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Ka Ka Nikki Ng

778-870-7911 / 416-668-6368

MRAIC

k.nikki.ng@gmail.com

education 2015 M.Arch University of British Columbia, Vancouver, BC Advanced placement: CACB certification.

2014 Course Abroad Technische Universität Darmstadt, Darmstadt, Germany Adaptive Skins in Urban Structures Two week intensive summer course: sustainability and revitalization of the TU Darmstadt campus. Daily international guest lecturers who are at the forefront of and specialize in implementation of sustainability in design. Official weekend trip to Berlin to visit prominent classical, modern and contemporary architectural sites.

2012 B.A. (Honours) University of Toronto, Toronto, ON

training

Double major in Architectural Design and Human Geography, additional minor in Geographic Information Systems (GIS). Graduated with high distinction and listed in the Dean’s List for academic achievement.

2015 Revit Architecture 2015 Essential Training Lynda.com, Vancouver, BC Revit software refresher training.

2010- AutoCAD Fundamentals George Brown College, Toronto, ON Two of five courses completed towards a certification in AutoCAD software.

professional 2015 Model Assistant Hughes Condon Marler Architects, Vancouver, BC NOV UBC Sports Medicine - Chan Gunn Pavilion Model support for open house proposed pavilion facility housing clinical practice and research facilities.

2015 CAD/Graphic Designer Stacy Moriarty CSLA, Vancouver, BC MAY UBC Okanagan Campus Master Plan 2015 Graphic support for renderings in the final master plan file released to public. Found here: UBC Okanagan Campus Plan

2014- Graduate Research Assistant ElementsLab, UBC, Vancouver, BC 2015 UBC Okanagan Campus Master Plan (Draft 2015) Supporting UBC Campus and Community Planning (C+CP) by measuring and visualizing the proposed future UBCO Campus Plan (including alternatives for housing and transit hub). Technical assistance through assembly and development of site plan drawwing layers and visualizations.

2013- Graduate Research Assistant Collaborative for Advanced Landscape and Planning (CALP), UBC, Vancouver, BC 2014 Interactive Engagement (Metro Vancouver, BC) Development of content (2D and 3D graphics, data visualizations) for Community Energy Explorer, a project aimed at building energy literacy through interactive web content for Metro Vancouver. Funded and supported by Neptis Foundation, Pacific Institute for Climate Solutions, Metro Vancouver and Real Estate Foundation (BC). www.energyexplorer.ca Landscape Visualization (Uttrakhand, India) Collaboration with Wildlife Institute of India: data modeling and visualization of hydroelectric projects in the northern state of Uttarakhand. Space Planning - BC Hydro Decision Theatre (Vancouver, BC) Renderings of potential theatre configurations produced from Revit.


Ka Ka Nikki Ng

778-870-7911 / 416-668-6368

MRAIC

k.nikki.ng@gmail.com

2013 Junior Designer Amanat Architect + Robert Kleyn Studio, Vancouver BC DEC National Holocaust Memorial Competition (Ottawa, ON) 3D modelling of landscape and terrain construction as well as model prototypes of benches and planters.

2013 GIS Technician/Analyst DPI Territorial Consulting + Ekistics Town Planning, Vancouver, BC Landscape Visibility Analysis (Shawnigan, BC) Visibility analysis for urban design community development for discussion during public engagement meetings facilitated by Ekistics Town Planning. Environmental Impact Assessment Shoreline Change Analysis (provincially, MA) An analysis of shoreline change of the last century prepared for the Peguis First Nation of Manitoba as part of a team with Manitoba Wildlands and Whelan Enns Associates.

2013 Junior Designer Robert Kleyn Studio + Western Front Society, Vancouver BC APR Entranceway Canopy Structure for Western Front Society (Vancouver, BC) 3D modelling of entrance canopy truss rendering for an apartment building 303 East 8th Avenue, Vancouver.

2012/ Teaching Assistant School of Architecture and Landscape Architecture (SALA), UBC, Vancouver BC 2013 Assistance in training and instruction of a Master of Landscape Architecture three-day intensive ArcGIS OCT workshop.

competitions 2015 Treehousing International Wood Design Competition, XIV World Forestry Congress, Durban, South Africa In an international team of four, a preliminary proposal for a housing complex that focused on afforability through low cost, open sourced, high performance and accessibility to all.

2015 Stitch II AIA Portland Ideas Competition, Portland, USA Partnered project, Initiated conceptual design for a homeless youth support hub in a parcel of land in downtown Portland.

language transferable skills technical skills related skills

references

-Fluent communication in English and Cantonese -Reading and writing of general Chinese characters -Basic communication, reading and writing in Japanese and French -Ability to set goals and accomplish them in an organized manner -Capacity to take on multiple tasks with various deadlines -Ability to learn and utilize new skills and information quickly -Efficient communication and cooperation when working in teams ArcGIS AutoCAD Adobe Creative Suite Cinema 4D

Google Sketchup Keyshot [render] Revit Rhinoceros

Microsoft Office Suite Virtual Nature Studio (VNS) V-ray [render]

Data modeling Rendering Multi-variate analysis Presentation design

Cartography Infographics 2D/3D graphic design 3D modeling

CNC-milling Laser cutting 3D Printing (FFF)

Cynthia Girling David Flanders Rory Tooke


portfolio

Ka Ka Nikki Ng


Academic UBC New Orleans Prototype Robson Square Now and/or Forever Marpole-Oakridge Community Centre

Research CALP Community Energy Explorer BC Hydro Decision Theatre Visualization

ELEMENTS LAB UBCO Master Plan (Draft 2015)


careers taking off, they do not plan to have a second child. Their Aunt Adelaide has been in a wheelcareers taking off, they do not plan to have a second child. Their Aunt Adelaide has been in a wheel-

chair +since Katrina in 2005 and frequently stays with them when in town. ARCH531 2012 Elizabeth Thompson KatrinaHurricane Szekely chair +since Katrina in 2005 and frequently stays with them when in town. ARCH531 2012 Elizabeth Thompson KatrinaHurricane Szekely

When they aren’t working, the couple loves to read, especially outdoors on balmy Louisiana evenings. When they aren’t working, the couple loves read,ago, especially outdoors balmy Louisiana Having first met at a creole cooking classtoyears they still love to on cook together in theevenings. evening. Having first met at a creole cooking class years ago, they still love to cook together in the Construction of their new home will be funded from the sales of his old pottery studio evening. and savings they Construction oftotheir new home will funded from the sales of his old pottery studio and savings they were able put aside thanks tobe Delphine’s significant salary. ARCH531 2012 Elizabeth Thompson + put Katrina Szekely were able to aside thanks to Delphine’s significant salary. ARCH531 2012 Elizabeth Thompson + Katrina Szekely

NEW ORLEANS PROTOTYPE HOUSE

1. JULES, DELPHINE AND DIXIE

1. Systems JULES, DELPHINE AND DIXIE House + Studio + Environmental

Jules and Delphine are excited and nervous to be building a new home in New Orleans after years of Jules and Delphine are excited and nervous to be building a new home in New Orleans after years of

Clerestory windows along the double height

renting. Both in their late thirties, their daughter Dixie just turned six in the spring. Jules is a successful collaborative project with Katrina Szekely and Elizabeth Thomson renting. Both in theirhis late thirties, theircompare daughtertoDixie just turned in the spring. Jules is With a successful potter, though salary doesn’t Delphine’s, who six is an Ophthalmologist. their busy

THE LOT 3.3. THE LOT

THE POTTERY STUDIO 2.2. THE POTTERY JULES,STUDIO DELPHINE AND DIXIE 1. 1. JULES, DELPHINE AND DIXIE

potter, though his salary doesn’t compare Delphine’s, who is anTheir Ophthalmologist. their busy careers taking off, they do not plan totohave a second child. Aunt AdelaideWith has been in a wheelcareers taking off, they do not planinto2005 haveand a second child. Their Aunt Adelaide been in a wheelchair since Hurricane Katrina frequently stays with them when inhas town. chair When since Hurricane in 2005 and frequently stays with them outdoors when in town. they aren’tKatrina working, theThe couple loves to read, especially on balmy Louisiana evenings. Jules has specific requirements for hisand studio space. Jules Delphine are excited and nervous to bethey building a new home inLouisiana New Orleans after years of When they aren’t working, the couple loves to read, outdoors balmy evenings. Having first met at a creole cooking class years especially ago, still love tooncook together in the evening. Julesmain has elements specific requirements for his studio space. The he needs for his work are: Jules andmet Delphine aretheir excited and nervous to bethey building ajust new home inpottery New after years ofthey renting. in late thirties, their daughter Dixie turned six in theOrleans Julessavings is a successful Having first atBoth a creole cooking class years ago, still love toof cook together inspring. the evening. Construction of their new home will be funded from the sales his old studio and main- pottery elements he needs for his work are: renting. Both input their late thirties, their daughter Dixie just turned six in the spring. Julessavings is With a successful potter, though his salary doesn’t compare tothe Delphine’s, who is pottery an Ophthalmologist. their busy Construction of to their new home will be funded from sales of his old studio and they wheel were able aside thanks to Delphine’s significant salary. potter, though his salary doesn’t compare Delphine’s, is anTheir Ophthalmologist. their busy off, they not plan significant totohave a second child. Aunt AdelaideWith has been in a wheel- pottery wheel ablecareers to puttaking aside thanks todo Delphine’s salary.who - working surface (table orwere countertop) careers taking off, they do not planinto2005 haveand a second child. Their Aunt Adelaide been in a wheelchair since Hurricane Katrina frequently stays with them when inhas town. - working surface (table or countertop) - sink with slit trap chair When since Hurricane in 2005 and frequently stays with them outdoors when in town. they aren’tKatrina working, the couple loves to read, especially on balmy Louisiana evenings. H513+ARCH531 TEAM Thompson 2 Elizabeth Thompson Katrina Szekely + Ng - Nikki sink with slit trap RCH531 2012 2012 Elizabeth + Katrina+ Szekely WhenHaving they aren’t working, the couple loves to read, outdoors balmy Louisiana evenings. first met at a creole cooking class years especially ago, they still love tooncook together in the evening. storage +ARCH531 2012 TEAM 2 Elizabeth Thompson + Katrina Szekely + Nikki Ng 31 2012 Elizabeth Thompson + Katrina Szekely THE Having first met at of a creole cooking ago, they still love together the evening. THE POTTERY STUDIO Construction their new homeclass will years be funded from theLOT salestoofcook his old potteryinstudio and savings they - storage drying shelves THE THE POTTERY STUDIO Construction of to their home willto beDelphine’s funded from theLOT sales of his old pottery studio and savings they were able putnew aside thanks significant salary. - drying shelves - display shelves werefor able put aside thanks Jules has specific requirements histostudio space. The to Delphine’s significant salary. 20m - display shelves Jules has specific requirements forhis hiswork studio space. The main elements needs for are: - space forheclay 20m main heclay needs for his work are: -elements pottery wheel 1.5m 1.5m - space for - wheel space for recycled clay bins - pottery 1.5m 1.5m - working surface (table or countertop) space for recycled clay bins ZONING THE RESTRICTIONS LOT JULES, DELPHINE AND DIXIE POTTERY STUDIO - working surface (table or countertop) -THE space for - sink with slit trapglazes ZONING THE RESTRICTIONS LOT ULES, DELPHINE AND DIXIE POTTERY -THE space for - sink slit trapglazes STUDIO -with storage pug mill Jules has specific requirements his studio Jules and Delphine are excited and nervous to be building a new home in New for Orleans after space. years ofThe - storage - drying shelves - pug mill 20m -their plaster drying Jules has specific requirements for hiswork studio space. Jules renting. and Delphine aretheir excited nervous to be building abats home in New Orleans after years ofThe main elements he needs for his are: Both in late and thirties, daughter Dixie just turned six in the spring. Jules is a successful - drying shelves -new display shelves 20m plaster drying bats main he needs for his work are: renting. Both in theirhis late thirties, theircompare Dixie just turned six in the spring. Jules is a successful -elements pottery wheel potter, though salary doesn’t Delphine’s, who is an Ophthalmologist. With their busy 1.5m 1.5m - display shelves -daughter kiln to - space for clay SET BACKS - apottery wheel potter, though his salary doesn’t compare Delphine’s, who anTheir Ophthalmologist. With their busy 1.5m 1.5m - working surface (table or countertop) - kiln careers taking off, they do not plan totohave second child. Aunt Adelaide has been in a wheel- space for clay - is space forwould recycled clay bins SET BACKS In an ideal world, Louis like to have a small display - working surface (table orwhen countertop) careers taking off, they do not planinto2005 haveand a second child. Their Aunt been in a wheel- sink with slit trap chair since Hurricane Katrina frequently stays with them inhas town. - space for recycled clay bins - space for Adelaide glazes In and an ideal world, Louis would like to have ahis small display area visible street help sell pieces. - to sink slit the trap chair When since Hurricane in 2005 frequently stays with them when into town. -with storage they aren’tKatrina working, the couple loves read, especially outdoors on balmy Louisiana evenings. -from space for glazes - pug mill SITE arealoves visible from the street toto help sell hisinpieces. - storage WhenHaving they aren’t working, the couple to read, especially outdoors on balmy Louisiana evenings. drying shelves first met at a creole cooking class years ago, they still love cook together the evening. - pug mill - plaster drying bats SITE - drying shelves Having first met at of a creole cooking ago, they still love to together the evening. - display Construction their new homeclass will years be -funded from the sales ofcook hisshelves old potteryinstudio and savings they plaster drying bats - kiln - display shelves Construction of to their home willto beDelphine’s funded from sales of- his old pottery savings space for clay studio were able putnew aside thanks significant salary. - kiln In the an ideal world, Louis would like toand have a smallthey display SET BACKS MAXIMUM - space for clay were able to put aside thanks to Delphine’s significant - space for recycled clay In an area idealsalary. world, Louis would like have small display SET BACKS visible from the street toto help sellabins his pieces. MAXIMUM space for recycled clay bins - space glazes BUILDING area visible from the streetfor to help sell his pieces. space for glazes BUILDING - pug- mill 2 FOOTPRINT SITE Living area 15m - pug-mill plaster drying bats 2 FOOTPRINT SITE Living area-area 15m9m 350sqm THEIR IDEAL 2 THE LOT THE POTTERY STUDIO plaster drying bats HOME Dining - kiln 350sqm THEIR IDEAL HOME 2 THE LOT HE POTTERY STUDIO Dining area 9m - kiln 2like In an ideal world, Louis would to have a small display 2 Kitchen 9m Living area 15m MAXIMUM Jules has specific requirements for his studio space. The 2 2 toto In an idealvisible world,from Louisthe would a small display area street 2 have Kitchen 9m Living area 15mlike 2 sell his pieces. Dining area 20m 9mhelp MAXIMUM les main has specific requirements forhis hiswork studio space. The Bathrooms (2.5) 15m elements he needs for are: BUILDING areaarea visible20m from the street 9m to help sell his pieces. 2 2 2 Dining Kitchen (2.5) 9m 1.5m Bathrooms ain -elements he needs for his work are: 2 pottery wheel BUILDING 1.5m Bedrooms (2) (2.5)15m 24m 2 FOOTPRINT Kitchen 9m21.5m Bathrooms 215m pottery wheel surface (table or countertop) 1.5m - working Bedrooms (2) IDEAL 24m 2 2 FOOTPRINT Bathrooms (2.5) (2) HOME 15m12m Guest suite 350sqm THEIR Bedrooms 24m2 working - sinksurface with slit(table trap or countertop) 22 Guest suite 12m 350sqm THEIR IDEAL Bedrooms (2) HOME 24m80m Guest suite 12m22 ink -with slit trap Pottery Studio storage 2 2 Living area GuestPottery suite 12m2280m15m Studio Pottery Studio 80m torage - drying shelves 2 2 2 + 30%Pottery forLiving circulation and 50m 2 area 15m 2 Dining areastorage 9m Studio + 30% for circulation and storage80m 250m - drying shelves - display shelves + 30% for circulation and 50m 2 2 2 2 9m Dining areastorage Kitchen + 30% for circulation and storage 50m9m 214m 214m2 - display shelves - space for clay 9m2 22 15m2 SET BACKS Kitchen 214m Bathrooms (2.5) 214m - space for clay MAXIMUM - space for recycled clay bins SET BACKS Bathrooms (2.5) (2) 15m2 24m2 Bedrooms MAXIMUM - space for recycled clay bins - space for glazes 2 BUILDING 2 14m Bedrooms (2) 24m Guest suite Latitude 29 12m Longitude-90 space for glazes - pug- mill BUILDING 14m suite Studio 12m2 80m2 SITE GuestPottery ENVELOPE STUDIO pug-mill plaster drying bats 2 SITE ENVELOPE Pottery Studio + 30% for circulation and storage80m 50m2 STUDIO plaster drying bats - kiln STUDIO 5m + 30% for circulation and storage 50m2 214m2 kiln In an ideal world, Louis would like to have a small display STUDIO 5m 2 214m2 2 MAXIMUM MAXIMUM an area idealvisible world,from Louisthe would like have small display street toto help sella his pieces. MAXIMUM MAXIMUM BUILDING ea visible from the street to help sell his pieces. BUILDING 14

A single family housing prototype located in New Orleans designed for a successful potter and ophthalmologist with six year old.

1.5m 1.5m

3. 3.

Design priorities include consideration2. of systems suited for the local

2.

climate, ground floor accessibility for regularly visiting aunt, detached studio and street front display for stay at home potter, and prominent outdoor reading area. 2. 2.

1.5m 1.5m

floor plan on the main floor and transom CLIENT AND PROGRAM Open DESCRIPTION CLIENT AND PROGRAM DESCRIPTION

ENVELOPE storage ENVELOPE m m 25 5 2

DIXIE’S

WC

20m

20m

5m

20m

20m

5m 5m

5m

1.5 1.5m m

5m

m 35

m

5m

2 20m 0m

35

1.5 1.5m m

1 1.5m.5m

Windows on south facing elevations were limited to minimize solar heat gain through direct sun light during the hot

35 m 35 m

5m m 35

m 35

10m 10m

1.5m

35m 35m

35m

35m

m

10m

10m

10m

35m

5m

1.5m

1 14m 4m

summer months. Where large windows are present on the main level of the house, an awning is used to shade apertures from the hot summer sun.

Zoning Restrictions

35 m 35 m

1.5 1.5m m

20m

1.15.5 1.5m m m

DIXIE’S WC DIXIE’S WC DIXIE’S BEDROOM WC DIXIE’S 214m² WC BEDROOM BEDROOM BEDROOM

10m

10m

MASTER MASTER BEDROOM BEDROOM

80m² 50m²

20m

14m

Program concept: hand drawn with digital enhancements Building foot print: AutoCAD Sections: AutoCAD KITCHEN + Illustrator LIVING AREA WC KITCHEN LIVING AREA Climate analysis: ClimateConsultant + Illustrator DINING DININGAREA AREA

5m

5m

35m

Pottery studio +30% circulation and

1/2 1/2 BATH BATH

GUEST GUESTSUITE SUITE

1.5 1.5m m

LIVING AREA KITCHEN DIXIE’S WC WC LIVING AREA KITCHEN DIXIE’S WC BEDROOM WC MASTER BEDROOM DINING MASTER MASTER GUEST MAXIMUM BEDROOM DINING GUEST DINING MASTER BEDROOM GUEST AREAAREA BEDROOM SUITE MAXIMUM DINING GUEST SUITE BUILDING 14mBEDROOM AREAAREA SUITE SUITE BUILDING

STUDIO STUDIO

WC

15m² MASTER 24m² MASTER BEDROOM BEDROOM 12m²

10m

Bedrooms (2) Guest suite KITCHEN LIVING AREA

4m

ENVELOPE ENVELOPE m m 25 5 2

5m

WC

1/2 1/2 BATH DINING GUEST BATH DININGAREA GUESTSUITE KITCHEN WCSUITE LIVING AREA AREA

5m

5m

1/2 BATH LIVING AREA KITCHEN WC BATHWC Bathrooms (2.5) KITCHEN LIVING AREA

15m² 9m² 9m² 35m

Living area 15m2 vingDining area area 15m2 9m2 ning area 9m2 9m2 Kitchen 2 tchen Bathrooms (2.5) 9m 15m2 athrooms (2.5) (2) 15m2 24m2 Bedrooms edrooms (2) 24m2 12m2 Guest suite uestPottery suite Studio 12m2 80m2 2 ottery Studio + 30% for circulation and storage80m 50m2 30% for circulation and storage 50m2 214m2 214m2

MAXIMUM MAXIMUM BUILDING BUILDING ENVELOPE ENVELOPE 5m 5m2 2 BUILDING 1

New Orleans temperature + humidity analysis

35m

MAXIMUM MAXIMUM BUILDING BUILDING FOOTPRINT FOOTPRINT 350sqm 350sqm

4. 4.

4. THEIR IDEAL HOME THEIR IDEAL HOME

in the bedrooms allow for cross ventilation through the home

SITE SITE

4. 4. 3. 3.

Living Area 1/2 BUILDING FOOTPRINT 1/2 BATH Dining Area STUDIO FOOTPRINT 350sqm BATH STUDIO 350sqm 1/2 Kitchen

5m 5m

3. 3.

THEIR IDEAL HOME 4.4. THEIR IDEAL HOME

2.

NEW ORLEANSwindows NEW ORLEANS

SET BACKS SET BACKS

5m

1.

20m 20m

space in the centre of the home allow for stacked ventilation

The awning is shallow enough to allow direct sun in the coldest months of the year.


Trellis design to shade occupants

Trellis to shade occupants

Glazing and shading to reflect solar rays Operable windows for cross ventilation

Drawings: AutoCAD + Illustrator Physical model: laser cut matteboard

Clerestory windows to allow for stack ventilation Operable windows for natural cross ventilation

Extended roof awning to shade apertures and wrap-around balcony

Allows outflow of excess heat

Light coloured materials for high reflectivity


ROBSON SQUARE Reactivating the Cultural Heart of Downtown, Vancouver, BC Robson Square as it is lacks visual cues to encourage pedestrians to stay, this is exacerbated by the site elements that cause complications and confusion in understanding circulation through the site. Physical limitations in accessibility is also problematic for a site that is intended to be the cultural heart of the city.

Retrofitted lobby space, to allow visual connection at the street level

Vancouver Art Gallery intends to relocate and with this inhabitant change, the project becomes an endeavour to reprogram the space through porous cultural programming.

Series of colonnades to direct major circulation routes with vertical changes

This concept acknowledges the fact that Robson Square is very much a site where many people traverse through and the intention is not to attract all of these pedestrians, the motive is to create architectural elements that will respect the spectrum of temporal uses of the site.

Incisions to the underground to allow visual connection between ground level and underground Conceptual collages of free exhibits that offer a glimpse of what the Museum of Vancouver has to offer as the new occupant of the building.

Concept drawings: Photoshop Exploded axo: Rhinoceros + Illustrator


Existing conditions: laser cut plywood Revitalized conditions: laser cut plywood, acrylic accents Rendering: Rhinoceros + Keyshot Render + Photoshop


NOW AND/OR FOREVER Capilano View Cemetery, West Vancouver, BC comprehensive studio: collaborative project with Yang Song

The challenge in this project is to orchestrate spatial, programmatic, structural, material and sensorial set of relationships. Tasked with the identification of ‘what is to be understood’ engenders a methodology of design and questioning of how these processes eventually translate into actual experiences within a set of spaces. Death is a part of our cycle of life and where the dead are laid to rest is a place of mourning for the living. Through the design of the procession through the site, gradual serenity and healing is sought. The presence of an axial water element is meant to guide the mourner through the site: the entryway served by the administration, flanked by two funeral halls for the masses, leading into the main mausoleum meant for private mourning and a pathway that leads to a pavilion holding a collective ossuary. Water is an element that has inherent healing properties that have been integrated into the project in many aspects. From the pragmatic water collection systems above and below ground, to the spiritual cleansing and watering of the landscape, the cyclic flow of water back into the Capilano waterway alludes to the themes of life and death.

Diagrams: fine liner on paper, scanned Site Plan: AutoCAD + Illustrator + Photoshop


Diagrams: fine liner on paper, scanned Conceptual Renderings: SketchUp + Keyshot Render + Photoshop Final Renderings: Rhinoceros + Keyshot Render + Photoshop


Model: hand carved cardboard topography, laser cut matteboard, etched acrylic windows


MOCC An Experience of Temperate Seasonality, Vancouver, BC an abridged version: thesis project, April 2015: under the supervision of Joseph Dahmen, Raymond Cole and Melissa Higgs Seasonality was once a habitual part of how we inhabit and occupy spaces. And in a society where we increasingly spend our lives indoors, the acceptance of mechanically controlled interiors has eroded our understanding of, and inherent connection with our immediate climate. How do we begin to reintroduce ourselves to the seasons again? Rather than highlight the characteristics of indoors versus the outdoors, can the transition between indoor and outdoor be reimagined as active and habitable spaces? Continued reliance on controlled indoor environments mutes beneficial elements essential to maintaining wellbeing. Opportunities to encounter natural phenomena should be integral with human activities in an effort to foster a sense of place and connection with the surrounding context. A healthy environment should be accessible, welcoming, and stimulating.

Physical model: CNC-milled MDF, cherry wood buildings Hand drawings: fineliner on trace All drawings: AutoCAD + Illustrator All renderings: Rhinoceros + V-Ray + Photoshop


COMMUNITY ENERGY EXPLORER www.energyexplorer.ca, Vancouver, BC a CALP team project, web development by Dave Peacock

Imagine a neighbourhood where efficient homes generate energy and share it with the community. Imagine a walkable community, with local services and convenient access to transit in a region that uses renewable energy resources instead of fossil fuels.

This website provides a set of tools for exploring community energy. The following is a snapshot, the website was designed to be experienced in its entirety to promote interactivity.

Rendered homepage image: SketchUp + Keyshot Render 2D graphics: illustrator


BC HYDRO DECISION THEATRE LAYOUT VISUALIZATION Centre for Interactive Research on Sustainability, Vancouver, BC

All renderings: Revit + Photoshop


Residential Beds

Existing Conditions vs Proposed Conditions

UBC OKANAGAN CAMPUS MASTER PLAN Total Capacity 3,317 beds

Total Capacity 163,257 sqm

Total Capacity 2,730 spaces

Proposed 2,150 sqm

Total Capacity 2,730 spaces

25.3% Paved Areas 208,180 sqm

Total Capacity 14,592 sqm

Existing vs an elementsLab project in collaboration with Campus + Community and Proposed 2,150 sqm Capacity Total Capacity Total Capacity Total Capacity Planning at UBC and Total used with permission from the university 3,317 beds 163,257 sqm 2,730 spaces Proposed 14,592 sqm Proposed 91,448 sqm

Proposed 1,641 beds

1,993 spaces

Proposed

Existing 2,150 sqm 71,809 sqm

Existing 1,676 beds

Residential Beds

Existing 71,809 sqm

Existing 1,676 beds

Existing 71,809 sqm

Existing 1,676 beds

Existing 1,649 spaces

Residential Beds

Residential Beds

Academic

29.1% Site Coverage

Parking

Existing 12,442 sqm

29.1% Site Coverage

Parking

Parking

Total Capacity Total Capacity 14,592 sqm 2,730 spaces 99.6% 14,592 sqm

Total Capacity 14,592 sqm 100% 14,592 sqm

within 400m

within 400m

62.2% 2,064 beds within 400m

3.8% Buildings 87,051 sqm

Commercial

70.9% Open Space 805,259 sqm

Total Capacity Total Capacity 163,257 sqm 163,257 sqm 96.5% 163,257 sqm 92.2% within 400m 84,492 sqm within 400m

3.8% Buildings 87,051 sqm

25.3% Paved Areas 208,180 sqm

Existing 12,442 sqm

Academic

Paved Areas 208,180 sqm

Existing 12,442 sqm

70.9% Open Space 805,259 sqm

Academic

Existing 1,649 spaces

29.1% Site Coverage 25.3%

70.9% Open Space 805,259 sqm

Proposed 1,993 spaces

Proposed 91,448 sqm

Total Capacity Total 3,317 Capacity beds 3,317 beds

Site Coverage of Total Capacity

Existing 1,649 spaces

Measurement and visualization of proposed future UBC Okanagan Campus Plan and assessing it against baseline, existing conditions. Alternatives for housing, parking, academic space, amenties and transit was measured for walkability from campus core and transit hub. Proposed 1,641 beds

Percentage of Residential Beds, Academic, and Commercial Spaces within 400m of Transit Hub Percentage of Residential Beds, Academic, Parking, and Commercial Spaces within 400m of Campus Core

Site Coverage of Total Capacity

Proposed 1,993 spaces

Proposed 91,448 sqm

Proposed 1,641 beds

Commercial

Total Capacity 14,592 sqm

elementsLab, University of British Columbia, Vancouver, BC Total Capacity Proposed Conditions 163,257 sqm

Parking

Site Coverage of Total Capacity

Existing Conditions vs Proposed Conditions

Total Capacity Conditions 3,317 beds

Academic

36.1% 985 spaces

30.6% 582 beds

within 400m

within 400m

3.8% Buildings 87,051 sqm

Residential Beds Residential Beds

Commercial

Academic Academic

Commercial Parking

Commercial

Commercial

Percentage of Residential Beds, Academic, and Commercial Spaces within 400m of Transit Hub

Walkability -Total Within Campus Hub Total 400m Capacity Capacity 3,317 beds Campus Hub

163,257 sqm Area within 400m 96.5% 163,257 sqm within 400m

Existing Academic

Existing Residence

Proposed Academic

Proposed Residence

Total Capacity 14,592 sqm 99.6% 14,592 sqm within 400m

Forest Grass/Lawn

Pond 1:5,000

30.6% 582 beds

within 400m

Existing Conditions vs Proposed Conditions

Site Coverage of Total Capacity

Existing Conditions vs Proposed Conditions Total Capacity 3,317 beds Total Capacity 3,317 beds

Total Capacity 163,257 sqm Total Capacity 163,257 sqm

Proposed 1,641 beds Proposed 1,641 beds

Existing 1,676 beds Existing 1,676 beds

Site Coverage of Total Capacity

Total Capacity 2,730 spaces Total Capacity 2,730 spaces

Proposed 2,150 sqm

Proposed 1,993 spaces Proposed 1,993 spaces

Proposed 91,448 sqm Proposed 91,448 sqm

Existing 71,809 sqm Existing 71,809 sqm

Residential Beds

Academic

Commercial

Total Capacity 14,592 sqm TotalProposed Capacity 14,592 sqm 2,150 sqm

Existing 1,649 spaces Existing 1,649 spaces

25.3% Paved Areas 25.3% 208,180 sqm Paved Areas 208,180 sqm 70.9% Open Space 70.9% 805,259 sqm Open Space 805,259 sqm

Existing 12,442 sqm Existing 12,442 sqm

29.1% Site 29.1% Coverage

Percentage of Residential Beds, Academic, Parking, and Commercial Spaces within 400m of Campus Core Percentage of Residential Beds, Academic, and Commercial Spaces within 400m of Transit Hub

Total Capacity Total 3,317 Capacity beds 3,317 beds

3.8% Buildings 3.8% sqm 87,051 Buildings 87,051 sqm

Site Coverage

Total Capacity Total Capacity 163,257 sqm 163,257 sqm 92.2% 96.5% 84,492 sqm 163,257 sqm within 400m

Total Capacity Total Capacity 2,730 spaces 14,592 sqm

Total Capacity 14,592 sqm

99.6% 14,592 sqm

100% 14,592 sqm

within 400m

within 400m

within 400m

62.2% 2,064 beds within 400m

Residential Beds

Academic

Parking

Commercial

Residential Beds

Academic

Parking

Commercial

36.1% 985 spaces

30.6% 582 beds

within 400m

within 400m

Residential Beds Residential Beds

Academic Academic

Parking Commercial

Commercial

University of British Columbia Okanagan - Existing and Proposed Existing Academic

Existing Residence

Forest

Proposed Academic

Proposed Residence

Grass/Lawn

Pond 1:5,000

Walkability - Within 400m of Transit Hub

Infographic: ArcGIS + Excel + Illustrator Maps/Diagrams: ArcGIS + AutoCAD + Illustrator

Area within 400m

Existing Academic

Existing Residence

Forest

Proposed Academic

Proposed Residence

Grass/Lawn

Pond 1:5,000

University of British Columbia Okanagan - Existing and Proposed Existing Academic

Transit Hub

Existing Residence

Forest

Walkability - Within 400m of Transit Hub Walkability - Within Campus Hub 400m


UBC OKANAGAN CAMPUS MASTER PLAN (DRAFT 2015) elementsLab, University of British Columbia, Vancouver, BC an elementsLab project in collaboration with Campus + Community and Planning at UBC and used with permission from the university

Recreational Zone Proposal Shadow Study - June 21 @ 8am, 10am, 12pm, 2pm [UTC -8:00]

Recreational Zone Proposal Shadow Study - May 1 @ 8am, 10am, 12pm, 2pm [UTC -8:00]

Shadow Studies: SketchUp + Illustrator


thank you

for your time + consideration Ka Ka Nikki Ng


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