Kyle Beneventi - Portfolio 2016

KYLE BENEVENTI PORTFOLIO ARCHITECTURE

URBAN DESIGN

2016 VISUALIZATION

2 |

ARCHITECTURE 07 ADAPT - VERTICAL ARCOLOGY

First Place: Super Sky Scrapers International Competition

11 SILO REVIVAL - REDTORY

Competition Entry - Guangzhou China

14 AMEGY BANK

Pickard Chilton Architects - Houston, TX

19 MINNESOTA CAPITOL OFFICE BUILDING Pickard Chilton Architects - St. Paul, MN

23 GA TECH - SCIENCE BUILDINGS Pickard Chilton Architects - Atlanta, GA

27 1144 FIFTEENTH

Pickard Chilton Architects - Denver, CO

URBAN DESIGN 33 ROCINHA - URBAN INTERVENTION Thesis Project - Rio de Janeiro, Brazil

39 RESEARCH AND MAPPING

Studies and Competition Entries - Various Cities

41 REANIMATE THE RUINS - DETROIT Parallel Projections LLC - Select Entries

VISUALIZATION 53 CASA DE LA CIUDAD

Personal Visualization Project - Oaxaca, Mexico

59 BIGELOW CHAPEL - HGA ARCHITECTS Personal Visualization Project - New Brighton, MN

63 PARK & SHORE - STRATEGIC CAPITAL The Seventh Art - Newport, NJ

67 287 PARK AVENUE SOUTH - CLI INVESTMENTS The Seventh Art - New York, NY

75 520 PARK AVENUE - ZECKENDORF DEVELOPMENT The Seventh Art - New York, NY

4 |

ARCHITECTURE 07 ADAPT - VERTICAL ARCOLOGY

First Place: Super Sky Scrapers International Competition

11 SILO REVIVAL - REDTORY

Competition Entry - Guangzhou China

14 AMEGY BANK

Pickard Chilton Architects - Houston, TX

19 MINNESOTA CAPITOL OFFICE BUILDING Pickard Chilton Architects - St. Paul, MN

23 GA TECH - TECHNOLOGY SQUARE Pickard Chilton Architects - Atlanta, GA

27 1144 FIFTEENTH

Pickard Chilton Architects - Denver, CO

ADAPT - VERTICAL ARCOLOGY PERSONAL COMPETITION

HONG KONG

First place finalist in an international design competition for a vertical arcology in Hong Kong.

There are two integral components to the success of an arcology; the Social Sustainability and the Environmental Sustainability. The coordination of these responsibilities gives the programming and structural design to the tower.

Taking cues from successful urban neighborhoods, social sustainability is about the integration of residential, commercial, and business interests into a flexible and expandable community. Environmental sustainability is demonstrated through passive systems and the organization of technology. Industrial and agricultural processes are composed to complement each other by the flow of waste, water, energy and food.

VERTICAL NEIGHBORHOOD Residential Levels Public Levels

STRUCTURE, CIRCULATION, FLEXIBLE PROGRAM

AGRICULTURE Farming Fish + Water Algae + Energy

RECREATION VERTICAL NEIGHBORHOOD Residential Levels Public Levels

BUILDINGS ADAPTS IN RESPONSE TO NEED

AGRICULTURE Farming Fish + Water Algae + Energy

ENVIRONMENTAL SITE ANALYSIS

EDUCATION VERTICAL NEIGHBORHOOD Residential Levels Public Levels

ARENA STREET + PUBLIC Museum Space Retail

TRANSIT ARCHITECTURE | ADAPT - VERTICAL ARCOLOGY | 7

SOCIAL SUSTAINABILITY

EXTERIOR CIRCULATION

INTERIOR CIRCULATION

GREEN / PUBLIC SPACE

RETAIL / SERVICE

COMMERCIAL: BUSINESS / OFFICE

RESIDENTIAL: STUDIO / 1 BR

RESIDENTIAL: 2 AND 3 BR

RESIDENTIAL: MULTI-FAMILY

8 | ARCHITECTURE | ADAPT - VERTICAL ARCOLOGY

Taking cues from successful urban neighborhoods, the tower is divided into several strategically composed “Vertical Neighborhoods” which reflect the diversity of the traditional street and provide all essential services. Each vertical neighborhood starts with a large public plaza surrounded by shops, businesses, and service industry offerings. As one moves vertically from this urban center, program becomes less dense and more residential; mimicking the gradient of a metropolis becoming individual suburbs and offering the ability to live, work, and play without leaving your neighborhood. Each micro-community benefits from the next: creating a socially sustainable network.

ENVIRONMENTAL SUSTAINABILITY WATER COLLECTION Channels in the top of each concentric ring captures rainfall filters it and distributes to Cisterns, while piping in the bottom of the ring moves waste water to treatment plants and programs in the building for reuse.

ENERGY COLLECTING MESH Surface make use of Solar Panels Wind Turbines fill Mesh Gaps

DEVELOPMENT SYSTEMS 3D printing on tracks Construction components

SOLAR + DAY LIGHT The core is hollowed to create a light well, furthered by expansive openings within each unit’s facade. The ring’s infrastructure is also capped with an array of solar panels, capturing solar energy.

The energy produced by the building is used throughout the tower.

FARMING + GRAZING PLANES Orchard Production Greenhouse Horticulture Fisheries Algae Fuel

CROP + AQUACULTURE Orchard Production Greenhouse Horticulture Fisheries Algae Fuel

RECREATIONAL SPACES WIND + VENTILATION A permeable skin allows energy generation and passive cooling throughout the building.

Furthermore, large wind speeds at high altitudes will be captured with turbines inserted into the building’s mesh facade.

Open Air Sports Fields Swimming Pools Bike + Running Tracks

RESIDENTIAL NEIGHBORHOODS Developable Greenspace Gardens + Parks Interstitial Open Space

ARCHITECTURE | ADAPT - VERTICAL ARCOLOGY | 9

SILO REVIVAL - REDTORY PERSONAL COMPETITION

GUANGZHOU, CHINA

This project aims to embody the creative process in built form. This process is embodied by both the construction of the silo and within its program, where artists and designers are free to express and collaborate with other artists in classrooms, computer labs, and critique spaces on each level’s balcony.

At any point in this process, an idea may be generated which projects out at the tangent point of its inception, altering the creative process and moving toward final product. This idea is represented by the circular form of the silo and by the bridges that cantilever out to form connections between the creative suites of the silo, and the brick buildings which house the fabrication labs and administrative offices.

+2

+1

The creative process is not linear, but an ever changing movement between tangible and ethereal, practical and experimental.

Researching previous projects and seeing other artist’s work informs final design, and the iterative nature of that de sign process refines the product. Once presented, this final design can inform the next creator and start the entire creative process anew. This organic and dynamic movement is constantly circulating and may be experienced by one or many artists simultaneously.

0

-1

ARCHITECTURE | SILO REVIVAL, REDTORY | 11

All of the creating and collaborating happens inside the silo, where studios and workshops for every kind of artistic expression are housed. These glass studio cubes face each other and spill out onto balconies intended for pin-up and crit-space. The existing brick buildings linked by the bridges, on the other side of the reflecting pool, are renovated and restored to house service program such as a cafe, office spaces, rest rooms, utility rooms. This keeps the center for artistic creation and expression separate yet connected to these complimentary amenities.

12 | ARCHITECTURE | SILO REVIVAL, REDTORY

ARCHITECTURE | SILO REVIVAL, REDTORY | 13

AMEGY BANK, TX PICKARD CHILTON ARCHITECTS

HOUSTON, TX

Amegy Bank’s new headquarters is prominently located within Post Oak Park in Houston’s Uptown District. The tower features fifteen levels of offices atop an enclosed eight-level parking podium.

The tower’s curved glass façades maximize views of downtown Houston and the Galleria. The tower is accessed through a double-height, light filled lobby, elegantly detailed in natural surfaces of wood and stone. The high-performance enclosure with 10 foot floor-to-ceiling insulated glass introduces natural light deep within the offices while mitigating solar heat gain.

The on-site employee-only dining conservatory offers healthful food options and provides an informal space for spontaneous collegial meetings.

All work is the property of and was a collaborative effort of Pickard Chilton Architects.

1

TOP OF CROWN

EL 443' - 6"

EL 443' - 6"

73' - 0"

TOP OF CROWN

1

1

COOLING TOWERS

A315

A363

73' - 0"

A351

REFLECTIVE TRANSLUCENT GLASS (GL-4)

ROOF EL 370' - 6"

LEVEL 24 EL 354' - 9"

EL 325' - 3" 14' - 9" 14' - 9" 14' - 9"

LEVEL 16 EL 236' - 9"

LEVEL 15 EL 222' - 0"

OFFICE

LEVEL 14 EL 207' - 3"

OFFICE

LEVEL 12 EL 192' - 6"

OFFICE

EL 163' - 0"

14' - 9"

REFLECTIVE SPANDREL LEVEL 10 GLASS EL 163' - 0" (GL-2)

LEVEL 10

PARKING

ARCHITECTURAL LOUVER (LVR-1) EAST LOBBY

WEST LOBBY

OVERHEAD COIL DOORS TO MATCH (AL-1)

EL 120' - 0"

13' - 0"

EL 130' - 0"

LEVEL 7 ARCHITECTURAL EL 120' - 0" PRECAST PANELS (APC-1)

10' - 0"

10' - 0"

10' - 0"

LEVEL 7

LEVEL 6 EL 110' - 0"

10' - 0"

LEVEL 6 EL 110' - 0" LEVEL 5

LEVEL 5

EL 100' - 0"

EL 100' - 0"

LEVEL 4

LEVEL 4

EL 90' - 0"

EL 90' - 0"

LEVEL 3

LEVEL 3

EL 80' - 0"

EL 80' - 0"

REFLECTIVE TRANSLUCENTLEVEL 2 GLASS EL 70' - 0" (GL-8)

10' - 0"

LEVEL 8

LEVEL 2 EL 70' - 0"

LEVEL 1

LEVEL 1

EL 58' - 0"

EL 58' - 0"

LOWER LEVEL 1

LOWER LEVEL 1

EL 46' - 0"

EL 46' - 0"

85' - 0"

PARKING

EL 130' - 0"

10' - 0"

PARKING

EL 143' - 0"

10' - 0"

PARKING

EL 143' - 0" REFLECTIVE TRANSLUCENT GLASS (GL-5) LEVEL 8

10' - 0"

PARKING

12' - 0"

TYPICAL PARKING LEVEL

13' - 0"

REFLECTIVE VISION GLASS LEVEL 9 / CONFERENCE LEVEL 9 / CONFERENCE (GL-1) LEVEL LEVEL

CONFERENCE CENTER

REFLECTIVE TRANSLUCENT GLASS (GL-5)

LEVEL 11 EL 177' - 9"

20' - 0"

OFFICE

LEVEL 11 EL 177' - 9"

20' - 0"

2

14' - 9"

14' - 9"

LEVEL 12 EL 192' - 6"

14' - 9"

14' - 9"

LEVEL 14 EL 207' - 3"

14' - 9"

14' - 9"

LEVEL 15 EL 222' - 0"

10' - 0"

OFFICE

14' - 9"

14' - 9"

LEVEL 16 EL 236' - 9"

85' - 0"

OFFICE

14' - 9" 14' - 9"

LEVEL 17 EL 251' - 6"

14' - 9"

LEVEL 17 EL 251' - 6"

10' - 0"

OFFICE

GROUND FLOOR

14' - 9"

LEVEL 18 EL 266' - 3"

14' - 9"

LEVEL 18 EL 266' - 3"

10' - 0"

OFFICE

10' - 0"

3

A312

14' - 9"

LEVEL 19 EL 281' - 0"

14' - 9"

LEVEL 19 EL 281' - 0"

300' - 6"

LEVEL 20 EL 295' - 9"

14' - 9"

LEVEL 20 EL 295' - 9"

227' - 6"

LEVEL 21 EL 310' - 6"

OFFICE

CONFERENCE TERRACE

LEVEL 22

EL 310' - 6"

OFFICE

A402

14' - 9"

EL 325' - 3" REFLECTIVE VISION GLASS (GL-1) LEVEL 21

14' - 9"

OFFICE

LEVEL 23 EL 340' - 0"

14' - 9"

OFFICE

ZONE FOR ARCHITECTURAL LIGHTING: REFER TO ENLARGED DETAILS

LEVEL 23 EL 340' - 0" REFLECTIVE SPANDREL GLASS (GL-2) LEVEL 22

12' - 0"

OFFICE

14' - 9"

14' - 9"

LEVEL 24 EL 354' - 9"

12' - 0"

OFFICE

TYPICAL TOWER FLOOR PLATE

14' - 9"

15' - 9"

ROOF EL 370' - 6"

15' - 9"

PENTHOUSE

ARCHITECTURE | AMEGY BANK, TX | 15

16 | ARCHITECTURE | AMEGY BANK, TX

8

A

BACKLIT TRANSLUCENT GLASS

BACKLIT TRANSLUCENT GLASS LEVEL 19

ALUMINUM MULLION (AL-1)

LEVEL 19

EL 281' - 0"

EL 281' - 0"

5' - 0"

4' - 9" 10' - 0"

SPANDREL GLASS (GL-2)

TRANSLUCENT GLASS (GL-3)

TRANSLUCENT GLASS (GL-3)

9' - 9"

LIGHT PAD RE: LIGHTING

SPANDREL GLASS (GL-2)

TRANSLUCENT GLASS (GL-3)

LEVEL 4 EL 90' - 0" TRANSLUCENT GLASS (GL-5)

TRANSLUCENT GLASS (GL-5)

SILICONE BUTT JOINT (JS-1)

ALUMINUM FIN (AL-1) VISION GLASS (GL-1)

14' - 9"

11

10' - 0"

A452 PRECAST BROW (APC-1)

Amegy HQ VISION GLASS (GL-1)

VISION GLASS (GL-1)

Houston, Texas

VISION GLASS (GL-1)

VISION GLASS (GL-1)

CAR CABLE SAFETY RAIL (SST-1)

8' - 6"

TRANSLUCENT GLASS (GL-8)

H

O

A

4400 Post Oak Parkway Houston, Texas 77027 www.amegybank.com

LEVEL 3

4 H w

EL 80' - 0" BACKLIT TRANSLUCENT GLASS

Development Manager

BACKLIT TRANSLUCENT GLASS LEVEL 18

2800 Post Oak Boulevard Houston, Texas 77056 tel. 713 621 8000 fax. 713 966 2636 www.hines.com

EL 266' - 3"

TRANSLUCENT GLASS (GL-3)

Pickard Chilton

SPANDREL GLASS (GL-2)

TRANSLUCENT GLASS (GL-3)

2 H te w

D

4' - 9"

SPANDREL GLASS (GL-2)

10' - 0"

H

LEVEL 18 EL 266' - 3"

3 A451 LIGHT PAD RE: LIGHTING

Design Consultant

SILICONE BUTT JOINT (JS-1)

D

ALUMINUM MULLION (AL-1)

Hines 12 A451

5' - 0"

TRANSLUCENT GLASS (GL-8)

A

Owner

Amegy Bank of Texas

P

TRANSLUCENT GLASS (GL-3)

980 Chapel Street New Haven, Connecticut 06510 tel. 203 786 8600 fax. 203 786 8610 www.pickardchilton.com

9 N te w

8 A451

Architect of Record

Kendall/Heaton Associates, Inc.

PRECAST FIN (APC-1) 3

VISION GLASS (GL-1)

VISION GLASS (GL-1)

VISION GLASS (GL-1)

6

10' - 0"

711 Louisiana Street Houston, Texas 77002 tel. 713 844 0000 fax. 713 844 0001 www.gensler.com VISION GLASS (GL-1)

A422

14' - 9"

MECHANICAL DIFFUSER VISION GLASS (GL-1)

9' - 9"

LEVEL 2

3 H te w

MECHANICAL SHADE LIGHT FIXTURE RE: LIGHTING

Interiors Architect

Gensler

EL 70' - 0"

K

(NIC)

3050 Post Oak Boulevard, Suite 1000 Houston, Texas 79056 tel. 713 877 1192 fax. 713 877 1360 www.kendall-heaton.com

9' - 0"

26' - 10 1/2"

TRANSLUCENT GLASS (GL-8)

TRANSLUCENT GLASS (GL-8)

A

A402

Structural Engineer

W

1 H te w

Mechanical and Electrical Engineer

M

I.A. Naman + Associates, Inc. 12' - 0"

TRANSLUCENT GLASS (GL-8)

8' - 6"

TRANSLUCENT GLASS (GL-8)

BACKLIT TRANSLUCENT GLASS

Two Greenway Plaza Suite 700 Houston, Texas 77046 tel. 713 860 3600 fax. 713 860 3799 www.ianaman.com

RAISED ACCESS FLOORING

BACKLIT TRANSLUCENT GLASS

I

LEVEL 17

LEVEL 17

EL 251' - 6"

EL 251' - 6"

Landscape Architect

C

10401 Stella Link Road Houston, Texas 77025 SPANDREL GLASS (GL-2) tel. 713 871 1414 fax. 713 871 0888 www.clarkcondon.com

3

TRANSLUCENT GLASS (GL-3)

TRANSLUCENT GLASS (GL-3)

1 H te w

SPANDREL GLASS (GL-2)

Civil Engineer

C

ALUMINUM MULLION (AL-1) PRECAST BASE (APC-1)

0' - 8 1/2"

Ward, Getz & Associates, LLP LEVEL 1 EL 58' - 0"

2500 Tanglewilde, Suite 120 Houston, Texas 77063 tel. 713 789 1900 fax. 713 789 1901 www.wga-llp.com

5

4

Elevation 1/2" = 1'-0"

3

Elevation 1/2" = 1'-0"

2

Elevation 1/2" = 1'-0"

Elevation 1/2" = 1'-0"

1 Section

1/2" = 1'-0"

REVISIONS

2

1

Elevation 1/2" = 1'-0"

Section

1/2" = 1'-0"

1 2

T H te w

L

Clark Condon Associates, Inc.

A454

7 H te w

S

Walter P. Moore and Associates, Inc. 1301 McKinney Suite 1100 Houston, Texas 77010 tel. 713 630 7300 fax. 713 630 7396 www.walterpmoore.com

SILICONE BUTT JOINT (JS-1)

In

G

W

2 H te w

R

100% Schematic Design Design Development

15 April 2014 1 August 2014

1 2

1 A402

8

- 0"

5'

- 0"

5'

5'

- 0"

- 0"

5'

T7

9 A451

10 4 A402

5'

- 6"

5'

A451 13 A451

DESIGN DEVELOPMENT

3 A402

5

2

1

0° 135.0

A422

T p P fo re re co

- 0" 5'

A452

D

A402

A402

5'

- 0"

This drawing is not for construction or bidding purposes. Pickard Chilton has prepared this drawing solely to communicate architectural design intent.

Pickard Chilton is not the Architect of Record and therefore is not responsible for preparing construction documents of for technical, legal, or constructionrelated matters. Pickard Chilton is not responsible for nor does it make any representation concerning dimensional accuracy of this drawing or coordination of this drawing with documents prepared by other disciplines.

12

- 6"

2 A451

7" 3"

NOT FOR CONSTRUCTION 5'

- 0"

A

N

PODIUM ENCLOSURE - WEST - BASE

T N

11"

4 A453 5' - 0"

5' - 0"

5' - 0"

5' - 0"

6 Plan

5' - 0"

1/2" = 1'-0"

PROJECT: 1401 DATE: 1 August 2014 SCALE: 1/2" = 1'-0"

1 A443

3 Enlarged Plan 1/2" = 1'-0"

PARKING PODIUM CURTAIN WALL

The curtain wall for the parking podium uses precast concrete fins to add substantiality to the bass of the building. It is paired with metal screen which act as a framework for vines and vegetation to grow and provide a lush visual and passive cooling for the parking levels.

P D S

17 A451

SHEET NUMBER:

TB

S

A422

A

Copyright 2014 by Pickard Chilton. All rights reserved.

C

TOWER CURTAIN WALL

The tower curtain wall uses an alternating rhythm of long and short frosted glass fins to articulate the module and cast shadows across the facade, giving depth and richness to the tower as a whole.

ARCHITECTURE | AMEGY BANK, TX | 17

MN CAPITOL OFFICE BUILDING PICKARD CHILTON ARCHITECTS

ST. PAUL, MN

Sited directly northwest of Cass Gilbert’s historic 1905 State Capitol Building, the new Minnesota Senate Building has been designed to be a landmark in its own right, architecturally distinctive and worthy of the twenty-first century, purposefully facilitating greater interaction and communication with the citizens of Minnesota.

Arcing along the radius of the Capitol’s dome, the building’s massing gently curves to maximize views back to the Capitol.

The building is considered an extension of the Capitol with offices and support space for state senators and their staff, three large public hearing rooms, and several departments supporting the legislative process.

All work is the property of and was a collaborative effort of Pickard Chilton Architects.

TYPICAL TOWER FLOOR PLATE

TYPICAL TOWER FLOOR PLATE

1

2

3

4

SHERBURNE AVENUE

185'-0"

5

195'-0"

6

7

200'-0"

Loading EL. 190'

1

A

Origin Point

A

EXIT EL. 200.33'

MINNESOTA CAPITOL OFFICE BUILDING

A EXIT EL. 184'

200'-0"

PARK STREET

SECONDARY ENTRANCE EL. 200.33'

TYPICAL TOWER FLOOR PLATE

SECONDARY ENTRANCE EL. 200.33'

STATE PROJECT NO. 02CP0036

B

195'-0 1/4"

CEDAR ST

EXIT EL. 183' B

CAPITOL BOULEVARD

EXIT EL. 200.33'

C

LANDSCAPED PLAZA REFER TO LANDSCAPE DWGS

C

VEHICULAR ENTRY EL. 188.5'

Exit EL. 188'

PRIMARY ENTRANCE EL. 181.66' EXIT EL. 187'

190'-0"

185'-0" 180'-0"

D

D

This document may be an electronic file or may be printed from an electronic file provided to the user. It is the sole responsibility of the user to ensure that the content and quality is consistent with the content and quality of the paper documents on file at BWBR. I hereby certify that this plan, specification or report was prepared by me or under my direct supervision and that I am a duly Licensed Architect under the laws of the State of Minnesota.

UNIVERSITY AVENUE W

Name Date 7/29/2014

Reg. No.

Issued For Item

E

Date

75% Schematic Design

11/22/13

100% Schematic Design

12/20/13

Schematic Design

05/21/14

100% Design Development

07/29/14

E

N R FO TIO T O UC LY N TR N O S N CE N CO RE FE RE R FO F

F

This Sheet may be a Reduced Copy.

MLK BOULEVARD

The bar above is 1" long on a Full Size Sheet.

Drawing Scales apply to Full Size Sheets.

This drawing is not for construction or bidding purposes.

Pickard Chilton Architects, Inc. has prepared this drawing solely to communicate architectural design intent. Pickard Chilton Architects, Inc. is not the Architect of Record and therefore is not responsible for preparing construction documents of for technical, legal, or construction-related matters. Pickard Chilton Architects, Inc. is not responsible for nor does it make any representation concerning dimensional accuracy of this drawing or coordination of this drawing with documents prepared by other disciplines.

GENERAL NOTES:

STATE CAPITOL

1. STRUCTURE SHOWN FOR REFERENCE ONLY; REFER TO STRUCTURAL DRAWINGS FOR MORE INFORMATION.

G

G

2. INTERIORS SHOWN FOR REFERENCE ONLY; REFER TO INTERIORS DRAWINGS FOR MORE INFORMATION. 3. SITE AND TOPOGRAPHY SHOWN FOR REFERENCE ONLY; REFER TO CIVIL AND LANDSCAPE DRAWINGS FOR MORE INFORMATION.

Comm. No.

Drawn

1311

PCA

Sheet Title

ARCHITECTURAL SITE PLAN H

H

1

200.AS

Site Plan 1" = 30'-0"

1

1" = 30'-0" Sheet No.

Copyright Pickard Chilton

7/29/2014 9:14:29 AM

TYPICAL TOWER FLOOR PLATE 2

3

4

5

6

7

200.AS

ARCHITECTURE | CAPITOL OFFICE BUILDING, MN | 19

1

2

3

4

5

6

7

A

A

MINN CA OFFICE

STATE PROJE

B

B

C

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This document may b be printed from an e the user. It is the sol to ensure that the co consistent with the co paper documents on

I hereby certify that this plan, spe by me or under my direct superv Licensed Architect under the law

Name Date 7/29/2014 Issued For Item

100% Design Develo

E

E

F T O N T S N CO F RE R FO F

F

The bar above is 1" Drawing Scales app

This drawing is not for c Pickard Chilton Architec solely to communicate a Chilton Architects, Inc. i therefore is not responsi documents of for techni matters. Pickard Chilton nor does it make any rep accuracy of this drawing documents prepared by

GENERAL NOTES:

1. STRUCTURE SHOW TO STRUCTURAL DRA INFORMATION. G

G

2. INTERIORS SHOWN TO INTERIORS DRAW

3. SITE AND TOPOGRA ONLY; REFER TO CIVIL FOR MORE INFORMA

Comm. No. 1311 Sheet Title

INTERIOR AXONOM H

H

Copyright Pickard Chilton

7/29/2014 9:06:18 AM

Sheet No.

1

3

2

4

3

5

4

6

5

600

7

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20 | ARCHITECTURE | CAPITOL OFFICE BUILDING, MN

/2014 10:45:39 AM

1

2

MARRIAGE OF HISTORIC AND MODERN The glass curtain wall and facade design for this iconic building is based on the golden ratio, just like the state capitol and many other historic buildings. The connection to the capitol building is not only visual; there is a tunnel below the street that connects the capitol to the ground floor of the Capitol Office Building, underneath the elevated plaza facing the Capitol.

ARCHITECTURE | CAPITOL OFFICE BUILDING, MN | 21

GA TECH - TECHNOLOGY SQUARE PICKARD CHILTON ARCHITECTS

ATLANTA, GA

Technology Square will inspire and realize a sustainable, innovative ecosystem that integrates Technology Square with the new interdisciplinary research and economic development potential.

Sited across the bridge from GA TECH proper, this tower will encourage a collaborative community; linking students interested in tech and software with research labs and companies that can train them and facilitate their potential. This relationship is further strengthened by the High Performance Computing Center, which occupies the historic Crum and Forster building connected to the tower on the first four floors.

All work is the property of and was a collaborative effort of Pickard Chilton Architects.

Building Section and Program Office

Office

669,849669,849 gsfgsf

618,848 rsf

618,848 rsf

99,564 gsf

Office

14’-8” F to F

21

66,568 rsf 294,982 gsf

17 16

23,082 gsf

1,087,477 gsf

Levels 12-22

14 Office

14’-8” F to F 26,100 x 14 = 365,400 gsf (24,304 rsf)

14

12

23,082 rsf

11 10 9

294,982 gsf

Twin Elevator 786 Options: Lobby Entry Stalls Parking

The historic building and the new glass

6

2 Office

Low-rise

14’-8” F to F 25,250 x 2 = 50,500 gsf

Levels 1-11

5

tower are joined by an all glass lobby at

4

ground level, allowing floods of natural

3

light into the space.

1

2

1,087,477 gsf

P5

708,498 rsf

Overall Total

P4 P3

14’-8” F to F 34,987 + (36,740 x 4) = 181,947 gsf

G LL1

28

20

27

25’-0” F to F 13,108 gsf

7 Parking

P1 - 11’-0” F to F P2-P7 - 10’-0” F to F

3 HPCC

Ground

19’-0” F to F

Mechanical

14,906 gsf

52,428 gsf 20’-0” F to F

25

17

24

16

23

15

22

19,564 gsf

21

13

20

12

19

19

11

18

10

17

9

17

14 Office

14’-8” F to F 26,100 x 14 = 365,400 gsf (24,304 rsf)

14 13

M HPPC 3

12

Mechanical

11

16

8

15

7

14

6

13

5

12

4

11

3

10

2

9

1

8

P7

7

P6

20’-0” F to F 71,578 gsf

20’-0” F to F 14,878 gsf

26

18

20

15 Mechanical

P2 P1

29

14

16

5 Enlarged Office

P7 P6

14’-8” F to F

30

21

18

8 7

Office

22 21

13

708,498 rsf

Retail

High-rise

M 22

19

8,186 gsf

18

786 Stalls

Overall Total

Mechanical

M

19

15

CONTEXT MODEL

19,564 gsf

20

23,082 rsf

Parking

8,186 gsf

22

gsf 99,56423,082 gsf

Retail

Mechanical

M

66,568 rsf

HPCC

HPCC

EL 48

EL 487’-0”

6

P5

5

P4

4

P3

3

P2

2

HPPC 2

P1

1

HPPC 1

G

G

LL1

LL1

10 9

T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER

PICKAR D CH I LTON

7

20’

HIGHER ENTRY

HIGHER ENTRY

LOWER ENTRY

6

20’

10’

20’

10’

LOWER ENTRY

20’

HIGHER ENTRY

20’

20’

8

LOWER ENTRY

SKYLIGHT GAIN E LLOBBY E V AT O R L O B B I&E SOLAR S:

paces: GCrum and Forster ROUND LEVEL

E L E V AT O R L O B B I E S : LEVEL -0.5 LEVEL +1.5

LEVEL 2

2 Office

14’-8” F to F 25,250 x 2 = 50,500 gsf

5

E L E V AT O R L O B B I E S :

4

GROUND LEVEL LEVEL -1

3 2

5 Enlarged Office

14’-8” F to F 34,987 + (36,740 x 4) = 181,947 gsf

1 P7 P6 T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER

PICKAR D CH I LTON

APRIL 17, 2015

60

P5 P4 P3

7 Parking

P1 - 11’-0” F to F P2-P7 - 10’-0” F to F

P2 P1 Crum and Forster Entrance

G LL1

DATA CENTER & HISTORIC ENTRY T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER

PICKAR D CH I LTON

APRIL 17, 2015

14

Ground

19’-0” F to F

Mechanical

14,906 gsf

52,428 gsf 20’-0” F to F

ARCHITECTURE | TECHNOLOGY SQUARE, GA | 23

APRIL 17

HPCC: Level 2

Public Spaces: Ground Floor GROUND FLOOR PROGRAM

DATA CENTER AND PARKING

eet

tr eS

h St et

re

st

We

4t

tre

ch Pea

Ar ad

te

ms Pl ac

eet

e ing

Spr

Str

T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER

24 | ARCHITECTURE | TECHNOLOGY SQUARE, GA

PICKAR D CH I LTON

APRIL 17, 2015

12

T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER

PICKAR D CH I LTON

APRIL 17, 2015

Workspace: Tower Highrise

Workspace: Enlarged Floor Plans LOW RISE AND ATRIUM

HIGH RISE AND TERRACE

T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER

PICKAR D CH I LTON

APRIL 17, 2015

34

T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER

PICKAR D CH I LTON

APRIL 17, 2015

ARCHITECTURE | TECHNOLOGY SQUARE, GA | 25

1144 FIFTEENTH PICKARD CHILTON ARCHITECTS

DENVER, CO

1144 Fifteenth is the first Class-A commercial office tower to be built in Denver in 30 years. The tower’s design harkens to the rocky mountains and fritted spandrel glass at the crown resembles the mountain’s frosty tops. The core separates two sculpted massings which “dance” with each other and offer gracious lease depths. This tower offers not only a site-sensitive and contextual design, it is a LEED Gold Certified workplace with a state-of-the-art air filtration system and under floor air.

All work is the property of and was a collaborative effort of Pickard Chilton Architects.

10/15/2014 10:07:43 AM

LEVEL 1

1/8" = 1'-0"

A3.0

1 KHA PROJECT NO.

DRAWING NUMBER

LEVEL 1 DRAWING TITLE CAD FILENAME

NO. 1

DATE

ISSUE

15 OCT 14

DESIGN DEVELOPMENT

EXISTING FOUR SEASONS E 5' - 8" 8"

ENTER 9%

14%

10%

12' - 4"

EXIT

DN TO LEVEL B1

22' - 0"

DOWN FROM LEVEL 2 D

ENTER

UP FROM LEVEL B1

EXIT

+5217.55'

A5.02

18' - 7 5/8"

1

UP TO LEVEL 3

17% +5217.55' 11 A7.01

UP

7' - 8 3/4"

S

STAIR 3 P

DN

DN STAIR

P

+5216.65'

11" 4' - 6"

4' - 5"

9' - 6"

FIRE ENTRY

2' - 7"

    

1

DN

PRELIMINARY

13' - 0"

+5214.85' 151

5' - 8 5/8"

11 A7.03

UP

S

8' - 0 3/8"

43' - 4"

149 156

7' - 8" 9' - 6"

TEL-2

C

TEL-1 MAIL ROOM

LR-4 HR-4

SERVICE ELEVATOR LOBBY

Lighting Design Consultant PE-3

P

6' - 8"

S

16 A4.01

A5.01 LR-3

DOCK MASTER

3' - 4"

STAIR 4

HR-7 HR-3

16 A4.02

UP

LOW-RISE ELEVATOR LOBBY

SECURITY BREAK ROOM

SE-2

23' - 10"

Acoustical Consultant

PE-2

LR-6

HR-6

HIGH-RISE ELEVATOR LOBBY

Building Management & Controls, Building Secu

36' - 4"

LR-2

Graphic Design & Wayfinding

RETAIL 15.75 (0,0') FINISH FLOOR

SE-1

1

145' - 0"

Snow, Ice, Wind Consultant HR-2

Exterior Building Maintenance Consultant

DN UP

PE-1

FCC +5217.85'

LR-1

152

STAIR 2

LR-5

SERVER ROOM

Curtain Wall Consultant

HR-5 HR-1

LEED Consultant

LOADING 2' - 8 5/8"

B Vertical Transportation Consultant 153 UP

DN

Parking Consultant Geotechnical Consultant 1 A3.61

A5.04 1

Civil Engineer Landscape Architect 43' - 4"

LOBBY 15.75 (0,0') FINISH FLOOR

RETAIL 14.09 (-1.51') FINISH FLOOR

Mechanical, Electrical, Plumbing, Fire Protecti Structural Engineer Architect of Record Design Architect Owner

A 1 A4.01 A5.05

A5.01

1 9' - 11"

A5.07

16

30' - 0"

30' - 0"

30' - 0"

A5.08

1

30' - 0"

30' - 0"

30' - 0"

1

30' - 0"

10' - 0"

25' - 0"

254' - 11"

0.2

0.5

1

2

3

4

5

6

7

8

9

8.3

1144 FIFTEENTH

9

8

7

6

5

4

3

2

1

LEVEL 15 EL 173' - 0"

P I C K AR D CH I L T ON

2

6

19' - 0"

A407 2 A416

PODIUM 8 EL 140' - 0"

24' - 0"

14' - 0"

LEVEL 14 EL 154' - 0"

14' - 0"

Design Consultant

Pickard Chilton Architects, Inc.

14' - 0"

Structural and Civil Engineer

Martin/Martin, Inc.

Mechanical, Electrical, Plumbing, Fire Proection

M-E Engineers, Inc.

10' - 0"

Landscape Architects

10' - 0"

LEVEL 10 EL 100' - 0"

Design Workshop Geotechnical Consultant

CTL Thompson, Inc. LEVEL 9 EL 90' - 0"

Parking Consultant

10' - 0"

PODIUM 4 EL 84' - 0"

HWA Parking LEVEL 8 EL 80' - 0"

10' - 0"

14' - 0"

A464

LEVEL 11 EL 110' - 0"

10' - 0"

14' - 0" 14' - 0"

PODIUM 5 EL 98' - 0"

2

Kendall/Heaton Associates, Inc.

10' - 0"

PODIUM 6 EL 112' - 0"

SIM

Architect of Record

LEVEL 12 EL 120' - 0"

1

2

Owner / Development Manager

Hines

LEVEL 13 EL 130' - 0" PODIUM 7 EL 126' - 0"

A441

1144 Fifteenth Street Denver, CO

14' - 0"

PODIUM 3 EL 70' - 0"

LEVEL 7 EL 70' - 0"

Vertical Transportation Consultant

Person/Hahn Assocaites, Inc. LEED Consultant

Architectural Energy Corporation Curtain Wall Consultant

20' - 0"

Curtainwall Design & Consulting Inc.

PODIUM 2 EL 56' - 0"

14' - 0"

Exterior Building Maintenance Consultant

4

Snow, Ice, Wind Consultant

Rowan Williams Davies & Irwin, Inc. Building Management & Controls, Building Security

1

HMA Consulting, Inc. LEVEL 3 EL 30' - 0"

Acoustical Consultant

Shen Milsom & Wilke, LLC

15' - 0"

5

Olympique

LEVEL 4 EL 40' - 0"

10' - 0"

PODIUM 1 EL 42' - 0"

10' - 0"

LEVEL 5 EL 50' - 0"

Graphic Design & Wayfinding

D|G Studios LEVEL 2 EL 15' - 0"

Lighting Design Consultant

Lighting Design Alliance

15' - 0"

1 2

REVISIONS

A321 LEVEL 1 EL 0"

2

DD ISSUE

10/15/2014

2 A452

ELEVATION NOTES DESIGN DEVELOPMENT

1. Prefinished Aluminum Panel Canopy

This drawing is not for construction or bidding purposes. Pickard Chilton

ARCHITECTURE | 1144 FIFTEENTH, CO | 27

1144 F

0.2

0.5

1

2

3

4

5

6

7

8

8.3

9

254' - 11" 9' - 11"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

16

30' - 0"

10' - 0"

25' - 0"

1

A5.01

A5.17 1 A4.01

A

Des

Arch

Struc

Mechanical, Electric

43' - 4"

OPEN TO COOLING TOWER BELOW COOLING TOWER

Lands

Ci 1 A3.92

1

Geotec

A5.15

Park 30' - 0"

Vertical Tran

B

FAN ROOM FAN ROOM

LEE

FAN ROOM

Curtain

Exterior Building

STORAGE P

HIGH-RISE ELEVATOR MECH ROOM

MECH

Snow, Ice 36' - 4"

16 A4.02

S

SERVICE ELEVATOR MECH ROOM

Building Managemen

Acous 16 A4.01

FAN ROOM

145' - 0"

FAN ROOM

1 A5.01

DN

Graphic D

Lighting D

STAIR 2 C

PRE

    

1

43' - 4"

A5.13

22' - 0"

D

E

1

15 OCT 14

NO.

DES

DATE

CAD FILENAME

1144 F

DRAWING TITLE

1 A4.02

10/14/2014 6:31:15 PM

LEV

KHA PROJECT NO.

LEVEL 42 0.2

0.5

1

2

3

4

1/8" = 1'-0"

5

6

7

8

8.3

1

9

254' - 11" 9' - 11"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

16

30' - 0"

10' - 0"

25' - 0"

1

A5.01

A5.17

1 A4.01

A

Des

Arch

Struc

43' - 4"

Mechanical, Electric

Lands

Ci

Geotec 1 A5.15

Park

Vertical Tran

B

STAIR 3

LEE

P

DN HR-5

ELEC

MECH 1

S

Exterior Building HR-6

HR-2

P 1 A3.80

Building Managemen

HR-3

S DN

16 A4.01

Acous

UP

STOR

HR-4 DN

T

STAIR 2

AOR

STOR

STAIR 1

145' - 0"

MECH 2

UP

E

SERVICE ELEVATOR LOBBY TEL-2

Snow, Ice

RA

36' - 4"

O A

HIGH-RISE ELEVATOR LOBBY HR-7

P

16 A4.02

S

SE-1

JAN

Curtain

MEN EMR SE-2

O A RA 1 A5.01

Graphic D

Lighting D

TEL-1

WOMEN

HR-1

C

PRE

    

1

43' - 4"

A5.13

22' - 0"

D

E

1

15 OCT 14

NO.

DES

DATE

CAD FILENAME

1144 F

DRAWING TITLE

1 A4.02

10/14/2014 6:31:05 PM

LEV

KHA PROJECT NO.

LEVEL 39 0.2

0.5

1

2

3

4

1/8" = 1'-0"

5

6

7

8

8.3

1

9

254' - 11" 9' - 11"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

10' - 0"

25' - 0"

16 A5.01 1 A4.01

A

Des

Archi

Struc

43' - 4"

Mechanical, Electric

Lands

Civ 1 A3.75

Geotech

Parkin

TEL-2

Vertical Trans

B

STAIR 3

UP

STOR LR-1

LR-5

LEED

HR-5

ELEC

HR-1 MECH 1

Curtain

S

P

DN

Exterior Building

EMR S

HR-6

P

HR-2 O A

P

16 A4.01

E

DN

JAN

Graphic De

HR-4

Lighting D

T

STAIR 2

AOR

Acoust

MEN DN UP

105

LR-4

Building Management

HR-3 S

SERVICE ELEVATOR LOBBY MECH 2

Snow, Ice

RA

WOMEN HR-7 SE-1

145' - 0"

16 A4.02

SE-2

LR-3

36' - 4"

LR-6

LOW-RISE ELEVATOR LOBBY O A

UP

STAIR 1

TEL-1

LR-2

RA 1 A5.01

C

PREL

43' - 4"

    

22' - 0"

D

E

1

15 OCT 14

NO.

DESI

DATE

CAD FILENAME

1144 F

DRAWING TITLE

1 A4.02

10/14/2014 6:30:21 PM

LEVE

KHA PROJECT NO.

LEVEL 15-25 0.2

0.5

1

2

3

4

1/8" = 1'-0"

5

6

7

8

8.3

1

9

260' - 0" 5' - 1"

9' - 11"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

1 A5.05

30' - 0"

30' - 0"

30' - 0"

10' - 0"

25' - 0"

16

1

1

A5.01

A5.07

A5.08

1 A4.01

A

Des

Arch - 5"

90°

5' 8 7/16"

Struc

75° 12' -

3' -

11 1/4"

8 1/2"

Lands

DN

1

Mechanical, Electric

43' - 4"

2' - 11 1/2"

14'

UP

Civ

A5.04

Geotech 1 A3.65

Parki

Vertical Tran

B

LEE

STORAGE

UP

PE-1

S

16 A4.02

DN

UP

HIGH-RISE ELEVATOR SHAFT

PARKING PARKING CROSSOVER CROSSOVER

Exterior Building

PARKING ELEVATOR LOBBY

STAIR 4

HIGH-RISE ELEVATOR SHAFT

SE-2

LOW-RISE ELEVATOR SHAFT

1

Snow, Ice 36' - 4"

STAIR 3 DN

Curtain

P

TEL-2

ELEC/EMR LOW-RISE ELEVATOR SHAFT

PE-2

Building Managemen

SE-1

S

16 A4.01

DN

PE-3

145' - 0"

UP

P

STORAGE

P

Acous

SERVICE ELEVATOR LOBBY

P

UP

S

DN

STORAGE

S

A5.01

Graphic De

STAIR 1 STAIR 2

Lighting D

TEL-1

C

PRE

MOTORCYCLE PARKING

43' - 4"

    

UP

DN 1

3' - 11"

5' - 9"

362

4' - 10"

A5.02

D 5' - 2"

STORAGE

22' - 0"

20' - 4"

14' - 0"

12' - 8"

8' - 4"

E EXISTING FOUR SEASONS 1

NO.

15 OCT 14

DES

DATE

CAD FILENAME

DRAWING TITLE

1 A4.02

LEVEL 0/15/2014 10:07:51 AM

28 | ARCHITECTURE | 1144 FIFTEENTH, CO

KHA PROJECT NO.

LEVEL 5,7,9,11

1/8" = 1'-0"

1

0.2

5' - 1"

0.5

1

30' - 0"

2

3

30' - 0"

4

30' - 0"

5

30' - 0"

6

30' - 0"

7

30' - 0"

8

30' - 0"

10' - 0"

8.3

9

A

B

43' - 4"

25' - 0"

C

36' - 4"

43' - 4"

0.2

E

D

22' - 0"

5' - 1"

9' - 11"

0.5

1

2

30' - 0"

LEVEL 40 OFFICE MEZZANINE 526' -Fire 0" Protection Mechanical, Electrical, Plumbing,

FOUR SEASONS

1

NO.

15 OCT 14

DATE

24' - 0" 10' - 0" 10' - 0"

10' - 0" 10' - 0"

10' - 0" 10' - 0"

10' - 0"

1 A5.06

LEVEL 14 154' - 0" LEVEL 13 130' - 0" LEVEL 12 120' - 0" LEVEL 11 110' - 0" LEVEL 10 100' - 0" LEVEL 9 90' - 0" LEVEL 8 80' - 0" LEVEL 7 70' - 0" LEVEL 6 60' - 0" LEVEL 5 50' - 0" LEVEL 4 40' - 0" LEVEL 3 30' - 0" LEVEL 2 15' - 0" LEVEL 1 0' - 0" LEVEL B1 DESIGN DEVELOPMENT -12' - 0" LEVEL B2 ISSUE -22' - 0"

10' - 0"

1 A5.10

10' - 0"

10' - 0" 10' - 0" 10' - 0" 10' - 0" 10' - 0" 10' - 0"

1 A5.03

LEVEL 14 154' - 0" LEVEL 13 130' - 0" LEVEL 12 120' - 0" LEVEL 11 110' - 0" LEVEL 10 100' - 0" LEVEL 9 90' - 0" LEVEL 8 80' - 0" LEVEL 7 70' - 0" LEVEL 6 60' - 0" LEVEL 5 50' - 0" LEVEL 4 40' - 0" LEVEL 3 30' - 0" LEVEL 2 15' - 0" LEVEL 1 0' - 0" LEVEL B1 -12' - 0" LEVEL B2 -22' - 0"

LEVEL 39 509' - 0" LEVEL 38 495' - 0" Civil Engineer LEVEL 37 481' - 0" 36 GeotechnicalLEVEL Consultant 467' - 0" LEVEL 35 Parking Consultant 453' - 0" LEVEL 34 439' - 0" Vertical Transportation Consultant LEVEL 33 425' - 0" LEED Consultant LEVEL 32 411' - 0" Curtain Wall LEVEL Consultant31 397' - 0" LEVEL 30 Exterior Building Maintenance Consultant 383' - 0" LEVEL 29 369' - 0" Snow, Ice, Wind Consultant LEVEL 28 355' - 0" Building Management & Controls, Building Security LEVEL 27 341' - 0" LEVEL 26 Acoustical Consultant 327' - 0" LEVEL 25 Graphic Design & Wayfinding 313' - 0" LEVEL 24 Lighting Design Consultant 299' - 0" LEVEL 23 285' - 0" LEVEL 22 271' - 0" LEVEL 21 257' - 0" LEVEL 20 243' - 0" PRELIMINARY LEVEL 19 229' - 0"  LEVEL 18  215' - 0"   LEVEL 17  201' - 0" LEVEL 16 187' - 0" LEVEL 15 173' - 0" Landscape Architect

10' - 0"

LEVEL 39 509' - 0" LEVEL 38 495' - 0" LEVEL 37 481' - 0" LEVEL 36 467' - 0" LEVEL 35 453' - 0" LEVEL 34 439' - 0" LEVEL 33 425' - 0" LEVEL 32 411' - 0" LEVEL 31 397' - 0" LEVEL 30 383' - 0" LEVEL 29 369' - 0" LEVEL 28 355' - 0" LEVEL 27 341' - 0" LEVEL 26 327' - 0" LEVEL 25 313' - 0" LEVEL 24 299' - 0" LEVEL 23 285' - 0" LEVEL 22 271' - 0" LEVEL 21 257' - 0" LEVEL 20 243' - 0" LEVEL 19 229' - 0" LEVEL 18 215' - 0" LEVEL 17 201' - 0" LEVEL 16 187' - 0" LEVEL 15 173' - 0"

1 A5.09

35' - 0"

LEVEL 41 MECHANICAL 542' - 0"

Structural Engineer

LEVEL 40 OFFICE MEZZANINE 526' - 0"

1 A5.12

19' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 17' - 0" 16' - 0" 13' - 0"12' - 6"

LEVEL 42 555' - 0"

Architect of Record

LEVEL 41 MECHANICAL 542' - 0"

10' - 0" 10' - 0" 10' - 0" 12' - 0" 15' - 0" 15' - 0" 10' - 0"

Design Architect

LEVEL 42 555' - 0"

12' - 0" 15' - 0" 15' - 0"

1 A5.14

TOP OF CURTAINWALL 602' - 6" Owner ROOF UPPER 567' - 6"

1 A5.16

10' - 0"

TOP OF CURTAINWALL 602' - 6" UPPER ROOF 567' - 6"

10' - 0"

24' - 0"

19' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 17' - 0" 16' - 0" 13' - 0"12' - 6"

35' - 0"

9' - 11"

CAD FILENAME

DRAWING TITLE

ARCHITECTURE | 1144 FIFTEENTH, CO | 29

30' - 0"

30 |

URBAN DESIGN 33 ROCINHA - URBAN INTERVENTION Thesis Project - Rio de Janeiro, Brazil

39 RESEARCH AND MAPPING

Studies and Competition Entries - Various Cities

41 REANIMATE THE RUINS - DETROIT Parallel Projections LLC - Select Entries

ROCINHA URBAN INTERVENTION EDUCATIONAL - SENIOR THESIS

RIO DE JANEIRO

This informal settlement, first occupied by a small community of farmers in the 1930’s, developed swiftly and organically to its current state where the population is estimated to be 150,000 people.

Most residents come to Rocinha for work, usually in trade. Independent stores and businesses are part of every day life and are often operated from their homes or off the street. Rocinha hosts a dynamic range of income levels, but the large majority of it’s residents live in poverty with a minimum monthly wage equivalent to $214/mo.

Despite lacking many of the basic amenities necessary for a healthy standard of living, life in Rocinha is very vibrant and most people enjoy the lives they are building for themselves. Communities are tight knit and celebrations take place throughout the streets quite often.

one

two

33.42%

one

PRECEDENT RESEARCH

two

33.42%

three

28.66%

four

16.27%

11.14%

75%

LOCATION AND DENSITY

100%

four

75%11.14%

10.51%

100%

100%

50%

number of people own

per

household other

INCOME AND EMPLOYMENT rent

82.68%

household

per

16.27%

75%

10.51%

FAMILY AND HOUSEHOLD number of people

three

28.66%

100%

<two

dependent

four

three

22.40%

0.30%

2.80%

14.21%

26.20%

<2 3

<six

4

12.30%

16.00%

23.10%

5

<2

<two

three

22.40%

four

26.20%

<six

25%

4

12.30%

16.00%

23.10%

>6

3

50%

88%75%

100% 88% open seven days a week

5 >6

25%

50%

children type

BRAZIL 22 per/sq.km

RIO DE JANERIO 7353 per/sq.km

22

7353

pers/sq.km

property domicile own

R

100%

14.21%

75%

14.21%

82.68%

82.68%

rent 14.21%

PROPERTY OWNERSHIP

D

2.80%

75%

O 0.30%

rent

82.68%

100%

income

and

employment

income

and

employment

100%

100% 50%

Rocinha

one

two

33.42%

33,083 pers/sq.km

pers/sq.km

of

O

No Kids 75%

37% open twelve hours a day

37%

type

property domicile Have Kids

ROCINHA 33,083 per/sq.km

Rio de Janeiro

100%

household

own

100%

Brazil

of

per

75%

three

28.66%

four

16.27%

11.14%

75%

50%

own 82.68%

own

100%

82.68%

per

88% four

three

22.40%

26.20%

25%

23.10%

50%

other 0.30%

88%

household

88% open seven days a week

150,000 37% unofficial count

<2

<two

2.80%

14.21%

0.30%

2.80%

14.21%

dependent

rent

other

dependent

rent

number of people

10.51%

3

<six

16.00%

88% open seven days a week

75%

4

12.30%

37% open twelve hours a day

5 >6

100% 37% open twelve hours a day

37%

O

82.68%

R D

14.21% 2.80%

O 0.30%

type of property domicile 97,945 O R

D

82.68%

14.21%

2.80%

own

O 0.30%

rent

82.68%

income

and

employment

14.21%

75%

100%

100%

33,790

50%

4,513

2020

0.30%

2000

2.80%

14.21%

2010

other

dependent

rent

1990

1980

82.68%

1970

1960

1950

1940

1930

1920

own

88%

82.68%

R D

14.21%

income

2.80%

O 0.30%

1927

1971

1980

1986

Formation of a community of farmers employed in Gavea.

Brazil hosts Olympics

Brazil hosts World Cup.

employment

1993

386 shacks occupy the area.

and

2004

1938 1933

O

2014

37% open twelve hours a day

37%

Main road in Gavea is paved.

2016

88% open seven days a week

Rocinha occupied by 1300 policemen following internal drug dispute. 12 civilians killed.

Rocinha considered an administrative region

Rocinha adopted as a legitimate neighborhood.

Rocinha expands; considered largest Favela in Latin America

Inauguration of the Tunnel Dios Irmanos

URBAN DESIGN | ROCINHA | 33

BREAKING INTO ZONES A FIRST STEP TO HIERARCHY

In this proposal, the location of each public space is based on the characteristics unique to each zone: proximity to Infrastructure such as the cable cars, distance from Commercial activity currently only lining Estrada de Gavea, or using Topography to frame views across the favela in areas where linear plazas are required to follow contour lines. Public Plaza’s are tailored to these qualities and the resulting network connects each plaza, creating a very relevant plan that could improve the community on several different levels.

I C T ZONE 5

B R E A K I N G I N TO Z O N E S

I C T ZONE 1

D I S T R I B U T I N G S PA C E

I C T ZONE 4

I C T ZONE 2 I C T ZONE 3

34 | URBAN DESIGN | ROCINHA

Since vehicular mobility is so restricted in Rocinha, this hierarchy works to make Rocinha a very walk able city. Research indicates that the optimal preferred walking distance is 5 minutes, or 1/4 mile. The 5min walking radius is placed at the center of each main plaza and adjusted to consider Rocinha’s dramatic topography. This guide determines areas lacking relief space. Connecting corridors are chosen according to existing circulation patterns. Smaller spaces are introduced to fill gaps that the walking radii don’t cover between main plazas.

NAVIGATION AND RELIEF INTRODUCING HIERARCHY

5 M I N WA L K I N G R A D I I FROM MAIN PLAZAS

To provide a more dynamic and ordered system for Rocinha, it is important that the destination spaces remain pure public space. This unfortunately means uprooting several families and clearing houses. In this case, however, the benefit out weighs the cost. To maintain personal and vocational connections, a series of small towers were placed at interval locations along the corridors connecting public spaces. This allows for a smaller footprint which can be repeated throughout the favela, providing housing for the residents displaced and maintaining proximity to their communities.

ADJUST RADII FOR TO P O G R A P H Y

C O R R I D O R A C T I VAT I O N CONNECTING CORRIDORS

R E S U LT I N G H I E R A R C H Y

URBAN DESIGN | ROCINHA | 35

PAIRING BUILDING AND PLAZA A NEW VISIBLE HIERARCHY POTENTIAL FORMATS

Currently all commercial activity exists along Estrada de Gavea, the main road through Rocinha. The farther from this main road, the less access residents have to these amenities.

CENTRIPETAL

FRAMING VIEWS

Addition of the main plazas offer the opportunity of commercial access to more residents. Termination of sight lines along the corridor determine placement of Resettlement Housing Towers.

Smaller public spaces are paired with the towers as an extension of the street, to provide relief along the corridor connecting Estrada de Gavea and the large Plaza.

36 | URBAN DESIGN | ROCINHA

STREET LEVEL PLAZA

URBAN DESIGN | ROCINHA | 37

RESEARCH AND MAPPING CITY OF KORASTA

LIEPAJA, LATVIA

KLAKSVIK, FAROE ISLANDS

CARACAS, VENEZUELA

URBAN DESIGN | RESEARCH AND MAPPING | 39

REANIMATE THE RUINS PARALLEL PROJECTIONS LLC - SELECT ENTRIES This LLC researches and facilitates theoretical competitions focused on socially sustainable design.

Our inaugural competition, aptly named Reanimate The Ruins, asked designers to propose new uses for the Packard Automotive Plant in Detroit, MI, while considering urban, architectural, and economic factors.

This competition received over 300 entries from 28 different countries and results were covered in several architecture publications. I had the privilege of presenting select entries to developers and city officials who could use these ideas as a catalyst for implementing real change.

40 | URBAN DESIGN | PARALLEL PROJECTIONS

A short list of 30 entries were reviewed by a carefully curated panel of judges spanning diverse disciplines including; Dan Kinkead - Director of Detroit Future Cities, Adam Modesitt Associate Architect at SHOP Architects, John Lauter Published Packard Historian, and Daniel Patera Associate Professor of Architecture at Detroit Mercy School of Architecture.

A catered Awards Gala was held, open to the public, to display the winners and short list finalists.

URBAN DESIGN | PARALLEL PROJECTIONS | 41

42 | URBAN DESIGN | PARALLEL PROJECTIONS

URBAN DESIGN | PARALLEL PROJECTIONS | 43

44 | URBAN DESIGN | PARALLEL PROJECTIONS

URBAN DESIGN | PARALLEL PROJECTIONS | 45

46 | URBAN DESIGN | PARALLEL PROJECTIONS

URBAN DESIGN | PARALLEL PROJECTIONS | 47

48 | URBAN DESIGN | PARALLEL PROJECTIONS

URBAN DESIGN | PARALLEL PROJECTIONS | 49

50 |

VISUALIZATION 53 CASA DE LA CIUDAD

Personal Visualization Project - Oaxaca, Mexico

59 BIGELOW CHAPEL - HGA ARCHITECTS Personal Visualization Project - New Brighton, MN

63 PARK & SHORE - STRATEGIC CAPITAL The Seventh Art - Newport, NJ

67 287 PARK AVENUE SOUTH - CLI INVESTMENTS The Seventh Art - New York, NY

75 520 PARK AVENUE - ZECKENDORF DEVELOPMENT The Seventh Art - New York, NY

CASA DE LA CIUDAD OAXACA CITY

OAXACA, MEXICO

In my 3rd year of school my eyes were opened to the beauty of Oaxaca Mexico, a UNESCO heritage site.

The focus of this study abroad was on public spaces and cultural typology, and began with a case study on a building of our choosing.

My selection, Casa de la Ciudad, is a cultural space and museum dedicated to promoting knowledge of Oaxaca and offer new interpretations of architectural research, restoration, and sustainable development within the city.

The drawings in this set were hand drawn and traced with ink on mylar. The renderings were a self initiated learning project using a combination of 3DsMax, SketchUp, and Vray.

VISUALIATION | CASA DE LA CIUDAD | 53

54 | VISUALIATION | CASA DE LA CIUDAD

VISUALIATION | CASA DE LA CIUDAD | 55

56 | VISUALIATION | CASA DE LA CIUDAD

VISUALIATION | CASA DE LA CIUDAD | 57

BIGELOW CHAPEL HGA ARCHITECTS

NEW BRIGHTON, MN

The Bigelow Chapel is a beautiful addition to the United Theological Seminary in New Brighton MN, designed by local firm HGA. This was a personal project I used to improve my modeling workflow in SketchUp and practice photo-realistic rendering using 3DsMax and Vray.

VISUALIZATION | BIGELOW CHAPEL | 59

VISUALIZATION | BIGELOW CHAPEL | 61

75 PARK LANE STRATEGIC CAPITAL

NEWPORT, NJ

75 Park Lane is the modern luxury tower component of a two building development in Newport, NJ, developed by Strategic Capital.

Branding work was done by The Seventh Art. I served as the Creative Director and Project Manager for this set of images.

Technical rendering work was done by Binyan in Australia.

VISUALIZATION | PARK & SHORE | 63

64 | VISUALIZATION | PARK & SHORE

VISUALIZATION | PARK & SHORE | 65

2 SHORE LANE STRATEGIC CAPITAL

NEWPORT, NJ

2 Shore Lane is the sister building to 75 Park Lane, also developed by Strategic Capital.

This building offers a modern spin on the warehouse lofts of TriBeCa and Brooklyn.

Branding work was done by The Seventh Art. I served as the Creative Director and Project Manager for this set of images.

Technical rendering work was done by Binyan in Australia.

VISUALIZATION | PARK & SHORE | 67

68 | VISUALIZATION | PARK & SHORE

VISUALIZATION | PARK & SHORE | 69

287 PARK AVENUE SOUTH CLI INVESTMENTS

NEW YORK, NY

This project brings modern luxury to a historic facade in Manhattanâ&#x20AC;&#x2122;s Flatiron district. This project will be developed by CLI Investments.

Branding work was done by The Seventh Art. I served as the Creative Director and Project Manager for this set of images. Technical rendering work was done by VDP Design in Barcelona.

VISUALIZATION | 287 PARK AVENUE SOUTH | 71

72 | VISUALIZATION | 287 PARK AVENUE SOUTH

VISUALIZATION | 287 PARK AVENUE SOUTH | 73

520 PARK AVENUE ZECKENDORF DEVELOPMENT

NEW YORK, NY

520 Park Avenue will be one of Manhattanâ&#x20AC;&#x2122;s premiere residential towers. Designed by Robert A.M. Stern Architects and developed by Zeckendorf Development.

Branding work was done by The Seventh Art. I served as the Creative Director and Project Manager for this set of images. Technical rendering work was done by VDP Design in Barcelona.

VISUALIZATION | 520 PARK AVENUE | 75

VISUALIZATION | 520 PARK AVENUE | 77

78 | VISUALIZATION | 520 PARK AVENUE

VISUALIZATION | 520 PARK AVENUE | 79

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