WOLCOTT HUMPHREY
GENEROUSLY SUPPORTED BY
CENTER STAGE JANUARY 23, 2021 AT 8:00 PM EST juventasmusic.org
STAFF Oliver Caplan
Artistic Director
Chris Beagan
Director of Marketing & Communications
Chris Petre-Baumer Graphic Designer
Joe Sedarski
Marketing Coordinator
Rozime Lindsey
Arts Administration Intern
ABOUT JUVENTAS Juventas New Music Ensemble is a contemporary chamber group with a special focus on emerging voices. Juventas shares classical music as a vibrant, living art form. We bring audiences music from a diverse array of composers that live in today’s world and respond to our time. Since its founding in 2005, Juventas has performed the music of over 200 living composers. The ensemble has earned a reputation as a curator with a keen eye for new talent. It opens doors for composers with top-notch professional performances that present their work in the best possible light. Recognition for the ensemble’s work includes the American Prize Ernst Bacon Award for Performance of American Music and support from the National Endowment for the Arts, Massachusetts Cultural Council, and Boston Foundation. Juventas is featured on albums by Innova Recordings, Parma Records and New Dynamic Records, and has held residencies at Boston Conservatory, Harvard University, Longy School of Music, Middlebury College, and Worcester Polytechnic Institute. Juventas has a storied history of dynamic collaboration with artists in other media, including dancers, painters, scientists, poets, puppeteers and robotics engineers. A leader in the field, Juventas also facilitates the Boston New Music Festival, a weeklong showcase of Boston’s contemporary music scene.
Aaron Wong
Arts Administration Intern
BOARD OF DIRECTORS John Carey President
Cashman Kerr Prince Treasurer
Alvin B. Carter III Carson Cooman Leslie Jacobson Kaye Rachel M. Rivkind Karen Ruymann Oliver Caplan ex officio
FROM THE ARTISTIC DIRECTOR Like an all-star baseball team, each of Juventas’s ensemble members is an incredible talent in their own right. Our annual Center Stage program features one of Juventas’s ten core ensemble members in a solo concert. In our typical programs, our musicians perform together in larger chamber configurations that center on collaborative chemistry. By contrast, tonight’s special program brings Clarinetist Wolcott Humphrey to the fore, showcasing his virtuosity and grace. Wolcott is the consummate artist. His soulful tone melts my heart every time. His technical talent is extraordinary, such that even the most challenging passages seem to flow effortlessly. And last but not least, Wolcott’s kindness shines through every piece he touches.
OLIVER CAPLAN
This is Wolcott’s ninth season performing with Juventas and we couldn’t be more proud to have him in the Juventas family.
FROM THE SOLOIST I’ve curated tonight’s concert as the program that I personally would want to listen to if I were sitting next to you in the audience. These selections highlight the breadth of great music written for clarinet recently by living composers. Oliver first approached me about doing a solo concert with Juventas back in August of 2019. My initial idea was to base the program around music representing my ancestral background, performing pieces by composers from different countries that make up my family tree. After 2020, that seems like a lifetime ago.
WOLCOTT HUMPHREY
When the pandemic hit, I completely re-envisioned the program, focusing on pieces that truly speak to my core. Thinking about social issues, such as the critical Black Lives Matter movement, I want to share music that draws from not only a diverse range of musical voices, but of lived experiences. And so I curated this new program, which I’m excited to share with you tonight. In homage to my Dutch heritage, I kept one piece from the original program, Garden of Love by JacobTV. With everything that is going on right now, I’m so grateful that I can still connect with you through the safety and comfort of your living room. I hope you enjoy the music!
WOLCOTT HUMPHREY CENTER STAGE January 23, 2021 at 8:00 PM EST Broadcast Live on YouTube
Paragon (2015) Garden of Love (2002) Ad Anah? (2015)
with Julia Scott Carey, piano with video by Amber Boardman with Julia Scott Carey, piano
Fantasie for Solo Clarinet (1993)
Theresa Martin JacobTV James Lee III Jörg Widmann
INTERMISSION
Wolcott Humphrey: Center Stage is generously sponsored by Mary Humphrey. Juventas’s 2020-21 Season “Now More Than Ever” is generously sponsored by John A. Carey.
Sonata for Clarinet and Piano (2015) Gentle/Playful Interlude Agitato with Julia Scott Carey, piano
Amanda Harberg
alt.music.ballistix (1995) A Matter of Fax A Soliloquy A Balkan Dance Convolution@uakron.edu
Nikola Resanovic
Unfamiliar Territory: 3 Sketches for Clarinet and Piano* (2012) Local Spirits As Night Falls Shortcuts with Julia Scott Carey, piano *Call for scores winner
Michael Markowski
IN THE COMPOSERS’ OWN WORDS Theresa Martin Paragon I first discovered the term paragone while reading a book about the science of competitiveness. In the Italian Renaissance, paragone was the idea of competition between creative artists: painters, musicians, and sculptors. They believed that only through paragone could you see the real significance of a work. Artists trained side-by-side in direct competition and often debated over which of the creative endeavors was the most worthy. In modern times, the English term paragon has come to mean a model or pattern of excellence, an ideal or standard. This is where my inspiration was fully ignited. I wanted to write a piece that, in my mind, outlined the perfect life. It would begin with birth and a soul being surrounded by love, move through phases of learning, joy, amusement, and adventure, and would come back full circle to all-encompassing love into a peaceful departure from this world. Paragon has personal significance for me, as well. During the course of writing the piece, a relative of mine passed away from cancer at age 62. No one knows how much time we will have on this earth. Paragon is my shared hope for the ideal life, full of meaning, love, and joy. Paragon was commissioned by Caitlin Poupard as part of her doctoral dissertation at Arizona State University.
JacobTV Garden of Love The Garden of Love for oboe or soprano sax and soundtrack, based on a poem by William Blake, was composed in March 2002. In 2003 the oboe part was arranged for soprano sax. Then Margaret Lancaster tried it on flute, which worked very well too, and later on it was adapted for alto recorder and Bb clarinet as well. I usually compose my music based on the melody of speech. So when Dutch oboist Bart Schneemann asked me to write a piece based on a poem by William Blake, I had a problem: There is obviously no recording of Blake’s voice, since he lived in the early 19th century. But then I discovered an old recording of “The Garden of Love,” recited by a typical stiff upper lip British actor. Then, the piece almost wrote itself: I created an archaic atmosphere by adding a harpsichord and all kinds of rare birds (an ornithologist could have fun with it). Garden of Love is a typical example of how I usually work: composing intuitively, playing with words and sounds, and using the speech melody as the leitmotiv for the composition. The soloist is in a dialogue with the poem and the birds in this imaginary garden… “The Garden of Love” by William Blake I went to the Garden of Love, And saw what I never had seen: A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And Thou shalt not. writ over the door; So I turn’d to the Garden of Love, That so many sweet flowers bore.
And I saw it was filled with graves, And tomb-stones where flowers should be: And Priests in black gowns, were walking their rounds, And binding with briars, my joys & desires
James Lee III Ad Anah? The title Ad Anah is ancient Hebrew and it means “How long?” or “Until When?”and it is a reference to the ancient Hebrew prophet Habakkuk asking God “How long, O LORD, must I call out for help but You do not hear, or cry out to You, Violence!, but You do not save?” Job and king David also cried out against violence and the desire for justice. My work Ad Anah? is a humble cry against injustice in our day and the clarinet specifically expresses this lament and cry “How Long?” throughout the composition.
Jörg Widmann Fantasie for Solo Clarinet Fantasie for Solo Clarinet is my first real piece for my own instrument, the clarinet. It is largely based on the usual Romantic melodious sound, though with ironic side trips into dance, klezmer, and jazz, making Fantasie the clarinet’s equivalent of ‘light music.’ With its eccentric virtuosity and its cheerful, fundamentally ironic character, it reflects Stravinsky’s Three Pieces for Solo Clarinet of 1919 and the tonal innovations that appeared with Carl Maria von Weber’s notation for the clarinet, and takes them further in a new way. Fantasie is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell’arte.
Amanda Harberg Sonata for Clarinet and Piano
based on every pitch but the pitch ‘D’ which appears later as an accompanimental ‘ison’ or drone.
ocean’s treasures. The weather is perfectly mild and refreshing, tropical-themed drinks are always nearby.
Sonata for Clarinet and Piano has three contrasting yet closely related movements. While not overtly programmatic, the sonata’s thematic materials arose after the painful losses of loved ones in 2014 and 2015. The nostalgic first movement begins with a sweetly mellifluous opening melody contrasted by a playful secondary theme. The youthful, innocent quality found in the first movement transforms in the short second movement to a more immediate emotional space colored by sadness and loss. The final movement transforms the material from the opening movement into an insistent dance full of dark, agitated energy. Sonata for Clarinet and Piano was composed for clarinetist Benjamin Fingland, who premiered it at Rutgers University with Harberg at the piano in 2015. Sheet music is available from Theodore Presser Company.
Mvt. 3 - “A Balkan Dance” Influenced by Macedonian and Bulgarian dance idioms, the movement features many references to the folk music of this region of the Balkans.
On the other side of the tall resort walls is a different side of Mexico where the roads remain unpaved and the roofs on local homes are made of tin. At a neighborhood restaurant, a local favorite, my 24-year-old self naively orders the pancakes that, to my surprise, taste more like carne asada.
Nikola Resanovic alt.music.ballistix Bearing a title suggestive of a fictitious internet news group, alt.music.ballistix is an electro-acoustic composition scored for solo clarinet and CD, which I composed for Professor Hakan Rosengren in fall of 1995. The 12-minute work is divided into four contiguous movements as follows: Mvt. 1 - “A Matter of Fax” A three-minute sonic montage featuring original samples from various technological source, including a fax/modem, telephone, short-wave radio, satellite transmissions, mingled with the most precious of all musical commodities - anticipatory silence! Mvt. 2 - “A Soliloquy” A three-minute, 11-tone, unaccompanied clarinet solo
Mvt. 4 - “Convolution@uakron.edu” The above three movements are polyphonically combined, and a fourth element - the unrelentingly polite voice-mail lady - is injected into the sonic recipe. “Ballistix” is a musical representation of some of the bizarre realities of our modern era of digital communications and information. It is the metaphor of the seemingly backwards peasant down-loading the latest nasdaq figures via his cell phone/modem onto his lap-top computer in some remote region of the Balkans - his cows grazing in the background. This juxtaposition of the modern and the timeless, the sophisticated and the simple, the sublime and the ridiculous, expresses itself in a music which combines accordion, tambourine and modem. “Ballistix” is convolved music: it takes musical events that seems isolated and unrelated at their first presentation and restates them in a contrapuntally intertwined manner. In this news context, these same musical events are transformed by their very interaction as they combine to reveal a higher order of relationships.
Michael Markowski Unfamiliar Territory: 3 Sketches for Clarinet and Piano People often escape Arizona and head south to the intimate resort town of Puerto Peñasco—or as Americans better know it: Rocky Point, Mexico. The beaches are gorgeous and the tides recede hundreds of feet every night, as if by magic, revealing the
As night falls, the local spirits emerge and the town comes alive. The moon hangs low, peeking around buildings, always just out of sight. Taxi drivers take wild shortcuts through dark and dusty side streets. Our ears, beaten by someone named Mr. Saxobeat, are somehow still able to hear the meditative hum of neon lights buzzing quietly like mosquitoes. It doesn’t take long to fall under the town’s spell. The ghosts of this unfamiliar territory swirl around us, dizzying our senses, as we enter a world of strangers. Our taxi driver watches us from his beat-up little Nissan—perhaps he and the moon have been appointed our guardian angels for the night. Still, we continue on into the darkness if for no other reason than because we have no idea where we are or how to get back home.
COMPOSERS AMANDA HARBERG
er Company. Her Viola Concerto was released on Naxos American Classics in 2017. Awards include two NFA Newly Published Music Awards, two New Jersey State Council on the Arts fellowships, a Fulbright/Hays Fellowship, the New York Youth Symphony’s First Music prize, a New York State Council on the Arts fellowship, and Juilliard’s Peter Mennin Prize for outstanding accomplishment. Harberg currently teaches composition at Rutgers University and at the Interlochen Arts Camp.
JACOBTV
ally popular. An anthology of his work on CD/DVD was released 2006 at a three-day JacobTV festival at the Whitney Museum of American Art in NYC. JacobTV is considered an ‘outlaw’ in new music, whose work ‘makes many a hip-hop artist look sedate’ (Wall Street Journal). His reality opera THE NEWS was constantly updated between 2010 and 2016 and performed by ensembles in Chicago, Rome, Amsterdam, Tokyo, LA, Hamburg New York and the Netherlands. JacobTV was the first composer to receive the BUMA Classical Award, as the best Dutch classical export product in 2015.
JAMES LEE III
b. 1973 Amanda Harberg strives to find emotional and spiritual meaning through music. Composer John Corigliano says of her music, “Amanda Harberg writes truly beautiful music. This is rare in our time in fact, in any time. She touches the soul and invigorates the brain. I love her work.” In 2021, the Philadelphia Orchestra will present the world premiere of Harberg’s Piccolo Concerto with renowned artist Erica Peel and conducted by Maestro Yannick Nézet-Séguin as part of their Digital Stage series in 2021. Harberg’s many commissions include those from the Philadelphia Orchestra Association, the Grand Rapids Symphony, the Albany Symphony’s Dogs of Desire, the Juilliard School, the Bay Atlantic Symphony, the New York Youth Symphony, the Dorian Wind Quintet, and the Philadelphia Network for New Music. Additionally, Harberg has received numerous consortium commissions leading to award winning music that has been performed by many of the world’s leading soloists. Dr. Harberg’s exclusive publisher is Theodore Press-
b. 1951 Dutch ‘avant pop’ composer JacobTV (Jacob Ter Veldhuis,1951) started as a rock musician and studied composition and electronic music with Luctor Ponse and Willem Frederik Bon; he received the Composition Prize of the Netherlands in 1980 and is a a full time composer ever since. He soon made a name for himself with melodious compositions, straight from the heart and with great effect. ‘I pepper my music with sugar,’ he says. The press has called him the ‘Andy Warhol of new music’ and his ‘coming-out’ as a composer of ultra-tonal, mellifluous music reached a climax with the video oratorio Paradiso (2001) based on Dante’s Divina Commedia. JacobTV’s so-called ‘boombox’ works, for live instruments with a speech melody based electronic groove became internation-
b. 1975 James Lee III cites as his major composition teachers Michael Daugherty, William Bolcom, and Bright Sheng at the University of Michigan. He was also a composition fellow at the Tanglewood Music Center. Since 2006, his orchestral works have been commissioned and premiered by the National Symphony, Detroit Symphony, Baltimore Symphony, New World Symphony, and the orchestras of Philadelphia, Grand Rapids, Cincinnati, Atlanta, and have been conducted by such artists as Leonard Slatkin, Marin Alsop, Michael Tilson Thomas, Juanjo Mena, David Lockington, and Thomas Wilkins.
MICHAEL MARKOWSKI
THERESA MARTIN
Masters’ degrees in composition and clarinet performance at Arizona State University. Dr. Martin currently has a studio in Wisconsin, where she teaches private lessons in composition, clarinet, and piano. She also appears as guest lecturer at universities around the country. When not composing, she enjoys spending time with her husband, son and daughter.
NIKOLA RESANOVIC b. 1986
b. 1979
Michael Markowski is fully qualified to watch movies and cartoons. In 2010, he graduated magna cum laude with a Bachelor of Arts degree in ‘Film Practices’ from Arizona State University. While Markowski never studied music in college, he has studied privately with his mentors, Jon Gomez, Dr. Karl Schindler, and Michael Shapiro. He has continued this education by participating in a number of extracurricular programs, such as The Art of Orchestration with Steven Scott Smalley (2008), the National Band Association’s Young Composer and Conductor Mentorship Project (2008), and the NYU/ASCAP Foundation’s Film Scoring Workshop (2014) where he was named one of ASCAP’s Film & TV “Composers to Watch.” Mark Snow, composer of The X-Files and one of the workshop’s guest mentors, says Michael’s music was “extremely sophisticated” and “complimented the mood and emotion of the scene with unusual maturity and sensitivity.” Most recently, Markowski was invited to join the BMI Lehman Engel Musical Theatre Workshop (2015) as a composer and lyricist.
Theresa Martin is an internationally recognized composer of energetic, melodious, and rhythmically driven music who often draws her inspiration from literature, images, nature, and personal experiences. She enjoys writing music for soloists, chamber groups and large ensembles, and has been commissioned by internationally prominent soloists including clarinet virtuoso Robert Spring, as well as organizations such as the Barnett Foundation of Chicago, the Ann Arbor Symphony Orchestra, the Arizona Wind Symphony, the Kairos Trio, Eufonix Tuba-Euphonium Quartet, the 10th and Broadway Clarinet Quartet, the University of Wisconsin Fox Valley Concert Band, and the Arizona State University Wind Ensemble. She has been awarded recognition by the American Composer’s Forum, ASCAP Morton Gould Young Composer’s Competition, and NACUSA Young Composer’s Competition. Her music has been performed throughout the United States at conferences such as the ICA Clarinetfest, IDRS, and the TMEA Convention and the CBDNA National Conference in 2019, as well as in recitals and conferences in Australia, Belgium, Canada, Great Britain, Italy, Luxembourg, Sweden, Spain, China, Taiwan, Tanzania and the UAE. Studying both composition and clarinet performance, she received her DMA in composition at the University of Michigan and
b. 1955 The musical works of Nikola Resanovic have been performed at hundreds of music festivals and concerts throughout the United States, Europe, Asia, South America, Australia and Africa including the 2005 International Clarinet Festival in Tokyo, Japan, the 2005 International Festival of Music in Xian, China, the 2006 International Double Reed Society Conference in Muncie, Indiana, the 2007 International Society of Bassists Conference in Kalamazoo, Michigan, the 2010 International Double Reed Society Conference in Norman, Oklahoma, the 2012 National Flute Association Conference in Las Vegas, Nevada, the 2014 International Clarinet Festival in Baton Rouge, Louisiana and the 2016 International Clarimania festival in Wroclaw, Poland.
Born in Derby, England in 1955, Nikola Resanovic is of Serbian heritage and has lived in the United States since 1966. He is a graduate of the University of Akron, School of Music (BM 77, MM 79) where he studied Composition with David S. Bernstein, and the Cleveland Institute of Music (DMA 81) where he studied Composition with Donald Erb. A recipient of the 2003 Cleveland Arts Prize, Nikola Resanovic is presently Professor of Music at the University of Akron where he has taught music Composition and Theory since 1983. In addition, he supervises the school’s Electronic Music Facility which he designed and implemented.
JÖRG WIDMANN
b. 1973 Jörg Widmann is one of Germany’s most sought-after composers and a virtuoso clarinetist. String quartets form the core of his oeuvre: String Quartet no. 1, followed by Choralquartett and Jagdquartett, which was premiered by the Arditti Quartet in 2003. The series was completed in 2005 by String Quartet no. 4 and Quartet no. 5 with soprano, Versuch über die Fuge (Attempt at a Fugue). The five string quartets are intended as a large cycle, with each individual work following a traditional form of setting. Widmann has composed a trilogy of works (Lied, Chor, and
Messe) for large orchestra on the transformation of vocal forms for instrumental forces. In 2007 Christian Tetzlaff and the Junge Deutsche Philharmonie gave the premiere of Widmann’s first Violin Concerto. The same year, Pierre Boulez and the Vienna Philharmonic gave the first performance of Armonica for orchestra; it combines the tonal colors of a glass harmonica above the orchestra to produce a homogeneously breathing body of sounds and sound effects. Widmann’s music theatre project Am Anfang was the result of a collaboration with visual artist Anselm Kiefer; Widmann created the work together with Kiefer and conducted the world premiere on the occasion of the 20th anniversary of the Opéra Bastille in Paris. This season baritone Christian Gerhaher gave the premiere of Widmann’s new song cycle for baritone and piano at the Wiener Konzerthaus, and the WDR Sinfonieorchester Köln premieres his Labyrinth Cycle under the baton of Emilio Pomàrico. He also holds residencies at various festivals including Grafenegg, Rheingau and the Mozartfest Würzburg. He has been composer-in-residence of the Deutsches Symphonie-Orchester Berlin, the Cleveland Orchestra, the Salzburg Festival, the Lucerne Festival, the Cologne Philharmonic Orchestra, and the Vienna Konzerthaus. A professor at the Freiburg Staatliche Hochschule für Musik, Widmann studied with Wilfried Hiller and Hans Werner Henze, and later Heiner Goebbels and Wolfgang Rihm in Karlsruhe. Widmann was the 2008-09 recipient of the Elise L. Stoeger Prize, which is awarded by the Chamber Music Society in recognition of significant contributions to the field of chamber music.
MUSICIANS WOLCOTT HUMPHREY clarinet
Bill and Paula Luria Caplan have generously sponsored Wolcott Humphrey for the 2020-21 concert season. Clarinetist Wolcott Humphrey, originally from western New York, earned a B.M. in Clarinet Performance from Ithaca College in 2006, and went on to earn an M.M. and a Graduate Diploma in Clarinet Performance from the New England Conservatory in 2008 and 2009, respectively. Wolcott has studied clarinet with E. Michael Richards, Richard Faria, William Wrzesien, and Craig Nordstrom. Humphrey is passionate about new music, and has performed in contemporary chamber
ensembles in Ithaca, Providence (Ensemble Parallax), and Boston (Juventas and Sound Icon) as well as at the Charles E. Gamper Festival of Contemporary Music. He was also in the premiere performance of White Snake Projects’ comic opera REV. 23 in Boston. Humphrey was the principal clarinetist of the Salt Lake Symphonic Winds, performing Martin Ellerby’s Clarinet Concerto with the group in 2011. While living in Providence, he was the principal clarinetist of Fall River Symphony, the co-principal clarinetist of the American Band, and a member of several woodwind chamber groups. Humphrey is the assistant principal clarinetist of the Met Winds, performing the Artie Shaw Clarinet Concerto with the group at the Association of Concert Bands convention in New Jersey and at the Festival of Bands in Boston. Humphrey performs with Brookline Symphony, and the chamber ensembles Some Assembly Required and the Kalliope Ensemble. Wolcott has been the core clarinetist of Juventas New Music Ensemble since 2012.
JULIA SCOTT CAREY piano
Jon Saxton and Barbara Fox have generously sponsored Julia Scott Carey for the 2020-21 concert season. Julia Scott Carey began her music training at the New England Conservatory Preparatory School, where she received the Lanier Prize for Most Outstanding Graduating Senior. She was one of the first students admitted to the Harvard-NEC joint degree program, through which she received a master’s degree in composition. She received a second master’s degree in collaborative piano from Boston University. Julia is the Minister of Music at the Central Square Congregational Church in Bridgewater, where she leads the adult and children’s choirs from the keyboard. She is one of the accompanists for the Tanglewood Festival Chorus and the Boston Symphony Children’s Choir. She also serves as the accompanist for the Metropolitan Chorale of Brookline, the Dedham Choral Society, the
Boston College University Chorale, and the Boston Saengerfest Men’s Chorus. She previously served as the pianist for the Handel and Haydn Society’s Educational Vocal Quartet, the Wellesley College Chamber Singers, and the Boston Children’s Chorus. She is also a founder and core ensemble member of Juventas New Music Ensemble. As a composer, her orchestral works have been performed by numerous orchestras, including the BSO and the Boston Pops, and her works have been broadcast on national TV and radio in the United States and in Russia. She was the youngest composer ever published by the Theodore Presser Company. She was also chosen to arrange a folk song for Yo-Yo Ma and Lynn Chang to play at Deval Patrick’s inaugural ball. She has served as a music director or accompanist for over forty opera and musical theater productions. Productions for which Julia was the music director include Cy Coleman’s City of Angels with the Longwood Players and Alexander Zemlinsky’s Der Zwerg with OperaHub. Reviewing a performance Julia conducted of Puccini’s Gianni Schicchi with the Hubbard Hall Opera Company, the Berkshire Hudson Arts Review said “the players and singers were not just led, but were energized. Schicchi is a tough score, and Julia stood the test.” Also passionate about early music, Julia music directed a staged performance of four of Louis-Nicolas Clérambault’s Cantatas with the
Harvard Early Music Society, which was taken on tour to Versailles. She also music directed a performance of John Eccles’ Semele with the same organization. Speaking of her performance as a harpsichordist in the Boston Opera Collaborative’s production of Le nozze di Figaro, the Boston Musical Intelligencer said, “The unwavering harpsichord accompaniment of Julia Carey richly and expressively textured the recitatives.” Julia currently works as a musicianship teacher and department coordinator at the Suzuki School in Newton. She also taught an undergraduate music theory class at Boston College, served as a keyboard harmony teaching fellow at NEC, and worked as a musical theatre teacher at the Belvoir Terrace Arts Camp and the Boston Children’s Theatre. Julia lives in Winchester with her husband and her daughter. In addition to music, she loves cooking, running, and spending time on Cape Cod.
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Juventas needs your support now more than ever! We’re busier than ever and offering our entire 2020-21 concert season for FREE, meaning we have completely lost ticket sales as a source of revenue. Your support helps us keep innovating and sharing music in the COVID era.
Bequests and planned gifts are simple, mutually beneficial ways for you to support Juventas New Music Ensemble beyond your lifetime. You can create your own legacy and keep supporting emerging composers for years to come by leaving a bequest in your will, life insurance policy, retirement plan, or other assets in your estate plan to Juventas New Music Ensemble, while at the same time reaping tax benefits for yourself and your descendents.
Juventas New Music Ensemble is deeply grateful to benefactors whose generous gifts support our artistic programs. Juventas received the following individual gifts from Jan. 1, 2020 to Dec. 31, 2020. Please visit juventasmusic.org/donate-now to learn about making a tax-deductible gift.
Juventas New Music Ensemble is a 501(c)(3) non-profit organization. Your fully tax deductible contributions are essential for us to present new music. To make a donation, visit juventasmusic.org/ donate-now, or mail a check to: Juventas New Music Ensemble P.O. Box 230015, Boston, MA 02123
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If you would like more information about making a bequest to Juventas New Music Ensemble or if you’ve already included us in your estate plans, please contact our Artistic Director Oliver Caplan at olivercaplan@juventasmusic.org. Juventas New Music Ensemble is a nonprofit corporation, organized and existing under the laws of the Commonwealth of Massachusetts, with a principal business address of: Juventas New Music Ensemble P.O. Box 230015 Boston, MA 02123 Our tax identification number is 26-2583870.
$2,000–$4,999 Jonathan Aibel and Julie Rohwein Boston Cultural Council Boston Mayor’s Office of Arts and Culture Passim Iguana Fund Karen and Fred Ruymann $1,000–$1,999 ArtsAlive Medford Foundation Inc. Bill and Paula Luria Caplan Oliver Caplan and Chris Beagan Carson Cooman Leslie Jacobson Kaye and Richard Kaye Kevin Mathieu $300–$999 Robert Beagan CACHE in Medford Julia Scott Carey and Richard Mitrano Casey Elia Margaret Hastings Denys Kotskyy Alexandra Bowers and James Liu MaryBeth Manca May Marquebreuck Cashman Kerr Prince and Bryan Burns Rachel M. Rivkind Theodor Weinberg and Eric Hyett Michelle Wells Drew Wilkins Emma Wine $200–$299 Margie Coffin Brown
Eric Darling Christine DiBlasi Ann Ferentz Moriah Freeman Michael Gandolfi Kenneth Krause and Maura McEnaney Steven Lewis Nagesh Mahanthappa Carol McCarthy Ketty Nez Linda Ng Mark and Jody Raider The Record Co. S Rosa Ryals Marco Sandonato Ben Sweetser $100–$199 Ed and Mary Amabile Charles Anderson Lee Binnig Bryan Burns Margaret Cain Michele Caniato Andrew Caplan Rachel Ciprotti Larry Cohen and Susan Worst Oliver Davis Jaclyn Dentino Jerry and Joanne Dreher BJ Dunn Isadel Eddy Maggie Edinger Yukiko Egozy Andy Foery Lorna Gibson Nancy Goodwin Meghan Guidry Judith Gurland Evangelia Hatzis Maureen Hollis Mary and David Howarth Barbara Hughey Jim Kane and Sharon Williams William Kane Mari Kotskyy Nancy Kurtz Matthew Kusulas Stella Lee
Roseanne Luvisi Tammy Lynch Mona McKindley Antares Meketa Jason Newman Robert Page Dan Perkins Christopher Porter Kathryn Ritcheske Lori K. Sanders Andrew Schmolka Liz Smith Catherine Smith Joe Sodroski and Alice Noble Arlene Stevens Tina Strunk Ann Teixeira Daniel VanHassel Joseph Walters Wegmans Medford Eric Wei Brent Whelan Beverly Woodward and Paul Monsky Murray and Susan Woolf $50–$99 Jaime Alberts Dimitrios Antos Kenneth Bigley Lauren Bilello Timothy Borchers Bruce Brolsma Elizabeth Bukey Brian Campbell Carrie Conway Sharon Daniels Sullivan Alexis Dearborn Bryce Denney Lauren Downing Andrew Elliott Lynn Eustis Shaun Eyring David and Ellen Fries Steven and Jennifer Guthrie Susie Hoglund Nancy Hudgins Joseph Hutcheson Catherine Hyson Betsy Igleheart
Beth Jacob Jeffrey Kane Tim Kane Dayton Kinney Roger Klorese Jane Parkin Kullmann Ian Lai Chris Lamb Joshua Levit Ben Levy Harold Lichtin Melodie Linhart Xiomara Lorenzo Annie MacDonald Justin Mog Herbert Motley Andrew Pease Katie Remesch Joan and Howard Rothman Mallory Ruymann Jonathan Sachs Lorne Schweitzer Gordon Shannon Kyle Simpson Mary Kathryn Smith Roger Southwick Ingrid Stolzel Imogene Stulken Sharon Daniels Sullivan Tina Summerlin Barbara Turen Michael Vanderheyden Elise Viebeck Elaine Walsh Kristina Watts Catherine Wee Up to $49 Susan Altman Tatev Amiryan Chandler Anderson Nkese Applewhite Bozo Banovic Mary Barton Robert Bassett Olga Bell Vivian Best Martha Bewick Elisa Birdseye Amy Bracewell
Anna Bradford Stefan Bucher Anne Burt Alvin and Stefanie Carter Trudy Chan Delia Clark Carrie Cleary Charles Coe Nell Cohen Katie Cornog Karen Courtney Brooke Davis Ashi Day Stephen Deets Rebecca Entel Marisa Jo Erskine Elizabeth Eschen Ellen Feingold David Feltner Ben Fox Lisa Geoghegan Lyudmila German Kendra Goodwin Al Gray Sai Srujan Gudibandi Andy Hanson-Dvoracek Alex Hargus Kiyoshi Hayashi Mark Heinzelman Karilyn Heisen Kelley Hollis Anne Howarth and Frederick Frank Jr. Wolcott Humphrey Howard and Frances Jacobson Ruth Kessler Justin Kim Helene Kisch Bruce Kozuma Abigail Krawson Aaron Larget-Caplan Anna Leahy Estelle Lee Ludmilla Leibman Dayna Li Shayna Liu Linda Markarian Allegra Martin John McDonald Libby Meyer
Donna Migdal Krystal Morin Shadwa Mussad Susan Hall Mygatt Roxanna Myhrum James Nail and Catharine Belden Jonathan Newmark Cornelia Nichols Heather O’Brien Carolyn Oberting Sarah Peck Rachel Pinsky Katie Reimer Ian Reiss Ginny Remedi-Brown Patricia Roos Mary Beth Saffo Antonio Santos David Schober Matt Scinto Joseph Sedarski Dennis Shafer Chuck Sheketoff Moshe Shulman Jorge Sosa Jan Swafford Julie Tittler Francine Trester United Way MA Patrick Walker Joni Wardell Dalit Warshaw Susan Welby William Williams Laura Yoo We are also extremely grateful to the dedicated volunteers who gave their time and talents to Juventas in the 2019-20 concert season: Michelle Locke Annie MacDonald Mona McKindley Rachel Walker Elaine Walsh Leo Walsh
THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU
$5,000 and Above John A. Carey Mary Humphrey The Ripley-Steinemann Family Fund Jon Saxton and Barbara Fox
Proud supporter of the Juventas New Proud supporter of Proud supporter of the Juventas New Music Ensemble. Proud supporter of Music Ensemble. the Juventas New the Juventas New Music Ensemble. Music Ensemble. REALTORÂŽ 978.758.2693 Helping you find your way home. deb.smith@compass.com Deb Smith ÂŽ with Compass, a licensed real estate broker Deborah Smith is a real estate broker affiliated REALTOR and abides by Equal Housing Opportunity laws.
978.758.2693 deb.smith@compass.com
Helping you find your way home.
Deborah Smith is a real estate broker affiliated with Compass, a licensed real estate broker and abides by Equal Housing Opportunity laws.
compass.com
Deb Smith
compass.com
Helping you find your way home.
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LEADINGEDGE For over two decades, Leading Edge has been a force in the Greater Boston real estate market. We’ve grown to become a leading full-service real estate company offering residential real estate and global relocation services to buyers and sellers.
CASEY ELIA Realtor™ Realtor™
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781.640.8880
RealtorCaseyElia@comcast.net
www.leadingedgeagents.com
The Surrealtors are pleased to support Juventas New Music Ensemble in presenting contemporary classical music for Boston area audiences.
Trisha Solio Artful and Heartful Real Estate www.TheSurrealtors.com 617.293.8070 Trisha.Solio@unlimitedsir.com Unlimited Sotheby’s International Realty
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LARGE TELESCOPE Music inspired by the cosmos Saturday, March 20, 2021 8:00 pm EDT Live Streamed on YouTube Free and Open to All juventasmusic.org