KNACK Magazine #52

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KNACK â„– 52

Editors & Staff Andrea Catalina Vaca

Co-Founder, Publisher, Director, Photo Editor, Subscriptions, Artist Coordinator, Marketing, Advertising, Digital Operations

Jonathon Duarte

Co-Founder, Design Director

Ariana Lombardi

Co-Founder, Executive Editor, Writer, Artist Coordinator

Fernando Gaverd

Designer, Digital Operations

Chelsey Alden Editor, Writer

Jake Goodman Designer

BFrank

Designer

Juraj Gagne Proofreader

Rufino Medrano Design Intern

KNACK Magazine is dedicated to showcasing the work of artists of all mediums, and to discuss trends and ideas of art communities.

KNACK Magazine’s ultimate aim is to connect and inspire emerging artists, working artists, and establishes artists. We strive to create a place for artists, writers, designers, thinkers, and innovators to collaborate and produce a unique, informative, and unprecedented web-based art magazine each month.

Alicia Morris

Cover Artwork

Andrea Catalina Vaca Spread Photography

Jake Goodman Magazine Design

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Submission Guidelines Photographers, Graphic Designers & Studio Artists 10–12 high resolution images of your work. All should include pertinent caption information (name, date, medium, year).

Writers

You may submit up to 5,000 words and as little as one. We accept simultaneous submissions. No cover letter necessary. All submissions must be 12-pt Times New Roman, single or double-spaced, with page numbers and include your name, e-mail, phone number, and genre.

KNACK seeks writing of all kinds. We will even consider recipes, reviews, and essays. We seek writers whose work has a distinct voice, is character driven, and is subversive but tasteful.

All Submissions

KNACK encourages all submitters to include a portrait, a brief biography, which can include; your name, age, current location, awards, contact information, etc. (no more than 250 words). And an artist statement (no more than 500 words). We believe that your perspective of your work and process is as lucrative as the work itself. This may range from your upbringing and/or education as an artist, what type of work you produce, inspirations, etc.

If there are specifications or preferences concerning the way in which your work is to be displayed please include them.

Please title files for submission with the name of the piece.

This applies for both writing and visual submissions.

Formats

Images

pdf, tiff, or jpeg

Email

knackmagazine1@gmail.com

Written Works

doc, docx, or rtf

Subject

Submission [Photography, Studio Art, Creative Writing, Graphic Design]

Knack Needs Your Help!

KNACK Magazine is requesting material to be reviewed. Reviews extend to any culture related event that may be happening in your community. Do you know of an exciting show or exhibition opening?

Is there an art collective in your city that deserves some press? Are you a musician, have a band, or are a filmmaker? Send us your CD, movie, or titles of upcoming releases which you’d like to see reviewed in KNACK Magazine. We believe that reviews are essential to creating a dialogue about the arts. If something thrills you, we want to know about it and share it with the KNACK Magazine community—no matter if you live in the New York or Los Angeles, Montreal or Mexico.

All review material can be sent to knackmagazine1@gmail.com. Please send a copy of CDs and films to 4319 N. Greenview Ave, Chicago, IL 60613. If you would like review material returned to you include return postage and packaging. Entries should contain pertinent details such as name, year, release date, websites and links (if applicable).

For community events we ask that information be sent up to two months in advance to allow proper time for assignment and review.

We look forward to seeing and hearing your work.

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Contents Sasho Blazes

7

Jon-Carlo Diaz

17

Eric Fiorin

27

Heesu Jeon

41

Sarah Lee

53

Mind Debris

59

Stephanie Kodakya Phillips

65

Mason Pott

75

Sleep Sparrow

87

Quick Look Arushi Chakraborty

98

Gugulethu Khumalo

99

Plus “Who Are You Driving To”, Melody Chebrellan A music review by Chelsey Alden

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Featured Artists Sasho Blazes is a Macedonian painter and graphic artist, born in Ohrid.

He studied at the University of Arts in Bucharest, Romania.

Now Blazes splits his time between Ohrid, Bucharest, and Berlin. His work has been exhibited in galleries in Berlin, Bucharest, Venice, Tokyo, and Istanbul.

Eric Fiorin is an accomplished French painter and alumnus of the Ecole des Beaux-Arts of Paris (1985-1990).

Jon-Carlo Diaz is a photographer and videographer from El Paso, Texas.

Heesu Jeon, born in Seoul, Korea, received his BFA and MFA in painting from Chung-Ang University in Korea.

Further, in 2017, he received an MFA in Painting and Drawing at the School of the Art Institute of Chicago (SAIC). All of his works contain his personal historical records using animated images. Jeon is currently living and working in Korea.

Since graduating with a BFA from the School of the Art Institute of Chicago (SAIC) in 2011, and an MFA from SAIC in 2017, Sarah Lee’s paintings have been featured at THE MISSION, Julius Caesar Gallery, and at EXPO Chicago, as well as overseas at Won Gallery in Seoul, South Korea.

Sarah currently lives and works in New York City.

Featured Artists

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Mind Debris is a psychedelic, alternative rock band based in Boston, MA, comprised of Diego Valencia and Michael Beckhart.

They met while studying in Boston, where they bonded over their Mexican roots. From there, Valencia and Beckhart started writing, producing and recording music together. In Mind Debris’ debut EP album, Towards the Sun, the band focuses on a series of stories that touch on themes of introspection, duality, and the conscious and unconscious self. These themes are explored through metaphors representative of nature. e: minddebris.music@gmail.com

Stephanie Kodakya Phillips started very very small press in October 2017 after quitting her day job working in a ceramics factory. A 32-year-old Oregon native, Phillips now lives and works in Cincinnati.

Mason Pott is an American visual artist. His work has been exhibited most recently in the Adventureland Gallery in Chicago, IL and the Robert Crowne Center in Hinsdale, IL. He holds a BFA from the University of Illinois Urbana-Champaign. masonpott.com

Sleep Sparrow is the work of Birmingham based, Falmouth University (UK) graduate, Sophie Chadwick.

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Sasho Blazes

Using examples from art history, past pop culture, and friends, I not only touch on the irony of intimate psychological experiences, but I also penetrate into the social anthropology, through a critical attitude toward the icons of mass art and pop culture. My narratives represent a reflection of the head and tail of a specific esthetic formalism, while also being a post-pop art nostalgic reference to symbols of the past.

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Sasho Blazes

Sasho Blazes

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Making the Wall Again (Lust for Nostalgia Series) oil on canvas

Lost (Lust for Nostalgia Series) oil on canvas

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Bad (Lust for Nostalgia Series) oil on canvas

It Could be a Miracle (Lust for Nostalgia Series) oil on canvas

Sasho Blazes

Sasho Blazes Painter (Lust for Nostalgia Series) oil on canvas

Future is Now (Lust for Nostalgia Series) oil on canvas

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Sasho Blazes

Study of a Man (Lust for Nostalgia Series) oil on canvas

Sasho Blazes

13 Portrait (Lust for Nostalgia Series) oil on canvas

Singer’s Pose (Lust for Nostalgia Series) oil on canvas

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Study of a Man (Lust for Nostalgia Series) oil on canvas

Sasho Blazes

Superman (Lust for Nostalgia Series) oil on canvas

Sasho Blazes

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Jon-Carlo Diaz

Portraits should be emotive. There is an awkward intimacy that occurs when looking at a portrait, and that is probably why I love them. I love to shoot and share what is familiar.

El Paso is a beautiful and interesting place. I hope to be one of the many artists here who exemplify those qualities.

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Jon-Carlo Diaz

Tower

digital photography

Jon-Carlo Diaz

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Adri

digital photography

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Jon-Carlo Diaz Bitter Sweet

digital photography

Flor

digital photography

Glow

digital photography

Jon-Carlo Diaz

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Jon-Carlo Diaz

Home

digital photography

Cheers

digital photography

Pilots

digital photography

Jon-Carlo Diaz

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Jon-Carlo Diaz

Jon-Carlo Diaz Settle

digital photography

Ruby

digital photography

Isolate

digital photography

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Eric Fiorin

My paintings show what they say. I create original forms, solid figures with structured touches, balanced with subtle and tight nuances. There is no difference between the content and the shape represented, but a very big difference between the original subject and my creations of highly artificial and artistic shapes! This reconfiguration is my main strength.

I am continually influenced by Picasso’s deconstruction, Matisse’s bright colors and serpentine lines, and current design style.

There is fantasy in each of my paintings, in harmony with the contemporary international techno style in which we live.

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Eric Fiorin

Eric Fiorin

Picasso ‘n’ Owl oil on canvas

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Female Head with Glasses oil on canvas

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Eric Fiorin Inspired by Vincent Van Gogh’s ‘Self-Portrait’ oil on canvas

The Drinker in Blue Dress with Orange Dots oil on canvas

Eric Fiorin

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Inspired by Leonardo da Vinci’s ‘Lady with an Ermine’ oil on canvas

Eric Fiorin

Inspired by Leonardo da Vinci’s ‘Mona Lisa’ oil on canvas

Eric Fiorin

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Eric Fiorin

Eric Fiorin

Inspired by Raphael’s ‘Portrait of Baldassare Castiglione’ oil on canvas

35

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Inspired by Jan van Eyck’s ‘Portrait of a Man in a Turban’ oil on canvas

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Eric Fiorin

Eric Fiorin Inspired by Hyacinthe Rigaud’s ‘Portrait of Louis XIV (The Sun King) in Coronation Robes’ oil on canvas

Inspired by Johannes Vermeer’s ‘Girl with a Pearl Earring’ oil on canvas

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Eric Fiorin

Inspired by Vincent Van Gogh’s ‘The Church at Auvers’ oil on canvas

Eric Fiorin

Inspired by Henri Matisse’s Blue Nude IV oil on canvas

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Heesu Jeon

Through the patterns and symbolic signs of American comics and Japanese anime, I depict my experience of everyday life as well as the Korean social identity. I give form to the emotional exchanges, circumstantial dynamics, and relationships among the people who reside in the world.

I mix the exterior appearance of my daily life—in which order and hierarchy have lost their meaning—with the internal nature, or essence, that resides within. Internal nature refers to “the inscape” that is defined through the combination of the mundane reality and the psychic realm of the mind.

It is my long-term goal that my chronological records will show not only my personal history but also form a part of contemporary history.

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Heesu Jeon

Hand in Hand

acrylic on canvas

Heesu Jeon

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Morning Soccer Club acrylic on canvas

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Heesu Jeon

Heesu Jeon

Sona Lisa

acrylic on canvas

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There’s No Ghost in the World acrylic on canvas

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Heesu Jeon

Heesu Jeon

Candlelight Vigil acrylic on canvas

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The Artist’s Way acrylic on canvas

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Heesu Jeon

Heesu Jeon

The Roar of Jay acrylic on canvas

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Heesu Jeon

Heesu Jeon

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Mother and Her Dogs acrylic on canvas

The Band

acrylic on canvas

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Sarah Lee

I am fascinated by the atmosphere of virtual reality, and the aesthetics of a digitally constructed image—the extreme smoothness, unnatural coloring, and homogeneity of surface detail. Virtual worlds are not plausible worlds, but they are seductive, and more importantly, they can be believable. I investigate the phenomenon of these worlds, and their relationship to the language of painting, especially when considering gestural mark making. Much of my work explores the boundary between direct and indirect marks and their manipulations and illusions. In my practice, I flatten and refine my gestural marks by sanding, masking, and spraying. Through these actions, I make an image that is at once static and otherworldly, yet, familiar.

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Garden of Eyes (18-01)

acrylic on canvas over panel

Sarah Lee

Sarah Lee

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Nocturnal Plant (18-02)

acrylic on canvas over panel

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Sarah Lee

Untitled 17-01

acrylic and silkscreen on panel

Untitled 17-02

acrylic on canvas over panel

Sarah Lee

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Mind Debris

Compositionally, we approach lyric writing by having two voices sing different perspectives of the same story, keeping in mind the philosophy that life has many subjective counterparts, and we ourselves have more than one plane of consciousness. Nevertheless, this duality sometimes coincides, and this is when the voices sing together. We aim to open a dialogue about these themes, and explore them through different artistic forms and mediums.

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Mind Debris

Towards the Sun

This Is Water

This song was inspired by David Foster Wallace and the importance of questioning our thoughts and desires. The concept we wanted to explore was how life, society, and culture give us goals that don’t always align with what we want as individuals. The problem is, sometimes we end up blindly following standards we’re not sure we truly want meet.

Broken Shadows

In this song we speak of the mutual effort that exists in sexual intimacy. We interpret this from the perspectives of fire and wind.

The fire burns the wind, yet the fire wouldn’t be able to burn without the wind. Together they are the act of combustion, inseparable and important to each other’s existence.

Sosiego

This piece is about the decaying of our memories as we continue living. Our adventures become memories, which become stories to tell. Eventually we forget the memories, yet we still hold onto the life they gave us.

Blizzard’s Ghost

The premise of this song is about taking chances, even in situations that might normally incite fear. We invite you to go outside and play in the blizzard. Above the storm, there is still a sun, shining light on a positive ending. In this song, there are two characters: the inner voice, and the spoken voice. They meet in the middle with reason, speaking to the blizzard.

Light Restarts

This song is our most conceptual. We started with a dialogue about how the mind seems to have an inertia beyond our control, and frequently we find ourselves bombarded by our own streams of thought. The song undergoes three phases, each completely independent musically. The drastic changes between sections represent how radically our thoughts can change from one moment to the next. In the lyrics, we tried to embody the vastness of the universe and how little of it we understand.

song.link/mdtowardsthesun

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This is Water Narrator Realization Character Rowing upstream, Paddlin’ his sweat Dreaming a dream ahead Through the wrong river he’s mislead Rotting daydream burning in his mind A beam he cannot find Would’ve been the one to leave him blind I never would’ve thought that I’d be rowing through the years He’s gone and found himself astray Chasing melancholic dreams Trapped but flowing in a scheme This is Water, gliding down the creek to be purified This is Water, breezing thoughts that give me a painless mind I am Water, trickling towards the tide This is Water, and it reaches far more than I can see See my hands bleed aching to the spine A breath I cannot find It was all a dream I couldn’t grasp See myself freed, Soaking in relief Heeding up my life Finding new meaning to live by He never would’ve thought that, he’d be swimming down the stream I’ve/He’s gone and found myself/himself again A buoyant man now dreams again A buoyant man now flows again This is Water This is Water I am Water This is Water

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Mind Debris

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Broken Shadows Fire El viento sabe a sal

Speech towards the Women

Wind

Y al fuego lo invita a bailar Silueta corporal Placer pintado en el mar I will breathe your breath We move like dancing fire We’re just broken shadows Only light remains between us

Sosiego Así como en el mar

Las olas ser revolcarán

Reason Pensamiento olvidado Ya con muchos has de estar Con los hombros liberados ya no hay mal Sólo hay tranquilidad

Te siento junto a mí Un beso con sabor a sal We move like dancing fire We’re just broken shadows

Un camino enterrado Bajo flores se perdió Su vestir ya muy cambiado sigue aquí A la plenitud cedió Sólo hay bien Pensamientos corren bajo el sol

El viento sabe a sal

La belleza que se crea al recordar Al camino olvidó Su beso sabe a mar Respiro tu calor Eterna combustión We move like dancing fire We’re just broken shadows Only light remains between us

Mind Debris

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Blizzard’s Ghost Inner Voice Reason The Blizzard’s Ghost invites me To go outside and play

Spoken Voice

Although it’s cold, I’d love to go I can’t resist her way Your kiss freezing my skin Drifting away towards to sun Your touch whispers our song Our winds in unison The lightning sings inside you I will dream your Blizzard’s Ghost tonight Your kiss freezing my skin Drifting away towards the sun Your touch whispers our song Our winds in unison

Light Restarts Realization While searching for truth I stumbled upon A lonely mountain And then light restarts again In an ocean so vast The truth moves so fast I barely caught it And then light restarts again Phased moving along In a city so tall I almost lost myself And then light restarts again In a forest so broad Where no beauty is flawed I came close to myself And then light restarts again And then light restarts again

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Stephanie Kodakya Phillips

I started bookbinding as a way out of the 40-hour-per-week alienation of the capitalist system. My goal is to keep learning new skills, continually experiment with different ways to bind books, and challenge myself to turn what is in my head into something tangible for others to digest. Currently, I’m living to create and creating to live.

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Stephanie Kodakya Phillips Mt

Cityscape

Stephanie Kodakya Phillips

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Stephanie Kodakya Phillips

Stephanie Kodakya Phillips

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Machine

Castle

My Friend’s Profile

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Stephanie Kodakya Phillips

Passionflower (colorized)

Sticks

Sushi

Stephanie Kodakya Phillips

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very very small press started out in October 2017, with zines of original poetry and small collages. The name very very small press embodied the enterprise, both in terms of size and volume of tangible products, as well as the financial affairs. To expand the range and scope of very very small press, we started making handmade blank books, journals, and notebooks, in addition to larger collage zines. Today, very very small press also offers block print portraits and greeting cards.

The objective of the press has always been to collect materials cheaply or at no cost - to turn something that had very little monetary value into something of higher creative value, and to always be affordable. Each item is as unique as the materials used are varied and limited. very very small press intends to keep growing, to incorporate new skills and art forms, and to continue innovating when it comes to bookbinding, printing, and paper-making. veryverysmallpress.wordpress.com facebook.com/veryverysmallpress Support very very small press: gofundme.com/very-very-small-press-tour

very very small press

very very small press

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Mason Pott

I seek an understanding of how individuals remember. Each experience is imprinted as a memory. These memories can shift in character over time. Traumatic events may no longer define every waking moment of one’s life. Simple and insignificant moments may morph into complex, powerful events.

In my work, realistic depictions are combined with objects sourced from past events, creating new situations where both the past and present exist at once.

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Mason Pott Bike Crash

oil on hospital gown

Bloom

oil on pharmaceutical

Mason Pott

One Year Later

oil on hospital gown

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Get Well Soon

oil on hospital gown

Solution

oil on pharmaceutical

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Mason Pott

Mason Pott

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Reflections on Recovery

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surgical Instruments, scalpels, hypodermic needles, hydrocodone, ambien, itraconazole, lexapro, lorazepam, zofran, tramadol, aspirin on panel encased in resin.

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Wounded

oil on gauze packaging

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Mason Pott

Mason Pott

81 Morphine

morphine, syringe in resin

Scalpel

scalpel in resin

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Mason Pott

Resist

oil on palette

Wisp

oil on panel

Mason Pott

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Mason Pott

Divergence

oil on found object

Mason Pott

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Sleep Sparrow

Influenced by brutalist architecture, modernist design, and the variety of atmospheres found within music, I explore the interaction between various colours and shapes.

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Sleep Sparrow

270717

mz9

Sleep Sparrow

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Scan 197

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Sleep Sparrow

Scan 211

Sleep Sparrow

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Green Duck 2

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Ever Press 1

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Sleep Sparrow

Winter Portal 2

Sleep Sparrow

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Sleep Sparrow

Sleep Sparrow

Winter Portal 3

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DIY Pop 34

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mz3

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Sleep Sparrow

Sleep Sparrow

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mz4

Arushi Chakraborty

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Quick Look

Arushi Chakraborty is a self-taught artist from India, heavily influenced by the anime genre, and by individual artists like Oda Eichiiro, Otani Ryuji, and Cho Jung-Man. She explores minimalist & anime style artworks, done with basic gel ink pens.

Her first series of sketches, entitled Whimsical, created with red and black ink, represent passion and imagination. Each of the sketches are inspired by everyday objects (and daydreams too!) ig: @herr.pterodactyl

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Green face is alive and well and alive in your modern world.

I’ve been watching Earth for years from the comfort of my spaceship, in great wonder and intrigue, while you are all technologically slow. You are an amazing race of social justice warriors, who care about making sure everyone is included in your worldwide conversation of equality. Part of being a social justice warrior is snagging in Twitter banter and playing an active role in calling out Earth’s social and political correctness.

Call-out culture is one of my favorite things to engage in. It’s great that humans have social “checks and balances.” The Head of Administration of this call-out culture is Twitter. Here, no matter their wealth or social ranking, people are held accountable for their crimes of racism, sexism, cultural appropriation, homophobia and endless social taboos.

Green face is alive and well, and I am surprised that in the spirit of call-out culture no one has called out this shrewd and mediocre attempt at understanding space customs and cultures. No one has stood up for space culture. No one has gotten “woke.” And no one has called out the use of stereotypes wrapped in villainous dogma, coated in uninspired attempts at embodying space culture, painted in exaggerated green face.

Space culture is far more complex and intricate than your films and comics can explore. We don’t eat humans. We don’t want to probe your brain (unless you consent). We are also not an uncivilized race who needs saving from a race of beings that haven’t even perfected space travel.

Please do remember that we are more complex than green faces and flying saucers. Stop performing mediocre attempts at space culture.

Kind Regards, A Pissed Off Green Guy in the Sky P.S. Klingon is not even a real language.

Gugulethu Khumalo was born in Cape Town, South Africa, but grew up in a sleepy town in Massachusetts. Khumalo runs a blog, Black (Wo)man’s Complex, where she comments on everything from the Kardashians to adoption. She is currently a second-year student at the University of the Witwatersrand in Johannesburg, South Africa, majoring in African Lit, Politics, and Media Studies.

Gugulethu Khumalo

Dear Humans, Stop Green Face, It’s Not Cool An Open Letter to Humans

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Music Review by Chelsey Alden

Who Are You Driving To Melody Chebrellan

As I’ve come to expect, Chebrellan does not hide the imperfections of humanity in her new single, “Who Are You Driving To”, and I love that. (I previously listened to and reviewed her debut LP with Little Hermit, entitled Thanks Mangled Brain, back in 2016.) However, hitting PLAY on “Who Are You Driving To”, written and recorded in Berlin with Hanno Bruch, introduced me to a vocal side of Chebrellan that I did not expect. I am all for surprises, and I found myself sitting around playing this song on repeat for days in row. The melody and structure of the whole song is quite moody and unexplainably hypnotizing.

Lacking any kind of intro, listeners are immediately plunged into the middle of a sexy, enchanting scenario. Chebrellan’s voice is alluring, beguiling, and quite the contrast to her voice on Thanks Mangled Brain. As the song goes on, though, the vocals become airier, almost timorous, and we can hear the narrator struggle with and question herself. The change is palpable, and Chebrellan (truly a poet) left me heavy-hearted and wild about “Who Are You Driving To”.

Release Info: 2018, Germany Have a listen: soundcloud.com/melody-chebrellan/who-are-you-driving-to

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