Personal Monogram

PERSONAL MONOGRAM JULIA KLINE VISC 304 ALEX ANDERSON

SKETCHES

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CLOSURE & GRID SKETCHES

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CLOSURE & GRID SKETCHES

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1

2

4

5

8

9

3

6

7

10

#1, 2, 4, 5, 6, 7, & 10 are created by using pre-existing typefaces and just manipulating those. #3 & 9 are created from the circular grid using rounder shapes. #8 is used from the sharp diagonal grid #2, 8 & 10 have some overlapping and sense of closure to them I created variations for most because some looked better a different way than based off of my sketches.

TOP 10 DIGITAL

2/9

1

a

b

c

a) my original b) took off the serif on the left side of the k c) shortened both the j and k

2

a

b

a) my original b) extended the k to get rid of the sharp angle between j and k c) used a serif font

STEP 1: VARIATIONS

d

f

e

d) used a different font- Baskerville e) used Baskerville Bold f) took off the serif on the left side of the k

c

d

e

d) used a different font- Myriad Pro e) shortened the j f) extended the k to get rid of the sharp angle between j and k

f

g

h

i

g) used the italics version of Myriad Pro h) used a different font- Aktiv Grotesk- square dot i) extended the k to get rid of the sharp angle between j and k

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3

a

b

a) my original b) eshortened the j curve c) used a thicker, italicized font- Aktiv Grotesk

4

a

b

a) my original b) without the white space c) added a tapering white negative space

STEP 1: VARIATIONS

d

c

f

e

g

d) used a wider, thinner, italicized font- Aktiv Grotesk e) used a wider, thinner font than my original- Aktiv Grotesk f) used a narrower version of Aktiv Grotesk g) used the bold, wide version of Aktiv Grotesk

c

d

e

f

d) used the capitals and got rid of the stroke of K, repositioned where the J and K intersect e) got rid of the stroke of K, repositioned where the J and K intersect f) shortened the leg on K to line up the the J

2/11

5

a

b

c

a) I went back and rethought an idea so i could have more range and use the grid b) turned on its side c) got rid of the vertical stroke on top

STEP 1: VARIATIONS

d

e

f

g

d) got rid of the rectangular box on top e) started adding lines to make more dynamic f) added two more curved line g) turned on its side

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SANS SERIFS

SERIFS

STEP 2: TYPEFACES

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1

2

JULIA KLINE

3

4

JULIA KLINE

Julia Kline

julia kline

JULIA KLINE

6

5

8

7

9

JULIA KLINE

10

JULIA KLINE

JULIA KLINE

JULIA KLINE

1

3

2

4

JULIA KLINE JULIA KLINE JULIA KLINE

5

6

7

8

JULIA KLINE JULIA KLINE

STEP 3: TYPE LOCKUPS

JULIA KLINE

JULIA KLINE

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1

3

2

4

JULIA KLINE

JULIA KLINE JULIA KLINE

JULIA KLINE

5

6

7

JULIA KLINE JULIA KLINE

STEP 3: TYPE LOCKUPS

JULIA KLINE

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REFINED TOP 2

2/11

JULIA KLINE

JULIA KLINE JULIA KLINE

JULIA KLINE

JULIA KLINE JULIA KLINE

JULIA KLINE

JULIA KLINE

JULIA KLINE

JULIA KLINE

JULIA KLINE JULIA KLINE

JULIA KLINE

JULIA KLINE

JULIA KLINE

JULIA KLINE

JULIA KLINE

REFINED TYPELOCKUPS

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STEP 4: STORYBOARDS

2/11

STEP 4: STORYBOARDS

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REFINEMENTS

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FINAL MONOGRAM PRESENTATION

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FINAL MONOGRAM PRESENTATION

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FINAL MONOGRAM PRESENTATION

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FINAL MONOGRAM PRESENTATION

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