We are an independent 501c3 non-profit organization, one of 13 regional chapters. In the five short years since our inception we have produced seven exhibitions. We have held shows in the Houston area, and last year expanded into San Antonio. We aim to show in other major cities across the state. Being a large state brings many challenges for us, being hard to gather and expensive to ship work. Together we can form a network that makes it more possible. We want women’s art to be made and to be SEEN. Additional activities include meetups at museums and galleries, as well as online lectures on topics like art pricing or how to choose gallery representation.
We welcome all artists who identify as women and encourage everyone to contribute. Currently we have 61 members who range in experience, from some just venturing out for their first time showing to the public, to seasoned professional who are represented by galleries and collected by museums. We all learn from each other and have something to offer, as well as something to benefit from, in being a member of the Women’s Caucus for Art.
Join our chapter to develop friendships, exhibit and publish your work, learn leadership skills, and participate in stimulating dialogues with other women artists.
For more information visit: www.TexWCA.org 5702 Rutherglenn Dr. Houston, Texas, 77096 TEX.WCA@gmail.com @Tex.WCA facebook.com/groups/tex.wca
About the Gallery:
Sawyer Yards was officially launched in 2005, with the conversion of a 75,000 SF warehouse surrounded by a still-thriving rail yard. The renovated building received the first art studio ordinance granted in the city of Houston. The dedicated creative campus gained momentum with the unique, architecturally sensitive conversions of five other studio complexes in the area, which to this day, remain 100% leased.
Sawyer Yards has proved to be, from the start, focused on creativity. The distinctive environment plays up the neighborhood’s eclectic and industrial past, and moves it forward with the energy of today’s artists, makers, and innovators. Many of the structures have been reclaimed rather than rebuilt, respecting the buildings’ original character. Inside, the raw expanses of the buildings remain intact but improved by highquality lighting, climate-controlled environment, secure spaces, and open areas designed specifically for artists, art services, and other creative entrepreneurs.
To enhance its position as a bustling campus that attracts people and encourages them to linger, Sawyer Yards continues to add artisanal eating, drinking, retail, and recreational opportunities for tenants and visitors.
ThroughHerEyesis our chapter’s seventh exhibition. With each show we have grown: more members, more visibility, expanding beyond Houston into San Antonio, adding prizes, and increased publicity. This time we have our first grant funding, enabling us to hire a professional juror. And we have our very first show catalog documenting it all.
Our board has learned new skills, set up new systems, and learned to work together as a team. I’m proud of our rising presence in the five short years since our founding in 2021. In the coming years we aim to expand into additional cities across the state.
I would like to thank the members of our board who have contributed their expertise and time to this exhibition: La Toya Smith, Afi Lane, and an especially warm thank you to the chair of this exhibition, Rona Lesser. She has bravely stepped up in countless ways, putting her heart and energy into every facet of the production. Her tireless work helped our chapter produce our best show to date.
I also would like to sincerely thank our juror, gallery owner Heidi Vaughan, appraiser, and champion of Texas women artists. She graciously honored us with her expert curation and energy.
ThroughHerEyesfeatures 45 works, and runs from June 1 to July 11, 2026. We invite you to join us in amplifying voices, celebrating stories of women’s lives, and using art to inspire transformative changes. Together, we will challenge the status quo and redefine what being a woman artist means in the 21st Century.
It is always an honor and a privilege to be invited to be the juror for an art exhibition. In this instance, I am especially pleased to work with the Women's Caucus for Art. Supporting women in the arts is very important to me. As an art gallery owner, I am proud of the fact that I have always represented mainly women artists. I thoroughly enjoyed spending time with what you submitted for ThroughHerEyes . When I am looking at art, I regularly ask myself a few things: Is this something I have seen before? Which is to say, is it original? Also, does it speak to our times? And finally, does the work make me feel the artist's intention? I made my choices for this exhibition based on images I looked at online, which is an imperfect way to look at art. It seems to be the best way to do it, but had I seen all the objects in person, I imagine I would have made some different choices. I want to thank everyone for submitting art for this exhibition. I encourage you to continue to creating and expressing yourself through art.
Heidi Vaughan
Heidi Vaughan Fine Art 3510 Lake Street, Houston, Texas heidivaughanfineart.com / @heidivaughanfineart artsy.net/partner/heidi-vaughan-fine-art facebook.com/heidivaughanfineart
ABOUT THE JUROR:
Heidi Vaughan is the owner of the highly respected Heidi Vaughan Fine Art Gallery in Houston, Texas, as well as an art advisor and art appraiser. Her gallery represents museum-level Texas artists. Heidi has a master’s degree in art history from the University of Houston. She has worked in a professional capacity with art museums in Texas, including the Museum of Fine Arts Houston, and the Blaffer Museum at the University of Houston. She has consulted on thousands of works of art and fine art objects from corporate, institutional, and private clients. She is an accredited member of the International Society of Appraisers in Fine Art.
ABOUT THE WOMEN’S CAUCUS FOR ART:
The WCA is the leading national organization for women actively engaged in the visual arts professions. Founded in 1972 in connection with the College Art Association as an NGO (non-governmental organization) of the United Nations, the WCA is a member organization unique in its multidisciplinary, multicultural membership of artists, art historians, students, educators, and museum professionals. For over forty years, artists, art historians, curators, and critics have benefited from active collaboration with one another. The WCA is committed to:
• Creating community through art, education, and social activism.
• Recognizing the contribution of women in the arts
• Providing women with leadership opportunities and professional development
• Expanding networking and exhibition opportunities for women
• Advocating for equity in the arts
For more information visit: www.nationalwca.org
P.O. Box 1498, Canal Street Station New York, NY 10013-1498 info@nationalwca.org