Skip to main content

Architecture Portfolio

Page 1

T H E

S C H O O L

O F

A R C H I T E C T U R E

U C L

PORTFOLIO 2024

KACPER RYSKE ARCHITECTURE

B A R T L E T T

2024

M A R C H A R C H I T E C T U R E A P P L I C A T I O 2 0 2 4 / 2 0 2 5

A P P L I C A T I O N

I D :

2 2 1 5 1 5 8 5


Personal Project: Pac Mondo Project European Architecture Students Assembly 2023 Sheffield


CONTENTS PERSONAL PRJECT: 1.

Pac Mondo

PROFESSIONAL EXPERIENCE PROJECTS: 2.

Jenner's department store

4TH YEAR PROJECTS: 3.

Politics of the joyful body

4.

Cybernetic infrastructure

3RD YEAR PROJECTS: 5.

Energy, landscape, culture


The Atrium


10m

Proposed section AA'

10m

Proposed South St David Street elevation


Existing Princess Street Facade

Proposed Princess Street Facade


The exterior


Y E A R 20 21

L O C AT I O N G L A S G O W U K

B U I L D I N G B AT H H O U S E

TYPE PUBLIC

A POLITICS OF THE JOYFUL BODY THE BARRAS STEAMIE

Just as the goal of the building of a city should be the production of urban life, the ideal of

good architecture should be the opportunities it offers to a happier development of the body and its craving for pleasure and joy.

Henri Lefevbre The leisure society is a predicted future society that will allow individuals to

work less and have more free time than today. The concept of leisure is defined

as an act of enjoyment done outside the framework of capitalist production and

consumption. It is realised by focusing on collective gestures and the rhythms of the body.

Bathing is the ultimate leisure activity - immersive experience that allows total

liberation from productivity. By incorporating the philosophy of bathing rituals into the local infrastructure, this project aim is to generate societal and cultural

value while reducing the destitution and inequalities in the area. The new

conception of the public bath house can initiate new social dynamics, new social opportunities, new public behaviours and improve the lifestyle of the Carlton community.

Project was commended for GIA award 2021. Semester Tutor

8th

Colin Glover

01


Concept Diagram Creating relationship between the bath house and the atrium


Urban Strategy

Lost Culture Glasgow’s steamies and Bath houses used to be a strong part of the citizens daily life in 19th and 20th

century. Even though they were created as a response

to the communal need for cleanliness they also became

incorporated into the social system as meeting places.

With progress in modernization and accessibility to fresh

water,

their

importance

has

decreased.

Nowadays some of the bath houses are still active, however, not open to public and in form of unaffordable luxury. Borrowed culture

Japanese communal bathouse - Sento have a rich

history and are still present in the Japanese urban

fabric. They maintain a high degree of social

importance, linked to the theory that physical

proximity brings emotional intimacy and sense of

community. The act of bathing within Sento is akin to divine pleasure, often very ritualistic and associated

with wellbeing.

Japanese bathhouse - Sento


THE BARROWLANDS

PIPE FACTORY BAAD

SAINT LUKE'S

GLASGOW GREEN

The site

1858

1894

1910

1946

Archeology of the site

2002

2020


Urban Strategy

The Barras The area is a fertile ground for regeneration strategies

aiming to enable cultural experimentation and dynamic improvisation. There is a greater need for a model of

engagement that is sensitive to the infrastructural

needs of existing communities and evolving cultures in

the city. Nowadays the area is not so much about profit from selling the objects but rather socialising with

their fellow market traders.

Immediate Context

Key Views

"The Barras Room"

Bath House

The Cultural Corner

Permable Theatre Infill


10m The Barras


Bathing Ritual

Bath House The spatial organization of the bath house is based on the concept of the collective ritual of spiritual and

physical cleansing, accomplished by following the

correct sequence of entering different spaces and

experiencing different temperatures. The journey is

centred around the theatre and its aim is to successively warm up the bodies.

The act of Bathing is about thermal sensations that

heighten your sense of awareness, destabilizes your

mood, and generally rearrange the contents of your mind.

The

experience

of

extreme

opposite

1

temperatures back-to-back - hot to cold or cold to hot has a positive social bonding effect.

16.

12. Lockers 13. Washing Area 14. Cool plunge pool 20 º Aid room 21. Cleaner’s storage room 23. Steam saun

Thermal stimulation


21.

16.

21. 22.

15.

20.

21.

12. 23.

18.

24. 25.

19. 31.

17.

26.

26.

27.

28. 12.

31.

28. 29.

13.

30.

32.

ºC 15. Individual/double Ice Bath 16. Individual/Double warm Bath 17.Collective Ice Bath 18. Collective Fire bath 19. Dark collective bath 30ºC 20. First na 50ºC 24. Juice bar 25. Yoga area 26. Collective warm bath 34ºC 27. Footbath 28 ºC 28. collective fire bath 43ºC 29. hot footbath 30. Cold footbath 31. Intimate ice bath 31. Finnish Sauna 90ºC 32. Massage/relaxing rooms

10m The Bath House Floor Plan


Performance

Non verbal performance The key component of the proposal was for the bath

house to benefit from the presence of the theatre.

While the bathers cultivate their bodies in the bath, others test the boundaries of their bodies in the silent

theatre.

sun shading system

bath house lobby

plenum

silent theatre

ther


rmal l abirynth

water purification

theatre entr ance


Construction

Naked Facade The boundary between the outside and the inside is

blurred, yet still provides the bathers with a degree of privacy.

In between the fly ash concrete masonry

hollow columns, the glulam structure is protected by

plastic-clad translucent long façades that consist of

two layers of corrugated, glass-fibre-reinforced

plastic sheets, which form the weather resisting skin.

Internaly, the wall is sealed with a nylon membrane

a.

that can be removed for cleaning.

b.

c.

The Facade built-up

Beam to column connection

Tertiary structure to primary structure connection

d.

Clustered column to concrete column


clerestory

the skin

A. Parapet Detial

the structural system

B. Facade Detail

The bath house

C. External Wall Detail the silent theatre pavillion

the barras room - civic & labour

D. Foundation Detail


Bathing Ritual

The sequence of spaces A ritual consists of a strictly ordered succession of acts that have to be performed according to prescribed

rules and conditions. In a ritual, it is not important to

achieve a certain result or to communicate a certain message but rather to perform those acts correctly.

The circulation paths are celebrated and lit by the roof lights. Discreetly lit transition towers give hints on the

next ritual space to be entered in a correct sequence.

There is a light that never goes out


Atmospheres

Entrance As they journey deeper into the Bath house, they enter a deeper state of relaxation.


The showers The architecture creates atmospheres to encourage communication in varying degrees and give an impression of life stripped down to the bare necessities.


Y E A R 20 20

L O C AT I O N G L A S G O W U K

BUILDING URBAN HOUSING

T YPE RESIDENTIAL

CYBERNETIC INFRASTRUCTURE DOMESTICITY AND LABOUR IN XXI CENUTRY

The state of contemporary capitalistic labour can be compared to a ‘modern fac-

tory’, where a new working class emerges as immaterial producers. Their working patterns evolve dynamically, directly influenced by the constantly developing technologies of data processing, communication and knowledge production. The consequence of digitalising contemporary labour is the spread

of virtual space – rendering the physical presence less important. The crucial solution to this matter is the combination of domestic and labour space.

According to Marx, “labour coexists with the entirety of the human subjectivity.” Production, reproduction, socialising and leisure are all perceived as one. The aim of the project is to define a new productive domestic space for a postcapitalist society through the design of a new typology building which

combines a ‘human’ and a ‘machine’ programme trying to harness the fourth industrial revolution.

Nowadays, we live in a world where we process 42 million terabytes of digital

data every day. We find ourselves becoming lost in this intangible environment.

Technology has been transforming our societies, but our understanding of these processes remains very superficial. It is critical that we take action and

responsibility over these changes by engaging ourselves and creating awareness. Semester Tutor

7th

Isabel Deakin

02


rain water is collected by rain harvesting facade

digital data is produced in the rooms

waste water from the flats

cybernetic tropical garden waste water tanks hot air travels into the tropical garden data racks

phytoremediation system heat exchanger

chiller cooling rack

water distribution system

purified water tanks

Concept Diagram Tropical Cybernetic Gardens


Concept

Virtual Spaces Internet – this inseparable device of modern labour

activates the engine of the ecosystem, producing enough heat from the servers to create a tropical

environment. The cybernetic labour garden is a byproduct from the digital economy and a society that

has digitalised its identity. It represents a world that is no longer tangible and understood only through

systems founded on human dimensions. The exhausted

heat and water from the data racks are locked in the

symbolic space which creates the tropical environment of our labour.


Labour

The factory we dwell in The ground floor of the building accommodates the

virtual craftsmanship. The data produced from the

floors above are processed by the 3d printers, CNC robotic arms, laser cutters and other machines and

turned

into

different

forms

controlled

be

the

inhabitants of the building. During the weekends the

ground floor opens up to the public and turns into a

market where the inhabitants can sell their products.

The overhead conveyor system is connected to the

storage system which makes it easier to move the objects around the building.

Virtual Craftsmanship


10m Ground floor (labour)


Domesticity

The factory we dwell in The upper floors are perfect for telecommuting. Living

and working spaces interlock side by side, across the

different storeys. The layout of the floor plans and the

use of flexible furniture as parti walls can create diversity of scenarios. The middle part of the building

accommodates the servant spaces.

The existing building in the west part of the masterplan has been refurbished to suit the modern way of living.

Atomated storage system


10m 3d floor (domestic and producton)


Coexistance of the machine, human and nature


Atmospheres

The labour floor is flexible and can be devided into smaller spaces


The residential and production spaces are combined and stimulates social behaviours of the professionals.


Y E A R 20 19

L O C AT I O N B A L L O C H U K

B U I L D I N G R E S I D E N TA L R E T R E AT

T YPE RESIDENTIAL

03

ENERGY, LANDSCAPE, CUTURE MUSICAL RETREAT FOR SISTEMA SCOTLAND

Located on a strip of parkland along the banks of Loch Lomond in close proximity to the town centre of Balloch, the project aims to reconnect children with difficult family backgrounds with nature, seeking similarities between

musical harmony, space and the human body. The site for the project is a cross

point of three axis: Axis of journey, axis of transition and axis of connection. The campus situated by the River Leven becomes a metaphor for escapism. In Balloch the water bank accommodates structures that facilitate people’s escape from the land to immerse themselves in the beauty of the Loch and surrounding mountains.

Project awarded with GIA award 2020 Semester Tutor

5th and 6th Tilo Einert

Performance Hall

Residential Retreat


Concept animation


Dormitories

Spatial organisation The flexible system of the partition walls within the

public

private

dormitories gives the opportunity for every kid to feel

comfortable in the residence. The rooms are also

designed in a way to provide enough space for the instrument practice.

10m

Summer passive environmental

Domestic floor plan


The voids

Bedrooms


Topography model of the view


River Leven


Kacper Ryske Application ID: 22151585 The Bartlett School of Architecture UCL MArch Architecture Application Entry for 2024/2025 kacper.ryske@outlook.com


Turn static files into dynamic content formats.

Create a flipbook
Architecture Portfolio by Kacper Ryske - Issuu