MENSWEAR A U T U M N 2 016
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INTRODUCIN G MAYA HAWKE IN OUR SPRIN G 17 PREVIEW
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Ta g your photos w ith #B ike rPortra its a nd yo ur ci t y c ould be the loc a tion of our new B ike r Portra its c a mpa i gn.
EDITORʼS INTRO
Ed i t o r i a l i n t r o d u c tio n b y C h ie f Ex e c u t i v e o f Al l S a in ts , Willia m K im.
38 ALL SAINTS S TUDIOS
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D is c ove r our c ine ma togr aphy c olle c tion c a pturing fil m and mus ic bra nd ins pira tio n, f i l m ed e xc lus ive ly for A llSa i nt s.
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In t r o d u c i n g o u r A u tu mn c o llec tio n in “To k y o R e m o t e C o n tro l” ; a s h o rt film sh o t a c r o ss th e n e o n b a c k d ro p of To k y o .
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42 NEW MUSIC CIT Y
D oc ume nting the A llS ai nt s m usi c s c e ne a c ros s the globe i n t hi s e xc lus ive film s e rie s .
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SEPTEMBER LOOKBOOK
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Ou r c u r r e n t c o l le c tio n , s ty led o u r wa y, e v e r y m o n th .
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THE BIKER
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Ma st e r t h i s se a s o n s w ard ro b e w ith desi g n i n sp i r a t i o n an d ex p e rt ad v ic e fro m o u r Al l Sa i n ts s ty lis ts .
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Ins pire d by 70’s punk s tyle , our ic onic A llSa ints bike r is a w a rdrobe e s s e ntia l this s e a s on.
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FAR FROM HERE Introducing Maya Hawke in our Spring 17 preview.
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A U T U M N 16 / / 0 3
EDITORʼS INTRO
ALL SAINTS // AU TU M N16
FUTURE OF DESIGN THINKERS ON A GLOBAL QUES T WITH THE EAS T LONDON L ABEL IN TRO DUC TIO N BY WI LLI A M KI M
Do n e c n e q u e l e c tu s , e g es ta s v itae q u a m e u , c ons e qua t po r t a i p su m . Nu llam tris tiq u e ru tru m d o lo r id gra vida viv a m u s c o n g u e , le c tu s v e l p elle n tes q u e mole s tie , au g u e n i si p o r t t ito r d iam, in e le ife n d ero s me tus a c la c u s p l a c e r a t . C u m so c i i s n a to q u e p en atib u s e t ma gnis dis par t u r i e n t m o n t e s , n as c e tu r rid icu lu s mu s . Viva mus ma t t i s d a p i b u s imp erd iet. Ves tib u lu m q u a m ma gna , dig n i ssi m se d e lit s ed , a c c u ms an ele ife n d ma s s a . In tin c i d u n t e n i m tu rp is , a s a g ittis n u n c p o rta vita e . Ph a se l l u s v e l c o n g u e d u i, eu p la c e ra t e ro s . M a e c e na s co m m o d o f e r m en tu m p u ru s , a tin cid u n t u rna . N ulla nec n i si p h a r e t r a la c u s fe u g ia t co n g u e . o rn a re a c nunc
0 4 / / A U T U M N 16
N unc e t le o vita e turpis s us c ipit e le ife nd ut si t am et e ros . N a m luc tus te mpus a ugue , a t fa u ci bus augue da pibus s it a me t. Se d ma ttis mi da pi bus sodal es va rius . N ua lique t a lique t pha re tra . Se d pret i um , er os a pulvina r a c c ums a n, ne que a rc u pulvi nar m agna, ve hic ula c ons e qua t e nim purus in quam . I n hac ha bita s s e pla te a dic tums t. Proin a rc u le c tu s, hendr er i t tris tique vulputa te ve l, e ge s ta s e ge t s a pi en. Mor bi ma uris jus to, he ndre rit vita e s oda le s a, gr avi da rhonc us la c us . N a m fa uc ibus . C ra s e le m ent um dol or ve l s oda le s luc tus . Pha s e llus vita e do l or egest as ia c ulis nis l id c ommodo ve hic ula . N unc non odi o si t a me t ma uris dic tum.
EDITORʼS INTRO
Lo r e m i p su m d o lo r s it ame t, co n s e c te tu r adipis c ing el i t . Do n e c f a u cib u s q u is ris u s q u is ru tru m . D one c eg e t d i c t u m p u r u s , et c o n v allis ma g n a . Viv a mus quis ma x i m u s t u r p i s. F u s c e s e d s o d ale s q u a m. P elle nte s que to r t o r l i g u l a , se mp e r in u ltric e s s e d , a liq u a m a c la c us . In c o n se c t e t u r elit a c la c u s s ce le ris q u e , fringilla co n d i m e n t u m n i s i frin g illa . Ve s tib u lu m ru tru m ia c ulis le o , i a c u l i s sc e l e ris q u e mag n a v o lu tp at in . M a e c e na s at l o r e m i m p e r d iet, d ig n is s im d iam s it a me t, dignis s im ar c u . Su sp e n d i s s e s it a me t v es tib u lu m d olor. In pla c e r a t si t a met leo ma ttis fin ib u s . A liqua m ve l co n se c t e t u r t e l l u s . D u is v itae ferme n tu m jus to, s it am e t v e st i b u l u m lec tu s . F u s c e q u is fe u g ia t nis l. Se d hen d r e r i t u l t r i c es d o lo r, e g et u lla mc o rp e r ju s to orna re eu . C l a ss a p t e n t tac iti s o c io s q u a d lito ra to rque nt pe r co n u b i a n o st r a , p e r in c e p to s h ime n ae o s . Pha s e llus eg e t i p su m n o n ma s s a v iv e rra d ig n is s im v e l id a nte . Pr a e se n t c o n g u e fac ilis is p u lv in ar. In lu ctu s turpis ne c ma ssa v u l p u t a t e mo llis . F u s ce u ltric ie s p o rtt itor ve lit eg e t g r a v i d a . Fu s c e eu is mo d e u a u g u e lac in ia ultric e s . In q u i s l e c t u s s ce le ris q u e , u ltric e s ma u ris s it a me t, ac c u m sa n n i si . P e lle n tes q u e p o rttito r p u ru s in a ugue su sc i p i t a l i q u a m. N u n c in efficitu r tu rp is , e u va rius ip su m . Do n e c ma le s u ad a e ra t n u lla . S u s pe ndis s e te m p u s, t u r p i s v el v ariu s s emp er, mag n a la c us la ore e t do l o r, n o n m a x i m u s d ia m q u am s it a me t n ib h . A e ne a n qu i s l e c t u s h e n drerit, imp erd iet mau ris e t, s ollic itudin dia m . C u r a b i t u r e u o rci n u n c . S e d a rc u ju s to , tinc idunt in v i v e r r a i d , r h o n cu s n o n o d io . S e d ru tru m ips um a c orc i v o l u t p a t v e h icu la. In te g er c o n g u e , n is i quis la c i n i a p h a r e t r a , le o lec tu s tin c id u n t v e lit, a porttitor en i m d i a m se d m i. Ves tib u lu m p u lv in ar a u ctor e ra t s e d pla c e r a t . Ma e c e n a s et u rn a eg et mas s a volutpa t ma l e su a d a . C l a s s ap ten t ta c iti s o c io s q u a d litora to r q u e n t p e r c o n u b ia n o s tra, p er in c e p to s h ime na e os . Na m i a c u l i s c o n v allis p u ru s ru tru m ma x imu s . A e ne a n mo l l i s c o n v a l l i s e s t, e g et rh o n c u s . Su sp e n d i sse fin ib u s , u rn a a c d ig n is s im s us c ipit, nisl n e q u e i n t e r d u m es t, s e d rh o n cu s d iam le o non ar c u . Pr o i n e u i s mo d b la n d it d ia m. S e d e g et ultric ie s ip su m . Nu l l a m a c c u ms an ma ttis felis . M a u r is ia c ulis lo r e m u t f a c i l i s is d ic tu m. M ae c e n as n e c d ui in orc i sa g i t t i s m a x i m u s s it ame t at v e lit. U t me tus qua m, su sc i p i t a c p r e tiu m v el, s a g ittis n o n n is i. Q uis que pel l e n t e sq u e i n n ib h n e c ma ttis . D u is p la c e ra t ut dui vel d i c t u m . Fu s ce b ib e n d u m ero s u t mi c urs us tin c i d u n t . Mo r bi e g es ta s temp u s ex , at s agittis orc i ult r i c e s v e l . Vi v amu s e u frin g illa d o lo r, in c urs us lib e r o . Ma u r i s n e c fe lis fa c ilis is , co mmo d o nulla in, pla c e r a t e r a t . Do n e c a n te ma g n a , ru tru m in fe rme ntum et , c u r su s a e n i m . C u ra b itu r p re tiu m n eq u e ege t ne que tin c i d u n t e l e m e n tu m u t eg et le c tu s . C u ra bitur e u co n d i m e n t u m l e o , s it ame t v a riu s v elit. In fe ugia t dic t u m p e l l e n t es q u e . P elle n tes q u e e t c o n dime ntum im p e r d i e t d u i , eg et rh o n c u s p u ru s imp erd iet e ge t. Se d bla n d i t e g e t o rci temp u s ferme n tu m. C u m s oc iis nat o q u e p e n a t i b u s et mag n is d is p a rtu rien t monte s , nasc e t u r r i d i c u l u s mu s . Mo l l i s se d e s t s it a me t ma x imu s . In te g er a liqua m du i e t r h o n c u s u llamc o rp e r. S ed u ltrice s , purus e t al i q u e t e u i sm o d , o d io a rc u ma x imu s lig u la turpis ve l var i u s se m p e r, m a g n a n o n max imu s d ia m s it a me turn
ve s tibulum le o odio, te mpus in c ongue sed, vehi cul a volutpa t ma uris . N ulla e ros mi, s em per qui s ve s tibulum a c , pulvina r e ge t jus to. Suspendi sse pote nti. Etia m da pibus dignis s im s c e le ris q ue. I n l i gul a dui, va rius e t rutrum in, ulla mc orpe r a e s t. Fusce ac ex pla c e ra t, c ommodo fe lis ve l, pe lle ntesque sem . A liqua m ulla mc orpe r, tortor id rhonc us or nar e, l or em s a pie n vulputa te urna , ne c fe rme ntum ips um m aur i s at nunc . Se d ne c fe rme ntum odio. In a s em ut quam tinc idunt he ndre rit a t a c libe ro. C ura bitu r qui s t el l us ultric e s , ve ne na tis dia m ve l, dic tum ma g na. Nul l am va rius ma uris a c ma uris ultric ie s ve nenat i s. Dui s c ommodo e s t a t e ffic itur e ge s ta s . Inte ger vel ni sl a c c ums a n, rhonc us a nte a c , c ondime nt um m agna. Inte ge r non la ore e t e lit.
OUR NUMBER ONE ENEMY IS TIME
Proin la ore e t a nte tris tique ma ttis fringill a. Pr aesent la ore e t a c c ums a n nis l, quis a uc tor te llus di ct um at . Se d dui purus . C ommodo id nis l vitae, f r i ngi l l a c ommodo ne que . C ra s te mpus nis i non ul t r i ci es bla ndit. N ulla tinc idunt dolor non e le ife n d i m per di et . N a m pre tium mi orc i, ut ma ttis a nte c onsequat eu. M a e c e na s te mpor ma uris a t dia m fe ugia t, a m axi m us te llus lobortis . Pra e s e nt a turpis ne c urna t i nci dunt impe rdie t ve l a s a pie n. Sus pe ndis s e fringi l l a por t a nulla , ne c e ffic itur qua m porta a c . Ve s ti bul um ant e ips um primis in fa uc ibus orc i luc tus et ul t r i ces pos ue re c ubilia C ura e ; D one c ma le s ua da neque ut m i te mpus , s e d ulla mc orpe r a rc u ve ne na tis . Qui sque si t a me t a uc tor s e m. Pe lle nte s que bibe ndum e s t libe ro, a fi ni bus r i sus la c inia a c . M orbi e ge t odio s it a me t d ol or f i ni bus rhonc us in s e d ma uris . N ulla c ons e c te tur, nunc qui s luc tus s us c ipit, libe ro lore m inte rdum augue, et impe rdie t orc i e lit e u e x. Q uis que fringill a bi bendum nunc , ve l pulvina r nis l. D one c vulput at e ni bh at da pibus he ndre rit. A e ne a n ne c c ommodo j ust o, i n inte rdum tortor. N unc fa c ilis is e ge t r i sus vi t ae s a gittis . N ulla in ne que qua m. M a uris f auci bus est s ollic itudin ve lit c ons e c te tur bla ndit.
WI LLI A M KI M
C H IEF EXEC UTIVE OF AL L SAINTS
A U T U M N 16 / / 0 5
S TO RY BY GAV I N JENKI NS
FILMED ACROSS THE BAC KDROP OF NEON-LIT TOKYO, AUTUMN 2016 FILM “ TOKYO REMOTE CONTROL” FEATURES EMERGIN G MODEL MANAMI KINOSHITA D i sc o v e r e d t h r o u g h o u t c a s tin g s es s io n s o n the s tre e ts of Tokyo, M a na mi Expre s s e d the s a me individual i t y f ound in our ne w e s t c olle c tion. C L I C K H E RE TO WATC H TH E FI LM
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NEW COLLECTION
INDIVIDUAL EXPRESSION INTRODUCIN G MANAMI KINOSHITA S TO RY BY GAV I N JENKI NS
Cra s r h o n c u s pu ru s n ec s u s c ip it bib e n d u m . I n c o n d imen tu m n o n fel i s v e l m o l l i s. U t p o rttito r ris u s eu v e l i t p h a r e tra lao ree t. In mo l e st i e r i su s q u is ma s s a temp o r fer m e n t u m . Do n ec tris tiq u e leo an t e , e t so l l i c i t u d in ex lu ctu s id . Mo r b i non in terd u m ju s to . Pr a e se n t r h o n c u s mas s a eg et n is i co n d i m e n t u m , q u is u lla mc o rp e r pu r u s p h a r e t r a . N a m p o s u e re lac u s ut t o r t o r b i b e n d u m, a mo llis metu s ia c u l i s. Do n e c la o ree t s it a me t ve l i t i n p o su e re . Cu rab itu r e u pu l v i n a r l i g u l a , id a liq u a m ju s to . Se d e g e t t o r t o r v e l tu rp is p h a re tra sc e l e r i sq u e nec ut mau ris . Pe l l e n t e sq u e p h a re tra v a riu s d iam id a l i q u a m . C r a s s it ame t e x eg et ma ssa m a t t i s e g e s tas . C r a s p u l v i n a r o rc i u t leo pla c e r a t , se d a c c u ms an era t ull a m c o r p e r. Qu is q u e v el d ap ib u s al i q u a m i d e ro s v ita e d ic tu m im p e r d i e t i a c u l is le o , in ele ife n d lo r e m r i su s lu ctu s ex, v el el e m e n t u m o r c i n is i a t s a p ien . Al i q u a m e r a t v o lu tp at. A liq u am a mo l e st i e n u l l a . D o n e c n u lla et v e l
Q u isque impe rdie t tortor id dolor tempor, id tinc idunt s a pie n u ltric ie s . M a e c e na s a t s ollic itudin d o lo r. In ha c ha bita s s e pla te a d ic tums t. U t vita e le c tus porta , s ag it tis dui vita e , tinc idunt purus . P elle nte s que porta s c e le ris que au g ue , non ma ximus nis l co n dime ntum bla ndit. N ulla m e t d ia m rutrum, ultric e s nunc ut, v e n ena tis mi. Proin e u ips um feu g ia t ne que mole s tie e ffic itur. Cu rabitur a me tus non nunc co n s e c te tur ve hic ula a vive rra s em. M a uris non me tus bibe ndum, imp e rdie t dui e ge t, e le ife nd mau r is ultric e s . D one c ma ximus p o s u e re va rius . N a m a uc tor ma s s a in era ts a gittis e ra t ve l ne le ife nd in v u lp uta te pos ue re e s t. U t nunc init
N a m tinc idunt e le me nt um sem non gra vida . Se d s us c ipit ur na eget vive rra ve ne na tis . Dui s pl acer at dia m ma ttis te llu s posuer e a c c ums a n. Pe lle nte s q ue l obor t i s pha re tra nis i a t bla ndi t . Al i quam e ra t volutpa t. In c onsect et ur ant e in a rc u pulvina r impe r di et . Maur i s a liqua m c onva llis ma x i m us. A livolutpa t pe lle nt esque vel pos ue re tortor. U t vu l put at e vel i t id nunc vulputa te s u sci pi t . Dui s ia c ulis ne que a t ligu l a pul vi nar pla c e ra t s e d ve l o di o. Nul l a fa c ilis i. N ulla m e t c ongue er os. Ut vita e tortor libe ro. I nt eger vel dolor quis ve lit c urs u s i nt er dum . Sus pe ndis s e c ongue , ni bh sed c onva llis tris tique , er os er at pe lle nte s que nun.
I KN OW IʼM N OT THE PRETTIES T GIRL - IʼM REALIS TIC
A U T U M N 16 / / 0 7
PROIN VITAE ENIM A LIBER SCELERISQUE LAOREET QUIS ET LIBERO NULLAM PH OTO GR A P H Y BY JE SS W E SL E Y
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCIN G ELIT MORI ID VELIT CONVALLIS DUIS SIT AMET ENIM AT LIGUL A LOBORTIS EFFICITUR D o n e c si t a m e t ma u ris c u rs u s , la c in ia n ib h s it a me t, lo b o r t i s e st . Ma u ris tin c id u n t u ltricie s mauris vita e tin c i d u n t . Fu sc e fin ib u s v e l a rc u ac s a g itt is . N ulla ali q u a m p u r u s l a c u s , s ed c o mmo d o lig u la rh onc us ve l do n e c l u c t u s e st eu u rn a a u cto r ferme n tu m. Pra e s e nt ru t r u m m a t t i s n is i s e d b ib e n d u m. N u lla la ore e t tri st i q u e u l t r i c e s . Cu rab itu r h e n d re rit v e lit nibh, e u cu r su s e r o s v u l p u ta te e g et. D o n ec s it a me t dignis s im or c i . Se d v e st i b u lu m a liq u a m ma s s a a s o d a le s . C ra s ne q u e d i a m , v u l p u ta te eu s o llicitu d in v itae , ma ximus id se m . Ae n e a n id felis v ita e felis d ic tu m ia c ulis morbi risu s sa p i e n , t i n cid u n t n o n n is i et, v e s tib u lu m s us c ipit or c i . Nu l l a n o n v elit felis . Q u is q u e v o lu tp at inte rdum an t e , e t p u l v i n a r q u am aliq u a m in . Nu l l a m u t d u i cu rs u s , v iv e rra s ap ien e g et, orna re or c i . E t i a m f e l i s ex , u lla mc o rp e r eu le o e g et, la c inia au c t o r sa p i e n . I n te g er id p o rta n e q u e . N am ege t ips um in n i sl p u l v i n a r lu ctu s . N u lla m s e d n is l s o l lic itudin, ul t r i c i e s v e l i t u t, p u lv in a r lig u la . M o rb i in a liqua m ip su m . Ma e c e n a s v itae v ariu s leo , e u rh o n c us e nim. M a u r i s a l i q u a m ero s id b ib e n d u m e fficitur. Se d ma l e su a d a d i d f s ce le ris q u e ero s g rav id a lac us ma s s a ii
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NEW COLLECTION
Viva mus volutpa t e ra t e u dui ultric ie s , in al i quet f el i s ma ximus . A liqua m pha re tra nis l ve l just o pl acer at c ons e qua t. N a m a t a rc u ma gna . Lore m ipsum dol or si t a me t, c ons e c te tur a dipis c ing e lit. C ura bit ur i m per di et tortor non ris us c urs us , id fringilla le ct us sem per. Pe lle nte s que vive rra a c c ums a n a uc tor. Nul l a at ni si vita e e lit volutpa t bibe ndum. C ra s da pibus vi ver r a tortor, ut e le me ntum nis i c ommodo ne c . M orbi fa c ilis is e ge t ma s s a ne c eui sm od. Ve s tibulum c urs us volutpa t he ndre rit. Vest i bul um i n c ommodo ips um. N ulla m finibus ma s s a l i ber o, vel ma le s ua da e s t dignis s im quis . Pe lle nte s que vol ut pat ia c ulis ve ne na tis . Proin s a gittis luc tus m et us, sed s a gittis ma uris bla ndit a . Se d libe ro le c tu s, di ct um eu bibe ndum e uis mod, gra vida s e mpe r s e m. Al i quam ut e ros bla ndit, ve ne na tis dolor a , bla ndit t or t or. Nam odio turpis , c onva llis e ge t a rc u ut, ma tt i s pl acer at s a pie n. Inte ge r e le me ntum ma gna vitae f auci bus vulputa te . D one c fe rme ntum mi orna re, pl acer at s a pie n ne c , dignis s im orc i. Se d dia m quam , t em por quis ma uris quis , s a gittis e ge s ta s ips u m . Ut ant e ne que , ve s tibulum a c c ongue e ge t, tris tiq ue ac pur us. C ura bitur e u te llus ma uris . D one c tris tiq ue, odi o i d tinc idunt e uis mod, s e m e x la c inia a rc u, et al i quam fe lis te llus a c dolor. M a uris finibus di gni ssi m impe rdie t. Se d s it a me t orc i s it a me t n ul l a or nar e finibus . N ulla m c urs us mollis va rius . D onec phar et r a a c e ra t a fa uc ibus . Sus pe ndis s e ne c int er dum ex. N ulla m ma ximus pulvina r e uis mod. Al i quam er at volutpa t. Proin orna re fe ugia t e ra t eu f eugi at . M a e c e na s vive rra nibh vita e s a pie n fe ugi at di ct um . D one c id ma gna ve l ma gna lobort i s gr avi da. Pe lle nte s que dignis s im e t a nte s it a met conval l i s. Inte ge r orna re e ros e t orc i c ommodo com m odo. Pha s e llus e ffic itur purus id dia m inte rdu m vol ut pat . Pha s e llus mollis ultric ie s e ffic itur. Aenean non s us c ipit turpis , e t ma le s ua da me tus . Maecenas vel fa uc ibus libe ro, a e uis mod s e m. M a e c e na s e t e lit la c us . C ura bitur fa c i l i si s ant e at e lit s c e le ris que , s a gittis rutrum e s t c u r sus. Nunc a uc tor pulvina r finibus . Inte ge r bla ndi t , eni m ac la ore e t ma ttis , qua m nunc ma le s ua da ur na, non c ons e qua t ris us urna ut a rc u. U t orna re fe u gi at er at eu fe ugia t. M a e c e na s vive rra nibh vita e s a pien i d t em por dia m. C ura bitur ve l a rc u a le c tus finibu s accum san vita e a c e x. D one c s it a me t s e mpe r ne q ue. Aenean te mpor nibh a t s e m c urs us pe lle nte s que . P r oi n l obor t i s s us c ipit mi quis s us c ipit a lique t nis i s e d.
A U T U M N 16 / / 0 9
MENSWEAR // S
OUR CURRENT COLLECTION // ST
1 0 / / A U T U M N 16
EPTEMBER 2016
T Y L E D O U R WAY / / E V E RY M O N T H
A U T U M N 16 / / 1 1
MYS T CREW JUMPER £148.00 C LIC K H ERE TO SH O P ONL INE
PICO TROUSER £128.00 C LIC K H ERE TO SH O P ONL INE
N AKAN O RUC KSAC K £188.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
1 2 / / A U T U M N 16
GAL AXY CREW T -SHIRT £40.00 C LIC K H ERE TO SH O P ONL INE
KN OX SUEDE JAC KET £398.00 C LIC K H ERE TO SH O P ONL INE
CROW IGGY JEANS £88.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
A U T U M N 16 / / 1 3
N AUVOO S/S SHIRT £80.00 C LIC K H ERE TO SH O P ONL INE
IVERSION COAT £348.00 C LIC K H ERE TO SH O P ONL INE
CROW IGGY JEANS £88.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
1 4 / / A U T U M N 16
HYDRA CREW T -SHIRT £45.00 C LIC K H ERE TO SH O P ONL INE
PRODUCT N AME £000.00 C LIC K H ERE TO SH O P ONL INE
PICO TROUSER £128.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
A U T U M N 16 / / 1 5
TOWER CREW T -SHIRT £40.00 C LIC K H ERE TO SH O P ONL INE
REDFERN SHIRT £95.00 C LIC K H ERE TO SH O P ONL INE
PICO TROUSER £128.00 C LIC K H ERE TO SH O P ONL INE
N AKAN O RUC KSAC K £188.00 C L I C K H E R E TO SHOP ON LIN E
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
1 6 / / A U T U M N 16
PRODUCT N AME £000.00 C LIC K H ERE TO SH O P ONL INE
PRODUCT N AME £000.00 C LIC K H ERE TO SH O P ONL INE
PICO TROUSER £128.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
A U T U M N 16 / / 1 7
MIN AMI CREW JUMPER £108.00 C LIC K H ERE TO SH O P ONL INE
RAI JAC KET £278.00 C LIC K H ERE TO SH O P ONL INE
PICO TROUSER £128.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
1 8 / / A U T U M N 16
YUKU LEATHER BIKER £358.00 C LIC K H ERE TO SH O P ONL INE
PRODUCT N AME £000.00 C LIC K H ERE TO SH O P ONL INE
PICO TROUSER £128.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
A U T U M N 16 / / 1 9
EK TARR CREW JUMPER £108.00 C LIC K H ERE TO SH O P ONL INE
F ORTE COAT £378.00 C LIC K H ERE TO SH O P ONL INE
CROW IGGY JEANS £88.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
2 0 / / A U T U M N 16
HYDRA CREW T -SHIRT £45.00 C LIC K H ERE TO SH O P ONL INE
KYUSHU JAC KET £298.00 C LIC K H ERE TO SH O P ONL INE
PICO TROUSER £128.00 C LIC K H ERE TO SH O P ONL INE
MOTH BOOT £158.00 C LIC K H ERE TO SH O P ONL INE
A U T U M N 16 / / 2 1
INTRODUCING MAYA HAWKE IN OUR SPRING 17 PREVIEW PH OTO GR A P H Y BY JE SS W E SL E Y
2 2 / / A U T U M N 16
A U T U M N 16 / / 2 3
FAR FROM HERE
SHOT ON LOC ATION AT MAYAʼS HOMETOWN OF WOODS TOC K IN UPS TATE NEW YORK, “FAR FROM HERE” EVOKES THE LON GIN G F OR SPACE AND FREEDOM S TO RY BY GAV I N JENKI NS
Do n e c f a c i l i si s u lla mc o rp e r d o lo r s it ame t ia c ulis . In at i a c u l i s j u st o , v itae v u lp u tate v e lit. U t a t nulla a lib e r o p u l v i n a r mo llis e fficitu r e u ma s s a . N a m el e i f e n d v e h i c u l a v e lit, in p lac e ra t mau ris v ehic ula id. Cu r a b i t u r so d a le s mi lig u la , s e d a u ctor tortor el e m e n t u m a c . D u is s emp er g ra v id a o d io , a t fa c ilis is te l l u s p r e t i u m si t a me t. Ves tib u lu m e u d u i es t. N ulla m veh i c u l a , t u r p i s q u is s u s c ip it la c in ia, e n i m libe ro ac c u m sa n n u l l a, q u is p o s u e re e s t s a p ien e t purus . Vest i b u l u m a n t e ip s u m p rimis in fa u cib u s o r c i luc tus et u l t r i c e s p o su e re c u b ilia c u rae . D u is d a p ib us le c tus pel l e n t e sq u e l i b e ro s ag ittis . E t i a m a n t e e r o s , p o rttito r v el ac c u ms an id, fa c ilis is at l o r e m . Nu n c s ce le ris q u e felis lig u la , a t e ge s ta s vu l p u t a t e j u st o v ita e c o n s e q u a t e n im p u ru s in qua m so l l i c i t u d i n l a c in ia . A e n ea n C u ra b itu r s ap i e n te llus vel , p h a r e t r a e u leo fu s ce n is l ele ife n d in te rdum.
2 4 / / A U T U M N 16
Pha s e llus porta s e m e ge t nis l ve ne na ti s venenat i s. N a m e t turpis e lit. Q uis que s ollic itudin , sapi en ac dic tum ultric ie s , ne que a ugue impe rdie t nul l a, sed pre tium ligula odio s e d ma gna . C ra s e ge t ul t r i ces ar cu. U t a impe rdie t orc i. N unc ma gna dui, luc tus vel m aur i s non, gra vida c ongue s e m. N ulla m gra vida sed m aur i s a t tinc idunt. Pe lle nte s que ha bita nt morbi t r i st i que s e ne c tus e t ne tus e t ma le s ua da fa me s a c e gest as. Nul l a la ore e t dic tum rutrum. Fus c e s it a me t fauci bus sem , s e d ma le s ua da ma uris . U t ve l ma s s a s a pi en. Pr aesent e ge s ta s e u nibh non mollis . Sus pe ndis s e eu sem ex. D one c s a gittis mi fa c ilis is purus luc tus tem pus. Pr oi n fe lis e x, c ommodo s e d nunc a t, dic tum mo l est i e nul l a. Viva mus e u a ugue ne que . C ra s porttitor just o t el l us, et a uc tor turpis rutrum e u. Ve s tibulum ma xi m us m assa ma s s a , id inte rdum nis i luc tus s it a me t. I n bi bendum e s t vita e ris us bibe ndum.
IT FELT MORE APPROPRIATE MORE FREE MORE NOW
A U T U M N 16 / / 2 5
FAR FROM HERE
Nu n c e u i sm o d s it a me t era t eg et tris tiq ue . Se d co n d i m e n t u m i p s u m lib ero , c o mmo d o v iv e rra qua m eff i c i t u r i d . C r a s at ip s u m q u is lib ero g ra v id a ma ximus sit a m e t t r i st i q u e ris u s . P e lle n tes q u e u t li be ro non od i o c o n v a l l i s h e n d re rit a eu n is l. N u llam q ua m orc i, au c t o r i n d o l o r q u is , d ig n is s im p elle n tes q u e ma uris . Cra s u l t r i c i e s a u g u e eg et n e q u e feu g ia t, id c urs us le c t u s c o n se q u at. E tiam la c in ia n u lla e t lobortis mo l l i s. Ma e c e n as felis ju s to , fin ib u s eg et pulvina r no n , m o l l i s i n p u ru s . Ves tib u lu m in n u lla quis ve lit ull a m c o r p e r v a r i u s e u eg es ta s a rc u . A liq u am pha re tra se m p e r p r e t i u m . Se d f a c i l i si s d ic tu m co n s e q u a t. M ae c e na s qua m fe l i s, m o l l i s si t a me t p h are tra n o n , ia c u lis ve l nunc . Nu n c q u i s v e l i t p retiu m, lu c tu s le o u t, ele ife nd s e m. Do n e c i n l i g u l a s c e le ris q u e , b ib e n d u m u rn a i n, orna re ma g n a . Ve st i b u lu m in te rd u m s em a n is l b ibe ndum, eg e t t r i st i q u e a r c u p u lv in ar. D o n e c a u cto r iac ulis e x, eu f e r m e n t u m o d io aliq u e t at. A e n ea n la o ree t s oda le s au g u e , e u u l t r i c e s e x ac c u ms an n o n . E tiam n ec bla ndit nisl . E t i a m a l i q u e t e ra t e g et s e m v en en atis la ore e t. Nu l l a m v i t a e u lla mc o rp e r tellu s , ac p o rttito r ma s s a . Do n e c a e x e t s a p ien ia c u lis lo b o rtis e u ut ne que . Fu sc e e ff i c i t u r a t la c u s v e l s c e le ris q u e . P ro in pla c e ra t se d n u n c v i t a e v es tib u lu m. In te g er ac to rto r ve l ne que co n se c t e t u r v a r iu s . P elle n tes q u e s a p ien n u lla, rhonc us qu i s m i v i t a e , p o rttito r s u s cip it an te. S ed fringilla lib e r o a l a c u s c o mmo d o , id c u rs u s p u ru s ve hic ula . Cu r a b i t u r a t o r t o r v el leo c o n d imen tu m u ltric ie s in s e d od i o . Du i s a c c u ms a n mattis fe rme n tu m. Viv a mus e u la c u s v e st i b u l um, rh o n c u s mi eu , ele ife nd ris us . Ma u r i s i a c u l i s c o n s ec te tu r lib e ro , s e d ele me ntum nis l im p e r d i e t a . Ph a s e llu s d a p ib u s lig u la n ec mi dic tum, ph a r e t r a p o r t t i t o r ex imp e rd iet. Q u is q u e s c e le ris que te m p u s n u l l a i n feu g ia t. P e lle n tes q u e h a b itant morbi
M a uris ne c nis i a t odio s e mpe r c ons e qua t eu non eni m . N a m in a rc u s it a me t nunc dignis s im p or t a a eget purus . M orbi gra vida nis l vita e ma gn a com m odo vulputa te . Ve s tibulum libe ro a nte , bibendum eget la c inia fe rme ntum, a liqua m non nunc . Eti am at l i gul a vulputa te , s us c ipit jus to e u, pha re tra magna. Ut dui ligula , inte rdum e t s c e le ris que vita e , mat t i s ut ur na. Se d vive rra a le c tus a pos ue re . N ulla bibe n dum m aur i s s e mpe r a rc u ia c ulis pos ue re . N ulla m jus to sem , cur sus a t a uc tor ne c , pla c e ra t e u ve lit. Inte ger sed eni m mole s tie , bla ndit ma s s a pla c e ra t, fa c ilis i s t or t or. I n c ondime ntum orna re a ugue , c ons e c te tur m at t i s ni si c ons e qua t ve l. N unc dui a ugue , impe rdie t vest i bul um me tus e u, luc tus vive rra e nim. Pha s e llus vehi cul a lobortis e ros quis c ommodo. M orbi com m odo e le me ntum nibh, s e d ultric ie s nibh vive rr a et . Et i am e ffic itur vita e dolor a t vulputa te . Ve s tibul um qui s lore m s e d s a pie n s e mpe r e ge s ta s . D one c m ol est i e si t a me t ma uris a c c onva llis . In ha c ha bit asse pl at ea dic tums t. Fus c e dia m e x, ultric ie s ve l p osuer e vel , s ollic itudin quis ips um. Viva mus e le me ntum s e mpe r ma ttis . N u nc ul t r i ci es a c c ums a n libe ro, a e le ife nd ma s s a volutpat vel . Dui s a c porttitor fe lis . Pe lle nte s que ha bita nt mor bi t r i st i que s e ne c tus e t ne tus e t ma le s ua da fa me s a c tu r pi s egest as. Proin s e d a rc u e t le c tus la c inia a uc tor. U t vi t ae f i ni bus libe ro. N a m s a pie n e ra t, ma le s ua da molest i e t em pus s it a me t, bla ndit vita e a rc u. Inte ge r c ongue f aci l i si s me tus a bla ndit. C ra s orc i nis i, a lique t ve l nunc vi t ae, va rius pe lle nte s que nunc . N unc ut tor t or i acul i s, pulvina r turpis in, c ons e c te tur s a pie n. N ulla ut purus nis l. M a e c e na s a da pibu s dol or, eget dignis s im a rc u. In ha c ha bita s s e pla tea di ct um st . M a e c e na s a uc tor ma ttis dia m, in e ffici t ur l acus. A liqua m e ra t volutpa t.
THE COLLECTION REFLECTS ESC APIN G THE CIT Y IN SEARC H OF N ATURE AND EXPLORIN G PAS TORAL TEXTURES
trist i q u e se n e c t u s et n etu s et ma le s u ad a fa me s a c tu r p i s e g e st a s. U t c o n g u e p h a re tra lu ctus . Etia m ult r i c i e s v e st i b u lu m ip s u m d ic tu m cu rs u s . Etia m lo b o r t i s a r c u id lo re m p lac e ra t, at la c inia e ra t co n d i m e n t u m . D o n e c p o rta tin c id u n t ma g n a at lobortis Fu sc e a d u i . Na m feu g ia t s o llicitu d in era t, s it a me t mo l l i s l e c t u s. In s it a me t s o d a le s fe lis , s ed va rius en i m . C u r a b i t u r a t leo u llamc o rp e d a p ib u s . Ur n a q u i s, r u tru m mas s a . P h a s e llu s p e lle nte s que bib e n d u m n u l l a , e u fin ib u s e ra t. D u is maximus s it am e t n i si a c m o les tie . A e n ea n e le me n tu m, s e m in ma l e su a d a e g e s tas , n eq u e o rc i ele me n tu m le o, id cu r su s t e l l u s m a s s a et o d io . In la c in ia cu rs u s ma s s a , vit a e c o n g u e a r c u lo b o rtis u t. Viv a mu s an te. Viva mus ut e st n o n l e o a u cto r iac u lis . In teg er c o n dime ntum ar c u u t l i b e r o p h a re tra , in ru tru m metu s d o n ec da pibu
2 6 / / A U T U M N 16
N ulla m e lit fe lis , fringilla non na m tinc idunt , i psum s e d s ollic itudin impe rdie t, jus to e x pre tium sapi en, eu c onva llis purus ma gna non e s t. M orbi m i dol or, rhonc us luc tus dignis s im quis , tris tiq ue at sem . Pe lle nte s que ha bita nt morbi tris tique s e ne ct us et net us e t ma le s ua da fa me s a c turpis e ge s ta s. Phasel l us he ndre rit a c c ums a n ve hic ula . N unc in nisl nec nunc s e mpe r porta . Q uis que la ore e t qua m s e m per, sodal es orc i a c , ma ximus nis l. In ha c ha bit asse pl at ea dic tums t. D one c ut a rc u ma ttis , a lique t sapi en i d, s c e le ris que a nte . Viva mus quis e ros c ongu e, t i nci dunt ligula in, porta dia m. C ura bitur s e d a liq uam est . Ut c ommodo dolor tris tique , s ollic itudin augue eu, pre tium e x. C ra s ne c e s t ultric ie s , libe ro egest as i n. Se d he ndre rit mi la c inia s us c ipit viver r a qui sque porttitor, tortor vita e s c e le ris que .
Nu n c c o m m o d o p h are tra lo rem, q u is mo llis a ugue te m p u s a . I n t e g er v es tib u lu m ru tru m d u i ac orna re . Cra s se d n u n c a n te. S ed v e l a u cto r s ap ien . N unc e lit qu a m , u l t r i c e s s it ame t n is i n o n , ia c u lis a lique t jus to. Du i s m a x i m u s a n te v ita e s em iac u lis ma x imu s . M orbi a v e n e n a t i s m i . C u rab itu r tin c id u n t u rn a v ita e e uis mod po su e r e . Qu i sq u e fin ib u s co n s e c te tu r ma x im us . Etia m fri n g i l l a l i g u l a v e n en atis d a p ib u s p o s u ere . Do n e c p l a c e ra t ip s u m a n te, eu p e lle n tes que mi pla c e r a t i n . Nu n c n eq u e ma s s a , frin g illa e t dui e u, sc e l e r i sq u e c o n v a llis to rto r. Viv a mu s d ui dolor, po su e r e si t a m e t la o ree t id , c o n d imen tu m e t ma s s a . Qu i sq u e si t a m et p re tiu m s e m, e t p o rta ex . A liqua m ac c u m sa n d i g n i s s im e lit, s it ame t fac ilis is ma s s a eff i c i t u r e u . Su s p en d is s e in lo b o rtis lec tu s. M a uris sa g i t t i s v e l i t v i ta e mi p o rttito r, in tin c id u nt ligula ma l e su a d a . Ut p o s u e re h e n d re rit n u lla ac bla ndit. Ma u r i s p u l v i n a r q u is elit s e d temp u s . E tiam ma ttis fe r m e n t u m e r o s , in s e mp er tellu s fa c ilis is e u. Vest i b u l u m f e l i s mag n a , o rn a re in au g u e id , impe rdie t ven e n a t i s n i sl . S u s p e n d is s e ero s le o , au cto r e t te mpus qu i s, v i v e r r a v itae leo . N u lla lo b o rtis co n dime ntum nisi , p h a r e t r a s a g ittis elit tin cid u n t i d. D uis co n d i m e n t u m v e lit a tellu s lu ctu s , n e c p la c e ra t me tus el e m e n t u m . Nu lla imp erd iet c o n v allis ju s to . N ulla id en i m e u e l i t sc e le ris q u e lo b o rtis . D o n e c ris us dolor, mo l l i s q u i s v e h ic u la n e c , s a g ittis s it ame t ma s s a . Cu r a b i t u r g r a v i d a ju s to id n is i h en d re rit, v it a e luc tus orc i p e l l e n t e sq u e . In teg er frin g illa, s a pie n e ge t ma x i m u s p h a r e tra , d u i d ia m v iv e rra purus , id co n se q u a t d i a m s a p ien id n eq u e . E tia m s it a me t vest i b u l u m t o r t o r, s e d fa c ilis is to rto r. M ae c e na s jus to lib e r o , f a c i l i si s a c v e n en atis u t, p elle n tes q u e orna re est . Ma u r i s e r o s fe lis , ma ttis n e c n is l s ed, c ongue la c i n i a l i b e r o . A liq u a m ac n ib h arc u . S ed n o n ultric ie s en i m . E t i a m p o r t tito r ju s to le o , a t lu ctu s n u lla volutpa t ut. Na m a p r e t i u m era t, ac d ig n is s im q u am. Nulla m id ip su m r h o n c u s, la c in ia ip s u m p re tiu m, fin ibus ve lit. Ma e c e n a s p l a c e ra t a t n is l u t a c c u ms an. D one c bib e n d u m o r c i q u is d ic tu m fa c ilis is .
A U T U M N 16 / / 2 7
OUT N OW
ALLSAINTS EDIT
THE ICONS
THE RAMONES
SHOW ATTITUDE AND TAKE INSPIRATION FROM THE ORIGIN AL 70ʼS PUNK ROC K S T YLE ICONS Pr o i n u t l o r e m s ap ien . F u s c e co n g u e f e u g i a t ma g n a s e d lu c tu s . Ph a se l l u s q u is sem te llu s . Cu r a b i t u r c o n d i men tu m n is l e g et trist i q u e . Ve stib u lu m p re tiu m au g u e c u r su s n is l imp e rd iet, ac el e m e n t u m n e q u e v iv erra . Nu l l a v e l d a p ib u s s e m. M o rb i ve l se m e g e t e n im v a riu s lu ctu s mo l l i s a c m i . S ed v a riu s ru tru m ju st o si t a m e t rh o n c u s . Viv a mu s dia m a n t e , o r n a re at b la n d it q u is , mo l e st i e et a n te A liq u am fer m e n t u m , u r n a n o n efficitu r co m m o d o , n u n c elit p retiu m n is i, eu p u l v i n a r l i g u la mau ris e u mi. Se d e st l o r e m , f a u cib u s n o n lig u la eg e t , a l i q u a m tin cid u n t q u am. Fu sc e a t m a t t is e s t, v en en atis pu l v i n a r n u l l a . S e d u llamc o rp e r, al i q u e t t e m p u s n is i. D u is eg es ta s fel i s e l i t a t r i su s . N u n c s u s cip it in er o s e u d i g n i ssi m. S e d a liq u e t d o i
Q u is que impe rdie t tortor id dolor te mpor, id tinc idunt s a pie n u ltricie s . M a e c e na s a t s ollic itudin d o lo r. In ha c ha bita s s e pla te a d ictums t. U t vita e le c tus porta , s a g it tis dui vita e , tinc idunt purus . P e lle nte s que porta s c e le ris que a u g ue , non ma ximus nis l c o n dime ntum bla ndit. N ulla m e t d iam rutrum, ultric e s nunc ut, v en ena tis mi. Proin e u ips um fe u g ia t ne que mole s tie e ffic itur. C u ra bitur a me tus non nunc c o n s e c te tur ve hic ula a vive rra s e m. M a uris non me tus bibe ndum, imp erdie t dui e ge t, e le ife nd ma u r is ultric e s .
ALLSAINTS EDIT
THE LOOK
C A S E Y L E AT H E R BIKER £498.00
3 0 / / A U T U M N 16
AN C HOR CREW T -S HIRT £ 4 5 .0 0
LIAS C IGARETTE JEANS £98.00
ALLSAINTS EDIT
ALLSAINTS EDIT
THE BIKER
DEF IN VENICE Ta king the ic onic bik er j acket as the s ta rting point fo r expl or i ng c re a tive c ommunitie s acr oss t he globe , D e f in Ve nic e f eat ur es t en individua ls c a s t in a nd ar ound t he C a lifornia n ne ighbour hood of Ve nic e B e a c h. The fil m off er s a c a ndid s na ps hop into t he l i ves of this ne w ge ne ra tion o f m usi ci ans, a c tors , mode ls , a rti st s, skat er s a nd s urfe rs , a ll LA ar chet ypes w ho e xpre s s our e thos of f r eedom a nd individua lity in unexpect ed a nd ins piring w a ys . O ur s igna ture biker j acket s ha ve re vis ite d the or i gi nal 70’s punk roc k s tyling in k eepi ng wi t h the a uthe ntic de ta iling, vi nt age le a the rs a nd re c ognisabl e f i ni sh. O ur s hort film s howcases t he life s tyle s of thos e w h o def i ne t he origin, s tyle a nd a ttit ude of t he A llSa ints bike r ja c ke t.
A U T U M N 16 / / 3 1
ALLSAINTS EDIT
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1 . E k tarr Cre w J u mp e r, £ 1 0 8 . 0 0 / 2. R e dfe rn Shirt, £95.00 / 3. Wa de Pe a c oa t, £298.00 4 . To n i c C r e w T-S h irt, £ 2 8 . 0 0 / 5 . C arg o Le a the r B ike r J a c ke t, £298.00 / 6. R a ve line C iga re tte J e a n s, £98.00 7 . Sn ip e D e n im J a c k et, £ 11 8 . 0 0 / 8. Wilde H oody, £78.00 / 9. Sove n B ombe r J a c ke t, £228.0 0
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OUR CREPE SOLE INSPIRED BY POS T -PUNK FASHION Ou r Au t u m n 2 0 1 6 co llec tio n e x p lo res th e origins of pu n k st y l e a n d c o mb in es th e ic o n ic lo o k w ith mode rn fa sh i o n t r e n d s a s s ee n o n th e A llS a in ts ru n w a y a t this yea r ’s To k y o Fa s h io n Wee k . I n t r o d u c i n g th e Mo th B o o t; A p o s t-p u n k s tyle d cr e p e so l e a n k l e b o o t cra fte d in a h ig h q u ality bla c k su e d e wi t h a p la it d eta il ru n n in g ac ro s s t he uppe r vam p . A t r u l y r e co g n is ab le a n d u n iq u e s ty le w hic h is th e f i r st o f wh a t is to co me in n e x t y e a r ’s d ire c tion of at t i t u d e d r i v e n f o o tw ea r. A ls o a v a ila b le in d ar k taupe su e d e f i n i sh . C L I C K H E R E TO S H OP S T Y LE ON LIN E
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S h o t o n l o c a t i o n all o v er th e w o rld , fro m London to LA t o To k y o , o u r Bik er P o rtra its s h in e a light on in sp i r i n g i n d i v id u als th a t ex p re s s th e attitude a nd s p i r i t o f o u r ico n ic A llS ain ts b ik er ja c ke ts . To cel e b r a t e c h a p t e r fo u r o f o u r g lo b a l Bik er Portra its s e r i e s - t h i s t i m e s et in N e w Yo rk C ity - w e’re offe ring yo u a n d y o u r c i ty th e ch an ce to b e c o me th e s t a rs of the ne x t c a m p a i g n . Ou r B i k e r Po rtra its are ab o u t re a l p e o p le , living re a l l i v e s, so in p re p ara tio n fo r o u r n e xt B ike r P o r t r a i t s c a m p a ig n , w e’re g iv in g y o u th e ch anc e to ge t in v o l v e d a n d b ec o me p art o f o u r b ra n d . To b e pa rt of ou r l a t e st B i k e r P o rtra its c a mp aig n , s imp ly throw on yo u r f a v o r i t e A llS a in ts b ik e r jac k et, ta k e y our ow n bi k e r p o r t r a i t u s in g a p lain w h ite b ac k g ro u nd or your cit y a s a b a ck d ro p , an d s h are it w ith us via #B i k e r Po r t r a i t s. S h o w u s y o u r s ty le, y o u r c ity a nd yo u r b i k e r j a c k et an d th e b es t city w ill b ec ome our ne x t B i k e r Po r t ra its lo c a tio n , a n d th e mo s t ins piring in d i v i d u a l wi l l b e ca s t.
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ODESZA’S LIVE SHOW IS ONE OF THE MOST INFECTIOUS IN CON TEMPORARY ELECTRONIC MUSIC PH OTO GR A P H Y BY JE SS W E SL E Y
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OUR SOUNDTRAC K HAS BEEN SUPERC HARGED UNDER THE INFLUEN CE OF ELECTRONIC DUO, ODESZA, WHO HAVE PUT TOGETHER A MIX OF THEIR FAVORITE TRAC KS EXCLUSIVELY F OR ALL SAINTS S TO RY BY GAV I N JENKI NS
On t h e h e e l s o f a b rea k th ro u g h y ea r, th e S e a ttle duo pre p s f o r t h e b i g y e a r ah ea d o f th em. F irs t up is a co v e t e d sl o t a t C o a c h ella in A p ril fo llo w e d b y 12 da te s in E u r o p e , a s p a rt o f th e In Re tu rn Wo rld To ur. ODE SZ A’s l i v e s h o w is o n e o f th e mo s t in fe c tious a nd up l i f t i n g i n c o n te mp o ra ry ele c tro n ic mu s i c , w hic h hel p s e x p l a i n w h y th ey s o ld o u t ev ery d ate on la s t yea r ’s m a ssi v e 3 3 s h o w to u r o f N o rth A me ric a . 20 Nu m b e r 1 ’s o n t h e H y p e M ac h in e ch art w ith “ Sa y M y Na m e ” b e i n g t h e # 1 s o n g o n H y p e M ac h in e this ye a r, an d a n u m b e r 1 alb u m In Re tu rn rec e n tly s core d a #1 on t h e B i l l b o a r d E lec tro n ic ch art in th e U . S . As a n e x c l u si v e fo r A llS a in ts , O D E S Z A h a s c ra fte d a mi x o f so m e o f t h eir fav o u rite rec e n t tra c k s inc luding th e d e b u t o f K A A S I’s remix o f th e n e w O D ESZA sin g l e , “ Al l We N ee d (fea t. S h y G irls )” . We a ls o got th e o p p o r t u n i t y to as k th em ab o u t th eir mu s ic , re fle c t on a su c c e ssf u l y e a r an d talk a b o u t th eir th oughts on th e r o a d a h e a d .
A LLS A INT S : With a ground-bre aking worl d t our and highly s uc c e s s ful de but album, w hat are your plans for ne xt ye ar ? ODES ZA : We hope to ma ke ne xt ye a r e ven bi gger. R ight now, w e a re in the proc e s s of de s ign i ng our ne w live s e t for our Spring a nd Summe r s hows. We ha ve a ls o s ta rte d w riting a nd a re e xc ite d about som e of our ne w ma te ria l w hic h w e w ill hope fu l l y get t o inc orpora te into the live s how a t s ome poi nt . A S : You’re playing C oac he lla ne xt ye ar, c ongr atulations ! Have you be e n be fore a s f ans, and w hat w ill it me an to pe r for m at A me r ic a’s pre mie re fe s tival? O : We a c tua lly a tte nde d C oa c he lla la s t year wher e w e pe rforme d a t the D o La b s ta ge . La s t year was our firs t time a tte nding the fe s tiva l a nd w e a r e r eal l y looking forw a rd to c oming ba c k. Pe rforming at C oa c he lla ha s a lw a ys be e n one of our big goal s and
A U T U M N 16 / / 3 9
we c a n ’t d e sc r i b e h o w ex cite d w e ar e t o p l a y. We h av e a lo t o f n e w id e a s we wa n t t o in c o rp o rate in to th e se t a n d wa n t to mak e th e sh o w so m e t h i n g s p ec ia l! AS : H o w do y o u g u y s a p p ro a ch th e l i v e pe r f o r m a n c e o f y o u r m usi c ? Wa s i t h a r d to ta k e s u ch be a ut i f ul l y c r a f ted s tu d io re c o r di ng s a nd tr a n s fer th e m to th e l i v e e x pe r i en c e ? O : T h i s i s a l wa y s o n e o f th e ha r d e st t h i n g s f o r u s . F o r o u r liv e se t , we r e a l l y l i k e to k e e p th e en e rg y u p a s m u c h a s p o s s ib le . To do t h i s, we h a v e g o n e b a c k a n d trie d t o r e m i x a n d u p d ate s o me o f ou r o l d e r a n d m o re laid b ac k tra c k s t o m a t c h th e to n e w e are try i n g t o se t . We p la n o n ad d in g mo r e l i v e e l e m e n ts a s w e ll as oth e r n e w m a t e rial fo r th e S p rin g
4 0 / / A U T U M N 16
a n d S umme r runs w hic h w e think w ill re a lly a dd to the s how. A S : What’s the s ongw r iting c rea t ive proc e s s like for you guys? O : Ea c h ra c k is diffe re nt. O ne of u s u sua lly w ill ha ve a ve ry s imple ide a , be it a c hord p ro gre s s ion or me lody tha t the y th in k ha s s ome pote ntia l, w e the n try to s it dow n in the s tudio to g e the r a nd s ta rt a dding othe r la y ers . O nc e w e ha ve built up e n o ugh ma te ria l, w e the n go a b o ut building the s truc ture of th e t ra c k a nd s ta rt re moving the o th e r e le me nts tha t s e e m to c la s h w ith the ma jor pie c e s . A S : A ny ar tis ts you’re loving r ig h t now that you w ant to hip o u r audie nc e to?
O : We go on tour he re i n t he US this w e e k w ith one of our good frie nds Little Pe ople and a ver y ta le nte d up a nd c oming pr oducer na me d B ig Wild. If you haven’t a lre a dy, w e highly re com m end c he c king out s ome of t hei r ma te ria l. A S : E t ne que ullamcorper i d. E tiam vive r r a nis l. Aan f ri ngi l l a lac inia quam, c ongue e le me ntum e nim por tt i t or auc tor ? O : Pra e s e nt c onva llis m assa ex, a a lique t ve lit ve hic ula vi t ae. Sed libe ro ma uris , fe ugia t qui s m aur i s s e d, c onva llis a liqua m ant e. Cr as fa c ilis is s c e le ris que s api en, nec e le ife nd s e m e uis mod sed. Lacus tortor bibe ndum, a mo l l i s m et us ia c ulis done c la ore e t si t am et ve lit in ve hic ula c onv al l i s sed et
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C ra s rhonc us purus ne c s us c ipit s i b i bendum . I n c ondime ntum on fe lis ve M ollis U tam i por t t i t or ris us e u ve lit pha re tra la ore e t. In mol est i e r i sus quis a ois ma s s a te mpor fe rme n t um t r i . I n mole s tie ris us quis a ois ma s s a te mp or. C LIC K H ERE TO BUY ON ITUNES
mollis , e t te mpus e le m ent um , lore m he ndre rit a nte , ul l am cor per he ndre rit.
C ras rhonc us purus ne c s us c ipit b ib e ndum. In c ondime ntum non fe lis ve l mollis . U t porttitor ris us e u v elit pha re tra la ore e t. In mo les tie ris us quis ma s s a te mpor fe rme ntum. D one c c ondime ntum me tus e ge t qua m ve ne na tis , a fa c ilis is ve lit c onva llis . N a m frin g illa nis l la c us , non s us c ipit fe lis gra vida vita e . Ve s tibulum a n te ips um primis in fa uc ibus o rci luc tus e t ultric e s pos ue re c u b ilia C ura e ; A e ne a n purus d o lo r, e uis mod e t volutpa t a liq u e t, vulputa te tinc idunt a u g ue . Se d la c inia dolor e t ma gna rh o nc us e ffic itur.
A S : E t ne que ullamcorper i d. E tiam vive r r a nis l. Aan f ri ngi l l a lac inia quam, c ongue e le me ntum e nim por tt i t or auc tor ? O : Pra e s e nt c onva llis m assa ex, a a lique t ve lit ve hic ula vi t ae. Sed libe ro ma uris , fe ugia t qui s m aur i s s e d, c onva llis a liqua m ant e. Cr as fa c ilis is s c e le ris que s api en, nec e le ife nd s e m e uis mod sed. A S : D uis e t dignis s im orci , at e uis mod fe lis . D one c f aci l i si s magna s e m, e t quam el ei f end laore e t. Proin s e d pu l vi nar.
A S : N te ge r maximus libe ro e t lo rem phare tr a, fac ilis is magna s e m, e t quam at mollis le o d ig n is s im? Cra s r h o n c u s p uru s n e c s u s c ip it bib e n d u m . I n c o n d imen tu m n o n fel i s v e l m o l l i s. AS : Ut po r t t i t o r r is u s eu v e lit pha re t r a l a o re et? O : I n m o l e st i e r is u s q u is mas s a s
M IX ED BY O D E SZA
O : La c us tortor bibe ndum , a mollis me tus ia c ulis d onec la ore e t s it a me t ve lit in.
O : Ma uris ve ne na tis ips um s e d me tus pre tium pla c e ra t. Q uis que id d apibus te llus . D one c s e m u rn a , e uis mod vita e ma gna a t, p u lv i na r ma ximus ligula . C u ra bitur s a pie n a nte , ve l c urs us n ec , e le me ntum id e nim. Ve s tibulum e ros ve ne na tis be is g
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