PERSONAL MONOGRAM JULIA KLINE VISC 304 ALEX ANDERSON
SKETCHES
2/2
CLOSURE & GRID SKETCHES
2/4
CLOSURE & GRID SKETCHES
2/4
1
2
4
5
8
9
3
6
7
10
#1, 2, 4, 5, 6, 7, & 10 are created by using pre-existing typefaces and just manipulating those. #3 & 9 are created from the circular grid using rounder shapes. #8 is used from the sharp diagonal grid #2, 8 & 10 have some overlapping and sense of closure to them I created variations for most because some looked better a different way than based off of my sketches.
TOP 10 DIGITAL
2/9
1
a
b
c
a) my original b) took off the serif on the left side of the k c) shortened both the j and k
2
a
b
a) my original b) extended the k to get rid of the sharp angle between j and k c) used a serif font
STEP 1: VARIATIONS
d
f
e
d) used a different font- Baskerville e) used Baskerville Bold f) took off the serif on the left side of the k
c
d
e
d) used a different font- Myriad Pro e) shortened the j f) extended the k to get rid of the sharp angle between j and k
f
g
h
i
g) used the italics version of Myriad Pro h) used a different font- Aktiv Grotesk- square dot i) extended the k to get rid of the sharp angle between j and k
2/11
3
a
b
a) my original b) eshortened the j curve c) used a thicker, italicized font- Aktiv Grotesk
4
a
b
a) my original b) without the white space c) added a tapering white negative space
STEP 1: VARIATIONS
d
c
f
e
g
d) used a wider, thinner, italicized font- Aktiv Grotesk e) used a wider, thinner font than my original- Aktiv Grotesk f) used a narrower version of Aktiv Grotesk g) used the bold, wide version of Aktiv Grotesk
c
d
e
f
d) used the capitals and got rid of the stroke of K, repositioned where the J and K intersect e) got rid of the stroke of K, repositioned where the J and K intersect f) shortened the leg on K to line up the the J
2/11
5
a
b
c
a) I went back and rethought an idea so i could have more range and use the grid b) turned on its side c) got rid of the vertical stroke on top
STEP 1: VARIATIONS
d
e
f
g
d) got rid of the rectangular box on top e) started adding lines to make more dynamic f) added two more curved line g) turned on its side
2/11
SANS SERIFS
SERIFS
STEP 2: TYPEFACES
2/11
1
2
JULIA KLINE
3
4
JULIA KLINE
Julia Kline
julia kline
JULIA KLINE
6
5
8
7
9
JULIA KLINE
10
JULIA KLINE
JULIA KLINE
JULIA KLINE
1
3
2
4
JULIA KLINE JULIA KLINE JULIA KLINE
5
6
7
8
JULIA KLINE JULIA KLINE
STEP 3: TYPE LOCKUPS
JULIA KLINE
JULIA KLINE
2/11
1
3
2
4
JULIA KLINE
JULIA KLINE JULIA KLINE
JULIA KLINE
5
6
7
JULIA KLINE JULIA KLINE
STEP 3: TYPE LOCKUPS
JULIA KLINE
2/11
REFINED TOP 2
2/11
JULIA KLINE
JULIA KLINE JULIA KLINE
JULIA KLINE
JULIA KLINE JULIA KLINE
JULIA KLINE
JULIA KLINE
JULIA KLINE
JULIA KLINE
JULIA KLINE JULIA KLINE
JULIA KLINE
JULIA KLINE
JULIA KLINE
JULIA KLINE
JULIA KLINE
REFINED TYPELOCKUPS
2/11
STEP 4: STORYBOARDS
2/11
STEP 4: STORYBOARDS
2/11
REFINEMENTS
2/16
FINAL MONOGRAM PRESENTATION
2/16
FINAL MONOGRAM PRESENTATION
2/16
FINAL MONOGRAM PRESENTATION
2/16
FINAL MONOGRAM PRESENTATION
2/16