LEONARDO BEESWAX TURNS BRONZE

22 November 1981 - Mallet at Bourdon House, London England. The conference room intercom buzzes: “Mr. Nickerson sir, you have a phone call.”

“Please take a message Hilda,” says David Nickerson “and hold all my calls while Prince Phillip is with me.”

“I’m sorry sir, but the caller is Mr. Cadenhead sir, and he says it is a matter that cannot wait.” Nickerson glances at the Duke of Edinburgh, who nods his approval for Director Nickerson to take the urgent call.

Prince Phillip, husband of Queen Elizabeth II is after all, quite familiar with James Cadenhead.A bit of a rogue fellow thinks Phillip,who is aware of his serviceduring the Cold War with US Military intelligence in Berlin after WWII. Cadenhead would become a member of what became known as the ‘Monuments Men’, tracking down the whereabouts of millions of works of art looted by Hitler and the Nazi regime starting in the 1930s, continuing through WWII. Since leaving the army Cadenhead had turned his skills as a hunter of objects d’art into a career, roaming the Mediterranean aboard his 80ft sailing yacht The Mariella, searching out hidden or forgotten paintings and other valuable artworks.

Founded in 1865, Mallett Antiques was one of the oldest names among London art and antique dealers. Under the Directorship of David Nickerson since 1967, with his affable personal style and unbelievable enthusiasm for just about everything, Mallett became one of the most profitable as well. The British Royal Family were known to be avid supporters of Mallet Antiques, having acquired art works, furniture, and other collectables, many added to the Royal Collection.

Deep in thought after his conversation with Cadenhead, David Nickerson slowly returns to where Prince Phillip is strolling through Mallett’s extensive collections. The 60year-old Prince is studying a rare Elizabethan era clock, contemplating a gift for his mother-in-law’s 82nd birthday. Queen Elizabeth I – The Queen Mother, had been associated with Mallett at Bourdon House over 70 years, frequently visiting the Mallett galleries.

“I do hope Mr. Cadenhead’s interruption was, indeed, a matter that will ultimately be profitable for you David,” quipped Prince Phillip at the site of David Nickerson approaching.

“

Yes, your Highness, I am confident James’ call will prove to be an extraordinary opportunity for all involved.” Nickerson had already decided the details of his conversation with Cadenhead were not to be shared with anyone, including the Royal Family, at least not until he had control of the work. After all, a lost work now found, by the Renaissance Master himself, would rank with the century’s greatest discoveries…akin to finding the art world’s Holy Grail!

Together with James Cadenhead, David G.F. Nickerson formed a consortium of investor/collectors which purchased Leonardo’s wax model of horse and rider in 1982. Nickerson and Cadenhead began putting together a plan to raise awareness of the heretofore unknown sculpture.Doing so they believed,would create worldwide interest, intrigue, mystery, as well as demand, increasing the value! Where had the wax model been these past centuries? A lost Leonardo, found? What could it be worth? The story of a 500-year-old beeswax sculpture turning into solid bronze, was about become reality!

THREE MIRACLES of LEONARDO DA VINCI HORSE and RIDER

#1

Leonardo’s wax model of a horse and rider c.1506-1511, survived into the 20th century!Clearly,thesculpture hadbeenrecognizedearlyon,asanimportantwork by Leonardo himself.

#2

After five hundred years, the owners of Leonardo’s equestrian wax model determined it would be prudent to preserve and protect the integrity of Leonardo’s sculpture. A mold was commissioned to be made of the wax model without destroying the very fragile wax sculpture itself.

#3

The extraordinary quality of the mold, enabled artisans to cast a bronze of Leonardo’s horse and rider, preserving forever, every nuance and detail of the wax sculpture Leonardo had created five-centuries before!

Next, view photos of 500-year-old Wax Model, the MOLD made of Leonardo’s Wax Model, and the original HORSE and RIDER sculpture cast in bronze.

LEONARDO DA VINCI beeswax model of HORSE and RIDER c. 1508

Closeup of Leonardo’s thumbprint, as well as his initials, L V.

Scholars believe Leonardo secretly ‘signed’ his sculptures. Note the capital L on top of the inverted V on the rear hindquarters of the horse

THE MOLD TAKEN OF LEONARDO’S 500-YEAR-OLD

WAX MODEL C. 1985

THE

NOTICE THE DETAIL OF LEONARDO’S THUMBPRINT INSIDE THE MOLD

HORSE AND RIDER in BRONZE c. 2011

Detail from the mold of Leonardo’s wax model transferred perfectly to the Horse and Rider bronze cast.

Compare this thumbprint on the bronze Horse and Rider to the impression left by Leonardo 500 years ago. You will understand The 3 Miracles of Leonardo Horse & Rider

Beeswax to Mold to Bronze

Leonardo’s incredible attention to detail has been preserved forever, within Horse and Rider in bronze

LEONARDO DA VINCI – HORSE and RIDER A MONUMENT TO CHARLES d’AMBOISE

PALAZZO della STELLINE - MILAN, ITALY EXIBITION 2016

Billboard posters on the streets of Milan for the Horse & Rider exhibition

Palazzo delle Stelline is located directly across the street from Santa Maria delle Grazie, home to Leonardo’s The Last Supper

Leonardo da Vinci HORSE AND RIDER

A Monument to Charles d’Amboise (5)

“The rider’s facial features recall indeed, the Frenchman’s famous portrait by Andrea Solario at the Louvre.”

(Charles d’Amboise-Governor of Milan 1503-1511)

ACHADEMIA LEONARDI VINCI – Volume VIII, 1995 Pg. 243-244 (8)

Bibliography

1. Giorgio Vasari – The Lives of the Artists – by Julia and Peter Bondannella

ISBN 978-0-19-953719-8 Pub. 2008

2. Giorgio Vasari – The Lives of The Artists - Originally published – 1568

3. Leonardo The Artist and The Man-by Serge Bramly

ISBN 978-0-14-023175-5 – Pub. 1992

4. Carlo Pedretti – A Bibliography of His Work on Leonardo da Vinci and The Renaissance (1944-1984) Compiled by Joyce Pellerano Ludmer.

ISBN 0-9617550-0-8 - Pub. 1984

5. Leonardo da Vinci Horse and Rider – A Monument to Charles d’Amboise by Ernesto Solari ISBN 978-88-97206-33-0 – Pub. 2016

6. Leonardo da Vinci – by Walter Issacson

ISBN 978-1-5011-3915-4 – Pub. 2017

7. Achademia Leonardi Vinci – Volume III 1990 - Edited by Carlo Pedretti

ISSN 0394-8501

8. Achademia Leonardi Vinci – Volume VIII 1995 - Edited by Carlo Pedretti

Library of Congress ISSN 89-26143

9. Leonardo da Vinci scientist Inventor Artist – Otto Letze & Thomas Buchsteiner

ISBN 3-7757-0578-3 – Pub. 1997

10. Martin Kemp review of Carlo Pedretti’s; The Drawings and Misc. Papers of Leonardo da Vinci in the Collection of Her Majesty the Queen at Windsor Castle – Art Book News, April, 1983, pp.26-28, titled “Treasure Trove”

11. Evening Standard Newspaper-London –The Leonardo, The Expert and a £20 million Deal - April 21, 1997

12. H&R History Video – youtube.com/watchTV_SBW3a2E253

13. UYLSEE H&R Special on Italian TV – April, 2017 - youtube.com/lnQgYYVzN9M

14. H&R Appraisal - 2014

15. Sotheby’s Technical Report- 2003

16. Leonardo da Vinci – Wikipedia

17. The Literary Works of Leonardo da Vinci – Jean Paul Richter-1883

18. Archived documents, emails, interviews

19. Leonardo da Vinci In The Collection of HER MAJESTY THE QUEEN At Windsor Castle – Volume II – Horses and Other Animals 1987 – pg. 185 – fig. 111-112

20. Oxford University Radiocarbon Analysis - 1997

21. Renaissance Society of America – archives

22. Corriere Della Sera newspaper – Pedretti obituary – January 7, 2018