EA1~EA4 PORTFOLIO(2)

P L

O R TF O I

O

WU-Yi-Chen 2022

07

EA3-April~July ŵ➡❹⥺Ủ熂㌂⮺⮡⑔⧇˛䕰 儃峱㔥戞熂❹⥺Ủ⻷悟㽼旈䛕 㘶⮡˛Ŷ

“She”

Patio:

Her profile.

innovation working space “I just want to be myself.”

N ow ad ay s, th e co m f or t ab l e p a t i o s p a c e h av e ma ny lig ht f ood, cu l tu ra l an d c r e at i v e s h o p s . P e op l e enjo y t he no s t a lg ia broug h t b y h i story , a n d D a d a oc h e n g h as bec o me a new tourist attracti on . Y e t , 2 0 0 y e ars a g o , t h e pa t io in Dadaoch e n g wa s o n l y a r e p re s e n t at i v e o f the fema le c a g e...

Bubbles diagram

office office office office

ŵ㏹旜䫨㊇熂䝜⊁㬬㰥沨㭲䛕 Ⲝ䔷ⓝ⥺䫋˛Ŷ

library Comment

Ⲧ娎 exhibition

shop

Experimental Theater

space

canteen

studio studio

Woodworking

Classroom meeting room social space

digital factory Sketch lecture hall clothing classroom classroom social

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studio library

Wood and Iron Workshop

social classroom space classroom digital factory

Woodworking Metalworking computer Classroom Classroom classroom

shop

shop

Ma ny w rit e rs h a v e de s c ri b ed the ap p earance o f DaDao cheng , and many wri ter s have f oc us e d on t he w om e n who l ive i n Dad ao cheng . Ever y d ay, the g ir l s g uard ed the f our s qua re da y s , pe e ring i nto the tr affi c on the ro ad , and sp end i ng thei r youth i n t h is da rk c orne r of t he s eco nd fl o o r .

Olde r w om e n w ou ld do b usi ness i n the arcad e, b ut they wo ul d onl y l o o k at the sho p , a n d t h e a c t ua l pow e r w as sti l l o n the men. Yi Danhe i s even mor e humb l e, they seem t o be de f ine d a s m a le s up p or ti ng ro l es, comi ng and g oing . The p ati o sp ace, whi ch is v e ry int e re s t ing f or moder n p eop l e, may actual l y b e ver y d ep r essi ng for the women w ho re a lly liv e h e re , s o I ho p e that these p atio sp aces wi l l b e l i b er ated and women w ill re a lly be t h e prot a goni sts.

ŵ⧊⿯䫨㊇䉽≋␌熂⿯⥺Ủ恔巁ỗ˛Ŷ

The base is located in the northeast of Taipei Yongle Market, south of

site Yanping North Road Section 2, Lane 60, west of Minle Street, east of Yanping North Road 2 Segment.

street scale

unapproachable

dim and dry

5~9M red brick

Seemingly simple, hidden mystery

Yongle Market

3M

5~9M

3M

site

The surrounding area was originally a mixed residential and commercial building of about 2-4 floors, and there were traditional markets and clothing materials retail stores in the south. Yongle Market is adjacent to the west Dihua Street South Street is a famous traditional wholesale market street in Taipei City; In the middle and north streets of Dihua Street, there are cultural and creative shops.

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⟥䣹⚓㑅⨶Ḛ⍿

氣味地圖 “無形的氣味也許是一種堅固的存在。” 氣味，是能被觸摸、聆聽、也能被記憶的。 在四季交替間，在年歲更迭中，大稻埕的氣息， 總有些許不同的樣貌。 如一帖茶湯，寧靜幽雅的春日；如一場神明慶典 ，熱鬧淋漓的夏日； 如一座藝文沙龍，涼風有信的秋日；如一船船南 北乾貨，溫馨團聚的冬日。

大稻埕是有性命的有機體，具有近代人的意識 形態。 摩登大稻埕不斷地成長了。有如破瓜期的處女 似的悠然自得的發育， 但她的性格不如深閉在閨房裡的少女那麼單純。 不，有幾許妖豔在閃爍。 她的性格，晝與夜之間──可發見有巨大的差異 。白天是巴士、黃包車、汽車、飛塵、馬桶、 噪音等看似慌忙、悶熱，但太陽一下山夜幕則低 垂，舞台也急轉直下從地獄換成天堂。 大稻埕有音與光糾纏，旋轉奏出一大交響樂的 亂調之美， 也有觸覺、味覺、溫覺、嗅覺、聽覺、視覺、筋 覺等的氾濫，概括說來，是泡在消極底、 宿命觀裡，偏愛吃麻醉劑。 紅、黃、青、紅紫的色彩，也是大稻埕的異國情 調，大凡表示著成熟、焦躁的社會相。 大稻埕之所以兼備明暗二重面，因有鱸鰻的存 在。 我無意特別誇稱大稻埕的黑暗面，引起人們的獵 奇心，喚醒恐怖感，但有鱸鰻， 乃大稻埕多角社會相所示的一個要素。情慾── 變態──如為刺激現代人神經的東西， 恐怖主義將發生高壓電流似的作用。不饜足於情 慾、變態的人，斷然可以暴力做解決。 乾脆地說，摩登就是野蠻。極漂亮的摩登貌中無 疑地可發現猛烈的野蠻。 它對鱸鰻做辯證法的反對而逆轉。他們具有的觀 念，既不是色情底，又不是變態底，而是暴力底 。 既不是摩登的，又不是頹廢的，而是野蠻的。

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⟥䣹⚓䕂⠱⻥

⧄へ剘⥸䪌⠦㯈⑃

㐑厇⧄❹Ỿἥ凄⸶ᾭ

暻῞䛕嘮㘷

崉⻸㗈 ̣̯̮̯̥煿 㐑厇⧄

嘮㘷

桾Ⰷ⩩

㊐旤

桾Ⰷ⩩ ⥺Ủ

⃾Ἃ Ỿ⮡凄

㐑厇⧄ Ⰷ夲˚⻨夲

嘮㘷 ⱋ⼰

Ⱡ㕵˚⻸ὐ 憣㩤

Ⱡ⧄⮺

“我藏在時代皺褶縫隙，以為可以瞞過時間。” “呼吸滿腔複雜氣味，就覺得人紮實活著。”

老派少女購物路線

在永樂市場一間間小店面，和老闆討論布料的 身世由來，素的、花的、格子的、紗的、絲的、 尼龍的、絨的、毛呢的，每匹布手感、氣味都不 一樣。

即使沒落了蕭條了，底子還在；一間間繁美巴 洛克風格、正統閩式建築的老街屋就算門面滄桑 ， 大家風範的裡子仍隱隱透光。

來去大稻埕

⧄へ娣勃 ⧄へ䕰㶌䫋旤

⧄へ㝞〉㦾 ䷤䀰㐡⎘ ⧄へ⌯⌦⋬寛⿨戞姒 厇墝⌮剙

Ɫ⧄

⥸⬎

38 暐⭵

Deformation of the patio scale

patio

location

shift

reteat-patio

courtyard-patio

lecture hall

classroom

woodworking classroom

classroom

library co-working

woodworking classroom

direction

frame

classroom

comment

comment

social space

lecture hall woodworking classroom

canteen

number

flowing

frame-patio sketch classroom

exhibition Through ch a n g e s in sc ale, re tre at, f ram e an d q uantity , the p atio is d eformed and detac hed f rom th e origin a l clo se d state . With wa lls a nd d efo rmed p atio s as the main de sign ele m e n ts, th e Ge stalt th e o ry wa s u se d to enc lose the req uired p hy sic a l sp ace . V irtu al sp ace is u se d f o r so c ia lizin g a nd resting .

Through th e d e f orm ation o f th e f o u r p atios, the p a tio s a re o p ened to the b o und ar ies of th e b ase , allow in g th e m to " c om e ou t of the ro om and see the o utsid e world " .

The direction of th e slopin g r oof w as c h an g ed from d ownward to up ward , onc e again e m p h asizin g th at " w om e n sho u ld look a t the o utsid e world ". I leave the b est sp ace f or th e p e ople wh o will sta y in the b u ild ing fo r the lo ng est time, that is, the wor kspace an d th e lib rary , sayin g " Wom e n sh ould b e kind t o themselve s" and "Wom e n sh ould b e in d e p e n d e n t" .

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shift-patio

shop

classroom

classroom classroom

classroom classroom

1F plan

2F plan

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3F plan

4F plan

5F plan

west elevation

south elevation

east elevation

T here a r e mult ip le e n tr an c e s th at c an b e ac c es s e d f rom a ll dire c t ions . In a ddit ion t o t h e ground flo o r op en to p ub l i c use, ther e i s a conti nuo us p ub l ic pa th th a t t a k es y o u to th e l ibr ar y o n th e f if th f loor. Rough ly div ide d in t o f our dis t ric t s of t h e s it e , b etween two d i stricts i s co nnected b y a stai rcase o r a semi-o ut d o o r sp a c e . O n the to p f l o o r , th e f ou r dis t ric t s a re int e gra t e d a nd c om bine d w it h a pitched r o o f to see it as a who l e. Tr ansfo r m el ements of histo r ic b uild in g s , pl ac e th e m i n n e w p r o gra m s , a nd c re a t e a c re a t iv e c e n t e r t ha t f it s t he urba n textur e o f DaDao cheng .

classroom 41

co-working space

co-working space

patio

north e

B1 plan

6F plan

B2 plan

熊

elevation

patio-frame

section

co-working space

section

patio-courtyard

section

studio 42

Other-01

EA1Setepmber~ October

Floding space

T his w ork is one of t he s eri es "The M i r ag es", whi ch c om bine s t h e s im ple e lement of fl o ur with the da n c e r, c a pt ure s t he mo vement p ath o f the da n c e r, s t re ngt h e ns t he d ancer' s b o d y l i ne, and is f ull of e xpre s s ion. A t ra ined b od y i s ab l e to d evo te a rt t o gre a t t h ings . T ruly cel eb r ati ng the l o ve o f t h is kind of w ork, t his s er i es o f d ancers' shap es a nd m ov e m e n t s giv es a b eauti ful moo d .

concept design 1 R R Q H FD Q D O ZD\ V V W D Q G L Q W K H F H Q W H U R I W KH V W DJ H QR RQH F D Q H Y H Q VWD Q G R Q W K H V W DJ H I RU H Y H U Q R PDW W HU KR Z PXFK DS S O DX VH L V Z RQ RQ W K H V W D J H W K H O RQHOLQHV V E HKLQG WKH FX UWDL Q FDQ RQ O \ E H H Q G X UH G E \ R Q H S HUV RQ ƽ

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ƺ7KH 0LUDJHVƻ$OH[DQGHU \DNROHY

T he da n c e rs ' m ov e m e nts ful l y d emonstr ate the pow e r a nd be a ut y of t he d ance, and the waves of ha ir c ont ra s t w it h t he t ranq ui l i ty of the fac e. The m u s c ula r line s of t he t orso ar e p ai r ed wi th fl o ur t ha t f lut t e rs w it h h a ir nug g ets for a d ynamic, f low in g be a ut y . I w a n t t o show the str eng th and f low of t h e da nc e rs ge t ti ng up fr o m the b otto m u p. A t ra in e d body is a b l e to d evo te art to g reat t hings . T ruly c e le bra t ing the l ove o f thi s k i nd of w ork, t h is s e rie s of da nc ers' shap es and mo vem e nt s giv e s a beauti ful mo o d .

Other-02

EA1Fedurary~ March

$PELJXRXV space concept design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

Other-03

EA2November~ January

1F plan

Sence of detachment bicycle cafe site:Yingfeng Riverside Park

section

45

Other-04

EA1Fedurary~ March

9RLFH IURP SDUDGLVH FKXUFK LQ 7DPVXL Hymn and Choir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

RUFKDVWUD

solo

GXHW

piano

FKDPEHU PXVLF

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Other-05

EA3Feburary~ April

&R OLYLQJ space in 3RVW SDQGHPLF HUD LVVXH GHVLJQ

ưư7R DY RL G E UL Q J L Q J W K H Y L UX V K RP H W K H HQW UD QF H W R W KH H QWUDQ FH ZL O O E H DQ L P S RU W DQ W F O H DQ L Q J D UH D ZKHUH \RX F DQ V LPSO\ ZDVK \ RX U K DQ G V G L V L Q I H F W W K H P D Q G HYHQ KD Y H D V PDOO FORDNURRP D Q G ZD V K L Q J P DF K L Q H W R UH S O DF H DQG ZDV K W R H QV XUH WK H VD I H W\ RI \ R X U I D P L O \ ưư$ IWH U FO H DQ L Q J \ R X F DQ H Q W H U R W K H U V S D FHV V XF K DV W KH OLYLQJ URRP NL WFK H Q U RR P ' X H W R W K H E O X UULQJ RI ZR UN DQG SH UV RQ DO E RX Q G D ULH V X Q G H U W K H H S L G H P L F W KH UR RP LV E HV W XV H G D V D J RRG O H L V X U H DUH D I R U D T X L H W U H V W D QG LPPXQH V OHHS 7KH Z RUN DUH D FD Q E H DQ \ F RU Q H U R I W K H K R PH D Q H[W HQV LR Q RI WKH OLY L Q J URRP DQ L Q G H S H Q G H Q W V W X G \ RU DW W LF DQG F DQ DOV R EH FRP H D K RP H L VRO DW L RQ V S DF H Z K H Q Q H F H V V DU\ ưư7K H URRP L V WK H P D L Q O H L V X UH V S DF H DQ G W KH E D OF R Q\ LV D SH UV RQ DO K H DO L Q J VS D F H $ V D Y H Q W I R U P R R G IORZHUV F DQ DOV R EH SOD Q WH G 7DON WR \ RX U Q H L J K E R U V Z K H Q DS S UR S U L DW H , Q D G G LW LR Q HD F K URRP VK RX O G K DY H D V L Q J O H H Q W U DQ F H D Q G H [ LW ZKLF K F D Q E H XV H G D V D E DFN G RR U , I V R P H RQ H L Q W K H I D P LO\ KD V KHD OW K FRQFH UQ V L W FDQ E H X V H G D V D P RY L Q J O L Q H I RU LV ROD W LRQ DQG V HSDUD WL RQ I URP RW K H U I DP L O \ P H P E H UV 2 U W KH E D F N G R RU RI WKH ED O FRQ \ L V X VH G D V D W K H UD S H X W L F V S D F H ZKHUH \R X F D Q KDYH RWK H U L Q WH UDFW L R Q V Z L W K R W K H U Q H L J K E RUV E HF D XV H LW KDV EH H Q FO H DQ H G DQ G G L V L Q I H F W H G V R \ R X F DQ I HHO PR UH DW HD V H 47

ZHVW HOHYDWLRQ

VRXWK HOHYDWLRQ

HDVW HOHYDWLRQ

QRUWK HOHYDWLRQ

Other-06

EA3November~ January

&UHDWLYH ZRUNLQJ VSDFH

1 F p lan

4F plan

11F plan

UHSURJUDPPLQJ “A central source of meaning in ours lives,... most of the thing that are interesting,important and human are the results of creativty,and we are involved in it, we are feel that we are living more fully than during the rest of life.”

UH S URJ UD PPLQJ 15F 13F 12F 11F 10F 8F 7F 4F 3F 1F B1 B2

Meeting room

Government Co-working institution working space

Government institution Performance hall

Pantry

Discussion space

Performance Recording room hall

Sofa

Recording room practice room

Discussion space

Recording room Co-working working space

Semi-outdoor space

Pantry

7 K H S X E O L F V H F W RU ZRUN V S DF H L V G L Y L G H G L Q W R P DU N H W L Q J S U RP RW L RQ G L Y L V L R Q S U RG X F W L R Q J X L G DQ F H G L Y L V L R Q DQ G F R P S UH K H Q V L Y H E X V L Q H V V G L Y L V L RQ S H UV RQ V S H U V H F W L RQ 7 K H UH L V D UH F H S W L RQ K D O O IR U W K H G L UH F W RU D V S DF H IRU W K H S X E O L F DW L R Q R I Q H Z ZR UN V DQ G P X V L F UH O D W H G W R W K H S D V W \H DU V & RO O H F W L RQ DU H D RI ZR UN V 7 K H H [K L E L W L RQ V S DF H R I G L IIH UH Q W Q DW X U H V L V W K H S O D F H ZK H U H L Q G H S H Q G H Q W P X V L F L DQ V X V X D O O \ S X E O L V K

5H F R UG L Q J V W X G L RV D Q G S U DF W L F H U RR P V RI G L IIH UH Q W V L ]H V D UH DY DL O DE O H D Q G \R X F DQ H Q W H U E \ F D UG S D \P H Q W

Discussion space Pantry Meeting room

Co-working Meeting room working space

Pantry

Discussion space

Pantry

2 S H Q UH Q W DO ZR UN V S D F H

Meeting room

Pantry

Public

Discussion space

Restaurant

Lobby Parking-Lot

Performance space Performance

Cafe hall

Parking-Lot

, W V H UY H V G L Q Q H U DQ G V H U Y H V D V D J DW K H U L Q J V S DF H IRU P X V L F L D Q V DW W K H RS H Q L Q J RI W K H IH V W L Y D O )O H [L E O H S H U IR UP D Q F H V S D F H W K DW F D Q E H UH Q W H G R X W IR U J H Q H UDO H Y H Q W V $ Y D UL H W \ RI P X V L F J H Q UH V F DQ E H S H UIRU P H G D Q G L W V H UY H V DV W K H P DL Q Y H Q X H IR U H DF K V H D V R Q R I W K H P X V L F 3 O DF H H Y H Q W S R V W H UV DQ G S O D \ F RO O H F W R U V P X V L F

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