    

     

    

      

 

  

    

     

     

    

    

    

   

pp

 

pp

pp

pp

pp



A Tempo





 

 

 



    ppp

 



 



    pp

 



   



 

   

102

pp



  

pp

A Tempo



102 

mp Perc. 1

97 Timp.

pp

p

     

Tpt. 3

pp

p

     

97

Tpt. 2

p

    Tpt. 1 

ppp



ppp

     

mp

p

102

pp

pp

pp

pp

      



pp

     

B. Cl.

pp

pp

   

Cl. 3

   

Cl. 2

   

Cl. 1

B. Sax.

  

 

      

Crash Cymbals

pp

      

      

 

    

pp

 

Xylophone with medium mallets . gliss

pp

   

    

   

ppp

 

(slow gliss)


Menuet from "Suite Bergamasque" by Claude Debussy (arranged by Keane Southard) for Wind Ensemble