RYAN SHANNON
CENTER STAGE JANUARY 29, 2022 AT 8:00 PM EST BROADCAST ON YOUTUBE PRESENTED IN PARTNERSHIP WITH THE MULTICULTURAL ARTS CENTER CAMBRIDGE, MA
2021 2022
SEASON MEMORY & HOPE
SOURCE CODE
SEP 11
DEC 11
COMING UP NEXT
MUSIC RYAN SHANNON LUNGS OF CENTER STAGE IN BLOOM THE CITY JAN 29 juventasmusic.org
MAR 26
JUN 5 & 12
RYAN SHANNON CENTER STAGE SATURDAY, JANUARY 29, 2022 AT 8:00 PM EST BROADCAST ON YOUTUBE PRESENTED IN PARTNERSHIP WITH THE MULTICULTURAL ARTS CENTER
CAMBRIDGE, MA
Rhapsody No. 1 (2014) Talking in Circles (2014) I. Give and Take II. At odds III. Agree to Disagree Elegie (2020) X Suite (2019) I. Prelude II. Allemande III. Canon IV. Courante V. Nocturne VI. Bourrée VII. Orison STOMP (2011)
Generously supported by the Boston Cultural Council and the Massachusetts Cultural Council.
Jessie Montgomery Robert Honstein
with Lu Yu, viola Andy Stein Paul Wiancko
John Corigliano
ABOUT JUVENTAS Juventas’s 2021-22 season is generously sponsored by John A. Carey. Juventas New Music Ensemble is a contemporary chamber group with a special focus on emerging voices. Juventas shares classical music as a vibrant, living art form. We bring audiences music from a diverse array of composers that live in today’s world and respond to our time. Since its founding in 2005, Juventas has performed the music of over 200 living composers. The ensemble has earned a reputation as a curator with a keen eye for new talent. It opens doors for composers with top-notch professional performances that present their work in the best possible light. Recognition for the ensemble’s work includes the American Prize Ernst Bacon Award for Performance of American Music and support from the National Endowment for the Arts, Massachusetts Cultural Council, and Boston Foundation. Juventas is featured on albums by Innova Recordings, Parma Records and New Dynamic Records, and has held residencies at Boston Conservatory, Harvard University, Longy School of Music, Middlebury College, and Worcester Polytechnic Institute. Juventas has a storied history of dynamic collaboration with artists in other media, including dancers, painters, scientists, poets, puppeteers and robotics engineers. A leader in the field, Juventas also facilitates the Boston New Music Festival, a week-long showcase of Boston’s contemporary music scene.
BOARD OF DIRECTORS John Carey President
Cashman Kerr Prince Treasurer
Alvin B. Carter III Carson Cooman Meghan Guidry Leslie Jacobson Kaye Rachel M. Rivkind Karen Ruymann Drew Wilkins Oliver Caplan ex officio
STAFF Oliver Caplan Artistic Director
Chris Petre-Baumer Director of Design
Joseph Sedarski
Marketing Coordinator
Saskia Den Boon
Communications Coordinator
Rozime Lindsey
Arts Administration Intern
Rachel Rivkind has generously sponsored Chris Petre-Baumer’s position for the 2021-22 Season.
FUTURA PRODUCTIONS
LIVESTREAM PRODUCERS
John Weston
Production Director & Audio Engineer
Daniel Schwartz
Director of Photography & Editor
Nick Papps
Camera Operator
FROM THE ARTISTIC DIRECTOR Like an all-star baseball team, each of Juventas’s ensemble members is an incredible talent in their own right. Our annual Center Stage program features one of Juventas’s ten core ensemble members in a special solo concert. In our typical programs, our musicians perform together in larger chamber configurations that center on collaborative chemistry. By contrast, tonight’s special program brings Violinist Ryan Shannon to the fore, showcasing his exceptional virtuosity. Ryan is a musician’s musician. His fingers dance so nimbly on the violin, it belies the deep work he puts in behind the scenes. He is insanely talented, yet kind and modest. In rehearsal, Ryan is known as the consummate collaborator, equally adept at leading and listening. Ryan curated the selections on tonight’s program. To take on an entire concert of unaccompanied music for solo violin is, simply put, gutsy. All of us in the Juventas family have been eagerly anticipating this performance and we are so excited to finally share it with you! Sincerely,
Oliver Caplan, Artistic Director Juventas New Music Ensemble
IN THE COMPOSERS’ OWN WORDS Jessie Montgomery | Rhapsody No. 1 (2014) Rhapsody No. 1 is the first solo violin piece I wrote for myself. It draws on inspiration from the Eugène Ysaÿe solo violin works and is intended to serve as both an etude and a stand-alone work. This piece is intended to be part of a set of 6 solo violin works, each of which will be dedicated to a different contemporary violinist, and inspired by a historical composer. Robert Honstein | Talking in Circles (2014) Duets are always a type of conversation. Talking in Circles is a conversation that becomes an argument. Two characters are in dialogue, talking but not agreeing. They repeat arguments, making the same points in different ways. There is progress, but ultimately the conversation goes nowhere. In three movements - Give and Take, At odds, Agree to Disagree - Talking in Circles traces this evolution. Give and Take features an exchange, a constant back and forth between the instruments. At Odds, is a standoff. Lines have been drawn. Each side pleas their case, but their cries fall on deaf ears. Finally, in Agree to Disagree the pair are at an impasse. There is some common ground. The musicians find a way to come together, but it is an obstinate unity, a begrudging acceptance of differences. Andy Stein | Elegie (2020) I first wrote Élégie upon hearing of the sudden loss of my close friend, pianist Bruce Patterson in a car accident in 2009. I then revisited it in 2020 when I started losing friends and relatives to COVID-19, simplifying and making it, I believe, more about the despair many of us feel in these challenging times. Paul Wiancko | X Suite (2019) Wiancko was influenced not only by his favorite solo instrumental music, like that of Bach, Kodaly, Bartok, but also of folk music and chamber music. As his first piece for solo violin, Wiancko used the form of a “pseudo-suite.” Originally 40 minutes of music, the composer cut much of the music. The composer writes: “You wouldn’t know it while playing or listening to the piece, but there are a lot of ideas on top of ideas, which is partly how the name ‘X’ came about for the suite,” Wiancko said. “I was inspired by the old way of crossing things out like on a typewriter before we had delete keys — just to go back and type “X” over each letter so you can actually see the underlying mistake. It still exists, just with an X over it. I thought it would be an interesting challenge to see how many voices or individual characters or separate entities that you can cram into one performer of one instrument. And it turns out it’s a lot.”
John Corigliano | STOMP (2011) What to include in a competition piece in 2011? One could write a virtuoso étude or a lyrical essay: but the judges will have dozens of pieces that demonstrate these virtues. I thought a more interesting piece would test a performer’s imagination, intelligence and musicality by offering interesting new problems to solve. Hence, this unaccompanied six-minute study I call STOMP written for the 2011 Tchaikovsky Competition in Russia. STOMP poses its player three problems: of ear, style, and coördination. First, the violin’s outer two strings are tuned to non-standard pitches. This mis-tuning (scordatura) deepens the instrument’s range, and replaces the usual perfect fifths between strings with grating dissonances high and low. Second, the piece is modeled not on classical precedents, but on American fiddle music— bluegrass and jazz. And third, as in fiddle playing, the violinist must periodically stomp with his or her foot along with the music. So STOMP demands a theatrical mind, an unerring ear, and a delight in making music with the entire body. It is supposed to be fun for the audience, and a workout for the soloists.
JUVENTAS NEW MUSIC ENSEMBLE
CORE MEMBERS
COMPOSERS JESSIE MONTGOMERY b. 1981 Jessie Montgomery is an acclaimed composer, violinist, and educator. She is the recipient of the Leonard Bernstein Award from the ASCAP Foundation, and her works are performed frequently around the world by leading musicians and ensembles. Her music interweaves classical music with elements of vernacular music, improvisation, language, and social justice, placing her squarely as one of the most relevant interpreters of 21st-century American sound and experience. Her profoundly felt works have been described as “turbulent, wildly colorful and exploding with life” (The Washington Post). Jessie was born and raised in Manhattan’s Lower East Side in the 1980s during a time when the neighborhood was at a major turning point in its history. Artists gravitated to the hotbed of artistic experimentation and community development. Her parents – her father a musician, her mother a theater artist and storyteller – were engaged in the activities of the neighborhood and regularly brought Jessie to rallies, performances, and parties where neighbors, activists, and artists gathered to celebrate and support the movements of the time. It is from this unique experience that Jessie has created a life that merges composing, performance, education, and advocacy. Since 1999, Jessie has been affiliated with The Sphinx Organization, which supports young African-American and Latinx string players. She currently serves as composer-in-residence for the Sphinx Virtuosi, the Organization’s flagship professional touring ensemble. She was a two-time laureate of the annual Sphinx Competition and was awarded a generous MPower grant to assist in the development of her debut album, Strum: Music for Strings (Azica Records). She has received additional grants and awards from the ASCAP Foundation, Chamber Music America, American Composers Orchestra, the Joyce Foundation, and the Sorel Organization. Her growing body of work includes solo, chamber, vocal, and orchestral works. Some recent highlights include Five Slave Songs (2018) commissioned for soprano Julia Bullock by the Metropolitan Museum of Art, Records from a Vanishing City (2016) for the Orpheus Chamber Orchestra, Caught by the Wind (2016) for the Albany Symphony and the American Music Festival, and Banner (2014) – written to mark the 200th anniversary of The Star-Spangled Banner – for The Sphinx Organization and the Joyce Foundation. In the 2019-20 season, new commissioned works will be premiered by the Orpheus Chamber Orchestra, the National Choral Society, and ASCAP Foundation. Jessie is also teaming up with composer-violinist Jannina Norpoth to reimagine Scott Joplin’s
opera Treemonisha; it is being produced by Volcano Theatre and co-commissioned by Washington Performing Arts, Stanford University, Southbank Centre (London), National Arts Centre (Ottawa), and the Banff Centre for the Arts. Additionally, the Philharmonia Orchestra, Atlanta Symphony, Dallas Symphony, Minnesota Orchestra, and San Francisco Symphony will all perform Montgomery’s works this season. The New York Philharmonic has selected Jessie as one of the featured composers for their Project 19, which marks the centennial of the ratification of the 19th Amendment, granting equal voting rights in the United States to women. Other forthcoming works include a nonet inspired by the Great Migration, told from the perspective of Montgomery’s great-grandfather William McCauley and to be performed by Imani Winds and the Catalyst Quartet; a cello concerto for Thomas Mesa jointly commissioned by Carnegie Hall, New World Symphony, and The Sphinx Organization; and a new orchestral work for the National Symphony. Jessie’s teachers and mentors include Sally Thomas, Ann Setzer, Alice Kanack, Joan Tower, Derek Bermel, Mark Suozzo, Ira Newborn, and Laura Kaminsky. She holds degrees from the Juilliard School and New York University and is currently a Graduate Fellow in Music Composition at Princeton University. www.jessiemontgomery.com
ROBERT HONSTEIN b. 1980 Celebrated for his “waves of colorful sounds” (New York Times) and “smart, appealing works” (The New Yorker), Robert Honstein (b. 1980) is a New York based composer of orchestral, chamber, and vocal music. Robert is a founding member of the New York-based composer collective Sleeping Giant, co-founder of Fast Forward Austin and Times Two in Boston. As an educator, he is Program Manager and Composition Faculty at NYU, Steinhardt. His music has been performed by the Albany Symphony, Dayton Philharmonic, Eighth Blackbird, Ensemble Dal Niente, Mivos Quartet, Del Sol Quartet, Argus Quartet, New Morse Code, Colin Currie, Theo Bleckmann, Doug Perkins, Michael Burritt, Karl Larson, and Ashley Bathgate, among others. Interdisciplinary collaborators include photographer Chris McCaw, projection designer Hannash Wasileski, graphic designer Laura Grey, director Daniel Fish, and the Cincinnati Ballet. His music has been released by New Focus Records, Soundspells Productions, Cedille Records, and New Amsterdam Records. www.roberthonstein.com
PAUL WIANCKO b. 1983 Paul Wiancko has led an exceptionally multifaceted musical life as a composer and cellist. As a performer, he has collaborated with Midori, Yo-Yo Ma, Richard Goode, Mitsuko Uchida, Nico Muhly, and members of the Guarneri, Takács, JACK, Parker, Orion, and Juilliard quartets. Chosen as one of Kronos Quartet’s “50 for the Future”, Paul’s own music has been described as “dazzling”, “compelling” (Star Tribune) and “vital pieces that avoid the predictable” (Allan Kozinn). His 25-minute quartet LIFT is featured on the Aizuri Quartet’s Grammy-nominated album Blueprinting, one of NPR’s top 10 classical albums of 2018. As a college student, Paul was simultaneously winning international cello competitions (which led him, most notably, to Poland to perform the Lutoslawski Cello Concerto with the Polish Radio Symphony Orchestra) and recording strings for local punk bands in his dorm room. That duality is embedded in Paul’s artistic DNA, and over the years has resulted in close collaborations with a wide range of artists, from Chick Corea, Etta James, Norah Jones, Jóhann Jóhannsson, and Max Richter, to members of Arcade Fire, The National, Blonde Redhead, Dirty Projectors, Wye Oak, and many others. An avid chamber musician, Paul’s performances with Musicians From Marlboro have been described as “utterly transparent” and “so full of earthy vitality and sheer sensual pleasure that it made you happy to be alive” (Washington Post). In 2009, he joined the award-winning Harlem Quartet, with whom he spent 3 years performing and teaching extensively throughout the US, Europe, South America, and Africa. Paul currently writes and performs as a member of Owls, Ayane & Paul, and the American Contemporary Music Ensemble. Winner of the S&R Foundation’s Washington Award for Composition, Paul has been invited to be composer-in-residence at the Caramoor, Spoleto USA, Angel Fire, Twickenham, Newburyport, Portland, and Methow Valley Festivals. Recent commissions include works for the Aizuri, Parker, St. Lawrence, Kronos, Eybler, and Attacca Quartets, yMusic, Alexi Kenney, Tessa Lark, David Byrd-Marrow, and the Raleigh Civic Symphony. NPR recently wrote, “If Haydn were alive to write a string quartet today, it may sound something like Paul Wiancko’s LIFT.” Paul performs on a 2010 Mario Miralles violoncello and lives in New York. He is passionate about woodworking and hiking, and never travels without a tenkara fly-fishing rod. www.paulwiancko.com
ANDY STEIN b. 1948 Andy Stein is a musician with a checkered past. Besides freelancing as a violinist/violist in chamber and orchestra groups in his native New York, he has recorded with Itzhak Perlman, Placido Domingo, Marilyn Horne, Frederica Von Stade, toured China with a string quartet, and performed concertos with orchestras in New York, Chicago, New England, Pacific Northwest, and the South. He has appeared on numerous television programs including Late Night with David Letterman, Saturday Night Live, Great performances (PBS) and As The World Turns (CBS). He has also been a featured soloist in a number of Broadway Shows, including the Lincoln Center production of Anything Goes, and the 1990’s Broadway revivals of Guys and Dolls and Fiddler on the Roof. He has produced records of rock ‘n’ roll and jazz, and conducted on radio and television. As an arranger and composer, he has written and arranged an opera with librettist Garrison Keillor, scored several feature films (for Roger Corman and National Lampoon), a TV special and an Oscar-winning cartoon. He has arranged numerous projects for “Pops” orchestra, which have been performed by dozens of orchestras across the nation and in Europe, including the Symphonies of Dallas (PBS broadcast), Baltimore, Boston, New York, National Symphony in Washington, Munich, London, etc. His works for violin and orchestra have been performed by Joshua Bell, Nadja Salerno-Sonnenberg, Pamela Frank, Cho-Liang Lin, and others. Stein grew up surrounded by classical music, with several prominent professionals in the family, notably his aunt the violist Lillian Fuchs. He played and studied theory with his pianist father, and played chamber music with family and friends on a regular basis. He attributes a large part of his success in many different genres to his chamber music background. www.andysteinmusic.com
The Surrealtors
are pleased to support Juventas New Music Ensemble in presenting contemporary classical music for Boston area audiences.
Trisha Solio Artful and Heartful Real Estate www.TheSurrealtors.com 617.293.8070 Trisha.Solio@unlimitedsir.com
Unlimited Sotheby’s International Realty
Suffering from Back Pain?
We can help!
Call 617.440.1699 for a free consultation. unionsqchiro.com
JOHN CORIGLIANO b. 1938 The American John Corigliano continues to add to one of the richest, most unusual, and most widely celebrated bodies of work any composer has created over the last forty years. Corigliano’s numerous scores—including three symphonies and eight concerti among over one hundred chamber, vocal, choral, and orchestral works—have been performed and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world. Recent scores include Conjurer (2008), for percussion and string orchestra, commissioned for and introduced by Dame Evelyn Glennie; Concerto for Violin and Orchestra: The Red Violin (2005), developed from the themes of the score to the François Girard’s film of the same name, which won Corigliano the Oscar in 1999; Mr. Tambourine Man: Seven Poems of Bob Dylan (2000) for orchestra and amplified soprano, the recording which won the Grammy for Best Contemporary Composition in 2008; Symphony No. 3: Circus Maximus (2004), scored simultaneously for wind orchestra and a multitude of wind ensembles; and Symphony No. 2 (2001: Pulitzer Prize in Music.) Other important scores include String Quartet (1995: Grammy Award, Best Contemporary Composition); Symphony No. 1 (1991: Grawemeyer and Grammy Awards); the opera The Ghosts of Versailles (Metropolitan Opera commission, 1991, International Classical Music Award 1992); and the Clarinet Concerto (1977.) One of the few living composers to have a string quartet named for him, Corigliano serves on the composition faculty at the Juilliard School of Music and holds the position of Distinguished Professor of Music at Lehman College, City University of New York, which has established a scholarship in his name; for the past fourteen years he and his partner, the composer-librettist Mark Adamo, have divided their time between Manhattan and Kent Cliffs, New York. www.johncorigliano.com
MUSICIANS RYAN SHANNON
violin
Paula and Bill Caplan have generously sponsored Ryan Shannon for the 2021-22 concert season. Ryan Shannon began his musical journey in the mountains of Colorado at five years old when his father, an amateur pianist, gave him his first violin. Sensing his love of music, his parents made it possible for him to attend the Walnut Hill School for the Arts. Ryan continued his studies at the New England Conservatory, where he studied with Lucy Chapman and Nicholas Kitchen, graduating in 2014. As a student, Ryan had the life-changing opportunity to attend the Center for the Development of Arts Leaders program at From The Top. Through this year-long partnership with the Hope Lodge, a residence for cancer patients, He learned that music can bring together those who are struggling through difficult circumstances. In recent years he has worked to bring this love to as many people as possible. He does this as an educator, as a member of Palaver Strings, and as an explorer of new music with Juventas New Music Ensemble, whose vivacious energy creates a powerful connection between music and the hearts of those who listen.
LU YU viola Drew Wiklins has generously sponsored Lu Yu for the 2021-22 concert season. Born in China, Lu Yu began her musical studies at the age of six on violin. She started to play viola as her principal instrument at age twelve at the Xinghai Conservatory of Music in Guangzhou, China. Her studies then took her to the Royal Academy of Music in London with a full scholarship where she learned under the tutelage of Matthew Souter for the Bachelor of Music degree. Ms. Yu then studied with Marcus Thompson at the New England Conservatory in Boston where she received her Master of Music degree. Among her numerous
awards, she was granted “The Young Musician of 2008” in Hong Kong. Her performance career has led to being the founding violist of the Loki String Quartet which is in residence at Worcester Polytechnic Institute. Ms. Yu is also principal violist of the Boston Civic Symphony, performs with the Boston Philharmonic Orchestra, was recently co-principal viola of the Missouri Symphony and frequently performs with many of the ensembles around the Boston area.
MAKE A DONATION Donate to Juventas and help us touch hearts around the world. Last year, with a budget of just $100,000, we reached 1500+ people in person and 30,000+ people online in 45 US States and 49 countries. This puts Juventas’s COVID-era impact on par with organizations hundreds and thousands of times larger than ours. Three easy ways to donate: •Venmo: @JuventasMusic •Credit Card: www.juventasmusic.org/donate-now •Check: Juventas New Music Ensemble, P.O. Box 230015, Boston, MA 02123. Juventas New Music Ensemble is a 501(c)(3) non-profit organization. Your fully tax-deductible contributions are essential for us to present new music.
SHOP WITH AMAZON SMILE Click through www.smile.amazon.com on your way to shop and select Juventas New Music Ensemble. The Amazon Smile Foundation will donate 0.5% of your eligible Amazon Smile purchases to Juventas New Music Ensemble. It doesn’t cost you a thing, and it helps us a lot!
ADVERTISE WITH JUVENTAS Advertise in Juventas’s 2021-22 concert season! Attract patrons from Greater Boston and beyond, while supporting arts in our community. Advertising supports the work of Juventas and creates good will by identifying your business as a patron of the arts! For more information, please contact Juventas Marketing Coordinator Joe Sedarski, joe.sedarski@juventasmusic.org
MAKE A PLANNED GIFT Bequests and planned gifts are simple, mutually beneficial ways for you to support Juventas New Music Ensemble beyond your lifetime. You can create your own legacy and keep supporting emerging composers for years to come by leaving a bequest in your will, life insurance policy, retirement plan, or other assets in your estate plan to Juventas New Music Ensemble, while at the same time reaping tax benefits for yourself and your descendents. If you would like more information about making a bequest to Juventas New Music Ensemble or if you’ve already included us in your estate plans, please contact our Artistic Director Oliver Caplan at olivercaplan@juventasmusic.org. Juventas New Music Ensemble is a nonprofit corporation, organized and existing under the laws of the Commonwealth of Massachusetts, with a principal business address of: Juventas New Music Ensemble P.O. Box 230015 Boston, MA 02123 Our tax identification number is 26-2583870.
SUPPORTERS We are deeply grateful to the following individuals who made donations to Juventas between January 1, 2021 and January 15, 2022. Without their support, Juventas would not exist. Please visit www.juventasmusic.org/donate-now to learn about making a tax-deductible gift. $5,000 and Above John A. Carey Jon Saxton and Barbara Fox Massachusetts Cultural Council U.S. Small Business Administration $2,000–$4,999 Jonathan Aibel and Julie Rohwein Boston Cultural Council Boston Mayor’s Office of Arts and Culture Mary Humphrey The Ripley-Steinemann Family Fund Andrew Wilkins $1,000–$1,999 Bill and Paula Luria Caplan Oliver Caplan and Chris Beagan Carson Cooman Leslie Jacobson Kaye and Richard Kaye Karen and Fred Ruymann Medford Arts Council $300–$999 Casey Elia Michael Emanuel and Christie Gibson Meghan Guidry Margaret Hastings May Marquebreuck Rachel M. Rivkind Geoffrey Smith Theodor Weinberg and Eric Hyett $200–$299 Lawrence Banks Alexandra Bowers and James Liu Margie Coffin Brown Eric Darling
Lauren Downing and Roseanne Luvisi Jerry and Joanne Dreher Ann Ferentz Moriah Freeman Patricia Henry Maureen Hollis Ian Lai Carol McCarthy Richard Pasquarelli $100–$199 Charles Anderson Laura Basford Robert Beagan Minda Berbeco Lauren Bilello Lee Binnig Margaret Cain Laurence Cohen and Susan Worst Alfreid Doig Isadel Eddy Maggie Edinger Lynn Eustis Keren Faling Michael Gandolfi Lorna Gibson Roy Gordon Amanda Harberg Donald Hess Catherine Hyson Beth Jacob Laurie Jacobs and Steven Levine Harold Lichtin Jim Kane and Sharon Williams Mari and Denys Kotskyy Douglass Lee Ann MacDonald Linda Markarian Honor McClellan Reeva Meyer Susan Hall Mygatt Alice Noble and Joe Sodroski Ian Reiss Kathryn Ritcheske Lori K. Sanders
Gordon Shannon Benjamin Smith & Sarah Boehm Catherine Smith Liz Smith Scott Smith Liza Stearns Tina Strunk Tina Summerlin Ben Sweetser Ann Teixeira Kristina Watts Howard Wine Beverly Woodward and Paul Monsky Murray Woolf $50–$99 Oscar Arce Monica Barton Kenneth Bigley Anne Bilder Saskia Den Boon Anne Watson Borne Charles Coe Deanne McCredie Coolidge Mary Chris DeBelina Doyle Shaun Eyring Anthony Ferello Geoffrey Frank Joseph Hutcheson James and Amie Jones Leonard and Terry Kahn Victoria Korsos Kenneth Krause and Maura McEnaney Jane Parkin Kullmann Nancy Kurtz Ludmilla Leibman Steven Lewis Xiomara Lorenzo and Cara Herbitter Libby Meyer Donna Migdal Matthew Kusulas Herbert Motley Divya Narayan Linda Ng
Robert Page Cashman Kerr Prince and Bryan Burns Melanie Sanders Kyle Simpson Chris Stribakos J.M. Vrtilek Up to $49 Kay Alden Chandler Anderson Gail Barry Mary Barton Julianna Braun Bruce Brolsma Elizabeth Bukey Julia Scott Carey and Richard Mitrano Minjin Chung Linda Ciesielski Rachel Ciprotti Theodora Colburn Brian Cron Sam D’Antonio Laura Davidson Jaclyn Dentino Michelle Diaz Ellen Feingold David Feltner Mitch FitzDaniel David and Ellen Fries Kendra Goodwin Nancy Goodwin Julianna Hall Andy Hanson-Dvoracek Kelley Hollis Anne Howarth Wolcott Humphrey Masashi Kato
Helene Kisch Abigail Krawson Anna Leahy Shayna Liu Massachusetts Rivers Alliance Carol McAdam Frank Meredith Carrie Miller Roxanna Myhrum Yayoi Narita Jason Newman Carolyn Oberting Jason Pavel & Marie Walcott Sarah Peck Rachel Pinsky Christopher Porter Ginny Remedi-Brown Ose Schwab Joe Sedarski Dennis Shafer Benjamin Sherman Francine Trester Marc Vilain Dalit Warshaw William Williams
We are also extremely thankful to the dedicated volunteers who gave their time and talents to Juventas in the 2020-21 and 2021-22 concert seasons: Sherene Aram Meg Hastings Spencer Klein Mona McKindley Sheila Murphy Evan Perry Elaine Walsh Ella Weber
JUVENTAS CORE MEMBERS
dynamite design for the arts and culture
learn more at
peachbombcreative.com @peachbombcreative
2020-21 SEASON VIVALDI THE FOUR SEASONS Oct 8 + 10 Symphony Hall
BEETHOVEN SYMPHONY NO. 7 Jan 7 + 9 Symphony Hall
BEETHOVEN SYMPHONY NO. 6, PASTORAL Nov 5 + 7 Symphony Hall
HAYDN + MOZART Jan 28 + 30 Symphony Hall
HANDEL MESSIAH Nov 26 + 27 + 28 Symphony Hall Presented by Ann and Graham Gund
BACH CHRISTMAS Dec 3 (Limited Seating Available) at St. Cecilia Parish Dec 5 (Sold Out) at First Church, Cambridge
handelandhaydn.org
BACH + VIVALDI GLORIA Apr 1 + 3 Symphony Hall HAYDN THE CREATION Apr 29 + May 1 Symphony Hall
617.266.3605
PLEASE JOIN US FOR
LUNGS OF
THE CITY
MARCH 26 at 8:00 PM EST MULTICULTURAL ARTS CENTER CAMBRIDGE, MASSACHUSETTS
Honoring the bicentennial of Frederick Law Olmsted. The legendary landscape architect inspired a nation, with greenspaces that became part of the American fabric.