LA Art Show Media Report

PUBLIC RELATIONS REPORT FEBRUARY 2018

PUBLIC RELATIONS HIJINXARTS.COM 323.204.7246 @HIJINXARTS

From left to right: Artist Shang Chun, New Consul General of China Zhang Ping, Art Show Producer and Partner Kim Martindale, 2018. Photo by Birdman Photos. Art Show Producer and Partner Scott Diament with Host of Opening Night Gala Jon Hamm, 2018. Photo by Birdman Photos. Artist Pandamonia at LA Art Show, 2018.

Photo by Birdman Photos. Installation of Left or Right by Antuan Rodriguez at LA Art Show, 2018. Photo by Birdman Photos. LA Art Show 2018 Exhibitor Booth Installation. Photo by Birdman Photos. Artis Aldis Hodge with his painting at the LA Art Show, 2018. Photo by Birdman Photos.

INDEX

I. MEDIA COVERAGE IMPRESSIONS MEDIA FEEDBACK PRINT ONLINE DEDICATED ASIA COVERAGE DEDICATED LATIN AMERICAN COVERAGE

II. MEDIA ACCREDITATION OVERVIEW MEDIA OUTLETS THAT ATTENDED ACCREDITATION / KEY FACTS

III. MEDIA ASSETS

BIRDMAN PHOTOS ERIC MINH SWENSON PHOTOS KP PROJECTS AFTER PARTY PHOTOS JAY KANTOR PHOTOS IMAGE SELECTS PRE-SHOW PRESS RELEASES

MEDIA IMPRESSIONS GLOBAL REACH

Coverage from 140+ Media Outlets Worldwide Over 160 Stories & Mentions Estimated 112,926,270 organic reach Over 65,000 attendees

“We were stupefied” –LA Times

“LA Art Show hits its stride” –LA Weekly

“Inspiration may be found, in about a thousand deep and prismatic and joyful ways, at the LA Art Show” – Alysia Grey Painter, NBC LA

“This year we are taken on a journey – and as an art writer? I couldn’t be more ecstatic.”

– Dawn Garcia, blogger, A Taste of Dawn

“Something rich and wonderful was going on here” – Andy Romanoff, contributor, The Eye of Photography

“...Filled with a dizzying display of art that’s as diverse as Los Angeles itself.”

–LA Magazine

“The LA Art Show continues to break new ground with innovative programming and one-of-a-kind experiences” – Elena Martinique, Widewalls

“...the combination of anchor museums and idiosyncratic Angeleno subcultures reflected this year outlines a market and cultural space with its own unique luster.”

–LA Weekly

MEDIA COVERAGE PRINT PUBLICATIONS

ZOË KRAVITZ ACTOR — SINGER — REVELATION

JAN THE MONTH IN CULTURE JANUARY 10

More than 100 galleries from 18 countries will be represented at the LA Art Show, alongside mustsee partner programs by such heavyweights as LACMA and the Museum of Latin American Art.

JANUARY 9 Search no further for your inaugural 2018 book club pick: Chloe Benjamin’s The Immortalists follows four siblings as they come to terms with a psychic’s prophecy. No fantasy here—just a dash of magic.

JANUARY 18 It’s the eighth and final season of Carrie Brownstein and Fred Armisen’s iconic Portlandia. Come for the deadpan hipster lampooning, stay for appearances by Tracee Ellis Ross and Cheryl Strayed.

Armisen and Brownstein Caption

The artist duo Dosshaus at the 2017 LA Art Show

characteristic intensity and sensitivity that made him famous in his series My Struggle.

Maze Runner: The Death Cure

JANUARY 22 Choose your own...

Sharon Stone?! (Or Garrett Hedlund! Or Beau Bridges!) In Mosaic, Steven Soderbergh’s time-jumping, narrativebranching HBO limited series in which the actress stars, there’s a murder as well as an interactive app.

JANUARY 23 Grab your fuzziest cardigan! In Winter, the second of a quartet of books addressed to his unborn daughter, Karl Ove Knausgaard channels the Kitsch

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JANUARY 24 Taylor Kitsch returns to Texas in Paramount Network’s Waco, a six-part series on the 51-day clash between the combined force of the FBI and ATF, and the sexually deviant religious-cult leader David “Sinful Messiah” Koresh (played by everyone’s favorite running back). Texas forever....

Vera Farmiga and Neeson

JANUARY 26 After an on-set accident landed star Dylan O’Brien in the hospital and prompted a yearlong postponement, the dystopian teen dream team returns in the muchanticipated film Maze Runner: The Death Cure.

Clockwise from top right: Matt Winkelmeyer/Getty Images for the 2017 LA Art Show; courtesy of the publisher; Jay Maidment; Ursula Coyote/Paramount Network; Augusta Quirk/IFC; courtesy of the publisher; Joe Alblas

JANUARY 12 The Commuter—raucous love child of The Girl on the Train and Murder on the Orient Express—finds Liam Neeson starring as a work-bound salesman embroiled in a crime conspiracy. And you thought your daily slog to the office was bad.

About Town People, Places, Preoccupations PERSONS OF INTER EST

When Stars and Art Collide Actor Aldis Hodge and painter Harmonia Rosales debut works at the L.A. Art Show By Maxwell Williams

ON-SET HAIR BY SARA TINTARI FOR SEVEN HAIRCARE AND ENZO MILANO AT EXCLUSIVE ARTISTS. ON-SET MAKEUP BY AGOSTINA FOR BOBBI BROWN AT EXCLUSIVE ARTISTS.

W

hen Aldis Hodge DM’d artist Harmonia Rosales on Instagram to compliment her paintings, he never expected to kick off a collaboration. But the Hidden Figures actor, 31 — who next stars opposite Kevin Bacon in Showtime police pilot City on a Hill — showed Rosales some of his paintings, and she told him they held a beautiful sadness. “I was surprised someone responded to my work in that way who was not named ‘Mom,’ ” he says.

Now the duo is bowing two new works via the Simard Bilodeau gallery at the L.A. Art Show, Jan. 10 to 14 at the Los Angeles Convention Center.

Chicago-based Rosales, 33, had a viral moment in May after, at Hodge’s urging, she Instagrammed her painting The Creation of God — a take on Michelangelo’s The Creation of Adam with black women as both figures. There was a backlash, including racist attacks directed at her, but the incident made fans of stars like Willow Smith and drew the attention of Eve-Marie Bilodeau, who with husband Guy Simard runs Simard Bilodeau. Samuel L. Jackson purchased Black Imaginary to Counter Hegemony (B.I.T.C.H.), a piece by Rosales, from the gallery’s September show of paintings. In her series with Hodge, “Through the Looking Glass,” Rosales paints figures — like a woman named Adeela, in hijab and carrying a baby swaddled in an American flag. Hodge paints the backdrop with words like “equal” and “survivor,” then distresses them, sometimes with a technique using fire. “It’s a subtle reminder that no matter what her culture is, what her religion is, she can still be American,” says Hodge of Adeela.

“She’s American-American just like I’m American-American. I know my culture, and my culture’s equally American as anything else.”

“I want them to be familiar, regardless of who you are,” says Rosales of her subjects. She and Hodge were photographed Dec. 28 with their painting Adeela at Crozier Fine Arts in Inglewood.

Photographed by Spencer Lowell

T H E HOL LY WO OD R EP ORT ER

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J A N UA RY 10, 2018

About Town People, Places, Preoccupations

HILLS NO LONGER ALIVE WITH SOUND OF TOUR BUSES

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1 Diovadiova Chrome Sasha I by Kip Omolade will be on view at the L.A. Art Show.

2 A Modine Full Metal Jacket photo.

3 Keane and then-husband Walter in 1965.

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Where to Be Seen Seeing Art

Look for industry collectors from Leo to Cheech to turn out at the city’s largest annual fairs and Hollywood-centered gallery shows By Maxwell Williams L.A. ART SHOW, JAN. 10-14 Now in its 24th year, the event draws more than 90 galleries from 18 countries and had a record attendance of 70,000 in 2017 that included the likes of Leonardo DiCaprio, Lily Collins, James Brolin and Anne Hathaway.

This year, the Littletopia section honors Margaret Keane, 90, the subject of Tim Burton’s 2014 film, Big Eyes (Amy Adams won a Golden Globe for her portrayal of the artist). And Matthew Modine will mark the 30th anniversary of Full Metal Jacket with an exhibit of photographs. The star, who next appears in June’s Sicario 2: Soldado, played a correspondent for Stars and Stripes in Stanley Kubrick’s brutal take on the Vietnam War. Modine took photos on the set with an old Rolleiflex; those snapshots and his detailed logs became the book Full Metal Diary in 2005.

Modine “They continue to develop over time,” says Modine of his photos. “The negatives and images lay quietly in boxes, and the world outside changes.” L.A. Convention Center, laartshow.com

ART LOS ANGELES CONTEMPORARY, JAN. 25-28

Justine Bateman and music exec Ron Handler are on the host committee for the fair, which in 2017 saw Hollywood joiners from CAA’s Joel Lubin to Eliza Dushku and Eddie Van Halen. VIP events for 2018 include tours of private collections like Cheech Marin’s. Barker Hangar, Santa Monica, artlosangelesfair.com Hollywood Gallery Hopping “Man Ray’s L.A.” at Gagosian (Jan. 11-Feb. 17; 456 N. Camden Drive, Beverly Hills) features Ava Gardner, Igor Stravinsky and others in candid shots by the late Ray, whose work marked an auction record ($3.1 million) in November. Catherine Opie’s film The Modernist opens Jan. 12 at Regen Projects (through Feb. 17; 6750 Santa Monica Blvd.). “It’s a 22-minute work of more than 800 still images pieced together about an arsonist who targets Los Angeles Case Study houses,” says Annapurna TV’s Sue Naegle, who screened an early cut. “I’m really excited about it.”

JEWEL’S MINDFUL MOMENT AT CES With its hordes of backpack-toting tech bros, CES might be the last place you’d expect to find folk heroine Jewel. But the singersongwriter will be in Las Vegas for the annual conference Jan. 10 to speak about her new Whole Human platform, which focuses on workplace mindfulness (she’s teamed with Zappos CEO Tony Hsieh for the venture). “I spoke at SALT — [Anthony] Scaramucci’s hedge fund investment thing — and got a standing ovation,” says the 43-year-old, who’s now planning a Whole Human curriculum addressing sexual harassment. “We’re telling men that how they behave isn’t acceptable, but we’re not telling them what is acceptable,” she adds of the allegations that have roiled Hollywood. “We have to think about what information we’re filling that void with.” — NATALIE JARVEY

T H E HOL LY WO OD R EP ORT ER

Loudspeakers banned, tour riders will now hear tales of stars’ homes and Hollywood history through earphones.

Jewel

Tech World

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J A N UA RY 10, 2018

Fleets of touristpacked buses will roam the Hollywood Hills less freely thanks to regulations approved by the L.A. City Council in November that took effect Jan. 1. The new rules ban loudspeakers on the buses and restrict access to narrow, twisty streets, where they clog traffic. “Our hope is that the city will agree to disallow the buses from entering any small streets in the neighborhood,” says Anastasia Mann, president of the Hollywood Hills Neighborhood Council, which was instrumental in passing the new regulations.

NIMBY

Hollywood & Highland, where most Hollywood tours originate, has 25 million visitors annually, more than 1 million of whom board a tour bus. A spokesperson for industry leader Starline maintains the outfit is “never the tour company that residents complain [has] drivers blasting their commentary through the neighborhood, disembarking their passengers to stand in front of a home or providing audible commentary about a current or past resident.” Personal injury attorney and Hills resident Bob Mansell is among the many fed up with intrusions from stargazers, including one wee-hours inquiry. “At 2 a.m., somebody rings my doorbell,” he says. “And it’s two 18-year-old girls asking if Keanu Reeves is home. They were told he lived there by a tour guide.” — PATRICK SHANLEY

MASK: KIP OMOLADE/COURTESY OF AXIOM CONTEMPORARY. CHAIR: MATTHEW MODINE/COURTESY OF AXIOM CONTEMPORARY. KEANE: BILL RAY/THE LIFE PICTURE COLLECTION/GETTY IMAGES. MODINE: FRAZER HARRISON/GETTY IMAGES. JEWEL: MIKE PONT/WIREIMAGE. BUS: DAVID BRO/ZUMA WIRE/NEWSCOM. TOUR GUIDE: ANNE CUSACK/LOS ANGELES TIMES/GETTY IMAGES.

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LOS A N G E L ES

LA Art Show Adds Design Section

COURTESY OF THE LA ART SHOW

the 18th los angeles Art Show, January 10-January 14, at the Los Angeles Convention Center brings together more than 100 galleries and is expecting more than 50,000 visitors.

The exhibitions will include a Modern and Contemporary section, ahistoric and traditional section, avintage poster

BLOUINARTINFO.COM | JANUARY 2018 ART+AUCTION

section and the IFPDA Los Angeles print fair. This year, the show is also introducing Design LA Art, a space for a curated selection of about 10 exhibitors displaying furniture, décor, architectural objects and jewelry.

The show will also present DIVERSEartLA, with more than 60,000

square feet of space for performance art, installations and programs curated by major museums, including the Los Angeles Museum of Contemporary Art and the Museum of the Arts of the University of Guadalajara in Mexico.

More information: http://www.laartshow.com/

Lee Jae Hyo, Title: 0121-1110=117102 Material:Wood(chestnut) Size: 580x125x365cm

DATEBOOK

COURTESY OF THE LA ART SHOW

36

Antuan Rodriguez “Left or Right” Installation

ART+AUCTION JANUARY 2018 | BLOUINARTINFO.COM

BLOUINARTINFO.COM | JANUARY 2018 ART+AUCTION

CALIFORNIA

C U LT U R E

ART LOS ANGELES CONTEMPORARY (ALAC)

ALAC is as intimate and focused as the LA Art Show (see page 128) is large and wideranging. About 16,000 visitors see work from 75 galleries, a quarter of which are from LA. Says ALAC owner and director Tim Fleming, “We work very hard to reflect what’s going on in Los Angeles in terms of the activity and the art market,” along with bringing in galleries and collectors from around the world. “We encourage very established galleries and very young galleries to take part.

The established galleries have a great collector base, and the new galleries bring a certain excitement.” It’s all in the mix in one airplane hangar, he adds.

“It’s very digestible.”

Art consultant Nancy Chaikin recommends that buyers go early. “If you look at something and love it, maybe do a few laps around the show,” she says. “If you can’t stop thinking about it—and you can afford it—buy it.”

January 25–28, 2018 Opening night: Thurs., 7–9 p.m.

Fair hours: Fri.–Sat., 11 a.m.– 7 p.m.; Sun., 11 a.m.–6 p.m.

Barker Hangar 3021 Airport Ave. artlosangelesfair.com

126

WINTER 2018

FAIR WEATHER It’s the season of art fairs in LA. Here are just a few of our favorites.

GINA CLYNE

by Lisa Rosen

Admiring a work

by John M. Miller at Art Los Angeles Contemporary.

“I

F YOU’RE not trying to be real, you don’t have to get it right. That’s art,” said Andy Warhol. And where are you likely to find more attempts at expressing unreality than in Los Angeles? The art fairs featured here display a breadth of work from the city, the region, and the world. And while celebrities can be spotted among the throngs in attendance, art is the true star at these events. elliman.com

CALIFORNIA

C U LT U R E

A view of the largest art fair west of the Mississippi, the LA Art Show.

LA ART SHOW

January 10–14, 2018 Opening party: Wed., 7–11 p.m.

Fair hours: Thurs.–Sat., 11 a.m.–7 p.m.; Sun., 11 a.m.–5 p.m.

Los Angeles Convention Center, West Hall 1201 S. Figueroa St. laartshow.com

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WINTER 2018

Clockwise from right: A mural

by Misaki Kawai at LAABF16; displays from previous years.

LA ART BOOK FAIR

Printed Matter is an arts nonprofit organization based in Manhattan that supports artists’ books and bookmakers. This will be their sixth annual Art Book Fair in Los Angeles, at The Geffen Contemporary at MOCA, and it has already become a beloved tradition, according to Chaikin.

“It’s chic, with a lot of limited editions and artistmade books,” she says.

The fair is divided into a number of themed sections, such as Focus Photography, highlighting photo books, and Friendly Fire, showcasing publishers working at the intersection of art and activism. (Xe)rox & Paper + Scissors is devoted to zines.

“That’s generally a lively section of people who think about how to make their booths engaging and eyecatching,” says programming and press coordinator Keith Gray. “And the work is also quite affordable.”

The show is free Friday to Sunday. Thursday’s modestly priced preview features a music program. And as a bonus, the $10 ticket is an editioned work by one of the participating artists.

Spring 2018 (Dates had not been set at press time. Please visit the website below for details.)

Geffen Contemporary at MOCA 152 N. Central Ave. laartbookfair.net

FROM TOP: GETTY IMAGES; COURTESY PRINTED MATTER (3)

The largest and longestrunning art fair west of the Mississippi sees participation from 100 galleries, 18 countries, and 70,000 visitors. The show is a great way to see a broad range of artists all at once, “and it’s a lot easier than spending days and days and days going to galleries,” says Chaikin.

Producer Kim Martindale describes the event as the west’s international art fair, with a special emphasis: “We never turn our back on Europe,” she says, “but because of our location, and some of the exciting things happening in the art world, we’re focused on the Pacific Rim.” Museums take part, too. This year, in addition to exhibits from the Los Angeles County Museum of Art, Autry Museum of the American West, and Museum of Latin American Art, the Museum of the Arts of Guadalajara is bringing a special exhibit on Mexican artist Gabriel Orozco.

THE VIEW

CALIFORNIA

Balcony Seats Perched on a hilltop above Brentwood, the Getty Center offers gardens, sculptures, a magnificent art collection—and a panorama to match it.

by Kathy Passero

O

NCE, THE most

PICTURE PERFECT:

The Getty Center’s Garden Terrace Cafe offers a scenic setting for light refreshments.

breathtaking views of LA belonged only to oil magnate John Paul Getty, the richest man in the world— and those lucky enough to be invited to his home, a villa nestled into a hillside in the Pacific Palisades.

But happily, Getty’s love of art was as boundless as his wealth and, ultimately, his philanthropic spirit.

When he died, he left his fortune and his massive art collection to his namesake museum. Today, the Getty Trust is the world’s largest cultural organization for the visual arts, and the force behind the sprawling Getty Center (pictured) and nearby Getty Villa. Together, they boast 44,000 works of art—not to mention sublime views of the LA skyline, now available to art lovers from all walks of life. 1200 Getty Center Dr., 310.440.7300, getty.edu

elliman.com

129

CALIFORNIA

THE SCENE

LA Gets Artsy After years of being overshadowed

by Hollywood’s other business, the Los Angeles arts community is finally in the limelight. A look at the city’s expanding downtown Arts District.

WOOD WORK Views of

Carl Andre: Sculpture as Place, 1958–2010, at The Geffen Contemporary at MOCA

I 1

130

WINTER 2018

F YOU neglect it, they will come. That’s the unof-

ficial mantra of arts communities everywhere. In search of cheap rents and big spaces, artists often find abandoned corners of cities. And as they create something beautiful out of blight, they’re followed by gallerists, restaurateurs, boutiques . . . and voila! An arts district blossoms.

The DTLA (downtown Los Angeles) Arts District has been a long time coming. Various civic leaders have heralded its rebirth for decades, but only pioneers ventured in.

Until now.

The Geffen Contemporary at MOCA (1), designed

by Frank Gehry and built in 1984, was so named because it was considered a temporary location until the main Museum of Contemporary Art building’s

completion. But it was such a hit, it stayed. (152 N. Central Ave., 213.625.4390)

Slowly but surely, an artist’s community grew up around it. Artist Felicity Nove, who has a studio in the district, has watched with fascination as the changes have unfolded, especially over the past eight years. “Every time I go there, there’s something new,” she says of the transformation. “It’s gone pretty nuts.”

Hauser & Wirth (2) is one of the newest neighbors.

“It’s one of the top three galleries in the world,” says art consultant Nancy Chaikin. “For square footage, it’s the biggest gallery in the world. It’s extraordinary.” Housed in a former flour mill, it includes a gift shop, a bookstore, an outdoor courtyard, a restaurant, and even a chicken coop and garden. “It functions as a kind of modern day piazza

LEFT: ©CARL ANDRE, COURTESY OF MOCA LA, PHOTO: BRIAN FORREST; BELOW: MARISSA ROTH/MOCA LA; RIGHT: JOSHUA TARGOWNIK COURTESY HAUSER & WIRTH; MARIO DE LOPEZ/HAUSER & WORTH (CENTER); FAR RIGHT: COURTESY WURSTKÜCHE

by Lisa Rosen

CULTURE CACHE:

Larry Bell’s Venice Fog I and Venice Fog II (left); the gift shop (below) and the herb garden (below left) at Hauser & Wirth.

2

NEED A NOSH?

The area’s food offerings are just as radical as the art.

Brave the lines at the casual Wurstküche (3) for such exotic fare as rattlesnake and rabbit bratwurst (800 E. 3rd St., 213.687.4444). Salt and Straw sells tasty oddities like honey lavender ice cream (240 N. Larchmont Blvd., 323.466.0485). Manuela (4), the restaurant at Hauser & Wirth, doesn’t serve beef because of its environmental impact, but it does offer deer burgers (907 E. 3rd St., 323.849.0480).

Bars abound on every corner, be they classic video arcades like EightyTwo (707 E. 4th Pl., 323.626.8200) or afternoon tasting rooms like the one you’ll find at the Spirit Guild Distillery (586 Mateo St., 213.613.1498).

3

for the arts community down there,” Chaikin says. (901 E. 3rd St., 213.943.1620) The late, great Santa Monica Museum of Art reinvented itself as ICA LA (Institute of Contemporary Art, Los Angeles) and moved downtown, its mission of art, activism, and community engagement intact. Admission is free. (1717 E. 7th St., 310.284.8100) Among myriad options, The Box Gallery is a must-visit. Owned by artist Paul McCarthy’s daughter Mara, it represents a number of key contemporary artists (including Paul) working in every medium. “They are such a wonderful, unique institution,” says Tim Fleming, of Art Los Angeles Contemporary (ALAC). “They are

very true to their artists, and they take chances.” (805 Traction Ave., 213.625.1747) Southern California Institute of Architecture, or SCI-Arc, was another area pioneer, remaking the quarter-mile-long former Santa Fe Freight Depot in 2001. It presents public design exhibitions, lectures, and programs throughout the year. (960 E. 3rd St., 213.613.2200) The art scene has now expanded into the nearby neighborhood of Boyle Heights, with bold, exciting galleries Maccarone (300 S. Mission Rd., 323.406.2587), Parrasch Heijnen (1326 S. Boyle Ave., 323.943.9373), and 356 Mission (356 S. Mission Rd., 323.609.3162) luring visitors.

And so, a new arts district is born.

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131

MEDIA COVERAGE WEB

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Los Angeles Art Show is a 4 day event being held from 10th January to the 14th January 2018 at the Los Angeles Convention Center in California City, United States Of America. Los Angeles Art Show is the eighteenth one in the row and is going to be an important event of all times. It will also provide a big platform for the visitors and exhibitors to gather up at one place and discuss about the beauty of art and create good professional bonding with each other. This event is going to tak

e consecutive days. This event

will observe more than 50,000 visitors and more than 100 prominent galleries. Los Angeles Art Show is going to be a major one that will build upon two distinct shows under the banner of the LA Art Show. The exhibitions will include four main perspectives that include the modern and contemporary section, the historic and traditional section, the vintage poster section and the IFPDA Los Angeles print fair.

(https://atodmagazine.com/)

BY DAWN GARCIA (HTTPS://ATODMAGAZINE.COM/AUTHOR/ATODMAGZ/) 2018

/

JANUARY 11,

LA ART SHOW OPENING

LA Art Show

A Show of Released Oppression and Love photos by Dawn Garcia

A

rt is a blanket of emotion, words, liberation, and a language that exceeds any division. It awakens the most oppressive of situations, tells the truest

narrative, opens the door to free expression, and allows us to see the state of humanity. Each year when I attend the LA Art Show(http://laartshow.com), it’s a window to the world. There is an undeniable plausibility to a theme that’s woven ever so intricately throughout each gallery, seen in each artist, and for a while, the boundaries are non-existent and we are all free to dive in and be ourselves.

LA Art Show | Jan. 10-14, 2018 | LA Convention Center TICKETS (https://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939?_eboga=1821627467.1514668321)

As we attended the opening night preview, the sense of excitement was everywhere.

Tonight art lovers and purveyors attend to hopefully discover something new, purchase new pieces for their own collections, and support St. Jude’s Children’s Research Hospital(http://www.stjude.org/). It’s a beautiful cause and an instrumental purpose.

This year the silent oppression found a loud bellow. In beautiful exhibitions like AfroCuban Painter Harmonia Rosales(https://www.harmoniarosales.com/) & Actor Aldis Hodge’s,(http://www.imdb.com/name/nm0388038/) “Through the Looking Glass” we see the power of perception. With intricate layers of both material and meaning, this exhibition takes imagery and internal dialogue and places them onto oversized

canvases begging viewers to ask themselves about their own perceptions. Taking dif cult social and political issues we’ve all been stewing deep within the crevices of our minds, they piece them together in fragments that will open your eyes and invite you to question how you see things, and, just what it is you believe.

Political uncertainty found a punching bag – literally – thanks to the brilliance of artist, Antuan Rodriguez(http://antuanart.com/). In his exhibition, “From Left to Right”, art lovers can walk through rows of red boxing bags conveniently adorned with world leaders’ faces we might have a little angst about, especially considering the current political and social climate. This piece gives us the release we’ve been craving while recognizing a rather daunting reality: we need a healthy release!

Venture over to the insightful photography exhibition by Matthew Modine(http://www.imdb.com/name/nm0000546/) exploring the mountainous power of lm through behind-the-scenes imagery of Full Metal Jacket(http://www.imdb.com/title/tt0093058/) and Modine’s Full Metal Jacket Diary, thanks to Axiom Contemporary(http://axiomcontemporary.com/) (stop by their galleries in Santa Monica and Venice). Glimpsing behind-the-scenes, we get a candid look at Kubrick, the genius that FMJ is, and nd that what Modine has captured is a candid retrospective of lmmaking with magni cence, grace, poignancy, and truth. If you’re fortunate to run into Matthew, take a minute to talk to him about the exhibition. He

is so genuinely lovely, passionate, and open. These pieces were also among the LACMA(http://lacma.org) exhibition on Stanley Kubrick(http://www.imdb.com/name/nm0000040/) which, to this day, remains one of the more impactful displays of art and creativity I’ve seen. *Saturday at noon, you can catch Matthew Modine’s talk at the Axiom booth.

This year we are taken on a journey and as an art writer? I couldn’t be more ecstatic. With an undeniable Latino presence (something I’m personally elated to see) and a signi cant show of local galleries, what lies beneath the paint, the images, the hand molded materials is one simple truth: We will stay silent no more. In other words, the world is ready to speak out and it’s about time we listen.

Stay tuned for a full recap of the show’s highlights next week.

ABOUT THE SHOW Los Angeles has emerged as a global epicenter of art & culture, with a distinct, interwoven multi-cultural in uence unique to the city. Diversity is our strength and art is most impactful when it includes or transcends all borders. As LA rises as the world-class destination for art, the LA Art Show continues to lead the way with innovative programming and one-of-a-kind experiences for an expanding collecting audience.

To celebrate our diversity as a city and a fair, we’re engaging and working with local and international museum curators and galleries to develop innovative programming, engaging dialogs and cutting-edge exhibitions with an ecumenical resonance. (https://i1.wp.com/atodmagazine.com/wp-content/uploads/2018/01/44568EDA-4B42-4F85A2B5-753B2722B8DF-e1515822373601.jpeg?ssl=1)

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LA ART SHOW Returns With Groundbreaking Featured Programming, World-Debuts & FirstEver US Exhibitions Published: Wednesday, January 3rd 2018, 5:38 am PST The 2018 LA Art Show returns to the Los Angeles Convention Center January 10 - 14, 2018, with the most diverse programming and exhibitors to date.

LOS ANGELES (PRWEB) January 03, 2018 The 2018 LA Art Show returns to the Los Angeles Convention Center January 10 - 14, 2018, with the most diverse programming and exhibitors to date. Leading the way in the CORE section is Patrick Painter, Timothy Yarger, SM Fine Art and more. Merry Karnowsky // KP Projects will be joining the fair as an exhibitor for the �rst time in its two plus decade history never before seen works by Vivian Maier. East Coast, Jonathan LeVine Gallery and Superchief Gallery LA will be getting into the mix for the �rst time as well.

For 22 years, the Show has been a pioneer in identifying some of the most compelling artists, performances, exhibitions and movements in the world. For the 23rd edition, the LA Art Show is fully devoted to highlighting the immense diversity of the artworld, and the way the LA art scene distinctly weaves so many cultural in�uences together. The newly branded DIVERSEartLA programming will dedicate over 60,000 square feet of exhibit space highlighting work from all over the globe, including a number of exhibits making their world and US premieres.

Below is our select line-up for DIVERSEartLA and Featured Programming: Metaphysical Orozco: José Clemente Orozco Presented by MUSA Museum of the Arts, of the University of Guadalajara ***UNITED STATES PREMIERE*** Being shown for the �rst time ever in the United States, the Metaphysical Orozco recreates Jose Clementé Orozco’s iconic murals with multi-layer mapping projections.

Director’s Chair: Matthew Modine Presented by Axiom Contemporary Gallery ***WORLD PREMIERE*** On the 30th anniversary of Stanley Kubrick’s Full Metal Jacket, Matthew Modine’s “Full Metal Diary” o�ers an incredibly rare and vibrant portrait of one of cinema’s most iconic war �lms – by one of the industry’s most enigmatic directors. The exhibition is a study of a young actor under the apprenticeship of a legend.

Through The Looking Glass – Harmonia Rosales and Aldis Hodge Presented by Simard Bilodeau Contemporary ***WORLD PREMIERE*** Making its world premiere at the LA Art Show, Through The Looking Glass was birthed from the notion of introspective cultural perception. It questions the viewer’s engagement with cultures not recognized as his or her own, as well as the educational conduits to said cultures, and �nally, it questions the viewer’s responsibility to pursue these inquiries.

Aporías Moviles: Nuna Mangiante Presented by The Museum of Latin American Art ***WORLD PREMIERE*** Aporías Moviles is an installation by Argentinian artist Nuna Mangiante making its world premiere at the LA Art Show. This is a multi-media installation featuring portraits with obscured faces on display with various construction and building materials. It speaks of urban transformation as an emerging social reality in Latin America.

Eyes Forward Presented by Launch LA & California African American Museum ***WORLD PREMIERE*** Launch LA and the California African American Museum (CAAM) are proud to present a multicultural survey of selected works by ten contemporary artists of color living and working in Los Angeles. Despite their diverse backgrounds, interests, and life experiences, all these artists share an urgency to be heard when addressing contemporary issues of race, class, and gender while expressing disenchantment with the current political and social establishment.

SABER: Painting Live Presented by 1849 Wine Company

SABER joins the the LA Art Show on Opening Night to create an original work which will be on display throughout the run of the show.

For more information and the complete list of Featured Programming: https://www.laartshow.com/featured-programming/ For the full line-up of DIVERSEartLA: https://www.laartshow.com/diverseartla/ Stay Up to Date On Artsy https://www.artsy.net/la-art-show About the LA Art Show The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, in�uencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives art, design, food, technology and travel being speci�c passion points. http://www.LAArtShow.com Media Inquiries | Press Credentials | Images: Hijinx PR | Heidi Johnson | heidi(at)thinkhijinx.com | 323.204.7246 For the original version on PRWeb visit: http://www.prweb.com/releases/2018/01/prweb15051362.htm This article was originally distributed via PRWeb. PRWeb, WorldNow and this Site make no warranties or representations in connection therewith.

Information contained on this page is provided by an independent third-party content provider. Frankly and this Site make no warranties or representations in connection therewith. If you are a�liated with this page and have questions or removal requests please contact pressreleases@franklyinc.com

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(https://www.arteallimite.com/wp-content/uploads/2017/12/LA-Art-Show.jpg) En esta oportunidad, DIVERSEartLA se títula la extensión de la feria que engloba las iniciativas artísticas latinoamericanas de instituciones, museos y organizaciones sin �nes lucrativos, que cuenta con el trabajo curatorial de la argentina Marisa Caichiolo, y particularmente, incluye una nueva alianza con el Museo de las Artes de la Universidad de Guadalajara (México), para impulsar el arte hispano.

También podría interesarte: Tattoo | La exposición sobre la historia del tatuaje en L.A. (https://www.arteallimite.com/2017/12/17/tattoo-la-exposicion-la-historia-del-tatuaje/) Además, se abrirán diálogos artísticos, sociales y políticos a través de la participación del Museo de Arte Latinoamericano de Long Beach, la organización no lucrativa Building Bridges Art Exchange y el Centro de Investigación y Estudios Chicanos de UCLA, entre otros. El evento también contará con la presencia y participación de relevantes creadores latinoamericanos y sus obras, como el artista cubano Antuán Rodríguez, la colombiana Leyla Cárdenas, Ramiro Gómez y Raphael Montañez Ortiz.

La mayoría de estas exhibiciones llegan por primera vez al gran público fuera de América Latina a través de la feria.

Arte en la Ciudad de Ángeles: LA Art Show 2018

(https://www.arteallimite.com/wp-content/uploads/2017/12/For-LA_sc.jpg) Una de las exhibiciones más esperadas es ‘Metaphysical Orozco’ del Museo de las Artes de la Universidad de Guadalajara, que se presenta por primera vez en Estados Unidos y hace un repaso retrospectivo de la obra del muralista José Clemente Orozco, uno de los artistas más destacados de mediados del siglo XX en el estado de Jalisco y una �gura central del muralismo mexicano.

Durante los años posteriores a la revolución, este movimiento artístico caracterizado por la creación de obras pictóricas de gran tamaño, se convirtió en un vehículo para la transmisión de ideas sobre la identidad nacional y crear un diálogo en torno a los principios que de�nen la dignidad humana y los problemas de índole social que afectan al mundo.

La instalación invita al público a realizar una exploración audiovisual -a través de la proyección en un video 3D de las obras- a sumergirse en los campos de pensamiento codi cados en los murales de Orozco, así como la historia y los temas que le sirvieron de inspiración.

Arte en la Ciudad de Ángeles: LA Art Show 2018

(https://www.arteallimite.com/wp-content/uploads/2017/12/Leyla-Cardenas_large_promo.jpg) Otra propuesta será ‘Especular’, una serie de fotografías que capturan las ruinas arquitectónicas del tejido urbano de Colombia y que está �rmado por la colombiana Leyla Cárdenas. También están las obras “If you Drink Hemlock, I shall drink it with you” y “A Beautiful Death” de Daniel Joseph Martínez. Noriega también encabeza la curaduría de dos obras: el performance de Raphael Montañez Ortiz y la instalación de Ramiro Gómez, ambas secundadas por el Los Angeles County Museum of Art LACMA.

Left or Right’ proyecto interactivo del artista cubano Antuán Rodríguez. Curado por Marisa Caichiolo, su �n es fomentar la sanación. Con retratos de líderes y tiranos mundiales en distintos sacos de boxeo, invita al espectador a liberar la ira, el enojo y el resentimiento a través de los golpes.

El proceso de liberación de las emociones negativas transformará estos objetos en herramientas de desintoxicación en tiempos donde se viven mundialmente, crisis de índole social, político y humano.

Arte en la Ciudad de Ángeles: LA Art Show 2018

(https://www.arteallimite.com/wp-content/uploads/2017/12/1-4.jpg) La inauguración es el próximo 10 de enero del 2018 en el salón sur del LA Convention Center (1201 South Figueroa Street, Los Ángeles, CA), y estará disponible entre los dias 11 y 14 del mismo mes. La información sobre las entradas la encuentras aquí (https://www.eventbrite.com/e/la-art-show2018-tickets-39739173939).

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JANUARY 2018

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FOG Design+Art Fair

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2 Marina Boulevard, Fort Mason Festival Pavilion / +14155515190 / fogfair.com Named after the iconic and ethereal phenomenon for which San Francisco is renowned, FOG is a platform for contemporary design and art.

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1201 South Figueroa Street, Los Angeles Convention Center, West Hall A / +13108229145 / laartshow.com The LA Art Show represents galleries exhibiting contemporary art. Please visit website for more information.

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LA Art Show 2018 Jan 10 - 14, 2018

Palm Beach Modern + Contemporary 825 S Dixie Highway, PBM+C Pavilion / 1.800.376.5850 / http://www.artpbfair.com

Palm Beach Modern + Contemporary Jan 11 - 15, 2018 The Palm Beach Modern + Contemporary (PBM+C) features investment quality blue chip, contemporary and Post-War works.

Untitled, San Francisco 3601 Lyon Street, The Palace of Fine Arts / +16464056942 / untitledartfairs.com The second edition of Untitled, San Francisco will take place at the Palace of Fine Arts, January 12 - 14, 2018.

UNTITLED. | San Francisco 2018 Jan 12 - 14, 2018

London Art Fair Business Design Centre, 52 Upper Street / +442072886736 / londonartfair.co.uk London Art Fair hosts 130 galleries specializing in modern British & contemporary art. See the website for more information.

London Art Fair 2018 Jan 17 - 21, 2018

El arte latino domina el LA Art Show Por Pablo Scarpellini - 12 de enero, 2018

El Centro de Convenciones de Los Angeles acogerá durante todo el n de semana una gran explosión de arte para todos los públicos

Los Angeles aún sigue inmersa en la tarea de tomarse más en serio. El LA Art Show, cuyas puertas abrieron el jueves hasta el domingo 14 de enero en el Centro de Convenciones, es una buena muestra de ello. Están las voces que dicen que la exposición de arte en la que participan más de 100 galerías y 20 países diferentes es ya una muestra con tendencia a emularse con Art Basel o ARCO en Madrid.

Otros simplemente ven una feria de carácter comercial.

En medio del debate está el arte latinoamericano que ha curado la argentina Marisa Caichiolo y que se ha convertido, un año más, en el gran atractivo de la feria. Están los murales de José Clemente Orozco, que se pueden ver por primera vez en Estados Unidos —de la mano del Museo de las Artes de la Universidad de Guadalajara— o la catársis en forma de bolsas de boxeo con las caras de unos cuantos políticos con los índices de popularidad por los suelos, incluyendo al presidente Donald Trump, George Bush, José María Aznar, Vladimir Putin o Nicolás Maduro, por mencionar algunos. La obra es del cubano Antuan Rodríguez.

“Este a o mantenemos la misma �losofía, la de incoporar m s museos, m s proyectos que tengan que ver con la parte de educación dentro de la feria, diálogos, conferencias, que es sumamente importante

y siempre desde la mirada latinoamericana”, explica Caichiolo, que quiso desmarcarse de la saturación de arte latino del a o pasado con la exposici n Paci�c Standard Time con elementos nuevos.

Lo del cubano Rodríguez y sus bolsas de boxeo llaman mucho la atención por la oportunidad de interacci n que ofrecen. Rodríguez de�ne su proyecto como “una forma de cat rsis, un proyecto de sanaci n, una herramienta para sacar el rencor y la mala energía que mucha gente lleva dentro”.

Adem s dice que “los políticos son una gente contaminante que han perdido su oportunidad. a nadie cree en ellos”.

Es la parte interactiva de una feria con mucho que ofrecer hasta el domingo. Habr hasta 0.000 obras para contemplar y adquirir, con un movimiento que se espera alcance los 0.000 visitantes y supere los 30 millones de d lares en venta, con incentivos como la presencia del actor Matthew Modine presentando fotos que realiz durante el roda e de “Full Metal Jacket”, de Stanley Kubrick.

, a las rdenes del genio

obras de Picasso, Mir o Dali para los gustos m s cl sicos. Arte en Los Angeles

durante todo el �n de semana. EC Para m s informaci n, visite www.laartshow.com Anuncios de interés en Los Ángeles

to historical works, returns for the second year in a row with exhibitors such as MS EVENT INFO

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EVENTS / ARTS & THEATER

LA ART SHOW 2018 JANUARY 10, 7:00 PM

LOS ANGELES CONVENTION CENTER: LOS ANGELES

EVENT OVERVIEW The LA Art Show will return to the Los Angeles Convention Center on January 10 - 14, 2018. Already the city’s largest international art fair, for its 23rd edition, the showcase is continuing its expansion into the global art market with a new partnership with The Museum of the Arts of Guadalajara, as well as exhibitors from more than 18 countries.Returning exhibitors so far include heavyweights Patrick Painter, Timothy Yarger, SM Fine Art and more. ROOTS, a section devoted

Rau Antiques, Rehs Gallery and Maxwell Alexander, to name a few. Littletopia will return with the rising galleries of the contemporary lowbrow art scene.

DESIGN LA will be a new addition to the show, focusing on functional art, modern furniture, accent decor, architectural objects, jewelry and more. The LA Art Show Show will continue the on-site programming debuted last year in partnership with SoCal art institutions such as LACMA, The Autry Museum of the American West, the Museum of Latin American Art and more.

Menéame Los Ángeles Art Show, una de las ferias de arte más importantes de Estados Unidos, abre hoy sus puertas cargada de importantes obras latinoamericanas con un mensaje social, como los murales del mexicano José Clemente Orozco, que por primera vez son exhibidos en Estados Unidos.

La feria se renueva este año, una vez más, para salirse del estereotipo de una vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países e instituciones como el Museo de las Artes de la Universidad de Guadalajara (MUSA), que presenta "Metaphysical Orozco".

"Tanto que se ha hablado del muro entre Estados Unidos y México, generar o traer de una manera virtual ese muro pintado por (José Clemente) Orozco con toda la trascendencia y la importancia política y social que esto r a mexicana me parece increíble", dijo a Efe Marisa Caichiolo, directora y Curadora del Aréa Latinoamericana de Los Ángeles Art Show

El esfuerzo de crear un espacio para el público y las instituciones latinoamericanas logró concretar propuestas como la del MUSA, que fue diseñada exclusivamente para la feria y se sirve de la tecnología para darle al público una experiencia única.

"Mi idea era que sintieras lo mismo, o más, que cuando entras a ver los murales en físico, creo que va a ser una experiencia importante para quien la pueda presenciar", aseguró Laura Ayala, coordinadora de Educación y Exposición del museo de la Universidad de Guadalajara (México).

Además de la obra de Orozco, en esta feria tienen cabida propuestas como "Izquierda o derecha", del cubano Antuan Rodríguez, que por primera vez se muestran en la costa este estadounidense.

Se trata de una instalación con 20 bolsas de boxeo con los rostros de líderes mundiales, incluyendo el presidente Donald Trump, con las que los asistentes pueden interactuar.

"Como ellos (el público) ya no pueden acercarse a sus presidentes por lo menos tienen la facilidad aquí de golpearles, darles un beso o rezar" dijo a Efe Rodríguez.

Nuna Mangiante, artista argentina elegida para representar el Museo de Arte Latinoamericano de la ciudad californiana de Long Beach (MOLAA), asegura que estas propuestas artísticas llegan a echarle "más sal a la herida" y a resaltar el momento social y político que se vive en todo el continente.

La artista, que trajo desde Suramérica su exposición "Aporías Mo ez mas el arte latinoamericano está poniendo su pie y dejando su huella en ferias como la de Los Ángeles, que logra atraer a más de 70.000 visitantes en los cuatro días de exhibición en el Centro de Convenciones de la ciudad.

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas, y las esculturas nómadas de Ángel Ricardo encontraron un espacio en la feria.

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición, The UCLA Art|Sci Center presenta "Brainstorming: Empathy", una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que r sentenció Caichiolo.

ersidad que tienen Los Ángeles y su gente",

Las cifras que publica la feria en su web causan impacto: 20.000 obras, 30 millones de dólares en vebtas, 70.000 visitantes, 300 periodistas y 150 personas trabajando para el evento.

Ana Milena Varón

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PORTUGAL BRASIL

Adriana Calcanhoto impartirá un curso de composición de canciones en Portugal

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Feria de Los Ángeles muestra su compromiso con el arte latinoamericano La feria se renueva este año, una vez más, para salirse del estereotipo de una vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países

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Centro de Convenciones de la ciudad.

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas, y las esculturas nómadas de Ángel Ricardo encontraron un espacio en la feria.

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición, The UCLA Art|Sci Center presenta Brainstorming: Empathy, una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que refleja la diversidad que tienen Los Ángeles y su gente", sentenció Caichiolo.

Las cifras que publica la feria en su web causan impacto: 20.000 obras, 30 millones de dólares en vebtas, 70.000 visitantes, 300 periodistas y 150 personas trabajando para el evento.

← Back to Events

LA Art Show + Google Map Los Angeles Convention Center South Hall, 1201 South Figueroa St Los Angeles, CA 90015 United States

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Upcoming Events January 2018

LA Art Show – Modern + Contemporary January 10 7:00 pm - January 14 5:00 pm LA Art Show, Los Angeles Convention Center South Hall, 1201 South Figueroa St Los Angeles, CA 90015 United States + Google Map

Celebrate the 2018 LA Art Show, the West Coast’s most comprehensive art experience. Presented by The Palm Beach Show Group. Los Angeles Conven‐ tion Center 1201 South Figueroa Street South Hall SHOW DATES - January 10-14, 2018 RED CARD SPECIAL COLLECTORS PRE‐ VIEW Wednesday, January 10, 2018, 7pm – 11pm Thursday, January 11, 2018,

11am – 7pm Friday, January 12, 2018, 11am – 7pm Saturday, January 13, 2018, 11am – 7pm Sunday, January 14, 2018, 11am – 5pm MORE - The LA… Find out more »

6:00 AM PST 1/9/2018 by Maxwell Williams

Spencer Lowell

Aldis Hodge and Harmonia Rosales were photographed Dec. 28 with their painting 'Adeelah' at Crozier Fine Arts in Inglewood.

When Aldis Hodge DM'd artist Harmonia Rosales on Instagram to compliment her paintings, he never expected to kick off a collaboration. But the Hidden Figures actor, 31 — who next stars opposite Kevin Bacon in Showtime police pilot City on a Hill — showed Rosales some of his paintings, and she told him they held a beautiful sadness. "I was surprised someone responded to my work in that way who was not named 'Mom,'" he says. Now the duo are bowing two new works via the Simard Bilodeau gallery at the L.A. Art Show, Jan. 10 to 14 at the Los Angeles Convention Center.

Rosales some of his paintings, and she told him they held a beautiful sadness. "I was surprised someone responded to my work in that way who was not named 'Mom,'" he says. Now the duo are bowing two new works via the Simard Bilodeau gallery at the L.A. Art Show, Jan. 10 to 14 at the Los Angeles Convention Center.

Chicago-based Rosales, 33, had a viral moment in May after, at Hodge's urging, she Instagrammed her painting The Creation of God — a take on Michelangelo's The Creation of Adam with black women as both figures. There was a backlash, including racist attacks directed at her. “There’s a lot of hypocrisy in religion, but when you’re talking about God as a representation of love and as a representation of all of us, we should all be able to see God as ourselves,” says Hodge. “So there’s nothing wrong with the image at all.” The incident made fans of stars like Willow Smith and drew the attention of Eve-Marie Bilodeau, who with husband Guy Simard runs Simard Bilodeau. Samuel L. Jackson purchased "Black Imaginary to Counter Hegemony (B.I.T.C.H.)," a piece by Rosales, from the gallery's September show of paintings.

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"I’m so glad we have this collaboration, because I don’t like talking about my work," says Rosales of working with Hodge. "I just like painting, I just like color, but [talking] is his strong suit, so it’s great." In their series, "Through the Looking Glass," Rosales paints figures — like a woman named Adeelah, in hijab and carrying a baby swaddled in an American flag. "I want them to be familiar, regardless of who you are,” she says of her subjects. Hodge paints the backdrop with words like "equal" and "survivor," then distresses them, sometimes with a technique using fire. "It's a subtle reminder that no matter what her culture is, what her religion is, she can still be American," says Hodge of Adeelah. "She's American-American just like I'm American-American. I know my culture, and my culture's equally American as anything else."

Spencer Lowell

"I want them to be familiar, regardless of who you are," says Rosales of her subjects.

6:00 AM PST 1/9/2018 by Maxwell Williams

Bill Ray/The LIFE Picture Collection/Getty Images

Margaret Keane and then-husband Walter in 1965.

L.A. ART SHOW, JAN. 10-14 Now in its 24th year, the event draws more than 90 galleries from 18 countries and had a record attendance of 70,000 in 2017 that included Leonardo DiCaprio, Lily Collins, James Brolin and Anne Hathaway. This year, the Littletopia section honors artist Margaret Keane, 90, the subject of Tim Burton's

film Big Eyes (Amy Adams won a Golden Globe for her portrayal of Keane). And

Matthew Modine will mark the 30th anniversary of Full Metal Jacket with an exhibit of photographs.

The star, who next appears in June's Sicario 2: Soldado, played a correspondent for Stars and Stripes in Stanley Kubrick's brutal take on the Vietnam War. Modine took photos on the set with an old Rolleiflex — those snapshots and his detailed logs became the book Full Metal Diary in 2005. "The magical thing about some photographs is this: They continue to develop over time," says Modine.

"The negatives and images lay quietly in boxes, and the world outside changes." L.A. Convention Center, laartshow.com

Matthew Modine/Courtesy of Axiom Contemporary

A Modine Full Metal Jacket photo.

ART LOS ANGELES CONTEMPORARY, JAN. 25-28 Justine Bateman and music exec Ron Handler are on the host committee for the fair, which in 2017

12:44 PM PST 1/11/2018 by Jordan Riefe

Gabriel Olsen/FilmMagic/Getty Images

Jon Hamm

It's becoming a winter tradition, the opening-night gala of the L.A. Art Show (which runs through Sunday at the Los Angeles Convention Center). Each year attracts another A-list host such as Jon Hamm to do the honors at the event, which for the past several years has benefited St. Jude Children’s Research Hospital.

"I'm a big believer and a big fan of what they do," Hamm on Wednesday told The Hollywood Reporter about the hospital founded in the 1950s by entertainer Danny Thomas, whose son Tony is a friend of Hamm's. "A lot of organizations that purport to raise money for kids, raise money for a lot of the adults who run the organization. And St. Jude's puts a lot more money where their mouth is," said the star.

ast gala hosts include Anne Hathaway and Emma Roberts, who attended this year’s event along with Jay Duplass, Aldis Hodge and Brandon Boyd of the band Incubus. Matthew Modine occupied a booth with his photos from the set of Stanley ubrick's

classic Full

Metal Jacket. "[Kubrick] said to me once, 'You would never go up to Beethoven and say, "Hey, how many notes in that song?" or Picasso, "How many strokes in that painting?" So why is it that people make such a noise about my doing multiple takes?'" Modine recalled the legendary filmmaker asking. "When you're filming, the number of takes you do is the cheapest part. It's all the preparation around getting to that."

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Modine has a houseful of artwork, mostly his own, but otherwise doesn't consider himself a collector. Neither does Hamm, though he does have a number of pri ed prints by a childhood friend’s mother, who was a master printmaker. He also has an eye for works by Tom Huck, another printmaker from Missouri.

"I wouldn’t call myself a big art collector. I'm relatively well versed in art history and in some sense of contemporary art," said Hamm. " ne of my favorite things to do when I’m out of town is to check out galleries. Atlanta has some phenomenal contemporary art galleries, and obviously New York. I do like going. It's a relatively inexpensive way to spend a day, unless you start buying things. Then it can get very expensive very quickly."

This year's edition of the L.A. Art Show features 100 galleries showing roughly 20,000 artworks from about 18 countries. Producer Kim Martindale anticipates

,

visitors over the next four days. "The number of guests are leveling off and we've made a concerted effort

to do that until we kind of expanded to the space we have. So this year we'll look and see what those numbers are," said Martindale, who founded the show in 1995 with only 12 galleries,and has nurtured it through the decades.

This year's show can be summed up in a single word diversity. DI ERSEartLA occupies a

,

-square-foot space with work from all

over the globe. "L.A. is very diverse. It's not just about Western art, it's about Asian arts or art that’s worth said Martindale, who anticipates

million or

,

,"

million in sales over the next four days.

"Sales have been improving the last few years. We expect that trend to continue," said Martindale of the fair. "I think the economy is getting better and better. [And] art is something that more and more people are looking at purchasing. or a long time, major collectors went to

ew ork or London or other cities to buy their art.

ow they're proud of buying it here."

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Installations range from blunt political works like "Left" or "Right," a series of red punching bags with the faces of world leaders for viewers to unload on, to the more sensual I’m Not a Trophy, a global initiative featuring the likenesses of women such as Cara Delevingne to increase awareness of sexual stereotyping as well as the hunting of endangered species.

A performance by andemonia, a multimedia pop artist based on a cartoon-like character, became a selfie fave, as did a dance performance, YARE: One More Dance by Cristobal alecillos, a multidisciplinary representation of Los Diablos de are, which is a celebration of dancing devils dating to

th century ene uela and has been declared an Intangible Cultural Heritage of Humanity by

ESC .

Twenty Los Angeles restaurants offered tasty fare at the gala, including dishes by James Beard Award-nominated chef Jeffrey Haute Chefs L.A. But the longest line — by far — was for ink's Hot Dogs.

imer of

6:30 AM PST 1/9/2018 by Maxwell Williams

Matthew Modine/Courtesy of Axiom Contemporary

Stanley Kubrick on the set of 'Full Metal Jacket'

There are precious few on-set artifacts from Stanley ubrick’s career, such was the legendary director’s devotion to the film being the film, and nothing else. He was known to destroy props, and never allowed behind-the-scenes photography on his sets. That’s why, when Matthew Modine published 2005’s Full Metal Jacket Diary, a

-page collection of photographs and notes from the set of the

ietnam War film Full Metal

Jacket, it was hailed as a revelatory look into the director’s world. Modine played Joker, one of the two main protagonists, alongside Vincent D’Onofrio’s Pyle. Because Joker was a war correspondent for Stars & Stripes, Modine brought a camera and a notebook to get into character. That documentation, Full Metal Jacket Diary, is the subject of an exhibition and panel discussion at the L.A. Art Show, held at the Los Angeles Convention Center Jan. 10-14. THR caught up with Modine to discuss the significance of Full Metal Jacket, now 30 years old, and the Diary.

You had to convince Kubrick to let you photograph on the set with your Rolleiflex. Because he was usually so guarded about photography on set, the photographs are remarkable documents. What, to you, is most special when you look at them today?

I actually didn’t convince him. A friend of mine gave me the Rolleiflex because he thought it could be a cool way of my breaking the ice with Kubrick. He thought if I could show Kubrick that I had knowledge about the camera it might spark a conversation, given Kubrick’s own photographic background. So I taught myself how to use the medium format camera. My dad taught me composition and watercolors, and that was beneficial. When I met ubrick I had the camera around my neck and he wasn’t impressed with it. He asked, “What are you doing with that old piece of shit ” I was shocked and defended the quality of the camera and then, remarkably, he said, “Listen, if you’re going to take pictures on my set, this is the camera you need to get….” He told me about a state-of-the-art 35mm camera and which lens I should get. He even told me what kind of camera bag to purchase. The important part of this story is that he said, “If you’re going to take pictures on my set.” That was something unheard of. And I took full advantage of that invitation!

The magical thing about some photographs is this: they continue to develop over time. The negatives and images lay quietly in boxes and the world outside changes. In the case of these images, they’re a peek behind the curtain of a ubrick film production.

Matthew Modine/Courtesy of Axiom Contemporary

Modine on the set of Full Metal Jacket.

hrough your lens, you eroed in on a master o the cra t at work. What did you come to understand about lmmaking through your diarizing and photography of Kubrick?

The experience helped me to understand how di cult it is to be an artist in an industry. art of ubrick’s genius was creating an environment where he could be an artist within the business of show. It’s interesting to me that filmmakers basically all have the same tools to make a movie a camera, sound equipment and the technicians that employ them. With these same tools, some directors are able to create magic while others do not. ubrick was a magician.

Full Metal Jacket came out 30 years ago, but the morals stay the same. Young men from the United States are still dehumanized in training, and they still come out o combat scarred and damaged.

ave you continued to eel the lm s e ect on your own lens o what

war means? Why, for you, does Full Metal Jacket matter after 30 years?

The brilliance of the film is that, even though it takes place during the ietnam War, it’s about all wars. All conflicts. It could be about Cain killing his own brother. Having spent two years working on the film and developing a friendship with Stanley, like a young apprentice, I began to see things through his lens. Having had that privilege, I can now look at his films and find a similar theme throughout them, a comparable storyline that looks at humanity and civili ation with an unfiltered lens. Full Metal Jacket, Spartacus, Dr. Strangelove, Paths of Glory — his war films — show us a reflection of humanity as it is, not as it, or we, desire or believe it to be. If we were truly humane, we would have no need for police or military forces. We have these weapons and we weaponi e our youth out of the sad knowledge of what we are.

Matthew Modine Courtesy of Axiom Contemporary

A Modine Full Metal Jacket photo.

Though the book came out 12 years ago, you've continued to work with the Diary. You turned it into an award-winning app in 2013, and an audio book, and you've done panels and talks, and you're revisiting it here with a talk and an exhibition at the L.A. Art Show. Why do you think this particular pro ect remains interesting or you, and why do you think it continues to nd an audience through di erent media?

Some films have the ability to transcend the time period in which they were made. Full Metal Jacket does. The MJ Diary i ad app became possible because of new technology. It’s a beautiful experience. With both the book and the app, I and the people involved, all wanted to be sure we were making something that would get Stanley’s approval. I’m happy that I was able to have the experience and I enjoy the passionate curiosity that others have for ubrick. I can see it in people’s eyes before they ask the question, “What was he like ” I can only share what he was like to me. I think he was a different man to different people playing many different roles to accomplish whatever that goal happened to be in that given moment. The ultimate actor.

Matthew Modine Courtesy of Axiom Contemporary

n the set of Full Metal Jacket.

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Events: LA Art Show – January 10th – 14th, 2018 For the latest in international contemporary Art make sure to see this year’s LA Art Show, featuring Artworks on exhibition through Denis Bloch Fine Art and Timothy Yarger Fine Art, in addition to many other exhibitors. The exhibition runs from January 10th through 14th and is on display at the Los Angeles Convention Center in Downtown LA. Please visit laartshow.com for further details.

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Check Out Some of Our Favorite Pieces From the Massive L.A. Art Show The annual fair returns to the Convention Center for its 24th year January 12, 2018

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With over 90 galleries in attendance, walking into the annual L.A. Art Show at the Convention Center can be a bit disorienting. The expansive, brightly lit space is filled with a dizzying display of art that’s as diverse as Los Angeles itself.

It’s easy to find yourself strolling aimlessly like a modern-day flâneur, waiting for something to pique your interest. But be warned: sensory burnout is real (we wouldn’t consider it overload, as it happens slowly, the weight of your eyelids steadily increasing until you realize you aren’t really taking in that $12,200 piece you’re looking at). To make things easier, we’ve rounded up some of our favorite pieces from the show. But let’s be real—we can’t claim to be the ultimate arbiters of taste. We recommend you go for yourself and find what makes you tick. Plus, the people watching is too excellent to pass up. L.A. Art Show is open through Sun., Jan. 14.

ultimate arbiters of taste. We recommend you go for yourself and find what makes you tick. Plus, the people watching is too excellent to pass up. L.A. Art Show is open through Sun., Jan. 14.

“Water” by Gosia

“Matchbox Cityscape” by Andrew Burgess

“Mareme” and “Aissatou” by Carla Kranendonk

“Mareme” and “Aissatou” by Carla Kranendonk

“Dogma” by Cristobal Valecillos

“Selina” by Jenny Boot

“Icons” by Parker Day

“Ax Girl” by Xevi Vilaro

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Digital Lottery Results | January 13, 2018 National Lottery Administration MPI La Art Show in Los Angeles started with "Variety" theme

January 12, 2018 Friday at 11:18

La Art Show in Los Angeles started with "Variety" theme

With the LA Art Show "Diversity" theme, which is the largest art fair on the Pacific coast, bringing more than 100 galleries to the American art lovers ...

American art lovers opened their doors on January 11th with the LA Art Show "Diversity" theme, the largest art fair on the Pacific coast, bringing more than 100 galleries from around the world.

DIVERSEARTLA name in Los Angeles, this year 23rd international fuard'da held approximately 6 thousand square meters inland 18 galleries in 20 countries exhibit 20 thousand artworks. The theme of the fair which will last for 4 days is "Variety". Fuarda Van Gogh, Miro, Monet, as well as the work of many new artists, meet art lovers. 35 million dollars of sales are expected until the day when the fairs can find millions of dollars worth of sales for the works and close the fair.

Painting sculpture attracts attention with its political stance, as Antuan's Left or Right work, which is curated by Marisa Caichiolo, allows him to take the stress of the audience, especially in the fuard where many different branches of art work are combined with the installation art video art. The pictures of the leaders such as Kim Jong, Donald Trump, Putin, and Assad are on the boxing bags. The artist punches these bags and says they are free from negative energy.

Trade in America spoke to UAVs, has organized many exhibitions in Europe and Turkey, artist, curator and art consultant Nalan Kumlali Atahan, the exhibition is a large arts festival and could be seen in many works of art from different branches, he said this situation is a great chance for art lovers.

On the other hand, the fair continues until Sunday, January 14th.

Source: HA

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Focusing on artists in the art community, Cartwheel Art magazine has become the go-to for Los Angeles art scene news, updates, interviews, reviews and coverage of local and national art fairs. With an art-smart, experienced staff and guest editorial contributors including artists, gallerists, and curators, CartwheelArt.com is bold, fresh and original. Just like the art, we cover.

SAVE THE DATE and PREVIEW! LA Art Show starts this Wednesday night, January 10th!

Posted by Dale Youngman

The LA Art Show an annual highly-anticipated January event that has become a world-class art fair, featuring hundreds of exhibitors from around the world, opens tomorrow night, January 10th with the Premiere Party, and continues through the weekend, ending on Sunday January 14th.

Highlighting a diverse and exciting combination of galleries, exhibits, dialogs and programming, this years’ event is expected to attract more than 70,000 art enthusiasts to view, experience, and purchase fine art in all mediums.

After much planning and the last two days of installation, with only one more day to go, the Cartwheel Art team, is getting really excited!!

For Cartwheel Art’s programming this year, instead of taking attendees out of the convention center for mural tours, we have brought a sampling of our own immersive experiences to the Convention Center, with two different booths.

In the Cartwheel Art Partnered Media Booth # 554, Miss Morgan was brought in as the curator, to recreate a glimpse into the hidden world of speakeasies such as you might see on our most popular tour “Underground LA.” Awarded editors choice as “Best Underground Tour” in LA Weekly’s Best of LA 2017, featured on an Eye on LA segment and numerous publications including Architectural Digest, our “Underground LA” tour offers a peek into the underground tunnels and historic speakeasies from the prohibition era. MORE HERE In the Cartwheel Art Featured Programming Booth # 7030, AXIS was brought in as the curator, to create an art activation with an exhibition entitled “L.A.: LEY LINES. For the exhibition, groundbreaking graffiti artists AXIS, BIG SLEEPS, DEFER, EYEONE, PRIME, and SWANK, all from different sectors of Los Angeles were selected to showcase the very distinct aesthetic of the areas each individual exemplifies. Having deep roots in the early Los Angeles graffiti movement, these artists also have backgrounds in California staples such as skateboarding, punk rock, tattooing and other topics that are vital to L.A.’s rich artistic culture and history. These artists have established themselves in the raw environment of the L.A. streetscape, and in recent years have shown in some of the most prestigious galleries and museums in the world. The booth provides the opportunity for attendees of the art show to experience the works of these artists, who have emerged from the incessant hardships of the Los Angeles streets, while being elegantly displayed, as one would find in the home of a private collector in a classic turn of the century setting. Join us in the booth for some fun surprises!

We are thrilled to be presenting the L.A.: LEY LINES booth, highlighting numerous artists who have murals in the Downtown Los Angeles Arts District, where we are based and lead numerous tours including the “Graffiti Walk with Steve Grody,” as well as many unique neighborhood explorations. MORE HERE There is so much to experience beyond our two booth’s at the LA Art Show. The following are some additional highlights.

It’s in the core section of the LA Art Show where there are numerous galleries of note, exhibitors who have conspired to inspire, educate and enthrall you. From installations that are witty, whimsical, and wondrous to international galleries and local galleries with exhibition booths, they can all be found in the Core section area.

We’d like to give a shout out to two Los Angeles galleries who are participating with outstanding exhibits. KP Projects, led by Merry Karnowsky and husband James Panozzo, will feature a large group exhibit with some LA favorites, including Todd Carpenter, Victor Castillo, Greg “Craola” Simkins, Lol Gil, Travis Louie, Eric Nash, Matsakutsu Sashie, Edward Walton Wilcox, and Von Sumner.

Timothy Yarger is presenting another must-see installation, featuring Cristobal Valecillos YARE/ One More Dance. This installation portrays a contemporary multi-disciplinary representation of Los Diablos de Yare – declared an Intangible Cultural Heritage of Humanity by UNESCO. Participating in the Getty’s Pacific Standard Time: LA/LA city-wide event, the artist was inspired by the annual Los Diablos de Yare festival, designing and fabricating a series of folkloric handcrafted masks. The masks were then utilized in dramatic photography set against a backdrop of iconic Los Angeles landmarks, creating a captivating and powerful exhibit. Also in Timothy Yarger Fine Art is work by renowned photographer Jim McHugh, who has photographed so many of the artists in the graffiti community, including those in the Featured Programming booth, presented by Cartwheel Art.

The massive LA Art Show has multiple sections to explore, from the pop-surrealism and lowbrow work found in Littletopia (see our preview here), to the stylized work found in Design LA Art, where the intersection of furniture, décor, architecture and fine art is celebrated. (Renowned Korean artist Lee Jae-Hyo is the featured artist of that section, where his intricate sculptures blur the line between form and function, in furniture as fine art and architectural objects.) But one of the larger components of the LA Art Show this year is called DIVERSEartLA, featuring the tremendous cultural diversity in the international contemporary art market. It will include performance art, multi-media installations, special exhibits, interactive features, and programs curated by major museums and arts organizations including LACMA, UCLA Chicano Studies Research Center, and The Autry Museum of the American West. Highlights of the area curated by Marisa Caichiolo of the Building Bridges Art Exchange in Santa Monica will include a premier United States exhibit by MUSA Museum of the Arts Guadalajara, along with installations by the Museum of Latin American Art, and Building Bridges.

Some Highlights: Curated by Marisa Caichiolo, The Museum of the Arts of the University of Guadalajara, Mexico (MUSA) presents Metaphysical Orozco, a multi-media installation making its first U.S. appearance. The presentation is created by projecting images of murals made by the famed artist Orozco between 1935 and 1937 at the auditorium known as Paraninfo, via multi-layer digital mapping. The scenes and accompanying graphic materials take the viewer on an exploration of Orozco’s inspiration for his murals, as well as the history and themes that inspired them. The art projection will be accompanied by a musical soundtrack, giving visitors a full-blown multi-sensory experience.

Aporías Moviles: Nuna Mangiante Presented by The Museum of Latin American Art, curated by Marisa Caichiolo, this is a multi-media installation featuring portraits with obscured faces on display amid various construction and building materials. It speaks of urban transformation as an emerging social reality in Latin America. The artist elaborates: “When I elaborate the photos of the objects and the urban landscapes, I subject them to what I want to express, I enclose the meaning with geometric forms in order to help decipher the riddles of my work, transforming them into drawings,” says Mangiante. “By isolating objects from their environment, they become symbols of themselves, and when I apply to them a flat graphite cover, a distortion occurs. A distortion always implies a comparison between what is and what is should be.

The distortion creates the controversies in the resulting image.”

Brainstorming: Empathy Curated by Marisa Caichiolo, presented by UCLA Art I Sci Center is a performance/experience installation created by Victoria Vesna in close collaboration with neuroscientist Mark Cohen. This “smart art” utilizes real-time EEG, brain waves, video, color, and sound to create a mesmerizing immersive experience for the viewer. In this experimental engagement, the topic insinuates the possibilities of brain to brain communication with an octopus. Says Caichiolo: “These are part of the larger area of research into the physical associates of mental processes such as emotions and feeling. It has evolved since to include the idea of embodied intelligence in the form of an octopus crown worn by participants.”

Live Mural Painting by Renowned Artist Mateo Romero Presented by the Autry Museum of the American West. Experience the work of a master, as you observe Pueblo/Cochiti artist Mateo Romero create a large scale mural destined for the collection of the Autry Museum of the American West. This live painting-as-performance addresses the cultural commentary on Native American life both past and present. Romero’s contemporary work combines Native post-modern figurative imagery while exploring historical myths.

Especular (Threshold): Leyla Cárdenas Presented by LACMA and the UCLA Chicano Studies Research Center, this installation is inspired by a line written by Colombian writer Manuel Hernández B. that defines his nation’s capital, Bogotá, as “A permanent threshold that announces the promise of a place that never arrives.”

Leyla Cárdenas’s Especular depicts this idea through a large –scale photo installation of Bogota’s neoclassical late 1880s train station façade, printed on a set of two huge 20” scrims, suspended back-to-back from the ceiling.

Her photographs depict the now long-abandoned station in ruins, illustrating the once-hopeful symbol of the nation, now abandoned and neglected.

These discontinuous panels are cut to match the different track gauges used in Colombia that made a unified national transportation infrastructure impossible. Especular is part of a series in which the artist documents the architectural remnants of the urban fabric. Cárdenas reflects on these artworks as illustrating “History repeating itself: vicious circles and accumulation of thresholds that lead nowhere.”

Synaesthesia: What is the taste of the color Blue?

Plantigrade Space Palette Presented by Marcos Lutyens & Tim Thompson/Paul Sable, and by Building Bridges Art Exchange in collaboration with the International Association of Synaesthetes, Artists, and Scientists (IASAS) and UCLA I Sci Center. Curated by Marisa Caichiolo, this unusual and intriguing installation focuses on a condition known as Synaesthesia, an inherited trait found in less than 3.75 percent of the world’s population. It is defined as a cross-firing of any one of the five senses in which one sensory experience triggers additional sensory experiences in one or more of the other four senses.

Adding a perception from one mode to the standard one can thereby increase the experience in multiple ways.

As in, the color blue may elicit a particular taste in your mouth!

There are at least 60 forms of synaesthesia!

Plantigrade, is an experiential installation by Marcos Lutyens, where intrepid visitors are invited to walk barefoot across a psycho-synthetic terrain, paying special attention to the sensations of color and texture coming through their feet. This is a sensibility developed by Surrealist writer René Daumal, called paroptic vision, and by extension para-tactile sensing. The project has been enhanced with the collaboration of celebrated author and neurologist, Richard E. Cytowic.

Space Palette, by Tim Thompson and Paul Sable, is a musical and graphical instrument invented by Tim Thompson that lets you make music and paint visuals simultaneously by waving your hands in the holes of a wood frame. No pre-recorded media, sequences or loops are used – everything is generated in real time by your hands.

IF YOU DRINK HEMLOCK, I SHALL DRINK IT WITH YOU or A BEAUTIFUL DEATH; player to player, pimp to pimp. (As performed by the inmates of the Asylum of Charenton under the direction of the Marquis de Sade): Daniel Joseph Martinez. Curated by Chon Noriega and presented by LACMA and the UCLA Chicano Studies Research Center, this immersive environment created by Daniel Joseph Martinez

references Jacques-Louis David’s famous 1793 portrait “The Death of Marat,” depicting his assassination during the French Revolution. Beyond a mere painting however, Martinez creates a tableau with three life-like sculptures – one of the victim, one of his killer Charlotte Corday, and one of the artist himself. The scene is set as if a play surrounded by bleachers, just waiting for your selfie!

Eyes Forward is a group exhibit curated by James Panozzo, Founder and Executive Director of Launch LA, in collaboration with Mar Hollingsworth, Program Manager and Visual Arts Curator, California African American Museum, CAAM.This exhibition addresses many contemporary topics from racism to feminism, ethnic pride and shifting concepts of beauty, the challenges of urban life for people of color, socio-economics and identity, political commentary, militancy and Black empowerment. The variety of subject matter is matched in the multitude of mediums, which include painting, sculpture, collage, assemblage with found objects, spray paint, textile art, mixed media works, and drawing.

Participating artists include April Bey, Chukes, June Edmond, Loren Holland, Duane Paul, Miles Regis, Ana Rodriguez, Nano Rubio, Holly Tempo, and Tim Washington.

SABER – Painting Live, Presented by 1849 Wine Company Ryan Weston Shook, the artist formally known as SABER, will be painting a mural onsite during the opening night of the LA Art Show. Saber is best known for his creation of the largest graffiti painting in the world, on the banks of the LA River. Rising to international fame through that project, he has since gone on to create fine art for international galleries as well as public art.

Special Note: The Cartwheel Art Media Booth is directly across from the 1849 Wine Company Bar. Stop by and say Hi!

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Design media arts professor creates neurosciencebased installation

BY CAMERON VERNALI Posted: January 9, 2018 11:06 pm

A&E, THEATER & ARTS

In the art installation "Brainstorming: Empathy," participants wear EEG-equipped headpieces, allowing them to see each other's brain wave activity through colored LEDs, resulting in wordless communication. (courtesy of Victoria Vesna)

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It may not be possible to read other people’s minds, but viewers can now see what two people are feeling through the art installation “BrainStorming: Empathy.”

Victoria Vesna, a design media arts professor and Mark Cohen, a neuroscience professor in residence created “BrainStorming: Empathy,” a piece of performance and experiential art, after four years of work. Vesna and Cohen said the work serves as a means to blend the arts with science in its efforts to display nonverbal communication and empathy through neuroscience technology. “(The project) is a discussion and it’s bouncing ideas off of each other,” Vesna said. “It becomes this melding of different worlds.”

In “BrainStorming: Empathy,” two participants wear headpieces that resemble octopuses and can record their brainwaves through an electroencephalogram, the tracking and recording of electrical activity within the brain.

The brain waves are then translated into colors and a cappella sounds that correlate with certain mental processes, such as feelings and emotions. Vesna and Cohen will showcase the performance art piece at the LA Art Show in the Dialogs booth from Wednesday to Sunday. It has previously been shown at the UCLA Meyer and Renee Luskin Conference Center in 2016, as well as an art festival in Slovenia and an exhibition centered on synesthesia.

“BrainStorming” came into its present form by exploring nonverbal communication across species with the scientific research that guided the project. Participants wear EEG-equipped octopus headpieces and wordlessly communicate through LEDs that reflect their brain waves, fostering empathy in a live performance, Vesna said. The two participants sit across from each other at a table and are instructed to empathize and feel their partner’s emotions.

The piece features 350 LEDs throughout the octopus headpieces’ tentacles that change color as a result of the different brain wave activity from each of the two participants. Vesna and Cohen also recorded a cappella samples of singer Kenton Chen, which play based on the participants’ emotions.

After Vesna and Cohen met about five years ago, they discussed different aspects of neuroscience, such as brain mapping visualizations, and soon began working on their first iteration of “BrainStorming.” The piece was initially conducted with sample EEG recordings of the brain waves of five to eight scientists, artists and humanists who discussed particular topics, including how humans are influenced by environmental aspects universally and the commonality between people, Vesna said.

During the ongoing creation process, Vesna commissioned another art piece for the Glow Festival in Santa Monica that utilized octopuses. While commissioning the piece, she researched more about octopuses and grew interested in their intelligence and communication. Her interest in octopus communication soon made Vesna curious about the similarities of nonverbal communication between humans and octopuses. Vesna also had the octopus headpieces from the commission left over and said she decided to add a performative element to the caps due to their otherworldly aesthetic.

“(The) symbolic octopus crowns really make it look like someone’s an alien creature and that also this creature is right there with us and there’s something very majestic about it and funny about it,” Vesna said.

Neither Cohen nor Vesna are strangers to an interdisciplinary approach to their work. Vesna said she often collaborates with other artists and scientists in order to bring a scientific angle to her work, such as on her piece “Blue Morph,” which uses sounds from the metamorphosis of a caterpillar and nanoscale images in its work. Cohen’s work with visualizations and brain mapping in neuroscience was also used in a more artistic form, such as a cover for Science Magazine he created.

The meeting of the media arts and science fields creates a new perspective on the interaction and communication present between people. Marisa Caichiolo, a curator for the LA Art Show who brought “BrainStorming” to the show, said the piece is an experience that goes beyond an art installation.

“To have (brain waves) translated to colors and forms and to associate colors to feelings as a part of ‘BrainStorming’ is captivating,” Caichiolo said. “(It’s) creating an understanding and a dialogue between the viewer and the experience itself because it really opens up the idea of communication between the brain and people in a different form.”

While the LEDs and a cappella sounds help the participants and viewers visualize the nonverbal communication, the piece ultimately runs on hard scientific data, Cohen said. The electrical signals and data are typically shown on a large backdrop during the performances. Cohen said he believes the neuroscience data aspect of “BrainStorming” is a fundamentally important part of the work.

“It’s very important to me that the brain science (‘BrainStorming’) explores is real rather than metaphorical – that it’s direct,” Cohen said. “We’re presenting actual data, we’re doing actual neuroscience work with this.”

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Jon Hamm to Host the 23rd Annual LA Art Show Opening Night Premiere Gala to Benefit St. Jude Children’s Research Hospital Opening night of LA’s longest running art event attracts international collectors, artists, celebrities, and a diverse mix of art lovers to DTLA on Wednesday January 10th Los Angeles, CA (PRUnderground) January 10th, 2018

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The LA Art Show is proud to announce that Jon Hamm, Emmy and Golden Globe award­ winning actor, director and producer, will be the host of this year’s Opening Night Premiere Gala, being held at the Los Angeles Convention Center on Wednesday,

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January 10, 2018 from 7pm – 11pm. Proceeds from the event will benefit St. Jude Children’s Research Hospital, making this the fourth year as the LA Art Show’s charity partner.

100% of sales of Patron and Vanguard tickets and 15% of sales of Friend tickets will go directly to the charity. All attendees of the Opening Night Premiere party are supporting St. Jude’s lifesaving mission to find cures for childhood cancer and other life­threatening diseases.

In addition to a sneak preview of the exhibits, live music and performance art, gala attendees will enjoy beverages and hors d’oeuvres from over 20 select Los Angeles restaurants. Cuisine will be prepared by James Beard Award­nominated chef Jeffrey Nimer of Hot Chefs LA, Oysters XO, Nespresso and more.

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The Opening Night Premiere Gala will begin with a special performance by the

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mysterious Pandemonia, a multi­media pop artist based upon a cartoonish female NEWS TECH & SCIENCE SOCIAL MEDIA BUSINESS ENTERTAINMENT LIFE SPORTS character. Pandemonia’s “Flash Bulb” exhibit is part of the lineup of this year’s stellar

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Featured Programming.

At 7:30, charity beneficiary St. Jude Children’s Research Hospital will host a presentation about the incredible work they are doing at Booth 110.

From 8pm – 9pm, Gala attendees are invited to participate in Logan Maxwell Hagege’s “Connect the Dots” installation, presented by Maxwell Alexander Gallery. “Connect the Dots” is designed to bring us back to our childhood and turns us all into artists. Each participant will have five minutes to connect the dots and reveal an original work of art.

At 8:30pm, LA Art Show producer Kim Martindale will unveil the National Exhibition of China.

At 9pm, there will be a special performance of YARE: One More Dance by Cristobal Valecillos, presented by Timothy Yarger Fine Art. Yare, One More Dance is a contemporary multi­disciplinary representation of Los diablos de Yare – declared an Intangible Cultural Heritage of Humanity by UNESCO. Stay Up to Date: www.laartshow.com About St. Jude Children’s Research Hospital St. Jude Children’s Research Hospital is leading the way the world understands, treats and defeats childhood cancer and other life­threatening diseases. Everything we do is centered on our mission: Finding cures, Saving children. St. Jude freely shares the discoveries we make, so one child saved at St. Jude means doctors and scientists worldwide can use that knowledge to save thousands more children. Families never receive a bill from St. Jude for treatment, travel, housing or food—because all a family should worry about is helping their child live.

About LA ART SHOW About the LA Art Show The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests Like 61K and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts

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executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, influencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology

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Matthew Modine’s Intimate Photos from the Set of Stanley Kubrick’s ‘Full Metal Jacket’ The actor kept a diary of his two-year journey working with the legendary filmmaker.

Photography | By Alison Nastasi | January 24, 2018

On the 30th anniversary of Stanley Kubrick’s Full Metal Jacket, Matthew Modine’s Full Metal Diary, a collection of rarely seen, medium-format photos taken on the set of the 1987 acclaimed war film, will be on display at Axiom Contemporary in Santa Monica, opening Friday, February 23 from 6-9pm. Modine’s work was recently featured at the 23rd annual LA Art Show, which saw a record-breaking attendance with nearly 70,000 viewers.

Kubrick encouraged Modine to keep a diary of his experiences playing US Marine Private Joker. The images offer an intimate behind-the-scenes look at one of cinema’s finest directors — known for his penchant for privacy — and the young actor who worked with the legendary filmmaker over a two-year period. Full Metal Diary is a glimpse of an artist at work and a look at the iconic film through a collaborator’s eyes. Take a closer look in our gallery.

©Matthew Modine / Courtesy of Axiom Contemporary, published with permission

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The LA Art Show Proves To Be The Vanguard Of Contemporary Art

Sunday, January 14th

It’s my favorite time of year! The LA Art Show (https://www.laartshow.com/) is back. I was able to cover this last year on DX (https://hiphopdx.com/editorials/id.3620/title.fomoblog-dmx-nelly-bring-the-90s-back-at-93-5-kdays-the-rap-show#signup) and had such a great time. I remember just feeling so inspired by all the creativity and beauty this exhibit had to offer. This is pretty self-explanatory, but the reality of how epic and grandiose the entire gallery is… man. I hope everyone gets a chance to visit next year. This took place (again) at the Los Angeles Convention Center in downtown LA – the same venue as the LA Autoshow. (http://fomoblog.com/2017/12/11/2017-la-auto-show-takes-over-los-angeles-convention-center-in-dtla/)

Shirley Ju @shirju

i just walked inside the @LAArtShow & i’m so overwhelmed.

3:30 PM - Jan 14, 2018 · Los Angeles, CA 3

Huge thanks to HiJinx PR for having me! Remember how much we all loved eld trips growing up as a kid? This was the same excitement I felt going in. My friends are all creative geniuses too, so it was even more great to mob with people who see and think outside-the-box. First off, it was a beautiful Sunday in Los Angeles. It felt like it was 90 degrees outside. Although this was indoors, the beautiful weather just set the vibe for the entire rest of the day. Good vibes only. The minute we step inside, we were so overwhelmed. Where to begin?

Power 106 @Power106LA

.@CheechMarin speaking on Chicano art at the @LAArtShow 3:32 PM - Jan 14, 2018 · Los Angeles Convention Center 5

We arrived a little around 3pm, which meant only 2 hours to see everything. This was the last day of the LA Art Show, which started on Wednesday night (there were 5 whole days to choose from). Tickets were $25, (https://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939?_eboga=997644575.1515995618]) which is a great deal for this much art.

We were able to enter through a special entrance on the side, but security was not playing today — we were searched thoroughly. Our rst stop was the Cheech In Conversation at the Dialogs LA booth, where Cheech (https://www.instagram.com/cheechmarino cial/) (of Cheech and Chong (https://www.instagram.com/cheechandchong/)) spoke on the new Chicano art museum opening in the Inland Empire (shout out Dean (https://www.instagram.com/DXMAYORGA/)). Although it’s not the full package, Cheech and Chong are legendary. This was dope.

Shirley Ju @shirju

one of my fav parts of the @LAArtShow was everyone punching tf out of trump 5:21 PM - Jan 14, 2018 · Los Angeles, CA 2

“Diversity is our strength and art is most impactful when it includes or transcends all borders.” Case and point. This was honestly one of my favorite parts: two rows of punching bags with political faces printed on them. There was a WAIT for people to go and punch Donald Trump with all their might. It was honestly really dope. Like, people were going in lmao.

Going to proceed and share with you some of my personal highlights from today. I was determined to nd this Tupac piece I saw scrolling the gram the other day, but completely failed. I got Rihanna instead. I’ll take it (Rih over Bey any day). Side note, I was looking for the most music-related content to share on Power. There was actually a whole portion of the show dedicated to pop culture alone. To my surprise, no portraits of Cardi B. Which might be a good thing lmao.

Shirley Ju @shirju

the most beautiful piece thus far.

@LAArtShow

3:55 PM - Jan 14, 2018 3

This piece was necessary. Still can’t grasp my head around the fact that weed is legal now in California. And quite frankly, nothing has changed.

This piece was super dope. Even doper that Tony knew the artist (Joey Lee (https://www.instagram.com/joeyunlee/)). A lot of the art today made me want to do drugs lmao. So abstract and out-of-this-world. Never forget, some of the world’s biggest geniuses (Einstein) dropped acid. Flashback to the good old days where you’d save up all your money from your part-time jobs to go to that one rave coming up. Coachella too.

This REALLY stuck out to me. I thought about captioning a really deep post about being sober from alcohol since August 2012, but decided it was too personal. It appears to be a collage of all types of recreational drugs in their chemical form. Flashback to chemistry class in high school when I got caught cheating on my calculator lmao. Smh. Nah but really — tell me this doesn’t describe our generation. Very proud of Mozzy and his recent movement in quitting lean. He’s setting an example for all the kids out there.

This piece gave me life. Along with the Prada popcorn. Side note, I thought this was a machine gun at rst, until someone on Twitter corrected me and said it was a Chanel nail gun.

I’m telling y’ll, Twitter is life.

Shout out to Nykki (https://www.instagram.com/nykkigee/) for always supporting me through everything, which includes mobbing me through this thing called life. (http://fomoblog.com/2018/01/07/the-yoga-expo-the-largest-yoga-festival-in-north-america-takes-over-los-angeles/)Â And Jonathon (https://www.instagram.com/jbenavente_/) and Tony (https://www.instagram.com/tonyk lms/) for the amazing company. I canâ&#x20AC;&#x2122;t wait to come back next year! <3

Shirley Ju @shirju

went to hip hop yoga lit & it was transformative.

6:33 PM - Jan 14, 2018 · Y7 Silverlake 3

Still on a high from my birthday last night (http://fomoblog.com/2018/01/14/celebrating-27-years-of-life-at-the-continental-club-f-dj-felli-fel/), I had to keep the momentum going. Y7 in Silverlake just opened up and it is EVERYTHING. I had 2 classes left on my Classpass (http://fomoblog.com/2018/01/04/classpass-is-changing-lives-for-the-better/) trial, and last minute joined the 5:45pm WeFlowHard Slow Burn Yoga class. Melissa Genovese is a PHENOMENAL instructor. I was so touched by her energy. Shout out to Mason, this studio is brand new and honestly such a win. Class was located in this garage-like setting next to the lobby, which made you feel like you were outdoors and one with nature.

Let’s get it!

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Gay Summer Rick (//gaysummerrick

LA Art Show Dates 1/10/2018

HOME (HTTPS://GAYSUMMERRICK.COM) ABOUT THE ARTIST (HTTPS://GAYSUMMERRICK.COM/ABOU ARTWORK COLLECTIONS STATEMENT & RESUME (HTTPS://GAYSUMMERRICK.COM/PAGE/ IN THE PRESS (HTTPS://GAYSUMMERRICK.COM/PAGE/ EXHIBITIONS AND EVENTS (HTTPS://GAYSUMMERRICK.COM/EVENT CONTACT THE ARTIST (HTTPS://GAYSUMMERRICK.COM/CONT EMAIL NEWSLETTER (HTTPS://GAYSUMMERRICK.COM/EMAIL

1/14/2018 Reception: 1/10/2018 8:00 11:00PM

Location Los Angeles Convention Center 1201 South Figueroa Street, South Hall Los Angeles, California United

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(https://gaysummerrick.com/event/99167) The LA Art Show is one of the world’s largest and longest running art events with more than 100 leading galleries from over 18 countries at the Los Angeles Convention Center (South Hall) in Downtown Los Angeles. Gay Summer Rick's luminous palette knife paintings will be featured with two galleries during the 2018 show.

See Gay Summer Rick's paintings at bG Gallery - Santa Monica, California, booth #533 and at The Gallery Steiner - Vienna, Austria, booth #733. Gay Summer will be at the LA Art Show on and off throughout the

Visit

week. To meet the artist, inquire at the

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Premier Opening Night Party:

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Wednesday, January 10th 8-11pm General Hours: Thursday, January 11th, 11-7pm

© 2017 Gay Summer Rick. All rights reserved. Studio Telephone: +1 310

Friday, January 12th, 11-7pm

Saturday, January 13th, 11-7pm Sunday, January 14th, 11-5pm

A limited number of complementary tickets may be available. To inquire about comp tickets, contact Gay Summer Rick (https://gaysummerrick.com/contact). Or, to purchase tickets, visit the LA Art Show Website (https://www.laartshow.com).

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Go See Art

The LA Art Show Launches DESIGN LA ART to Celebrate the Harmony and Intersection of Furniture,Decor, Architecture & Fine Art December 27, 2017 / Art Fairs, LA Art, West Coast

The LA Art Show Launches DESIGN LA ART to Celebrate the Harmony and Intersection of Furniture, Decor, Architecture & Fine Art. LA Art Show Los Angeles, CA – For over 20 years, the LA Art Show has created a unique showcase of world-class galleries, drawing discerning collectors from around the globe. In January 2018, the LA Art Show is expanding these offerings with the launch of DESIGN LA ART, a designated area for exhibitors of modern furniture, accent decor, architectural objects and jewelry. The exhibitions in DESIGN LA ART will be displayed in a series of circular, open-area vignette spaces to highlight the increasing intersections of the fine art and design worlds.

In honor of DESIGN LA ART’s inaugural presence, complimentary access to the fair will be extended to members of the Los Angeles design community on Thursday, January 11. That day’s DIALOG LA programming will be dedicated to panel discussions about the overlap and fusion of art and design.

Tours hosted by today’s leading design professionals will guide patrons through the exhibits.

The centerpiece of DESIGN LA ART will be the work of Korean artist Lee Jae-Hyo, world-renown for his immaculately formed, intricate sculptures that perfectly fuse the aesthetics and craft of fine art with the functionality of benches, stools, tables and various architectural objects. His work will also be on view at

the Simyo Gallery booth.

“Los Angeles has emerged as a major destination for the arts,” explains LA Art Show producer and partner Kim Martindale. “With DESIGN LA ART, we are honoring the city’s already rich history in the realms of design and architecture, as well as presenting forward-looking programming about the growing fusion of these two disciplines. Every aspect of this space has been created to provide context on how art and design intersect.”

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The Los Angeles Fair shows its commitment to Latin American art

The Argentinean artist Nuna Mangiante completes the details of the installation of her work "Aporías Moviles" during the last preparations in the Latin American Aréa of Los Angeles Art Show this January 9, 2018, in Los Angeles (USA). EFE

By EFE

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The Arts Festival arrives in Los Angeles

JANUARY 13, 2018, 12:06 PM

T

|

LOS ÁNGELES

he Los Angeles Art Show, one of the most important art fairs in the United States, opened its doors loaded with important Latin American works with a social message, such as the murals of the Mexican

José Clemente Orozco, which are exhibited for the first time in the country.

La feria se renueva este año, una vez más, para salirse del estereotipo de una vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países e instituciones como el Museo de las Artes de la Universidad de Guadalajara, México, (MUSA), que presenta "Metaphysical Orozco".

"Tanto que se ha hablado del muro entre Estados Unidos y México, generar o traer de una manera virtual ese muro pintado por (José Clemente) Orozco, con toda la trascendencia y la importancia política y social que esto refleja en la cultura mexicana, me parece increíble", dijo Marisa Caichiolo, directora y curadora del Aréa Latinoamericana de Los Ángeles Art Show.

El esfuerzo de crear un espacio para el público y las instituciones latinoamericanas logró concretar propuestas como la del MUSA, que fue diseñada exclusivamente para la feria y se sirve de la tecnología para darle al público una experiencia única.

"Mi idea era que sintieras lo mismo, o más, que cuando entras a ver los murales en físico, creo que va a ser una experiencia importante para quien la pueda presenciar", aseguró Laura Ayala, coordinadora de Educación y Exposición del museo de la Universidad de Guadalajara (México).

Además de la obra de Orozco, en esta feria tienen cabida propuestas como "Izquierda o derecha", del cubano Antuan Rodríguez, que por primera vez se muestran en la costa este estadounidense.

Se trata de una instalación con 20 bolsas de boxeo con los rostros de líderes mundiales, incluyendo el presidente Donald Trump, con las que los asistentes pueden interactuar.

"Como ellos (el público) ya no pueden acercarse a sus presidentes por lo menos tienen la facilidad aquí de golpearles, darles un beso o rezar" dijo Rodríguez.

Nuna Mangiante, artista argentina elegida para representar el Museo de Arte Latinoamericano de Long Beach (MOLAA), asegura que estas propuestas artísticas llegan a echarle "más sal a la herida" y a resaltar el momento social y político que se vive en todo el continente.

La artista, que trajo desde Sudamérica su exposición "Aporías Moviles", afirma que cada vez mas el arte latinoamericano está poniendo su pie y dejando su huella en ferias como la de Los Ángeles, que logra atraer a más de 70.000 visitantes en los cuatro días de exhibición en el Centro de Convenciones de la ciudad.

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas y Ángel Ricardo, con sus esculturas móviles, encontraron un espacio en la feria.

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición. The UCLA Art|Sci Center presenta "Brainstorming: Empathy", una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que refleja la diversidad que tienen Los Ángeles y su gente", sentenció Caichiolo.

The figures published by the fair on its website have an impact: 20,000 works, 30 million dollars in sales, 70,000 visitors, 300 journalists and 150 people working for the event.

Copyright © 2018, Hoy Los Angeles , a publication of the Los Angeles Times Media Group

The faces of Donald Trump and Nicolás Maduro receive blows in art exhibition in LA

Antuan Rodriguez

1 / 13

(Jad El Reda) Antuan Rodríguez.

Michael Phelps dazzled with dominance of the pool, Kobe Bryant hypnotized on the floor, while Muhammed Ali was the epitome of greatness in a quadrilateral. Like them, other great athletes invited to dream and raise emotions to another level, turning the sport into an art, but whose feeling is really intangible.

The artist Antuan Rodríguez, who performs at the LA Art Show in the Convention Center of Los Angeles until this Saturday, has managed to turn the sport into something tangible, allowing the interaction of the attendees to their presentations.

“La gente interactúa con violencia, pero al mismo tiempo es un proceso para sanar”, dijo Rodríguez sobre su exposición 'A Healing Process' o Proceso de Sanación.

El artista cubano presentó 20 de sus costales de arena para boxeo con imágenes plasmadas de políticos controversiales de todo el mundo, en el que resaltaban los mandatarios Donald Trump de Estados Unidos, y Nicolás Maduro en Venezuela.

Los asistentes al show de arte interactuaban con estos elementos sea con puñetazos, palabras obscenas o simplemente un selfie.

Rodríguez explicó a HOY Deportes que su intención no fue solamente causar la burla a estos políticos pero que invitaba a usar al “deporte como sanación”.

“Es una obra interactiva que permite sacar ese odio por medio de los golpes al rostro de estos políticos”, dijo.

“Es como una catarsis, en el que sacas el odio, el dolor, sanar la energía negativa, por eso la obra se llama ‘A Healing Process’ o 'Proceso de Sanación'”.

El haber usado los costales no fue por casualidad sino que el deporte ha sido parte de su vida y de alguna manera siempre ha logrado fusionarlo con el arte contemporáneo.

“Llevo trabajando muchos años con el tema del deporte”, detalló. “La primera obra precisamente fue esta, en 1998, en Cuba. Se expone por primera vez en 2004, a partir de ahí se empieza la fusión con el deporte, creando un objeto real, porque estas bolsas con hechas como una de boxeo. Fueron cosidas con hilos de nailon, la tela es de un material especial que en contra de agua y se puede usar en el exterior. El sistema está hecho como fabrican una bolsa de boxeo. Estamos creando un objeto del mundo deportivo al arte contemporáneo”.

El oriundo de Santa Clara recordó que durante los 29 años que vivió en la isla se mantuvo activo en las dos ramas. Vivía incluso frente a un centro deportivo de alto rendimiento en donde aprovechaba jugar en las canchas, sea futbol, béisbol u otros.

Su pasión por las artes y los deportes le permitió crear y dirigir el proyecto Base Paint, que consiste en una escuela deportiva en Haití, pero que funciona con el uso además de carpas de campaña pintadas por artistas al igual que él.

“Con la ayuda de otros artistas amigos míos, llevé tres contendores con pupitres, ropa, zapatillas de futbol para aportar al desarrollo del futbol en Haití”, dijo.

Entre sus obras deportivas, Rodríguez dijo tener varias con futbol y béisbol, como la que expuso en una final en Panamá.

“Fue una carta enorme y está hecha con metal, es de siete por ocho pies de grande, doblado como una carta de béisbol”, detalló. “Tiene en los ojos, televisores de 24 pulgadas con un video arte que se transmite por medio de los ojos con personas rotando a través de las pantallas”.

Trump es el favorito Al igual que esta exhibición en Los Ángeles, una de las peticiones más comunes es la del costal de boxeo con la cara de Trump, cuyo precio es de alrededor de $10,000.

“Estas obras se venden individualmente y vienen en paquetes de seis, pero para Donald Trump se hicieron nueve porque son los más populares”, explicó. “La gente lo pide mucho. Se han vendido mayormente para coleccionistas y claro también hay precios para quienes compran varios”.

Aunque en su exposición contó con 20 imágenes políticas masculinas, dijo que también cuenta con la de dos mujeres.

“Me han pedido que traigan mujeres y no he querido hacerlo. No voy a poner a Hillary entre tanto macho, aunque tengo la bolsa de ella también y la de Condoleezza Rice. Aunque también las he exhibido con anterioridad. La gente no les pegan tanto a ellas la verdad (risas)”.

Entre las cosas curiosas que le ha tocado presenciar durante sus exhibiciones, la que más resaltó fue la de un personaje cercano al presidente.

“Un amigo de Trump, cuando expuse esta obra a dos kilómetros de su casa en West Palm Beach, le decía al costal ‘mejor no hables, quédate callado’”, contó el artista de 46 años. “Le tapaba la boca en la bolsa. La gente sabe que él se lo merece, incluso la gente como su mejor amigo, ellos saben que no lo han hecho bien como político”.

Según Marisa Caichiolo, quien es la directora del área latinoamericana de la feria del arte y curadora de la sección Diverse Art LA, la presentación de Rodríguez fue todo un éxito.

"His work is very controversial," he said. "It is very busy and people love the work because people feel that they are in front of a mirror and say 'what this image represents for me in the punching bag'. Actually it seems to me and I see it as a healing, spiritual process. But I think the use of boxing practice, one says 'imagine someone and put your face in the boxing bag' and put a face to the boxing bag, with whom you can download, so good are characters that Somehow they have something to do with corruption and world power, absolute. " Follow Jad on Twitter, Instagram and Facebook: @jadelreda (Jad El Reda) Copyright © 2018, Hoy Los Angeles , a publication of the Los Angeles Times Media Group

Las caras de Donald Trump y Nicolás Maduro reciben golpes en exhibición de arte en LA

Antuan Rodriguez

1 / 13

(Jad El Reda) Antuan Rodríguez.

Michael Phelps deslumbró con dominio de la piscina, Kobe Bryant hipnotizó en la duela, mientras que Muhammed Ali fue la epitome de la grandeza en un cuadrilátero. Como ellos, otros grandes deportistas invitaron a soñar y elevar a otro nivel las emociones, convirtiendo al deporte en un arte, pero que cuyo sentimiento es realmente intangible.

El artista Antuan Rodríguez, quien se presenta en el LA Art Show en el Convention Center de Los Ángeles hasta este sábado, ha conseguido convertir al deporte en algo tangible, permitiendo la interacción de los asistentes a sus presentaciones.

“La gente interactúa con violencia, pero al mismo tiempo es un proceso para sanar”, dijo Rodríguez sobre su exposición 'A Healing Process' o Proceso de Sanación.

El artista cubano presentó 20 de sus costales de arena para boxeo con imágenes plasmadas de políticos controversiales de todo el mundo, en el que resaltaban los mandatarios Donald Trump de Estados Unidos, y

Nicolás Maduro en Venezuela.

Los asistentes al show de arte interactuaban con estos elementos sea con puñetazos, palabras obscenas o simplemente un selfie.

Rodríguez explicó a HOY Deportes que su intención no fue solamente causar la burla a estos políticos pero que invitaba a usar al “deporte como sanación”.

“Es una obra interactiva que permite sacar ese odio por medio de los golpes al rostro de estos políticos”, dijo.

“Es como una catarsis, en el que sacas el odio, el dolor, sanar la energía negativa, por eso la obra se llama ‘A Healing Process’ o 'Proceso de Sanación'”.

El haber usado los costales no fue por casualidad sino que el deporte ha sido parte de su vida y de alguna manera siempre ha logrado fusionarlo con el arte contemporáneo.

“Llevo trabajando muchos años con el tema del deporte”, detalló. “La primera obra precisamente fue esta, en 1998, en Cuba. Se expone por primera vez en 2004, a partir de ahí se empieza la fusión con el deporte, creando un objeto real, porque estas bolsas con hechas como una de boxeo. Fueron cosidas con hilos de nailon, la tela es de un material especial que en contra de agua y se puede usar en el exterior. El sistema está hecho como fabrican una bolsa de boxeo. Estamos creando un objeto del mundo deportivo al arte contemporáneo”.

El oriundo de Santa Clara recordó que durante los 29 años que vivió en la isla se mantuvo activo en las dos ramas. Vivía incluso frente a un centro deportivo de alto rendimiento en donde aprovechaba jugar en las canchas, sea futbol, béisbol u otros.

Su pasión por las artes y los deportes le permitió crear y dirigir el proyecto Base Paint, que consiste en una escuela deportiva en Haití, pero que funciona con el uso además de carpas de campaña pintadas por artistas al igual que él.

“Con la ayuda de otros artistas amigos míos, llevé tres contendores con pupitres, ropa, zapatillas de futbol para aportar al desarrollo del futbol en Haití”, dijo.

Entre sus obras deportivas, Rodríguez dijo tener varias con futbol y béisbol, como la que expuso en una final en Panamá.

“Fue una carta enorme y está hecha con metal, es de siete por ocho pies de grande, doblado como una carta de béisbol”, detalló. “Tiene en los ojos, televisores de 24 pulgadas con un video arte que se transmite por medio de los ojos con personas rotando a través de las pantallas”.

Trump es el favorito Al igual que esta exhibición en Los Ángeles, una de las peticiones más comunes es la del costal de boxeo con la cara de Trump, cuyo precio es de alrededor de $10,000.

“Estas obras se venden individualmente y vienen en paquetes de seis, pero para Donald Trump se hicieron nueve porque son los más populares”, explicó. “La gente lo pide mucho. Se han vendido mayormente para coleccionistas y claro también hay precios para quienes compran varios”.

Aunque en su exposición contó con 20 imágenes políticas masculinas, dijo que también cuenta con la de dos mujeres.

“Me han pedido que traigan mujeres y no he querido hacerlo. No voy a poner a Hillary entre tanto macho, aunque tengo la bolsa de ella también y la de Condoleezza Rice. Aunque también las he exhibido con anterioridad. La gente no les pegan tanto a ellas la verdad (risas)”.

Entre las cosas curiosas que le ha tocado presenciar durante sus exhibiciones, la que más resaltó fue la de un personaje cercano al presidente.

“Un amigo de Trump, cuando expuse esta obra a dos kilómetros de su casa en West Palm Beach, le decía al costal ‘mejor no hables, quédate callado’”, contó el artista de 46 años. “Le tapaba la boca en la bolsa. La gente sabe que él se lo merece, incluso la gente como su mejor amigo, ellos saben que no lo han hecho bien como político”.

Según Marisa Caichiolo, quien es la directora del área latinoamericana de la feria del arte y curadora de la sección Diverse Art LA, la presentación de Rodríguez fue todo un éxito.

“Su obra es muy polémica”, dijo. “Es muy concurrida y la gente adora la obra porque la gente siente que se encuentra frente a un espejo y decir ‘qué representa para mí esta imagen en el punching bag’. En realidad me parece y lo veo como un proceso de sanación, espiritual. Pero me parece que el uso de la práctica del boxeo, uno dice ‘imagínense a alguien y pongan el rostro en la bolsa de boxeo’ y ponerle un rostro a la bolsa de boxeo, con quién te puedes descargar, entonces bueno son personajes que de alguna manera tienen que ver algo con la corrupción y el poder mundial, absoluto”.

Sigue a Jad en Twitter, Instagram y Facebook: @jadelreda (Jad El Reda) Copyright © 2018, Hoy Los Angeles, una publicación de Los Angeles Times Media Group

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Inicia la feria de arte en Los Ángeles Por EFE Publicado miércoles 10 de enero de 2018

LO QUE ESTÁ TRENDING EFE

La artista argentina Nuna Mangiante ultima los detalles de la instalación de su obra "Aporías Moviles" durante los últimos preparativos en el Aréa Latinoamericana de Los Ángeles Art Show este 9 de enero de 2018, en Los Ángeles.

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Los Ángeles Art Show, una de las ferias de arte más importantes de Estados Unidos, abre sus puertas cargada de importantes obras latinoamericanas con un mensaje social, como los murales del mexicano José Clemente Orozco, que por primera vez son exhibidos en Estados Unidos.

La feria se renueva este año, una vez más, para salirse del estereotipo de una

4

Revelan inmensidad de antiguas ciudades mayas

vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países e instituciones como el Museo de las Artes de la Universidad de Guadalajara (MUSA), que presenta "Metaphysical Orozco".

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80° Arranca en Los Ángeles una de las ferias de arte más importantes

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"Los Ángeles Art Show" muestra su compromiso con el arte latinoamericano. (Publicado miércoles 10 de enero de 2018)

"Tanto que se ha hablado del muro entre Estados Unidos y México, generar o traer de una manera virtual ese muro pintado por (José Clemente) Orozco con toda la trascendencia y la importancia política y social que esto refleja en la cultura mexicana me parece increíble", dijo a Efe Marisa Caichiolo, directora y Curadora del Aréa Latinoamericana de Los Ángeles Art Show

CUATRO PREGUNTAS RÁPIDAS ¿Crees que es necesario o innecesario hablar de política en las entregas de premios?

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El esfuerzo de crear un espacio para el público y las instituciones latinoamericanas logró concretar propuestas como la del MUSA, que fue diseñada exclusivamente para la feria y se sirve de la tecnología para darle al público una

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experiencia única.

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"Mi idea era que sintieras lo mismo, o más, que cuando entras a ver los murales en físico, creo que va a ser una experiencia importante para quien la pueda presenciar", aseguró Laura Ayala, coordinadora de Educación y Exposición del

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museo de la Universidad de Guadalajara (México).

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Además de la obra de Orozco, en esta feria tienen cabida propuestas como "Izquierda o derecha", del cubano Antuan Rodríguez, que por primera vez se

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muestran en la costa este estadounidense.

Día nacional de ahorro de energía

Se trata de una instalación con 20 bolsas de boxeo con los rostros de líderes mundiales, incluyendo el presidente Donald Trump, con las que los asistentes pueden interactuar.

"Como ellos (el público) ya no pueden acercarse a sus presidentes por lo menos tienen la facilidad aquí de golpearles, darles un beso o rezar" dijo a Efe Rodríguez.

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Nuna Mangiante, artista argentina elegida para representar el Museo de Arte Latinoamericano de la ciudad californiana de Long Beach (MOLAA), asegura que estas propuestas artísticas llegan a echarle "más sal a la herida" y a resaltar el momento social y político que se vive en todo el continente.

La artista, que trajo desde Suramérica su exposición "Aporías Moviles", afirma que cada vez mas el arte latinoamericano está poniendo su pie y dejando su huella en ferias como la de Los Ángeles, que logra atraer a más de 70.000 visitantes en los cuatro días de exhibición en el Centro de Convenciones de la ciudad.

Drones luminosos vuelan al ritmo de famosas fuentes danzantes El espectáculo iluminará el cielo del Strip durante duración la duración de CES, la convención tecnológica más grande del mundo. (Publicado miércoles 10 de enero de 2018)

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas, y las esculturas nómadas de Ángel Ricardo encontraron un espacio en la feria.

Strippers robóticas causan furor con bailes sensuales

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición, The UCLA Art|Sci Center presenta "Brainstorming: Empathy", una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que refleja la diversidad que tienen Los Ángeles y su gente", sentenció Caichiolo.

Las cifras que publica la feria en su web causan impacto: 20.000 obras, 30 millones de dólares en vebtas, 70.000 visitantes, 300 periodistas y 150 personas trabajando para el evento.

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CULTURE

Round Hole Square Peg Will Queer The LA Art Show With The Work of 30 LGBTQ Photographers BY: TRISH BENDIX 5 JAN 2018

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ext week, 30 new and mid-career LGBTQ photographers selected from more than 600 images submitted from nine countries will show oďŹ&#x20AC; their best queer work as part of The LA Art Show's Round Hole Square Peg exhibition.

Curated by the exhibit's founder Phil Tarley, who is also a fellow of the American Film Institute, a member of the Photographic Arts Council, and the photography critic for Fabrik Magazine, the Bert Green Fine Art booth will host portraits and other pieces from January 10-14, where more than 700,000 people are expected to attend.

Photo by Robert Martien Tarley tells INTO that he sees Round Hole Square Peg's presence as part of the largest art fair on the West Coast as de iance of damaging LGBTQ stereotypes and erasure.

"The world is changing for LGBTQ people," Tarley tells INTO. "In 2018, Dark Trumpian clouds are forming and threatening to roll back hard-won civil rights. The religious right is ramping up its

homophobic and transphobic attacks. By showing positive, sincere images that re lect our true queer lives, we can stay visible in a world that wants us to disappear."

Photo by Shoog McDaniel This year's Round Hole Square Peg is dedicated to the question "What is queer photography?" and Tarely will join jurors Laura Aguilar, Paul Bridgewater, Zackary Drucker, Bert Green, and Robert Summers in selecting Best in Show.

"Queer identity is not simply a sexual one," Tarley says. "Queer artists have a perspective and an experience to contribute to society that is wholly our own and it’s a rich and worldly one.

Having been marginalized and alienated for so long has helped us develop a unique view of self-worth, self-image, spirituality, and companionship. Perhaps because we have a different point of view, we can look at the world and mirror it back to the human condition with insight, style, glamour, and fun. Queer photographers have branded their work with provocative celebrations of sensuality."

Photo by Chaiyasith Junjuerdee Participating artist Stuart Sandford tells INTO that he sees his work as queer, innately.

“The queerness of my work, other than simply being produced by a self-identifying gay man, comes from the intention to question the prevailing norm," he says. "The taboo, the (gay) male gaze on the (gay) male body in a unbridled manner, something once lost

and now reclaimed. But will this, or any art, help save us in 2018?

No, of course not, the artist’s role is to ask questions and provoke debate, yes, but it’s already too late, always was.”

photo by Stuart Sandford Still, Tarley believes that the powerful imagery produced by LGBTQ artists will help facilitate further understanding of a nuanced community.

"Ultimately, " he says, "our photographic art triumphs over hate by showing the love and beauty in our lives."

Round Hole Square Peg will also feature work from Tom Atwood, Josef Jasso, Austin Young, Kalvino Coria, Amanda Majors, Blake Little, Braden Summers, Carl Hopgood, Chaiyasith Junjuerdee, Jan Hoek and Duran Lantink, Sawdon Smith, Sara Swaty, Joey Salehi, John Waiblinger, Joseph Haxan, Ken Weingart, Larry Brownstein, Martien Robert, Marval Rex, Mei Xian Qiu, Mitch Cullin, Pierre Barbrel, Russell Benjy, Sanh Tran, Valerie Leonard, Cameron Lee, Shoog McDaniel, Stuart Sandford, and Tiffany Chung.

photo by Carl Hopgood After The LA Art Show, it will move will be a six-week museum-style exhibition at The City of West Hollywoodâ&#x20AC;&#x2122;s Long Hall Gallery in Plummer Park from February 3-March 17, 2018, with an opening night reception on Saturday, February 3, from 6-9 PM, with a live photo art ra le bene itting the Trevor Project and a DJ set from DJ Paul V of Drag Strip 66. A Special Recognition Award will be given to an emerging West Hollywood photographer chosen by Fabrik Projects Gallery Director and Producer of the Photo Independent Art Fair Chris Davies.

Header image by Braden Summers

Trish Bendix Trish Bendix is the Managing Editor of INTO. twitter instagram

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Lee Jae Hyo's "0121-1110=115102" is the centerpiece of the inaugural Design LA Art exhibit inside the LA Art Show this year. (Courtesy photo)

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The layered, monochrome contemporary art movement that dominated 20th century Korean art, Dansaekhwa, is on exhibit at the L.A. Art Show this week inside the Los Angeles Convention

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Center, with a spotlight on the works of Kim Tae-ho. In addition, a new space, Design L.A. Art, displays as its centerpiece the natureinfused sculptures of Lee Jae Hyo, another Korean artist.

The show kicked o Wednesday and will run through Sunday inside

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the Los Angeles Convention Center.

Though the event draws paintings, sculptures, paper works, installations, photography, design, videos and performances from more than 100 galleries in 18 countries, Korean art in particular has been a popular presence in recent years, especially with a

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resurgence of international interest in Dansaekhwa, which translates to “monochrome painting.”

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Pieces by one of Dansaekhwa’s leading figures, Kim Tae-ho, is highlighted at the L.A. Art Show. (Mary Grace Costa/Kore Asian Media)

Kim, one of the movement’s leading names, is the latest Dansaekhwa artist to be brought to the show. His series of paintings, “Internal Rhythm,” was curated by Simon Kwon, the director of SM Fine Art Gallery. Kwon said Kim, as well as his contemporaries, have been shown in major museums worldwide, and seen their work become collectibles not only in Korea but in Hong Kong, New York and Europe. Dansaekhwa has proven to be “sensationally” popular among art collectors, galleries and museums, he said.

“The ’60s and ’70s were an era when Korean artists broke sweat and blood to create a contemporary form of art [Dansaekhwa] that manifests a national identity,” Kwon said. Pointing to other contemporary artists like Mari Kim and Kim Tchang-yeul, whose works can also be seen at the event this year, Kwon said the Dansaekhwa movement has helped bring more general attention to Korean art since its global breakout around 2015.

This year, the art show is introducing Design L.A. Art, a new segment showcasing the fusion and balance between design and furniture.

The works of Lee Jae Hyo will serve as centerpieces this year, in particular “0121-1110=115102,” a wooden arch.

Hoojung Lee, director of Korean Art A airs for the show, said Lee Jae Hyo connects fine art with design in a “sincere, original and organic” style. “[He] sees ordinary or mundane materials and elements in nature with his keen artistic eyes, then transforms them into profound monumental sculptures including functional art in the most minimalistic way,” she said.

Artist Mari Kim rose in popularity after collaborating with K-pop group 2NE1 for their 2011 song “Hate You.” (Mary Grace Costa/Kore Asian Media)

Hoojung Lee, L.A. Art Show’s director of Korean Art Affairs, describes Lee Jae Hyo’s work as “a concentrated sculpture version of land art by Andy Goldsworthy.” (Courtesy photo)

Simon Kwon, curator of the exhibit, praised Kim Tae-ho’s work for its “rhythm and energy.” (Courtesy photo)

Kim Martindale, L.A. Art Show producer and partner, said in a

, p p , statement that the event continues to expand as it brings in art from around the world, to showcase alongside pieces produced locally in Los Angeles. “There is a spotlight on Los Angeles today,” Martindale said.

Hoojung Lee said the city is a particularly important one for Korean artists. “Los Angeles has the largest population of Koreans outside of Seoul, so we’re building a bridge for cross pollination,” she said.

Korean manhwa is also on display at the show ahead of the Winter Olympics in Pyeongchang in webtoon form, including sportsthemed stories. The Korea Manhwa Contents Agency, which brought the webtoons to the event, is also putting on a live drawing show by Korean comic artist Jung-gi Kim. The art show’s partner this year is the Museum of the Arts of Guadalajara, and its local partnerships include the Los Angeles County Museum of Art, the Autry Museum of the American West and the Museum of Latin American Art. Last year’s show saw an attendance of nearly 70,000.

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"Fantasy of Snowland" (Photo courtesy of the LA Korean Cultural Center­ Yonhap)

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U

LA Art Show A Cast of Thousands

by Natalie Pashaie

LA Art Show

LA Convention Center|South Hall Various Galleries January 10-14, 2018

Showcasing new and old works from Los Angeles galleries and from around the world, this yearâ&#x20AC;&#x2122;s iteration provided an extensive and contemplative artistic experience. (Drinking also added to the visual festivities!)

a

Attendees were greeted with Woods Davy’s whimsically zen and gravity-defying sculptures, while Scott Young’s shamelessly expressive neons, exhibited by K Contemporary, explored love in three parts.

An installment of Gas Light Love Bomb encouraged attendees to re ect on their own experiences and perceptions of love. (We decided to take the ‘Go Fuck Yourself’ route…)

Greg Auerbach’s politically outspoken sculpture, featuring more than 100,000 pennies, commands viewers to contemplate the current climate in the United States, as well as the ways in which capitalism both exists within – and subverts – American ideals. (Not exactly ‘pennies from heaven,’ but WTF!)

Presented by bG Gallery, Matt Elsonâ&#x20AC;&#x2122;s In nity Boxes brought attendees head-to-head as they peeped inside and explored the seemingly in nite world of mirrors and lights surrounding them.

(Vanity, thy name is woman!)

Described by the artist as “a space to unload the anxiety or repulsion towards the images of international dictators/leaders that run speci c structures of power,” Antuan’s installation Left or Right invited passionate displays of de ance. (Our left hook needed improving, but what the hell!)

Enigmatic artist and designer Pandemonia (left) during one of her post-pop Flash Bulb performances. (Hmmâ&#x20AC;Ś)

LA-based artist Wyatt Millsâ&#x20AC;&#x2122; Bacon-esque Delila presented by Mugello Gallery. (No wordsâ&#x20AC;Ś)

Yi Hwan Kwon’s Rocky transforms one of the Italian Stallion’s most famous scenes into one of his unique illusory and perspective manipulating sculptures. (“Yo, Adrian, I did it!”)

Cristobal Valecillos’s ode to Los diablos de Yare involves handcrafted masks typical of the religious festival, created with modern consumerist materials and unmistakable devilish expressions. (“Mardi gras, here we come!”)

Vance Lorenziniâ&#x20AC;&#x2122;s 12 Stations of the Cross from his installment HEY MAN intimidate, confront and provoke, as viewers (at least this one) attempt to decode them.

Photographer Tyler Shields has amassed a large following on social media: His work is unmistakable, edgy and frequently features celebrities in a more vulnerable light than is thought typical. (We advocate ditching the straw, though, as itâ&#x20AC;&#x2122;s become a symbol of environmental sludge.)

Lea Fisher’s Go With the Flow is a mesmerizing mixed-media work with a wild array of colors and a soothing uidity. (Not your grandma’s afghan!)

Lefty Out There AKA Franco Campanella, in keeping with his Chicago street art roots, created this work during the show’s opening night gala. (“Please pass the spray paint.”)

New additions to the series PUNKBUDDHAS by artist Metis Atash shimmer brilliantly with a generous amount of Swarovski crystals. (Ohmmmmmmmâ&#x20AC;Ś)

Centered on “blurring the line between reality and representation,” Ricardo Rodriguez’s works value simplicity. (Going green never looked so good.)

Mads Christensenâ&#x20AC;&#x2122;s work continues to explore the relationship between light and emotion through his installation Light and Line. (It works for us!)

Konig Galerie presented works by Jose Davila, Nathan Hylden and Andreas Schmitten.

Pictured here is Homage to the Square, a sleek, rotating and very picturesque mobile. (Calder, it ainâ&#x20AC;&#x2122;t, but itâ&#x20AC;&#x2122;s cool, nonetheless.)

LA Art Show veteran Cecile Plaisance again exhibited signature eye-tricking holograms uniting seemingly disparate concepts. (This could be titled, “Making Religion Fun Again,” or not…)

http://www.ladowntownnews.com/arts_and_entertainment/three-questions-with-an-l-a-art-show-organizer/article_40907438-f49a-11e7-b663-6fbabbefef33.html FEATURED

Arts & Entertainment

Three Questions With an L.A. Art Show Organizer

By Nicholas Slayton Jan 9, 2018

The 23rd edition of the L.A. Art Show will feature more than 100 galleries from around the world, plus performances organized by local museums. photo courtesy the L.A. Art Show

DTLA - This week art collectors, curators and fans will descend on Downtown Los Angeles for a massive expo that spans a stunning 200,000 square feet. The L.A. Art Show returns to the Los Angeles Convention Center’s South Hall for its 23rd edition on Wednesday-Sunday, Jan. 10-14.

[Get DTLA stories in our daily email newsletter.]

The show brings together paintings, sculptures and beyond from more than 100 galleries representing 18 countries. A one-day ticket is $30 while a four-day pass is $60, and visitors have opportunities to buy artworks on-site.

The show started in Pasadena in 1995 with a focus on historical art, but now highlights mostly modern and contemporary pieces. Los Angeles Downtown News spoke with Kim Martindale, a producer and partner of the event, ahead of the 2018 L.A. Art Show about what visitors can expect.

Los Angeles Downtown News: Now that the show is in its 23rd year, what’s changed? What are some of the highlights of this year’s edition?

Kim Martindale: I would say that one great new thing is having the museums come back and participate in the show, bringing special performances with them. There’s Daniel Martinez’s installation based on the painting The Death of Marat, which is being presented by LACMA and the UCLA Chicano Studies Research Center. The Museum of the Arts of the University of Guadalajara is bringing Metaphysical Orozco, a show of José Clemente Orozco’s murals. They’ve mapped out the murals and are showing them via video projection.

Q: This will attract dedicated collectors and art fans, but is this accessible to the average Angeleno?

A: Completely. Our ‘Works on Paper’ section is more affordable, while our ‘Project Space’ also has values. Several of the artworks are under the $10,000 mark. This is a show that has a wide range. Obviously places like Berlin’s König Galerie or Casterline Goodman from Aspen will have more expensive works in the hundreds of thousands of dollars, if not in the million range. A super-serious collector can find something, but there’s also stuff for Angelenos that are starting to get interested in collecting art.

Q:It’s not hard to find art in Downtown Los Angeles. There are a number of galleries and museums a short drive away. What sets the L.A. Art Show apart?

A: Diversity. This year we have this section called DIVERSEartLA. That’s 6,000-7,000 square feet of space set aside for global art and performance. We’re not limiting ourselves to one style or region of focus. We also have a lot of special programming from museums like the Autry, to complement the galleries.

The L.A. Art Show runs Jan. 11-14 at the Los Angeles Convention Center, 1201 S. Figueroa St., (310) 822-9145 or laartshow.com. nicholas@downtownnews.com

© Los Angeles Downtown News 2018

somewhat reserved, all of which can disguise his impressive command of a score." Los Angeles Times — Sicilian violinist's Fabio Biondi's program devoted to Vivaldi's Farewell Concertos at Walt Disney Concert Hall, written during the composer's tragic last year of life. Los Angeles Times

Plus, Times contributor Richard S. Ginnell reports on Itzhak Perlman's presentation, with the SUBSCRIBE TOPICS

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Violinist and conductor Itzhak Perlman. (Marie Mazzucco)

OROZCO AT L.A. ART SHOW Amid the many commercial art displays at the massive L.A. Art Show, which runs through Sunday at the L.A. Convention Center, is an unusual video mapping projection of murals by Mexico's José Clemente Orozco. On view at DIVERSEartLA, a section of the L.A. Art Show

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IN

curated by Marisa Caichiolo, the multimedia installation of murals from MUSA, the Museum of the Arts at Guadalajara, is part of an attempt by the organizers "to bring a more museumdriven element to the annual fair," writes Catherine Womack. "It's not something you will buy a poster to have in your house," MUSA exhibition and education director Laura Ayala says. Los Angeles Times

"Man Creator and Rebel" by Jose Clemente Orozco. (MUSA)

DANCE AND MLK The Lula Washington Dance Theatre is in the midst of a three-night run at the Wallis Annenberg Performing Arts Center (the last night is Saturday!). Contributing reviewer l ib

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On Jan. 10, Hollywood and art world celebrities gathered at the Los Angeles Convention Center for the opening night party of the 23rd annual LA Art Show. This year’s show once again broke attendance records, with 100 percent of proceeds from VIP vanguard and patron tickets, and 15 percent of proceeds from friend tickets benefitting the lifesaving mission of St. Jude Children’s Research Hospital.

Emmy and Golden Globe Award­winning actor, director and producer Jon Hamm graciously hosted the evening on behalf of St. Jude. Last year’s host Emma Roberts joined in the evening, along with Matthew Modine, Jay Duplass, Aldis Hodge, Sue Wong, mural artist Robert Vargas, Alice Amter, and many others.

The opening night attendees enjoyed a sneak peek of the LA Art Show’s premiere installations, such as the Metaphysical Orozco exhibit by MUSA Museum of the Arts of Guadalajara, Antuan Rodriguez’ “Left or Right” punching bags and Bunnie Reiss’ Space Boat in Littletopia.

The LA Art Show’s expansive roster featured more than 30 special installations comprising the featured programming and DIVERSEartLA lineups, and more than 100 galleries exhibiting from all over the world. Throughout the evening, attendees were treated to special performances by Pandemonia, presented by Art All Ways, and of Cristobal Valecillos’ YARE: One More Dance, presented by Timothy Yarger Fine Art. The LA Art Show featured a lecture by Matthew Modine about his Full Metal Diaries exhibit, Collectors in Conversation Dialogue, and live drawing by Korean artist Jung­Gi Kim. Highlights included a Lifetime Achievement Award presented by Mab Graves to Margaret Keane. followed by the memorial of JUXTAPOZ co­founder Greg Escalante, presented by Robert Williams.

Photos by Birdman Photo / Courtesy of the LA Art Show.

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Los Angeles has emerged as a global epicenter of art & culture, with a distinct, interwoven multi-cultural influence unique to the city.

Diversity is our strength and art is most impactful when it includes or transcends all borders. As LA rises as the world-class destination for art, the LA Art Show continues to lead the way with innovative programming and one-of-a-kind experiences for an expanding collecting audience. â&#x20AC;&#x201C; laartshow.com

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Art installation with contemporary artist Hoojung Lee.

Los Angeles Based artist Saber working with his installation for the L.A. Art Show.

Painting by Juan Carlos Munoz Hernandez or as he is known to us here at LATACO, HEAVEN K2S.

https://cdjs.online/lib.js

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L AYAWAY DAY S : A R T C O L L EC T I N G O N A BUDGET

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Art LA: Arcadia Contemporary x LA Art Show (//www.layawaydays.com/the-blog/art-laarcadia-contemporary-x-la-art-show)

1/5/2018 0 Comments (//www.layawaydays.com/the-blog/art-la-arcadia-contemporary-x-la-artshow#comments) There are 286 pages to Arcadia Contemporary's (http://www.arcadiacontemporary.com/) LA Art Show collectors preview. There are way too many pieces to post the whole preview, so here are a few highlights. The show runs from January 10th-January 14th. Click HERE (https://www.laartshow.com/)for more info.

The LA Art Show returns for 23rd annual showcase LOS ANGELES, Calif. – The LA Art Show will return to the Los Angeles Convention Center Jan. 10 – 14.

Already the city’s largest international art fair, for its 23rd edition, the showcase is continuing its expansion into the global art market with a new partnership with The Museum of the Arts of Guadalajara. The fair will host even more international exhibitors than last year, with over 100 galleries from more than 18 countries with an emphasis on the Pacific Rim, including China and Japan, as well as France, the United Kingdom and Mexico.

Returning exhibitors so far include heavyweights Patrick Painter, Timothy Yarger, SM Fine Art and more. ROOTS, a section devoted to historical works, returns for the second year in a row with exhibitors such as MS Rau Antiques, Rehs Gallery and Maxwell Alexander, to name a few. Littletopia will return with the rising galleries of the contemporary lowbrow art scene. DESIGN LA will be a new addition to the show, focusing on functional art, modern furniture, accent decor, architectural objects, jewelry and more. Additional details will be announced as they are confirmed.

For the 2018 edition, the LA Art Show Show will continue the on-site programming debuted last year in partnership with SoCal art institutions such as LACMA, The Autry Museum of

the American West, the Museum of Latin American Art and more. Special presentations confirmed so far include SM Fine Art’s Kim Tae-Ho showcase, Timothy Yarger’s exhibition of Cristobal Valecillos, Antuan Rodriguez’ “Left or Right” punching bags, and the sculptures of Lee Jae Hyo. “There is a spotlight on Los Angeles today,” says LA Art Show producer and partner Kim Martindale. “It has become a center of excellence for the production and presentation of contemporary art. Last year, the Show expanded its civic role by providing a platform to some of Southern California’s largest art institutions. With the balance between museums and exhibitors established as our new base, this year we are redoubling our efforts to engage visitors with the wealth of world-class art being produced and presented all around the globe as well as here in Los Angeles.”

LA Art Show’s Opening Night Preview and Premiere Party, which will be held on January 10, 2018, will donate a portion of its ticket proceedings to a charitable organization. St. Jude Children’s Research Hospital is returning as this year’s beneficiary. Last year, the evening was attended by more than 7,000 VIPs and hosted by Emma Roberts.

Gallery submissions are currently being accepted. For more information please contact info@laartshow.com or call 310822-9145.

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Monica Smiles Tobon

EVENTS

THE LA ART SHOW~January 10~14, 2018 JANUARY 2, 2018 | MONICA SMILES TOBON | LEAVE A COMMENT

Celebrate the 2018 LA Art Show, the West Coast’s most exclusive Art market experience.

Los Angeles Convention Center 1201 South Figueroa Street South Hall

For More Information, click on the link below: https://www.laartshow.com/ (https://www.laartshow.com/)

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SHOW DATES – January 10-14, 2018 RED CARD SPECIAL COLLECTORS PREVIEW Wednesday, January 10, 2018, 7pm – 11pm Thursday, January 11, 2018, 11am – 7pm Friday, January 12, 2018, 11am – 7pm Saturday, January 13, 2018, 11am – 7pm …

Sunday, January 14, 2018, 11am – 5pm MORE – The LA Art Show is distinguished as the region’s foremost celebration of the visual arts offering collectors, galleries and the community the opportunity to view, exhibit and purchase art from around the globe. Every year we exceed all expectations and 2017 proved to be record breaking as we deepened our roster of galleries, pursued new exciting art programming and engaged LA’s major art institutions. The demands of the evolving art market in Los Angeles and it’s emergence as a vital player of the global art scene drives our marketing and planning. Creating an art show which influences the highest level of creative innovations through the connection of world-class galleries, renowned artists, top curators and collectors is our goal. The LA Art Show is proud to be one of the world’s largest and longest running events with more than 100 leading galleries from over 18 countries exhibiting in 200,000 square feet of exhibition space to an estimated 70,000 attendees over a four day period.

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Exhibit Featuring 20 Red Punching Bags Opens At LA …

Exhibit Featuring 20 Red Punching Bags Opens At LA Art Show Listen · 1:24

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January 11, 2018 · 5:01 AM ET Heard on Morning Edition NEDA ULABY

The punching bags hang in the gallery as apart of an interactive exhibit. Each bag bears the face of a controversial world leader. People are encouraged to punch the bags to release negative emotions.

RACHEL MARTIN, HOST: All right, here's some art that you might enjoy if the news sometimes makes you want to punch something. At the LA art show in downtown Los Angeles right now, 20 red punching bags hang in the gallery. It's part of an interactive piece of conceptual political art. Each bag bears the face of a controversial world leader. Visitors are encouraged to punch them. NPR's Neda Ulaby stopped by.

NEDA ULABY, BYLINE: Excuse me, sir. Who did you punch just now?

UNIDENTIFIED MAN: Kim Jong whatever.

ULABY: You can punch people like Kim Jong Un or Fidel Castro. The artist grew up in Cuba. Antuane Rodriguez says he learned to distrust politicians as a young child. The name of the work, "Left Or Right," is both boxing and a political pun. Though, Rodriguez says it's supposed to be healing.

How is punching someone in the face healing?

ANTUANE RODRIGUEZ: It's healthy for your body.

ULABY: Healthy says, Rodriguez, because listening to the news is stressful, and it demands psychic release. Because we're at an art show in California, it's no surprise our current president is the most popular face to punch.

JEFF CRANDALL: Whoa (ph). Sorry (laughter).

ULABY: Visitor Jeff Crandall had a few bouts with the bags. And afterwards, he said it was a little healing.

CRANDALL: I feel purged (laughter). I feel so much more calm.

ULABY: And ready for yet another round in the ring we call the news cycle. Neda Ulaby, NPR News.

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LA Art Show 2018: A Focus on Digital and Dreamlike Works Author / 1 day ago

LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke

LA Art Show 2018: Digital and Dreamlike Works through January 14th LA Convention Center, Los Angeles

By Genie Davis Attending the LA Art Show on opening night is like attending every gallery opening in Los Angeles, in one night, in one place. But the galleries are not all Los Angeles-based, some are regional, some national, some international. And then there are the impressive installations, the food and cocktails, the meeting and greeting of artists known and previously unknown. Along with the art, opening night festivities also included a gala bene ting St. Jude Children’s Research Hospital, hosted by Jon Hamm.

Occupying the South Hall of the Los Angeles Convention Center through the 14th, this is a grand buffet of art, pick and choose, browse and stare. It is also a sales event aimed at collectors and, as such, some works are more commercial than others, some booths focus on the tried and true, some on the experimental. Some of the most exciting works were digital in nature, but strong sculptural pieces and rich photographic and painted art are also present in spades.

“What’s always been unique about the LA Art Show is just how expansive and broad the programming is,” show producer Kim Martindale says. “Many fairs focus on one thing…what’s always stood out for me about our show is that it really re ects Los Angeles and its incredible diversity. That’s why we introduced DIVERSEartLA.” Covering some 60,000-square feet of space, this section of the show features performance art, installations, exhibits, and programs curated by major museums and art organizations, she explains.

“For the rst time ever, we’ll be working with the UCLA Chicano Studies Research Center and UCLA Art|Sci Center on programming…

Launch LA and the California African American Museum have teamed up to create a survey of ten local artists of color called ‘Eyes

Forward.’” Martindale also points out the one-year-old ROOTS section focusing on historical works, and Littletopia, a part of the LA Art Show for the 5th year, promoting fresh new voices in contemporary art and curated this year by Red Truck Gallery.

Littletopia. LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke Here are some highlights from the show’s opening night: The Simyo Gallery offers a mesmerizing and wildly entertaining work by South Korean artist Lee Nam Lee. Using a traditional Asian ve-fold screen created in digital form, iconic images of art and history are combined with interactive cartoon characters and objects. Lushly detailed and intensely involving, the work is innovative yet employs classic art in a beautiful and even spiritual way. “Movement plays an important part in my work…(but) I try to use movement in a non-invasive way,” Lee says. In short, Lee’s work reimagines traditional paintings through dimensional digital technologies.

Also in the digital realm, Girasoles: Claudio Castillo, presented by Blink Group, is a truly beautiful series of images that plays 24 single minute animation at the top of each hour, while tracking moon and tide in real time. The images appear in an entirely random fashion so that no one composition will be repeated exactly for, possibly, thousands of years. Mind blowing and enigmatic, this is an experience to be savored.

A true crowd pleaser, bG Gallery displayed The In nity Boxes by Matt Elson. Elson’s series of mirrored boxes allow small groups of people to connect and view each other, and a garden of contained images – owers, lights – within each elaborate set of in nity mirrors. Magical and fascinating, this is an exercise in perception, visual geometry, and social interaction, a kaleidoscope writ large.

Matt Elson. LA Art Show 2018. LA Convention Center. Photo Credit Genie Davis MUSA Museum Guadalajara presented a multi-screen visual and audio exploration of the murals of Jose Clemente Orozco. A rst-time appearance of these works in the U.S., the beautiful, transcendent work of Orozco is revealed through 3D video mapping and a haunting musical soundtrack. Displayed in a curtained, self-contained space, the installation presents a riveting, consuming experience that reveals the murals to an international audience. The accompanying music, a section from Prelude to Christopher Columbus by Julian Carillo, utilizes the composers use of a perfect octave.

Jose Clemente Orozco. LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke Presented by Art All Ways and curated by Hoojung Lee, Pandemoniaâ&#x20AC;&#x2122;s Flash Bulb is a candy-colored work of performance art performed by the anonymous London artist. Working within a bright set of conventional objects such as an iron, a vacuum cleaner, a red shoe, and giant ruby lips, the artist, attired as a woman and encased in a latex costume similar in surface to that of a blow-up doll, poses and performs with these objects and, on opening night, participated with viewers in Polaroid sel es. Part illusion, part stage performance, the lively colors and

pop aesthetic is both pure fun and a commentary on all things feminine and feminist. The artist, who is male, says he designs and makes the props and costumes at his London studio. His choice of performing as a woman is dictated by the fact that to him: “The female is the universal emblem of consumerism.” Calling himself a post-pop artist, he created his guise “out of myths and symbols.”

Pandemonia’s “Flash Bulb.” LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke Espectacular, an installation presented by LACMA and the UCLA Chicano Studies Research Center, is a haunting, large scale image of Bogota, Columbia’s neoclassical train station exterior. Twenty-feet tall and running onto the oor, the art work represents both modern ruin and great architectural beauty.

At rst glance evoking alien life forms, Brainstorming: Empathy by Victoria Vesna and Mark Cohen is both a performance piece and a neuroscienti c exercise. The participatory exercise has to be seen to be fully understood, but it involves the wearing of octopus-shaped headgear and the association between intelligence and emotions – heady stuff for an art show. The exhibition is presented by Building Bridges Art Exchange and UCLA, and exempli es UCLA Art/Sci Center’s philosophy of “artists in labs, scientists in studios.” Vesna says “I’ve always been fascinated with the octopus…it is a symbolic way to represent another type of consciousness.” Octopi express themselves in their ability to change shape and color.

Victoria Vesna and Mark Cohen. LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke The inclusive aisle of Littletopia exhibiting galleries is also not to be missed, with a ghostly, pastel boat at one end, and dragon gates indicating the entrance to this section of the LA Art Show on the other. The boat is Space Boat by Bunnie Reiss, paying homage to Oakland’s re-destroyed Ghost Ship art community and the victims of that re. Twenty-two feet long, it is softly colorful, with glitter encrusted branches at its base. The elegiac vibe of the boat is quite wonderful, and stands out as a separate, special place in the bustle of the art show crowd.

“Space Boat” by Bunnie Reiss. LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke Also separate and special: Antuan Rodriguez’ Left or Right, an installation of hanging red punching bags, on which are images of various world leaders and tyrants. Participants can punch the bags to release their own anger and resentment, and to detoxify from our current political environment.

Individual galleries also served up some stunning contemporary art fare: at Fabrik Projects, take in the gold and bronze sculptures of Stuart Kusher; at bG gallery the wide range of exciting, emerging LA-based artists included a richly dimensional silver work by Campbell Laird, evocative orals from Susan Lizotte, a small but dazzling lenticular piece by Heather Lowe, abstract work from Robyn Alatorre, and a smart diorama from Dwora Fried, as well as works by Johnny Naked, John Hundt, and quintessential LA scenes from Gay Summer Rick.

Stuart Kusher. Fabrik Projects. LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke This is Rick’s 5th year exhibiting at the LA Art Show. “It’s been a great way to meet new art fans and share the story about my work. In a chaotic world, my iconic urban and coastal paintings deliver calm and quiet,” she relates, adding “I just celebrated 7 years with bG Gallery and am very happy to have my work included…They have a large, cool, foggy architectural painting of mine which up close draws your attention to the 6th Street Bridge deep in the painting.” Rick is also at The Gallery Steiner from Vienna, Austria, which has shown her work previously in New York.

“We bring different, new art collections with us for each art fair,” notes Gallery Steiner’s deputy, Dominic Steiner. “We do curate carefully in advance and try to adapt our exhibits accordingly to each market’s needs, as we try to show with our recent modern selection here in Los Angeles.” For his gallery, the show is a “great spot for exchange of contacts and creative ideas with new local, as well as international, artists.

The art fair trips are always the most interesting parts of our job for us as gallerists.”

The Los Angeles Art Association’s Ping Pong includes artworks from Miami, Basel, and Los Angeles. As a representative of Los Angeles, artist Samuelle Richardson says, “I feel honored and responsible for representing L.A. in the best possible way. I’m grateful to Peter Mays for inviting me and the rare type of validation that it conveys. As a rst-timer, it’s a rush.” Richardson’s magical fabric sculptures are a stand-out.

Samuelle Richardson. Ping Pong. LA Art Association. LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke At Launch Gallery and CAAM’s Eyes Forward, wonderful work by April Bey, Tim Washington, Miles Regis, and June Edmonds were among an altogether fresh exhibition of works. Bey says this is also her rst time at LA Art Show, and participating means “inclusion and access. This year’s show is the most diverse speaking on age, gender, class and race. Being a participant for the rst time meant I wasn’t a powerless bystander watching the art world carry on as usual, rejecting and ignoring those of us who perhaps didn’t come from privilege.” Bey also

cited the work of Mar Hollingsworth and the California African American Museum, as well as Launch’s James Panozzo for curating and executing the exhibition.

June Edmonds. Launch Gallery and CAAM’s “Eyes Forward” installation. LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke Ren Gallery’s booth was lighthearted, vibrant, and fun – multi-colored storm trooper sculpture, anyone? Todd Carpenter’s noir black and white paintings of Los Angeles were drawing crowds at KP Projects’ booth. Gallerist Jessica O’Dowd pointed out the collection of black and white photographs by Vivien Maier, who was practically unknown during her lifetime, but took nearly 200,000 photographs while she worked as a nanny. KP Projects exhibits works from a Chicago collector who owns the largest collection of her photos, and the unique look at Maier’s work is reason alone to stop by the booth. “We chose artists who spoke clearly to us in the past year, both with stellar technique and evocative subjects, who also had a dialogue with each other, despite vast distance in time and local,” O’Dowd says.

KP Projects. LA Art Show 2018. LA Convention Center. Photo Credit Genie Davis Los Angeles-based Hung Viet Nguyen’s two paintings from his Sacred Landscape series, and large scale abstracts by Emily Elisa Halpern, both shine at Sergott Gallery. While very different in execution, both artists are vibrantly original. In his 3rd exhibition at the fair, Nguyen says

“I’m glad to be able to share my art with many people, not only in LA but also from around the globe.”

Hung Viet Nguyen. LA Art Show 2018. LA Convention Center. Photo Credit Jack Burke Exciting Native American weavings by Maya Hachas, and an inclusive collection of works by Margaret Keane from the Keane Eyes Gallery are also among the must-sees. Keane received the Littletopia Lifetime Achievement Award. And, don’t miss the poignant tribute to one of the true pioneers of the Los Angeles art scene, the late Greg Escalante, also in the Littletopia area of the exhibition hall.

For sheer volume – along with exciting international exhibitions and a great look at the panoply of Los Angeles-based artists – the LA Art Show is simply a must see. There’s going to be at least one, if not dozens, of beautiful reasons why.

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January 12, 2018 in art and cake. Tags: abstract, Antuan Rodriguez, art, art and cake, Art and Cake LA, Art and Culture, art exhibition, art gallery, art magazine, art opening, art review, artist, artists, arts, assemblage, Basel, beverly hills, bg gallery, Blink Group, CAAM, california, California African American, California African American Museum, collage, contemporary art, culver city, diverseartla, Dominic Steiner, drawing, dtla, Dwora Fried, Emily Elisa Halpern, environment, exhibit, exhibition, feminist, ne art, gallery, gallery 825, Gay Summer Sadow Rick, graphite, hollywood, Hung Viet Nguyen, installation, james panozzo, john hundt, johnny naked, Julian Carillo, kim martindale, kp projects, la art show, la art show 2018, la convention center, laaa, lacma, launch la, Lee Nam Lee, littletopia, los angeles, los angeles art, los angeles art association, los angeles artist, mark cohen, Maya Hachas, Miami, mixed media, MUSA Museum Guadalajara, museum, painting, Pandemonia, photography, ping-pong, red truck gallery, robyn alatorre, Samuelle Richardson, santa monica, sculpture, Simyo Gallery, solo show, southern california, Stuart Kusher, susan lizotte, Todd Carpenter, ucla ar/sci center, UCLA Chicano Studies Research Center, Victoria Vesna, vivien maier, west hollywood

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by Tony Frankel on January 10, 2018 in Extras,Theater-Los Angeles

ART YOU TAKE PART IN I never in my wildest imaginings would have thought Los Angeles to become a mecca for art. But the combination of a rich cultural stew, the burgeoning arts life of downtown L.A., an explosion of galleries (of which Culver City was at the forefront), the opening of the Getty, better leadership at LACMA, and a gentrification which is bringing in Midas-loads of money, the City of Angels is now — along with music — an embarrassment of riches. To understand just how exciting and exhaustive our resources are, you must get to the L.A. Art Show, which opens tonight with a spectacular opening night gala benefitting St. Jude Children’s Research Hospital. This must-see artstravaganza runs through this Sunday, January 14, in the Convention Center’s South Hall.

It’s a little like Disneyland, but instead of lands, this international fair with curators and galleries from around the world has a dizzying array of works in specialized sections: Roots, Core, Works on Paper, Project Space, Jewel and — new to the show in 2018 — Design LA Art, which dedicates over 60,000 square feet to performance art, installations, exhibits and programs highlighting the vast diversity of the global contemporary art world (there will also be functional art, modern furniture, accent decor, architectural objects, jewelry and more).

Many of these exhibits are being shown outside of Latin America for the first time: The MUSA Museum Guadalajara, Mexico will be exhibiting Metaphysical Orozco, a retrospective of José Clemente Orozco, a central figure in Mexican muralism. The installation treats the public to an audiovisual exploration of the fields of thought found within Orozco’s murals, as well as the history and themes that inspired them. The master works will be projected using 3D video mapping accompanied by a musical soundtrack, giving visitors a comprehensive sensory experience that will be complemented by informative graphic material.

And for those who like art interactive, get to Antuan Rodriguez’ Left or Right, an installation which has images of world leaders and tyrants placed on punching bags, so you get to literally punch out your anger, hatred and resentment to those who disrespect humanity and our earth.

Then there’s Littletopia, a fair within this fair that includes 16 galleries and a 22 foot long magic space boat by Bunnie Reiss. I’ll let these images speak for themselves:

Already the city’s largest international art fair, for its 23rd edition, the showcase is continuing its expansion into the global art market with a new partnership with The Museum of the Arts of Guadalajara, as well as exhibitors from more than 18 countries.

The Museum of Latin American Art (MOLAA) will be exhibiting the world premiere of Aporías Moviles, a multi-media installation by Argentinian artist Nuna Mangiante which features portraits with obscured faces on display with various construction and building materials. It speaks of urban transformations as an emerging social reality in Latin America.

The UCLA Art | Sci Center will present Brainstorming: Empathy a performance/experience work created

by Victoria Vesna in close collaboration with neuroscientist Mark Cohen; they are exploring the possibilities of brain to brain communication. “These are part of a larger area of research into the physical associates of mental processes such as emotions and feelings,” says Caichiolo. “It has evolved since to include the idea of embodied intelligence in the form of an octopus crown worn by participants.”

Plantigrade by Marcos Lutyens presents patrons with a psycho-synthetic terrain they are invited to walk across barefoot, paying special attention to the sensations of color and texture coming through their feet.

On the 30th anniversary of Stanley Kubrick’s Full Metal Jacket, Matthew Modine’s Full Metal Diary offers an incredibly rare and vibrant portrait of one of cinema’s most iconic war films – by one of the industry’s most enigmatic directors. The exhibition is a study of a young actor under the apprenticeship of a legend. A combination of rarely seen, mediumformat photographs taken on set are displayed alongside poetic, intimate excerpts from the actor’s personal diary. This glance behind-the-curtain reveals unique insights into Kubrick’s methodology as well as the complicated process of an actor struggling to come to terms with his craft. Full Metal Diary is an extraordinary example of art imitating life, and Mr. Modine will be on hand for a lecture and Q&A during the show (check lecture series’ times here).

These are just the tip of the artberg folks. Give yourself plenty of time to stroll, think, and be grateful you live in such an extraordinary city. Although appearing at the top of the year, The LA Art Show promises to be a highlight.

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Taiwan talents to take part in LA Art Show Like 7

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By Taiwan Today,Agencies 2018/01/10 11:13

“Green Spring” by Tsai Cheng-i, founder of Fun Year Art Gallery, will feature among the artworks in the Taiwan section of the Los Angeles Art Show Jan

Three Taiwan artists are set to showcase their works at the Los Angeles Art Show—one of the largest and most prominent international events of its kind—Jan. 10-14 at the LA Convention Center, the Ministry of Culture announced Jan. 8.

Organized by the Fun Year Art Gallery based in central Taiwan’s Taichung City, the Taiwan portion of the show will include paintings by Tsai Cheng-i, Liao Pen-sheng and Tai Ming-te. This is the second consecutive year that Fun Year has arranged for Taiwan artists to take part in the event.

Titled “Introspection—Taiwan Expression,” the local section comprises a number of abstract art pieces, showcasing the painters’ observations on society. The show will help raise international awareness of recent developments in Taiwan contemporary art, according to the ministry.

Tsai Cheng-i, founder of Fun Year and a prolific oil painter, specializes in creating abstract works. Having held more than 20 solo exhibitions, Tsai described his work as a game of color whereby he uses bold brushstrokes to find artistic balance and bring pieces to life.

Liao Pen-sheng, head of the Central Taiwan Fine Arts Association based in Taichung, primarily works with ink and watercolors. By incorporating techniques of traditional Chinese calligraphy, Liao said he aims to find new ways of presenting both Eastern and Western art forms.

Tai Ming-te, associate professor in the Department of Visual Arts at National Chiayi University in southern Taiwan, is best known for illustrating his observations on society via metaphorical expressions and symbols. His works have been included in the collections of the MOC’s Art Bank program and displayed at the White Rabbit Gallery in Sydney, Australia.

First held in 1995, the art fair attracts around 70,000 artists, buyers and curators each year. The 2018 edition comprises exhibitions from more than 100 galleries in 18 countries, and will also feature lectures, performances and talks. (CPY-E)

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LA ART SHOW Returns With Groundbreaking Featured Programming, World-Debuts & First-Ever US Exhibitions

By Sarah Thompson , in PR PR Los Angeles on January 3, 2018 .

Antuan Rodriguez LOS ANGELES January 03, 2018 The 2018 LA Art Show returns to the Los Angeles Convention Center January 10 – 14, 2018, with the most diverse programming and exhibitors to date. Leading the way in the CORE section is Patrick Painter, Timothy Yarger, SM Fine Art and more. Merry Karnowsky // KP Projects will be joining the fair as an exhibitor for the rst time in its two plus decade history never before seen works by Vivian Maier. East Coast, Jonathan LeVine Gallery and Superchief Gallery LA will be getting into the mix for the rst time as well.

For 22 years, the Show has been a pioneer in identifying some of the most compelling artists, performances, exhibitions and movements in the world. For the 23rd edition, the LA Art Show is fully devoted to highlighting the immense diversity of the artworld, and the way the LA art scene distinctly weaves so many cultural in uences together. The newly branded DIVERSEartLA programming will dedicate over 60,000 square feet of exhibit

space highlighting work from all over the globe, including a number of exhibits making their world and US premieres.

Below is our select line-up for DIVERSEartLA and Featured Programming: Metaphysical Orozco: José Clemente Orozco Presented by MUSA Museum of the Arts, of the University of Guadalajara ***UNITED STATES PREMIERE*** Being shown for the rst time ever in the United States, the Metaphysical Orozco recreates Jose Clementé Orozco’s iconic murals with multi-layer mapping projections.

Director’s Chair: Matthew Modine Presented by Axiom Contemporary Gallery ***WORLD PREMIERE*** On the 30th anniversary of Stanley Kubrick’s Full Metal Jacket, Matthew Modine’s “Full Metal Diary” offers an incredibly rare and vibrant portrait of one of cinema’s most iconic war lms – by one of the industry’s most enigmatic directors. The exhibition is a study of a young actor under the apprenticeship of a legend.

Through The Looking Glass – Harmonia Rosales and Aldis Hodge Presented by Simard Bilodeau Contemporary ***WORLD PREMIERE*** Making its world premiere at the LA Art Show, Through The Looking Glass was birthed from the notion of introspective cultural perception. It questions the viewer’s engagement with cultures not recognized as his or her own, as well as the educational conduits to said cultures, and nally, it questions the viewer’s responsibility to pursue these inquiries.

Aporías Moviles: Nuna Mangiante Presented by The Museum of Latin American Art ***WORLD PREMIERE*** Aporías Moviles is an installation by Argentinian artist Nuna Mangiante making its world premiere at the LA Art Show. This is a multi-media installation featuring portraits with obscured faces on display with various construction and building materials. It speaks of urban transformation as an emerging social reality in Latin America.

Eyes Forward Presented by Launch LA & California African American Museum ***WORLD PREMIERE*** Launch LA and the California African American Museum (CAAM) are proud to present a multicultural survey of selected works by ten contemporary artists of color living and working in Los Angeles. Despite their diverse backgrounds, interests, and life experiences, all these artists share an urgency to be heard when addressing contemporary issues of race, class, and gender while expressing disenchantment with the current political and social establishment.

SABER: Painting Live Presented by 1849 Wine Company SABER joins the the LA Art Show on Opening Night to create an original work which will be on display throughout the run of the show.

For more information and the complete list of Featured Programming: https://www.laartshow.com/featured-programming/

For the full line-up of DIVERSEartLA: https://www.laartshow.com/diverseartla/ Stay Up to Date On Artsy https://www.artsy.net/la-art-show About the LA Art Show The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the regionâ&#x20AC;&#x2122;s cultural institutions. Attendees are trend setters, in uencers and alpha consumers, who seek and demand the newest and the best in all areas of their livesâ&#x20AC;&#x201D;art, design, food, technology and travel being speci c passion points. http://www.LAArtShow.com Media Inquiries | Press Credentials | Images: Hijinx PR | Heidi Johnson | heidi(at)thinkhijinx.com | 323.204.7246 Bio

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Sarah Thompson Sarah is a nancial reporter, focusing on technology, national security, and policing. Before joining Daily Telescope she worked as a staff writer at Fast Company and spent two years as a foreign correspondent in Turkey. Her work has been published in Al Jazeera America, The Nation, Vice News, Motherboard, and many other outlets.

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More About Neighborhoods Events Homes Wine & Dine Home January 2nd, 2018 by thehollywoodhome

Happy New Year! The Best Los Angeles Events This January 2018 Events, Los Angeles dineLA January 2018 LA Art Show Los Angeles Events Things to do No Comments Goodbye 2017, Hello 2018! Here is a collection of all the best Los Angeles events our great city has to offer in January. From the Uncorked Wine Festival, dineLA Restaurant, The LA Art Show, and many more, you wonâ&#x20AC;&#x2122;t be at a loss for things to do in Los Angeles this month. Enjoy!

The LA Art Show Jan. 10-14 Los Angeles has emerged as a global epicenter of art & culture, with a distinct, interwoven multi-cultural influence unique to the city. Diversity is our strength and art is most impactful when it includes or transcends all borders. As LA rises as the world-class destination for art, the LA Art Show continues to lead the way with innovative programming and one-of-a-kind experiences for an expanding collecting audience.

DineL.A. Friday, January 12 2018 – Friday, January 26 2018 Presented by the Los Angeles Tourism and Convention Board, dineL.A. is a 15-day dining event that takes place twice a year and showcases Los Angeles as a premier dining destination while highlighting the diversity of culinary experiences L.A. has to offer. Enjoy special lunch and dinner menus at more than 300 restaurants. There are no tickets

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"Fantasy of Snowland" (Photo courtesy of the LA Korean Cultural Center­ Yonhap)

제2의 "신라젠" 1月상장! 수익률 700%… 비트코인 거품꺼지면 "이것 200%폭등…

화제의 뉴스 등산 하지마! '이것'먹고 20대 활력으로! 비트코인 규제되면 "이것 폭등할것"1… 로또 구입비만 "1억" 300%돌려받는 방…

1月주식시장 "대어풍년" 320% 폭등예… 당뇨 연구 "완치가능해".30일무료체험!! 비트코인 거품꺼지면 "이것 폭등할것" 1…

The LA Art Show (Yonhap)

건강식품먹지마, 하루면 시술끝! ►잦은'어깨통증', 원인 알고보니.."충격"!! 아내 10억통장노린 남편,"행방불명된 … 노스페이스 "망했다" 눈물의 "땡처리"

► "급하게" 5천만원 나라에서 빌려준다?! ► 비트코인 규제되면 "이것 폭등할것"1월 1300%.. ► 男, 다리꼬는女 X-RAY보니 충격!!! ► 당뇨 연구 "완치가능해".30일무료체험!! ► 코인규제 다음주 "고비" 다음은 1200%수익의 "이것" ► 주식할때 "절대하지말아야" 할 3가지!!!

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LA Art Show GM Kassandra Voyagis Speaks with TNH

By Vasilis Papoutsis

January 17, 2018

Actor Jon Hamm and Kassandra Voyagis- LA Art Show GM. Photo: Paige Petrone LAArtsOnline.com

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LOS ANGELES, CA – The Los Angeles Art Show is one of the largest international art fairs in the United States, attracting national and international galleries and museums, acclaimed artists, and highly regarded curators and collectors.

The LA Art Show takes place at the Los Angeles Convention Center January 10-14, and will feature a new concept that will blend art and design with the launch of Design LA Art, a curated selection of 10 to12 exhibitors showcasing modern furniture, architectural objects and jewelry.

The show, now in its 23rd year, has grown leaps and bounds since its inception in 1994 by founder Kim Martindale, and for the last three years has been under the leadership of Kassandra Voyagis, an actress who comes from a family of entertainers. Her father is the well-known Greek actor Yorgo Voyagis and her mom is Italian-American actress and TV personality Nadia Cassini, whose parents were also performers on Broadway. Her godmother is the renowned Greek actress Irene Pappas, who suggested to her parents the name Kassandra.

Voyagis had a successful acting career in Italy and Greece before her arrival to the United States, when she made her debut with the epic miniseries Cleopatra (1999) for ABC television,co-starring Timothy Dalton and Billy Zane. Acting came naturally to her growing up in an entertainment family, but when the time came to attend college she did not chose a performance arts university. She applied and was accepted to Oxford, where she studied business administration, “I wanted to explore a new field since I have been around actors and performers all my life,” she said. The skills she acquired from her business degree came handy when she entered the world of art shows management. “I love art and used to go to art shows as a guest. When I came to the LA Art show I was introduced to the founder Kim Martindale who offered me the opportunity to work in the art show. I started at the bottom so I know every position in the company and that is beneficial when it comes to managing such a huge operation” she told TNH. The art show will feature over 100 galleries from more than 18 countries from around the world, China and Japan among them.

“It takes approximately 6 months to put together a show with this kind of international reach and the last 2 months preceding the opening are very intense. As the General Manager I have to approve everything, gallery applications, collector vetting, VIP Program, PR campaign and overlook the various crews. We have great staff that makes delegating so much easier but still the work amount is enormous” Voyagis said.The LA Art show that started as a showcase for regional artists, now has a global reach.

Founder and Producer Kim Martindale talking about the future of the art show told TNH that “although we welcome art from all over the world the location of Los Angeles makes as an ideal place to be the artistic heart of the Pacific Rim and Latin America.” And in accordance with that vision the LA Art Show this year will present two exhibitions from Latin America and the world-renown Korean artist Lee Jae-Hyo whose sculptures fuse aesthetics and craft of fine art with the functionality of benches,stools and tables. His exhibition will be the center piece of Design LA Art. The MUSA Museum Guadalajara, Mexico will be exhibiting Metaphysical Orozco, a retrospective of muralist Jose Clemente Orozco, and the Museum of Latin American Art (MOLAA) will be exhibiting the world premiere of Aporias Moviles, a multimedia installation by Argentinian artist Nuna Mangiante. Marisa Caichiolo, who is the Director & Curator of Latin American Galleries and Institutions for the LA Art Show commenting on the selections told TNH “I have collaborated with the MUSA Museum Guadalajara for a long time and this is a unique opportunity to show the public the works of the celebrated muralist Jose Clemente Orozco.”

His murals that are located at the auditorium of the two-story neoclassical building of white brick where the museum is, are of historical significance as they are part of the Mexican Mural Renaissance, as was Diego Rivera’s murals. The exhibition will be a “3D video mapping accompanied by a musical soundtrack and complimented by graphic material to give the audience a sensory experience. This will be the first exhibition outside of Mexico and also the first in the United States. It will be a cultural celebration for the Mexican American people of Los Angeles” curator Caichiolo said.

The Aporias Moviles exhibition is also a multimedia installation featuring portraits of obscured faces on display with various construction and building materials signifying the increased urban transformation in Latin America. Los Angeles area museums such as LACMA and The Autry Museum of the American West will again participate in the show, a collaboration that started last year as a gesture of civic engagement. Also an intriguing art installation “Octopus BrainStorming” that combines the technology of neuroscience and communication exhibited by octopi was created by Victoria Vesna, UCLA professor and Director of the UCLA ArtSci Center. Vesna created the project over five years with UCLA neuroscientist Mark Cohen.

Elaborating on her participation Prof. Vesna told TNH: “The works they are presenting at the LA Art Show are related to the exhibition topic and I was interested to see the audience response to this kind of performative/ experimental work.”

With Hollywood in close proximity movie stars and celebrities regularly attend the art show. Leonardo DiCaprio, Barbra Streisand, Henry Winkler, Anne Hathaway, and mega art collectors such as Eli Broad have prowled its galleries. Proceeds from the LA Art Show’s Opening Night Preview and Premiere Party on January 10 will benefit St. Jude Children’s Research Hospital.

Last year the evening was attended by more than 7,000 VIPs and hosted by Emma Roberts. This year’s Emcee is Emmy and Golden Globe Award-winning actor, director and producer Jon Hamm, who became famous as the character Don Draper, a star advertising executive in Manhattan, in the TV drama series Mad Men. Also this year, Matthew Modine, who rose to prominence through his role as Marine Corps Private Joker in Stanley Kubrick’s film Full Metal Jacket, will host a Director’s Chair presentation with photographic material from the movie. Exhibitor information, participating galleries and programming details can be found at LAArtshow.com.

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Today in Pictures, Jan 12, 2018 Laughter yoga session in New Delhi, India, Flying Dino simulator at the Consumer Electronics Show in Las Vegas, Nevada, U.S., and other pictures from around the world in Today in Pictures.

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A visitor hits a punching bag bearing an image of US president Donald Trump among other world leaders as part of an installation artwork entitled 'Left or Right' during the opening of the LA Art Show in Los Angeles, California, USA, January 10, 2018. PHOTO: EPA-EFE

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Home » Admission Fee » L.A. Art Show 2018 recap

L.A. Art Show 2018 recap

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Posted by westsidemommy On January 16, 2018 0 Comment

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Over the weekend, I attended L.A. Art Show for the first time. It’s an annual event, where local and international museum curators and galleries bring modern and contemporary art of all mediums to one space for several days. I attended on Saturday with my husband and 4-year old daughter, and again on Sunday with a friend. It was a treat to be able to see so much art in one place. It was a bit overwhelming at times, but really fantastic overall. It’s the perfect place to look for art for

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purchase, as there was a broad range of prices and styles. If I had the funds, I would definitely go a little spend-happy there.

There were plenty of pieces that re-inspired me to get back into doing art (I took several art classes in high school and college, and majored in Graphic Design), which is one of my resolutions this year. And because my daughter loves to draw, I thought it might be a good place for her to be exposed to.

Here are some of the pieces I really liked:

“Donut Rush” by Jae Young Kim @jae_young_kim_nyc These ceramic “donuts” are beautifully designed and look almost more delicious than what inspired them. They were definitely a hit with my daughter, as well as several other visitors to this booth.

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“Left or Right”

CHILL at The Queen Mary Winter 2017 Season Review westsidemommy.com/site/chill-at-…

This was a “please touch” piece of art which allows the spectator to release emotions on the punching bags with imprints of political figures. It was definitely a popular spot for selfies and boomerangs. By the way, they weren’t filled up to “regulation weight”, so they went flying upon impact.

Jan 14, 2018

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LA Art Show was wonderful! Had a great time, and here are some pieces that stood out.

Plantigrade by Marcos Lutyens Plantigrade is an interactive installation. My daughter, and many of the other children at the L.A. Art Show spent some time here. It’s an experience in texture and senses. It is a sensibility developed by Surrealist writer René Daumal, called paroptic vision, and by extension para-tactile sensing. The project has been enhanced with the collaboration of celebrated author and neurologist, Richard E. Cytowic.

image from L.A. Art Show

Sculptures by Yi Hwan Kwon at CMAY GALLERY These sculptures are difficult not to stare at, for their odd perspective gives you a different look at every angle. You may have seen his work in West Hollywood in 2016, at his outdoor exhibit of “Bus Stop”.

Margaret Keane – Keane Eyes Gallery It was such a treat to see the famous “Keane Eyes” artwork by Margaret Keane. I have yet to see the movie “Big Eyes”, about how her husband took credit for her work, but it’s going to be the next thing I see. Interestingly enough, it’s a Weinstein movie…

Hiroshi Mori I really like Hiroshi Moriâ&#x20AC;&#x2122;s style of melding the anime look into classic art and traditional Japanese art.

Check my IG feed for more It was really difficult to highlight just a few, because there were so many wonderful pieces at the show. Be sure to follow my IG feed @westsidemommy for more.

LA ART SHOW For more information, go to: www.laartshow.com Disclaimer: I received complimentary admission to the L.A. Art Show, as a member of the media to facilitate this post. All opinions are honest and my own. No monetary compensation was exchanged for this post.

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男子自制抗癌药救母

美西年度艺术盛事 洛杉矶艺博会圆满落幕 2018年01月19日 11:28 来源

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美西年度艺术盛事­­洛杉矶艺博会圆满落幕

美西时间14日下午 洛杉矶艺博会

第23届洛杉矶艺博会(LA Art Show)落下帷幕

一向是美国西海岸艺术市场的风向标

牵动着美西艺术市场的神经

而发生在大洋彼岸的这场艺术盛事

这个艺博会一直对中国当代艺术敞开大门

为期四天半

有6万5千多观众的

也是洛杉矶艺术月的冠上明珠

其一举一动

居然跟中国业界也是息息相关

更有着一个绝无仅有的“华语展区”

都 因为

频道推荐 今起，全国铁路有了大调整！快看经过你 7条评论

2017­12­29 11:49:32 十堰获评2017年度最受观众喜爱魅力城市 明年起至2020年底新能源汽车免征车辆购置税 武汉一批重点工程今日通车 河北省全面完成京津冀协同发展近期重点任务 “米”字格局成型 合肥被规划为枢纽新中心 南京明年要做八件事 肯定和你有关系 吉林“互联网+公安”再增10条新功能

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第23届洛杉矶艺博会，2018年

郑州网红的哥遭的姐拒载还被打

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第23届洛杉矶艺博会学术论坛，2018年。

第23届洛杉矶艺博会，2018年。 美术馆展区成为艺博会新亮点 艺博会成立之初 不过是十几家画廊为了提升交易额而拼凑的一个“集市” 益扩大

艺博会也慢慢成为学术交流和信息传播的绝佳平台

举办特别展出项目

美术馆展区成为一道独特的风景线

艺博会的学术性和教育功能 品质的交流和潜在的发展机会 很多业界大咖

如今

而随着规模及影响力的日

竟然吸引了越来越多的美术馆参与

进一步丰富了艺博会的内涵和意义

学术性吸引了更多专业人士的关注和参与

洛杉矶186 Projects的中国艺术家张竟和杨丹均表示

既拓展了朋友圈子

也增强了

为参展画廊和艺术家带来更高 在艺博会上结识了

也为未来的艺术事业提供更多的机会和更大的发展空间

教育功能

也为艺博会带来了一大批艺术爱好者 使周末人群激增 今年 West)

计 有 洛 杉 矶 美 术 馆 (LACMA)

拉美美术馆(Molaa)

美 国 西 部 奥 特 里 博 物 馆 (Autry Museum of the American

墨西哥瓜达拉哈拉大学艺术博物馆(MUSA)

究中心(UCLA Chicano Studies Research Center) LAUNCH艺术中心 7家美术馆和机构在洛杉矶艺博会展出特别项目

第23届洛杉矶艺博会，2018年。

加州大学洛杉矶分校奇卡诺研 加州美国非裔美术馆(CAAM)等

第23届洛杉矶艺博会，2018年。 多元的市场

带来多元的展品

第23届洛杉矶艺博会，2018年。

第23届洛杉矶艺博会Design(设计)展区，2018年。 近几年 Root

Design

代画廊为主 艺术品

洛杉矶艺博会一直紧随着市场而适时作出调整 Littletopia

Projects

Root则展出古典

今年的艺博会将展区进一步细分为Core

Museum和中国馆等七大区域

现代和写实主义作品

Core是艺博会的核心展区

Design为新增区域

Littletopia是一个以展出让人脑洞大开的小件作品为主的独立区域

Projects则为参展画廊提供一个为艺术家举办个展的难得机会 中国馆是一个由中国文化部主导

以当

展出与家居文化关系密切的 几乎每年都能成为热点

Museum展区带来了7个特别项目展览

中国文化传媒集团组织的展区

已经连续四年在洛杉矶艺博会上亮

相 不同展区有全然不同的定位 常可以见到价值几十 通常从几千到两

其展品也有天壤之别

上百甚至几百万美金的大师杰作

三万美金之间

通常来说 而当代展区

无论千元还是百万级别的藏品

一侧面反映这个移民大都市十分多元的艺术市场景观

传统展区Root的展品价值不菲

常

尤其Littletopia就相当亲民

展品

都能在洛杉矶找到合适的买家

从另

2018年第23届洛杉矶艺博会Root(传统与现代)展区,展出柯罗、梵高、莫奈、毕沙罗、毕加索、夏加 尔。。。等大师作品，通常售价在几十万到百万美金。

第23届洛杉矶艺博会Root展区展出梵高素描作品。

2018年第23届洛杉矶艺博会Core(核心)展区，这些甜甜圈(陶瓷作品)，每个售价在1千美元左右，也 很受欢迎。 目前

洛杉矶正在从艺术生产基地向艺术市场转型

越多海外画廊的进驻 尔

正在使这个趋势慢慢变为现实

军械库那样级别的艺博会

而归

巨大的市场潜力

唯独洛杉矶艺博会能长盛不衰

一路高歌

众多美术馆的兴建 但蹊跷的是

艺术区的蓬勃发展

越来

这个城市至今还没能产生像巴塞

也曾引来不少业界豪门的参与和角逐 或者随市场而动的应变能力

但最终都铩羽

是这个艺博会能屹立不

倒的法宝吧 逐渐壮大的华语区

从2011年至今

是中国当代艺术进入美国市场的大平台

在华语区总监陈伟梅的经营下

会

使该板块成为艺博会的一个重点项目

中

我们的目标

越来越多来自华语区的画廊和机构参展洛杉矶艺博

陈伟梅表示“我们以市场和质量为导向

一直在调整与扩展之

是使该板块成为大洋彼岸两岸三地当代艺术进入美国市场的最佳平台

板块一直由两个部分组成

一部分为 中国国家展

另一部分为独立画廊

”通常

华语区

2018年，第23届洛杉矶艺博会现场。中国国家展策展人武湛先生向驻洛杉矶中国总领事张平先生、 文化领事王瑾女士介绍刘以林先生雕塑作品。 中国国家展

由国家文化部支持

年登陆洛杉矶艺博会 平台 居” 墨

中国文化传媒集团组织的重点海外艺术传播项目

该项目秉持以文化传播为核心

本届展览为美国业界带来“东方气韵­­­­刘以林的艺术空间” “品味风格—传统工艺的古典与浪漫”

油画到非遗经典作品

多关注

已经连续四

以交流和交易的形式为中国艺术品搭建一个优秀 “墨意檀香—中国文人的诗意栖

“时代镜像—点彩当代艺术”等四个区块

为西方观众带来一场充满东风气质的视觉盛宴

展品从当代雕塑

从现场观察

水

该展区获得很

交易也非常活跃

2018年第23届洛杉矶艺博会。中国文化传媒集团副总经理江心先生(右二)主持《中国国家展》开幕 式。文化领事王瑾女士(右一)、艺博会总监Kim Martindale(右四)、文化参赞古今先生(右五)等高度肯定 《中国国家展》对中美文化交流所做出的贡献。

2018年第23届洛杉矶艺博会。《中国国家展》展出刘以林先生雕塑作品。 驻洛杉矶中国总领事馆张平总领事对 的文化交流和交易平台 陪同总领事张平先生

中国国家展

期望有更多的中国艺术家

给予高度评价

画廊和艺术机构参展

他表示洛杉矶艺博会是个优秀 艺博会华语区总监陈伟梅也

文化参赞古今先生和文化领事王瑾女士拜访了参展的中国独立画廊

感谢画廊们

对中美文化交流所作出的贡献

2018年，第23届洛杉矶艺博会现场。华语区总监陈伟梅女士在《中国国家展》尚春先生作品前接受 媒体采访，介绍华语展区概况。

对于独立画廊与参展艺术家来说 交流 LN Art推出艺术家刘炜先生的个展

宣传和交易

是不变的需求和目标

并在艺博会的合作酒店为艺术家举办了艺术交流派对

起到了

极佳的展示和传播效果 北京东区艺术中心继续推出当代水墨展 作品

展出边红

吸引了很多策展人和媒体的关注 到周日撤展前

李惠昌

范澎

首次参展的上海Fish空间在Projects区展出艺术家于南澄个展 模

规格和现场氛围均大大超出他们的想象和期待

流和推广效果

李志宏和袁付国等五位艺术家

有大约三分之一的作品被藏家买走 于南澄先生表示

这是一个非常优秀的艺博会

洛杉矶艺博会的规

参展带来了很好的交

也带来直接的交易成果

来自台湾的fun Year画廊

连续两年展出相同的艺术家

不过作品的选择和布展方式有不小的改变

他们表示不祈求市场的马上接纳

但优秀的艺术家总会有共鸣的

品和价位

现场就有成功交易

并取得了不错的效果

洛杉矶CM2连续三年展出刘大地摄影作品 地的作品报以极大的热情

CM2负责人表示

他们也会依据市场的反馈适当调整展

今年的展出取得极佳的宣传效果 刘大地获得极大关注

很多专业人士对刘大

我们已经推开了市场的门缝

有藏

家迫不及待当场取走作品

洛杉矶186 Projects展出杨丹和张竟作品 和梳理创作思路的难得契机 策展人的关注

两位艺术家表示

“既不要把自己看得太高

参展是一个展示的机会

也不要低估自己”

除了买卖

也是一个检验

他们更大的收获是

以及与同行的深入交流

2018年，第23届洛杉矶艺博会现场。驻洛杉矶中国总领事张平先生拜访独立画廊参展艺术家刘炜先 生。

2018年，第23届洛杉矶艺博会现场。186 Projects参展艺术家张竟和杨丹表示，参加艺博会让他们对 自己的定位有了更加清醒的认识，目标更加清晰。

2018年，第23届洛杉矶艺博会现场。藏家在了解李惠昌的水墨作品。

2018年，第23届洛杉矶艺博会现场，买家和作品合影。美国存在着一个巨大的富裕收藏阶层，对于 他们来说，热爱胜过一切。这个群体当中，或会产生下一个传奇收藏家。

2018年，第23届洛杉矶艺博会现场。驻洛杉矶中国总领事张平先生参观北京东区艺术中心展位，在 边红作品前驻足欣赏。 艺博会创办人

总监Kim Martindale先生对华语板块情有独钟

都会收藏当代水墨作品 出和传播 然

华语区总监陈伟梅女士则表示

华语板块已经进入稳定发展的状态

热爱中国当代水墨的Kim

对于华语区的未来很有信心

也得到美国业界的广泛认可

我们也会随着市场的需求而及时调整这一板块的方向和展出方式

2019年

几乎每年

“通过七年来的展

交易量正在逐年攀升

当

更值得期待 ”

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美西年度艺术盛事­­洛杉矶艺博会圆满落幕

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美西时间14日下午

第23届洛杉矶艺博会

LA Art Show

落下帷幕

千多观众的洛杉矶艺博会 一向是美国西海岸艺术市场的风向标 明珠

其一举一动

都牵动着美西艺术市场的神经

为期四天半

有6万5

也是洛杉矶艺术月的冠上

而发生在大洋彼岸的这场艺术盛事

居

查看TA的文章>

然跟中国业界也是息息相关

因为这个艺博会一直对中国当代艺术敞开大门

更有着一个绝

无仅有的“华语展区”

热门图集

真冻龄

50岁比基尼辣妈冰天雪地练瑜伽

第23届洛杉矶艺博会

2018年

如果四个野男人都成了真人 赵丽颖穿露背装 背 版 到底要嫁谁 起块骨头

张艺兴电脑不离身 为春晚 与黄渤辛苦排练

乌克兰为何突然好心 术送中国 看完才明

24小时热文 也门萨那一军警基地遭空

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第23届洛杉矶艺博会 特邀主持嘉宾

廣告狂人

男主角Jon Hamm

联系我们

第23届洛杉矶艺博会学术论坛

第23届洛杉矶艺博会

美术馆展区成为艺博会新亮点

2018年

2018年

艺博会成立之初

不过是十几家画廊为了提升交易额而拼凑的一个“集市”

响力的日益扩大

艺博会也慢慢成为学术交流和信息传播的绝佳平台

来越多的美术馆参与举办特别展出项目 艺博会的内涵和意义 分享到

如今

竟然吸引了越

美术馆展区成为一道独特的风景线

进一步丰富了

也增强了艺博会的学术性和教育功能

学术性吸引了更多专业人士的

关注和参与 为参展画廊和艺术家带来更高品质的交流和潜在的发展机会 Projects的中国艺术家张竟和杨丹均表示 圈子

今年

在艺博会上结识了很多业界大咖

也为未来的艺术事业提供更多的机会和更大的发展空间

一大批艺术爱好者

洛杉矶186 既拓展了朋友

教育功能也为艺博会带来了

使周末人群激增

计有洛杉矶美术馆 LACMA

American West

而随着规模及影

美国西部奥特里博物馆

Autry Museum of the

拉美美术馆 Molaa) 墨西哥瓜达拉哈拉大学艺术博物馆

加州大学洛杉矶分校奇卡诺研究中心

UCLA Chicano Studies Research Center

LAUNCH艺术中心 加州美国非裔美术馆

CAAM 等7家美术馆和机构在洛杉矶艺博会展

出特别项目

第23届洛杉矶艺博会

2018年

第23届洛杉矶艺博会

2018年

多元的市场 带来多元的展品

MUSA

分享到

第23届洛杉矶艺博会

2018年

第23届洛杉矶艺博会Design 设计

近几年 Core

洛杉矶艺博会一直紧随着市场而适时作出调整

展出与家居文化关系密切的艺术品

个展的难得机会

现代和写实主义作品

中国文化传媒集团组织的展区

中国馆是一个由中国文化部主

通常来说

传统展区Root的展品价值

上百甚至几百万美金的大师杰作

都能在洛杉矶找到合适的买家

Design为新增

已经连续四年在洛杉矶艺博会上亮相

其展品也有天壤之别

常常可以见到价值几十

Core是艺博

Projects则为参展画廊提供一个为艺术家举办

Museum展区带来了7个特别项目展览

Littletopia就相当亲民 展品通常从几千到两 品

今年的艺博会将展区进一步细分为

Littletopia是一个以展出让人脑洞大开的小件作

几乎每年都能成为热点

不同展区有全然不同的定位 不菲

Root则展出古典

以当代画廊为主

品为主的独立区域

导

2018年

Root Design Littletopia Projects Museum和中国馆等七大区域

会的核心展区 区域

展区

三万美金之间

而当代展区

尤其

无论千元还是百万级别的藏

从另一侧面反映这个移民大都市十分多元的艺术市场景

观

2018年第23届洛杉矶艺博会Root 传统与现代 毕加索

夏加尔

等大师作品

展区, 展出柯罗

通常售价在几十万到百万美金

梵高

莫奈

毕沙罗

分享到

第23届洛杉矶艺博会Root展区展出梵高素描作品

分享到

2018年第23届洛杉矶艺博会Core(核心)展区 元左右

目前 展

这些甜甜圈

洛杉矶正在从艺术生产基地向艺术市场转型 越来越多海外画廊的进驻

的参与和角逐

众多美术馆的兴建

正在使这个趋势慢慢变为现实

军械库那样级别的艺博会

但最终都铩羽而归

而动的应变能力

艺术区的蓬勃发

但蹊跷的是

巨大的市场潜力

唯独洛杉矶艺博会能长盛不衰

这个城市至今

也曾引来不少业界豪门 一路高歌

或者随市场

是这个艺博会能屹立不倒的法宝吧

逐渐壮大的华语区

是中国当代艺术进入美国市场的大平台

从2011年至今 在华语区总监陈伟梅的经营下

越来越多来自华语区的画廊和机构参展洛

杉矶艺博会 使该板块成为艺博会的一个重点项目 一直在调整与扩展之中

美国市场的最佳平台 展

每个售价在1千美

也很受欢迎

还没能产生像巴塞尔

向

陶瓷作品

”通常

另一部分为独立画廊

我们的目标

陈伟梅表示“我们以市场和质量为导

是使该板块成为大洋彼岸两岸三地当代艺术进入

华语区板块一直由两个部分组成

一部分为

中国国家

分享到

2018年

第23届洛杉矶艺博会现场

平先生

文化领事王瑾女士介绍刘以林先生雕塑作品

中国国家展

由国家文化部支持

中国国家展策展人武湛先生向驻洛杉矶中国总领事张

连续四年登陆洛杉矶艺博会

中国文化传媒集团组织的重点海外艺术传播项目

该项目秉持以文化传播为核心

以交流和交易的形式为中国艺

术品搭建一个优秀平台 本届展览为美国业界带来“东方气韵­­­­刘以林的艺术空间” 檀香—中国文人的诗意栖居”

“品味风格—传统工艺的古典与浪漫”

艺术”等四个区块 展品从当代雕塑 水墨 满东风气质的视觉盛宴 从现场观察

2018年第23届洛杉矶艺博会 家展

开幕式

等高度肯定

右一

“时代镜像—点彩当代

交易也非常活跃

右二

主持

艺博会总监Kim Martindale 右四

中国国家展

“墨意

为西方观众带来一场充

中国文化传媒集团副总经理江心先生

文化领事王瑾女士

赞古今先生 右五

油画到非遗经典作品

该展区获得很多关注

已经

对中美文化交流所做出的贡献

中国国 文化参

分享到

2018年第23届洛杉矶艺博会

中国国家展

驻洛杉矶中国总领事馆张平总领事对 个优秀的文化交流和交易平台

中国国家展

2018年

给予高度评价

期望有更多的中国艺术家

语区总监陈伟梅也陪同总领事张平先生 的中国独立画廊

展出刘以林先生雕塑作品

他表示洛杉矶艺博会是

画廊和艺术机构参展

艺博会华

文化参赞古今先生和文化领事王瑾女士拜访了参展

感谢画廊们对中美文化交流所作出的贡献

第23届洛杉矶艺博会现场

品前接受媒体采访

华语区总监陈伟梅女士在

中国国家展

介绍华语展区概况

对于独立画廊与参展艺术家来说

交流

宣传和交易

是不变的需求和目标

尚春先生作

LN Art推出艺术家刘炜先生的个展

并在艺博会的合作酒店为艺术家举办了艺术交流派对

起到了极佳的展示和传播效果

北京东区艺术中心继续推出当代水墨展 分享到

展出边红

艺术家作品 吸引了很多策展人和媒体的关注

李惠昌

范澎

到周日撤展前

李志宏和袁付国等五位

有大约三分之一的作品被藏

家买走

首次参展的上海Fish空间在Projects区展出艺术家于南澄个展

于南澄先生表示

博会的规模 规格和现场氛围均大大超出他们的想象和期待 参展带来了很好的交流和推广效果

来自台湾的fun Year画廊 的改变

他们表示不祈求市场的马上接纳

刘大地获得极大关注

两位艺术家表示

参展是一个展示的机会

一个检验和梳理创作思路的难得契机

“既不要把自己看得太高

卖

以及与同行的深入交流

他们更大的收获是策展人的关注

第23届洛杉矶艺博会现场

家刘炜先生

很多专业人 我们已经推

有藏家迫不及待当场取走作品

洛杉矶186 Projects 展出杨丹和张竟作品

2018年

他们也会依据市

现场就有成功交易

今年的展出取得极佳的宣传效果

CM2负责人表示

士对刘大地的作品报以极大的热情

不过作品的选择和布展方式有不小

但优秀的艺术家总会有共鸣的

并取得了不错的效果

洛杉矶CM2连续三年展出刘大地摄影作品

开了市场的门缝

这是一个非常优秀的艺博会

也带来直接的交易成果

连续两年展出相同的艺术家

场的反馈适当调整展品和价位

洛杉矶艺

也不要低估自己”

也是

除了买

驻洛杉矶中国总领事张平先生拜访独立画廊参展艺术

2018年

第23届洛杉矶艺博会现场

186 Projects参展艺术家张竟和杨丹表示

让他们对自己的定位有了更加清醒的认识

参加艺博会

目标更加清晰

分享到

2018年

第23届洛杉矶艺博会现场

藏家在了解李惠昌的水墨作品

2018年

第23届洛杉矶艺博会现场

买家和作品合影

层

对于他们来说

热爱胜过一切

这个群体当中

美国存在着一个巨大的富裕收藏阶

或会产生下一个传奇收藏家

2018年 展位

第23届洛杉矶艺博会现场

在边红作品前驻足欣赏

艺博会创办人 分享到

总监Kim Martindale先生对华语板块情有独钟

“通过七年来的展出和传播

广泛认可

交易量正在逐年攀升

向和展出方式 声明

2019年

热爱中国当代水墨的Kim

华语区总监陈伟梅女士则表示

几乎每年都会收藏当代水墨作品 信心

驻洛杉矶中国总领事张平先生参观北京东区艺术中心

对于华语区的未来很有

华语板块已经进入稳定发展的状态 当然

也得到美国业界的

我们也会随着市场的需求而及时调整这一板块的方

更值得期待 ”

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美西年度艺术盛事--洛杉矶艺博会圆满落幕 2018­01­19 11:09:19 来源: 市场导报

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美西时间14日下午，第23届洛杉矶艺博会（LA Art Show）落下帷幕。为期四天

石器时代

半，有6万5千多观众的洛杉矶艺博会，一向是美国西海岸艺术市场的风向标，也是洛 应用 杉矶艺术月的冠上明珠。其一举一动，都牵动着美西艺术市场的神经，而发生在大洋

彼岸的这场艺术盛事，居然跟中国业界也是息息相关，因为这个艺博会一直对中国当 代艺术敞开大门，更有着一个绝无仅有的“华语展区”。

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第23届洛杉矶艺博会，2018年。 美术馆展区成为艺博会新亮点 艺博会成立之初，不过是十几家画廊为了提升交易额而拼凑的一个“集市”，而随 着规模及影响力的日益扩大，艺博会也慢慢成为学术交流和信息传播的绝佳平台。如 今，竟然吸引了越来越多的美术馆参与举办特别展出项目。美术馆展区成为一道独特

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的风景线，进一步丰富了艺博会的内涵和意义，也增强了艺博会的学术性和教育功 能。学术性吸引了更多专业人士的关注和参与，为参展画廊和艺术家带来更高品质的 交流和潜在的发展机会。洛杉矶186 Projects的中国艺术家张竟和杨丹均表示，在艺博 会上结识了很多业界大咖，既拓展了朋友圈子，也为未来的艺术事业提供更多的机会 和更大的发展空间。教育功能也为艺博会带来了一大批艺术爱好者，使周末人群激 增。 今年，计有洛杉矶美术馆（LACMA）、美国西部奥特里博物馆（Autry Museum

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（MUSA）、加州大学洛杉矶分校奇卡诺研究中心（UCLA Chicano Studies Research Center）， LAUNCH艺术中心、加州美国非裔美术馆（CAAM）等7家美术馆和机构 在洛杉矶艺博会展出特别项目。

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第23届洛杉矶艺博会，2018年。

第23届洛杉矶艺博会Design（设计）展区，2018年。 近几年，洛杉矶艺博会一直紧随着市场而适时作出调整。今年的艺博会将展区进 一步细分为Core、Root、Design、Littletopia、Projects、Museum和中国馆等七大区 域。Core是艺博会的核心展区，以当代画廊为主；Root则展出古典、现代和写实主义 作品；Design为新增区域，展出与家居文化关系密切的艺术品；Littletopia是一个以展 出让人脑洞大开的小件作品为主的独立区域， 几乎每年都能成为热点；Projects则为参 展画廊提供一个为艺术家举办个展的难得机会；Museum展区带来了7个特别项目展 览；中国馆是一个由中国文化部主导、中国文化传媒集团组织的展区，已经连续四年 在洛杉矶艺博会上亮相。

不同展区有全然不同的定位，其展品也有天壤之别。通常来说，传统展区Root的 网易首页 展品价值不菲，常常可以见到价值几十、上百甚至几百万美金的大师杰作。而当代展 区、尤其Littletopia就相当亲民，展品通常从几千到两、三万美金之间。无论千元还是 百万级别的藏品，都能在洛杉矶找到合适的买家，从另一侧面反映这个移民大都市十 分多元的艺术市场景观。

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2018年第23届洛杉矶艺博会Root（传统与现代）展区, 展出柯罗、梵高、莫奈、毕 沙罗、毕加索、夏加尔。。。等大师作品，通常售价在几十万到百万美金。

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第23届洛杉矶艺博会Root展区展出梵高素描作品。

你要成为那个不可替代的人 才有赢的机会 时代在不断变化 而“老炮儿”永远不死

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2018年第23届洛杉矶艺博会Core(核心)展区，这些甜甜圈（陶瓷作品），每个售 价在1千美元左右，也很受欢迎。 目前，洛杉矶正在从艺术生产基地向艺术市场转型。众多美术馆的兴建、艺术区 的蓬勃发展、越来越多海外画廊的进驻，正在使这个趋势慢慢变为现实。但蹊跷的 是，这个城市至今还没能产生像巴塞尔、军械库那样级别的艺博会。巨大的市场潜 力，也曾引来不少业界豪门的参与和角逐，但最终都铩羽而归，唯独洛杉矶艺博会能 长盛不衰，一路高歌，或者随市场而动的应变能力，是这个艺博会能屹立不倒的法宝 吧。 逐渐壮大的华语区，是中国当代艺术进入美国市场的大平台 从2011年至今，在华语区总监陈伟梅的经营下，越来越多来自华语区的画廊和机 构参展洛杉矶艺博会，使该板块成为艺博会的一个重点项目。陈伟梅表示“我们以市场 和质量为导向，一直在调整与扩展之中。我们的目标，是使该板块成为大洋彼岸两岸 三地当代艺术进入美国市场的最佳平台。”通常，华语区板块一直由两个部分组成，一 部分为《中国国家展》，另一部分为独立画廊。

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2018年，第23届洛杉矶艺博会现场。中国国家展策展人武湛先生向驻洛杉矶中国 总领事张平先生、文化领事王瑾女士介绍刘以林先生雕塑作品。 《中国国家展》由国家文化部支持、中国文化传媒集团组织的重点海外艺术传播 项目，已经连续四年登陆洛杉矶艺博会。该项目秉持以文化传播为核心，以交流和交 易的形式为中国艺术品搭建一个优秀平台。本届展览为美国业界带来“东方气韵----刘 以林的艺术空间”、“墨意檀香—中国文人的诗意栖居”、“品味风格—传统工艺的古典 与浪漫”、“时代镜像—点彩当代艺术”等四个区块，展品从当代雕塑、水墨、油画到非 遗经典作品，为西方观众带来一场充满东风气质的视觉盛宴。从现场观察，该展区获 得很多关注，交易也非常活跃。

2018年第23届洛杉矶艺博会。中国文化传媒集团副总经理江心先生（右二）主持 网易首页 《中国国家展》开幕式。文化领事王瑾女士（右一）、艺博会总监Kim Martindale（右 四）、文化参赞古今先生（右五）等高度肯定《中国国家展》对中美文化交流所做出 的贡献。

2018年第23届洛杉矶艺博会。《中国国家展》展出刘以林先生雕塑作品。 驻洛杉矶中国总领事馆张平总领事对《中国国家展》给予高度评价，他表示洛杉 矶艺博会是个优秀的文化交流和交易平台，期望有更多的中国艺术家、画廊和艺术机 构参展。艺博会华语区总监陈伟梅也陪同总领事张平先生、文化参赞古今先生和文化 领事王瑾女士拜访了参展的中国独立画廊，感谢画廊们对中美文化交流所作出的贡 献。

网易首页

2018年，第23届洛杉矶艺博会现场。华语区总监陈伟梅女士在《中国国家展》尚 春先生作品前接受媒体采访，介绍华语展区概况 。 对于独立画廊与参展艺术家来说，交流、宣传和交易，是不变的需求和目标。 LN Art推出艺术家刘炜先生的个展，并在艺博会的合作酒店为艺术家举办了艺术 交流派对，起到了极佳的展示和传播效果。 北京东区艺术中心继续推出当代水墨展，展出边红、李惠昌、范澎、李志宏和袁 付国等五位艺术家作品，吸引了很多策展人和媒体的关注。到周日撤展前，有大约三 分之一的作品被藏家买走。 首次参展的上海Fish空间在Projects区展出艺术家于南澄个展。于南澄先生表示， 洛杉矶艺博会的规模、规格和现场氛围均大大超出他们的想象和期待，这是一个非常 优秀的艺博会，参展带来了很好的交流和推广效果，也带来直接的交易成果。 来自台湾的fun Year画廊，连续两年展出相同的艺术家，不过作品的选择和布展方 式有不小的改变。他们表示不祈求市场的马上接纳，但优秀的艺术家总会有共鸣的。 他们也会依据市场的反馈适当调整展品和价位，并取得了不错的效果，现场就有成功 交易。 洛杉矶CM2连续三年展出刘大地摄影作品。今年的展出取得极佳的宣传效果，很 多专业人士对刘大地的作品报以极大的热情，CM2负责人表示，刘大地获得极大关 注，我们已经推开了市场的门缝，有藏家迫不及待当场取走作品 。 洛杉矶186 Projects 展出杨丹和张竟作品。两位艺术家表示，参展是一个展示的机 会，也是一个检验和梳理创作思路的难得契机。“既不要把自己看得太高，也不要低估 自己”。除了买卖，他们更大的收获是策展人的关注，以及与同行的深入交流。

网易首页

2018年，第23届洛杉矶艺博会现场。驻洛杉矶中国总领事张平先生拜访独立画廊 参展艺术家刘炜先生。

2018年，第23届洛杉矶艺博会现场。186 Projects参展艺术家张竟和杨丹表示，参 加艺博会让他们对自己的定位有了更加清醒的认识，目标更加清晰 。

2018年，第23届洛杉矶艺博会现场。藏家在了解李惠昌的水墨作品。

网易首页

2018年，第23届洛杉矶艺博会现场，买家和作品合影。美国存在着一个巨大的富 裕收藏阶层，对于他们来说，热爱胜过一切。这个群体当中，或会产生下一个传奇收 藏家。

2018年，第23届洛杉矶艺博会现场。驻洛杉矶中国总领事张平先生参观北京东区 艺术中心展位，在边红作品前驻足欣赏。 艺博会创办人、总监Kim Martindale先生对华语板块情有独钟。热爱中国当代水墨 的Kim，几乎每年都会收藏当代水墨作品。 华语区总监陈伟梅女士则表示，对于华语 区的未来很有信心，“通过七年来的展出和传播，华语板块已经进入稳定发展的状态， 也得到美国业界的广泛认可，交易量正在逐年攀升。当然，我们也会随着市场的需求 而及时调整这一板块的方向和展出方式，2019年，更值得期待！”

本文来源：市场导报

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美西年度艺术盛事--洛杉矶艺博会圆满落幕 时间： 2018-01-19 11:23 作者：柳冰冰 来源：互联网 点击: 101次

美西时间14日下午 第23届洛杉矶艺博会 LA Art Show 落下帷幕 为期四天半 有6万5千多 观众的洛杉矶艺博会 一向是美国西海岸艺术市场的风向标 也是洛杉矶艺术月的冠上明珠 其 一举一动 都牵动着美西艺术市场的神经 而发生在大洋彼岸的这场艺术盛事 居然跟中国业界 也是息息相关 因为这个艺博会一直对中国当代艺术敞开大门 更有着一个绝无仅有的“华语展 区”

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第23届洛杉矶艺博会 2018年 美术馆展区成为艺博会新亮点 艺博会成立之初 不过是十几家画廊为了提升交易额而拼凑的一个“集市”

而随着规模及影响力

的日益扩大 艺博会也慢慢成为学术交流和信息传播的绝佳平台 如今 竟然吸引了越来越多的 美术馆参与举办特别展出项目 美术馆展区成为一道独特的风景线 进一步丰富了艺博会的内涵 和意义 也增强了艺博会的学术性和教育功能 学术性吸引了更多专业人士的关注和参与 为参 展画廊和艺术家带来更高品质的交流和潜在的发展机会 洛杉矶186 Projects的中国艺术家张竟 和杨丹均表示 在艺博会上结识了很多业界大咖 既拓展了朋友圈子 也为未来的艺术事业提供 更多的机会和更大的发展空间 教育功能也为艺博会带来了一大批艺术爱好者 使周末人群激 增 今年

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第23届洛杉矶艺博会 2018年

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展区

2018年

近几年 洛杉矶艺博会一直紧随着市场而适时作出调整 今年的艺博会将展区进一步细分为 Core Root Design Littletopia Projects Museum和中国馆等七大区域 Core是艺博会的 核心展区 以当代画廊为主 Root则展出古典 现代和写实主义作品 Design为新增区域 展 出与家居文化关系密切的艺术品 Littletopia是一个以展出让人脑洞大开的小件作品为主的独立 区域 几乎每年都能成为热点 Projects则为参展画廊提供一个为艺术家举办个展的难得机会 Museum展区带来了7个特别项目展览 中国馆是一个由中国文化部主导 中国文化传媒集团组 织的展区 已经连续四年在洛杉矶艺博会上亮相 不同展区有全然不同的定位 菲 常常可以见到价值几十

其展品也有天壤之别 通常来说 上百甚至几百万美金的大师杰作

传统展区Root的展品价值不 而当代展区 尤其Littletopia就

相当亲民 展品通常从几千到两 三万美金之间 无论千元还是百万级别的藏品 找到合适的买家 从另一侧面反映这个移民大都市十分多元的艺术市场景观

2018年第23届洛杉矶艺博会Root 传统与现代 展区, 展出柯罗 索 夏加尔 等大师作品 通常售价在几十万到百万美金

梵高

莫奈

都能在洛杉矶

毕沙罗

毕加

第23届洛杉矶艺博会Root展区展出梵高素描作品

2018年第23届洛杉矶艺博会Core(核心)展区 右 也很受欢迎 目前

这些甜甜圈

洛杉矶正在从艺术生产基地向艺术市场转型

众多美术馆的兴建

来越多海外画廊的进驻 正在使这个趋势慢慢变为现实 像巴塞尔 军械库那样级别的艺博会 巨大的市场潜力 但最终都铩羽而归 唯独洛杉矶艺博会能长盛不衰 这个艺博会能屹立不倒的法宝吧

陶瓷作品

每个售价在1千美元左

艺术区的蓬勃发展

越

但蹊跷的是 这个城市至今还没能产生 也曾引来不少业界豪门的参与和角逐

一路高歌

或者随市场而动的应变能力

是

逐渐壮大的华语区 是中国当代艺术进入美国市场的大平台 从2011年至今 在华语区总监陈伟梅的经营下 越来越多来自华语区的画廊和机构参展洛杉矶 艺博会 使该板块成为艺博会的一个重点项目 陈伟梅表示“我们以市场和质量为导向 一直在 调整与扩展之中 我们的目标 是使该板块成为大洋彼岸两岸三地当代艺术进入美国市场的最佳 平台 廊

”通常

华语区板块一直由两个部分组成 一部分为

中国国家展

另一部分为独立画

2018年 第23届洛杉矶艺博会现场 生

中国国家展策展人武湛先生向驻洛杉矶中国总领事张平先

文化领事王瑾女士介绍刘以林先生雕塑作品

中国国家展 由国家文化部支持 中国文化传媒集团组织的重点海外艺术传播项目 已经连续 四年登陆洛杉矶艺博会 该项目秉持以文化传播为核心 以交流和交易的形式为中国艺术品搭建 一个优秀平台

本届展览为美国业界带来“东方气韵­­­­刘以林的艺术空间”

“墨意檀香—中国文

人的诗意栖居” “品味风格—传统工艺的古典与浪漫” “时代镜像—点彩当代艺术”等四个区块 展品从当代雕塑 水墨 油画到非遗经典作品 为西方观众带来一场充满东风气质的视觉盛宴 从现场观察 该展区获得很多关注 交易也非常活跃

2018年第23届洛杉矶艺博会 中国文化传媒集团副总经理江心先生 展

开幕式 文化领事王瑾女士 右一

右二

主持

艺博会总监Kim Martindale 右四

中国国家 文化参赞古今

先生

右五 等高度肯定

中国国家展

2018年第23届洛杉矶艺博会

对中美文化交流所做出的贡献

中国国家展

驻洛杉矶中国总领事馆张平总领事对

展出刘以林先生雕塑作品

中国国家展

给予高度评价

他表示洛杉矶艺博会是个优

秀的文化交流和交易平台 期望有更多的中国艺术家 画廊和艺术机构参展 艺博会华语区总监 陈伟梅也陪同总领事张平先生 文化参赞古今先生和文化领事王瑾女士拜访了参展的中国独立画 廊

感谢画廊们对中美文化交流所作出的贡献

2018年 第23届洛杉矶艺博会现场 接受媒体采访

华语区总监陈伟梅女士在

中国国家展

尚春先生作品前

介绍华语展区概况

对于独立画廊与参展艺术家来说 交流

宣传和交易

是不变的需求和目标

LN Art推出艺术家刘炜先生的个展 并在艺博会的合作酒店为艺术家举办了艺术交流派对

起到

了极佳的展示和传播效果 北京东区艺术中心继续推出当代水墨展 展出边红 李惠昌 范澎 李志宏和袁付国等五位艺术 家作品 吸引了很多策展人和媒体的关注 到周日撤展前 有大约三分之一的作品被藏家买走 首次参展的上海Fish空间在Projects区展出艺术家于南澄个展 于南澄先生表示 洛杉矶艺博会 的规模 规格和现场氛围均大大超出他们的想象和期待 这是一个非常优秀的艺博会 参展带来 了很好的交流和推广效果

也带来直接的交易成果

来自台湾的fun Year画廊 连续两年展出相同的艺术家

不过作品的选择和布展方式有不小的改

变 他们表示不祈求市场的马上接纳 但优秀的艺术家总会有共鸣的 适当调整展品和价位 并取得了不错的效果 现场就有成功交易

他们也会依据市场的反馈

洛杉矶CM2连续三年展出刘大地摄影作品 今年的展出取得极佳的宣传效果 很多专业人士对 刘大地的作品报以极大的热情 CM2负责人表示 刘大地获得极大关注 我们已经推开了市场 的门缝 有藏家迫不及待当场取走作品 洛杉矶186 Projects 展出杨丹和张竟作品 两位艺术家表示 参展是一个展示的机会 也是一个 检验和梳理创作思路的难得契机 “既不要把自己看得太高 也不要低估自己” 除了买卖 他们 更大的收获是策展人的关注

以及与同行的深入交流

2018年 第23届洛杉矶艺博会现场

驻洛杉矶中国总领事张平先生拜访独立画廊参展艺术家刘

炜先生

2018年 第23届洛杉矶艺博会现场 186 Projects参展艺术家张竟和杨丹表示 们对自己的定位有了更加清醒的认识 目标更加清晰

2018年 第23届洛杉矶艺博会现场

藏家在了解李惠昌的水墨作品

参加艺博会让他

2018年 第23届洛杉矶艺博会现场 买家和作品合影 美国存在着一个巨大的富裕收藏阶层 对于他们来说 热爱胜过一切 这个群体当中 或会产生下一个传奇收藏家

2018年 第23届洛杉矶艺博会现场 位

驻洛杉矶中国总领事张平先生参观北京东区艺术中心展

在边红作品前驻足欣赏

艺博会创办人

总监Kim Martindale先生对华语板块情有独钟

热爱中国当代水墨的Kim 几乎

每年都会收藏当代水墨作品 华语区总监陈伟梅女士则表示 对于华语区的未来很有信心 “通 过七年来的展出和传播 华语板块已经进入稳定发展的状态 也得到美国业界的广泛认可 交易 量正在逐年攀升 当然 我们也会随着市场的需求而及时调整这一板块的方向和展出方式 2019年 更值得期待 ”

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美西年度艺术盛事--洛杉矶艺博会圆满落幕

·斐讯签约人民网成立战略联盟 共

作者:07

·新年吃新菜 美的电压力锅给你做花样

已有81次阅读 发布时间:2018­01­19 字号:小 中 大

美西时间14日下午 关闭

第23届洛杉矶艺博会 LA Art Show

千多观众的洛杉矶艺博会

落下帷幕

一向是美国西海岸艺术市场的风向标

明珠 其一举一动 都牵动着美西艺术市场的神经

·国泰·惠民益贷

为期四天半

有6万5

也是洛杉矶艺术月的冠上

而发生在大洋彼岸的这场艺术盛事

然跟中国业界也是息息相关 因为这个艺博会一直对中国当代艺术敞开大门

跟上经济改革步伐

·信大区块链研究院在深圳揭牌成立 ·海清助力公益慈善事业

登榜2017中

·2017年12手游代理指数榜单

大旺

居

更有着一个绝

热评文章 ·2018 汇诚知识产权继续砥砺前行!

无仅有的“华语展区”

·宜城走出去的一颗璀璨明珠——襄阳 ·叶浅予研究会征稿

我所知道的叶浅

·“国树酒业”创始人徐勤学做客

信用

·京东携手学院奖 开启无界营销年轻化 ·“黄山质宝酒业”创始人宋书言做客 深度阅读

发扬山海精神 筑梦滨海新城 从温州经济技术开发区设立以来 市场监管队 伍就一直投身新区建设一线 哪里要开发 哪

第23届洛杉矶艺博会

2018年

·执着铸就不凡 ·深情为红盾 奉献写人生 ·文成免费检定医疗计量器具 ·龙湾为企业筑牢护密维权防线

第23届洛杉矶艺博会

2018年

第23届洛杉矶艺博会 2018年

第23届洛杉矶艺博会

特邀主持嘉宾 廣告狂人

男主角Jon Hamm

第23届洛杉矶艺博会学术论坛

2018年

第23届洛杉矶艺博会 2018年

美术馆展区成为艺博会新亮点

艺博会成立之初 不过是十几家画廊为了提升交易额而拼凑的一个“集市” 响力的日益扩大 艺博会也慢慢成为学术交流和信息传播的绝佳平台 来越多的美术馆参与举办特别展出项目 艺博会的内涵和意义 关注和参与

如今

竟然吸引了越

美术馆展区成为一道独特的风景线

进一步丰富了

也增强了艺博会的学术性和教育功能

在艺博会上结识了很多业界大咖

也为未来的艺术事业提供更多的机会和更大的发展空间 艺术爱好者

学术性吸引了更多专业人士的

为参展画廊和艺术家带来更高品质的交流和潜在的发展机会

cts的中国艺术家张竟和杨丹均表示

使周末人群激增

而随着规模及影

洛杉矶186 Proje

既拓展了朋友圈子

教育功能也为艺博会带来了一大批

今年 计有洛杉矶美术馆

LACMA

can West

Molaa) 墨西哥瓜达拉哈拉大学艺术博物馆

拉美美术馆

美国西部奥特里博物馆

Autry Museum of the Ameri

学洛杉矶分校奇卡诺研究中心 UCLA Chicano Studies Research Center

MUSA

加州大

LAUNCH艺术

中心 加州美国非裔美术馆 CAAM 等7家美术馆和机构在洛杉矶艺博会展出特别项目

第23届洛杉矶艺博会 2018年

第23届洛杉矶艺博会 2018年

多元的市场

带来多元的展品

第23届洛杉矶艺博会 2018年

第23届洛杉矶艺博会Design 设计

近几年 洛杉矶艺博会一直紧随着市场而适时作出调整 Core

以当代画廊为主 Root则展出古典

展出与家居文化关系密切的艺术品

主的独立区域 几乎每年都能成为热点 的难得机会

今年的艺博会将展区进一步细分为

现代和写实主义作品

中国馆是一个由中国文化部主导

中国

已经连续四年在洛杉矶艺博会上亮相

通常来说

常常可以见到价值几十 上百甚至几百万美金的大师杰作 展品通常从几千到两

洛杉矶找到合适的买家

Design为新增区

Projects则为参展画廊提供一个为艺术家举办个展

不同展区有全然不同的定位 其展品也有天壤之别

就相当亲民

Core是艺博会

Littletopia是一个以展出让人脑洞大开的小件作品为

Museum展区带来了7个特别项目展览

文化传媒集团组织的展区

菲

2018年

Root Design Littletopia Projects Museum和中国馆等七大区域

的核心展区 域

展区

三万美金之间

传统展区Root的展品价值不 而当代展区

尤其Littletopia

无论千元还是百万级别的藏品

从另一侧面反映这个移民大都市十分多元的艺术市场景观

都能在

2018年第23届洛杉矶艺博会Root 传统与现代 展区, 展出柯罗 加索 夏加尔

等大师作品

通常售价在几十万到百万美金

梵高

莫奈

毕沙罗

毕

第23届洛杉矶艺博会Root展区展出梵高素描作品

2018年第23届洛杉矶艺博会Core(核心)展区 这些甜甜圈

陶瓷作品

每个售价在1千美

元左右 也很受欢迎

目前 洛杉矶正在从艺术生产基地向艺术市场转型 展

众多美术馆的兴建

越来越多海外画廊的进驻 正在使这个趋势慢慢变为现实

还没能产生像巴塞尔

军械库那样级别的艺博会

的参与和角逐 但最终都铩羽而归

艺术区的蓬勃发

但蹊跷的是

巨大的市场潜力

唯独洛杉矶艺博会能长盛不衰

这个城市至今

也曾引来不少业界豪门 一路高歌

或者随市场

而动的应变能力 是这个艺博会能屹立不倒的法宝吧

逐渐壮大的华语区 是中国当代艺术进入美国市场的大平台

从2011年至今 在华语区总监陈伟梅的经营下 矶艺博会

使该板块成为艺博会的一个重点项目

直在调整与扩展之中

我们的目标

越来越多来自华语区的画廊和机构参展洛杉 陈伟梅表示“我们以市场和质量为导向

一

是使该板块成为大洋彼岸两岸三地当代艺术进入美国市

场的最佳平台 ”通常 华语区板块一直由两个部分组成

一部分为

中国国家展

另一部

分为独立画廊

2018年

第23届洛杉矶艺博会现场 中国国家展策展人武湛先生向驻洛杉矶中国总领事张平

先生 文化领事王瑾女士介绍刘以林先生雕塑作品

中国国家展 由国家文化部支持

中国文化传媒集团组织的重点海外艺术传播项目

连续四年登陆洛杉矶艺博会 该项目秉持以文化传播为核心 术品搭建一个优秀平台

以交流和交易的形式为中国艺

本届展览为美国业界带来“东方气韵­­­­刘以林的艺术空间”

香—中国文人的诗意栖居”

“品味风格—传统工艺的古典与浪漫”

术”等四个区块 展品从当代雕塑 水墨 风气质的视觉盛宴 从现场观察

油画到非遗经典作品

该展区获得很多关注

已经

“墨意檀

“时代镜像—点彩当代艺 为西方观众带来一场充满东

交易也非常活跃

2018年第23届洛杉矶艺博会 展

开幕式

古今先生

中国文化传媒集团副总经理江心先生

文化领事王瑾女士

右一

右二

主持

艺博会总监Kim Martindale 右四

右五 等高度肯定 中国国家展 对中美文化交流所做出的贡献

中国国家 文化参赞

2018年第23届洛杉矶艺博会

中国国家展 展出刘以林先生雕塑作品

驻洛杉矶中国总领事馆张平总领事对

中国国家展

给予高度评价

个优秀的文化交流和交易平台 期望有更多的中国艺术家 语区总监陈伟梅也陪同总领事张平先生

他表示洛杉矶艺博会是

画廊和艺术机构参展

艺博会华

文化参赞古今先生和文化领事王瑾女士拜访了参展

的中国独立画廊 感谢画廊们对中美文化交流所作出的贡献

2018年

第23届洛杉矶艺博会现场 华语区总监陈伟梅女士在

中国国家展

尚春先生作品

前接受媒体采访 介绍华语展区概况

对于独立画廊与参展艺术家来说

交流

宣传和交易

是不变的需求和目标

LN Art推出艺术家刘炜先生的个展 并在艺博会的合作酒店为艺术家举办了艺术交流派对 起到了极佳的展示和传播效果

北京东区艺术中心继续推出当代水墨展 艺术家作品

展出边红

吸引了很多策展人和媒体的关注

李惠昌

范澎

到周日撤展前

李志宏和袁付国等五位

有大约三分之一的作品被藏

家买走

首次参展的上海Fish空间在Projects区展出艺术家于南澄个展 会的规模

规格和现场氛围均大大超出他们的想象和期待

展带来了很好的交流和推广效果

来自台湾的fun Year画廊

于南澄先生表示

这是一个非常优秀的艺博会

不过作品的选择和布展方式有不小

的改变 他们表示不祈求市场的马上接纳 但优秀的艺术家总会有共鸣的 场的反馈适当调整展品和价位 并取得了不错的效果

他们也会依据市

现场就有成功交易

洛杉矶CM2连续三年展出刘大地摄影作品 今年的展出取得极佳的宣传效果

市场的门缝

参

也带来直接的交易成果

连续两年展出相同的艺术家

对刘大地的作品报以极大的热情

洛杉矶艺博

CM2负责人表示 刘大地获得极大关注

很多专业人士

我们已经推开了

有藏家迫不及待当场取走作品

洛杉矶186 Projects 展出杨丹和张竟作品 一个检验和梳理创作思路的难得契机

两位艺术家表示

参展是一个展示的机会

“既不要把自己看得太高

也不要低估自己”

也是

除了买

卖

他们更大的收获是策展人的关注

2018年

以及与同行的深入交流

第23届洛杉矶艺博会现场 驻洛杉矶中国总领事张平先生拜访独立画廊参展艺术家

刘炜先生

2018年

第23届洛杉矶艺博会现场 186 Projects参展艺术家张竟和杨丹表示

让他们对自己的定位有了更加清醒的认识 目标更加清晰

参加艺博会

2018年

第23届洛杉矶艺博会现场 藏家在了解李惠昌的水墨作品

2018年

第23届洛杉矶艺博会现场 买家和作品合影

层

对于他们来说 热爱胜过一切

这个群体当中

美国存在着一个巨大的富裕收藏阶

或会产生下一个传奇收藏家

2018年 位

第23届洛杉矶艺博会现场 驻洛杉矶中国总领事张平先生参观北京东区艺术中心展

在边红作品前驻足欣赏

艺博会创办人 总监Kim Martindale先生对华语板块情有独钟

热爱中国当代水墨的Kim 几

乎每年都会收藏当代水墨作品 华语区总监陈伟梅女士则表示

对于华语区的未来很有信

“通过七年来的展出和传播 华语板块已经进入稳定发展的状态

心

认可 交易量正在逐年攀升 当然 展出方式

2019年

也得到美国业界的广泛

我们也会随着市场的需求而及时调整这一板块的方向和

更值得期待 ”

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Lee Jae Hyo's "0121-1110=115102" is the centerpiece of the inaugural Design LA Art exhibit inside the LA Art Show this year. (Courtesy photo)

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The layered, monochrome contemporary art movement that dominated 20th century Korean art, Dansaekhwa, is on exhibit at the L.A. Art Show this week inside the Los Angeles Convention

Daniel Dae Kim, David Henry Hwang t...

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Center, with a spotlight on the works of Kim Tae-ho. In addition, a new space, Design L.A. Art, displays as its centerpiece the natureinfused sculptures of Lee Jae Hyo, another Korean artist.

The show kicked o Wednesday and will run through Sunday inside

Q&A with BuzzFeed’s Euge...

the Los Angeles Convention Center.

Though the event draws paintings, sculptures, paper works, installations, photography, design, videos and performances from more than 100 galleries in 18 countries, Korean art in particular has been a popular presence in recent years, especially with a

Why Most East Asians Are Lactose In...

resurgence of international interest in Dansaekhwa, which translates to “monochrome painting.”

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Pieces by one of Dansaekhwa’s leading figures, Kim Tae-ho, is highlighted at the L.A. Art Show. (Mary Grace Costa/Kore Asian Media)

Kim, one of the movement’s leading names, is the latest Dansaekhwa artist to be brought to the show. His series of paintings, “Internal Rhythm,” was curated by Simon Kwon, the director of SM Fine Art Gallery. Kwon said Kim, as well as his contemporaries, have been shown in major museums worldwide, and seen their work become collectibles not only in Korea but in Hong Kong, New York and Europe. Dansaekhwa has proven to be “sensationally” popular among art collectors, galleries and museums, he said.

“The ’60s and ’70s were an era when Korean artists broke sweat and blood to create a contemporary form of art [Dansaekhwa] that manifests a national identity,” Kwon said. Pointing to other contemporary artists like Mari Kim and Kim Tchang-yeul, whose works can also be seen at the event this year, Kwon said the Dansaekhwa movement has helped bring more general attention to Korean art since its global breakout around 2015.

This year, the art show is introducing Design L.A. Art, a new segment showcasing the fusion and balance between design and furniture.

The works of Lee Jae Hyo will serve as centerpieces this year, in particular “0121-1110=115102,” a wooden arch.

Hoojung Lee, director of Korean Art A airs for the show, said Lee Jae Hyo connects fine art with design in a “sincere, original and organic” style. “[He] sees ordinary or mundane materials and elements in nature with his keen artistic eyes, then transforms them into profound monumental sculptures including functional art in the most minimalistic way,” she said.

Artist Mari Kim rose in popularity after collaborating with K-pop group 2NE1 for their 2011 song “Hate You.” (Mary Grace Costa/Kore Asian Media)

Hoojung Lee, L.A. Art Show’s director of Korean Art Affairs, describes Lee Jae Hyo’s work as “a concentrated sculpture version of land art by Andy Goldsworthy.” (Courtesy photo)

Simon Kwon, curator of the exhibit, praised Kim Tae-ho’s work for its “rhythm and energy.” (Courtesy photo)

Kim Martindale, L.A. Art Show producer and partner, said in a

, p p , statement that the event continues to expand as it brings in art from around the world, to showcase alongside pieces produced locally in Los Angeles. “There is a spotlight on Los Angeles today,” Martindale said.

Hoojung Lee said the city is a particularly important one for Korean artists. “Los Angeles has the largest population of Koreans outside of Seoul, so we’re building a bridge for cross pollination,” she said.

Korean manhwa is also on display at the show ahead of the Winter Olympics in Pyeongchang in webtoon form, including sportsthemed stories. The Korea Manhwa Contents Agency, which brought the webtoons to the event, is also putting on a live drawing show by Korean comic artist Jung-gi Kim. The art show’s partner this year is the Museum of the Arts of Guadalajara, and its local partnerships include the Los Angeles County Museum of Art, the Autry Museum of the American West and the Museum of Latin American Art. Last year’s show saw an attendance of nearly 70,000.

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By Taiwan Today,Agencies 2018/01/10 11:13

“Green Spring” by Tsai Cheng-i, founder of Fun Year Art Gallery, will feature among the artworks in the Taiwan section of the Los Angeles Art Show Jan

Three Taiwan artists are set to showcase their works at the Los Angeles Art Show—one of the largest and most prominent international events of its kind—Jan. 10-14 at the LA Convention Center, the Ministry of Culture announced Jan. 8.

Organized by the Fun Year Art Gallery based in central Taiwan’s Taichung City, the Taiwan portion of the show will include paintings by Tsai Cheng-i, Liao Pen-sheng and Tai Ming-te. This is the second consecutive year that Fun Year has arranged for Taiwan artists to take part in the event.

Titled “Introspection—Taiwan Expression,” the local section comprises a number of abstract art pieces, showcasing the painters’ observations on society. The show will help raise international awareness of recent developments in Taiwan contemporary art, according to the ministry.

Tsai Cheng-i, founder of Fun Year and a prolific oil painter, specializes in creating abstract works. Having held more than 20 solo exhibitions, Tsai described his work as a game of color whereby he uses bold brushstrokes to find artistic balance and bring pieces to life.

Liao Pen-sheng, head of the Central Taiwan Fine Arts Association based in Taichung, primarily works with ink and watercolors. By incorporating techniques of traditional Chinese calligraphy, Liao said he aims to find new ways of presenting both Eastern and Western art forms.

Tai Ming-te, associate professor in the Department of Visual Arts at National Chiayi University in southern Taiwan, is best known for illustrating his observations on society via metaphorical expressions and symbols. His works have been included in the collections of the MOC’s Art Bank program and displayed at the White Rabbit Gallery in Sydney, Australia.

First held in 1995, the art fair attracts around 70,000 artists, buyers and curators each year. The 2018 edition comprises exhibitions from more than 100 galleries in 18 countries, and will also feature lectures, performances and talks. (CPY-E)

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Updated : 2018-01-14 09:59 GMT+08:00

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Feria de Los Ángeles muestra su compromiso con el arte latinoamericano La feria se renueva este año, una vez más, para salirse del estereotipo de una vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países

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Centro de Convenciones de la ciudad.

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas, y las esculturas nómadas de Ángel Ricardo encontraron un espacio en la feria.

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición, The UCLA Art|Sci Center presenta Brainstorming: Empathy, una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que refleja la diversidad que tienen Los Ángeles y su gente", sentenció Caichiolo.

Las cifras que publica la feria en su web causan impacto: 20.000 obras, 30 millones de dólares en vebtas, 70.000 visitantes, 300 periodistas y 150 personas trabajando para el evento.

The Los Angeles Fair shows its commitment to Latin American art

The Argentinean artist Nuna Mangiante completes the details of the installation of her work "Aporías Moviles" during the last preparations in the Latin American Aréa of Los Angeles Art Show this January 9, 2018, in Los Angeles (USA). EFE

By EFE

SHARE THIS

The Arts Festival arrives in Los Angeles

JANUARY 13, 2018, 12:06 PM

T

|

LOS ÁNGELES

he Los Angeles Art Show, one of the most important art fairs in the United States, opened its doors loaded with important Latin American works with a social message, such as the murals of the Mexican

José Clemente Orozco, which are exhibited for the first time in the country.

La feria se renueva este año, una vez más, para salirse del estereotipo de una vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países e instituciones como el Museo de las Artes de la Universidad de Guadalajara, México, (MUSA), que presenta "Metaphysical Orozco".

"Tanto que se ha hablado del muro entre Estados Unidos y México, generar o traer de una manera virtual ese muro pintado por (José Clemente) Orozco, con toda la trascendencia y la importancia política y social que esto refleja en la cultura mexicana, me parece increíble", dijo Marisa Caichiolo, directora y curadora del Aréa Latinoamericana de Los Ángeles Art Show.

El esfuerzo de crear un espacio para el público y las instituciones latinoamericanas logró concretar propuestas como la del MUSA, que fue diseñada exclusivamente para la feria y se sirve de la tecnología para darle al público una experiencia única.

"Mi idea era que sintieras lo mismo, o más, que cuando entras a ver los murales en físico, creo que va a ser una experiencia importante para quien la pueda presenciar", aseguró Laura Ayala, coordinadora de Educación y Exposición del museo de la Universidad de Guadalajara (México).

Además de la obra de Orozco, en esta feria tienen cabida propuestas como "Izquierda o derecha", del cubano Antuan Rodríguez, que por primera vez se muestran en la costa este estadounidense.

Se trata de una instalación con 20 bolsas de boxeo con los rostros de líderes mundiales, incluyendo el presidente Donald Trump, con las que los asistentes pueden interactuar.

"Como ellos (el público) ya no pueden acercarse a sus presidentes por lo menos tienen la facilidad aquí de golpearles, darles un beso o rezar" dijo Rodríguez.

Nuna Mangiante, artista argentina elegida para representar el Museo de Arte Latinoamericano de Long Beach (MOLAA), asegura que estas propuestas artísticas llegan a echarle "más sal a la herida" y a resaltar el momento social y político que se vive en todo el continente.

La artista, que trajo desde Sudamérica su exposición "Aporías Moviles", afirma que cada vez mas el arte latinoamericano está poniendo su pie y dejando su huella en ferias como la de Los Ángeles, que logra atraer a más de 70.000 visitantes en los cuatro días de exhibición en el Centro de Convenciones de la ciudad.

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas y Ángel Ricardo, con sus esculturas móviles, encontraron un espacio en la feria.

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición. The UCLA Art|Sci Center presenta "Brainstorming: Empathy", una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que refleja la diversidad que tienen Los Ángeles y su gente", sentenció Caichiolo.

The figures published by the fair on its website have an impact: 20,000 works, 30 million dollars in sales, 70,000 visitors, 300 journalists and 150 people working for the event.

Copyright © 2018, Hoy Los Angeles , a publication of the Los Angeles Times Media Group

The Los Angeles Fair shows its commitment to Latin American art

The Argentinean artist Nuna Mangiante completes the details of the installation of her work "Aporías Moviles" during the last preparations in the Latin American Aréa of Los Angeles Art Show this January 9, 2018, in Los Angeles (USA). EFE

By EFE

SHARE THIS

The Arts Festival arrives in Los Angeles

JANUARY 13, 2018, 12:06 PM

T

|

LOS ÁNGELES

he Los Angeles Art Show, one of the most important art fairs in the United States, opened its doors loaded with important Latin American works with a social message, such as the murals of the Mexican

José Clemente Orozco, which are exhibited for the first time in the country.

La feria se renueva este año, una vez más, para salirse del estereotipo de una vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países e instituciones como el Museo de las Artes de la Universidad de Guadalajara, México, (MUSA), que presenta "Metaphysical Orozco".

"Tanto que se ha hablado del muro entre Estados Unidos y México, generar o traer de una manera virtual ese muro pintado por (José Clemente) Orozco, con toda la trascendencia y la importancia política y social que esto refleja en la cultura mexicana, me parece increíble", dijo Marisa Caichiolo, directora y curadora del Aréa Latinoamericana de Los Ángeles Art Show.

El esfuerzo de crear un espacio para el público y las instituciones latinoamericanas logró concretar propuestas como la del MUSA, que fue diseñada exclusivamente para la feria y se sirve de la tecnología para darle al público una experiencia única.

"Mi idea era que sintieras lo mismo, o más, que cuando entras a ver los murales en físico, creo que va a ser una experiencia importante para quien la pueda presenciar", aseguró Laura Ayala, coordinadora de Educación y Exposición del museo de la Universidad de Guadalajara (México).

Además de la obra de Orozco, en esta feria tienen cabida propuestas como "Izquierda o derecha", del cubano Antuan Rodríguez, que por primera vez se muestran en la costa este estadounidense.

Se trata de una instalación con 20 bolsas de boxeo con los rostros de líderes mundiales, incluyendo el presidente Donald Trump, con las que los asistentes pueden interactuar.

"Como ellos (el público) ya no pueden acercarse a sus presidentes por lo menos tienen la facilidad aquí de golpearles, darles un beso o rezar" dijo Rodríguez.

Nuna Mangiante, artista argentina elegida para representar el Museo de Arte Latinoamericano de Long Beach (MOLAA), asegura que estas propuestas artísticas llegan a echarle "más sal a la herida" y a resaltar el momento social y político que se vive en todo el continente.

La artista, que trajo desde Sudamérica su exposición "Aporías Moviles", afirma que cada vez mas el arte latinoamericano está poniendo su pie y dejando su huella en ferias como la de Los Ángeles, que logra atraer a más de 70.000 visitantes en los cuatro días de exhibición en el Centro de Convenciones de la ciudad.

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas y Ángel Ricardo, con sus esculturas móviles, encontraron un espacio en la feria.

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición. The UCLA Art|Sci Center presenta "Brainstorming: Empathy", una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que refleja la diversidad que tienen Los Ángeles y su gente", sentenció Caichiolo.

The figures published by the fair on its website have an impact: 20,000 works, 30 million dollars in sales, 70,000 visitors, 300 journalists and 150 people working for the event.

Copyright © 2018, Hoy Los Angeles , a publication of the Los Angeles Times Media Group

The faces of Donald Trump and Nicolás Maduro receive blows in art exhibition in LA

Antuan Rodriguez

1 / 13

(Jad El Reda) Antuan Rodríguez.

Michael Phelps dazzled with dominance of the pool, Kobe Bryant hypnotized on the floor, while Muhammed Ali was the epitome of greatness in a quadrilateral. Like them, other great athletes invited to dream and raise emotions to another level, turning the sport into an art, but whose feeling is really intangible.

The artist Antuan Rodríguez, who performs at the LA Art Show in the Convention Center of Los Angeles until this Saturday, has managed to turn the sport into something tangible, allowing the interaction of the attendees to their presentations.

“La gente interactúa con violencia, pero al mismo tiempo es un proceso para sanar”, dijo Rodríguez sobre su exposición 'A Healing Process' o Proceso de Sanación.

El artista cubano presentó 20 de sus costales de arena para boxeo con imágenes plasmadas de políticos controversiales de todo el mundo, en el que resaltaban los mandatarios Donald Trump de Estados Unidos, y Nicolás Maduro en Venezuela.

Los asistentes al show de arte interactuaban con estos elementos sea con puñetazos, palabras obscenas o simplemente un selfie.

Rodríguez explicó a HOY Deportes que su intención no fue solamente causar la burla a estos políticos pero que invitaba a usar al “deporte como sanación”.

“Es una obra interactiva que permite sacar ese odio por medio de los golpes al rostro de estos políticos”, dijo.

“Es como una catarsis, en el que sacas el odio, el dolor, sanar la energía negativa, por eso la obra se llama ‘A Healing Process’ o 'Proceso de Sanación'”.

El haber usado los costales no fue por casualidad sino que el deporte ha sido parte de su vida y de alguna manera siempre ha logrado fusionarlo con el arte contemporáneo.

“Llevo trabajando muchos años con el tema del deporte”, detalló. “La primera obra precisamente fue esta, en 1998, en Cuba. Se expone por primera vez en 2004, a partir de ahí se empieza la fusión con el deporte, creando un objeto real, porque estas bolsas con hechas como una de boxeo. Fueron cosidas con hilos de nailon, la tela es de un material especial que en contra de agua y se puede usar en el exterior. El sistema está hecho como fabrican una bolsa de boxeo. Estamos creando un objeto del mundo deportivo al arte contemporáneo”.

El oriundo de Santa Clara recordó que durante los 29 años que vivió en la isla se mantuvo activo en las dos ramas. Vivía incluso frente a un centro deportivo de alto rendimiento en donde aprovechaba jugar en las canchas, sea futbol, béisbol u otros.

Su pasión por las artes y los deportes le permitió crear y dirigir el proyecto Base Paint, que consiste en una escuela deportiva en Haití, pero que funciona con el uso además de carpas de campaña pintadas por artistas al igual que él.

“Con la ayuda de otros artistas amigos míos, llevé tres contendores con pupitres, ropa, zapatillas de futbol para aportar al desarrollo del futbol en Haití”, dijo.

Entre sus obras deportivas, Rodríguez dijo tener varias con futbol y béisbol, como la que expuso en una final en Panamá.

“Fue una carta enorme y está hecha con metal, es de siete por ocho pies de grande, doblado como una carta de béisbol”, detalló. “Tiene en los ojos, televisores de 24 pulgadas con un video arte que se transmite por medio de los ojos con personas rotando a través de las pantallas”.

Trump es el favorito Al igual que esta exhibición en Los Ángeles, una de las peticiones más comunes es la del costal de boxeo con la cara de Trump, cuyo precio es de alrededor de $10,000.

“Estas obras se venden individualmente y vienen en paquetes de seis, pero para Donald Trump se hicieron nueve porque son los más populares”, explicó. “La gente lo pide mucho. Se han vendido mayormente para coleccionistas y claro también hay precios para quienes compran varios”.

Aunque en su exposición contó con 20 imágenes políticas masculinas, dijo que también cuenta con la de dos mujeres.

“Me han pedido que traigan mujeres y no he querido hacerlo. No voy a poner a Hillary entre tanto macho, aunque tengo la bolsa de ella también y la de Condoleezza Rice. Aunque también las he exhibido con anterioridad. La gente no les pegan tanto a ellas la verdad (risas)”.

Entre las cosas curiosas que le ha tocado presenciar durante sus exhibiciones, la que más resaltó fue la de un personaje cercano al presidente.

“Un amigo de Trump, cuando expuse esta obra a dos kilómetros de su casa en West Palm Beach, le decía al costal ‘mejor no hables, quédate callado’”, contó el artista de 46 años. “Le tapaba la boca en la bolsa. La gente sabe que él se lo merece, incluso la gente como su mejor amigo, ellos saben que no lo han hecho bien como político”.

Según Marisa Caichiolo, quien es la directora del área latinoamericana de la feria del arte y curadora de la sección Diverse Art LA, la presentación de Rodríguez fue todo un éxito.

"His work is very controversial," he said. "It is very busy and people love the work because people feel that they are in front of a mirror and say 'what this image represents for me in the punching bag'. Actually it seems to me and I see it as a healing, spiritual process. But I think the use of boxing practice, one says 'imagine someone and put your face in the boxing bag' and put a face to the boxing bag, with whom you can download, so good are characters that Somehow they have something to do with corruption and world power, absolute. " Follow Jad on Twitter, Instagram and Facebook: @jadelreda (Jad El Reda) Copyright © 2018, Hoy Los Angeles , a publication of the Los Angeles Times Media Group

Las caras de Donald Trump y Nicolás Maduro reciben golpes en exhibición de arte en LA

Antuan Rodriguez

1 / 13

(Jad El Reda) Antuan Rodríguez.

Michael Phelps deslumbró con dominio de la piscina, Kobe Bryant hipnotizó en la duela, mientras que Muhammed Ali fue la epitome de la grandeza en un cuadrilátero. Como ellos, otros grandes deportistas invitaron a soñar y elevar a otro nivel las emociones, convirtiendo al deporte en un arte, pero que cuyo sentimiento es realmente intangible.

El artista Antuan Rodríguez, quien se presenta en el LA Art Show en el Convention Center de Los Ángeles hasta este sábado, ha conseguido convertir al deporte en algo tangible, permitiendo la interacción de los asistentes a sus presentaciones.

“La gente interactúa con violencia, pero al mismo tiempo es un proceso para sanar”, dijo Rodríguez sobre su exposición 'A Healing Process' o Proceso de Sanación.

El artista cubano presentó 20 de sus costales de arena para boxeo con imágenes plasmadas de políticos controversiales de todo el mundo, en el que resaltaban los mandatarios Donald Trump de Estados Unidos, y

Nicolás Maduro en Venezuela.

Los asistentes al show de arte interactuaban con estos elementos sea con puñetazos, palabras obscenas o simplemente un selfie.

Rodríguez explicó a HOY Deportes que su intención no fue solamente causar la burla a estos políticos pero que invitaba a usar al “deporte como sanación”.

“Es una obra interactiva que permite sacar ese odio por medio de los golpes al rostro de estos políticos”, dijo.

“Es como una catarsis, en el que sacas el odio, el dolor, sanar la energía negativa, por eso la obra se llama ‘A Healing Process’ o 'Proceso de Sanación'”.

El haber usado los costales no fue por casualidad sino que el deporte ha sido parte de su vida y de alguna manera siempre ha logrado fusionarlo con el arte contemporáneo.

“Llevo trabajando muchos años con el tema del deporte”, detalló. “La primera obra precisamente fue esta, en 1998, en Cuba. Se expone por primera vez en 2004, a partir de ahí se empieza la fusión con el deporte, creando un objeto real, porque estas bolsas con hechas como una de boxeo. Fueron cosidas con hilos de nailon, la tela es de un material especial que en contra de agua y se puede usar en el exterior. El sistema está hecho como fabrican una bolsa de boxeo. Estamos creando un objeto del mundo deportivo al arte contemporáneo”.

El oriundo de Santa Clara recordó que durante los 29 años que vivió en la isla se mantuvo activo en las dos ramas. Vivía incluso frente a un centro deportivo de alto rendimiento en donde aprovechaba jugar en las canchas, sea futbol, béisbol u otros.

Su pasión por las artes y los deportes le permitió crear y dirigir el proyecto Base Paint, que consiste en una escuela deportiva en Haití, pero que funciona con el uso además de carpas de campaña pintadas por artistas al igual que él.

“Con la ayuda de otros artistas amigos míos, llevé tres contendores con pupitres, ropa, zapatillas de futbol para aportar al desarrollo del futbol en Haití”, dijo.

Entre sus obras deportivas, Rodríguez dijo tener varias con futbol y béisbol, como la que expuso en una final en Panamá.

“Fue una carta enorme y está hecha con metal, es de siete por ocho pies de grande, doblado como una carta de béisbol”, detalló. “Tiene en los ojos, televisores de 24 pulgadas con un video arte que se transmite por medio de los ojos con personas rotando a través de las pantallas”.

Trump es el favorito Al igual que esta exhibición en Los Ángeles, una de las peticiones más comunes es la del costal de boxeo con la cara de Trump, cuyo precio es de alrededor de $10,000.

“Estas obras se venden individualmente y vienen en paquetes de seis, pero para Donald Trump se hicieron nueve porque son los más populares”, explicó. “La gente lo pide mucho. Se han vendido mayormente para coleccionistas y claro también hay precios para quienes compran varios”.

Aunque en su exposición contó con 20 imágenes políticas masculinas, dijo que también cuenta con la de dos mujeres.

“Me han pedido que traigan mujeres y no he querido hacerlo. No voy a poner a Hillary entre tanto macho, aunque tengo la bolsa de ella también y la de Condoleezza Rice. Aunque también las he exhibido con anterioridad. La gente no les pegan tanto a ellas la verdad (risas)”.

Entre las cosas curiosas que le ha tocado presenciar durante sus exhibiciones, la que más resaltó fue la de un personaje cercano al presidente.

“Un amigo de Trump, cuando expuse esta obra a dos kilómetros de su casa en West Palm Beach, le decía al costal ‘mejor no hables, quédate callado’”, contó el artista de 46 años. “Le tapaba la boca en la bolsa. La gente sabe que él se lo merece, incluso la gente como su mejor amigo, ellos saben que no lo han hecho bien como político”.

Según Marisa Caichiolo, quien es la directora del área latinoamericana de la feria del arte y curadora de la sección Diverse Art LA, la presentación de Rodríguez fue todo un éxito.

“Su obra es muy polémica”, dijo. “Es muy concurrida y la gente adora la obra porque la gente siente que se encuentra frente a un espejo y decir ‘qué representa para mí esta imagen en el punching bag’. En realidad me parece y lo veo como un proceso de sanación, espiritual. Pero me parece que el uso de la práctica del boxeo, uno dice ‘imagínense a alguien y pongan el rostro en la bolsa de boxeo’ y ponerle un rostro a la bolsa de boxeo, con quién te puedes descargar, entonces bueno son personajes que de alguna manera tienen que ver algo con la corrupción y el poder mundial, absoluto”.

Sigue a Jad en Twitter, Instagram y Facebook: @jadelreda (Jad El Reda) Copyright © 2018, Hoy Los Angeles, una publicación de Los Angeles Times Media Group

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Inicia la feria de arte en Los Ángeles Por EFE Publicado miércoles 10 de enero de 2018

LO QUE ESTÁ TRENDING EFE

La artista argentina Nuna Mangiante ultima los detalles de la instalación de su obra "Aporías Moviles" durante los últimos preparativos en el Aréa Latinoamericana de Los Ángeles Art Show este 9 de enero de 2018, en Los Ángeles.

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FOTO A Diego Maradona le negaron la visa a EE.UU. Esta fue la razón

Los Ángeles Art Show, una de las ferias de arte más importantes de Estados Unidos, abre sus puertas cargada de importantes obras latinoamericanas con un mensaje social, como los murales del mexicano José Clemente Orozco, que por primera vez son exhibidos en Estados Unidos.

La feria se renueva este año, una vez más, para salirse del estereotipo de una

4

Revelan inmensidad de antiguas ciudades mayas

vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países e instituciones como el Museo de las Artes de la Universidad de Guadalajara (MUSA), que presenta "Metaphysical Orozco".

5

VIDEO Tiroteo en escuela no fue intencional según autoridades

PRONÓSTICO DEL TIEMPO Los Angeles, CA

80° Arranca en Los Ángeles una de las ferias de arte más importantes

Claro Se siente como 80 °

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DOM

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MAR

79°|55°

78°|53°

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"Los Ángeles Art Show" muestra su compromiso con el arte latinoamericano. (Publicado miércoles 10 de enero de 2018)

"Tanto que se ha hablado del muro entre Estados Unidos y México, generar o traer de una manera virtual ese muro pintado por (José Clemente) Orozco con toda la trascendencia y la importancia política y social que esto refleja en la cultura mexicana me parece increíble", dijo a Efe Marisa Caichiolo, directora y Curadora del Aréa Latinoamericana de Los Ángeles Art Show

CUATRO PREGUNTAS RÁPIDAS ¿Crees que es necesario o innecesario hablar de política en las entregas de premios?

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El esfuerzo de crear un espacio para el público y las instituciones latinoamericanas logró concretar propuestas como la del MUSA, que fue diseñada exclusivamente para la feria y se sirve de la tecnología para darle al público una

Realmente no hay más opción que hacerlo Sin opinión

experiencia única.

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"Mi idea era que sintieras lo mismo, o más, que cuando entras a ver los murales en físico, creo que va a ser una experiencia importante para quien la pueda presenciar", aseguró Laura Ayala, coordinadora de Educación y Exposición del

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Además de la obra de Orozco, en esta feria tienen cabida propuestas como "Izquierda o derecha", del cubano Antuan Rodríguez, que por primera vez se

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Se trata de una instalación con 20 bolsas de boxeo con los rostros de líderes mundiales, incluyendo el presidente Donald Trump, con las que los asistentes pueden interactuar.

"Como ellos (el público) ya no pueden acercarse a sus presidentes por lo menos tienen la facilidad aquí de golpearles, darles un beso o rezar" dijo a Efe Rodríguez.

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Nuna Mangiante, artista argentina elegida para representar el Museo de Arte Latinoamericano de la ciudad californiana de Long Beach (MOLAA), asegura que estas propuestas artísticas llegan a echarle "más sal a la herida" y a resaltar el momento social y político que se vive en todo el continente.

La artista, que trajo desde Suramérica su exposición "Aporías Moviles", afirma que cada vez mas el arte latinoamericano está poniendo su pie y dejando su huella en ferias como la de Los Ángeles, que logra atraer a más de 70.000 visitantes en los cuatro días de exhibición en el Centro de Convenciones de la ciudad.

Drones luminosos vuelan al ritmo de famosas fuentes danzantes El espectáculo iluminará el cielo del Strip durante duración la duración de CES, la convención tecnológica más grande del mundo. (Publicado miércoles 10 de enero de 2018)

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas, y las esculturas nómadas de Ángel Ricardo encontraron un espacio en la feria.

Strippers robóticas causan furor con bailes sensuales

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición, The UCLA Art|Sci Center presenta "Brainstorming: Empathy", una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que refleja la diversidad que tienen Los Ángeles y su gente", sentenció Caichiolo.

Las cifras que publica la feria en su web causan impacto: 20.000 obras, 30 millones de dólares en vebtas, 70.000 visitantes, 300 periodistas y 150 personas trabajando para el evento.

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Menéame Los Ángeles Art Show, una de las ferias de arte más importantes de Estados Unidos, abre hoy sus puertas cargada de importantes obras latinoamericanas con un mensaje social, como los murales del mexicano José Clemente Orozco, que por primera vez son exhibidos en Estados Unidos.

La feria se renueva este año, una vez más, para salirse del estereotipo de una vitrina comercial con una propuesta en la que participan más de 100 galerías de casi 20 países e instituciones como el Museo de las Artes de la Universidad de Guadalajara (MUSA), que presenta "Metaphysical Orozco".

"Tanto que se ha hablado del muro entre Estados Unidos y México, generar o traer de una manera virtual ese muro pintado por (José Clemente) Orozco con toda la trascendencia y la importancia política y social que esto r a mexicana me parece increíble", dijo a Efe Marisa Caichiolo, directora y Curadora del Aréa Latinoamericana de Los Ángeles Art Show

El esfuerzo de crear un espacio para el público y las instituciones latinoamericanas logró concretar propuestas como la del MUSA, que fue diseñada exclusivamente para la feria y se sirve de la tecnología para darle al público una experiencia única.

"Mi idea era que sintieras lo mismo, o más, que cuando entras a ver los murales en físico, creo que va a ser una experiencia importante para quien la pueda presenciar", aseguró Laura Ayala, coordinadora de Educación y Exposición del museo de la Universidad de Guadalajara (México).

Además de la obra de Orozco, en esta feria tienen cabida propuestas como "Izquierda o derecha", del cubano Antuan Rodríguez, que por primera vez se muestran en la costa este estadounidense.

Se trata de una instalación con 20 bolsas de boxeo con los rostros de líderes mundiales, incluyendo el presidente Donald Trump, con las que los asistentes pueden interactuar.

"Como ellos (el público) ya no pueden acercarse a sus presidentes por lo menos tienen la facilidad aquí de golpearles, darles un beso o rezar" dijo a Efe Rodríguez.

Nuna Mangiante, artista argentina elegida para representar el Museo de Arte Latinoamericano de la ciudad californiana de Long Beach (MOLAA), asegura que estas propuestas artísticas llegan a echarle "más sal a la herida" y a resaltar el momento social y político que se vive en todo el continente.

La artista, que trajo desde Suramérica su exposición "Aporías Mo ez mas el arte latinoamericano está poniendo su pie y dejando su huella en ferias como la de Los Ángeles, que logra atraer a más de 70.000 visitantes en los cuatro días de exhibición en el Centro de Convenciones de la ciudad.

Además de ser una de las vitrinas de arte más importante de la costa oeste de Estados Unidos, la feria llega a su edición número 23 decidida a airear su compromiso con la comunidad artística emergente de Latinoamérica, de California y del país.

Artistas como Ramiro Gómez, Raphael Montañez Ortiz, la colombiana Leyla Cárdenas, y las esculturas nómadas de Ángel Ricardo encontraron un espacio en la feria.

"Creo que California esta hecha de inmigrantes, el 90 % habla español, entonces es ridículo no tomar conciencia de eso y darle la importancia que se merece el arte latinoamericano en Los Ángeles" señala Caichiolo.

La colaboración de la ciencia y el arte también tendrá su espacio en esta exhibición, The UCLA Art|Sci Center presenta "Brainstorming: Empathy", una propuesta interactiva para explorar las posibilidades de la comunicación cerebral.

Muestras de obras de China, Japón, Francia y Reino Unido, entre otros, prometen hacer de Los Ángeles Art Show, una de las ferias que marcará el rumbo del arte en Estados Unidos en el 2018.

"No solo ha crecido, sino que ha tenido una metamorfosis que r sentenció Caichiolo.

ersidad que tienen Los Ángeles y su gente",

Las cifras que publica la feria en su web causan impacto: 20.000 obras, 30 millones de dólares en vebtas, 70.000 visitantes, 300 periodistas y 150 personas trabajando para el evento.

Ana Milena Varón

Proveedores de contenidos.

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China News Service* Chinese LA Daily News* Coagula Art Journal* Coast to Coast Newspaper Conde Nast* Cool Hunting Cultural Cocktail Hour* Cultural Weekly* Culver City Observer* CURATE.LA Destination Luxury Discover Hollywood Magazine* DTLA Life Magazine* Eagle Broadcasting Corporation* Easy Reader* Eclat International Magazine* EFE News Agency Electric Machine Media* Entertainment Hollywood Entertainment Voice EPA European Pressphoto Agency Estrella TV (KCRA) ETTV America Evolutionary Media Group Fabrik Magazine* Fashionising Magazine* FestivalsForLife* Film News and Views* Filmosfera* Fine Art Connoisseur Magazine* Flamboyant Ent* Flavorpill Fomoblog.com* For Your Art Garden Collage* GENLUX Magazine Getty Getty Images Great Taste Magazine GURL Museum Day* HERE TV Hi-Fructose Magazine Hollywood Sentinel

Hollywood Press Corps Hollywood Reporter* Hoy Deportes Hoy LA* Huffington Post* Human Nature Magazine* Hyperallergic Ideate TV* Ihals News Agency* Informer Media InterPressService* Investors Business Daily Jetset Times* Jewish Journal & Yediot America* Jimon Magazine Juxtapoz KBS America* KCAQ Gold Coast Broadcasting* KCET Artbound KHTS Radio* KORE Asian Media* Korea Daily* Korea Times* Kuwait L’empereur Magazine* L’oeil de la Photographie LA Arts Online LA Mag LA Review of Books LA Showbiz and News Picture Editor* LA Times La Voz Libre* LA Weekly Larchmont Chronicle* LA TACO* LEFAIR Magazine Leila’s Passport* London Street Art Magazine* London Trust Media* Los Angeles Magazine Lunavision UCLA Connect* Mail Online Manhattan Art Auctions

Medium Mexico’s Notimex News Agency Mexico’s Reforma News Agency MISSBISH* Museum of Modern Art Modern Luxury* Museo del Videojuego* Music on Walls National Public Radio (NPR) NBC Universal New Media Co.* New York Independent Magazine OnMogul* Open Photography Forums* PopImpresska Public TV of Armenia* Rafu Shimpo LA RAT Pack Productions RetroVisions Magazine* Rigel Gemini Running Around Los Angeles* San Francisco Yoga Magazine* Sandoval Media* Santa Monica Observer Schon Magazine Show Biz Reporter Southeast Cities Review Sovo Magazine* St. Pete Buzz on Rhino on Air, WSPF* Stage & Cinema* Style & Society Super Mario Art TBWA/CHIAT/DAY Temple University Interlink Network* The Classy Issue* The Corsair Newspaper* The Daily Express (UK)* The Experience The King’s Touch Media Group* The LA Beat The LA Fashion Magazine* The Observer* The Sulfur Group*

The Taste Makers* TheFumeofSighs.com* Traction Ave Art & Filmworks Press* Ultimate Media Ventures* Under the Radar Mag* Urban Rodeo Media* US News Express* Vanity Fair* VICE, Creators Project* VOA News Vogue Mexico* Vogue Spain* VoyageLA Waterfrom Magazine * WeChooseArt.com* West Hollywood LIfestyle Magazine West Hollywood Today* WestsideMommy.com* Woodworker West Magazine* World Press* www.eylulsavas.com* www.whatthehelldidshesay.com* Xinhua News Agency* XSentrix Media Youku YTN World Zoowhy* ZUMA Press Photo Wire Service*

* = outlet attendance confirmed

MEDIA ACCREDITATION OVERVIEW

OVER 400 ACCREDITATION REQUESTS WERE RECEIVED BEFORE THE SHOW. 278 MEDIA REPRESENTATIVES ATTENDED

MEDIA ASSETS

BIRDMAN PHOTOS: https://www.dropbox.com/sh/f6jwh3kek88zn19/AAD8pNcblth0G7fVTtnEMlbXa?dl=0 ERIC MINH SWENSON PHOTOS: https://www.dropbox.com/sh/t1kvieqnvl9jnur/AACC7f5FKk1REmtKiW7x_ Dy_a?dl=0 KP PROJECTS AFTERPARTY PHOTOS: https://www.dropbox.com/sh/t1kvieqnvl9jnur/AACC7f5FKk1REmtKiW7x_ Dy_a?dl=0 JAY KANTOR PHOTOS: https://www.dropbox.com/sh/sw069ik4vpwr5pk/AADHAT_d2R0Mw1qiAR44CUuxa?dl=0 IMAGE SELECTS PRE-SHOW: https://www.dropbox.com/sh/pho3v83l5hn3y2y/AADL3uC5HJ-s7rOVOkHLcDB_a?dl=0

SIX (6) PRESS RELEASES ATTACHED

SAVE THE DATE January 10 - 14, 2018

The LA Art Show, Los Angeles’ Largest International Art Fair, Returns For 23rd Annual Showcase

OPENING NIGHT PREMIERE Wednesday, January 10, 2018 | 8pm - 11pm

SHOW HOURS Thursday, January 11, 2018 | 11am - 7pm Friday, January 12, 2018 | 11am - 7pm Saturday, January 13, 2018 | 11am - 7pm Sunday, January 14, 2018 | 11am - 5pm

TICKETS $30 - $250 https://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939

LOS ANGELES CONVENTION CENTER - SOUTH HALL 1201 South Figueroa Street Los Angeles, CA 90015

November 7, 2017 | Los Angeles, CA – The LA Art Show ​will return to the Los Angeles Convention Center on January 10 - 14, 2018.

Already the city’s largest international art fair, for its 23rd edition, the showcase is continuing its expansion into the global art market with a new partnership with The Museum of the Arts of Guadalajara. The fair will host even more international exhibitors than last year, with over 100 galleries from more than 18 countries with an emphasis on the Pacific Rim, including China and Japan, as well as France, the United Kingdom and Mexico.

Returning exhibitors so far include heavyweights Patrick Painter, Timothy Yarger, SM Fine Art and more. ROOTS, a section devoted to historical works, returns for the second year in a row with exhibitors such as MS Rau Antiques, Rehs Gallery and Maxwell Alexander, to name a few. Littletopia will return with the rising galleries of the contemporary lowbrow art scene. DESIGN LA will be a new addition to the show, focusing on functional art, modern furniture, accent decor, architectural objects, jewelry and more. Additional details will be announced as they are confirmed.

For the 2018 edition, the LA Art Show Show will continue the on-site programming debuted last year in partnership with SoCal art institutions such as LACMA, The Autry Museum of the American West, the Museum of Latin American Art and more. Special presentations confirmed so far include SM Fine Art’s Kim Tae-Ho showcase, Timothy Yarger’s exhibition of Cristobal Valecillos, Antuan Rodriguez’ “Left or Right” punching bags, and the sculptures of Lee Jae Hyo.

“​There is a spotlight on Los Angeles today,” says LA Art Show producer and partner Kim Martindale. “It has become a center of excellence for the production and presentation of contemporary art. Last year, the Show expanded its civic role by providing a platform to some of Southern California’s largest art institutions. With the balance between museums and exhibitors established as our new base, this year we are redoubling our efforts to engage visitors with the wealth of world-class art being produced and presented all around the globe as well as here in Los Angeles.”

LA Art Show’s Opening Night Preview and Premiere Party, which will be held on January 10, 2018, will donate a portion of its ticket proceedings to a charitable organization. St. Jude Children’s Research Hospital is returning as this year’s beneficiary. Last year, the evening was attended by more than 7,000 VIPs and hosted by Emma Roberts.

Gallery submissions are currently being accepted. For more information please contact ​info@laartshow.com​ or call 310.822.9145.

Stay Up to Date On ARTSY https://www.artsy.net/la-art-show

About the LA Art Show

The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, influencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology and travel being specific passion points. ​www.LAArtShow.com

Media Inquiries: Hijinx PR | Heidi Johnson | ​heidi@thinkhijinx.com​ | 323.204.7246

​ ​ The LA Art Show Launches DESIGN LA ART to Celebrate the Harmony and Intersection of Furniture, Decor, Architecture & Fine Art

OPENING NIGHT PREMIERE Wednesday, January 10, 2018

SHOW HOURS Thursday, January 11, 2018 | 11am - 7pm Friday, January 12, 2018 | 11am - 7pm Saturday, January 13, 2018 | 11am - 7pm Sunday, January 14, 2018 | 11am - 5pm

TICKETS $30 - $250 https://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939

LOS ANGELES CONVENTION CENTER - SOUTH HALL 1201 South Figueroa Street Los Angeles, CA 90015

November 16, 2017 | Los Angeles, CA – For over 20 years, the LA Art Show has created a unique showcase of world-class galleries, drawing discerning collectors from around the globe. In January 2018, the LA Art Show is expanding these offerings with the launch of DESIGN LA ART, a designated

area for exhibitors of modern furniture, accent decor, architectural objects and jewelry. The exhibitions in DESIGN LA ART will be displayed in a series of circular, open-area vignette spaces to highlight the increasing intersections of the fine art and design worlds.

In honor of DESIGN LA ART’s inaugural presence, complimentary access to the fair will be extended to members of the Los Angeles design community on Thursday, January 11. That day’s DIALOG LA programming will be dedicated to panel discussions about the overlap and fusion of art and design. Tours hosted by today’s leading design professionals will guide patrons through the exhibits.

The centerpiece of DESIGN LA ART will be the work of Korean artist Lee Jae-Hyo, world-renown for his immaculately formed, intricate sculptures that perfectly fuse the aesthetics and craft of fine art with the functionality of benches, stools, tables and various architectural objects. His work will also be on view at the Simyo Gallery booth.

“Los Angeles has emerged as a major destination for the arts,” explains LA Art Show producer and partner Kim Martindale. “With DESIGN LA ART, we are honoring the city’s already rich history in the realms of design and architecture, as well as presenting forward-looking programming about the growing fusion of these two disciplines. Every aspect of this space has been created to provide context on how art and design intersect.”

Gallery and exhibitor submissions are currently being accepted. For more information please contact ​info@laartshow.com or call 310.822.9145.

Stay Up to Date On Artsy https://www.artsy.net/la-art-show

About the LA Art Show

The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, influencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology and travel being specific passion points. ​www.LAArtShow.com

Media Inquiries: Hijinx PR | Heidi Johnson | ​heidi@thinkhijinx.com​ | 323.204.7246

​ ​ ​ ​ The LA Art Show Announces Special Presentations w/ MUSA Museum of the

Arts Guadalajara, MOLAA, UCLA Art | Sci Center, Antuan Rodriguez & More For

Groundbreaking Slate of Latin-American Exhibitions OPENING NIGHT PREMIERE Wednesday, January 10, 2018

SHOW HOURS Thursday, January 11, 2018 | 11am - 7pm Friday, January 12, 2018 | 11am - 7pm Saturday, January 13, 2018 | 11am - 7pm Sunday, January 14, 2018 | 11am - 5pm

TICKETS $30 - $250 https://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939

LOS ANGELES CONVENTION CENTER - SOUTH HALL 1201 South Figueroa Street Los Angeles, CA 90015

November 20, 2017 | Los Angeles, CA – As LA rises as the world-class destination for art, the LA Art Show continues to lead the way with innovative programming and one-of-a-kind experiences for an expanding collecting audience. Building on last year’s excitement, DIVERSEartLA programming dedicates over 60,000 square feet in the LA Art Show to performance art, installations, exhibits and programs highlighting the vast diversity of the global contemporary art world. ​Under the curatorial direction of ​Marisa Caichiolo, the showcase is continuing its expansion into the Latin-American art market with special programming featuring The MUSA Museum of the Arts Guadalajara, Museum of Latin American Art (MOLAA), The UCLA Art | Sci Center, Building Bridges Art Exchange and Antuan Rodriguez. Many of these exhibits are showing outside of Latin America for the first time ever.

The MUSA Museum Guadalajara, Mexico will be exhibiting ​Metaphysical Orozco​, showing for the first time ever in the United States. ​Metaphysical Orozco is a retrospective of the work of muralist José Clemente Orozco, one of the most important early to mid-20th century artists in the state of Jalisco and a central figure in Mexican muralism. During the post-revolutionary years, this

artistic movement, based on the creation of monumental pictorial works, conveyed ideas regarding national identity while also highlighting the principles that define human dignity and the transcendence of social struggles throughout the world. The installation treats the public to an audiovisual exploration of the fields of thought found within Orozco’s murals, as well as the history and themes that inspired them. The master works will be projected using 3D video mapping accompanied by a musical soundtrack, giving visitors a comprehensive sensory experience that will be complemented by informative graphic material.

The Museum of Latin American Art (MOLAA) will be exhibiting the world premiere of ​Aporías Moviles​, an installation by Argentinian artist Nuna Mangiante. ​Aporías Moviles is a multi-media installation featuring portraits with obscured faces on display with various construction and building materials. It speaks of urban transformations as an emerging social reality in Latin America. “From my first exhibition I made decisions regarding several things: forms, the economy of means, the definition of simple but forceful,” says Mangiante. “When I elaborate the photos of the objects and the urban landscapes, I subject them to what I want to express, I enclose the meaning with geometric forms in order to help decipher the riddles of my work, transforming them into drawings. By isolating objects from their environment they become symbols of themselves, and when I apply to them a flat graphite cover, a distortion occurs. A distortion always implies a comparison between what is and what it should be. The distortion creates the controversies in the resulting image.”

The UCLA Art | Sci Center will present ​Brainstorming: Empathy ​a performance/experience work created by Victoria Vesna in close collaboration with neuroscientist Mark Cohen. They are exploring the possibilities of brain to brain communication. “These are part of a larger area of research into the physical associates of mental processes such as emotions and feelings,” says Caichiolo. “It has evolved since to include the idea of embodied intelligence in the form of an octopus crown worn by participants.”

Building Bridges Art Exchange​, the ​International Association of Synaesthetes, Artists, and Scientists ​and ​UCLA Art | Sci are collaborating together to present ​Synesthesia: What is the taste of color Blue? Curated by Marisa Caichiolo, Synesthesia is an inherited trait, like red hair or brown eyes, and is found in less than 3.75 percent of the world's population. It is defined as a cross-firing of any one of the five senses in which one sensory experience triggers additional sensory experiences in one or more of the other four senses. Synesthesia does not replace one sensory mode with another; it adds perceptions from another sensory modality to the initial "normal" perceptions. There are at least 60 different forms of synesthesia.

Plantigrade ​an experiential installation by Marcos Lutyens. The installation presents patrons with a psycho-synthetic terrain they are invited to walk across barefoot, paying special attention to the sensations of color and texture coming through their feet. This is a sensibility developed by surrealist writer René Daumal, called paroptic vision, and by extension para-tactile sensing. The project has been enhanced with the collaboration of celebrated author and neurologist Richard E. Cytowic.

Space Palette ​by Tim Thompson & Paul Sable is a musical and graphical instrument invented by ​Tim Thompson that lets you play music and paint visuals simultaneously by waving your hands in the holes of a wood frame. No pre-recorded media, sequences, or loops are used—everything is generated in realtime by your hands.

Antuan Rodriguez​’ “Left or Right” is a healing project curated by Marisa Caichiolo. This interactive installation depicts different world leaders and tyrants, and will allow the spectator, through the punching of the bags, to release anger, hatred and resentment. This release of negative emotions will transform these objects into tools of detoxification and mental healing. Current global politics has created an environment of disrespect for humanity and our planet. Lack of harmony, senseless wars, violence, racism, ignorance, loss of values and principles, lack of consciousness, super egos and demagoguery, corruption, disrespect of women, false promises, and outright lies.

Additional gallery and exhibitor submissions are currently being accepted. For more information please contact ​info@laartshow.com or call 310.822.9145.

About the LA Art Show

The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, influencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology and

travel being specific passion points. ​www.LAArtShow.com

Media Inquiries: Hijinx PR | Heidi Johnson | ​heidi@thinkhijinx.com​ | 323.204.7246

​ ​ The LA ART SHOW’s Littletopia Will Present MARGARET KEANE With Lifetime Achievement Award, Honor JUXTAPOZ Co-Founder GREG ESCALANTE

OPENING NIGHT PREMIERE Wednesday, January 10, 2018

SHOW HOURS Thursday, January 11, 2018 | 11am - 7pm Friday, January 12, 2018 | 11am - 7pm Saturday, January 13, 2018 | 11am - 7pm Sunday, January 14, 2018 | 11am - 5pm

TICKETS $30 - $250 https://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939

LOS ANGELES CONVENTION CENTER - SOUTH HALL 1201 South Figueroa Street Los Angeles, CA 90015

December 18, 2017 | Los Angeles, CA – ​For the past four years, the Littletopia section of the LA Art Show has been one of the most trafficked areas of the fair, giving space to some of the newest and freshest voices in the contemporary art world. Curated by Red Truck Gallery, Littletopia has showcased some of the fastest rising low-brow and pop art galleries, curators and artists in the world.

In addition to the dozens of exhibitors participating in Littletopia, each year the mini fair is punctuated with an awards ceremony. In 2018, Margaret Keane of iconic “Big Eyes” fame will be honored with a special Lifetime Achievement Award, presented by artist Mab Graves. Keane Eyes Gallery of San Francisco will be exhibiting a retrospective of her career, entitled “Margaret Keane: A Survivor And Woman of Two Centuries.” Graves credits her as one of his biggest creative influences.

Instrumental in past Littletopia programming is low-brow pioneer, gallerist and Juxtapoz Magazine co-founder Greg Escalante, who passed away unexpectedly earlier this year, sending shockwaves through the entire contemporary art world. Juxtapoz Magazine will pay tribute to the icon and his legacy this year throughout the Littletopia fair, including a sponsored bar featuring a site-specific mural by ​Jillian Evelyn, as well as an altar.

For the first time ever, Superchief Gallery LA will participate in the fair. They will be showcasing the centerpiece of their most recent exhibition: a 22 foot long “space boat” created by Bunnie Reiss for her “Space Angels” solo show, made in the memory of the victims of the Ghost Ship art community fire that happened in Oakland last December. After the awards ceremony on Thursday, January 11, Superchief Gallery will host the official after party at their space in downtown Los Angeles.

Each year, the entrance to the Littletopia art fair is marked by an iconic archway. In 2018, the archway will be produced

by Dennis McNett (aka Wolfbat), an internationally renown muralist and installation artist known for his incredible details in his psychedelic style.

Gallery and exhibitor submissions are currently being accepted. For more information please contact info@laartshow.com​ or call 310.822.9145.

Stay Up to Date On Artsy https://www.artsy.net/la-art-show

About the LA Art Show

The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, influencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology and travel being specific passion points. www.LAArtShow.com

Media Inquiries: Hijinx PR | Heidi Johnson | ​heidi@thinkhijinx.com​ | 323.204.7246

GLOBAL ARTWORLD & HOLLYWOOD LUMINARIES CELEBRATED LA’s RISE AS A WORLD ARTS CAPITOL AT 23rd ANNUAL LA ART SHOW OPENING NIGHT GALA Jon Hamm Hosted Star-Studded Party Benefiting St. Jude Children’s Research Hospital With Attendees Emma Roberts, Matthew Modine, Jay Duplass, Aldis Hodge & More

SHOW HOURS Thursday, January 11, 2018 | 11am - 7pm Friday, January 12, 2018 | 11am - 7pm Saturday, January 13, 2018 | 11am - 7pm Sunday, January 14, 2018 | 11am - 5pm LOS ANGELES CONVENTION CENTER - SOUTH HALL 1201 South Figueroa Street Los Angeles, CA 90015 TICKETS https://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939

January 11, 2017 | Los Angeles, CA – ​On Wednesday, January 10, Hollywood and artworld stars alike gathered at the Los Angeles Convention Center for the Opening Night Party of the 23rd annual LA Art Show, boasting record breaking attendance. 100% of proceeds from VIP Vanguard and Patron tickets, and 15% of proceeds from Friend tickets went to benefit the lifesaving mission of St. Jude Children’s Research Hospital.

Emmy and Golden Globe Award-winning actor, director and producer Jon Hamm graciously hosted the evening on behalf

of St. Jude. Last year’s host Emma Roberts joined the festivities, along with VIPs such as Matthew Modine, Jay Duplass, Aldis Hodge and many more.

Opening Night Premiere Party attendees got to enjoy a sneak peek of the LA Art Show’s premiere installations, such as the Metaphysical Orozco exhibit by MUSA Museum of the Arts of Guadalajara, Antuan Rodriguez’ “Left or Right” punching bags, Bunnie Reiss’ Space Boat in Littletopia and more. The LA Art Show’s expansive roster features more than 30 special installations comprising the Featured Programming and DIVERSEartLA lineups, and more than 100 galleries exhibiting from all over the world. Throughout the evening, attendees were treated to special performances by Pandemonia, presented by Art All Ways, and of Cristobal Valecillos’ YARE: One More Dance, presented by Timothy Yarger Fine Art. The LA Art Show opens to the public at 11am on Thursday, January 11, 2018 and run until Sunday, January 14, closing at 5pm. Day One of the Fair will feature a lecture by Matthew Modine about his Full Metal Diaries exhibit, Collectors in Conversation Dialogue, and live drawing by Korean artist Jung-Gi Kim. At 5:30pm under the Littletopia archway, Margaret Keane will be honored with a Lifetime Achievement Award, presented

by Mab Graves. This will immediately be followed by the memorial of JUXTAPOZ co-founder Greg Escalante, presented

by Robert Williams.

Stay Up to Date www.laartshow.com About the LA Art Show The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, influencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology and travel being specific passion points. www.LAArtShow.com

About St. Jude Children’s Research Hospital St. Jude Children’s Research Hospital is leading the way the world understands, treats and defeats childhood cancer and other life-threatening diseases. Everything we do is centered on our mission: Finding cures, Saving children. St. Jude freely shares the discoveries we make, so one child saved at St. Jude means doctors and scientists worldwide can use that knowledge to save thousands more children. Families never receive a bill from St. Jude for treatment, travel, housing or food—because all a family should worry about is helping their child live.

Media Inquiries: Hijinx PR | Heidi Johnson | ​heidi@thinkhijinx.com​ | 323.204.7246

23rd ANNUAL LA ART SHOW CEMENTS LOS ANGELES’ STATUS AS A WORLD-CLASS ART & CULTURE CAPITAL With Record-Breaking Attendance And the Largest, Most Diverse Programming Line-Up to Date, the LA Art Show Becomes the Biggest International Art Fair On the Pacific Rim

January 15, 2017 | Los Angeles, CA – ​The ​LA Art Show kicked off 2018 with a bang, featuring the largest and most diverse lineup of programming in its 23 year history. From January 10 - 14, the Show packed the LA Convention Centers’ 260,000 square feet of exhibition space with over 100 galleries from more than 18 countries, including South Korea, China, Japan, Germany, Spain, France, United Kingdom, Austria and more. Rebranded as ​DIVERSEartLA​, Southern California’s most prestigious art institutions including ​LACMA​, ​MOLAA​, ​The Autry and more returned for the second year in a row to create exclusive programming highlighting the immense diversity of art and creativity that defines our region.

The California African American Museum and ​MUSA Museum of the Arts of Guadalajara were among the exhibitors for the first time ever.

On January 10, the LA Art Show premiered with a star-studded Opening Night Gala featuring Hollywood and artworld stars alike. Emmy and Golden Globe Award-winning actor, director and producer ​Jon Hamm graciously hosted the evening on behalf of ​St. Jude Children’s Research Hospital​. Last year’s host ​Emma Roberts joined the festivities, along with VIPs such as ​Matthew Modine​, ​Jay Duplass​, ​Aldis Hodge and many more. 100% of proceeds from VIP Vanguard and Patron tickets, and 15% of proceeds from Friend tickets went to benefit the lifesaving mission of St. Jude.

Nearly 6,500 VIPs supported the charity at the gala.

On January 11, the LA Art Show opened to the public and brought in nearly 70,000 attendees over the next four days, delighting with more highlights and featured exhibitions than ever before.

As part of the DIVERSEartLA programming, ​The MUSA Museum Guadalajara, Mexico exhibited ​Metaphysical Orozco for the first time ever in the United States—a digital projection of the works of legendary Mexican muralist Jose Clemente Orozco. ​The Museum of Latin American Art (MOLAA) made the world premiere of ​Aporías Moviles​, an installation by Argentinian artist Nuna Mangiante. ​The UCLA Art | Sci Center presented ​Brainstorming: Empathy, ​a performance/experience work created by Victoria Vesna in close collaboration with neuroscientist Mark Cohen. Other installations included ​Synesthesia: What is the taste of color Blue?​, ​Plantigrade ​an experiential installation by Marcos Lutyens and ​Space Palette ​by Tim Thompson & Paul Sable. ​Antuan Rodriguez​’ “Left or Right” ​proved to one of the most popular exhibits of the fair, with attendees literally wailing on the punching bag depicting Trump.

On the evening of the opening day, ​Margaret Keane was honored under the ​Littletopia archway with a Lifetime Achievement Award, presented by ​Mab Graves​. This was followed by the memorial of JUXTAPOZ co-founder ​Greg Escalante​, presented by ​Robert Williams​.

Friday featured performances by the mysterious ​Pandemonia​, a number of Dialogs and live drawing by Korean comic artist ​Jung-Gi Kim​. Saturday, traffic at the fair exploded, with long lines and even a few celebrity sightings, including Adrian Grenier and ​Wilmer Valderrama​. A healing meditation was held in the morning at Antuan Rodriguez’ “Left or Right” punching bag exhibit. Sunday saw the highest level of traffic for the weekend, with thousands upon thousands of attendees trying to see all the art and exhibitions they hadn’t seen yet before the show closed at 5pm.

Gallerists interviewed all mentioned a noticeable increase in traffic from last year, high sales and greater interest than they have in previous year. Several galleries even sold most of their work before the weekend ever started. ​Simard Bilodeau Contemporary sold both of 22-year-old artist ​Yalda Sepahpour’s works before the weekend was over, including her large scale 82” x 180” triptych “Flamingos.”

The 24th edition of the LA Art Show is schedule for January 23 - 27, 2019. Please save the dates.

About the LA Art Show The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, influencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology and travel being specific passion points. www.LAArtShow.com

Media Inquiries: Hijinx PR | Heidi Johnson | ​heidi@thinkhijinx.com​ | 323.204.7246