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P ORT FOLIO OF WORKS DESIGN SHOWCASE KENNETH AZARIA MARBURG

“BEAUTY: THE ADJUSTMENT OF ALL PARTS PROPORTIONATELY

C E

T S

P R

SO THAT ONE CANNOT ADD OR SUBTRACT OR CHANGE WITHOUT IMPAIRING THE HARMONY OF THE WHOLE” - LEON BATTISTA ALBERTI

IL PESCARIO DI VENEZIA: THE FISHING AQUARIUM OF VENICE 02

PROSPECT PODS: THE MINISTRY FOR LAND TRANSPORTATION INNOVATION

Fall 2024 | Professors: Mark Rakatansky & Jorge Otero-Pailos

Summer 2024 | Professor: Dan Wood

SEEING OUT LOUD: A BLIND SEASONAL SENSORY EXPERIENCE 10

FORGOTTEN HEROES: CITY HALL PARK INTERPRETIVE CENTER

CASCADE HOUSE: AN AFFORDABLE COMMUNITY IN PARK SLOPE 20

THE CRACK THAT LEADS TO HOME: HOUSING FOR NEW YORK’S SUBWAY HOMELESS

STEEPLECHASE AQUATIC CENTER: CONEY ISLAND’S NEWEST SPORTS COMPLEX 32

BIRDMAN WEARABLE INTERFACE: ADAPTIVE SHIELD FOR THE NATURAL ELEMENTS

Spring 2021 | Professor: Irma Ostroff

Spring 2020 | Professor: Fran Leadon

Summer 2020 | Professor: John Cunningham

Fall 2019 | Professor: Lior Galili

Spring 2019 | Professor: Henry Grosman

Spring 2017 | Professor: Robin Osler

FRAMEWORKS: A STUDY OF VISIBILITY ON THE HIGH LINE 42 Fall 2020 | Professor: Lior Galili

PROFESSIONAL WORK SAMPLES 48 2022-2023 | David Smotrich & Partners LLP

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F I S H I N G A Q U A R I U M

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01 IL PESCARIO DI VENEZIA THE FISHING AQUARIUM OF VENICE

TERM FALL 2024 | COLUMBIA UNIVERSITY, GSAPP CRITS MARK RAKATANSKY & JORGE OTERO-PAILOS TYPE

INDIVIDUAL PROJECT

To honor the history of fishing in Venice, I developed a fishing museum and aquarium in the 16th century built Galeazze, the abandoned twin warehouses located in the Venetian Arsenale. This adaptive reuse endeavor is dubbed Il Pescario di Venezia (Pesca Rendering by Hannah Dinaburg-Nosdrin

+ Acquario = Pescario). The first floor or “Fishing Zone,” includes ten floor-to-ceiling tanks consisting of both edible and non-edible marine organisms, currently inhabiting the Venetian Lagoon. There are also seven interactive catch and release “fish farms,” as well as a timeline of the history of fishing in Venice. The museum consists of exhibitions and artifacts reflective of periods spanning from 421 CE to present day. The second floor is named the “Feeding Zone.” This is where customers can dine and indulge in traditional Venetian seafood specialties. Lastly, the third floor is made up of a stadium for viewing live tuna and other large edible fish feedings. Live entertainment, and an interactive water table with miniature fishingrelated vessels built in the Arsenale are also included.

Portfolio of Works

HISTORY OF FISHING TIMELINE EXHIBITION ENTRANCE | STARTING AT 421 CE

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FEEDING STADIUM & FISHING BOAT EXHIBITION

EXTERIOR VIEW

VENETIAN SEAFOOD RESTAURANT

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T R A N S P O R T M I N I S T R Y

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Programmatic Diagram

02 PROSPECT PODS

THE MINISTRY FOR LAND TRANSPORTATION INNOVATION TERM SUMMER 2024 | COLUMBIA UNIVERSITY, GSAPP CRIT

DAN WOOD

TYPE

INDIVIDUAL PROJECT

In the future’s future, set in the late 2050s, commercial jet travel is nearing obsolescence in an effort to reduce carbon burn. Although cross-continental high-speed rail exists by now, it still takes over a day for it to cross the U.S. mainland. As the world needs a much Observation Deck

faster way to travel, the Ministry for the Future’s Center for Land Transportation Innovation presents “Prospect Pods.” This new

Pod Hotel

technology can transport passengers through pneumatic tubes that

Departures Level

plunge underground at ultra-high speeds, serving both international

Bars/Lounges

and domestic routes. The traditional method of embarkation, in

Arrivals Level

which large groups board coupled train cars, will be replaced by an

Offices

efficient singular train pod suitable for up to five people. These trains

Mechanical Transport Tubes Circulation Core

of the future will be accessible on demand through an app, and will be easy to board without the long wait. Additionally, Prospect Pods are situated between “cactus-like” leaves which hold the program for this nine story ministry and skytop terminal. Spaces include public gathering forums, shops, observation decks, and office floors for Ministry workers who can view the transport tubes accelerating down in a parabolic form. Welcome aboard!

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Office Level Plan

Departures Level Plan

5m 0m

10m 5m

15m 10m

20m 15m

25m 20m

25m

P U

25m 20m

1 2

20m 15m

15m 10m

10m 5m

5m 0m

1. Break Lounge 2. Workstations 3. Galley / Café

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Animation of All Nine Floor Plans https://youtu.be/RTDKpgcS2q0

1. Customs / Baggage Check-In 2. Domestic Concourse Boarding Area 3. International Concourse Boarding Area 4. Duty-Free Shop 5. Food Court 6. Atrium Café

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E M P A T H Y E X H I B I T I O N

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Rendering by Kenneth Marburg

03 SEEING OUT LOUD

A BLIND SEASONAL SENSORY EXPERIENCE TERM SPRING 2021 | CCNY, SPITZER SCHOOL OF ARCHITECTURE CRIT

IRMA OSTROFF

TYPE

GROUP PROJECT: Kenneth Marburg, Hannah Dinaburg-Nosdrin, Shulan Zhao, and Joseph Marcevic

The purpose of this exhibition prototype is to sensually connect the blind or visually impaired to the visual world, through the use of the four seasons in controlled spaces. This can help the user overcome the fear of isolation or lack of trust. The form of the exterior structure is Rendering by Hannah Dinaburg-Nosdrin

purposely shaped to mimic the human eye, and the “blood vessels” within, function as paths for pedestrian circulation. This exhibition is not only limited to the unsighted. Even people with 20/20 vision are encouraged to participate. Just throw on a blindfold, and take off your shoes if you wish, to encounter all Seeing Out Loud has to offer! Our main goal is to provide participants with confidence that the exhibit is safe, accessible, comfortable, and free of distractions. Each “performance” space is equipped with sound-absorbing materials for walls and floors; a safe walking path with warning cues such as slopes and textures; and adjustable heating and cooling to satisfy year-round temperatures.

Axonometric by Shulan Zhao

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WINTER ENVIRONMENT

SPRING ENVIRONMENT

YouTube Link: https://youtu.be/cBWbe6XN9AY

YouTube Link: https://www.youtube.com/watch?v=71rAR9FhbTs

V I D E O W A L K T H R O U G H

P L A N T S A N D

ARTIFICIAL VELVET POINSETTIAS

BLUE SHAG EASTERN WHITE PINE

LAVENDER

GERBERA

M A T E R I A L S

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VINYL WALL PANELING VINYL SHEET FLOORING Winter Rendering and Research by Kenneth Marburg

BAMBOO WALL PANELING GRAVEL PAVEMENT Spring Rendering and Research by Hannah Dinaburg-Nosdrin

SUMMER ENVIRONMENT

FALL ENVIRONMENT

YouTube Link: https://youtu.be/ZKnzWjOMcqA

YouTube Link: https://youtu.be/AUtncQG3OiQ

V I D E O W A L K T H R O U G H

P L A N T S A N D

BANANA TREE

SULFUR COSMOS

MAPLE TREES

PAPER LEAVES

ENGINEERED HARDWOOD

PLASTER

RUSTIC OAK

LAYERED LIMESTONE

M A T E R I A L S

Summer Rendering and Research by Shulan Zhao

Fall Rendering and Research by Joseph Marcevic

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H I S T O R Y E X I B I T I O N

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04 FORGOTTEN HEROES

CITY HALL PARK INTERPRETIVE CENTER TERM SPRING 2020 | CCNY, SPITZER SCHOOL OF ARCHITECTURE CRIT

FRAN LEADON

TYPE

INDIVIDUAL PROJECT

This interpretive center functions as a “healing vessel” and memorial to the American Revolutionary War heroes captured, jailed, and tortured by the British. It contains records of all of the Revolutionary era jails that were once located in the vicinity of City Hall Park. Three

BASSWOOD MODEL (3/32” = 1’)

design components serve to recreate the historical phases of the old Martyrs’ Prison: the preserved prison section, intersected by the subway; the Grecian porticoes and steps symbolizing the Hall of Records; and the research silo, which stitches together the two. Its formal language indicates the extrusion of the prison’s cupola. Within the silo, information about each of the ten Revolutionary prisons would be displayed on digital screens, in reverse chronological order based on the construction date. An elevator would carry the visitors through the silo “UP” to reflect the past, and “DOWN” to return to present day. In addition, the abandoned local platform at the Brooklyn Bridge - City Hall Station can be accessed by visitors.

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THE TEN REVOLUTIONARY PRISONS

Livingston’s Sugar House (1754-1846)

Rhinelander’s Sugar House (1763-1892)

Brick Presbyterian Church (1768-1858)

North Dutch Church (1769-1875)

Middle Dutch Church (1731-1832)

The Bridewell (1775-1838)

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The Martyrs’ Prison (1757-1903)

French Church (1704-1831)

King’s College (1754-1857)

Federal Hall (1700-1812)

SITES ERASED BY PRESENT-DAY POWER STRUCTURES

KEY A

A African Burial Ground B The Bridewell C The Martyr's Prison D Brick Presbyterian Church C

E The First Almshouse

Brick Church

Martyr's Prison

First Almshouse

Site Section Panorama

The Bridewell

Site Isometric Palimpsest

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BUILDING SECTION

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DIGITAL SCREENS

THE VIEW FROM THE CUPOLA

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S T A R T E R H O U S I N G

683 & 687 10th Street Brooklyn, NY 11215

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05 CASCADE HOUSE

AN AFFORDABLE COMMUNITY IN PARK SLOPE TERM SUMMER 2020 | CCNY, SPITZER SCHOOL OF ARCHITECTURE CRIT

JOHN CUNNINGHAM

TYPE

INDIVIDUAL PROJECT

Cascade House consists of twenty-nine affordable micro units in Park Slope, Brooklyn. Mimicking a cascading waterfall, this modern yet historical housing complex provides the perfect community haven for young adults in their twenties and thirties. The adaptive reuse of two existing brownstone buildings helps to preserve the built environment, as well as the history of Park Slope. In addition, zoning codes were carefully analyzed to maximize FAR, and utilize Quality Housing deductions in this R6B district. In order to modernize the edifice, glass bricks were chosen for the facade, connecting the two buildings, as a compliment to the traditional brownstone bricks. The glass bricks are also durable, recyclable, nontoxic, and energy efficient. The amenity spaces include: a solarium lobby, reading nooks, a large public terrace for outdoor dining, three full communal kitchens, a gym, and six cascading spa pools with a retractable roof for year-round enjoyment.

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Z O N I N G R E S O L U T I O N

M A S S I N G E N V E L O P E

82' 6"

45'

O L D V E R S U S N E W

E X I S T I N G F A C A D E S A N D N E W S K I N

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DISASSEMBLY CONCEPT

Interior Partitions: Prefabricated Hollow Core Panels (8”)

Structure: Precast Hollow Core Wall Panels + Plywood

U R

Kielsteg Floor Element

Facade: Prefabricated Glass Block Panel

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Longitudinal Site Section

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Pre-Setback: Second Floor Plan

Post-Setback: Fourth Floor Plan Portfolio of Works

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H O M E L E S S H O U S I N G

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06 THE CRACK THAT LEADS TO HOME

HOUSING FOR NEW YORK’S SUBWAY HOMELESS TERM FALL 2019 | CCNY, SPITZER SCHOOL OF ARCHITECTURE CRIT

LIOR GALILI

TYPE

INDIVIDUAL PROJECT

This tri-level, eighty-eight unit housing complex on Roosevelt Island was designed as a permanent housing prototype, specifically for the New York City Subway homeless population. Strategically placed along the axis of the Roosevelt Island Subway Station, this intervention was configured with thorough research and dedication to this community. The theme that resonated from my field observations was threefold: consistency, familiarity, and privacy. Thus, familiar elements of the subway were integrated within the design of the units. Each dwelling contains a wrap-around “subway” staircase; a captain’s bed resembling a subway car bench; and a rectangular window symbolizing a subway car window. In addition, every home is a private haven for one, with shared terraces to protect against isolation. Lastly, the units are arranged in a pattern mimicking the surrounding buildings, with modular stacking to maximize efficiency.

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1 FIELD DOCUMENTATION

PHASE

How Does the Level of Activity of the Subway Homeless Differ Between the Day and the Night? Commute Between 125th St (6) to Av N (F)

Commute Between 137th St (1) to Av N (F)

t th S

th S t

135

Commute Between 145th St (A) to Av N (F)

t 137th S

137th S t

Commute Between 135th St (B) to Av N (F)

St 14

Not seen in the evening. Perhaps he sleeps at a homeless shelter.

W 4th S

Car absent of homeless

Bay P arkwa

Man singing to himself

Man was still on the dumpster at this hour.

The dumpster was vacant at this hour.

Man singing to himself

Bay P arkwa

arkwa Bay P

Man resides on a specific dumpster for many years.

Man returns to the same dumpster in the same pose.

Car absent of homeless

arkwa Bay P

The dumpster was vacant at this hour.

arkwa Bay P

Bay P arkwa

Man was absent at this time, during the evening.

Bay P arkwa

St th 15

The dumpster was vacant at this hour.

Couple spotted with dogs

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Man asking for change by the turnstiles.

Man vacated the bench by the evening.

Man resides on a specific dumpster for many years.

Man spotted on the same bench in the same seat. No homeless on the platform

Five hours later, in same spot, but different position.

W 4th S

Three individuals found on bench, not facing each other.

14th St

Vacant bench during the day

Five hours later, he was in the same seat but in a slightly different position, facing away from people.

Man asking for change by the turnstiles.

Four men found sleeping t

Car absent of homeless 14th St

h 4t

Man chose to sit on the same bench seat. Witnessed several times.

Man seen slumped over with a shopping cart near him. Spotted in the middle conductor’s car.

The man was no longer there in the afternoon.

During late hours, three homeless men were spotted sleeping in the conductor’s car.

Man seen sleeping near the station entrance. Sighted several times in the same location.

There were no homeless people observed in the conductor’s car during these mornings.

Man returns to the same dumpster in the same pose.

PHASE

2 UNIT PROTOTYPE

Subway Car Unit U N I T I T E R A T I O N S

I N T E G R A T E D U N I T

Train Platform Unit

Dumpster Loft Unit '

10



D I M E N S I O N S

12 '8

8'  8"  8'

8' 6"

1' '

4' 6"

9'

9' 

A X O N O M E T R I C V I E W S

3D Printed Model (1/8" = 1')

Single Unit

Two Stacked Units

Ground Level

Level 1 (Kitchen)

Level 2 (Bedroom and Bathroom)

F L O O R P L A N S

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PHASE M O D E L S T U D Y

2 SITE INTEGRATION

C O N F I G U R A T I O N

CONFIGURATION 1

Ground Level Complex Plan

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CONFIGURATION 2

CONFIGURATION 3

Upper Level Complex Plan

Section Between Two Unit Rows Portfolio of Works

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S T A D I U M S T R U C T U R E

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Rendering by Kenneth Marburg

07 STEEPLECHASE AQUATIC CENTER CONEY ISLAND’S NEWEST SPORTS COMPLEX TERM SPRING 2019 | CCNY, SPITZER SCHOOL OF ARCHITECTURE CRIT

HENRY GROSMAN

TYPE

GROUP PROJECT: Kenneth Marburg, Jenny Tan, and Mohammed Gueye

This boardwalk natatorium was designed with an iterative approach, utilizing various foam study models. Throughout the process, a game called Formal Mad Libs was played as a creative engine for form selection. Descriptive sentences were constructed as follows: “A(n) [adjective] and [adjective] [noun] with [plural noun]. Thus, the logic of a “nodal and squashed spiral with triangulation” dictated the elements which constituted the final design. The building is made up of both tensile and compressive structural systems. The compressive elements consist of programmed concrete chunks, or “nodes,” triangulated and canted at 60° angles. The connectors of those “nodes” are the pedestrian walkways within the building. Oppositely, the roof is comprised of a tensile system, through the application of a lightweight fabric reinforced with steel wires. Masts or “quadro pods” hold up the roof and spread loads by abutting four concrete shear walls simultaneously.

Rendering by Kenneth Marburg

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MAD LIBS ITERATIONS

An aggregated and fluted tube with pipes

A squashed and sliced donut with shifts

Model by Kenneth Marburg

A nodal and squashed spiral with triangulation A nodal and squashed spiral with triangulation Model by Kenneth Marburg

Model by Mohammed Gueye

A stepped and torqued spiral with triangulation A stepped and torqued spiral with triangulation A nodal and squashed spiral with triangulation A nodal and squashed spiral with triangulation Model by Kenneth Marburg

Model by Kenneth Marburg

Model by Mohammed Gueye

Model by Jenny Tan

A stepped and torqued spiral with triangulation A stepped and torqued spiral with triangulation A stepped and torqued spiral with triangulation A nodal and squashed spiral with triangulation Model by Kenneth Marburg

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Model by Kenneth Marburg

Model by Mohammed Gueye

Design Resolution: A nodal and squashed spiral with triangulation

Group Collaborated Model Portfolio of Works

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Hybrid Structural System: Concrete Base With Tensile Roof 1.1 Chunk  WSection A



  

B C D E F O P

G H

Rigid Insulation

 Steel Shelf Angle  

Custom HSS



Precast Concrete Frame



 Flashing  

Water Membrane



Air Gap



 Light Steel Framing 

Double Glazing - 3/8"



Cement Board - 1/2"



  HSS



Grout 



STRUCTURAL SYSTEMS DIAGRAM

Precast Concrete Panel - 3"





Precast Cement Panel

  LED Light Strip

 HSSSealant













Plexiglass Light Diffuser

Tension J

Compression Anchor Points 1

Scale: 32" = 1'-0" Diagram by Kenneth Marburg

Shear Walls

"WALKWAY" SECTION

"CHUNK" SECTION

C A G H

F "CHUNK" WALL SECTION 1-1/2" = 1'-0" 1.1 "CHUNK" WALL SECTION 

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Drawing by Kenneth Marburg Drawing by Mohammed Gueye

Drawing by Mohammed Gueye

Rendering by Kenneth Marburg

Perspective Floor Plan

Rendering by Kenneth Marburg

Longitudinal Site Section

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0 8 W E A R A B L E

CLOSED POSITION

OPEN WING POSITION

ATTACK POSITION

SHIELD POSITION

S T R U C T U R E

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INSPIRATION

Photos by Conor Incledon: Open Wing Position and Shield Position | Photos by Kenneth Marburg: Closed Position, Attack Position, and Inspiration

08 BIRDMAN WEARABLE INTERFACE

ADAPTIVE SHIELD FOR THE NATURAL ELEMENTS TERM SPRING 2017 | CCNY, SPITZER SCHOOL OF ARCHITECTURE CRIT

ROBIN OSLER

TYPE

GROUP PROJECT: Kenneth Marburg and Conor Incledon

The inspiration for this wearable device emerged from our interactions with Will, a New Yorker who dedicated his life to care for pigeons, at Columbus Circle. The Birdman interface was designed to protect individuals from the harshness of the summer sun and the winter wind. It provides a unique sensory experience, as it transforms to meet the user’s needs, through four different “wing” positions. These include: the open wing position for the sensation of flying; the closed position which provides full body shelter; the attack position which is focused on wind deflection; and the shield position to fend off the elements. Columbus Circle was chosen as the testing ground for our prototype due to its openness, which creates a wind tunnel effect. As a result, there is greater susceptibility to harmful elements, making it a site in need of greater safety and security for pedestrians.

Drawing by Conor Incledon

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PROJECT FILM

COLUMBUS CIRCLE WIND DIRECTION ANALYSIS

Wind Map for 3/30/2017

“The Birdman”

Hand-drawn map by Kenneth Marburg

Starring Kenneth A Marburg & Conor P Incledon YouTube Link: https://www.youtube.com/watch?v=J9L6WJ4qY1A Film by Kenneth Marburg

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Average Wind Speed

Color Key

Columbus Circle:

1-10 mph Winds

11 mph Northwest

11-15 mph Winds

WING POSITIONS Position

Uses

Sensations

Ultimate wind and sun protection

Safe and soothing

B O D Y D I A G R A M

M E A S U R E M E N T S

Closed position

Wind catcher

T E C H N I C A L D R A W I N G

W E A R A B L E

Invigorating, refreshing, sensation of flying

Open position

Attacks wind from both sides

D E V I C E

Severe and focused

Attack position

C O M P O N E N T S

Blocks elements such as wind, flying debris, and rain

Defensive and protective

Shield position

Diagrams by Conor Incledon

Chart by Kenneth Marburg

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0 9 U R B A N I N T E R V E N T I O N

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09 FRAMEWORKS

A STUDY OF VISIBILITY ON THE HIGH LINE TERM FALL 2020 | CCNY, SPITZER SCHOOL OF ARCHITECTURE CRIT

LIOR GALILI

TYPE

INDIVIDUAL PROJECT

Situated between two private buildings on the High Line, between West 25th and West 26th Streets, this lively intervention blurs the lines between the private and the public. With the goal of designing a social distancing intervention, a temporary scaffolding prototype was created to address both density and equity. This system of frames can be placed between two private buildings to invert the position of the “visitor” with that of the “resident,” creating more prospect and refuge and a new “third place” for the public. Sociologist Ray Oldenburg described “third places” as equitable public spaces of leisure between home and work. This structure can consist of a program of individual “living rooms” filled with leisurely hammocks, exercise bikes, and telescopes, giving the visitor more autonomy, and leveling the playing field of this societal dichotomy. Building vertically can also reduce overcrowding.

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RECIPROCITY PROSPECT AND REFUGE

M O D E L P H O T O

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E F F E C T I V E F R A M E

Voyeurism

Mutualism

Exhibitionism

The Dichotomy of the Crowd An Interpretation of Lacanian Theory by Ken Marburg

One-Way Mirror

Section Between 22nd Street and 23rd Street

Two-Way Mirror

Internalized Mirror

Section Between 23rd Street and 24th Street

Section Between 24th Street and 25th Street

Section Between 25th Street and 26th Street

"People can be sociable only when they have some protection from each other" Richard Sennett Portfolio of Works

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DESIGN ITERATIONS

Section Between 22nd Street and 23rd Street

Reciprocity (Left) / Prospect & Refuge (Right)

Section Between 23rd Street and 24th Street

Prospect & Refuge (Both Sides)

Section Between 24th Street and 25th Street

Reciprocity (Left) / Prospect & Refuge (Right)

Section Between 25th Street and 26th Street

Reciprocity (Both Sides)

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Section Through Alleyway Sky-bridge Portfolio of Works

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PROFESSIONAL WORK SAMPLES By Kenneth Marburg In Collaboration With The Office of David Smotrich & Partners LLP

48 |Portfolio of Works

Fire Alarm Reflected Ceiling Plan of SUNY Fashion Institute of Technology (FIT) Fred P. Pomerantz Art and Design Center Drawing In Collaboration with the Office of David Smotrich & Partners LLP

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50 |Portfolio of Works

Floor Plan of New York City Law Department Facility (Administered by New York City Department of Citywide Administrative Services) Drawing In Collaboration with the Office of David Smotrich & Partners LLP

Floor Plan of New York City Police Department Facility (Administered by New York City Department of Citywide Administrative Services) Drawing In Collaboration with the Office of David Smotrich & Partners LLP

Portfolio of Works

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52 |Portfolio of Works

Floor Plan of NYC Human Resoures Administration Facility (Administered by New York City Department of Citywide Administrative Services) Drawing In Collaboration with the Office of David Smotrich & Partners LLP

Floor Plan of NYC Office of Technology and Innovation Facility (Administered by New York City Department of Citywide Administrative Services) Drawing In Collaboration with the Office of David Smotrich & Partners LLP

Portfolio of Works

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