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Portfolio of Kamyar Movaffagh Vol. 2.1

Page 1

II


A special Thank You, to all of my studio professors and mentors at both The University of Calgary and The University of Oklahoma, for pushing me to my limits and inspiring me to explore new ideas and techniques.

III


CONTENTS

1 2 3 4 5 6 IV

THE SUPERLOOP

9-19

WALDHAUS STUDIO

20-29

THE SHARD

30-37

MARTIAN LAB

38-45

528 NW 115TH

46-53

ILIAD & ODYSSEY

54-62


KAMYAR MOVAFFAGH Phone: 405.537.2608 e-mail: movaffaghk@gmail.com EDUCATION Master of Architecture Cont. University of Oklahoma, Norman, OK

2018 - 2020

Master of Architecture University of Calgary, Alberta, Canada

2016 - 2018

Bachelor of Science in Architecture and Biomimicry University of Oklahoma, Norman, OK

2010 - 2015

College of Architecture

School of Architecture

College of Architecture & College of Arts and Sciences RELATIVE WORK EXPERIENCE Design Professional II

Feb. 2022 - Present

Co-Owner and Designer

July 2020 - Present

FSB Architects + Engineers, Oklahoma City, OK Led an office space project for United Airlines and a hangar project for AAR, from schematic design through construction administration; drafted construction documentation on medium to large scale projects for American Airlines, Airbus, Tesla, and Will Rogers World Airport; earned Honourable Mention award in the Skyrise 2022 IMPACT international design competition. NOVA HOMES, LLC, Oklahoma City, OK Design development, construction documentation, construction administration, project management. 2 homes designed, built, and sold thus far with 3rd under construction, to be completed by end of 2024. Graduate Assistant

Aug. 2018 - May 2019

Summer Research Assistant

May 2017 - Aug. 2017

University of Oklahoma, Norman, OK Assisted Professor of Architecture, Dr. Lee Fithian, with teaching and grading course materials.

Laboratory for Integrative Design, University of Calgary, Alberta, Canada One of the few selected students dedicated to Robotic & Digital Fabrication and Algorithmic Design. PROFESSIONAL SKILLS

Modeling Rendering Graphic Other

Revit, Rhinoceros 3D, Grasshopper, Maya, Sketch-Up, Autodesk Recap Lumion, V-Ray Adobe Photoshop, InDesign, Illustrator Residential Construction, Microsoft Office Suites, 3D Printing, Digital Fabrication, Physical Architectural Modeling, Video Animation

AWARDS Honourable Mention – Skyrise 2022 IMPACT Design Competition In-State Scholarship and GA position for one year of study at OU OU President’s Honor Roll OU Dean’s Honor Roll

Spring 2022 Fall 2018 Fall 2015 Spring 2015

LANGUAGES English – Fluent Farsi – Fluent

V


1


1

THE SUPERLOOP CALGARY, AB CANADA RAMSAY DISTRICT

WHAT’S THE NEXT BIG LEAP?

2


THE SUPER L

P


GREATER SITE PLAN

DISTRICT RELATION TO DOWNTOWN A 32,000 SQ-FT Multi-Residential Housing, located on 11 ST SE in the Ramsay district of Calgary, Alberta. This is a very unique site in that it has residential, commercial, and retail zonings all mixed together without any sort of physical boundaries. Train tracks run through the north east edge of the site and the Crossroads Farmers Market is located at the very south east edge. After noticing a disturbance of noise from the train tracks to the residential zone on the west side of 11 ST, it became clear that new the housing unit would have to address that issue in its design. Can the form of a building be used as a way to manipulate and deflect sound?

IMMEDIATE SITE PLAN

5


SOFT SYSTEMS: “A SYSTEM IS ‘SOFT’ WHEN IT IS FLEXIBLE, ADAPTABLE, AND EVOLVING THROUGH A NETWORK OF ACTIVE INFORMATION OR FEEDBACK LOOPS.” - SANFORD KWINTER

PART 1

SITE AND NOISE ANALYSIS

PART 2

UNIT STUDIES ON SOUND DISPERSION

6


PART 2 CONT. PROGRAM LAYOUT

The idea was that convex surfaces would be the most effective form to disperse noise from the nearby train. A curved floor plan also allowed for sunlight to transition through each section of the unit as the day progresses. Thus the kitchen was placed in the east and the living room was placed in the west with the dining room placed in between. The bedrooms were positioned in the back in order to be isolated from the train and nearby traffic noise. This style of program layout made each room independent of one another, making modularity and limited customization possible. Owners can choose from the program catalogue based on their needs, and each module is then inserted into the structure based on a few rule sets.

ORIGINAL PARTI DIAGRAM

P R O G R A M C A T A L O G U E

P R O G R A M C A T A L O G U E

INSERTION DIAGRAM

ENTRY WAY

VARIATION SCENARIO

DINING

KITCHEN

LIVING ROOM 1

LIVING ROOM 2

MASTER BATH & CLOSET + MINI STUDY

MASTER BEDROOM

PART 3

AGGREGATION OF UNITS P O S S I B L E S C E N A R I O S

7

BEDROOM 1

BEDROOM 2


AXONOMETRIC PROJECTION OF STRUCTURE

MODULAR STRUCTURAL ASSEMBLY

Each of the unit’s components are divided into equally sized prefabricated modules and inserted into the structure at the site. The steal framing of the structure itself can also be assembled from prefabricated modular components and welded together at the site. The diagram to the left explains 5 different types of joints that can be used for various parts of the framing. The stacked concrete stairwells and elevator shafts on each side of the building serve as the core of the structure. While the reinforced concrete floor plates extend outwards to serve as a secondary structure in conjunction with the stacked vertical frames, and further supported by the lateral and cross bracings. The final key component of the structure are the C shaped steal beams that are welded underneath the lateral and cross bracings. This piece acts as an adapter for the T-Beams attached to the top of every module of the units.

NW SECTION

8


DININ

TC

HE

BED

The south loops are larger and can have up to 3 bedrooms and 3 bathrooms per unit, and also with the capacity to have a formal and family living room, a dining room, and a full-sized kitchen. A maximum of 2200 FT2.

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All units also come with a BE DR OO balcony space regarldless M PATIO M1 2 ROO ENTRANCE BED of size. DININ

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9

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The South Loops are larger and can have up too three All units with a balcony space regardless of size, and every loop bedrooms andcome three quadrant hasand access to their own green rooftop. Part of the rooftop is bathrooms peralso unit, also paved and shaded for patio tables and chairs, and the other half functions with the capacity to have two living a dining, as a rooms, green-roof. There is also a communal courtyard on the ground floor. and a full sized kitchen. A maxi-mum of 2200 ft2.

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FORMAL LIV

capacity for up to two bed The north loops have the capacity for up to 2 bedrooms and 2 bathrooms, rooms and 2 bathrooms, with with a formal and family living, dining room, and a full-sized kitchen per unit. a formal and family living, 2 dining room, and of a full sized A maximum 1800 FT . kitchen per unit. A maximum of 1800 ft2.


N. ELEVATION

S. ELEVATION

E. ELEVATION

W. ELEVATION

10


Because this building is modular and all of the units are customizable, the exterior will not always look the same as if it were a full house. It could have many different possibilities based on the occupants’ needs. Here are a few possible scenarios from two different perspectives of what that might look like over time.

Conclusion: Designing a modular building can be approached easily during the conceptual phase, but the underlying values must stay true from the beginning. If later on, other design elements and features are added that undermine the initial concept, then things can get pretty complicated, but can also result in something very interesting if the complications are worked through. One must learn to define and study all of the various systems and ecosystems that can be found at a site and use that knowledge to drive the design forward. Instead of having a preconceived idea in mind, it’s important to make sure that the design is suited for the site and become one with it, not as a separate entity causing disturbance to various systems.


2

WALDHAUS STUDIO MOORE/NORMAN, OK USA COTE COMPETITION

12


WALDHAUS STUDIO

This project was submitted to the COTE Top 10 Student Competition. The project is designed based on the ten sustainability measures of COTE. These measures are Design for INTEGRATION, COMMUNITY, ECOLOGY, WATER, ECONOMY, ENERGY, WELLNESS, RESOURCES, CHANGE, and DISCOVERY. This project has some main considerations based on the location of the site and regional context. The first one is stacking the masses and having a minimal footprint on the site. This method allows for a storm shelter to be embedded into the ground and for the entire building to be raised off of the flood plain. The second one is minimized wall heights n downward facing slopes. The third is having sloped and flat roofs to break up the massing. The fourth is optimized fenestration with a large south facing inset window in the primary space for optimal solar gain in winter and minimal solar gain in summer.


DESIGN APPROACH & 10 COTE MEASURES DESIGN FOR INTEGRATION

DESIGN FOR COMMUNITY

DESIGN FOR DISCOVERY

DESIGN FOR ECOLOGY

DESIGN FOR CHANGE

innovative

optimal feNestration

DESIGN FOR WATER

DESIGN FOR RESOURCES small footprint

panoramic views

DESIGN FOR ECONOMY

DESIGN FOR WELLNESS DESIGN FOR ENERGY

LESS POLLUTION

SAVES TIME

PREFABRICATION

SAVES RESOURCES

PRECISION CONSTRUCTION

COMPLEX STRUCTURE

LESS WASTE ON SITE

QUALITY CONTROL

15


DESIGN FOR COMMUNITY

N

A school of design that focuses on energy efficiency and resiliency while pushing further the envelope of steel and concrete design and modern architecture. The site is designed with multiple nature paths that can be used by the entire nearby community for biking, running, walking, etc. Extending the path over the creek and to the nearby apartment complex. And further extending another path all the way to the adjacent street to the west to provide an additional access to the greater community approaching from the west.

DESIGN PRINCIPLES

Stepped floors to reduce cut/fill and to elevate the entire building off of the flood plain.

Wall heights minimized on downward facing slopes.

MINIMAL FOOTPRINT + EMBEDDED STORM SHELTER

MINIMIZED WALL HEIGHTS

Large south facing inset windows in primary spaces provide optimal solar gain in winter and minimal solar gain in summer. OPTIMIZED FENESTRATION

Stepped and sliced roofs to break up massing.

SLOPED AND FLAT ROOFS

NATURALLY LIT PANORAMIC VIEWS

16


GALLERY WALL SECTION A7

Absorption Coefficient via Checkered Configuration 500 Hz: .252 αn 1000 Hz: .492 αn 2000 Hz: .515 αn

NRC: .3 LIGHTWEIGHT CONCRETE ACOUSTICAL PANELS

17

PHYSICAL SECTION MODEL


PARKING

SHELTER KITCH STUDIO

GALLERY

B2 & B1

G & L1

DROP-OFF

LOBBY BALCONY

L2

VERTICAL CIRCULATION

1. MAIN ENTRY/LOBBY 2. CONFERENCE ROOM 3. KITCHENETTE 4. GALLERY 5. STORM SHELTER/STUDIO 6. STUDIO SPACE 7. PARKING

2

1

7

3

4 5

18

6


SECTION 7

DESIGN FOR WATER An intricate rainwater harvesting pavilion is positioned in the middle of the site with a 3,600-gallon cistern below grade. Rain water is collected and is pumped back to the building’s utility room to be distributed for greywater and landscaping usage. SECTION D

19


DESIGN FOR ENERGY

Integration of PV panels on the slopped rooftop of the gallery, tilted southwards to produce electricity and store them in 4 TESLA Powerwall batteries located in the utility rooms of the gallery and the storm shelter. The storm shelter has its own independent HVAC and backup electricity systems so that it is not dependent on the main supplies in case of a total loss of power during severe weather. DESIGN FOR ECOLOGY

Approximately 55% of the footprint is recovered by green roofs planted with native grasses. Removal of invasive species like Poison Ivy from the north of the site while leaving the back (south) of the site as is. Creating a gradient canopy from north to south starting with native grasses, then small shrubs and bushes, then short and young trees, and finally the existing mature trees towards the very back (south) of the site.

STRUCTURAL SYSTEM W18X119

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PRECAST BEARING WALLS

20

L2 STORM SHELTER -22’

L1 STUDIO SPACE -26’


DESIGN FOR WELLNESS The Waldhaus, following the footsteps of the Bauhaus in Dessau, is intentionally designed to have bright white interior spaces that exude openness, minimalism, and precision to create a sensation of cleanliness and health for its inhabitants with ample amounts of natural light from the south facing panoramic windows. DESIGN FOR INTEGRATION Minimal footprint with embedded storm shelter. Tiered floor plan approach to reduce cut and fill into the site and to elevate majority of the building off the floodplain. The main approach to the building is positioned on the far north edge of the site on a built-up plateau to have the most optimal views of the tree line and to have minimal disturbance to the rest of the site from construction vehicles. Glazed elevation facing the south for maximum solar heat gain in the winter. DESIGN FOR CHANGE The expansion of the pathway across the creek and to 36th Ave NW will not only give greater access to the community, but in the near future, the city of Norman plans to expand its bike lane northwards towards Moore. 36th Ave NW being one of those expansions. DESIGN FOR RESOURCES Primary materials are steel and concrete, both of which have local factories with a 10 mile radius from the site. All concrete walls of the building are designed to be prefabricated off site and assembled on site. Prefabrication saves time, resources, produces less waste, and allows for complex and precise structures.

21


3

THE SHARD NORMAN, OK USA UNIVERSITY OF OKLAHOMA BUS STOP

22


THE SHARD


S JENKINS AVE

ASP AVE

This area is one of the two main bus stops on campus, the other being east of Jenkins Ave near the Duck Pond. The existing bus stops at this location are rather small and don’t provide enough shelter for more than a dozen students during extreme weather like cold and rain. Furthermore, they lack to provide an experience. Not to mention they are directly across the stadium and are rather unpleasant to look at.

ELM AVE

The purpose of The Shard was to create an element that experiments with Form, Shadows, and Pathways; and also serves as a place of play and gathering during the rush hours of the day when people are waiting for the bus. Both the top and bottom levels were designed to be maze like and playful.

W. lindsey ST

25


PART 1 SOLID

ORDER , PATH , & PROCESS Physical models are such an important process for designers and architects. In the case of this particular model, instead of going straight from a digital model to physical using a laser cutter, CNC, or 3D printing like usual, a more traditional method of model making was taken using a chisel, hammer, and band saw.

26


PART 2 SKIN

2.0

3.0

4.0

1.1

2.1

3.1

4.1

1.2

2.2

3.2

4.2

ORDER

PHYSICAL MODEL

PROCESS

1.0

27


28


“

In order to give meaning to the world, one has to feel oneself involved in what he frames. This attitude requires concentration, a discipline of mind, sensitivity, and a sense of geometry.

- Henri Cartier-Bresson

Our public spaces must not be solely of function but also inspiration and an invitation to become part of a community. As human beings, we do not exist to be bored and isolated. The traditional bus stop at this location fails to stimulate our senses in a fulfilling way and encourage connection between community members. The trade-off to our fast-paced tech world is that we lack the patience to enjoy simply existing. By intentionally incorporating playful design, skyward lines, and peek-a-boo moments into this structure, we create a space that beckons the child in all of us to come out and play.

29

”


4

MARTIAN LAB MARS

30


MARTIAN LAB


EFFICIENCY OF DOMES Reason 1 that domes are efficient is because the ambient airflow inside a dome is continuous, with no stagnant corners, requiring less energy to circulate air and maintain even temperatures. About 30% less energy than conventional buildings. Less surface area makes these buildings less susceptible to temperature changes, and thus inexpensive to heat and cool as compared to rectangular homes. The aerodynamic exterior means cold and warm air flows around the structure instead of forcing its way into the interior.

CORRECT TRILATERATION

INCORRECT TRILATERATION

PLATEAU’S LAWS

Plateau’s laws describe the structure of soap films. These laws were formulated in the 19th C. by Belgian physicist Joseph Plateau from his experimental observations. Many patterns in nature are based on foams obeying these laws. The 1st law states that soap films are made of entire smooth surfaces and the mean curvature of a portion of soap film is constant on any point on the same piece of soap film. The 2nd law states that soap films always meet in threes along an edge and they do so at an angle of across 120°. And the 3rd law states that these edges meet in fours at a vertex, and they do so at a solid angle of across 109.47° (the tetrahedral angle). Any configuration other than those of Plateau’s Laws are unstable an the film will quickly tend to rearrange itself to conform to these laws or burst.

1st

2nd

3rd

BUBBLE STUDIES


Reason 2 being the high volume-to-surface area ratio, requiring less building materials to enclose more space. The sphere has 30% less surface area per volume enclosed than any other shape. The geodesic dome combines the inherent stability of triangles with the advantageous volume -to-surface-area ratio of a sphere. The larger the dome, the more efficient it becomes.

INITIAL CONCEPTUAL STRUCTURE W/O THE USE OF GRASSHOPPER

The geodesic dome is the lightest, strongest, and most cost-effective structure ever devised. It is able to cover more space without internal supports than any other enclosure, which makes them perfect for building enclosures on other terrestrial planets. Combining multiple geodesic domes of various sizes becomes very complicated to design manually without the use of advanced mathematics. That’s where Grasshopper comes into play. Setting up a proper grasshopper script allows for limitless possibilities on size and number of domes to merge together like bubbles using simple algorithms. Below is sections of the script put together to computationally design the geodesic portion of the structure. The garage, entry room, air lock, and interior partition walls were designed manually and attached later. RADIUS OF SPHERES

FINAL FORM ISO-SURFACE --> POLYGONAL MESH ALGORITHM

MESH REFINEMENT

HALLWAY

2ND MESH REFINEMENT

FRAME OUTPUT

GLASS OUTPUT

SECTION B

34


FRONT ELEVATION

RIGHT ELEVATION

REAR ELEVATION

LEFT ELEVATION

35


SECTION A

36


AXONOMETRIC PROJECTION OF STRUCTURE

Triangles are the strongest geometry because they have fixed angles. Apply pressure to one edge of a triangle, and that force is evenly distributed to the other two side. Combine spheres and triangles, and you get geodesic spheres; a very durable and economical 3-dimensional structure. It becomes proportionally lighter and stronger the larger it is. The geodesic dome is a breakthrough in shelter, not only in terms of cost-effectiveness, but also in ease of construction and energy efficiency. The cascading distribution of pressure between the triangles is how geodesic domes efficiently distribute stress along the entire structure, much like the shell of an egg. And it just so happens that pentagons and hexagons can be neatly divided into triangles, the foundation of geodesic domes, so they are also exceedingly strong.

37


5

528 NW 115TH OKLAHOMA CITY, OK USA UNDER CONSTRUCTION (EST. FALL 2021)

38


528 NW 115TH


This house is my first real built project as an Architectural Designer. I bought the land in early 2020 and by the end of August had drawn up all the plans, construction documents, and renders. By September I acquired all the building permits from the City of Oklahoma City and hired a contractor, and by mid October we broke ground. I partnered with my brother and together we are self-funding this project. Located in the Chisholm Creek Neighborhood in NW OKC with just over 1690 SQ-FT and an oversized attached garage. The program was to have 3 good sized bedrooms, 2 baths, a living, kitchen, and dining, plus a study. To do this, an open floor plan for the living, kitchen, and dining was absolutely necessary in order to create openness and conserve space. This house is projected to be complete and ready for sale by Fall of 2021, and our next house is going to be built in Midwest City near Pecan Grove Park, about 10 minutes away from Tinker Air Force Base. �� ��

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


R E D N E R V S R E A L I T Y

45


6

ILIAD & ODYSSEY

THE GALACTIC FRONTIER

46


THE ILIAD - STEALTH BOMBER


1.

2.

3.

4. Repeat on all four sides.

6. Using creases, fold bottom point of model. Repeat on all four sides.

5. Make creases then open. Repeat on all four sides

7. Repeat on all four sides.

9. Repeat on all four sides.

8.

10. Twist down petals on all four sides to complete Lily

Side elevation enlarged to show detail.

11. Shape into a Fleur-de-lis. Rear petal: flat & upright Side petals: twist down

12. Fold side petals inwards and anlged down at a 35°. Peal open front petal.

13. Fold down front petal from its base.

14. Push sides inward to open cavity and tilt wings upward.

12m40 / 40’8” SIDE

FRONT

40m / 131’3” 7m8 / 25’7”

5m45 / 17’11”

30m65 / 100’7”

5m34 / 17’6” SECTION 6m65 / 21’10”

TOP

49


A design in the mind is merely half-designed; only in building and modifying physical models can ideas fully come to life. The refinement of a concept for both form and function takes place in tactile, explorative building, a process shaped as much by childlike curiosity as creative vision. This is true for the most mundane and the most abstract concepts alike. A perfect representation of the latter, the Iliad is inspired by the crisp lines and organic unfurling petals of an origami lily. It embodies a harmonious marriage of personal interest in aviation and passion for precision design, both of which are illuminated in this project in each of its iterations through origami as a dynamic model building technique.

50


THE ODYSSEY - STARSHIP


SUBJECT:

THE ODYSSEY STARSHIP

STARSHIP 

SCALE:

DESIGNATION:

YEAR:

DESIGN:

1"/40M

2220

EXPLORER 001

WARP DRIVE

SECONDARY DECK

PREMIUM DECK

HANGER DECK

PRIMARY DECK

NEGATIVE ENERGY REACTOR

BRIDGE

90M

TURBOJET ENGINE CONFIGURATION

TOP 120m

360° 22M

94M

19.7M

13.7M

FRONT

16M

61

SIDE

39M


+ Expansion

All objects wrap spacetime. By just existing, you create an indent in the fabric of spacetime. The bigger the object, the bigger the indent. In 1994, Mexican physicist Miguel Alcubierre proposed a method of stretching space in a wave which would in theory cause the fabric of space ahead of a spacecraft to contract and the space behind it to expand pushing the ship forward at higher than light speed. The generated warp bubble would move spacetime around the spacecraft, effectively repositioning it without the spacecraft having to move with respect to its local frame of reference. Nothing locally exceeds the speed of light, but space can contract and expand at any speed. However, spacetime is incredibly stiff, so to create the expansion and contraction effect in a useful manner in order to reach interstellar destinations in reasonable time periods would require a lot of energy and would need negative matter to expand spacetime. We know negative matter exists, we just don’t know yet how to harvest it.

Contraction _

62


8

UNITED AIRLINES TECH-OPS RECRUITING CENTER HOUSTON, TX USA COMPLETED IN DEC. 2022

A 7,400 SQ-FT office space attached to the admin space of a 3 bay Boeing 777 hangar for United Airlines in Houston, at George Bush Intercontinental Airport. The shell of this space was completed a few years prior to start of this project. The intent was to design an office layout with 8 interview rooms, 2 hoteling offices, an office for the director of technical operations, an office for the VP of technical operations, a sound suppressed workshop with 20 work stations, and a waiting area. This new space is serving as the largest recruitment center for all of the technical operations for United Airlines. People from all over the region come to this office for interviews to become part of United Airline’s aircraft repair and maintenance crew at various bases across the country. Once they are interviewed, they demonstrate their technical skills such as drilling, fastening, and riveting inside the sound suppressed workshop and then they get graded on their skills. The two most important factors of this project were acoustics and security. Because this is an office space of the second floor with a 950 SQ-FT workshop in the middle of it, we needed to make sure sound from this room would not leak out to the surrounding offices and to the floor below. Furthermore, this space is attached to a secured hangar on airport property. All employees needed to scan their badge to come inside and all guests were to be escorted at all times by an employee. Since it is a recruitment center with non-employees coming in and out, it was critical to ensure the non-secured space would be separated from the secured side and that the paths of egress allowed everyone to escape in the case of an emergency.

55


Path of Egress ’-1 VP 0 ” Of X fice 17 ’-1 0”

Area For Future Additional Cubicles

Path of Egress

Interview 7 12’ X 12’

Existing Vendor Room Hoteling Office 12’ X 10’

Break Room 24’X 10’

Existing Stair Well

Path of Egress

Path of Egress

 

 

 

 

Existing Conf. Room

  

     

Existing ELEC. Room

Existing Conf. Room

    ≈’’

  

  

Existing Break Room / Lounge

  

Existing COMM Room

 

 

 

 

 

 

 

 

Path of Egress

Existing ODA File Room

 

Path of Egress

 

Existing Huddle Room

Path of Egress

  

Existing COMM Room

 

Existing Induction File Room



  

Existing Huddle Room

 



  ≈’’

Existing Huddle Room

Existing Induction File Room

LAYOUT VERSION 2

Existing Conf. Room

 

Existing Print Room Existing Huddle Room

Path of Egress

LAYOUT VERSION 1

Path of Egress

Existing Conf. Room

Path of Egres

TORC Admin 12’X 10’

Sound Suppressing Practical Room 4 Benches 20’ X 13'-10"

Path of Egres

TA/HR/TO Office 12’X 10’

Existing Women’s Restroom

Hoteling Office 12’ X 10’

Path of Egress Equipment Closet 10’X 10’

Existing Men’s Restroom

Area For Current Cubicles

Path of Egress

Unisex Restroom

Hoteling Office 12’ X 10’

Sound Suppressing Practical Room - 8 Benches 48’ X 20’

Existing Vendor Room

Existing Induction File Room

  



Interview 6 11’ - 4” X 10’

Sound Suppressing Practical Room - 8 Benches 31’-10” X 24’-6”

Hoteling Office 14’-8” X 10’

  



Interview 5 11’ - 4” X 10’

Open Waiting Area 12-15 Capacity 21’-9” X 12’-10”

Equipment Closet 15’ X 6’-8”

HR/TA Closet 15’ X 6’-8”



Interview 4 12’ X 12’

Conf. Room 8-12 Capacity 12’ X 25’ - 9”

Interview 8 10’ X 10” Path of Egres

Potential Furnished Seating Area 3 - 4 Cap.

Existing ODA File Room

Existing ELEC. Room

Hoteling Office 14’-8” X 10’

Machine Area Interview 3 10’ X 10”

Interview 4 Interview 5 Interview 6 Interview 7 12’ X 12’ 11’ - 4” X 10’ 11’ - 4” X 10’ 12’ X 12’

Interview 3 10’ X 10”

Hoteling Office 14’-8” X 10’

Interview 1 10’ X 10’

Print

Interview 2 10’ X 10’ Path of Egres

Existing ELEC. Room

Sound Suppressing Practical Room 4 Benches 12'-3" X 20'-4"

Existing COMM Room

Interview 2 10’ X 10’

Path of Egres

Open Waiting Area 12-15 Capacity 22’ X 22’

VP Office 12’ X 14’

17

HR/TA Closet 10’ - 9” X 6’

Interview 1 10’ X 10’

  

 

 

Existing ODA File Room

  

Path of Egress

     

Path of Egress

Existing Stair Well

Existing Stair Well

LAYOUT VERSION 3

LAYOUT VERSION 4

LAYOUT VERSION 5

FINAL LAYOUT

56


G

G

Tech 4933 IAH A

D/JAMB/SILL /4" GLZ

PLAN DETAIL - ACOUSTICAL JAMB

3/4"

8

WALL WITH 5/8" GYP BD

SCALE: 3" = 1'-0" A3*

STC 74 PARTITION PER B FLOOR PLAN & DETAIL 3/AE600 ALIGN

SCHEDULED DOOR AND FRAME

D5*

4" C-H CHANNEL STUDS 16" OC

NO. TAPE, BED, & SEAL FIRSTT.I.P. LAYER GYP BD

COLUMN FURRING DETAIL 1

7

TIP-22-144-IAH REVISION HISTORY:

SCALE: 3" = 1'-0"

EVERKEM SOUND SEALANT 90 (BOTH SIDES)

1 1/2"

HEAD DETAIL PER MANUFACTURER'S REQUIREMENTS

J1

38

1/2" RESILIENT CHANNEL 48" OC

SCHEDULED STC DOOR (OVERLY DOOR MODEL NO. 5592175 STC 55) ALL UNIT ASSEMBLY INCLUDING ALL HARDWARE AND ACCESSORIES BY OVERLY DOOR COMPANY

2 LAYERS 5/8" ACOUSTICAL GYP BD FASTENED TO RESILIENT CHANNEL - OFFSET 2ND LAYER OF GYP BD - DO NOT FASTEN GYP BD TO STUDS

DESCRIPTION

EXISTING COLUMN H

4'-4" TALL PONY WALL FOR AIR AND POWER SUPPLY LINES

EDULED FRAME

5/8" GYP

3-5/8" OFF-SET STUDS

FSB2022-058-00

CORR T278

6 1/4"

J1 2

3

PLAN PLAN DETAILDETAIL - ACOUSTICAL WALL 3 SCALE: 1 1/2" = 1'-0" ACOUSTICAL WALL 37

38

SCALE: 3" = 1'-0"

38

M

M

0

3"

6"

SCHEDULES & DETAILS

9"

1'

2'

4'

ISSUE DATE: 5

AUGUST 10, 2022

OCCUPANCY SHEETAREA NUMBER: SCHEDULE ROOM NAME

NUMBER

39

(none) T276 T277 T278 (none): 3

5 M

3

SHEET TITLE:

PRACTICAL ROOM 1 1/2" = 1'-0" T261

1/2" = 1'-0"

M

49 160

2

6" SOUND 1' SUPPRESSED 1'-6"

0

49 160

4

0

3" = 1'-0"

4

COLUMN FURRING DETAIL 2

6

39

3

1

JME

PROJECT NUMBER:

C4a

36

CAH

PROJECT MANAGER:

A

5/8" GYP

3-1/2" ACOUSTIC BATT INSULATION

35

KM

REVIEWED BY:

EDULED DOOR

1

KM

DRAWN BY:

PARTITION BEYOND

1" AIR GAP

END GYP BD @ ED PARTITION

DATE

SCHEDULED ACOUSTICAL DOOR FRAME DESIGNED BY:

7 3/4"

1/2" AIR GAP BETWEEN ACOUSTIC WALL AND PONY WALL

T SEALANT, H SIDES

1/2" RESILIENT CHANNEL @ 48" OC. (HORIZONTAL) MINERAL WOOL PER MANUFACTURER'S WRITTEN REQUIREMENTS

D4*

1" LINER PANEL

NER CHANNEL

6" STUD BOX HEADER (BOTH SIDES) HOUSTONSIDES) AIRPORT SYSTEM LOW EXPANSION FOAM FILL (BOTH

2 LAYERS OF 5/8" ACOUSTICAL GYP

2-3/4" ACOUSTIC BATT INSULATION

DATE:

3 5/8" CHANNEL (BOTH SIDES)

D4*

8" EXPANSION JOIN COVER TO CAP OFF 1" GAP BETWEEN PARTITIONS BASIS OF DESIGN SHALL BE: CONSTRUCTION SPECIALTIES MODEL: FWF-200M COLOR #232 WHITE

TOREFRONT

TITION TYPE FLOOR PLANS

RECOMMENDED:

39

J1

OCCUPANT OCCUPANT LOAD FACTOR LOAD

AE600 AREA

CORR CORR CORR

442 SF (none) 294 SF (none) 2,687 SF (none) 3,422 SF

5801 Bro Okla

0

B BUSINESS T261 SOUND SUPPRESSED 952 SF 1:100 10 PRACTICAL / 5 AVIONICS ROOM D T262 EQ CLOSET 107 SF 1:100 2 T263 INTERVIEW 1 132 SF 1:100 2 T264 INTERVIEW 21. ALIGN THIS FACE 139 SF OF1:100 THE NEW WALL WITH THE 2 T265 INTERVIEW 3 FACE OF THE128 SF 1:100 2 EXISTING WALL T266 INTERVIEW 4 126 SF 1:100 2 TYPE FIRE EXTINGUISHER2 T267 INTERVIEW 52. NEW MULTI-PURPOSE 124 SF 1:100 SEMI-RECESSED CABINET MOUNTED AT 48" AFF T268 INTERVIEW 6 126 SF 1:100 2 3 T269 INTERVIEW 73. 1" GAP BETWEEN 128 SF 1:100 2 PARTITIONS - SEE DETAIL T270 INTERVIEW ROOM 8/ 156 SF 1:100 2 3/AE600 HOTELING OFFICE 4. ELECTRICAL AND PLUMBING CHASE ATTACH T271 HOTELING OFFICE 157 SF 1:100 2 AND BRACE METAL STUDS TO DECK ABOVE GYP T272 DIRECTOR OFFICE 165 SF 1:100 2 BD TO 6" ABOVE CEILING T273 VP OFFICE 387 SF 1:100 4 T274 OPEN OFFICE 676 SF 1:100 (TYP) 7 5. METAL PANEL PARTITION D T275 OPEN WAITING AREA 507 SF 1:100 6 6. INSTALL SALVAGED B BUSINESS: 15 4,008 SF ACCESS CONTROL 49 COMPONENTS - INSTALL NEW ENTRY HARDWARE TOTAL: 18 7,430 SF 49 AND NEW EXIT PANIC HARDWARE ON NEW DOOR AND FRAME

4

ARCHITEC

SHEET KEYNOTES

D

CONFIRM LOCATION OF SADDLE FASTENERS & STC ACOUSTICS BELOW THRESHOLD 38 1

L

GROUND FLOOR LIFE SAFETY PLAN

3

D

OVERLY SUPER "H" AUTOMATIC DOOR BOTTOM

TRAVEL DISTANCE = 173'

SCHEDULED 1/4" CARPET TILE

26'-2 1/2"

10'-2 3/4"

3'-4"

14'-2 1/4"

11

INTERVIEW 4 * T266 A3

EQ

INTERVIEW 4 T266

11

INTERVIEW 5 * T267

EQ

INTERVIEW 5 T267

A3

11

INTERVIEW 6 * T268 A3

EQ

EQ

T269

11

7

IF102

CORR T278

GG

INTERVIEW 7 T269 WAITING * OPEN A3 AREA T275

38

STAIR T1 T240

36

37

37

SECOND FLOOR SECOND FLOOR SAFETY AND PLAN OCCUPANCY PLAN 1 LIFE SCALE: 1/8" = 1'-0" SCALE: 1/8" = 1'-0"

EQ

2

C:\Users\kxm\Documents\05800_Arch_22_kmovaffagh.rvt

1

T265

11

INTERVIEW 3 UP T265

T261B

F

1'-7"

T266 11 38 INTERVIEW 4 * T266 A3

CORR T276

* A3

11 4

AE103

RECOMME

DIRECTOR OFFICE T272

* A3

HOU

HOTELING OFFICE T271

* SIM A3 T271 6 AE600 * INTERVIEW A3 11 ROOM 8 / HOTELING OFFICE * J1 T270 A3 T270

* D4

6'-0" CLR

C4a

H B

T.I.P. NO.

REVISION H

7 AE600 B

G

RECOM

2

UP

CORR 6 T277

* A3

T267

11

INTERVIEW 5 * T267 A3

F

8 * D4

F

7

0

T268 11 39 INTERVIEW 6 * T268 A3

IF102

OPEN WAITING AREA T275

1

20'-8 1/2"

T269 11 STAIR T1 INTERVIEW 7 T240 * T269 A3 KEY PLAN

4'

T.I.P. N DESIGNED

N

8'

16'

REVISI DRAWN BY

1/8" = 1'-0"

DN

REVIEWED

PROJECT M

A

F

PROJECT N

FSB2022

39

49 160

EQ

38

39

2

LIFE SAFETY AND OCCUPANCY PLAN 2

39

T100 2

F

F B

38

38

AE103

* A3

T272

1'-3" C6a

FF 36

C4a

J1

7 B = 300FT SYSTEM * T273WITH SPRINKLER A3

OPEN OFFICE T274

C6a

8 AE600

* A3

3 AE600

5

SIM

7 MAX TRAVEL DISTANCE AE600

3

8

H.2

VP OFFICE T273

6 AE600

1

39

AE103

11

4

* D4

DN

F

35

SIM 3 AE600

SOUND SUPPRESSED PRACTICAL / AVIONICS ROOM 38 T261

G

2 OPEN WAITING AREA T275

IBC BUSINESS AREAS

3

T264

* D5

8'-4 1/4"

7 AE600

49 STAIR T1 160 T240

INTERVIEW 7 T269

V.I.F.

24'-7" 10'-7"

T261A

* A3

11'-4 1/2"

T270

11 T263

INTERVIEW 2 T264

3

* A3

INTERVIEW ROOM 8 / HOTELING OFFICE * T270 J1 A3

1

COMM T242 2

1'-3"

* A3

INTERVIEW 1 T263 * A3

J C

OCCUPANCY LEGEND

T276

* A3

* A3

1

docu

CONST

MULTI-PURPOSE TYPE FIRE EXTINGUISHER - SEMI-RECESSED CABINET MOUNTED AT 48" AFF 15'-2"

14'-2 1/4"

* A3

CORR T278

DN

1 AE103 6 INTERVIEW T268

A1

EQ CLOSET T262

13'-4"

1'-3" T268

T278 H

10'-1"

8'-4 1/4" CLR

20'-8 1/2"

* A3

* A3

HH HOTELING OFFICE T271

3'-4"

9

21'-8"

T267

INTERVIEW 1 ROOM 8 / HOTELING OFFICE T270

8/10/2022 4:18:15 PM

8/10/2022 4:18:15 PM C:\Users\kxm\Documents\05800_Arch_22_kmovaffagh.rvt C:\Users\kxm\Documents\05800_Arch_22_kmovaffagh.rvt

CORR T277

T266

11

CLR HOTELING OFFICE T271

8

* A3

12'-6 3/4"

10

T262

T271

6'-0" C4a

DIRECTOR OFFICE T272

10'-2 3/4"

8'-4"

10'-3 1/2"

T261INTERVIEW 3 T265

F

CORR T277

* A3

T265

5'-0"

8/10/2022 6:17:34 PM

SOUND SUPPRESSED PRACTICAL / AVIONICS 11 ROOM

AE103

DIRECTOR 6 OFFICE AE600 T272

* D4

H.2 H.2

* A3

26'-2 1/2"

1 11 4

SIM

* D4

2 1'-7"

T272

CORR T276

4

* A3

SIM 7 AE600

J1

7

3'-4"

PROGR

EXIT COMPONENT LOAD EXIT COMPONENT CAPACITY

1'-7 1/4"

23'-4"

CLR

T261B

T273

3 AE600

C6a

8 AE600

* A3

C OPEN OFFICE VP OFFICE T274 T273

C4a

C6a

AE103

8

5

CORR T276

6 AE600

3

1

1'-3" * D4

VP OFFICE T273

5'-0"

CORR T278

11

AE103

10'-3 1/2"

G

13'-4"

TRAVEL DISTANCE = 152'

B

3 INTERVIEW 2 AE600 T264

43'-6 3/4"

COMM T242 SOUND SUPPRESSED PRACTICAL / AVIONICS ROOM T261

H

SIM

* D5

8'-4"

CORR T278

INTERVIEW 3 T265

3

* A3 T264 OPEN OFFICE T274

11'-4 1/2"

H.2

3

H.2

J J

T263

INTERVIEW 2 T264

21'-8"

V.I.F.

2 INTERVIEW 1 T263 T261A

00 000

11

* A3

1

COMM T242 1

1

38

J.6

* A3

EQ CLOSET T262

G

T276

INTERVIEW 1 T263

1

T262

H

A

37

V.I.F.

* A3

* A3

V.I.F.

* A3

35

36

10'-1"

A1

EQ CLOSET T262

CORR T278

1

35

15'-8 1/2"

T278 H.2

15'-2"

C

EGRESS - EXIT ACCESS ALL DIMENSIONS ARE FROM FACE OF STUD TO ROOM 000FACE OFOCCUPANT STUD - OR LOAD FROM FACE OF EXISTING 39 IN WALL TO FACE OF STUD OCCUPANT LOAD ALONG EGRESS PATH 000

J

12'-6 3/4"

9

C

A

EXISTING 1-HOUR FIRE RATED PARTITION

GENERAL NOTES EGRESS - COMMON PATH

24'-7"

3'-4"

J.6

B

SCALE: NTS

1'-7 1/4" 23'-4" 10

J

DOORS T261A & T261B FRAME & THRESHOLD SECTION DETAIL

10'-7"

1

J

EXISTINGPARTITION PARTITIONSYSTEM - BASIS OF 11. DEMOUNTABLE DESIGN SHALL BE DIRTT CLASSIC GLASS WALL PARTITION SYSTEMSTANDARD OR APPROVED EQUAL

39

10'-1"

K

38

CONSU CONSTRUC

LIFE SAFETY LEGEND 10. INFILL OPENING TO MATCH EXISTING

6"

37

PROGRAM

10'-1"

36

D

15'-8 1/2"

35

7. WALL MOUNTED MONITOR - OFCI LOAD OCCUPANCY OCCUPANT FACTOR CLASSIFICATION LOAD AREA 0 4,008 SF @ 1:100 GSFWALL B BUSINESS ERECT PONY AFTER ACOUSTICAL WALL 49 7,849 SF 49 9. NEW DOOR AND FRAME

43'-6 3/4"

K

ARCHI

SCHEDULED 1/16" SOUND REDUCTION UNDERLAYMENT OCCUPANT LOAD

8. 1/2" AIR GAP BETWEEN PONY WALL AND EXISTING CONCRETE SLAB 3,841 SF <varies> (none) ACOUSTICAL WALL. SEE DETIAL 3/AE600

C

5801 O

CONSULTA

SCHEDULED 3/16" RUBBER TILE FINISH FLOORING

SCALE: 1/8" = 1'-0"

1/2"

L

2

39

PEMKO 6" SADDLE THRESHOLD SMOOTH SIDE UP (ALIGN SADDLE CENTER TO DOOR)

EQ

EQ

EQ

SCALE: 1/8" = 1'-0"

HANGAR

1

36

37

FLOOR PLAN

8

2

0

4'

4

938

SECOND FLOOR PLAN

3

8'

SHEET TIT

TECH. OPS

N 7

16' 1/8" = 1'-0" 5

DESIG ISSUE DAT

10

AUGUST DRAWN

SHEET NUM

39 6

REVIEW

KEY PLAN

A 5

4

1

ADMIN

1 AE103

39

3

EBU

SECOND AND OC

GROUND FLOOR GROUND FLOOR SAFETY PLAN PLAN 2 LIFE SCALE: 1/8" = 1'-0" 35

EQ

EBU

G-1

PROJE

PROJE

FSB2

HANGAR

ADMIN

TECH. OPS

SHEET

GROU PLAN

SCALE: 1/8" = 1'-0"

A

1

2

3

4

5

6

8

7

10

ISSUE

AUGU 9

3

57

4

KEY5 PLAN

SHEET

AE


58


Hangar 1-2 Paint Study - Elevations American Airlines - Maintenance Base, Tulsa OK - Paint Concept

2022.09.14

NTS

Hangar 1-2 Paint Study - Render American Airlines - Maintenance Base, Tulsa OK - Paint Concept

2022.09.14

NTS

59

PAGE 1

PAGE 2


Hangar 3-4 Paint Study - Elevations American Airlines - Maintenance Base, Tulsa OK - Paint Concept

2022.09.14

NTS

Hangar 3-4 Paint Study - Render American Airlines - Maintenance Base, Tulsa OK - Paint Concept

2022.09.14

NTS

60

PAGE 3

PAGE 4


Hangar 6 Paint Study - Elevations American Airlines - Maintenance Base, Tulsa OK - Paint Concept

2022.09.14

NTS

Hangar 6 Paint Study - Render American Airlines - Maintenance Base, Tulsa OK - Paint Concept

2022.09.14

NTS

61

PAGE 5

PAGE 6


Hangar 7 Paint Study - Elevations American Airlines - Maintenance Base, Tulsa OK - Paint Concept

2022.09.14

NTS

Hangar 7 Paint Study - Render American Airlines - Maintenance Base, Tulsa OK - Paint Concept

2022.09.14

NTS

62

PAGE 7

PAGE 8


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