KES Turner Sims - 18th March 2015 (Spreads)

KING EDWARD VI SCHOOL CONCERT WEDNESDAY 18 MARCH 2015 TURNER SIMS, UNIVERSITY OF SOUTHAMPTON

Welcome to this evening’s Spring Concert which features our senior instrumental and vocal groups.

We are now regular visitors to Turner Sims and we are grateful to the management for making us so welcome.

I would like to thank all of tonight’s performers for the enthusiasm, commitment and great sense of fun they bring to rehearsals, and also thank you, the audience, for your support this evening and throughout the year.

Heather Freemantle

Director of Music and Head of Creative Arts

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programme Slavonic Dance No.8

ˇ Antonín Dvorák arr. Anderson

The Magic of Harry Potter

John Williams arr. Michael Story

Chamber Orchestra

Minuetto and Trio from Symphony No.5

Franz Schubert

Vocal Solo

The Roadside Fire from Songs of Travel Sung by Phil Normand

Ralph Vaughan Williams

Clarinet Solo

Carl Maria Von Weber

Vocal Solo

On My Own from Les Misérables Sung by Niamh Pelan

Claude-Michel Schönberg

Allegro from Grand Duo Concertante Played by Nick Francis accompanied by Tim Morris

Ensemble

Ed Sheeran

Moderato from Suite for Flute and Piano Played by Zöe Carter Tai

Charles-Marie Widor

I See Fire from The Hobbit

Big Band

Go Daddy-O For Once In My Life

Ensemble

Jericho

James Curnow

Scotty Morris Ronald Miller and Orlano Murden Don Sebesky

Ensemble

Clapping Music

Steve Reich

Vocal Solo

Empty Chairs at Empty Tables from Les Misérables Sung by Guy Ripper

Claude-Michel Schonberg

Symphony Orchestra

Flute Solo

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Piano Trio

Ludwig Van Beethoven Allegro from Trio Op.1 No.1 in E flat Played by Zöe Carter Tai, Bi Jia Wu, Mike Huang

Vocal Octet

Ave Maria

Gustav Holst

Chamber Choir

Ave Maris Stella Is you is

Edward Grieg Louis Jordan

INTERVAL

Big Mamma Cass Vocal Solo

Vilja from the Merry Widow Sung by Tabitha Piggott

Piano Solo

Franz Liszt Liebesträume Performed by Joe Arthur

Chamber Orchestra

Danzón No.2

Arturo Márquez

Big Band and Orchestra

Fly Me to the Moon

Bart Howard

Franz Lehár

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Chamber Orchestra Directed by Mrs Freemantle Violin I ZoĂŤ Carter Tai (Leader) Sophie Arthur Jin-Ho Yim Emmy Huang Shona Carson Seungyeon Oh Maya Garside Ben Atherton Avril Freemantle* Emily Bouwhis* Violin II Bi Jia Wu Natalya Evans Iman Elsheikh Toby Hill Alice Booth Alla Garside Diana Williams Irene Anderson Viola Joanna Seaby Erica Tsang Kelvin Xie Jane Andrews Cello Mike Huang Catherine Whitby Issie Elliott Anna Roberts Bass Jonny Brown Alice Ridley 6

Flute Tom Edwards Rhianna Jones Oboe Luke Roberts Bassoon Harry Uglow Trumpet Mhairi Carson Philip Normand Toby Saer Eleanor MacLeod Tim Warren Horn Tom Salmon Nick White Trombone Guy Ripper Edward Fletcher Tuba Chris Lotery Timpani Joe Winter Percussion Sam Routledge Richard Brown Zak Milner Holly Smart Oliver Tait * Southbank Sinfonia Players 7

Symphony Orchestra Directed by Miss Anderson Violin I Yuqing Chen (Leader) Sophie Arthur Jana Billington Zoë Carter Tai Victoria Diaper Jessica Holt Emmy Huang Jin-Ho Yim Avril Freemantle Emily Bouwhis Shona Carson

Violin II Alice Booth Natalya Evans Alla Garside Maya Garside Eve Henley Seungyeon Oh Iman Elsheikh Sam Periera Henry Tsang Bi Jia Wu Diana Williams

Flute I Megan Dunlop Tom Edwards Charlotte Percival

Oboe Luke Roberts Amira Douglas-Todd

Flute II Rhianna Jones Lucy Porter French Horn Alex Liu Tom Salmon Nick White Trombone Ben Atherton Erik Hillmann Guy Ripper Baritone Horn Jacob Fay Tuba Chris Lotery

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Clarinet I Curtis Crowley Aelfred Hillmann Nick Neves Ben Routledge Kieran Bassi Clarinet II Emily Besley Katy Billington Indie Chungh Nick Francis Bassoon Claudia Tam Baritone Saxophone Daisy Porter

Viola III/Viola Niall Armstrong Himani Arora Hannah Loran Joanna Seaby Erica Tsang Kelvin Xie Jane Andrews Violincello Rachel Crawford Issie Elliott Nathan Hastings Mike Huang James Thomson Catherine Whitby Anna Roberts

Chamber Choir

Directed by Miss Anderson Soprano Zoë Carter Tai Miriam Chapman-Rosenfeld Anna Cooke Madeleine Duffin Emer Healy Rhianna Jones Luka Peart Tabitha Piggott Sophie Roe Keeya Saund Rosa Sparks

Alto Angus Armstrong Emily Besley Emma Blackman Eleanor Dunlop Megan Dunlop Iman Elsheikh Beth Gaunt Colette Lane Niamh Phelan Dominik Reynolds Joanna Seaby Holly Smart Emma Taylor Emily Thompson

Tenor Ollie Uglow Bi Jia Wu Bass Jake Berry Jonny Brown Charlie Callaghan Tom Edwards Eben Neale Philip Normand Angus Reid Guy Ripper Luke Roberts Ben Routledge Barnaby Taylor

Bass Jonny Brown Alice Ridley Trumpet Mhairi Carson Eleanor MacLeod Ben Millar Philip Normand Toby Saer Jackson Taylor Tim Warren Percussion Sam Routledge Joe Winter Angus Armstrong Josh Hillier

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Rhythm Section Richard Brown Joe Winter Jonny Brown Bi Jia Wu Singers Holly Smart Evie Wateridge

Vocal Octet

Directed by Mrs Freemantle

Directed by Miss Anderson Directed by Mrs Freemantle

I See Fire Ensemble

Baritone Saxophone Zak Berry

Joe Arthur Miriam ChapmanRosenfeld Daisy Porter Bi Jia Wu

Piano Trio

Tenor Saxophone Claudia Tam Daisy Porter

Jonathan Brown Mhairi Carson Eleanor MacLeod Ben Millar Zak Milner Philip Normand Toby Saer Jackson Taylor Joe Winter

Directed by Mr Belassie

Alto Saxophone Jordan Abbott Kieran Bassi

Jericho Ensemble

Clarinet Raja Ohri Curtis Crowley

Clapping Music

Trombone Guy Ripper Edward Fletcher Chris Lotery

Directed by Miriam Chapman-Rosenfeld

Big Band

Directed by Mr Carrasco

Trumpet Toby Saer Mhairi Carson Ben Millar Tim Warren

Zoë Carter Tai Miriam ChapmanRosenfeld Anna Cooke Rhianna Jones Collette Lane Tabitha Piggott Rosa Sparks Bi Jia Wu Sophie Arthur Richard Brown Emmy Huang Mike Huang Charlotte Lisle Holly Smart Joe Winter Jin-Ho Yim

Zoë Carter Tai Mike Huang Bi Jia Wu

School Music Captain Emma Blackman Upper School Music Captain Kieran Bassi Lower School Music Captain Alice Booth King Edward VI Music Scholars First Year Sophie Wu Third Year Alla Garside Third Year Tom Salmon Fourth Year Mhairi Carson

Emmy Huang Fifth Year Maya Garside Chant Music Scholarship Mike Huang Bi Jia Wu Sixth Form Music Award Holders Sophie Arthur Philip Normand Jonathan Brown Tabitha Piggott Zoë Carter Tai Luke Roberts Miriam Chapman-Rosenfeld Joanna Seaby Collette Lane JRTA String Award Ben Atherton Natalya Evans Issie Elliott Seungyeon Oh Iman Elsheikh Erica Tsang

Members of National, County and Town Orchestras Emma Blackman Jonathan Brown Alice Booth Mhairi Carson Zoë Carter Tai Luke Roberts Toby Saer Tom Edwards Nick Francis Aelfred Hillman Erik Hillman Alex Liu Rachel Crawford

NYCGB SYO HCYSO, WYO NCB HCYO HCYO SYO SYO, SWB HCYO HCWB NCO SWB HCSO

Miriam Graham Flute Award Megan Dunlop Tom Edwards Claudia Tam 10

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Individual Instrumental Successes: Associated Board of the Royal Schools of Music and Guildhall Instrumental Examinations 2014-2015

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Grade i Sofia Mroz Edward Fletcher Luke Collins

Singing Piano Violin

Pass Merit Distinction

Grade ii Benjamin Moisan Eleanor Dunlop Eilidh Williams

Clarinet Harp Cello

Merit Distinction Distinction

Grade iii Eleanor Dye James Lander Ella Ritchie Alabama Shanker Caleb Venable Eleanor Yonge Edward Fletcher Ameena Hamid Madeleine Holden Annabel Panaech Hannah Thompson Caleb Venable

Flute Clarinet Clarinet Piano Piano Clarinet Violin Singing Singing Saxophone Piano Singing

Pass Pass Pass Pass Pass Pass Merit Merit Merit Merit Merit Merit

Grade iv Aasta Kendall Cecilia Laverty Georgia Tomlin Thomas Boyland Ned Clarke Ella-Jay Mallon Arev Melikyan Phoebe Moriarty-Palios Emily Procter Elena Sinclair Joseph Linehan Annabel Panaech Ella Ritchie

Piano Piano Piano Trumpet Jazz Saxophone Singing Saxophone Flute Jazz Clarinet Horn Saxophone Singing Singing

Pass Pass Pass Merit Merit Merit Merit Merit Merit Merit Distinction Distinction Distinction

Grade v Tusca Alavi Rachel Giancola Jessica Holmes Alexander Liu Patrick Lotery Luka Peart Isabel Richardson Annabella Turner Maya Smale Tusca Alavi Imogen Burwood Jessica Holt Charlotte Lisle Natalie Oldfield Megan Dunlop Anna Poller

Violin Flute Singing Horn Clarinet Piano Saxophone Piano Flute Piano Singing Piano Singing Singing Singing Singing

Pass Pass Pass Pass Pass Pass Pass Pass Pass Merit Merit Merit Merit Merit Distinction Distinction

Grade vi Shrinivas Anikhindi Jana Billington Jana Billington Elisabeth Curzen Victoria Diaper Ellie Holland-Wright Tristan Holt Lucia Laverty Sarah MacLeod Bethan Self Sebastian Sheath Nicholas White Alice Booth Megan Dunlop Aasta Kendall Jessica Holt Chloe Plater Matthieu Livingston Charlotte Percival Anna van der Star

Trumpet Saxophone Violin Singing Violin Singing Piano Singing Clarinet Singing Jazz Saxophone Horn Violin Singing Clarinet Violin Horn Jazz Saxophone Flute Flute

Pass Pass Pass Pass Pass Pass Pass Pass Pass Pass Pass Pass Merit Merit Merit Merit Merit Distinction Distinction Distinction

Grade vii Ben Routledge Claudia Tam Mhairi Carson Eleanor MacLeod Darra McCarthy-Paul

Jazz Clarinet Flute Trumpet Trumpet Singing

Pass Pass Merit Merit Merit 13

PROGRAMME NOTES ´ DVOrÁK ˇ arr. Anderson Slavonic Dance No.8 ANTONiN ˇ They were inspired by Brahms’ Hungarian Dances, and were originally There are sixteen Slavonic Dances by Dvorák. written for piano four-hands. They’ve always been among his most popular works, and are noted for their melodic beauty and lively Czech nationalism.

The Magic of Harry Potter

John Williams arr. Michael Story

The Symphony Orchestra’s programme concludes with highlights from John Williams’ score for Harry Potter – film music being where the Romantic influence of composers such as Grieg and Dvorák ˇ is most keenly felt today.

The Roadside Fire from Songs of Travel Ralph Vaughan Williams ‘The Roadside Fire’ comes from a cycle of nine songs for baritone voice, all of which are set to poetry by Robert Louis Stevenson. The Songs of Travel were written between 1901 and 1904, and they represent Vaughan Williams’ first real foray into vocal writing. In some ways they can be seen as a British take on famous song-cycles about a lone traveller, such as Schubert’s Winterreise or Mahler’s Lieder eine fahrenden Gesellen. In this moment of the cycle we hear quick shifts in mood and atmosphere. After the lively piano introduction, the protagonist imagines private moments with his beloved.

On My Own Claude-Michel Schönberg

Seungyeon Oh Sterling Roberts Ben Thorne Keeya Saund Harry Uglow Niamh Phelan Heather White

Piano Jazz Clarinet Jazz Clarinet Singing Bassoon Singing Flute

Merit Merit Merit Merit Merit Distinction Distinction

Grade viii Natalya Evans Natalya Evans Tabitha Piggott Rosa Sparks Alexandra Diaper Maya Garside Seungyeon Oh Lucy Porter Sarah Romilly Gabrielle Walker Katya Sheath Jin-Ho Yim

Piano Violin Singing Singing Violin Violin Violin Flute Jazz Saxophone Singing Jazz Clarinet Violin

Pass Pass Pass Pass Merit Merit Merit Merit Merit Merit Distinction Distinction

ABRSM post grade VIII Diploma Zoë Carter Tai Violin 14

Pass

On My Own is taken from the musical Les Misérables composed by Claude-Michel Schönberg with lyrics by Alain Boubil and Herbert Kretzmer. This is the most important song for Eponine in the musical and it expresses her unreciprocated love for Marius, who in turn loves Cosette. In the original French 1980 version of the musical, this song did not exist. It was not until the English version was created that Fantine’s solo “L’Air de la Misère” was adapted to become this song and thus, one of the most established musical theatre songs in the female repertoire.

Moderato from Suite for Flute and Piano Charles-Marie Widor Widor is best remembered for his organ works, particularly the ten solo symphonies, but he also composed for a range of chamber music ensembles. He wrote the Suite for flute and piano for Paul Taffanel, his colleague at the Conservatory and the founder of the modern French school of flute playing, in 1898. This movement begins with a declamatory figure, out of which unfolds a gentle world of C minor. The piece’s outer sections feature flowing, descending scale patterns, while the contrasting central section takes the flute into its higher register over arpeggiated waves in the piano.

Jericho

James Curnow

James Curnow is one of the world’s best-known composers for brass and concert bands. He was born in Michigan and today lives in Kentucky, where he has established his own music press and teaches in a various universities and colleges. To date he has published over four hundred original works for various ensembles. Tonight we hear his composition, Jericho.

Clapping Music

Steve Reich

Steve Reich is an American composer who became part of the minimalist movement in the 1960s. This movement created music that often didn’t feel like a journey forward through a piece, but rather like a horizontal plane which was being filled gradually by textures and phrases. Clapping Music was composed in 1972 and acted as a kind of sound experimentation. At the start of the piece there is a set rhythm which is clapped in unison, then there are small shifts in one part only called phasing, which creates a polyrhythmic texture. Each time the part phases, a slightly different rhythm is created, and this continues until both performers clap in unison at the end. Minimalist music may best be approached differently to other types of music (such as a Classical sonata, for example) because it is generally the use of the fewest and barest elements. Our attention is drawn to the sheer simplicity of the sound, and we can appreciate a different type of musical aesthetic – a minimalist aesthetic.

(Notes by Miriam Chapman-Rosenfeld )

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EMPTY CHAIRS AT EMPTY TABLES FROM LES MISÉRABLES Claude-Michel Schönberg

I See Fire from The Hobbit Ed Sheeran

Les Misérables got off to a troubled start. It was conceived as a French-language ‘concept album’, and was first adapted for the stage in 1980. It closed down after a difficult run of just three months. In 1983, the British director Peter Farago picked up the original album and set about turning it into the stage musical we know today, with the premiere taking place in the West End 1985. Even then, many of the critical reviews were negative, but they began to warm in the face of overwhelming public interest. Today it stands as one of the longest running shows on Broadway and the West End, having run continuously in both for close to three decades. Tonight’s number is Marius’ solo after the Paris Uprising of 1832. Sitting alone in a café, knowing he’s the only survivor other than Jean Valjean, he reminisces about his lost friends.

Peter Jackson and Fran Walsh, the husband-and-wife team who respectively directed and produced The Desolation of Smaug, approached Ed Sheeran to write a song for the film’s end credits on the advice of their daughter. Sheeran reportedly saw the film, wrote the song, and recorded the bulk of it all on the same day. It has been nominated for a Grammy Award for Best Song Written for Visual Media in this year’s ceremony.

Piano Trio, Allegro from Trio op.1 no.1 in E flat Ludwig Van Beethoven

For Once In My Life Ronald Miller and Orlano Murden

This trio was one in a set of three first performed in the house of Prince Lichnowsky, to whom they are all dedicated, in the 1790s. Despite the opus number, they are not Beethoven’s first published compositions (the rarely-heard Dressler Variations for solo piano have that title). However, the number does indicate an intention – as a then 25-year old at the beginning of his career – to highlight these as his first works wrought from an individual style. The trios are all strikingly original and mark a clear departure from the genre as it existed in the hands of Haydn. In the first movement, which we hear tonight, a staccato arpeggio theme (first played by the piano, then by the cello, then by all three in unison), becomes a unifying motive throughout the movement. A slow and lyrical second theme gently unfolds in the equal voices of the violin and cello, but with a contrapuntal texture that perhaps recalls the character of a hymn.

For Once in My Life was written in 1966 and was first recorded as a slow ballad by Barbara McNair, but quickly became the subject of many different covers. Versions were done by artists as diverse as The Four Tops, The Temptations, Diana Ross, and Tony Bennett. Perhaps the best-known recording is by Stevie Wonder, which was released in 1967.

Ave Maria Gustav Holst

Scotty Morris

Go Daddy-O was written by the leader of southern California-based swing revival band, Big Bad Voodoo Daddy. This song is one of their best-known, having featured in the 1996 comedy-drama, Swingers.

Big Mamma Cass

Don Sebesky

Don Sebesky is an American trombonist, conductor, arranger, and author who has written music for television and film, and has received thirty-one Grammy nominations to date.

Vilja from the Merry Widow FRANZ LEHÁR

Today Holst is best remembered for his Planets Suite, but he was a fairly prolific composer who wrote in a variety of genres, despite enjoying little success with his pieces during his lifetime. His income came not from writing music, but from teaching it. He was Director of Music at St Paul’s Girls School from 1905 until his death in 1934, where he pioneered modern secondary education for women. Ave Maria is rooted in the harmonic language of the late nineteenth century, and it demonstrates his skill in the complex art of counterpoint.

The Merry Widow is the most famous of all Lehár’s operettas. It was first performed in Vienna in 1905. Set partly in the Parisian embassy of an imaginary, impoverished Balkan state, it exploits both the sophisticated amusements of the city and the sentimentality associated with the rural way of life in the Balkan state of ‘Pontevedro’. The most treasured Pontevedran asset is the merry widow herself, Hanna Glawari, who’s so rich that the loss of her personal fortune through marriage to any but another Pontevedran would sink the the country’s whole economy. Her most popular number, the Vilja song, established Lehár’s reputation as a composer at an early stage in his career.

Ave Maris Stella Edward Grieg

LIEBESTRÄUME NO.3 Franz Liszt

Grieg wrote the first version of his Ave Maris Stella for solo voice and piano in 1893. That version was a Danish translation of the ninth-century Latin hymn. In December 1898, he arranged the work for unaccompanied chorus in Latin, and in 1900 it was published in a Norwegian translation. Tonight we hear the second, Latin version of the piece.

His delicate handling of dynamics, phrasing, tempo, and harmony are representative of the peak of Romanticism.

Liszt’s three ‘Dreams of Love’ were published in 1850. The last of them, which we hear tonight, has always been the most popular. They were originally conceived as Lieder, but are now known as solo piano works inspired by poetry. In this case, the poem is by Fredrich Freiligrath, and it celebrates the idea of mature love (its title is ‘Love as Long as You Can’). The piece is split into three sections, each divided by a virtuosic cadenza requiring great dexterity. The same melody is used throughout the entire piece. It is subtly varied each time it appears.

Is you is Louis Jordan Louis Jordan was an American composer and band-leader who enjoyed much success from the 1930s into the 1950s, and he earned the epithet ‘the king of the jukebox’. He’s best remembered for his contribution to the development of ‘jump blues’, an up-tempo hybrid of jazz, blues, and boogie-woogie. Is you is is perhaps his most famous song today, despite originally being released as a B-side to another song, G. I. Jive, in 1944.

Minuetto and Trio Franz Schubert Schubert wrote his Fifth Symphony when he was just nineteen years old. The influences exerted by Haydn and Mozart on the young composer are palpable. Even so, with its uniquely luminous sound and delicate scoring, it is still a distinctively Schubertian piece. Tonight we hear the third movement, which is more of a scherzo than a minuet. It opens starkly in G minor before proceeding to a lilting trio.

Allegro from Grand Duo Concertante Carl Maria Von Weber Weber began writing the Grand Duo Concertante in 1815, and it took him over a year to complete. It received its first complete performance in Berlin in 1817. He was right to include the term ‘duo’ in the title – the clarinet and piano parts are equal in stature throughout. This is unsurprising, given Weber’s fame as a pianist. The piece begins with a lively discussion between the two instruments, and it continues to unfold across the first movement

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Go Daddy-O

DANZÓN NO.2 Arturo Márquez The variety of Arturo Márquez’s music has cemented his reputation as one of the most significant Mexican composers of his generation. He’s revived a wider interest in the distinctive Veracruz danzón. The inspiration behind his second dance came from a 1993 he trip to Malinalco (near Toluca) with fellow artists Andrés Fonseca and Irene Martínez. Here he says he learned ‘to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape toward their own emotional world’. The piece has been made popular by the renowned Simon Bolivar Youth Orchestra under the baton of Gustav Dudemel.

Fly Me To the Moon Bart Howard Bart Howard had been striving for his big break as a song-writer for two decades when he penned Fly Me To The Moon, which was destined to become one of the most famous hits of the twentieth-century. Kaye Ballard made the first recording of the piece in 1954, and it was already an established popular classic when Frank Sinatra made his iconic version of the song ten years later.

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Box Office

Mrs Crane-Whatmore, Mrs Meager

Music Administrator

Miss Barnett

Programme

Indigo Press Ltd - indigo-press.com

Music Staff

Mr Kotch

Programme Notes

Dr Berryman

Mr Belassie

Front of House

Miss Barnett

Dr Berryman

Ushers

Mrs Burrows

Miss Anderson

Stage Managers

Robert McFarlane and Angus Armstrong

Mrs Freemantle

Photography

Mr Piggott

Lighting

Sam Routledge

Sound Technician

Mr Kotch

Accompanying

Mr Belassie

Visiting Music Teachers

Mrs Allen

Mr Lamprell

Mrs Andrews

Mrs Lloyd

Mr Belassie

Mr Morgan

Mrs Bolton

Mr Osman

Miss Braga

Mr Pamakstys

Miss Burns

Ms Potts

Mr Cleaver

Miss Rowlinson

Mr Cox

Mrs Salmon

Mr Daniels

Mr Scott

Mrs Davis

Miss Stocker

Mr Davison

Mr Warren

Mr Goodwin

Mrs Williams

Mr Hanchett

Mr Williams

Mrs Handy

Ms Willsher

Mr Kotch

Mr Worsfold

Refreshments will be available from the bar in the foyer during the interval.

Our grateful thanks to Turner Sims and the KES Facilities staff for all their support.

Foyer Music provided by Felix Yeats-Brown & Zak Milner Tap Dancer 18

Charlie Callaghan

Videos and photos taken by parents at School events should be for personal use only and may only be uploaded onto social media sites with appropriate privacy settings in place. It is important that images of other pupils are not made publically available without their consent.

The photographs in the programme are from this year’s joint concert with Southbank Sinfonia, our professional partnership orchestra.

The Music staff would like to thank the Upper Sixth pupils who will be leaving at the end of the year. They have been excellent ambassadors for music in the School, great fun to teach and will be missed by us all. We wish them every success in their future careers.

Tabitha Piggott Sophie Arthur Sam Routledge Jonathan Brown Shona Carson Jo Seaby Emily Thompson Zoë Carter Tai Miriam Chapman-Rosenfeld Harry Uglow Catherine Whitby Anna Cooke Curtis Crowley Bi Jia Wu Jin-Ho Yim Tristan Holt Congratulations to Jo Seaby who has an offer to read Music at Royal Holloway and Miriam Chapman-Rosenfeld who has an offer to read Music at St Hilda’s College, Oxford in September.

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Forthcoming Events at king edward vi Tuesday 24th March 7.30pm Dobson Theatre

WW1 Music and Drama Evening

Wednesday 22nd April 7.30pm Recital Room

Piano Competition

Tuesday 23rd June All Day Recital Room

Music Competition

Monday 22nd/23rd/24th June All Day School Site ARTS FESTIVAL

KING EDWARD VI SCHOOL Tel: 023 8079 9216 Wilton Road . Southampton . SO15 5UQ Email: enquiries@kes.hants.sch.uk www.kes.hants.sch.uk