


Nowadays, the comfortable patio space have many light food,cultural and creative shops. People enjoy the nostalgia brought by history, and Dadaocheng has become a new tourist attraction. Yet, 200 years ago, the patio in Dadaocheng was only a representative of the female cage...
Bubbles
Many writers have described the appearance of DaDaocheng, and many writers have focused on the women who live in Dadaocheng. Every day, the girls guarded the four square days, peering into the traffic on the road, and spending their youth in this dark corner of the second floor.
Older women would do business in the arcade, but they would only look at the shop, and the actual power was still on the men. Yi Danhe is even more humble, they seem to be defined as male supporting roles, coming and going. The patio space, which is very interesting for modern people, may actually be very depressing for the women who really live here, so I hope that these patio spaces will be liberated and women will really be the protagonists.
“I just want to be myself.”
unapproachable
site
dim and dr y
Seemingly simple, hidden myster y
The surrounding area was originally a mixed residential and commercial building of about 2-4 floors, and there were traditional markets and clothing materials retail stores in the south. Yongle Market is adjacent to the west Dihua Street South Street is a famous traditional wholesale market street in Taipei City; In the middle and nor th streets of Dihua Street, there are cultural and creative shops.
如一帖茶湯,寧靜幽雅的春日;如一場神明慶典在四季交替間,在年歲更迭中,大稻埕的氣息,氣味,是能被觸摸、聆聽、也能被記憶的。“無形的氣味也許是一種堅固的存在。”總有些許不同的樣貌。 ,熱鬧淋漓的夏日;如一座藝文沙龍,涼風有信的秋日;如一船船南北乾貨,溫馨團聚的冬日。 大稻埕是有性命的有機體,具有近代人的意識 形態。 摩登大稻埕不斷地成長了。有如破瓜期的處女 似的悠然自得的發育,她的性格,晝與夜之間──可發見有巨大的差異但她的性格不如深閉在閨房裡的少女那麼單純。不,有幾許妖豔在閃爍。噪音等看似慌忙、悶熱,但太陽一下山夜幕則低。白天是巴士、黃包車、汽車、飛塵、馬桶、 垂,舞台也急轉直下從地獄換成天堂。 大稻埕有音與光糾纏,旋轉奏出一大交響樂的 亂調之美, 紅、黃、青、紅紫的色彩,也是大稻埕的異國情也有觸覺、味覺、溫覺、嗅覺、聽覺、視覺、筋覺等的氾濫,概括說來,是泡在消極底、宿命觀裡,偏愛吃麻醉劑。 調,大凡表示著成熟、焦躁的社會相。 大稻埕之所以兼備明暗二重面,因有鱸鰻的存 疑地可發現猛烈的野蠻。奇心,喚醒恐怖感,但有鱸鰻, 。
氣味地圖
location direction number
patio shift frame flowing
Thr ough change s i n s c al e , r e t re at, f r ame a nd quan tit y , th e pa tio is def o rmed and de ta c h ed f ro m t he o r i g i na l c l o s ed stat e . With w a lls and defo r med p ati o s as th e ma i n de si gn e l emen ts, t he G e st a lt t heo r y w a s u s ed to enc l o s e th e requ i red p h y si ca l s pace . V irt u al s pace is u s ed fo r s oc i a lizi ng and re sti ng .
Thr ough t he defo r m atio n of t he four pa ti o s, t he pa ti o s a r e opened t o th e bound a ri e s of t he ba s e , a ll ow i ng t hem t o "c o me ou t of th e r o o m a nd s ee th e ou tsi de wo rl d" . Th e d ir ec tio n of t he slo p i ng ro o f wa s changed fr o m do w nw a rd to upw a rd , o nce aga i n empha sizi ng t h at "women sh ou l d lo o k a t t he ou tsi de w orl d" . I l ea v e th e be st s pace fo r t he pe o p l e w h o w ill st ay i n th e bu il d i ng fo r th e l onge st ti me , th a t is, th e w o r ks p a ce and t he li b rar y , sa y i ng "W o men s h o u l d be ki nd t o th em s e lv e s " a nd "Women s hou l d be i ndependen t " .
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lecture hall
woodworking classroom
classroom
classroom
classroom
librar y cour tyard-patio
woodworking classroom
social space
canteen
frame-patio
exhibition
shif t-patio
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co-working lecture hall
woodworking classroom
sketch classroom
classroom classroom classroom
There are multiple entrances that can be accessed from all directions. In addition to the ground floor open to public use, there is a continuous public path that takes you to the library on the fifth floor. Roughly divided into four districts of the site, between two districts is connected by a staircase or a semi-outdoor space. On the top floor, the four districts are integrated and combined with a pitched roof to see it as a whole. Transform elements of historic buildings, place them in new programs, and create a creative center that fits the urban texture of DaDaocheng.
This work is one of the series "The Mirages", which combines the simple element of flour with the dancer, captures the movement path of the dancer, strengthens the dancer's body line, and is full of expression. A trained body is able to devote art to great things. Truly celebrating the love of this kind of work, this series of dancers' shapes and movements gives a beautiful mood.
The dancers' movements fully demonstrate the power and beauty of the dance, and the waves of hair contrast with the tranquility of the face. The muscular lines of the torso are paired with flour that flutters with hair nuggets for a dynamic, flowing beauty. I want to show the strength and flow of the dancers getting up from the bottom up. A trained body is able to devote art to great things. Truly celebrating the love of this kind of work, this series of dancers' shapes and movements gives a beautiful mood.
“A central source of meaning in ours lives,... most of the thing that are interesting,important and human are the results of creativty,and we are involved in it, we are feel that we are living more fully than during the rest of life.”