Issuu

K AT E LY N REYNOLDS

ARCHI TECT URE PORT FOLIO

K AT E LY N REYNOLDS ABOUT ME

Hello, my name is Katelyn Reynolds. I am currently an architectural designer at RDC., working remotely for the Washington DC office. I am a quick learner and I am open to all training and mentoring that will help me become more successful. I am pursuing NCARB licensure as I continue to gain Architectural Experience Program (AXP) hours. I graduated with my Masters in Architecture from Louisiana Tech University in May 2022. The following portfolio displays a curated collection of my academic and personal work, displaying my architectural and design abilities. Throughout the collection, there is a common ideal of what design means to me.

CONTACT

Location: Ruston, LA Phone: 210.392.3270 Email: katelynrey99@gmail.com LinkedIn: https://www.linkedin.com/in/katelynreynolds/

EDUCATION

Louisiana Tech University - Ruston, Louisiana Master of Architecture (Professional Degree), May 2022 | GPA: 4.00 Bachelor of Science in Architectural Studies, May 2021 | GPA: 3.89 | Magna Cum Laude Dean’s, President’s & Director’s List (2017-2021) Coursework: Drafting, Architectural History, Structural & Building Systems

EXPERIENCE

Architectural Designer, RDC. (Retail Design Collaborative) - Remote for the Washington DC Office (July 2022 - Present) Architecture Graduate Assistant in Plot Room & Media Workroom, Louisiana Tech University - Ruston, LA (Fall 2021 - Spring 2022) Architectural Revit Draftsman, Lynn Kuckelman (LK) Design Group - San Antonio, TX (Summer 2021) Architectural Intern, Franklin Architect - San Antonio, TX (Summer 2019)

ACTIVITIES Louisiana Historic Preservation Conference, (Spring 2022) AIA Louisiana Celebrate Architecture Conference, (Spring 2021) NCARB Student Licensing Advisor, Louisiana Tech University (2020 - 2021) Career Center Ambassador Co-Captain, Louisiana Tech University (2018 - 2021) American Institute of Architecture Students (AIAS), Louisiana Tech University (2017 - 2021) - Freedom by Design: Project Director (2019 - 2020) ACE (Architecture, Construction, and Engineering) Mentor Program, Taft High School (2016 - 2017) Independent Study Mentorship - Overland Partners - San Antonio, TX (2016 - 2017)

AWARDS

Publication: JSTOR - Landscape Architecture Foundation Green New Deal Superstudio Collection (2021) AIA Louisiana Celebrate Architecture Scholarship (2021) Student Lagniappe Digital Art Award - Digifest South Art Show (2021) Third Year Architecture Award - School of Design, Louisiana Tech University (2020) Finalist - Learning Lab Design Competition, University of Louisiana at Lafayette (2019) Phoebe Architecture Award - School of Design, Louisiana Tech University (2018)

SKILLS PROFICIENCY Rhino 6 Grasshopper AutoCAD Revit Lumion 12 REScheck Bluebeam Revu

Model Making Drafting Laser Cutting 3D Printing Plotter Printing

Adobe Suite: Photoshop Illustrator InDesign Premiere Pro

Microsoft Suite: Word PowerPoint Excel

CONTENTS

CENTER FOR COLLEGE OF LIBERAL ARTS AT LA TECH

PORT O’PLASTIC / ATLAS: PLASTIC PLANET

MEDCAMPS - MASTER PLAN / ART CABIN

ULL LABORATORY SCHOOL

ANALOG WORK

BUILDING BRIDGES REHABILITATION CENTER

RIB PROJECT

3D PRINTED HOMES

CUSTOM RESIDENTIAL - FRANKLIN ARCHITECT

PHOENIX HUB RECREATION CENTER

MAORI SPIRITUAL MUSEUM

PERSONAL WORKS

MANIFESTO Statement of Design Philosophy that illuminates my particular attitude of architectural process and product

EXPERIENTIAL MATERIALITY

KATELYN REYNOLDS

SURFACE CONFIGURATIONS

The material selection of a building creates a compositional design experience that molds to the physical envelope of a structure. The most crucial means of experience is the material composition performing on the senses. Material associations can remind us of memories or past experiences based on the material’s sensory engagements: smell, tangible texture, sound absorbance, and visual appearance. A diverse material palette is the EMOTION of a building and must create an artistic configuration. Materiality is what connects the physical element of a building to the experiential element. The selected material palette for an exterior must set the diverse TONE of a building and create the essence as to what the interior will contain. This can be done through shading elements, openings, a mixture of light and dark tendencies, reflective areas, and textural distinctions. The exterior skin’s material must be the interceder of the experience the users have from the outside to the inside by welcoming in the users with a material that makes the entrance(s) stand out in contrast from the rest of the building’s elevations. Tectonics define a building’s membrane by creating a distinctive experience, both externally and internally, using connections, intersections, and penetrations of defined materials. The material selection is not meant to be solely ornamental or decorative; each material must be more involved rather than primal. The effective use of LAYERING materials creates private and public segments in the program arrangement that either celebrate or hide material visibility. There must be contrast and hierarchy in the material selection used on both the exterior and interior to provide diversity. This allows for a push and pull perspective between the textural and tonal components. Contrast in texture works well in materials that are tonally similar, whereas tonal contrast highlights volume and simple form. Materials that have SYNERGY with one another are most specialized in developing the interior of a building’s simple formal gestures. There must be give and take between the layers of materials to reveal circulation routes and THRESHOLDS within the program of the building. Layering also highlighs intentional moments that go beyond defining a circulatory path.

LIGHT INTENTIONALITY

Working through layers, light is the basis of all materials that drives the materials within any sort of spatial experience. Light being let into a space through the use of glazing allows the users to experience circulation of the building in an intentional order. Materials must be POROUS to allow light in that can define paths within a building by highlighting interactions of materials that are collectively a series of varied surfaces. Light that enters the building is diffused with the use of glazing transparency variances that allow for amplification, dampening, and color shifting to create moments of dark and light. Views that are meant to be framed affect where corresponding materials will be placed. This outlines where exactly the exterior can be seen based on the interior programmatic arrangement of window and curtain wall configuration. Intentional use of glass transmits to the proper circulation route that light creates. Through the glazing choices of the building’s form, light enters the space and plays across the various TEXTURAL surfaces of the interior layers. There are limitations of where light enters and where it is blocked from entering in order to blur the boundaries of light and darkness. Light is an intentional driver of the experiential design in and out of the building’s envelope.

“You can’t plan the emotions. It isn’t a voluntary act, there is always something beyond, pertaining to the craft’s material. Architecture is always these two things: the place and the use. You can build something where you feel fine and where all is made in relation to use and function… I’m really tight-knit with things, sensations, and experience.” -Peter Zumthor (Multiplicity and Memory Interview)

WUNDERKAMMER A place where a collection of curiosities and rarities are exhibited, German for “wonder chamber” Reveals my manifesto both physically and meta-physically

CENTER FOR COLLEGE OF LIBERAL ARTS AT LA TECH: SITE PLAN Ruston, Louisiana The growing College of Liberal Arts is in need of a new facility to replace George T. Madison Hall that will promote professional growth and collaboration between students and faculty through the integration of modernized research facilities and classrooms. The objective is to bring excitement back to the site that is a gateway between the rest of the College of Liberal Arts buildings and acts as a central hub extending off the quad, significant to the campus. With three schools being represented in the new center under the College of Liberal Arts, the idea of collaboration is imperative and efficient for students to generate coordination while sharing knowledge, research, and experience. M.Arch Lumion Animation: https://youtu.be/W2o4G1y8xHU

CONCEPTUAL DIAGRAMS

PARALLEL PLANE

SLICE PLANE

3 FORMS: SIGNIFY SCHOOLS

INSIDE-OUT: TRANSPARENCY

CLASSROOM

STUDY

OFFICE LECTURE ATRIUM CAFE

FACADES: ANGLE + REFLECT CONTEXT

JOIN THRESHOLDS

CREATE ZONES

HIERARCHY OF PROGRAM

SITE PLAN - LAN D SC APE PLAN

SC ALE: 1" = 30'-0"

PROJEC

SHEET DIRE

Sheet Number A1.00 A1.01 A1.02 A2.01 A2.02 A2.03 A2.04 A2.05 A3.01 A3.02 A4.01 A4.02 A5.01 A5.02 A5.03 A5.04 A5.05 A6.01 A6.02 A6.03 A6.04 A6.05 A7.01 A8.01 A8.02 A9.01 A9.02

G ENERAL N

3D VIEW

BUIL DING K

DRAW N BY:

DAT E:

CHECKED BY

SHEET N

CL ASS:

SIT

SHEET N

CENTER FOR COLLEGE OF LIBERAL ARTS AT LA TECH: STRUCTURE ANALYSIS Steel Connections

W27x84 primary steel beams

W12x65, W14x68 or W16x67 column depending on location

connected by means of welding and high-strength bolting, stiffeners to add additional strength

W36x16 1/2 castellated beams to support W27x84 beams @ 5’ o.c. above

W14x68 steel column 4” square tube steel for cross bracing

gusset plate connections with high strength bolting

8”x16” concrete masonry bricks with 5/8” thick mortar joints

structurally specified rebar

W27x84 or W16x67 steel beam depending on location in building

moment end plate into concrete

Structural Axonometric

REYNOLDS DESIGN PROJECT TITLE

COLLEGE OF LIBERAL ARTS GEORGE T. MADISON HALL RUSTON, LA 71270

A PROJECT FOR

LOUISIANA TECH UNIVERSITY GENERAL NOTES

Secondary Structure: DATE

REVISION

PROJECT NO: 00001 DRAWN BY: KBR CHECKED BY: DC SHEET NAME

OVERALL FOURTH FLOOR PLAN NGL SHEET NUMBER

A104.1 2

n places where there e to W21x73’s. The e the large spans in the

Secondary beams are W16x67’s. The beams increase to W30x90’s to accommodate the large spans in the auditoriums.

aller) beams through

Primary Structure: Primary structural beams are W27x84. W36x16 1/2 castellated beams are used to support the roof structure which consists of W24x76 beams.

roughout the structure. pport the roof structure ed to hang the cantilevers

ure. Sizes include: to support cantilevers nt frames).

Columns + Bracing: Column sizes: W12x65 (regular bay steel spans), W14x68 (to support cantilevers and auditorium spans) & W16x67 (for moment frames). Tube steel sized 3” is hung from the above castellated beams to hold up the cantilevered structure below.

oment bracing. There are consisting of W16x67 cing consists of W14x68

’ apart along with one in pe & stairs.

astellated beams to hold

Foundation + Cores: The concrete cores act as a bracing system to help with lateral movement in all directions. An 8” concrete foundation is at the base of the structure.

o help with lateral undation is at the base

BLY

ncrete cores and

Composite Structure Assembly: The main system of structure is steel, with concrete cores and foundation.

CENTER FOR COLLEGE OF LIBERAL ARTS AT LA TECH: SECTION PERSPECTIVE

STUDY STUDY CLASSROOMS

ATRIUM

CLASSROOMS

TERRACE

CLASSROOM

AUDITORIUM WALKWAY

CENTER FOR COLLEGE OF LIBERAL ARTS AT LA TECH: INTERIOR RENDERINGS

LECTURE HALL

VENDING + STUDY LOUNGE

ATRIUM SPACE

STUDENT GALLERY SPACE

CENTER FOR COLLEGE OF LIBERAL ARTS AT LA TECH: FACADE ANALYSIS Ruston, Louisiana Most up-to-date drawing packet: https://issuu.com/home/published/reynolds_katelyn_finalpacket

TH E ROO

TH E G LA

TPO

TH ER M AL BAR R IER & R IG ID IN SU LATIO N

G R EEN C H AN N EL G LASS LO U VR ES

C O LO R ED M ETAL PAN EL TU BE STEEL STR U C TU R E

4' x 10' C O LO R ED M ETAL PAN EL

3D - SO U TH EAST VIEW O F SEC TIO N SC ALE: 1/32" = 1'-0"

0' 1'

10'

20'

40'

TH ER M AL BAR R IER G LAZIN G & M U LLIO N S

PR IM

PR IM AR Y STR U C TU R E

3D - N O R TH W EST VIEW SC ALE: 1/32" = 1'-0"

0' 1'

10'

20'

18" TYP

D ETA IL #2 C O LO R IZED M ETAL PAN ELS ATTAC H ED TO A TH ER M AL BAR R IIER AN D R IG ID IN S U LATIO N

R IG ID IN SU LATIO N

M ETAL STU D

5/8" PLYW O O D

ER M O PLASTIC PO LYO LEFIN (TPO ) O FIN G M EM BR AN E

5/8" G YP BO AR D

AIR & W ATER BAR R IER

TH ER M AL BAR R IER & 4" C AVITY IN SU LATIO N

ER M AL BAR R IER AZIN G AN D M U LLIO N S

O & TH ER M AL BAR R IER

2" C O LO R IZED M ETAL PAN EL

6" MIN

2" M ETAL STU D C R O SS BR AC E AT 48" O C H O R IZO N TAL, M AX.

M AR Y STR U C TU R E

M ETAL STU D

PROJECT TITLE

C O LLEG E O F LIBER AL AR TS G EO RG E T. MADISO N HALL RUSTO N, LA 71272

PR IM AR Y STR U C TU R E TH ER M AL BAR R IER & R IG ID IN SU LATIO N

A PRO JECT F O R

LO U ISIAN A TEC H U N IVER SITY

2" C O LO R IZED M ETAL PAN ELS M ETAL STU D C R O SS BR AC IN G

SHEET DIRECT ORY

Sheet Number A1.00 A1.01 A1.02 A2.01 A2.02 A2.03 A2.04 A2.05 A3.01 A3.02 A4.01 A4.02 A5.01 A5.02 A5.03 A5.04 A5.05 A6.01 A6.02 A6.03 A6.04 A6.05 A7.01 A8.01 A8.02 A9.01 A9.02

Sheet Name COVER SHEET SITE PLAN - CONTEXT SITE PLAN - LANDSCAPE GROUND FLOOR PLAN SECOND FLOOR PLAN THIRD FLOOR PLAN FOURTH FLOOR PLAN FIFTH FLOOR PLAN BUILDING ELEVATIONS 1 & 2 BUILDING ELEVATIONS 3 & 4 BUILDING SECTIONS A & B BUILDING SECTIONS C & D REFLECTED CEILING PLAN - GROUND FLOOR REFLECTED CEILING PLAN - SECOND FLOOR REFLECTED CEILING PLAN - THIRD FLOOR REFLECTED CEILING PLAN - FOURTH FLOOR REFLECTED CEILING PLAN - FIFTH FLOOR HVAC DIAGRAMS - GROUND FLOOR HVAC DIAGRAMS - SECOND FLOOR HVAC DIAGRAMS - THIRD FLOOR HVAC DIAGRAMS - FOURTH FLOOR HVAC DIAGRAMS - FIFTH FLOOR MATERIAL LEGEND & 3D DIAGRAM SET EXPLODED STRUCTURE AXONOMETRIC EXPLODED FACADE AXONOMETRIC WALL SECTION 1 WALL SECTION 2

G ENERAL NOT ES

TH E R M AL BAR R IER G LAZIN G & M U LLIO N S LIM ESTO N E VEN EER

3D - N O R TH EAST VIEW O F SEC TIO N

3D VIEW

SC ALE: 1/16" = 1'-0"

0' 1'

10'

20'

40'

BUIL DING KEY PL AN

N DRAW N BY:

KATELYN R EYNO LDS

CHECKED BY:

PRO FESSO R CALDW ELL

DAT E:

MAY 16TH , 2022

CL ASS:

ARCH 530

SHEET N AM E

O F SEC TIO N 40'

3D - SO U TH W EST VIEW O F SEC TIO N SC ALE: 1/32" = 1'-0"

0' 1'

10'

EX PLO D ED FAC AD E AX O N O M ET R IC SHEET NUM BER

20'

40'

A8.02

CENTER FOR COLLEGE OF LIBERAL ARTS AT LA TECH: WALL SECTIONS M E TAL P A NEL C AP PARAPET CO PING P RE-FINIS HE D M E TA L CA P FLAS HING FLAS HING

PAR APET B 85'-6" A.F.S.

RO O F DRAIN

W E A THE R B A RRIE R

G RA V EL

CA NT STRIP

24K 7 O PE N W EB S TE E L JO IS T

W A TE RP RO O F M E M BRA NE

W 27x84 STRU CTURA L BE A M 36" CA STELLATED BE A M

RIG ID INS ULA TIO N CO NCRE TE TO P SLA B & M E TA L DEC KING

5/8" DE NS G LAS S FIREG A URD S HEA THING RIG ID INS ULATIO N

M E TAL PA NE L CLIP 4'x10' CO LO R IZE D M E TA L PA NE L ALPO LIC - Q CO RUSTED STEEL

4" HS S HA NG ING STE E L TUB E FA CA DE STRUCTURE B EY O ND

9"x5" STEEL TUBE HEADER W O O D B AFFLE CEILING S USP E NS IO N CA BLE

W O O D B AFFLE C EILING S PA CE D @ 6" O C, TYP M E TAL C LIP TO STAB ILIZE VE RTICAL W O O D B AFFLE TO H O RIZO NTA L W O O D B AFFLE HO RIZO NTA L LIG HT FIXTURE TO FIT BETW EEN BAFFLES RE : RCP FO R LO CA TIO NS

1-5/8"x1-5/8" STEE L P RIM A RY CHA NNE L SP A CED 4'-6" O C , TY P

HO RIZO NTA L S UPP LY AIR V E NT TO FIT BETW EEN BAFFLES RE : RCP FO R LO CA TIO NS

STUDY

12"x36" CA RP E T TILE FLO O RING M OHAW K GR OUP - SHARED PATH TILE 959 SLATE

M E TA L DEC KING

LEVEL 5 64'-0" A.F.S.

5/8" G YP B D P LY W O O D B ACK E R

CONFERENCE ROOM

HALLW AY M ETAL STUD HEADER ABO V E DO O RS, TYP 3'-0" x 7'-0" ALUM INUM DO O R W / SIDE LITE, TYP

BO LT THRU H O RIZ M ULLIO N V ERTICA L LO UV ER S TRUCTURE B O LT THRU C-CHA NNE L

4-1/4" PRE FINIS HED HA RDW O O D BA S EB O ARD LU M BER LIQU IDATO RS FLO ORIN G - GU NSTO CK OAK HARDW O OD BASEBO ARD

G LA S S LO UVE RS

TE RRA ZZO FLO O RING W ESTERN STATES TERRAZZO 108A-M (W H ITE)

LEVEL 4 48'-0" A.F.S.

HO RIZO NTAL STEEL STRUCTURE B O LTE D A ND W ELDE D TO W INDO W M ULLIO N SY S TE M C-CHA NNE L LO UV ER S UPP O RT B O LTE D THRO UG H LO UV ER; W E LDE D TO HO RIZO NTA L S TE EL STR UCTURE

4" RECE SSED DO W NLIG HT RE: RCP FO R LO CATIO NS

HO RIZO NTA L S UPP LY AIR V E NTS S PRINK LE R SY S TEM , TY P

HV AC SY S TE M , TY P HV AC SU PP LY AIR V ENTS TO FIT B E TW E EN BA FFLE S A ND W A LL, TY P

LED CO V E LIG HT

G LASS LO UVER SYSTEM BENDHEIM - BACKPAINTED GLASS IN SILVERY SURF BLUE

CO NCEA LED SP RINKLE R HE AD TO FIT B E TW E EN B AFFLE S , TY P

6" LED S TRIP LIG HT FIXTURE TO FIT B E TW E EN B AFFLE S , TY P

CONFERENCE ROOM

HALLW AY

2" x 6" ALUM IN UM W INDO W SYSTEM , TYP VISIO N G LAZING SYSTEM , TYP W 16x67 S TRUCTURAL S TEE L B EA M W 27x84 S TRUCTURAL S TE E L BE A M

S PA NDRE L G LA ZING

LEVEL 3 32'-0" A.F.S.

M ETAL BAFFLE CEILING @ 6" O C M IXED CO LO R P A TTE RN RE : RCP FO R O RIE NTA TIO N

2'x2' M E TAL LA Y -IN C EILING W / T-B AR CLIP S TY P

HUNTER DO UGLAS - HEARTFELT MODULAR FELT CEILIN G SYSTEM - W HITE 7593 - MID DLE G RAY 7597 - BLACK 7594

ARM STRO NG - M ETALW O RKS CLIP-ON BRUSHALU M E: 7154M 1

CONFERENCE ROOM

5/8" G YP B D, TY P

B ACK E R RO D W ITH SE A LA NT - BO TH S IDE S, TY P M E TAL P A NE L CAP

HALLW AY

TE RRA ZZO FLO O RIN G O N TO P O F CO M PO S ITE M E TA L DE CKING , TY P W ESTERN STATES TERRAZZO 108A-M (W H ITE)

LEVEL 2 16'-0" A.F.S.

W RITING C EN TER

LIG HTW E IG HT M E TA L CE ILING FRA M ING SUSPENDED M ETAL P ANE L S Y STEM RE : M ANUFACTURER 'S S P EC 4'x10' CO LO RIZE D M E TA L P ANE L

STORAGE

2'x4' M E TA L LA Y -IN C EILING W / T-B AR CLIP S ARM STRO NG - M ETALW O RKS CLIP-ON BRUSHALU M E: 7154M 1

ALPO LIC - Q CO RUSTED STEEL

LED FLUSH M O UNT A LUM INUM FIXTURE

RIG ID INS ULATIO N W E A THE RPRO O F M E M BRA NE 2'x4' LIM ESTO N E VENEER AMER ICAN LIMESTONE COMPANY "C REAM-HON ED " STON E

CO NTINO US A NCHO RS S CREW ED TO S HEA THING RE : M A NFA CTURE R'S SP E CS

JO INT SEALAN T AT ALL JO INTS, TYP

TE RRA ZZO FLO O RIN G W ESTERN STATES TERRAZZO 108A-M (W H ITE)

P AV E RS B EY O ND

8" W A TE RP RO O F AND FLA SHE D CURB

CO NCRETE SLA B O N G RADE

G RAV E L

RO CK B ED FO R DRA INA G E

CO NTINO US UNDE RS LA B W E A THE R B AR RIE R, TYP

LEVEL 1 0'-0" A.F.S.

SH EET N AM E

B U ILD IN G M AT ER IALS EXTERIOR WALL M ATERIAL

C O LLEG E O F LIBER AL AR TS G EO R G E T. M AD ISO N H ALL R U STO N , LA 71272

W ALL SEC TIO N 1 D R AW N B Y: KATELYN R EYN O LD S C H EC K ED B Y: PR O FESSO R C ALD W ELL D AT E: M AY 16TH , 2022 C LASS: AR C H 530

LIMESTONE VENEER

INTERIOR FLOOR M ATERIAL

INTERIOR METAL BAFFLE M ATERIAL

MISC. M ATERIAL

TERRAZZO FLOORING

M ETAL BAFFLE CEILING - COLOR 1

4-1/4" STAINLESS STEEL BASEBOARD

COLORIZED METAL PANELS

W OOD FLOORING

M ETAL BAFFLE CEILING - COLOR 2

M ETAL LAY-N CEILING

COLORIZED METAL PANELS

12" x 36" CARPET TILE FLOORING

M ETAL BAFFLE CEILING - COLOR 3

GLASS LOUVERS

AM ERICAN LIM EST O NE CO M PANY "CREAM -HO NED" ST O NE

ALPO LIC - Q CO RUST ED ST EEL

ALPO LIC - PPC PO ST PAT INA CO PPER

W EST ERN ST AT ES T ERRAZ Z O 108-M (W HIT E)

LL F LO O RING - SAINT F LO URENT HICKO RY

M O HAW K G RO UP - SHARED PAT H T ILE 959 SLAT E

HUNT ER DO UG LAS - HEART F EL M O DULAR F ELT CE ILING SYST EM - W HIT E 7593

HUNT ER DO UG LAS - HEART F EL M O DULAR F ELT CE ILING SYST EM - M IDDLE-G RAY 7597

HUNT ER DO UG LAS - HEART F EL M O DULAR F ELT CE ILING SYST EM - BLACK 7597

F O SHA N ST AINLESS ST EEL CO - ST AINLESS ST EEL TRIM ST RIP BRO NZ E PO W DER CO ATING

W ALL SEC TIO N TH R O U G H LO U VER SYSTEM SC ALE: 3/4" = 1'-0"

ARMSTRO NG - METALW O RKS CLIP-O N BRUSHALUME: 7154M1

BENDHE IM - BACKPAINT ED G LASS IN SILVERY SURF BLUE

16'

M ETAL PANEL CAP

PAR APET A 72'-0" A.F.S.

LINE O F PARAPET BEYO ND

P REFINIS HE D A LUM INUM P A RAP E T CA P 5/8" DE NS G LAS S FIREG A URD S HE ATHING P RE-FINIS HE D M E TAL CAP FLA S HING

RO O F DRAIN G RA V EL

W EATHER BARRIER

W A TE R P RO O F M E M BRA NE

W 27x84 S TRUCTU RAL RO O F B EA M

RIG ID INS ULA TIO N

36" CAS TE LATE D STE E L BE A M

RIG ID INS ULA TIO N

CO NCRE TE TO P SLA B & M E TA L DEC KING

24K7 O PEN W EB STEEL JO IST

CA NT S TRIP

W 27x84 STRU CTURA L BE A M S @ M E CHAN ICA L RO O F TO P U NIT ZO NE S

LEVEL 5 64'-0" A.F.S.

HA NG ING FRO M CA STE LLA TE D B E AM

4'x4' CO LO RIZED M ETAL P ANE LS

4"x4" HSS TUBE STEEL HEAD ER

ALPO LIC - PPC PO ST PATINA COPPER

SU SP E NDED M ETAL PANEL SYSTEM

B ACK E R RO D W ITH S EA LANT - B O TH S IDE S, TY P

2" x 4'-0" LIG HT FIXTURE RE: RCP FO R LO CATIO N

EXTERIOR TERRACE

HALLW AY

V IS IO N G LA ZING SY S TE M , TYP M E TAL P A NEL CA P

2" x 6" ALUM INUM W IN DO W S YS TE M , TYP

A IR B A RRIE R

G RAV E L G RAV E L BE D TO DRAIN UNDE R CO NCRE TE P AV E RS

3" HA NG ING TUB E STEE L FA CA DE STRUCTURE B EY O ND

4' x 4' CO NCRE TE P AV E R P AV E R S CRE W JAC K

V ERTICA L M ETAL C-S TUDS , TY P

BISO N SC R EW JEC K D EC K SU PPO R T PED ESTALS

RIG ID INS ULTIO N S LO P E TO DRA IN

HO RIZO NTA L M ETAL C-S TUDS , TY P

TE RRA ZZO FLO O RIN G

W ESTER N STATES TER R AZZO 108A-M (W H ITE)

W A TE RP RO O F M E M BRA NE

LEVEL 4 48'-0" A.F.S.

W 16x67 S TRUC TURA L STE E L B EA M W 27x84 S TRUCTURAL S TE E L BE A M

4'x10' CO LO RIZED M ETAL PANELS BO TH SIDES ALPO LIC - PPC PO ST PATINA C OPPER

2" x 6" ALUM INUM CLERE S TO RY W INDO W S YS TE M

2'x4' M ETAL LAY -IN C EILING W / T-B AR CLIP S TY P

V IS IO N G LA ZING

ARM STRO NG - M ETALW O RKS CLIP-ON BRUSHALU M E: 7154M 1

5/8" G YP BD 4" DIA REC ES S ED DO W NLIG HT RE: RCP FO R LO CATIO NS

MEDIUM CLASSROOM

SMALL CLASSROOM

LEVEL 3 32'-0" A.F.S.

LIG HTW E IG HT M E TA L CE ILING FRA M ING

2'x4' LIM E STO NE V ENE E R

SUSPENDED M ETAL PANEL SYSTEM

RE: LOU VER SECTION FO R SPECS

4'x4' CO LO RIZED M ETA L P A NELS ALPO LIC - PPC PO ST PATINA C OPPER

S PRINK LE R SY S TEM , TY P CO NCEA LE D S PRINK LE R HEA D, TY P

M ETAL 'L' BRACKET FASTENED TO W INDO W SYSTEM

HVAC SYSTEM

STUDY 4" M E TAL STUDS SPA CE D 16" O C TO STUCTURE M ETAL P ANELS 4" S Q TUB E S TEEL S TRUCTURE TO W RAP B O RDER O F FA CA DE 4-1/4" PRE FINIS HED HA RDW O O D BA S EB O ARD LU M BER LIQ U ID ATO R S FLO O R IN G G U N STO C K O AK H AR D W O O D BASEBO AR D

12"x36" CA RP ET TILE FLO O RING M O H AW K G R O U P - SH AR ED PATH TILE 959 SLATE

LEVEL 2 16'-0" A.F.S.

S LO TTE D A NG LE FO R VE RTICAL M ULLIO NS TO ATTACH TO B E AM G ALV ANIZE D S HEE T; S HADO W BO X TO B E VENTILA TE D TO W A RDS INTERIO R

2" DIA. W IRE S TE EL HA NG E R TO CO NNEC T TO P RIM A RY S UP P O RT & FIXTURE THRU B O LTE D CO NNE CTIO N

M INE RA L FIB E R INSU LA TIO N S PA NDRE L G LA ZIN G 2" x 6" ALUM INU M W INDO W S YS TE M , TY P V IS IO N G LA ZING SY S TE M , TYP

G LA S S W / INTE G RATED LE D LIG HT S TRIP TO B E HUNG @ V ARY IN G HEIG HTS

9'-0" A LUM INUM E NTRY DO O R

BEN D H EIM - BAC KPAIN TED G LASS IN SILVER Y SU R F BLU E

CAFE SEATING

DRAINAG E STRIP O UTSIDE O F DO O R

W O O D FLO O RING LL FLO O R IN G - SAIN T FLO R EN T H IC KO R Y

CO NCRETE SLAB

CO NCRETE SLA B O N G RADE

CO NTINO US UNDE RS LA B W E A THE R B AR RIE R, TYP

LEVEL 1 0'-0" A.F.S.

SH EET N AM E

B U ILD IN G M AT ER IALS EXTERIOR WALL M ATERIAL

C O LLEG E O F LIBER AL AR TS G EO R G E T. M AD ISO N H ALL R U STO N , LA 71272

W ALL SEC TIO N 2 D R AW N B Y: KATELYN R EYN O LD S C H EC K ED B Y: PR O FESSO R C ALD W ELL D AT E: M AY 16TH , 2022 C LASS: AR C H 530

LIMESTONE VENEER

INTERIOR FLOOR M ATERIAL

INTERIOR METAL BAFFLE M ATERIAL

MISC. M ATERIAL

TERRAZZO FLOORING

M ETAL BAFFLE CEILING - COLOR 1

4-1/4" STAINLESS STEEL BASEBOARD

COLORIZED METAL PANELS

W OOD FLOORING

M ETAL BAFFLE CEILING - COLOR 2

M ETAL LAY-N CEILING

COLORIZED METAL PANELS

12" x 36" CARPET TILE FLOORING

M ETAL BAFFLE CEILING - COLOR 3

GLASS LOUVERS

AM ERICAN LIM EST O NE CO M PANY "CREAM -HO NED" ST O NE

ALPO LIC - Q CO RUST ED ST EEL

ALPO LIC - PPC PO ST PAT INA CO PPER

W EST ERN ST AT ES T ERRAZ Z O 108-M (W HIT E)

LL F LO O RING - SAINT F LO URENT HICKO RY

M O HAW K G RO UP - SHARED PAT H T ILE 959 SLAT E

HUNT ER DO UG LAS - HEART F EL M O DULAR F ELT CE ILING SYST EM - W HIT E 7593

HUNT ER DO UG LAS - HEART F EL M O DULAR F ELT CE ILING SYST EM - M IDDLE-G RAY 7597

HUNT ER DO UG LAS - HEART F EL M O DULAR F ELT CE ILING SYST EM - BLACK 7597

F O SHA N ST AINLESS ST EEL CO - ST AINLESS ST EEL TRIM ST RIP BRO NZ E PO W DER CO ATING

W ALL SEC TIO N TH R O U G H PER FO R ATED SC R EEN SC ALE: 3/4" = 1'-0"

ARMSTRO NG - METALW O RKS CLIP-O N BRUSHALUME: 7154M1

BENDHE IM - BACKPAINT ED G LASS IN SILVERY SURF BLUE

16'

ATLAS: PLASTIC PLANET Pacific Ocean The Great Pacific Garbage Patch is the largest accumulation of plastic debris located off the coast of California. Plastic pollution is the accumulation of plastic objects and particles (bottles, bags and microbeads) that adversely affect wildlife, habitats, and humans. Ocean bound, social plastic packaging is created by businesses who make the choice to leave a negative impact on the planet. Fish ingest small pieces of plastic due to their continuous uptake of water. Microplastics make their way into the next level of the food chain when other animals eat the fish. This cycle continues all the way up to the top of the food chain. Single-use plastics are a key contributor to the world’s pollution epidemic. Plastics do not biodegrade, they break up into tiny pieces. Upcycling and reusing are two of many ways to take action. Our ecosystems are crying out for help. Published in JSTOR as part of the Landscape Architecture Foundation Green New Deal Superstudio. https://www.jstor.org/stable/community.30959106

ATLANTIC OCEAN

ALASKA

NORTH PACIFIC

RO SH

PLASTIC PLANET

RIN

O YA SH

ARCTIC OCEAN

CA L

IF O

NORTH PACIFIC GYRE

SUBTROPICAL CONVERGENCE ZONE EASTERN GARBAGE PATCH

WESTERN GARBAGE PATCH

NORTH EQUATORIAL EQUATORIAL COUNTERCURRENT SOUTH EQUATORIAL

SOUTH ATLANTIC GYRE

INDIAN OCEAN

INDIAN OCEAN GYRE

PACIFIC OCEAN

SOUTH PACIFIC GYRE

GYRES AROUND THE WORLD ocean water currents affect garbage masses

Alaska

CANADA

FORMATION 70% of ocean plastic

eventually sinks, the other

30%

is carried on the surface by ocean currents.

NORTH PACIFIC GYRE

EASTERN GARBAGE PATCH

UNITED STATES

MORE THAN 3X SIZE OF CALIFORNIA Polyethylene (plastic bags) Polyprophylene (bottle caps) Polyethylene Terephthalate (water bottles) Expanded Styrene (styrofoam)

MEXICO Hawaii Pacific Ocean

GARBAGE CONCENTRATION kilograms per square kilometer

USED ONCE, LASTS FOREVER

every piece of plastic you’ve ever used still exists today

0.1 1 10 100 1.3 trillion pieces | 192.8 million pounds

SUFFOCATION

we depend on plastic, now we’re drowning in it

REALIZATION

we depend on plastic, now we’re downing in it

NORTH ATLANTIC GYRE

VT NH

not filtered

ME WA

NY WI

PA IA

OK NM

eaten by

NJ DE MD DC

NC TN

MA RI CT

OCEAN

MICROBEADS (cosmetics)

MT OR

PLANKTON MS

FISH

LARGER ORGANISMS

Plasticizers (BPA) build up in organisms

eaten by

HUMANS

MARINE DEBRIS

BIOMAGNIFICATION

states that generate shorline waste least

how plastic enters the food chain

most

TEXTILES 64% of fabric is made from plastics, including polyester, nylon, acrylic, and polyamide.

700,000 tiny pieces of

plastic fabrics break off every time synthetic textiles are washed.

Microbeads

Industrial Pellets

Foam Plastics

Threads

SINGLE-USE

As this water bottle is weathered and degraded, the plastic will break up into smaller pieces. These small pieces are consumed by marine life. It is difficult to remove microplastics due to their small size. They can absorb other pollutants and become more toxic.

HOW MICROPLASTICS ARE GENERATED

THROUGH THE LENS OF A MICROSCOPE

plastic does not break down, plastic breaks up

PLASTIC BAG

20 YEARS

6-PACK PLASTIC RINGS

400 YEARS

COFFEE POD

500 YEARS

don’t let the sizes deceive you of the impact

COFFEE CUP

30 YEARS

WATER BOTTLE

450 YEARS

DIAPER

500 YEARS

CRADLE TO GRAVE: HOW LONG UNTIL IT’S GONE? 280 million tons of plastic enter our oceans annually

PLASTIC STRAW

200 YEARS

PLASTIC CUP

450 YEARS

TOOTHBRUSH

500 YEARS

RIVER PLASTIC EMISSIONS major source of pollutants

coastal areas where debri pours into oceans

LOS ANGELES COAST

PLASTIC USAGE

One trillion plastic bags suffocate our planet every year

WE CROSS THE LINE

MOTHER EARTH IS CRYING OUT

streams lead to piles we can’t see from land

refuse to take the pressure off recycling

Recover Plastic Contains PET

U.S. PLASTIC BANS

UPCYCLE MARINE WASTE

legislature against single-use plastic usage local ban or fee

state-wide ban

state-wide ban preemption

Plastic Flakes Crush, Wash, & Dehydrate

turning plastics into yarn pending anti-preemption bill

1 Trip

1 Week

1 Reusable Bag

ENVISION CHANGE

plastic bag consumption per person

1 Month

6 Months

BE PART OF THE SOLUTION, NOT THE POLLUTION there is no planet b

Resin Pellets Heat, Dry, Cool, & Cut

Polyester Yarn Create Fillament

PORT O’PLASTIC Pacific Ocean Plastics are continuing to enter our oceans each day, creating a systemic problem within the American culture of consumerism. My proposal utilizes a plastic eating machine that recycles microplastics into an entirely different material. Port O’ Plastic is based on four phases: research, accumulation, fabrication and results. The proposal has three main aims - Cleaning oceans from a gigantic amount of plastic waste; Creating new land; Constructing a sustainable habitat. This proposal allows for the oceans in 2050 to be abundant, diverse and pure.

Waste Storage Support Spaces

Plastic Capturing Vacuum Balloons

Machine Circulation Paths

Double Membrane Roof System

MEDCAMPS: MASTER PLAN Camp Alabama - Choudrant, Louisiana https://www.medcamps.org/ The Design Build process has led to the opportunity for new developments. With the property expansion, the staff was given 51 acres to work with, over the next 25 years to effectively create a master plan with a variety of new facilities. Duties: -Created zones of property designated to certain activities -Came up with new ideas to place around camp for kids to engage with

DESIGN BUILD: ART CABIN Camp Alabama - Choudrant, Louisiana The 2020 Design Build renovation of Parnell Cabin allowed for a creative art space for children with disabilities. The name AS1 is representative of being inclusive in that any kid with any disability can create art projects all together. Once inside the art cabin, the differences among the kids no longer matter. The cabin is a creative space allowing for any range of imagination. Duties: -Came up with a variety of cabin shemes, floor plans, ideas for a new path leading up to the entrance -Researched ADA requirements for ramps, door widths, etc. -Helped with construction document set for demolition and build of the art cabin -Started to de-construct the existing cabin, the COVID-19 pandemic began 2 weeks into the built portion of the project.

Remove Existing Roof

Remove Existing Roof Structure

Remove Existing Interior Walls

Demolition Diagram Demolition Diagram Demolition Diagram Demolition

Remove Existing Windows

Diagram Demolition Diagram

Diagram Addition Diagram Addition

Diagram Addition Diagram Existing Art Cabin - Demolition Diagram

Addition Diagram Addition

VIEW FROM DECK

CONSTRUCTION DETAILS

PRODUCED BY AN AUTODESK STUDENT VERSION 01

A2.2 4" steel rod screen STUDENT PRODUCED BY AN AUTODESK VERSION

system with multicolored plexi mosaic tiles

wall section 01/A5.2

fiber cement siding 3 4"

8'-8"

fiber cement siding 5

8'-0"

03 A5.1

nat grade

T.O. plate A

t.o. cmu @ studio

T.O. cmu @ kiln rm

entry FFE

06/A5.3

guard rail

00/A0.0

retaining wall

01/A5.1 ret wall & foundation entry FFE

06/A5.3

Finshed Flr

03/A5.0 guard rail & deck frame

landscape block retaining wall with gravel backfill

nat grade

A2.2

02 A5.0

A3.0

infill cmu at exist openings

03 A5.0

Finshed Flr

landscape block retaining wall with gravel backfill

A2.2 guard rail

ledger detail

thru-wall hvac unit

T.O. cmu @ kiln rm

rafter shape

03/A5.3

05/A5.3

3'-2"

3'-6"

guard rail

1.5

03/A5.3

05/A5.3

01/A5.4

11'-1 1/2"

beam at studio building only

painted exposed roof framing

02 A5.2

8'-0"

8'-8"

2x12 rafter

C single course new bond t.o. cmu @ studio 02/A5.4

2'-5 1/2"

steel rod screen system with multicolored plexi mosaic tiles

3'-6"

t.o. plate @ studio

01 A3.0

3'-2"

2'-5 1/2"

single course new cmu bond beam at studio building only

A2.2

11'-1 1/2"

A3.0

01 A2.2

02 A3.0

02 A2.2

steel rod screen system with multicolored plexi mosaic tiles

02 A5.2 rafter shape

2'-6"

3'-6"

8'-8"

8'-0"

11'-1 1/2"

Finshed Flr

2x12 rafter 1.5

t.o. cmu @ kiln rm

03/A5.1 retaining wall

01 A2.2

01 A3.0

03 A5.0 guard rail

01 02 A5.1 A2.2 retaining wall

02 06/A5.1 A3.0

new fill required below concrete flatwork original natural grade

provide gravel drain and waterproof membrane where finish floor is lower that natural grade

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

guard rail

entry FFE finished grade sloped to drain away from building infill cmu at exist openings Finshed Flr

F 3

t.o. cmu @ studio

t.o. plate @ bathroom

single course new bond beam at studio building only guard rail guardrail 06/A5.1 beyond foundation entry FFE nat grade

open

t.o. plate @ studio landscape block retaining wall with gravelt.o. backfill cmu @ studio

single course new cmu bond beam at studio building only

fiber cement siding

8'-0"

2'-5 1/2"

T.O. cmu @ kiln rm

3 4"

8'-8"

corrugated metal roof

3 4" steel rod screen system with multicolored plexi mosaic tiles

10'-5 1/2" 3'-6"

A3.0

2'-5 1/2"

PRODUCED BY AN AUTODESK STUDENT VERSION pt syp 2x6 ledger board slope finished grade to drain PRODUCED BY AN AUTODESK STUDENT VERSION away from retaining wall 1 create gap for drainage 2" galvanized washers to PRODUCED BY AN(3)AUTODESK STUDENT VERSION

1'-2" @ REST ROOM 1'-2"

REST ROOM @ REST 1"=1'-0" 6" 3" 8" JAMB DTLROOM 1"=1'-0"

3" 4"

provide 6 mil continuous RvaporI barrier O atRsoil

varies

RETAINING WALL DETAIL 1"=1'-0" sloped finished grade to drain RETAINING WALL DETAIL

#3 vertical continuous

away from foundation 1"=1'-0"

provide waterproof membrane at slopedcmu, finished grade to drainvapor extend to overlap away barrier from foundation below grade sloped finished grade to drain away from foundation 1 4"waterproof perforated membrane drain pipe sloped provide at 4" per ft cmu, extend towaterproof overlap 1-2" gravel fill vapor 1"=1'-0" provide membrane at barriercmu, below gradeto overlap vapor extend landscape fabric barrier barrier grade 4" perforated drain pipe betweenbelow gravel andsloped earth 41" per ft

RETAINING WALL DETAIL

1 4" perforated drain pipe 1-2" gravel sloped finished grade to sloped drainrebar 4" per ft (8) #3fillcontinuous horizontal awaygravel from foundation 1-2" fill landscape 24" xfabric 8" #3 barrier rebar hoops at 24" o.c. between gravel and earth landscape fabric barrier provide waterproof membrane at gravel and earth (8) #3between continuous horizontal rebar cmu, extend to overlap vapor barrier below grade (8)#3 #3rebar continuous 24" x 8" hoops horizontal at 24" o.c.rebar 1 4" perforated drainhoops pipe sloped 4" per ft 24" x 8" #3 rebar at 24" o.c.

provide 6 mil continuous Regulatory Review vapor barrier at soil

March 9 2020 Reynolds CAD Asmt 1 April 10 2020

1'-2" 1'-2"

1'-2"

1-2" gravel fill landscape fabric barrier between gravel and earth (8) #3 continuous horizontal rebar

24" x 8" #3 rebar hoops at 24" o.c.

3" 8" 3" pt syp deck & framing 1'-2" 4" 1'-2" 4"

(8) #3 continuous horizontal rebar

Contact: Brad Deal 512.466.76 504 Wisteri Hale Hall #1 Ruston LA 71272

Issu

Regulato March 9 Reynolds April 10

Issued Issu

Regulatory Revie March 9 2020 ReynoldsRegulato CAD A April 10 March 2020 9 Reynolds April 10

Issu

Regulato March 9 Reynolds April 10

1"=1'-0"

Contact: Louisiana Tech Brad Deal School of Design Louisiana 512.466.76T ARCH 335 504 Wisteri School of D Design Build Studio Hale ARCHHall 335#1 LA Design Buil Contact:Ruston 71272 Brad Deal Contact: 512.466.7672 Brad Ave Deal 504 Wisteria Hale Hall512.466.76 #136 504 Wisteri Ruston LA Hall #1 Louisiana T 71272 Hale Ruston LAD School of 71272 ARCH 335 Design Buil

ADA compliant aluminum threshold

FND DETAIL 6" ROOM 1'-2" @ KILN

1"=1'-0"

FND DETAIL3" @ CENTER WALL FND DETAIL @ KILN ROOM 06 8" CENTER 3" 24" x 8" #3FND rebar DETAIL @ WALL FND DETAIL @ KILN ROOM 1"=1'-0" 1"=1'-0" STR FRONT HEAD & THRESHOLD DTL A5.4 05hoops at 24" o.c. 06 05

8" varies

varies 8" 1"=1'-0"

2'-3"

Louisiana T School of D ARCH 335 Design Buil

Parnell Cabin | Art Space One Parnell Cabin Parnell | Art Parnell Cabin Space |Cabin Art One Space | Art Space One One Camp Alabama

2090 LA HWY 145, Choudrant, LA 71227

Parnell Cabin | Art Space One Camp Alabama

1'-6" 1'-6"

RETAINING WALL DETAIL 9" 1'-6"

12" grid of #3 rebar

Issued

aluminum storefront out-swinging door 8" per manufacturer 3" installed specifications

1'-2"

1'-6"

2'-3"

rebar @ 4' o.c. 03 fill cells with rebar with

1'-2" 10"

1'-6" 2'-3"

1'-2" 10" 4"1'-2" 1'-2" 10" 4"10"

8" varies

1'-6"

4" 8"

8" 6"

1'-4"3"

1'-10" 4" 1'-10"

1'-10"

vapor barrier at soil

painted pt syp trim @ interior & exterior

1'-10"

12"continuous grid of #3 rebar provide 6 mil vapor barrier soil provide 6 milatcontinuous #3vapor vertical continuous barrier at soil rebar @ 4' o.c. fill cells with rebar with 3000psi concrete

4" FND DETAIL @ CENTER WALL

hoops at 24" o.c.

8"1'-6" 6"

1 1/2"

5 1/2" 5"

5 1/2"

4" 4"

PRODUCED BY AN AUTO 1"=1'-0"

2'-1"

24" x 8"horizontal #3 rebar rebar hoops24" at 24" x 8"o.c. #3 rebar

1'-2"

@ REST ROOM

2'-1"

3" 1'-7" 3"

1"=1'-0"

3"=1'-0"

1'-7" 3"

3"1'-7" 3"2'-1"

1'-7" 3"

1"=1'-0"

12" grid of #3 rebar E

existing concrete flatwork

3000psi concrete #3 vertical continuous 12" grid #3 rebar @ 4'of o.c. #3rebar vertical continuous fill cells with6rebar with provide mil continuous rebar @ 4' o.c. 3000psi vaporconcrete barrier soil fill cells with rebaratwith concrete 12" grid 3000psi of #3 rebar

12"6 grid of #3 rebar provide mil continuous vaporprovide barrier at soilcontinuous 6 mil

8" interior cmu wall

24" x 8" #3 rebar hoops at 24" o.c. (8) #3 continuous horizontal (8) #3 rebar continuous

12" grid of #3 rebar

#3 vertical continuous rebar @ 4' o.c. fill cells with rebar with 3000psi concrete

(8) #3 continuous horizontal rebar

8" 1'-2"

2'-1"

6" 6"

1'-6" 2'-3"

1-2" gravel fill

1'-2"

1"=1'-0" 3"=1'-0" Details

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

aluminum storefront out-swinging door installed per manufacturer 12" grid of #3 rebar specifications provide 6 mil continuous vapor barrier at soil

8" interior cmu wall

provide 6 mil continuous vapor barrier at soil N T E R I

1"=1'-0"

3000psi concrete 8" interior cmu wall

12" grid of #3 rebar

CONC/WOOD TRANS DTL

vapor barrier at soil

8" cmu wall

1"=1'-0"

CONC/WOOD TRANS DTL 1"=1'-0" CONC/WOOD TRANS DTL

12"6 grid of #3 rebar provide mil continuous vaporprovide barrier at soilcontinuous 6 mil

uous rebar @ 4' o.c. ith 3000psi concrete

#3 vertical continuous rebar @ 4' o.c. fill cells with rebar with 3000psi concrete #3 vertical continuous 8" interior cmu wall @ 4'continuous o.c. #3rebar vertical fill cells with rebar rebarwith @ 4' o.c. 3000psi fill cells concrete with rebar with

12" grid of #3 rebar

8" cmu wall

1'-4"

4"T

3"1'-4" 3"

6" E

typ. 4"x8"x12" precast landscape retaining wall9" block

512.466.7672 504 Wisteria Ave Hale Hall #136 Ruston LA 71272

1'-4"3"

provide 6 mil continuous vapor barrier at soil

cmu wall ith 8" 3000psi concrete

12" grid of #3 rebar

rebar @ 4' o.c. 1"=1'-0" 00psi concrete uous rebar @ 4' o.c.

JAMB8"DETAIL DTL DGE cmu wall 3"=1'-0"

site 4" glazed aluminum storefront transom installed 6" 4" per manufacturer specifications

CONC/WOOD TRANS DTL

02 02

uous rebar @ 4' o.c. ith 3000psi concrete

with 41" drip edge

concrete extends 6" into undisturbed soil

1"=1'-0"

6" 4" head flashing 1-1/2" x 3/4"

E DETAIL 1"=1'-0" DGE DETAIL

2x6 joist hanger

4" perforated drain pipe existing concrete flatwork sloped 41" per ft

continuous grid of 6" galvanized welded wire mesh provide backer rod & Contact: reinforcing folded down Brad Deal weatherproof sealant

pt syp 2x6 deck joist

School of Design ARCH 335 Design Build Studio

painted cementanchor siding @ 16" o.c. 5 1/2" fiber x 21" wedge

1"=1'-0"

5 1/2" 15"1/2" 5 1/2" 5" 1 1/2"

4" varies with grade 4" 4" varies with grade varies with varies 4" with grade 4" grade 4" 4" 4"

6" 4" DGE DETAIL 6" 4"

2x6 joist6"hanger concrete extends into undisturbed soilbeyond existing cmu wall concrete extends 6" into undisturbed soil pt syp 2x6 deck board

landscape retaining wall 1-2" gravel fill slope finished grade to block drain fromflatwork retaining 1-2" gravelwall fill existingaway concrete

PRODUCED BY AN AUTODESK STUDENT VERSION

extends 6" pt concrete syp 2x6 deck board pt syp 2x6 deck joist into undisturbed soil pt syp 2x6 deck joist 2x6 joist hanger

painted gypsum board

sloped typ.existing 4"x8"x12" precast 4" per ft concrete flatwork landscape retaining wall block typ. 4"x8"x12" precast

reinforcing folded grid down continuous of 6" galvanized welded wire mesh reinforcing folded down pt syp 2x6 ledger board triple12x8 header Louisiana Tech (3) 2" galvanized washers to create gap for drainage

PRODUCED BY AN AUTODESK STUDENT VERSION

existing cmu beyond 2x6 wall joist pt syp 2x6 deck boardhanger

galvanized washers create gap for drainage 5 1/2"(3) x 212"" wedge anchor @ 16"too.c.

x 21"ofwedge anchor @ 16" o.c. grid 6" galvanized welded wire mesh VERSION BY continuous AN5 1/2" AUTODESK STUDENT

FND DETAIL @ CENTER WALL

1"=1'-0"

PRODUCED BY AN AUTODESK STUDENT VERSION

1 2"

pt syp deck joist existing cmu wall2x6 beyond PRODUCED

6" 4"

pt syp 2x6 deck board

4" perforated drain pipe 1 slope finished gradesloped to drain 4" per ft away from retaining wall slope finished grade to drain typ. 4"x8"x12" precast awayretaining from retaining wall landscape wall block 4" perforated drain pipe 1 sloped 1-2" ft pipe 4" perforated drain 4" per gravel fill

5 1/2" x 21" wedge anchor @ 16" o.c. pt syp 2x6 ledger board continuous grid of 6" galvanized welded wire mesh 1 pt syp 2x6 ledger board (3) 2" galvanized washers to create gap for drainage reinforcing folded down

1 1/2"

existing cmu wall beyond

ODESK STUDENT VERSION

1"=1'-0"

FND DETAIL @ KILN ROOM

1"=1'-0"

A5.1

Details

A5.1 A5.1

Details Details

A5.1

Details

ULL LABORATORY SCHOOL Lafayette, LA The leading goal throughout the lab school was to refurbish elementary learning spaces in order to make them more effective in aiding critical thinking, independence, and communication. Skills related to research, organization, problem-solving, and the mastery of technology are significant assets. The exposure to different rooms helps to promote a variety of teaching styles with the use of flexible furniture. The integration of natural wetlands into the campus allows a closer tie not only to the city’s sustainability efforts, but also the restoration and protection of local wildlife ecosystems.

ANALOG WORK With the mythological city of Fedora as a conceptual framework, the representations reveal themselves as an interpretation of the city. This project was inspired by Italo Calvino’s, Invisible Cities. Fedora is known as the city of unfinished desires. Medusa represents a muse, a feminist symbol. The composition tells a story as some of the images are used as foreground while others as background. The focus on juxtaposition and creative orientation create a fantastic and bizarre city that is in line with the mythological plot.

Solid & Void

House VI Floor Plan

Hale Hall Stairwell Section

BUILDING BRIDGES REHABILITATION CENTER Las Vegas, NV // ACSA 2021 Steel Competition Entry Building Bridges Rehabilitation Center is a place of refuge and safety for victims of human trafficking in Las Vegas, Nevada. The facility’s purpose is to provide a holistic approach to restoring the physical, emotional, spiritual, and psychological health of trafficking victims, helping them live independent lives. This process begins with a safe place to live and focuses on social skills, life skills, and vocational development. The program reactivates community life with outdoor and recreational areas while providing a voice to the unseen through prevention and educational resources geared towards the public, creating a duality of purpose. Signage will be a common theme throughout the facility’s resource areas, pulling from the established Las Vegas scenery and becoming a beacon of light across the United States. The architecture and symbolism became interconnected allowing for a porous programmatic layout surrounding a central void.

VOLUME establish proper square footages for necessary shelter related program SUBTRACTION carve away from the building envelope to develop structural framework in which voids are designed to be inhabitable SCULPT allows for views of the Las Vegas strip and mountainous regions surrounding the site, giving the users a sense of community

media mesh skin grid structural system with led connections

steel space frame roofing system

steel truss rib connections draw back into main structural space frame above

floor plate structural system

4 vertical steel super truss columns as primary structure to hold fire stairs and elevator cores

concrete foundation

T.O. BUILDING ENVELOPE

LEVEL NINE fitness area

LEVEL EIGHT restrooms showers housing rooms LEVEL SEVEN restrooms showers housing rooms LEVEL SIX restrooms showers housing rooms LEVEL FIVE restrooms kitchen/seating laundry conference room

library computer lab classrooms chapel

LEVEL FOUR restrooms barber clothing closet clinic LEVEL THREE restrooms counseling offices administration LEVEL ONE & TWO restrooms coffee shop security outdoor plaza check-in sensory spaces LEVEL UNDERGROUND museum walkthrough lecture theater media center donation storage restrooms

steel space frame roofing system

steel super truss column as primary structure

media mesh

floor plate steel structural system

steel fire stairwell

Ground Level Atrium + Check-In Facilities

Second Level Outdoor Plaza

Underground Digital Media Education Center

RIB PROJECT Ruston, Louisiana 12-rib design-build project designed around planar materials as a skin and surface relationship. The use of joinery relates to “architectonic” scale and proportion. The transverse repetition is seen as one rib and is repeated in different scales, which provides a complexity of form and space. The design includes shading devices and benches for the users to enjoy. Conceptually, this project was focused around density and movement. The cluster concept provides the users with a communal sense.

varying heights & angles

screening device

connection joints

tension cords anchoring to ground

Concept Object

3D Section

Design Build Project

3D PRINTED HOMES Innovation rarely touches those who need it most. The future of 3D printed homes is a distinct advantage allowing for quick construction of low-cost permanent housing for the world’s homeless population of 150 million people. The printing process eliminates most of the construction waste that typical processes cause meaning they can be produced with roughly zero waste. Layer by layer, a printer extrudes beads of LavaCrete, which is a proprietary cement blend, until the walls are structured completely. The intersection of innovation and social impact can be seen through the affordability that the housing units create as the reduced costs would translate right into the idea of affordable housing for the poverty-stricken communities.

CUSTOM RESIDENTIAL - FRANKLIN ARCHITECT Codner Residence - San Antonio, TX

Floor Plan

Bathroom Renovation Elevations

Siebold Residence - Bulverde, TX Master Suite Addition

First Floor Plan

Second Floor Plan

Front Elevation

Back Elevation

PHOENIX HUB RECREATION CENTER Florida Polytechnic University - Lakeland, FL The proposal for a sustainable Student and Recreation Center is guided by the COTE Top 10 strategies and designed in response to the COVID-19 pandemic. The new development is approximately 65,000 square feet, covering 4 floors. Within the recreational areas of the building, some of the program sectors include weights + cardio, multipurpose studios, locker rooms, bouldering, sports gyms, and an indoor track. Within the student center divisions of the building there are food vendors and seating, a lecture theater, classrooms, along with a variety of study spaces. The sustainable features throughout the building include zeroscaping, rainscreen siding, green roofs, PV panels, and cross ventilation. The strong visual and physical ties to nature will be encapsulated using transparencies meant to draw visitors and students along this journey to ultimately arrive at the new social hub intersection. The conceptualization of the building is based on a set of rules allowing for a continued datum along the façade. The push and pull hierarchy formulates a contrast in building materials based on the private versus public interior spaces.

TO/FROM CORE

Public / Private

Light / Shadow

spatial Intelligence & people-counting sensors

low-touch & voice enabled touch

remote collaboration

smart buildings cybersecurity tech

touchless entry

Covid-19 Accommodations

Cafe + Lobby Interior Space

Walking Bridge View

MAORI SPIRITUAL MUSEUM Kerikeri, New Zealand

Slab/Shear Wall

Embodies the element of aether. The site was selected based on the Marae, the Maori meeting grounds. The site forms multiple views to prioritize within the design. Specifically, looking out over the water and the burial mound out towards the peninsula. The entrance is placed on the curve of the original walking trails. This building is composed of three distinct fluid forms. Mauri is the life force corresponding with spiritual practices of Maori Culture. Mana is the spiritual power and energy flow within the Mauri. Tapu is the spiritual restriction within the nature based realm. Each form represents one of these spiritual beliefs. The top two segments have glass and steel to create a sense of solid vs. void. The skin is kinetic, allowing for different amounts of light in the interior.

Steel Structure

Curtain Wall

Skin System

First Floor & Site Plan

North Elevation

Section

PERSONAL WORKS

Green With Envy, 8x10, acrylic on canvas, 2020.

Tranquil Energy, 8x10, acrylic on canvas, 2020.

Oceanic, 8x10, acrylic on canvas, 2020.

Cotton Candy, 8x10, acrylic on canvas, 2020.

Fire Sky, 8x10, acrylic on canvas, 2020.

Mars, 8x10, acrylic on canvas, 2020.

REFERENCES

BRAD DEAL LA Tech Design Build & Studio Professor # 512-466-7672 braddeal@latech.edu DR. PASQUALE DE PAOLA LA Tech Arch. Program Chair # 318-257-5263 pdepaola@latech.edu DAMON CALDWELL LA Tech Arch. Graduate Director # 318-218-2858 caldwell@latech.edu