WORK EXPERIENCE
2024
ROAD KILL
Production designer
Grad film / VCA / AUS
DANCE WITH A BULL
Art director
Grad film / VCA / AUS
BRING HER BACK
Art dept. Intern
Feature Film / A24 / AUS
Production Designer - Vanessa Cerne
2023
THE NEWSREADER 3
Draftsperson
TV Series / ABC / AUS
Production Designer - Paddy Reardon
2022
XO, KITTY
Assistant Art Director
Television Series / Netflix / US
Production Designer - Lee Na Gyeom
2021
PAST LIVES
Assistant Art Director
Feature Film / A24 / US
Production Designer - Grace Yun
NO KIDS
Set Designer
Feature Film/ Lotte Enetertainment / KR
Production Designer - Kim Sun Ha
SURINAME
Props Buyer
Television Series / Netflix / KR
Production Designer - Kim Byung Han
2020
PACHINKO
Set Designer
Television Series / Apple TV / US
Production Designer - Mara Lepere-Schloop
THE WHITE CROW
Assistant Art Director
Television Series / MBC / KR
Production Designer - Choi Yeon Sik
2019 THE SHANTARAM
Concept Artist
Television Series / Apple TV / US
Production Designe - Mark Digby
INVESTIGATIVE TRIP
Assistant Art Director
Feature Film / Acemaker Movieworks / KR
Production Designer - Choi Yeon Sik
2018
THE WHISTLEBLOWER
Concept Artist
Feature Film / Edko Films / AUS
Production Designer - Jeff Thorp
2017
1987
Assistant Art Director
Feature Film / CJE&M / KR
Production Designer - Han Ah Reum
2016 THE MERCILESS
Assistant Art Director
Feature Film / CJE&M / KR
Production Designer - Han Ah Reum
2012 THE SPY
Assistant Art Director
Feature Film / CJE&M / KR
Production Designer - Kim Mino
MAN ON THE EDGE
Assistant Art Director
Feature Film / Show Box / KR
Production Designer - Lee Min Bock
2011
PERFECT GAME
Set Decorator
Feature Film / Lotte Enetertainment / KR Production
Designer - Lee Hoo Kyung
SPECIAL INVESTIGATIONS UNIT
Assistant Art Director
Feature Film / Lotte Enetertainment / KR Production
Designer - Lee Tae Hoon
THE UNIVERSITY OF MELBOURNE 2023 - Present
Master of Production Design
KYONGGI UNIVERSITY 2005 - 2010
Bachelor of Metal & Jewellery Design
Minor Major of Visual Communication Design
ART DIRECTORS GUILD
2023 Winner Excellence in Production Design Award - Pachinko
SKILLS
Skills
Sketchup / LayOut / Enscape
Vectotworks(basics) / Lumion(basics)
Photoshop / Illustrator / InDesign
Excel / Power point / Video editing
Languges
English / Korean
Driving License - Full Licence
DARK CITY
Design Project / 2023
INT. HOTEL
In the hotel, where the different scenes take place, it is designed in such a way that different layers can be seen from different angles. In addition, as this is a place where artificial lighting is the main feature, rendering programs and videos were created to show the feeling of light.
Set design / Concetp art / Video editing
Dark city. Interoir. Hotel. Plans, Elevations. Sketchup, Layout
Dark
city. Interoir. Hotel. Rendering. Enscape
DARK CITY
Design Project / 2023
INT. MAY'S APARTMENT
At the beginning of the appearance of the place there is a hidden place that is not revealed, so I designed it with this view in mind. The character's gaze is an important scene, so I designed it with that in mind.
Dark city. Interoir. May's Apartment. Rendering. Enscape
BLOOD SIMPLE
Application Project / 2022
INT. MARTY'S BAR
The main stage of the film, the bar, was designed by creating layers so that it could be seen from different angles.
The bar and the main character's office described the character by contrasting size, colour, texture and lighting.
Set design / Concetp Art
Blood simple. Interoir. Marty's Bar. Plan, Elevations. Sketchup, Layout
BLOOD SIMPLE
Application Project / 2022
INT.MARTY'S BAR
The main stage of the film, the bar, was designed by creating layers so that it could be seen from different angles.
The bar and the main character's office described the character by contrasting size, colour, texture and lighting.
Simple blood. Interoir. Marty's Bar. Rendering. Enscape
PACHINKO
TV Series / 2020
Director: Justin Chon, Kogonada
Production Design:
Mara LePere-Schloop
Position: Set designer
ENT. MARKET
I designed and supervised the entire exterior set of the market, which was the most important location in the TV series. I also designed props.
Set design / Concetp Art / Set construction supervision
Pachinko. Pachinko. Exterior. Market. Construction Plan
Pachinko. Exterior. Market. Film still.
PACHINKO
TV Series / 2020
Director: Justin Chon, Kogonada
Production Design: Mara LePere-Schloop
Position: Set designer
ENT. MARKET
I designed and supervised the entire exterior set of the market, which was the most important location in the TV series. I also designed props.
Props design
Pachinko. Exterior. Market. Film still.
Pachinko. Exterior. Market. Concept Art. Sketchup.
PACHINKO
TV Series / 2020
Director: Justin Chon, Kogonada
Production Design:
Mara LePere-Schloop
Position: Set designer
ENT. SUBWAY CONSTRUCTION SITE
I designed and supervised the entire exterior set of the subway construction site.
Set design / Concetp Art / Set construction supervision
Pachinko. Exterior. Subway construction site. Rendering. Enscape
Pachinko. Exterior. Subway construction site. Film Still
PACHINKO
TV Series / 2020
Director: Justin Chon, Kogonada
Production Design:
Mara LePere-Schloop
Position: Set designer
Using the existing set, I designed and supervised the construction.
Set design / Concetp Art / Set construction supervision
ENT. OSAKA STREET
Pachinko. Exterior. Osaka street. Sketchup.
Pachinko. Exterior. Clock shop. Sketchup. Enscape.
Pachinko. Exterior. Exterior. Osaka street, Clock shop. Film Still
Feature Film / 2017
Director: Joon-Hwan Jang
Production Design: Han Ah Reum
Position: Assistant Art Director
INT. SPECIAL INVESTIGATION HEADQUARTERS
Based on the historical building, I recreated the imaginary space using the character's characteristics.
Concept art, set design, set construction management and set decoration plan I managed all this set
Set design / Concetp Art / Set construction supervision
1987. Interior. Special Investigation Headquarters. Concep art. Sketchup.
1987. Interior. Special Investigation Headquarters. Set design. LayOut.
1987. Interior. Special Investigation Headquarters. Film still.
Feature Film / 2017
Director: Joon-Hwan Jang
Production Design: Han Ah Reum
Position: Assistant Art Director
INT. PROSECUTOR'S OFFICE
The set has been used as several office spaces. It was designed to be easily varied. I designed one of the sets and supervised the whole set.
Set design / Concetp Art / Set construction supervision
1987. Interior. Prosecutor's office. Concep art.
Sketchup. Photoshop.
1987. Interior. Prosecutor's office. Film still.
Feature Film / 2017
Director: Joon-Hwan Jang
Production Design: Han Ah Reum
Position: Assistant Art Director
INT. PRISON / HALLWAY
It is a replica of real historical locations and is designed for the convenience of action scenes in a small space.
Set design / Concetp Art / Set construction supervision
1987. Interior. Prison/Hallway. Concep art. Sketchup. Photoshop.
1987. Interior. Prison/Hallway. Film still
THE MERCILESS
Feature Film / 2016
Director: Byun Sung-hyun
Production Design: Han Ah Reum
Position: Assistant Art Director
INT. BOSS'S OFFICE
To show how the company expanded in a single space, building structures and interior elements from different periods were used.
Set design / Concetp Art
The Merciless. Interior. Boss's office. Concep art. Sketchup. Enscape
The Merciless. Interior. Boss's office. Film still.
THE MERCILESS
Feature Film / 2016
Director: Byun Sung-hyun
Production Design: Han Ah Reum
Position: Assistant Art Director
INT. Undercover office in laundry factory
It was part of the design for the ending scene, but has been moved to another location and is not in the film.
Concetp Art
The Merciless. Interior. Undercover office. Concep art. Sketchup.
The Merciless.
Undercover office. Concep art. Sketchup.
THE SHANTARAM
TV Series / 2019
Director: Iain B. MacDonald
Production Design: Mark Digby
Position: Concep artist
I designed the stalls in front of the café.
Art / Props design
ENT. STREET
Concetp
The Shantaram. Exterior. Street. Concep art. Props design. Sketchup
The Shantaram. Exterior. Street. Concep art. Sketchup
The Shantaram. Exterior. Street. On set
NO KIDS
Feature Film / 2022
Director: Choi Won Seob
Production Design: Kim Sun-Ha
Position: Set designer
It is a set that takes up more than half of the film and is designed to hold different screens at different angles.
Set design / concept art / Set construction supervision
INT. SEUNG MIN’S HOUSE
Kids. Interior. Seung min's house. Concep art. Enscape.
THE WHISTLEBLOWER
Feature Film / 2019
Director: Xiaolu Xue
Production Design: Jeff Thorp
Position: Concept artist INT. MOTEL
I designed the interior of the motel, which is connected to the actual location.
concept art
The whistleblower. Interior. Motel. Concep art. Sketchup
The whistleblower. Interior. Motel. Film still.
THE WHISTLEBLOWER
Feature Film / 2019
Director: Xiaolu Xue
Production Design: Jeff Thorp
Position: Concept artist
ENT. MARKET IN MALAGA
concept art
The whistleblower. Exterior. Market. Concep art. Sketchup
The whistleblower. Exterior. Market. Film still
PAST LIVES
Feature Film / 2021
Director: Celine Song
Production Design: Grace Yun
Position: Assistant Art Director
Design of Korean apartments in the 1990s
Concept art / Set design
INT. NA YOUNG'S HOUSE
Past lives. Interior. Natoung's house. Concep art. Sketchup
Past lives.
lives. Interior. Natoung's house. Concep art. Enscape
SERVE THE PEOPLE
Feature Film / 2020
INT. OFFICER’S HOUSE
I designed the house of top bureaucrats of a fictional 70s socialism.
concept art
Serve the people. Interior. Officer's house. Concep art. Sketchup Serve
people. Interior. Officer's house. Concep art. Lumion.
INVESTIGATIVE TRIP
Feature Film / 2019
Director: Park Chul Hwan
Production Design: Choi Yeon Sik
Position: Assistant Art Director INT. BAR
It was designed to give a sense of the bar's long history. The finishing materials that were popular in each era were used.
concept art / Set design / Set construction supervision
Investigative trip. Interior. Bar. Concep art. Sketchup
Investigative trip. Interior. Bar. On set
THANK YOU