IO
KATHERIN EH O
N PORT G I S E Y D L FO L L
ABOUT ME
KATHERINE HOLLY INTERIOR DESIGNER
I am currently in my senior year at Ohio University working towards a BFA in interior design in the Interior Architecture Program. I have been interested in art and design since I was young, but started to develop more of a passion for it in high school, especially interior design and architecture. I grew up in Cincinnati, and have since enjoyed the small town of Athens, OH throughout college, but am excited to explore other lively cities. I enjoy hiking, documentries, hanging out at the lake, and learning about people. As a student I value my education and seek out challenges to grow and learn more about myself and the world around me. Being in the design feild I believe the environment we are in and the people we are around greatly influence our life. Just in the past year I have put in numberous hours of serving the poor and have developed an increasing interest in creating environments to ensure the dignity of all people. In the future I hope to use my degree to better the lives of the less fortunate and focus on the dignity of every person interacting with an interior space.
TABLE OF CONTENTS PROJECTS
-> JUDO DOJO -> HIDE-A-WAY HILLS CABIN -> SPATIAL SEQUENCING -> SERPENT MOUND VISITOR CENTER -> ALL SAINTS EPISCOPAL CHURCH -> LUMINAIRE DESIGN
CREATIVE WORK
CONCEPT
JUDO DOJO STABILIZED + EVADING The act of performing any judo move requires strategy and skill. One must be able to think ahead of the move of the next opponent and strategize their moves using the least amount of energy. They must be both stable in their stances and be quick at evading the opponent moves. The focus of this project was a study of a particular judo move and how the joints of the body play into these sequence of movements. I focused on the ankle joint and did research through both digital and physical model studies. WORD JOINT RESEARCH STABILIZED EVADING 1. to make stable, 1. to slip away steadfast or firm 2. to take refuge in 2. to hold steady escape or avoidance The ankle joint is a crucial part of any judo performance. Ankle strength is often stressed in teaching the basic actions of judo moves. This joint allows for a large range of motion in which the participant can extend, bend or rotate their ankle.
JOINT SEQUENCING
FINAL WOOD ANKLE JOINT SEQUENCE
ANKLE JOINT STUDY MODEL
GRADIENT MODEL SPECIES B
36 X 36 X 72 VOLUME
GRADIENT MODEL SPECIES A
EXTRACTIONS A, B, C
WOOD JOINT MODEL
WOOD MODEL ITERATIONS
EXTRACTION A
The wood joint study models were dimensioned and then created in Rhino to explore the process of digital iterations. Each joint model was alterated by either flipping, rotating or meshing. These iterations were then developed into building like structures to then be extracted and divided into sections.
SECTIONS: 01, 02, 03, 04
COMPOSITE SECTION 01 SCALE 3/16”=1’-0”
COMPOSITE SECTION 02 SCALE 3/16”=1’-0”
COMPOSITE SECTION 03 SCALE 3/16”=1’-0”
PROBLEM SOLUTION
The purpose of this project was to explore the relation of the flow of body movements to the flow of an interior space. In the practice of judo there is a system of movements that are combined in order to stabilize themselves and evade their opponent. Exploring these actions relating to time, movement and spatial surroundings allows for the opportunity to relate to the same problems of an interior space.
By studying the impact of a joint, in the art of judo practice, a connection can be made directly to the space this is performed in. As you move through a space the time, movement and feelings change through each program. By creating both physical and digital models to explore this I was able to gain a greater understanding of a space and how the movements of a certain practice can relate to the movements of an interior. By going through the process of developing a joint movement into iterations of a larger space I was able to develop a space that would not have originally been thought of without this process. This project also helped me to develop stronger model making skills and space planning in digital models.
COMPOSITE PLAN 01 SCALE 3/16”=1’-0”
N
PROBLEM
HIDE-A-WAY HILLS CABIN
BUBBLE DIAGRAM SPACE PLANNING
Scott and Nicole Thomas are a young, hard working couple living in Columbus, Ohio. They live an urban lifestyle as professionals and love being active. They have a passion for sustainability, healthy eating, and exercise often. Always being busy with work and other activities, they would like a break from the hustle and bustle of the city and purchase a cabin located in Hide-A-Way Hills. Their daily routinue consists of exercising, making breakfast, and working a hectic day. They unwind by cooking dinner together after work and they often purchase produce from their local farmer’s market while they enjoy their fast paced city life. A weekend home is much needed to feel more connected with each other and the nature around them.
SOLUTION
CONCEPT
The sense of natural lighting are an important aspect of this cabin design. As a couple living a healthy and sustainable life, neutral tones are used in color schemes often. There are also several sustainable concept designs incorporated into the plans. This allows for the Thomas’s to continue living an efficient and green lifestyle, even when not at home. Some simple designs that are sustainable are a green wall, that not only helps purify the air, but also provides herbs to be used for seasoning and solar panels on the roof.
This project really helped me fine tune my hand rendering skills as this entire project required drawing rather than digital work. While digital rendering and planning is prominent in our world today hand rendering is still very important to master and understand. Through this project I was also able to develop skill of meeting both the wants and needs of a client.
01 02
FLOOR PLAN 01
FLOOR PLAN 02
SECTION ELEVATION 02_WEST
EXTERIOR ELEVATION 02_WEST
SECTION ELEVATION 01_EAST
EXTERIOR ELEVATION 01_EAST
PERSPECTIVE_01
PERSPECTIVE_02
Spatial planning can be explored in several ways. One way to explore this concept is by generating a system of cutting and folding to create different spaces. By generating a system of cutting and folding squares of bristol paper to create a series of spaces that were then combined and created digitally which allowed for the examination of the possibility of spaces in an environment.
AXON RENDERING
SOLUTION
PROBLEM
SPATIAL SEQUENCING By creating physical models and constructing them digitally in Rhino I was able to explore spatial modeling in two ways. This lead to a better understanding of space and planning and how the flow of a space can be easily manipulated.
PROCESS DIAGRAMS
FLOOR PLAN_01
LONGITUDINAL SECTION
FLOOR PLAN_02
CROSS SECTION
PROBLEM
These ancient burial mounds not only serve as space to commemerate the deceased, but also serves as sacred ceremonial grounds. A visitor center is needed to capture the significance of this historic site as well as provide information about the mounds and their purpose. In addition to this information center, viewing decks are crucial for the visitor to experience the site from all different views.
HISTORY
SERPENT MOUND VISITOR CENTER
Serpent Mound is known as the largest surviving ancient animal effigy mound and was created by the Native American people known as the Adena Tribe. Not only was this site used for burial mounds, but it also suggests it is the site of sacred ceremony. In addition, different parts of the serpent are staked out as the location to view different sun solstices. For example, the head aligns with the direction of the setting summer solstice sun.
SERPENT MOUND PHOTO COLLAGE
AXONMETRIC DRAWING_A
AXONMETRIC DRAWING_B
AXONMETRIC DRAWING_C
PERSPECTIVE RENDERING OF CONCEPT MODEL
CONCEPT
SITE MAP DRAWING The design of the building reflects the layered step look that is percieved when viewing the site from the head of the snake. Throughout the building are various locations to view either the Serpent Mound or the cliffs and river in the rear of the building. The opportunity to experience different views of the mound relates to the concept of the walking path around the mound, which allows for different perspectives.
PERSPECTIVE FURNITURE RENDERING
SE VIEW OF RENDERED BUILDING
SKETCH OF FINAL RENDERED BUILDING
SW VIEW OF RENDERED BUILDING
ALL SAINTS EPISCOPAL CHURCH NEW ALBANY, OHIO
PROBLEM
GROUP: KATHERINE HOLLY MEGAN STALTER GARRETT CROSS
The intent of this design plan is to utilize the space and propose designs that are contemporary yet still traditional. Since the worship space is the focal point of the building it was a large focus of the design process. The high priority goals were to allow for more seating and rearrangement of rooms. Also, there will be a balcony added to accompany the choir, media, and additional seating. This allows for the rooms along the worship space to be moved up and a hallway to be created accessing the other side of the building. A chapel has also been created behind the alter to create a sacred space for the columbariums to be displayed. These proposals allow for easy access to all parts of the building and the focal point of worship is centered around the sacred space and chapel area.
Pastor’s Office
Adult Classroom
Chior
Youth Group
Office
Office
Classrooms
Worship Space
Restroom
Restroom Nursery Mechanical Room
Existing Floor Plan N
3/32” = 1’0”
Kitchen
Misc. Room
Storage
N
25
1/8” = 1’0”
26
NEW FLOOR PLAN CODEX 1 Lobby, Greeting, and News Room 2 Receptionist Office 3 Conference Room 4 Pastor’s Office 5 Assistant Pastor’s Office 6 Youth Group 7 New Roofline Expantion 8 Nursery 9 Youth Area and Bible Study 10 Men’s Restroom 11 Women’s Restroom 12 Adult Area and Breakout Space 13 Concession Style Window 14 Pantry 15 Large Industrial Style Kitchen 16 Patio Area with Firepit 17 Large Storage Room 18 Sacred Altar Space 19 Chapel & Columbarium 20 Sacristy 21 Balcony 22 Media Room 23 Chior 24 Stairwells 25 Main Entrance 26 Non-Public Entrance 27 Worship Space
New Proposed Floor Plan
19 1
20
17
15
18
14
13
2
3 12 27
4
5 11
8
7 6
9 10
21
23
24
24
22
16
SOLUTION
This project taught me the importance of collaborating with others in a group in order to come up with a good design and meet the clients needs. In the world of interior design communication is very important between both the team and the clients. As a group we were able to take the wants and needs of this parish and create a space in which they felt it was both functional and spiritual. By simply moving a few walls and rearranging rooms we were able to create a much different atmosphere that our clients were seeking.
FURNITURE
NURSERY AND LOBBY | HERMAN MILLER
RECEPTION AND LOBBY AREA
CHAPEL / COLUMBARIUM SPACE
NURSERY ROOM
CHAPEL / COLUMBARIUM SPACE
WORSHIP SPACE
CLASSROOMS | KNOLL
NURSERY | WEST ELM
CLASSROOMS | KNOLL
CLASSROOMS | KNOLL
NURSERY | KNOLL
CONCEPT
SOLUTION
LUMINAIRE DESIGN
This luminaire design was inrpired by the city skyline of Cincinnati, Ohio. The trapezoid shapes were extracted from the silhouette of the cityscape. Those shapes were then the inspiration of the overall design and shape of the luminaire.
By extracting these trapezoid shapes from the cityscape I was able to create a luminaire that mimicked the idea of the energy of a city in a luminaire. The various shapes and placement allows for light to peak through the whole luminaire instead of just at the top and bottom, similar to the lights of a city.
CREATIVE WORK MULTI MEDIA
ARCHITECTONICS ABSTRACT CITYSCAPE
FEAR AND LOATHING
DOORS OF ATHENS
ARTWORKS CINCINNATI MURAL
BRUTALISM ROOM STUDY THIS IS A ROOM STUDY OF THE BRUTALISM MOVEMENT. I DID RESEARCH OF THE DESIGNERS OF THIS TIME AND THEN CREATED A ROOM WITH MARKERS AND PENS TO COMPLETE THE DRAWING. THIS EXPLORATION LED TO A DEEPER UNDERSTANDING OF THE TRENDS AND DESIGN DECISIONS OF THIS PARTICULAR MOVEMENT. Brutalism came about in the 1960’s/ 70’s after World War II. This was due to the fact that the focus of housing and government buildings was to be at low cost, which led to the use of mostly raw, unrefined materials. This movement ultimately began with Le Corbusier, but Peter and Alison Smithson coined the term. The qualities of materials and decorations were usually descried as raw, industrial, Post-apocalyptic, somber, rough, or mechanical. Material was usually concrete, steel, glass, bronze or iron. When it comes to the exterior the architecture is usually seen as a dynamic geometric style that is massive and blocky and consists mostly of concrete. Some notable Brutalism architecture would be Palace of Assembly by Le Corbusier, The Banco de Londres by Clorindo Testa, and the Whitney Museum of American Art by Marcel Breuer.
FRAGILITY
THIS STILL LIFE PIECE WAS CREATED IN THE DESCRIPTION FOUNDATION CLASS. THE COMPOSITION CONSISTS OF VERY FRAGILE AND DELICATE OBJECTS. THESE OBJECTS WERE SELECTED REPRESENTING THEIR STRONG FUNCTION WITH THEIR DELICATE AESTHETICS. AS A STILL LIFE THIS MAKES A GREAT COMPOSITION AS EACH PIECE IS CAPTURED WITH VERY DELICATE, YET POWERFUL LINES. SEVERAL TECHNIQUES WERE EXPLORED IN THIS PIECE. FIRST THE PAPER WAS COVERED IN A HEAVY LAYER OF CHARCOAL STARTING IN THE UPPER RIGHT HAND CORNER. NEXT AN ADDITIVE AND SUBTRACTIVE TECHNIQUE WAS USED WITH AN ERASER, WHITE AND BLACK CHARCOAL.
THE NIGHTMARE OF ANXIETY
This print is supposed to capture the nightmare of the reality of the mental and physical effects of living with anxiety. The varying, intertwined lines surrounding the girl represent two things. First, they represent the "noise" constantly going on in her head, and secondly they represent the physical chains that take over the body when experiencing extreme anxiety, like a panic attack. The girl may seem undisturbed, as many people with anxiety may seem. This is what mental illness looks like... it's not always noticeable.
FIGURE DRAWING THIS FIGURE DRAWING WAS CREATED IN THE DESCRIPTION FOUNDATION CLASS. THE FOCUS OF THIS PIECE WAS TO EXPLORE THE HUMAN FIGURE AND DEVELOP AN UNDERSTANDING OF THE ANATOMY OF THE BODY AS WELL AS LEARNING HOW TO PROPERLY DRAW A HUMAN MODEL. THE MEDIUM OF THIS PIECE IS WHITE, BLACK, AND BROWN CHARCOAL.
SERENE CHAOS THIS MIXED MEDIA PIECE WAS CREATED USING INK, CHALK, CHARCOAL, AND PAINT. THE SOFT, LIGHT LINES REPRESNT THE POSITIVE TIMES IN OUR LIFE AND THE DARK AREAS REPRESNT THE STRUGGLES IN OUR LIVES. THE DARKER SPOTS MAY SEEM OVERPOWERING, BUT IF YOU TAKE A CLOSER LOOK YOU CAN SEE THAT THEY GO HAND IN HAND WITH THE LIGHT PARTS. JUST AS IF WE WERE TO LOOK AT OUR LIFE AS A WHOLE OUR STRUGGLES AND TRIUMPHS GO HAND IN HAND.