Kristen Fong - Portfolio

PORTFOLIO

KRISTEN FONG

Hello Slant’d team!

I took the creative liberty to reimagine my portfolio into more of a “magazine”. Each piece can be considered individually, but together they are a peek into my designs and creations over the years.

Thank you for your consideration and I hope you enjoy.

02 / Pod Living 06 / Habitat 67 08 / The Shed 10 / Same but Different 16 / The Loop 18 / Spectacle of Motion 22 / Kitchen Network 26 / Daily Bruin 28 / Risograph Print

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POD Living an exploration of life on Mt. Wilson

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Landscape Studio Instructor: Mohamed Sharif UCLA A.UD Fall 2016

This project explores the different scales of living and being with nature among the backdrop of the Mt. Wilson Observatory.

Using the basic building block of the sleeping pod as an individual unit, how does a small village of 100 people dwell in this landscape?

Since the units are solely for resting, each other area of living was reprogramed into the existing buildings. This creates a spectrum of living styles. On one hand, inhabitants are embedded into nature and on the other, they are embedding into the landscape of buildings and technology. The act of leaving one’s pod alters the level of interaction with both human and nature.

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Building Design + Landscape Studio Instructor: Mohamed Sharif UCLA A.UD Fall 2016

The effect of Habitat’s aggregated units is obfuscation. The materiality of concrete flattens perception and only the window, door, and garden allow you to distinguish units. The uniformity of the exterior is contrasted by customizable interiors. The exterior shell for each unit is structural.

The interiors are blank canvases awaiting inhabitants to finish realizing them.

habitat 67 a visual case study

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th SH

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Introductory Design Studio Instructor: Erin Besler UCLA A.UD Fall 2015

In this atypical shed, I became interested in how the concept of variation could be used as a method of design and focused specifically on the roof. Typically roof types are understood in very defined ways. However, geometric analysis reveals something that is very clearly defined begins to fall out of its limits - changing from one type to another.

By defining the constraints and rule-set as a type of tool, which in this situation is the miter angle of a rafter and number of cuts, the rules produces a variety of new forms. These new forms now define the shed. There is now variety in both the part-part (rafter to rafter) and part-whole (rafter to shed) relationships.

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Same... ...but different explorations in the materiality of white

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On Topography Studio Instructor: Wonne Ickx UCLA A.UD Fall 2019

Inspired by John Lautner’s integration of the natural landscape and man-made materials into his work, this collection of 100 white things & objects seeks to challenge how a singular color (or in this case “lack” thereof) is perceived through its many different forms. White was chosen for its ability to be blank (and because we thought it would be easy to find 100).

The items were collected (or stolen) from our homes, friends, studio, the bathroom down the hallway, really just anything and anywhere we could find something white.

Spice jar bottles served as a container but limited what could be collected. Some liquid, some aggregate, some too big so they had to be cut/broken/ crumpled down to fit, some even edible but mostly not.

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Same...

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...but different.

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THE LOOP

On Topography Studio Instructor: Wonne Ickx UCLA A.UD Fall 2019 +4.00m

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+ 0.00m

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Concrete Decking Retaining Wall Concrete Paving Drainage Retaining Steps

Planter Soil Soil Drainage

DETAIL A

+ 15.00m

+ 11.00m

+ 7.00m

+4.00m

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- 4.00m

in the historic Bunker Hill of DTLA, a dance school sets the stage to explore the formal engagement with topography.

1:250

1. Ticketing / Reception 2. School Lounge 3. Small Performance Hall 4. Large Performance Hall 5. Library / Research 6. Dormitory Living Space 7. Olive St. Access 8. Backstage

Mechanical Airducts

Concrete Decking Retaining Wall Concrete Paving Drainage Thermal Accoustical Insulation

Retaining Steps

Theater Equipment

Planter Soil Soil Drainage

Performance Hall

DETAIL A

+ 15.00m

+ 11.00m

+ 7.00m

THE LOOP’S FORMAL HARDSCAPE MEETS THE 2ND-FLOOR PROVIDING EACH RESIDENCE WITH THEIR OWN PRIVATE ACCESS TO THE SHARED TERRACED HILL.

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1. Hill St. Access 2. Roof / Landscape / California Plaza Access 3. Locker Rooms 4.Dance School Lounge 5. School Main Entrance 6. Dormitory Access / Entrance

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1:250

1. Ticketing / Reception 2. School Lounge 3. Small Performance Hall 4. Large Performance Hall 5. Library / Research 6. Dormitory Living Space 7. Olive St. Access 8. Backstage

UNDERGROUND, THE RESTAURANT FEATURES A DRAMATIC SKYLIGHT AND THE THEATRE’S LIGHTING MIMICS THE TERRACED LAND ABOVE.

Mechanical Airducts

Thermal Accoustical Insulation Theater Equipment

Performance Hall

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THE TERRACE ENGAGES WITH THE SCHOOL THROUGH CREATING AN INDOOR-OUTDOOR STUDENT LOUNGE.

1:250

1. Hill St. Access 2. Roof / Landscape / California Plaza Access 3. Locker Rooms 4.Dance School Lounge 5. School Main Entrance 6. Dormitory Access / Entrance

THE LOOP EXTENDS FROM THE CONTOURED ARTIFICIAL HARDSCCAPE AND MOMENTS OF THE BUILDING’S INTERSECTION ARE CAPTURED.

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motion

spectacle of

How can the spectacle of firemen going out for a call influence design?

This fire station is organized around the dimension of speed through a series of curves and radii. There are two sets of curves corresponding to two types of movement, those for the equipment - the trucks - and those for the people - the firemen.

Adding another dimension of movement, the two slides in place of fire poles are where the main spectacle occurs.

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Fire Station Studio Instructor: Gabriel Fries-Biggs UCLA A.UD Spring 2018

Thinking about adjacency and efficiency, the other interior programs pull away from the main apparatus bay. Using the specific truck turning radii, pathways create curves for the rest of the program to inhabit The orchestrated performance of movement on the interior is registered legible on the exterior through a system of lines and louvers as ornament. The closer the spacing the more private, and the wider the more public.

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kitchen Workhouse: Graduate Thesis Instructor: Hitoshi Abe UCLA A.UD Spring 2019

In the culinary world of Kitchen Network, the three main players are: student chefs, established chefs, and dining guests. A variety of experiences is provided through a unified space by analyzing the relationships between the three.

Congruently, there are alos three layers of program. The perimater consists of nine distinct dining experiences meanwhile the interior serves as the educational and office coworking spaces. The two are connected by the network of kitchen - figuratively and literally uniting diners, chefs, and student.

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Daily Bruin Top: Layout design for a story on the new tech of 3D-printing, Prime literary magazine.

Bottom Left: Front page design for UCLA’s annual Dance Marathon story, DB newspaper.

Bottom Right: Art direction for the dorm room themed covers of UCLA’s back-to-school special registration issue, DB newspaper. Also lent some props like the tennis racket.

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Select works from my time at UCLA’s Daily Bruin 2012-2014

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risograph print

Layer 1: magazine collage w/ sunflower yellow ink

Layer 2: hand-drawn marker w/ fluorescent pink ink

Intro to Riso Reclaim Clay Collective 2023 28

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THANK YOU.