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A FA M I LY OW N E D BU S I N E S S F O R T H R E E G E N E R AT I O N S I n 1 9 7 1 , t h e l a t e M a r t i n Ko d n e r o f S t . Louis established the legacy of one of the n a t i o n’s m o s t r e s p e c t e d n a m e s i n f i n e a n d r a r e a r t . Fa m i l y - r u n a n d l o c a l l y o w n e d s i n c e i t s f o u n d i n g, Ko d n e r G a l l e r y c o n t i n u e s t h i s l e g a c y u n d e r t h e d i r e c t i o n o f M a r t i n’s s o n s , Jo n a t h a n a n d D av i d Ko d n e r. To d a y, Ko d n e r G a l l e r y i s r e c o g n i z e d f o r i t s impressive and eclectic collections of fine art of the 19th, 20th, and 21st centuries. Their p r ov e n e x p e r t i s e i n c l u d e s I m p r e s s i o n i s m , A m e r i c a n We s t e r n , Re g i o n a l i s m , W PA , A s h c a n G r o u p, H u d s o n R i v e r a s w e l l a s Po s t Wa r M o d e r n a n d C o n t e m p o r a r y p a i n t i n g s , d r a w i n g s , r a r e p r i n t s , s c u l p t u r e, d e c o r a t i v e arts and antiques.
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Ko d n e r G a l l e r y p r ov i d e s a w i d e r a n g e o f s e r v i c e s f o r a l l c l i e n t n e e d s , i n c l u d i n g a r t a d v i s o r y s e r v i c e s , a p p r a i s a l s , c o n s i g n m e n t , d i r e c t p u r c h a s e, collection development, restoration and framing consultation. Ko d n e r G a l l e r y o f f e r s t h e h i g h e s t l e v e l o f c o n s u l t a t i o n t o c o l l e c t o r s , c o r p o r a t i o n s , a n d m u s e u m s w o r l d w i d e, i n c l u d i n g t h e S t . L o u i s M e r c a n t i l e L i b r a r y, T h e B o e i n g C o m p a n y, M o n s a n t o , t h e S t . L o u i s A r t M u s e u m , t h e A r t I n s t i t u t e o f C h i c a g o , B u f f a l o B i l l H i s t o r i c a l S o c i e t y, F i r s t B a n k a n d t h e S t . L o u i s S c i e n c e C e n t e r. Ko d n e r G a l l e r y i s p r o u d t o s u p p o r t l o c a l n o n - p r o f i t o r g a n i z a t i o n s s u c h a s A m e r i c a n Pa r k i n s o n D i s e a s e A s s o c i a t i o n , R a n k e n Jo r d a n Pe d i a t r i c S p e c i a l t y H o s p i t a l , Fo o d O u t r e a c h , t h e N i n e N e t w o r k o f P u b l i c M e d i a , O p e r a T h e a t r e o f S t . L o u i s , t h e Fo u n d a t i o n F i g h t i n g B l i n d n e s s , H a t e B r a k e r s a n d L ov e U 2 P i e c e s . Ko d n e r G a l l e r y o w n s a n d p r e s e n t s Tr a s h o r Tr e a s u r e , a n e d u c a t i o n a l and infor mational fine art, antiques and collectibles evaluation event that has benefited Missouri and Illinois communities since 2003. Vi s i t w w w. t r a s h o r t r e a s u r e e v e n t s. c o m f o r m o r e i n f o r m a t i o n .
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T RU S T Tr u s t i s e a r n e d . E s t a b l i s h e d t h r o u g h ye a r s o f p r ov e n s e r v i c e a n d a n u n w av e r i n g c o m m i t m e n t t o o u r c l i e n t s ’ n e e d s . Ko d n e r G a l l e r y i s a h o m e - g r o w n f a m i l y b u s i n e s s w i t h a v e s t e d i n t e r e s t i n t h e S t . L o u i s c o m m u n i t y s i n c e i t s f o u n d i n g n e a r l y 5 0 ye a r s a g o . O u r r e s p e c t e d n a m e a n d d i s t i n g u i s h e d h i s t o r y h a s p u t u s a t t h e f o r e f r o n t o f t o d a y ’s a r t m a r k e t b o t h l o c a l l y a n d i n t e r n a t i o n a l l y. W h e n a c q u i r i n g o r s e l l i n g yo u r v a l u a b l e f i n e a r t a s s e t s , l o o k t o t h e e x p e r t s a t Ko d n e r G a l l e r y f o r t h e h i g h e s t l e v e l o f p e r s o n a l s e r v i c e. T h e Fa c t s : • M a n y o f t h e A u c t i o n H o u s e s a r e n o t l o c a l l y r u n . T h e i r o u t o f s t a t e m a n a g e m e n t m a y h av e l i t t l e o r n o k n o w l e d g e o r i n t e r e s t i n t h e S t . L o u i s a r t a n d a n t i q u i t i e s m a r k e t p l a c e. • O n c e a c q u i r e d by t h e A u c t i o n H o u s e s , t h e b e s t p i e c e s a r e o f t e n c h e r r y - p i c k e d a n d s e n t t o t h e i r v e n u e s i n o t h e r m a r k e t p l a c e s . T h i s r e m ov e s t h e p e r s o n a l a n d l o c a l c o n n e c t i o n a n d takes valuable commerce out of the St. Louis area. • E m p l o ye e t u r n ov e r r a t e i s h i g h a t t h e A u c t i o n H o u s e s . A t Ko d n e r G a l l e r y, o u r A r t A d v i s o r s a r e a l w a y s d i r e c t l y av a i l a b l e t o yo u f r o m i n i t i a t i o n t o c o m p l e t i o n o f yo u r s a l e o r p u r c h a s e. • O u r C r e d e n t i a l s : U S PA P C e r t i f i e d , A p p r a i s e r s A s s o c i a t i o n o f A m e r i c a ( A . A . A . ) , N e w E n g l a n d A p p r a i s e r ’s A s s o c i a t i o n
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CONFIDENCE Ko d n e r G a l l e r y h a s a l w a y s o f f e r e d t h e h i g h e s t l e v e l o f p r i v a c y a n d d i s c r e t i o n . O u r p r i v a t e s a l e s allow our clients to acquire and sell their fine art assets without jeopardizing the integrity and v a l u e o f t h e i r w o r k . A l l o f o u r s a l e s i n f o r m a t i o n r e m a i n s p r i v a t e a n d c o n f i d e n t i a l f o r b o t h b u ye r a n d s e l l e r. Yo u r p e r s o n a l i n f o r m a t i o n o r i m a g e s o f yo u r a s s e t s w i l l n e v e r b e ov e r e x p o s e d o n t h e I n t e r n e t . I t i s t h i s a t t e n t i o n t o c o n f i d e n t i a l i t y t h a t h a s m a d e Ko d n e r G a l l e r y t h e c h o i c e o f c o l l e c t o r s , c o r p o r a t i o n s , e s t a t e s a n d t r u s t s b o t h l o c a l l y a n d g l o b a l l y. T h e Fa c t s : • A u c t i o n s a l e s a r e a m a t t e r o f p u b l i c r e c o r d w h i c h c a n e x p o s e yo u r p e r s o n a l b u s i n e s s . I m a g e s o f yo u r a r t w o r k a r e e m b e d d e d i n t o t h e I n t e r n e t a n d , s h o u l d yo u r f i n e a r t f a i l t o s e l l , t h i s d r a m a t i c a l l y d e c r e a s e s t h e c h a n c e f o r a s u c c e s s f u l f u t u r e s a l e. A l l o f o u r s a l e s i n f o r m a t i o n r e m a i n s p r i v a t e a n d c o n f i d e n t i a l f o r b o t h t h e b u ye r a n d t h e s e l l e r. • P u b l i c s a l e s c a n e x p o s e yo u r p e r s o n a l b u s i n e s s o n l i n e. W h e n b u y i n g, s e l l i n g, o r c o n s i g n i n g w i t h Ko d n e r G a l l e r y, o u r c l i e n t ’s p e r s o n a l a n d b u s i n e s s i n f o r m a t i o n i s s t r i c t l y c o n f i d e n t i a l . • S e n d i n g v a l u a b l e f i n e a r t a s s e t s t o a u c t i o n i s a r i s k . Fo r t h a t r e a s o n , m a n y l o c a l t r u s t a n d financial advisors choose not to take a chance with their fiduciary responsibilities and gamble their clients fine art assets at auction.
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INTEGRITY Ko d n e r G a l l e r y h a s a l w a y s s o u g h t t o r e m ov e t h e “ g r a y a r e a ” f r o m t h e p r o c e s s o f b u y i n g a n d s e l l i n g. To t h a t e n d , Ko d n e r G a l l e r y g u a r a n t e e s t h e h i g h e s t n e t a m o u n t t o o u r c o n s i g n o r s a n d d o e s n o t c h a r g e c o m m i s s i o n s . We c ov e r a l l m i s c e l l a n e o u s c h a r g e s a n d e x p e n s e s s o t h e r e a r e n o d e d u c t i o n s f r o m o u r c o n s i g n o r ’s g u a r a n t e e d n e t a m o u n t . E x p e n s e s f o r r e s t o r a t i o n , c o n s e r v a t i o n , f r a m i n g, i n s u r a n c e, p a c k i n g a n d s h i p p i n g a r e a l l c ov e r e d . T h e Fa c t s : • A u c t i o n H o u s e s c h a r g e b o t h B u ye r ’s P r e m i u m s ( 2 5 % u p t o 2 8 % ) a n d S e l l e r ’s P r e m i u m s (10% up to 25%). These premiums combined allow them to take up to 50% in commission f e e s f r o m t h e s a l e o f yo u r a r t w o r k . • Be aware of the miscellaneous hidden fees. Auction Houses charge consignors for insura n c e, i l l u s t r a t i o n , p h o t o g r a p hy, h a n d l i n g, p a c k i n g a n d s h i p p i n g. • When an artwork is brought to the auction block, it is only offered for sale during a small w i n d o w o f t i m e, t y p i c a l l y o n l y 3 0 - 9 0 s e c o n d s . • I n a n a u c t i o n s e t t i n g, m a n y c i r c u m s t a n c e s i n c l u d i n g p o o r a t t e n d a n c e, u n d e r v a l u e d o r ov e r v a l u e d e s t i m a t e s , p o o r a d v e r t i s i n g, b a d w e a t h e r, e c o n o m i c f a c t o r s , a n d c o n c e r n s r e g a r d i n g c o n d i t i o n o r a u t h e n t i c i t y c a n g r e a t l y a f f e c t t h e f i n a l o u t c o m e o f t h e s a l e. • A u c t i o n H o u s e s o f f e r v e r y l i m i t e d g u a r a n t e e s r e g a r d i n g a u t h e n t i c i t y, c o n d i t i o n , a n d r e s u l t s . Ko d n e r G a l l e r y s t a n d s b e h i n d t h e a u t h e n t i c i t y o f e v e r y a r t w o r k f o r t h e d u r a t i o n o f yo u r o w n e r s h i p a n d w e b r a n d o u r s e r v i c e s w i t h t r u s t , c o n f i d e n c e, a n d i n t e g r i t y.
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Kodner Jo n a t h a n K o d n e r , P r e s i d e n t a n d D i r e c t o r o f Ko d n e r G a l l e r y, i s a n i n t e r n a t i o n a l l y r e c o g n i z e d c o n s u l t a n t a n d d e a l e r i n t h e f i e l d o f f i n e a n d r a r e a r t . Jo n a t h a n’s e x p e r t i s e o f Fr e n c h a n d A m e r i c a n I m p r e s s i o n i s t s , M a s t e r s o f t h e O l d We s t , Re g i o n a l i s t s , 1 7 t h - 2 0 t h C e n t u r y A m e r i c a n a n d E u r o p e a n l a n d s c a p e, s t i l l l i f e a n d g e n r e, a s w e l l a s M o d e r n a n d C o n t e m p o r a r y M a s t e r s i s w i d e l y k n o w n t h r o u g h o u t t h e c o u n t r y a n d i n t e r n a t i o n a l l y. After g raduating from the Kansas City Art Institute in 1986, he began his career at the Missouri H i s t o r i c a l S o c i e t y a s E x h i b i t i o n Te c h n i c i a n a n d t h e n t h e A s s i s t a n t C u r a t o r o f A r t . A f t e r s e v e r a l ye a r s i n t h e i n s t i t u t i o n a l f i e l d , Jo n a t h a n j o i n e d h i s f a t h e r i n t h e g a l l e r y b u s i n e s s a t Ko d n e r G a l l e r y, w h i c h M a r t i n Ko d n e r f o u n d e d i n 1 9 7 1 . Jo n a t h a n b e c a m e a m e m b e r o f T h e N e w E n g l a n d A ppraisers Association while he worked alongside his father to build one of the most eclectic collections of fine art in the Midwest. I n 2 0 0 1 , Jo n a t h a n a n d h i s f a t h e r p a r t i c i p a t e d i n t h e A n t i q u e s Ro a d s h o w, w h e n t h e Ro a d s h o w v i s i t e d S t . L o u i s . H i s f a t h e r a p p r a i s e d p a i n t i n g s , w h i l e Jo n a t h a n a p p r a i s e d d r a w i n g s a n d f i n e p r i n t s . O v e r t h e p a s t 2 0 ye a r s , Jo n a t h a n a n d D av i d h av e e s t a b l i s h e d a n d p r o d u c e d Tr a s h o r Tr e a s u r e . T h i s f u n , i n f o r m a t i v e, a n d e d u c a t i o n a l e v a l u a t i o n e v e n t o f fine art, antiquities, and collectibles serves communities in b o t h M i s s o u r i a n d I l l i n o i s , a n d c o n t i n u e s t o g r o w e a c h ye a r.
D a v i d K o d n e r e a r n e d a B a c h e l o r o f A r t s d e g r e e f r o m t h e U n i v e r s i t y o f Wi s c o n s i n M a d i s o n in 1994. He has been a member of the New England Appraisers Association since 1997 and is a c u r r e n t m e m b e r o f t h e A p p r a i s e r ’s A s s o c i a t i o n o f A m e r i c a . D av i d h a s a l s o s u c c e s s f u l l y c o m p l e t e d a 15-hour course and examination on the Unifor m Standards of Professional A ppraisal Practice ( U S PA P ) , t h e C o n g r e s s i o n a l l y - r e c o g n i z e d s e t o f a p p r a i s a l s t a n d a r d s p r o m u l g a t e d by T h e A p p r a i s a l Fo u n d a t i o n . D av i d h a s b e e n a p a r t n e r a n d d i r e c t o r o f Ko d n e r G a l l e r y f o r a p p r o x i m a t e l y t w e n t y ye a r s , a n d w o r k e d c l o s e l y w i t h h i s f a t h e r, M a r t i n Ko d n e r, w h o w a s a n o r i g i n a l m e m b e r o f t h e AAA. W h i l e m u c h o f D av i d ’s g a l l e r y b u s i n e s s i s b a s e d i n b u y i n g, s e l l i n g, a n d v a l u a t i o n o f f i n e a r t , h e d e d i c a t e s m u c h o f h i s t i m e t o o u t r e a c h f o r m a n y o f t h e c o m m u n i t y ’s a r t i n s t i t u t i o n s a n d c h a r i t a b l e o r g a n i z a t i o n s . H e h a s b e e n a m e m b e r o f m a n y o r g a n i z a t i o n s i n c l u d i n g T h e Yo u n g Fr i e n d s o f the Saint Louis Art Museum, the Collections Advisory Committee of the Mercantile Library at the University of Missouri-St. Louis, and the Arts and Education Council.
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KO D N E R G A L L E RY R E S E A RC H P RO J E C T S F O R T H E A RT I S T S Oscar Edmund Ber ninghaus and Carl Wimar Oscar Edmund Ber ninghaus O n t h e M e s a , Ta o s O i l o n C a nv a s 22 1/2 x 28 inches
M a r t i n Ko d n e r, f a t h e r o f o w n e r s Jo n a t h a n a n d D av i d Ko d n e r, d e v e l o p e d a l i f e l o n g fascination with the works of the g reat American artist and native St. Louisan, Oscar Edmund Ber ninghaus (1874-1952) and the extolled Ger man-American artist Charles Fe r d i n a n d Wi m a r ( 1 8 2 8 - 1 8 6 2 ) . A m e m b e r o f t h e A p p r a i s e r s A s s o c i a t i o n o f A m e r i c a a n d l i s t e d e x p e r t o n b o t h a r t i s t s , ov e r f o r t y ye a r s a g o M a r t i n b e g a n p r o d u c i n g t h e f i r s t e v e r Re s e a r c h P r o j e c t s o n e i t h e r a r t i s t f r o m t h e v o l u m e s o f d e t a i l e d i n f o r m a t i o n h e c u l l e d d u r i n g t h e c o u r s e o f h i s c a r e e r. To d a y, Jo n a t h a n a n d D av i d a r e c o n t i n u i n g h i s w o r k . T h r o u g h o n g o i n g r e s e a r c h , t h e Ko d n e r s a r e c o m p i l i n g d a t a i n c l u d i n g b i o g r a p h i c a l a n d d o c u m e n t a r y m a t e r i a l , f i n e a r t work, and commercial material that spans the lifetime and oeuvre of the artists.
O S C A R E D M U N D B E R N I N G H AU S American, St. Louis (1874-1952) B o r n i n S t . L o u i s , M i s s o u r i a t a t i m e w h e n t h e c i t y w a s c o n s i d e r e d t h e “ G a t e w a y t o t h e We s t , ” B e r n i n g h a u s d e v e l o p e d a n e a r l y i n t e r e s t i n a r t t h r o u g h h i s f a t h e r ’s l i t h o g r a p h c o m p a n y. H e t o o k t h r e e e v e n i n g t e r m s a t S t . L o u i s S c h o o l o f F i n e A r t s , w h i c h w a s t h e e x t e n t o f h i s f o r m a l t r a i n i n g. T h e D e nv e r a n d R i o G r a n d e R a i l r o a d g av e B e r n i n g h a u s a c o m m i s s i o n i n 1 8 9 9 t o p a i n t t h e m o u n t a i n s c e n e r y, m i n i n g c a m p s , p e o p l e a n d v i l l a g e s o f C o l o r a d o a n d N e w M e x i c o . T h i s o p p o r t u n i t y i n t r o d u c e d h i m t o t h e s m a l l t o w n s o f Ta o s , w h e r e h e m e t f e l l o w a r t i s t s B e r t P h i l l i p s , E r n e s t B l u m e n s c h e i n , Jo s e p h S h a r p, E a n g e r I r v i n g C o u s e, a n d W. H e r b e r t D u n t o n . T h i s g r o u p o f s i x l a t e r c r e a t e d t h e Ta o s S o c i e t y o f A r t i s t s . B e r n i n g h a u s c o n t i n u e d t o t a k e c o m m i s s i o n s t h r o u g h o u t h i s c a r e e r, i n c l u d i n g a d v e r t i s i n g i l l u s t r a t i o n s f o r A n h e u s e r - B u s c h , a m u r a l f o r t h e M i s s o u r i S t a t e C a p i t a l b u i l d i n g i n Je f f e r s o n C i t y a n d c r e a t i n g f l o a t d e s i g n s f o r t h e Ve i l e d P r o p h e t Pa r a d e. H e d i v i d e d h i s t i m e b e t w e e n Ta o s i n t h e s u m m e r s a n d h i s h o m e i n S t . L o u i s u n t i l 1 9 2 5 w h e n h e m ov e d p e r m a n e n t l y t o N e w M e x i c o . B e r n inghaus was best known for his paintings of horses and Native Americans. He painted the people o f Ta o s i n n a t u r a l s e t t i n g s r e v e a l i n g a n u n d e r s t a n d i n g o f t h e i r l i f e i n a n e w a g e. A r t h i s t o r i a n Pa tricia Broder captured his breadth when she wrote of him, “He was at once a romantic and realist, p o e t a n d n a t u r a l i s t . ” H i s a r t i s t i c l e g a c y h e l p e d v i s u a l i z e A m e r i c a ’s e p i c h i s t o r y.
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CHARLES F E R D I NA N D W I M A R German, American (1828-1862) C h a r l e s ( C a r l ) Wi m a r w a s b o r n i n S i e g b e r g, G e r m a n y o n Fe b r u a r y 2 0 , 1 8 2 8 , a n d d i e d i n S t . L o u i s , M i s s o u r i , N ov e m b e r 2 8 , 1 8 6 2 . A t 1 5 ye a r s o l d , Wi m a r m ov e d w i t h h i s f a m i l y f r o m G e r m a n y t o S t . L o u i s , M i s s o u r i . P r i o r t o t h e o u t b r e a k o f t h e C i v i l Wa r, t h e M i s s o u r i R i v e r w a s t h e c e n t e r o f A m e r i c a ’s f u r t r a d i n g i n d u s t r y. T h e d i v e r s e p e o p l e a n d s c e n e r y a l o n g t h i s r o u t e i n s p i r e d n u m e r o u s a r t i s t s , i n c l u d i n g t h e yo u n g Wi m a r. D u r i n g h i s ye a r s i n S t . L o u i s , h e b e c a m e f a s c i n a t e d w i t h t h e We s t e r n Fr o n t i e r, t h e N a t i v e A m e r i c a n s , a n d t h e o b j e c t s t h e y t r a d e d . T h e s e i n t e r e s t s , a n d t h e i r i n h e r e n t c o n f l i c t s , f o r m e d t h e l o c u s o f Wi m a r ’s c a r e e r. D u r i n g t h e 1 8 5 0 ’s , D u s s e l d o r f w a s t h e p r i m a r y d e s t i n a t i o n f o r A m e r i c a n a r t i s t s s t u d y i n g i n E u r o p e d u e t o t h e i n f l u e n c e o f E m a n u e l L u e t z e a n d t h e D u s s e l d o r f A c a d e m y. I n 1 8 5 1 , Wi m a r d e p a r t e d A m e r i c a t o s t u d y a t t h e A c a d e m y. T h e t r a i n i n g h e r e c e i v e d f o l l o w e d t h e E u r o p e a n t r a d i t i o n o f p a i n t i n g g r a n d - s c a l e h i s t o r i c a l c o m p o s i t i o n s r o o t e d i n n a t u r e. Wi m a r e v e n t u a l l y g r e w d i s c o n t e n t c o py i n g t h e w o r k s o f o t h e r s . I n s t e a d , h e c h o s e t o s t u d y a n d sketch Native Americans, artifacts, and horses, developing his compositions with a systematic proc e s s . Wi m a r ’s a r t s h i f t e d f o c u s i n 1 8 5 6 u p o n h i s r e t u r n t o t h e M i d w e s t . T h e We s t w a s n o l o n g e r a dangerous and uninhabited land. It was now seen as a land of endless opportunity and expansion. I n 1 8 5 8 - 1 8 5 9 , Wi m a r m a d e t w o v o y a g e s u p t h e M i s s o u r i R i v e r t o d o c u m e n t t h e l a n d t h a t h a d c o n s u m e d a n d i n s p i r e d h i m t h r o u g h o u t h i s l i f e t i m e. D u r i n g t h e l a s t ye a r s o f h i s l i f e, Wi m a r r e j e c t e d t h e p e r p e t u a t e d p o r t r a y a l s o f t h e r o m a n t i c i z e d m y t h o f t h e A m e r i c a n We s t , a n d d e c i d e d t o c r e a t e works that objectively documented the land and its people before both became extinct.
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C O N TAC T U S 9650 Clayton Road S t . L o u i s, M i s s o u r i 6 3 1 2 4 (314) 993-4477 (800) 993-4478 i n f o @ k o d n e r g a l l e r y. c o m
P l e a s e c o n t a c t u s f o r a l l o f yo u r appraisal needs. Fr e e Ve r b a l E v a l u a t i o n s O f f e r e d D a i l y.
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