SLUG AND OTHER STORIES by Megan Milks

“Tender little stories that will make you gasp and squirm.”

slug and other stories

a global pandemic on seven midcareer doctors who first became friends in med school. Kira Marchand is an infectious disease specialist who works for the Centers for Disease Control and Prevention in Atlanta; Candee Compton-Winfield is an emergency room doctor in New York City; Hannah Geier is an OB-GYN in San Diego, California; Georgia Brown is a urologist in San Diego; Vani Darshana is an internist in Berea, Kentucky; Zadie Anson is a pediatric cardiologist in Charlotte, North Carolina; and Emma Colley is a trauma surgeon in Charlotte. The friends are on vacation in Spain and Morocco when the pandemic first strikes, and the story follows them and the impact that the artiovirus, CARSArV, has on their group, the cities they live in, and their families. Kira, Candee, and Hannah are point-of-view main characters. The narrative arc of the story follows Kira, the infectious disease specialist, who finds herself in a situation in which she has to choose between the lives of her two children. Covid-19 does not exist in these pages, but it will be impossible for readers to divorce their own pandemic experiences from those they are reading about. Much time is spent discussing the virus and its effects, both initial and long-term. For some readers, the lengthy descriptions of the artiovirus and its medical effects might be too much, while others will find the details just right. The idealized societal and governmental response, however, will ring false to many.

A well-written apocalyptic tale about a global pandemic that is all too realistic.

SLUG AND OTHER STORIES

Milks, Megan Feminist Press (240 pp.) $17.95 paper | Nov. 9, 2021 978-1-952177-84-2

A revised, expanded edition of Milks’ transgressive debut collection, Kill Marguerite and Other Stories, originally published in 2014. Twinship, sexual relationships, parent-child relationships, and friendships are the subjects of this hypersexual and hyperconfrontational short story collection. The author pushes every boundary and taboo, exploring how a pairing can result in one person’s dominating another or changing for another. The opening story, “Slug,” establishes the themes of free discovery and creative sexuality. A woman has sex with— and is transformed by—a giant slug following a date with a disappointing man. Human-animal erotic pairings are explored further in “Wild Animals,” in which a VHS bestiality porno “infects” a character’s mind and sexual behaviors: “There, in that other realm, was a rhythm so fixed that bodies don’t need to be.” Human-tech connections and imaginative pairings of body parts abound in daring tales that challenge certainties about gender, fantasy, and identity. Trans characters and transitions of all kinds are frequent subjects; characters’ genders and identities are malleable: “He and she can mean anything.” The author asks questions about queer communities and how they define themselves. These tales often allude to touchstones like Seventeen magazine, The Babysitter’s Club, My Little Pony, video games, and the Choose Your Own Adventure series. Milks uses the framework or style of the source as a scaffold, but their insights about relationships are fresh and original; these are stories about deep pain, shame, lust, and love. Speculative elements are frequent, as in “The Strands,” in which a woman’s former lover’s hair grows to cover an entire apartment. One of the most arresting tales is “Patrick Gets Inspired,” an autofictional examination of an author’s attempt to write Covid pornography. It deals with infection, consummation, and release: “Spit. Droplets. Breath. Vehicles of contagion. Objects of fear.”

Tender little stories that will make you gasp and squirm.