Skip to main content

Trentadue | The Sum of All Things

Page 1

L

SA

U

PE R

R

O

SC

E


SA L

U

R

PE SC R

O

E


E R

O

Josh Trentadue

SC

THE SUM OF ALL THINGS

SA L

(SYMPHONY NO. 1) for Wind Ensemble

R

U

I. Prelude & Turbulence (page 7) II. Elegy (page 34) III. Mysterious & Magical (page 47) IV. Scherzo Frenetico (page 73)

PE

© 2025 Josh Trentadue / M.O.T.I.F. (ASCAP) | www.joshtrentadue.com International Copyright Secured. All Rights Reserved.


INSTRUMENTATION

R O

DOUBLE BASS HARP PIANO/CELESTA (opt. Piano )

SC

HORN 1 - 4 B♭ TRUMPET 1 - 4 (straight and harmon mutes required) TROMBONE 1 - 3 (straight and harmon mutes required) BASS TROMBONE (straight and harmon mutes required) EUPHONIUM (2+ players; B.C. and T.C. parts provided) TUBA (2+ players)

E

PICCOLO FLUTE 1 - 4 (4. dbl. opt. Alto Flute) OBOE 1 - 3 (3. dbl. English Horn) BASSOON 1 - 3 (3 dbl. Contrabassoon) E♭ CLARINET B♭ CLARINET 1 - 4 BASS CLARINET 1 -2 CONTRABASS CLARINET SOPRANO SAX ALTO SAX TENOR SAX BARITONE SAX BASS SAX (optional)

SA L

TIMPANI PERCUSSION (7 players required - some instruments are shared):

R

U

Vibraphone (2 bows required), Chimes, Marimba (5-octave), Xylophone, Glockenspiel, Crotales, Snare Drum, Piccolo Snare Drum, Field Drum, Tenor Drum, DRUMS (Tom-toms (4 + floor), Bongos (2), Small Bass Drum), Bass Drum, Medium Suspended Cymbal, Large Suspended Cymbal, Small Tam-tam (superball mallet required), Large Tam-tam, CYMBALS (Hi-hat, Crash, China, Splash), Crash Cymbals, Sizzle Cymbal, Triangle, Brake Drum, Anvil, Ratchet, Claves, Tambourine

PROGRAM NOTES

PE

The Sum of All Things is my first symphony and my first foray into writing music with a more theatrical scope. Unlike my second symphony Pumpkin Madness, which features a distinctly programmatic narrative, this first symphony is largely abstract, balancing an overall darker tone with occasional moments of cathartic serenity. The heavily dramatic opening of the first movement, and the relentlessly aggressive turbulence which follows (hence its title “Prelude & Turbulence”), eventually gives way to the somber, pleading, and angry “Elegy” comprising the second movement. The third movement journeys through “Mysterious & Magical” textures of melody and sound in the search for resolutions to unanswered questions, while the intense and ferocious “Scherzo Frenetico” of the fourth movement pits together many of the symphony's various themes and motifs together in a vicious battle, culminating in a fiercely determined, yet still bombastic, coda. -program notes by the composer


THE SUM OF ALL THINGS (SYMPHONY NO. 1) f o r Wind Ense mble

Full Score (Transposed)

Josh Trentadue rev. 2025

I. Prelude & Turbulence 

1 2

Contrabassoon

E♭ Clarinet

1 2

B♭ Clarinet 3 4 Bass Clarinet

1 2

Contrabass Clarinet

Soprano Sax

Alto Sax

Tenor Sax

Baritone Sax

Bass Sax (optional)

1 2 F Horn 3 4

    

1 2

B♭ Trumpet 3 4

1 Trombone 2 3

Bass Trombone

Euphonium

Tuba



play if asked

 

a2

   

   

   

  

Harp

Piano Celesta

(opt. Piano 8va)

Timpani

Percussion 1

Marimba

Percussion 3

Percussion 4

Percussion 5

Percussion 6

 

    

 



   

 1

   

   

2

   

   



 





     

  

3

   

    

   

 

3

       

    

Bass Drum

 

   

 

 

4

   

 

 

 

 

    

    

 

  

    

  3

           no dim.  3

 

5

© 2025 Josh Trentadue / M.O.T.I.F. (ASCAP) | www.joshtrentadue.com International Copyright Secured. All Rights Reserved. Printed and Engraved in the USA. WARNING: Unauthorized reproduction and distribution of this publication is strictly prohibited.

    

6

 

7

  

  

 

  

 

  

  

 

 

    



  

 

 

       

solo, one player



 

 

   

 

  

PE

Double Bass

 



E

Bassoon

R

1 Oboe 2 3

O

3 4

SC

Flute

SA L

U

1 2

 Ominous  = 68–70 

R

Piccolo

 

 

8

 


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

S. Sx.

T. Sx.

F Hn

 

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

 

Euph.

 Tba 

  

 

   

   

  

  

harmon mute

 

  

 

    

   

Pno

Timp.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

  

  

 

 

 Perc. 1  Mrb.

solo

   

Hp

 

  



   



 



senza vib.

 

  

 



 

 





harmon mute

  

  

  

Small Tam-tam

9

Full Score (Transposed)

  

 

  



  

       

Medium Sus. Cym.

 



10

  

Sizzle Cymbal

11

       

dampen with leg or hand to reduce ring



 

 

 

             

 warmly       

 

        warmly  

  

 

 

 

 

 

   



  

   

12

  

  

 

  

13

 

F♯

   warmly 

 

to Crash Cymbals

 

 

 

14

 

 warmly               warmly          3

3

3

   

    

  

  

 

 

  





  

 



             



 

            3

            3

          3

       3 3

   



  

 (play)                                  3

(play) (play)



   

3

                  3

       3 3



 





  



              

  

3

                    3

                       3

          3 3

15

16

17

3

        

to Xylophone

3



               

 

3

OMIT if needed for mute change senza sord.

          

   warmly            OMIT if needed for mute change    senza sord.                       warmly

   warmly      warmly

      

Large Sus. Cym.

 







     harmon mute         



 

 

 

 

    

harmon mute

   



     

  

 

PE



        senza vib. 

 

3 4

D. B.

Bar. Sx.

a2

A. Sx.

 senza vib.   

 

Cb. Cl.

senza vib.

 senza vib.   

 senza vib.   

                            warmly 

 

         

 

18

      

  

  

      

     

       

   

     

E

1 2

3 4

 

B♭ Cl.

1 2

senza vib.

1 2

 



14 Nobly  = 84

R

E♭ Cl.

Bs. Sx.

1 2

Cbsn

B. Cl.

O

1 Ob. 2 3

3 4

Bsn

senza vib.

SA L

Fl.



R

1 2

    

9

U

 Picc. 

SC

6

     

   

 

     

     

      

   

      

    

          

 

       

                       

19

20

    

 


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

Cbsn

E♭ Cl.

1 2 B♭ Cl.

B. Cl.

3 4

1 2

 

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

    

1 2

B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba



   



 

English Horn

 

 

  

1.



 

   

   

   warmly

   warmly

 

 

   

 



 

     

  warmly

 

 

  warmly                       

 

  warmly



 



Pno

Timp.

Perc. 1

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

 

  

 



C♮









 



 

        





 

       



   







  

 



 



  





    

  



 warmly

   

   

  

  



 

   

 





  

  

  





  

 warmly  





  

  warmly 



    

 

  

 warmly  warmly 

 

 







                             

             

                  

  









    

   

       



 





 

 

 









 





     







 



 



 

 



       

 





    grave

      grave 

 



  

 

 

  

 

 grave

 grave        

 grave   grave  grave grave (play)

 

 

  

 grave 

 grave  grave  

 





  

 

21

22

23

24

25

26

27

28

29

to Glockenspiel



 

 



 

 grave      grave

 

 

 



 

 

 

 

    

 





      

Hp

  warmly

   warmly   warmly

   



Bass Sax cue - play if asked

PE

D. B.

 



E

1 2

R

Bsn

O

Eng. Hn

SC

1 2

U

3 4

R

Fl.

22

1 2

Ob.

SA L

 Picc. 

7

30 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

 

1 2

 

Eng. Hn

Bsn

 

1 2

 

Cbsn

 

E♭ Cl.

   

B♭ Cl.

3 4

 

1 2

S. Sx.

 

A. Sx.

 

T. Sx.

 

Bar. Sx.

1 2 F Hn 3 4

 

6

        

   6

 

 

Euph.

  Tba 

  



 

 

    

    

   

  

a2 - ord.

Hp

Pno

Timp.

Perc. 1

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

   

 

 

 

  6

    

    legato, color winds

  

  

 

Full Score (Transposed)

  



 



    



 

 





6

 

 

 

 

 

  

 

31

6

 

  

 

 

      

 

  

6

      

 

  



   

 

  

 

  

 

 

           

 



 

a2 - senza sord.

     





 

 

 

 

 

 

 



 



    

10

     





    

 

 





 

  

  

3

  3

 



 

3

 

3

  

  

 

6

 

    



    

  

 

32



  

   

aggressive     

 

      

  

 

 



   

     

a2

 



      C♯ B♮

 



 

   





 

     



       10

10

 

 

 

 



 

     

 

    



     

 

     

            



6

  



 

    

   aggressive

10





    

 

 

   

   aggressive  

 

  

senza sord.



    

  

   

  

 

 

     

   

a tempo, dark  33  

    

        10

       

6

6

 

6

6

  

  

 







Piano

 

   

PE

 

 

B. Tbn.

 



1 Tbn. 2 3

 

3 4

  

   

B♭ Tpt

   

  

 

 

1 2

D. B.

 

Cb. Cl.

Bs. Sx.

  

 

         

 

1 2

B. Cl.

   



U

Ob.

  

6

  

      

 

   



 

 

 

to Celesta

aggressive     

 

     

Crash Cymbals

Glockenspiel

  

 

 

  

 

  

          a2



     

 

33

 

 





 

 















 



 

 

   

   





       

        

        









10

 

10



   

 

 

   

 





10

10

    

   

      

E

3 4

6



 

R

Fl.

  

   

  

 

O

 

1 2

 

a2 - ord.

  

SA L

 

R

Picc.

rit.

SC

8

 

34


Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl.

3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.



  

   



     

 

 

  

  

 







 

 

  



 

a2

 

 









   

10

 

 

  



               



                        10

10











   

 

  

10

10



      

                      

  

  

 

   

    

10

10

 

   



 

F Hn 3 4

   

1 2 B♭ Tpt

3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

D. B.

Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Glock.

Perc. 5

Perc. 6

 



   

 

   

 

 





  

 

 

 



a2

 



       

       

    



 

 

 











  

35



 

  

 



 

 



 

 

 

   

 

  







 

     

Bass Drum

 

36

    



      

to Percussion 4

37

    

38

rit.

 

 

             

         

 

  

  

  

 



          



                  

   

    

    

       

 

     

        

a2

   

      

    

 a2





  

 





   

       

   

     

    

      

    

   



39

         to Oboe      

  



a2

        

     

      



      

  

40



     

 

 





           

 



       

 



 

 

    

   

     

   

                   

    

       

 

   



 

5

fight the Toms! 3

3

 

42

            

          

41

    



      

    

  

   

to Chimes

    

solo, epic!

 

  

a2



    

         



     

   

 

   

               

   

 



       

 

      

  

    

 

 

                

  

 



      

41 Apocalyptic  = 76

     



SA L

1 2



 

                           

 

U

Bs. Sx.

                                    

                            bring out!                                    bring out!                                                                   

R

Bar. Sx.

 

    

PE

     

T. Sx.

   

     

E

1 2

10

 



      

R

3 4

  

 



O

Fl.

Ob.

 a2  

1 2

  

9

a tempo

SC

 

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

poco rit.

solo, epic!        

Tom-toms (4 + floor)

5

   

fight the Timpani!

43 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

Cbsn

E♭ Cl.

3 4

1 2

Cb. Cl.

S. Sx.

T. Sx.

Bar. Sx.

 



 

3 4

     

1 Tbn. 2 3

B. Tbn.

 

   

 

 

  

      

                    

Hp

Pno

Timp.

 

 



Perc. 3

Perc. 4

Perc. 5

Perc. 6

 Perc. 1  Perc. 2

                 

 

5

   

 

Full Score (Transposed)

44

 

 



 

                        

 



                               







PE

D. B.

 

    

B♭ Tpt

Tba

 

      

1 2

Euph.

a2

 

U

3 4

R

F Hn





A. Sx.

1 2

 

    

B♭ Cl.

Bs. Sx.

 

1 2

B. Cl.

a2

       5

  

 

   

 

     

        

         

 

5

    

           

     

     

45

       5

  

 

5

5

  

 



    

48

 



       

 scattered

                         



6

           

                

 

 

   

                  





 

  

 

  

       

  

  

Chimes

   

 

46

   

                 

      

           

    

   

47

7

 scattered

 scattered

6

               6



   



               

 



        

 

48

to Marimba



               

 scattered

6

7

7

     

E

1 2

R

Eng. Hn

Bsn

1 2

3 4

SA L

Fl.

1 2

Ob.

SC

 Picc. 

O

10

49

     Vibraphone

6

  


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence  

  

1 2

B♭ Cl.

3 4

1 2

7

        

5

5

Mrb.

Xyl.

Perc. 4

Perc. 5

Perc. 6

  

  

3

3

Celesta

         7

   

Marimba

    

  

(siz. cym.)

6

        7

   

Xylophone

6

      

    6

       

7

 

 

7

    6



          7

             6

7

                       

 

       

    

         

 

    6



        7

 

50

 

      7

     6

     

                                                                 

a2

 

   

  

                                  sempre                                  

  

6

U

      

 

PE Vib.

 



        

  

SA L

       harmon mute        straight mute

     

       

 

B. Tbn.

    6

7

 

7

SC

       

 

1 Tbn. 2 3

 

3 4

          

     

                                           

 

B♭ Tpt

6

6



1 2

Timp.

                 

Bar. Sx.

Cel.

3

6



        

                                                                                                                 

   

T. Sx.

Hp

   

                                 

A. Sx.

D. B.

   

7

S. Sx.

Tba

5

Cb. Cl.

Euph.

   

 

1 2

3 4

7

 

E♭ Cl.

F Hn

6

       

        

Cbsn

1 2



   

   

E

Eng. Hn

Bs. Sx.

7

 

1 Ob. 2

 

6



R

3 4

B. Cl.

        7

        

Fl.

Bsn

6

O

1 2

   

R

Picc.

11

                                                                                                                                                         

       

       7

   

China Cymbal w/ mallets

    

6

 

       

    6

       

       

     

7

7

    6



     

      7

     6

51 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence       

 



                                                                                            

 

6

6

7

7

1 2

6

6

3 4

7

 

1 Ob. 2 3

1 Bsn 2

Cbsn

1 2 B♭ Cl.

3 4

 

 

     6

       



        6

6

 

               

        



    

3 4

1 2 B♭ Tpt

a2

3.

Euph.

  

 









 

       

     

6

6

7

6

Full Score (Transposed)

52









 to Piano





            

7

    



5

7

Perc. 6

 

to Large Sus. Cym.                          Mrb.                  Xyl.           Perc. 4 

 



                          



                                                     

                  



 

 

    



PE

 



R

   

B. Tbn.





     

U

 a2  1.2.  

1 Tbn. 2 3



3 4

                        



               

 a2    F Hn

Perc. 5

 

7

1 2

Vib.



                       

       

Bar. Sx.

Timp.

                   7

         

                  

T. Sx.

Cel.



 

 

7

   

   driving

driving       











53

   

   

   

 

driving          

 

             solo

  

54

          

 

  

 

 55

 

  

   

  

     

 56

   

driving

       senza sord.

   

 

           

   

  

 

 

  

                  



  

   

 

Large Sus. Cym.

  

                   driving

                

driving         driving     driving

   

senza sord.

  

 

       

   

     

  

    driving

     driving a2

 

     

      





 

 

 

SA L

A. Sx.

Hp

 

SC

 

S. Sx.

D. B.

 

                                                            7

 

Cb. Cl.

Tba

           

   

                                                      

1 2

Bs. Sx.

7

 

E♭ Cl.

7

6

7

B. Cl.

 

7

Fl.

54 Turbulent  = 90

E

  

R

Picc.

O

12

    

  57

      

6


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

   resilient         

   

English Horn

Eng. Hn

1 2

Cbsn

B♭ Cl.

3 4

   

1 2

Cb. Cl.

A. Sx.

Bar. Sx.

1 2 F Hn

 

   

T. Sx.

Bs. Sx.

a2

   resilient     resilient

S. Sx.

 

   

   

3 4

     

1.2. a2

1 Tbn. 2 3

B. Tbn.

Euph.

  3.

              

        

   

  

  

    

  

 

  

  

                  

Cel.

Timp.

Perc. 1

Mrb.

Xyl.

Perc. 4

 

 

Tenor Drum w/ sticks

to Glockenspiel

            Perc. 5  (bass drum)    Perc. 6    





  

   

 

58

 

                

    

   

     

 



a2

  

 

  



                   

             

 

   

   

   

       

  

 

      

    

            

            

59

   

 

  

a2   

  



   



  

  



  

  

      



   

  

 

 







 

 

 

   

        

  

   

   





            

    

          



  

     

                

     

                   

            

 

   

            

 

        

60

 

                                             

 

  

 

  



   

   

 

            

61

           

                   

                  

                        

      



 

 

 

 62

 

 

 

  

        

  

    to Anvil   (ch. cym.) Glockenspiel

   





 



   

 

       

  



        

 

           

    

  

to Oboe





   

                                             

PE Hp



  

        

    

  

   resilient                  

B♭ Tpt

D. B.

a2 senza sord.

 

  

 

1 2

Tba

  

  

3 4



1 2

B. Cl.

E♭ Cl.

        

    

R

Bsn

       

 

                

         

E

   resilient

1 2

    

     

R

Ob.

  

a2

           

O

   resilient

3 4

                

SC

Fl.

                

SA L

1 2

U

 Picc. 

13

  

w/ mallets

  

63

 

  

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

1 2

Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4 1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

 

 

        

  

 

  

 Tba 

   

 

  

  

               

  resilient a2

  

  resilient

  

a2

a2

  

  



      

       

 

         

 

  resilient a2

  resilient 1.2. a2         

  

a2

   3.

  

D. B.

Hp

Cel.

Timp.

Perc. 1

Mrb.

Xyl.

Glock.

Perc. 5

Perc. 6



  

 

 

   

 

  

  

  

  

                 

 

  

  

    

  

  



 

  





   

           

  

 

 

  

             

  

                

   

 

  

 

 

  

  

  

   

 

 



    

Full Score (Transposed)



 

 

  

64





     

       

 

   

  

  

a2

   



              



  

   

  



       



   

  

  

      

  

  

  

Oboe

      

66

  

  

  

  

    

  

     

 

   

a2



  

  

    

  

 

                

67

   

     

   

  

   

  

 

  

Anvil

   

68

                   

  

      

   

    

   

3

    

                          

    

     



       



a2



 

a2

3

  

         3

             

Piano

       

 

  

  

    

  

     

  

3

  

     

      

      

                                                                                             a2            

       



       

   ( ) 

  

  

a2

     

             

           

                     

65

a2

  

 



      

        

            

  

      

                       

 



  



                                                         

     

         

  

   

         

              



     resilient   resilient      

  

PE

  

  

E

Ob.

resilient driving             driving driving            driving  

  

 

R

3 4



  

O

Fl.

  

SA L

1 2

  

  resilient a2  

U

64

R

 Picc. 

SC

14

   

 

      

         

                                                     

69

  

 

70


 

1 2

  

B♭ Cl.

a2

3 4

Cb. Cl.

A. Sx.

F Hn 3 4

  

a2

 

a2

           

1 Tbn. 2 3

B. Tbn.

 

      

 



  

 

   

 

 

 

       

 

  

 

  

Hp

Pno

Timp.

Perc. 1

Mrb.

Xyl.

Perc. 4

Perc. 5

Perc. 6

 

  

       

 

  

   

      

  

     

 

       

   

             

    

  

 



 

        

         

                            

 

71

   



 



  

     

 

   

        

     

 

 

        

 

 



 

 

 

 

                        

72

 

  

  



a2

        

                 

a2

 

 

      

     

     

  

  

   

        

        

 

        

          

     

  

        

 

     

       

    

 

   

 

  

  

  

    

  

  

  

  

           

      

  

 

               

 

 

     

     

      

          

75

      

 

  

 

 

           

     

   

     

 

  

  

  

  

      

  

                             

    

  

      

 

   

    

   

  

74

  

 

                                       

 

                  

          

     

 

 

15

                   

  

  

                        (toms, w/ sticks)            

)

(

        

         



 

a2

          

73

    

                    



            

            

 

 

 

                 

 

                       

 

 

PE

D. B.

  

3 4

   

B♭ Tpt

Tba



1 2

Euph.

 

Bar. Sx.

1 2

 

T. Sx.

       a2

S. Sx.

  

   

1 2

 

          

      

  

     

E

 

E♭ Cl.

Bs. Sx.

     

Cbsn

B. Cl.

R

   

1 2

   

       

                          

     

O

3

       

R

Ob.

                                                  

SC

            

1 2

       

 

3 4

     

U

 

Fl.

Bsn

         

                            

SA L

     

  Picc.  1 2

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

 

   

  

    

 

                 

  

            

     

     

   

                               

 

     

76 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence 77

Fl.

3 4

        

1 Bsn 2

Cbsn

      to Bassoon      

E♭ Cl.

                                    

1 Ob. 2 3

1 2

 



                    

1 2

 

B♭ Tpt 3 4

    

 

   

PE

   

        

  

B. Tbn.

D. B.

Hp

Pno

      Perc. 1    Timp.

Mrb.

Xyl.

Perc. 4

Perc. 5

Perc. 6

 

 

 

 

 to Vibraphone

 

Full Score (Transposed)

77

to Large Tam-tam

 

 

 

  

   

 



G♭ C♮

  

 

 

  

  

 

   

   

  

 

   





       

      



   

 

  



 



 

  

  

  

        

 

 

to Large Sus. Cym.

     

  

 

 

 

   

  

 

 

 

 

to Chimes

 

Vibraphone

 

     

    

   



         

   

O 



SC

1 Tbn. 2 3

Tba

    

1 2

Euph.

  



 

 

                  

    

SA L

3 4

U

F Hn

R

3 4

                                                        1 B. Cl.     2              Cb. Cl.                        S. Sx.                    A. Sx.                    T. Sx.                   Bar. Sx.         Bs. Sx.                1 2    B♭ Cl.



a2

a2

 

E

 Picc. 

R

16

78

79

80

81

82

83

84

85


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

  

Bsn

Bassoon

3

E♭ Cl.

1 2 3 4

Cb. Cl.

S. Sx.

T. Sx.

     

1 2 B♭ Tpt

3 4

     

1 2

  

Tbn. 3

B. Tbn.

  Euph.    Tba  

  

  

 

    

  

D. B.

Hp

Pno

Timp.

Vib.

Mrb.

Xyl.

Perc. 4

Perc. 5

Perc. 6

 

 



   

 

        

         

  

     

    

  

                                 

  

  

  

     

     

 



 

 

 

 

 

        3

3

        3

3

 

 

       

    

  

 

 

 

   





 

  

 

 

  

 

                              

  

  

   

   

 

     

    

 

 

  

    





 

 

86

87

88

89

90

        

91

92

    a2



  

             



     



    





     

 

93

  

      

94



   

          

 

      

              

sneak in breath if necessary



 

 

 

 

 

 

    

96

to Glockenspiel

95

 

    



 

 

 

         

 

 



    

  

   







 

 

Large Sus. Cym.





          

 

  



     

  

   



      

Large Tam-tam

   

   

     

 

     





a2

                  

          

Contrabassoon

 

 



  

   

 

   

  

   

             

         

 

           

94

to Contrabassoon

 

                         

PE

  

    

      

3 4

  



  

Bar. Sx.

F Hn

 

A. Sx.

1 2

        

1 2

Bs. Sx.

 

B♭ Cl.

B. Cl.

  

E

     

1 2

R

1 Ob. 2 3

O

3 4

SC

   

Fl.

       

SA L

   

1 2

U

86

R

 Picc. 

17

  

   

97

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

        

3 4

1 Ob. 2 3

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl.

    

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.



    

     



   

 

   

B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.



 

 

                

  

  

      

 

 

  

 

PE

     

     

 

                 

1 2

D. B.



a2

     1     2  F Hn   3 4  

Bs. Sx.

Tba

       

 

Bar. Sx.

Euph.

      

 

  

3 4

B. Cl.

 

 

     

 

Hp

Pno

Timp.

 Perc. 1  Mrb.

Xyl.

Perc. 4

 

  

Full Score (Transposed)

  

98





               

  

Chimes



  

   

    

   

     

Glockenspiel

 

a2

 

a2

 

 

 

 



  

      



99



 











   



 



 to Vibraphone     

  

   Perc. 6     Perc. 5



          

  

    

 

100

 

  

           

     

           

           

           

            

   

     

             

 

                                          

 

 

  

    

       

  

     

G♮ D♮

     

  

 

  

to Marimba

    

Vibraphone

    to Tom-toms 

101

 

 

          

 

      

a2

 

  

 

     

  

             

       

 

       

    

  

 

  

 

  

 

 

     

   

          

102

 

 

             

    

      

a2

 

 

 

  

       

 

      

  

                                           a2                                                  

                 

              

   

 

E

Fl.

 





R

1 2

    

 

  

O



SA L

U

 

R

Picc.

SC

18

 

    

  

   

  

   

 

  

     



 

 

    

     

  

                     

103

          

 

 

G♯ C♯

     

Marimba

     

    

 

     

     

      

   

   

  

  

 



 

 

 

    

   

 

   

   



            

104


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

Bar. Sx.

    

1 2 B♭ Tpt

3 4

1 Tbn. 2 3

B. Tbn.

Euph.

 

                   

  

  



 

 

  

    

Hp

Pno

Timp.

Vib.

Mrb.

Xyl.

Glock.

Perc. 5

Perc. 6

 

 

6

  

6

   

 

6

6

      

 

 

105



6

 6









 



    6

   6

    

6

     A♯

  

6





  

  

6

106

        Tom-toms

 

6

            



         

   harmon mute  harmon mute     



       

 

 

107

          

    



 

     

    

     

     

     

     

        

 



   

    



     

           





 

       

   

         

     

     



       harmon mute                



    

 

          



     

   



               



   



  

  

                

 

  

    

 

           





  



      

109

  

        

                       

108

  

straight mute

   

      



         

      

      

      

 

   

      

  

       

 



                (tenor drum)

  

    

    

           

            

                        

 

    

                   

one player

  

Large Sus. Cym.

6

       

          

     

      

                           

  

   

   

 

    



    

    

 

              

 

    





E

 

PE

D. B.

R

Tba

 

                                   

R

T. Sx.

 

O

A. Sx.

3 4

a2

 

              

107

SC

S. Sx.

F Hn

 



SA L

Cb. Cl.

1 2

          

1 2

Bs. Sx.

     

3 4

B. Cl.



U

  Picc.       1  2  Fl. 3   4     1 Ob. 2   3  a2  1  Bsn 2     Cbsn    E♭ Cl.       1 2   B♭ Cl.

19

    110

  

    111

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

 

B♭ Cl. 3 4

 

1 2

       



  

T. Sx.

 





  

3 4

1.

B. Tbn.

      





D. B.

Hp

Pno

Timp.

 

 

 

             

 Perc. 1  Mrb.

Xyl.

Perc. 4

 

Perc. 5

 

Perc. 6

 

  

 



   

Full Score (Transposed)

    

  

 



  

 

      

     

 

   

112

  



          

   

 

 

      

   

            

 

 

    

         

 

     



          

 

R

 

PE

Tba

    

1 Tbn. 2 3

Euph.

  

       

3.

3 4

     

B♭ Tpt

    

     

1 2

 

Bar. Sx.

a2

 

A. Sx.

S. Sx.

     

Cb. Cl.

F Hn

a2

     

  resilient    resilient driving       driving      

  

  

   

a2



  

  

resilient

  

     resilient   resilient

        

  

113

  

   

          

    

                      

  

          

     (lg. tam)

  

114



    

  

 

        driving        driving                                 

  resilient a2  

  

  

   

  

       

  

 

  



  resilient a2

  resilient senza sord.   resilient senza sord.   resilient 1.2. a2          senza sord. 

  

a2

      

                

3. senza sord.

  

  

  

   



  

     

  

 

 

  

  

  

 

  

          

 

      

          

 

   

                

   

 

  

  

               

to Vibraphone

   

        

      

  

 



  

               

   

a2

  

 

 

   

   

 

  

   

   

           

  

   

      

  

     





  



  

 

  

  

          

  

 

  

                                   

 

  

  

        

  

                                                             

  





   

 

  

  

     

   

  

   

   

    



a2

  

 

      

              

        

  

a2        

   

        

 

a2

   

  

 

  

  



                  

  

                                   

           

     

     

    

 

 



E

 

1 2

1 2

 

E♭ Cl.

Bs. Sx.

 

1 2

Cbsn

B. Cl.

     

    

         

    

115

R

Bsn

  

  

SA L

3

  

1 2 Ob.

 

U

3 4

     

     

 

Fl.

 

O

 

1 2

  

       

  Picc. 

SC

20



      

                                                                           (toms)               to Small Tam-tam                 

6

115

116

117

118


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

B♭ Cl.

Cb. Cl.

S. Sx.

A. Sx.

 



Bar. Sx.

3 4

a2



a2

 

B♭ Tpt

B. Tbn.

Euph.

 

 

3.

   

tutti

  

 

  



a2



   



 

  a2

   

 

   

     

Hp

Pno

Timp.

Perc. 1

Mrb.

Xyl.

Perc. 4

Perc. 5

Perc. 6

 

 

      

      

       

 

 

  

 

       

 

  

     

   

    

 

   

    

 

  

   

  

     

  

  

  

                

119

  

    

   

    

   

 

        

  

 

 

 

  a2

 

   

   

  

    

   



        

    

   

        

 

  

  

   

         

  

    

     

  

  

       

    

  

   

    

          

 

 

 



  

  

PE

    

   

a2

1 Tbn. 2 3

  1.2. a2    

3 4

D. B.



1 2

Tba

 

T. Sx.

F Hn

1 2

 

3 4



1 2

  



           a2       a2      a2          

E♭ Cl.

       

 

 



  



    



                          

      

   

 

 

   

   

    

    

          

        

      

  

       

                           

                  

                  

        

           

                              

 

  

  

  

Floor Tom

120



               

 

  



 

          

 

  

   

                            

   

 

  

             a2      



 

  

   

     

121

   

      

 

  

 



   

  

  

 

122



 





a2













  





    

  



a2

 

 

 





      

 

 

 







  

 



  

    





 

    

  

  

 

  

to Crotales

123

124

125

 

Small Bass Drum



 



   

 

 

 

 



 

 



 

to Glockenspiel





 

 

 



  







  

 

Bongos (2)         



 



   a2

       

        

a2

                              

  

                                         a3               



                                         

                    

  

                          

 

E

Cbsn

1 2

 

1 2

a2

    

     

       

R

3

  



  

  

SC

Ob.

       



  



U

1 2

Bs. Sx.

            

  



        



 

SA L

3 4

B. Cl.

           

    



R

Fl.

Bsn

             

1 2

  

O

        

 Picc. 

21

126

Full Score (Transposed)


1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl.

3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

    

1 2 B♭ Tpt

3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba



   



 

   

   

 

   

 

 

 

 

 

 

    

 

    

   

Hp

Pno

Timp.

   

    

 Perc. 1  Mrb.

Xyl.

Glock.

Perc. 5

Crt.

   





   



   

Full Score (Transposed)

 

 

Glockenspiel

 

 

Crotales

127

 

3

     

 

6

6

      6

    

6

      6

  

    

     

Vibraphone



 

128

    3

  



    

      3

6

   3

    6



      3

   

6

    6

      3

  

6

   

  

           

6

6

    

6

          

                

PE

D. B.

 



  3.

E

Bsn

   

1.2. a2

R

1 Ob. 2 3

O

3 4

  

SC

Fl.

  

                                                      

U

1 2



THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

R

 Picc. 

128

SA L

22

 

129

     3

     6

    

    6

6

   

      6

     

    6

3

    

    

  

130

3



  

   3

6

6

  


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

E♭ Cl.

6

6

6

B♭ Cl. 3 4

1 2

Cb. Cl.

S. Sx.

6

  

6

 

B♭ Tpt 3 4

B. Tbn.

Euph. 2

Pno

Timp.

 

Xyl.

Glock.

Perc. 5

Crt.

  

  

3

  3

       



3

to Large Tam-tam

         3

3

    



 

   

 

3

3

 

  

6

 

131

 

6

  

  



 

132

  3



     3

6

       

  

6

3

 

 

3

 



3

 



3



 

 

3



 

  

      



  

3

3

3

    

               



 

 



6

3

3

 

                          

6

3



        

  



  

 

3

3



 

3

6

          

        

       

        

 





       

  

6

3

3

   

             

         3

3

6

       3

3

3

6

      

  

   

6



6

6

               3

                     Mrb.         Vib.

R

6

                                 3



PE Hp



  Tba 

6



1

     

1 Tbn. 2 3

   

6

1 2

D. B.

 

3 4

6

meccanico 3

6

 

Bar. Sx.

6

3

                

6

              

T. Sx.

6

3

                                       6

A. Sx.

3

6

meccanico       

3

                                 

6

1 2

F Hn

6

SA L

Cbsn

1 2



meccanico      

                                                               

1 Bsn 2

Bs. Sx.

 

E

R

1 Ob. 2 3

3 4

SC

Fl.

1 2

B. Cl.

O

 

U

Picc.

23

6

6

  

meccanico 3

                                          6

3

6

3

3

3



6

 

3

  

3

133

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

3 4

1 Ob. 2 3

1 Bsn 2

Cbsn

E♭ Cl.

B♭ Cl.

3 4

1 2

Cb. Cl.

S. Sx.

A. Sx.

1 2 F Hn



     6



6

6



     6



1

2

6

6

     6





          

 

 

Perc. 5

  

  

Crt.

 

  

   

    3

6

  

to Bass Drum

Full Score (Transposed)

3

     

 

    

  

      3

      6

6

       6

 

134

6

      bring out        6

bring out                6

bring out

6

              bring out 6

      bring out        6

bring out

6

      bring out 6

       bring out       bring out 6

6

  





  

    3

3

  

  

    

 

    3

  

6

Small Tam-tam

       3

3

  135

 

 

  

  

             

            

6

6

  

bring out

6

      

bring out

6

      bring out 6

    

     

   

 

 

 

     

bring out        6

bring out

6

 136

 

             6

a2

6

     6

6

     

6

         

          

 unis.             

 unis.             

6

      6

 

6

6

 

      

 



137

 





    

   

   





                                 6

 

 

 

138

       



6



    



 



 

      



  

   

       

    

  

 

    

 

6

     

  

6

   

          

6

     



      

  

 

        

 

    

  

   

 

     

  

            

    

6

 

            

6

6

6

      



    

6

   

  

        

     

6

       



   



   

 

 

   

 

6

 

    

  

a2

  

6

6

  

   

                 

              

   

6

6





                     

  

  

  

  

Large Tam-tam

  

 

  

 

6

 

   

    



              

             



6

 

 

       

   

    

6

  

  

            

  

 

  

  

Large Sus. Cym.

   

          





 

 

  

    

  



    

3.

 

   

                bring out

     1.2. a2     

  

  

6

                                              



                 

bring out

        

 

    

   

   

a2

 

   

 

3



Glock.

  



Xyl.

6



 



    



Mrb.

6



Vib.

    

3



Timp.

6

3



Pno

6

             

      

3



6



Hp

3

 

                              

PE D. B.

  

 

    

6

 

Euph.

6

6

  

   

    

   

B. Tbn.



3

6

    

6

1 Tbn. 2 3

3

 

                                               

6

    

  

3

                           

3 4

3

 

B♭ Tpt

3

 

1 2

  

3

6

 

3 4

Tba

6

 

Bar. Sx.

     

                            

 

T. Sx.

Bs. Sx.

6

3

R

B. Cl.

3

1 2

                     

        

6

   

3

136

SA L

Fl.

3

    

  

U

1 2

6

   

E

                  

3

   

R

        

      

SC

       Picc. 

O

24



      6

      6



139




THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

1 Ob. 2 3

 

   

6

                 

1 Bsn 2

6

                

Cbsn

E♭ Cl.

  

6

6

      a2

1 2 B♭ Cl.

3 4

1 2

a2

6

  

S. Sx.

a2

6

                    

       

   

    

Bs. Sx.

1 2 F Hn 3 4

   

 

    

3 4

B. Tbn.

   

  

  

1.2. a2



6

    6



    

6

3

Hp

Pno

Timp.

Perc. 1

Mrb.

Xyl.

Perc. 4

Perc. 5

Crt.

               

 

 





6



    

 

   

   

        6





                          3

6

6

               

6

6

                   

3

6

6

6

6

3

3

6

6

 

 



     



     

 

 

   

                  3

6

6

     

       

    

    

      

     

 

 

6

6

F♯

to Ratchet

6



 

  

   

6

  

143

  

       

140

141

142

     

  

(Anvil)

 

 





to Triangle

            

                    

                        3

             

                 

 

                  3

 

  

    

                            

   

                

            

      

    

          

                3

    

                        

     

   

    

6

6

3

    

  

6

6

                  

  

 

6

     

6

6

PE

 

   

                

Euph.

   

    

3.

  

  



  

1 Tbn. 2 3

D. B.

6

  

B♭ Tpt

Tba

6

     

1 2

6

6

3

R

Bar. Sx.

6

6

3

6

6

3

3

                                                                                                                                                                                                                                              

3

6

T. Sx.

  



6

A. Sx.

           

Cb. Cl.

     6

   



E

3 4

     

   

R

                  

Fl.

B. Cl.

  

O

    



  

SC

1 2

 

SA L

 

  

U

Picc.

25

to Medium Sus. Cym.

              Tambourine w/ sticks





  

 

                 

143

144 Full Score (Transposed)


Crt.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Crt.

Timp.

Perc. 3

Perc. 4

Crt.



  

 



152



Perc. 1

 

Perc. 3

Perc. 4

Perc. 5

Perc. 6

   

 





 









  





 

 

  



  



  

152

 

  

  

Full Score (Transposed)

 





  

 



 

 

 

Bass Drum

156

       



 



  

 



  

 

 

 

147







Medium Sus. Cym.

 





3









Hi-hat

    









 





  

    



  



 

   

    

  

    

     

   



       

       

Piccolo Snare Drum

 

  

 

 

157

    

   







  

  





 





       

       

       

 

158



 





 

  

Field Drum



  

    



 

  



 



    



 

 







         

         

         

  

  

 

159

 

 

155

    



 



    

  

151

   





 

  





  

148

   

    

    

    

 



    



 

154

Triangle

 

153

  

  

    

       

  





 





150

       





  

 

   

    

  

    



 

 

  

Snare Drum

3

149



 

Splash Cymbal w/ sticks

146



   

145

 

Timp.

Perc. 2

 

Ratchet

 

 

PE

Perc. 5



 Perc. 1  Perc. 2





E

Perc. 5



R

Perc. 4

 

SC

Xyl.

SA L

Mrb.

 



 

U

Perc. 1

 

R

Timp.

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

O

26






THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

3

Bsn

1 2

Cbsn

E♭ Cl.

1 2

B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

    

1 2 B♭ Tpt

3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba



 

Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

    

 

 

     

 

 

 

  

      

                

 

      

      

to Xylophone

to Anvil

  

 

 

160

a2

 

              

              

 

  

            

            

  

 

         

         

         

161

 

 

                 

 

  

            

              

  

 

         

 

 

      

     

162

      

     

       

   

       

      

 

   

   

 

      

                

  

 

 

 

              

       

 

  

    

   

            

          

      Xylophone 

      

       

      

            

       

    

   

             

                 

 

 a2      

 

     a2            

 

      

      a2

             

  

            

a2          

     

English Horn

       a2

 a2       





   

PE

D. B.

 



E

Ob.

 

R

1 2

SA L

3 4

U

Fl.

R

1 2

 

O

160

SC

 Picc. 

27

163

   

   

   

     

 

         

         

    to Medium Sus. Cym.    

164 Full Score (Transposed)


28

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

 Picc. 

1 2

 

B♭ Cl. 3 4

Cb. Cl.

A. Sx.

 

 

T. Sx.

Bar. Sx.

 

     1  2 

Bs. Sx.

F Hn

 

3 4

1 2 B♭ Tpt

3 4

    a2

  

 

S. Sx.

           

1 2

     B. Tbn.     Euph.   Tba     D. B.

             

        

           

              

Hp

Pno

 

 

 

Perc. 2

Xyl.

Perc. 4

3

Perc. 5

Perc. 6

                

  

   

 

 

   

Full Score (Transposed)

3

3

 (w/ sticks)   

3

3

              (Anvil)

3

                                                

                                      

            

                 

         

  

                

         

  

(ch. cym.)

165

 

 

        

 

                                                                                                                                                          a2                      a2                                                                                       

   

  

   

  

  

               

 

  

            

  

3

3

  

  

  



     

         

 

 

3

        

   

  

  

   

3

    

   

   

3

3

                                 

 

    

              

 

   

    

       3

    3

3

       

   

3

          

                                   3

3

    

3

3

   

3

    

3

  

   

 

     3

                 

  

   

   

3

         

3

              

3

                

     

     

 

   

  

  

  



                  

          

 

     

    

  

                  

                    

 

            

  

            

 

  

      

 

  

   

 

                                                                                                                       

 

 

  

  

  

168

  

           

                                                                                          



167

 

3

 



   

    

3

    

166

          

  



                                

3

            

3

                  

          

        a2

                    

                             Perc. 1  Timp.

3

             

    

3

           a2        a2       

 

PE

1 Tbn. 2 3

    

 

    

               

        

E

E♭ Cl.

    

             

R

Cbsn

                                  a2

O

     

1 Bsn 2

SA L

Eng. Hn

B. Cl.

1 2

U

3 4

R

Fl.

Ob.

1 2

SC

165



     

         

 

 

        

   

  

  

   

 

   

   



 169

 


   

1 2

  

Cbsn

E♭ Cl.

 

1 2

                            

      

 

 

    

    

     

                                                                 

B♭ Cl.

a2

3 4

1 B. Cl. 2

Cb. Cl.

S. Sx.

     

    

                      T. Sx.         Bar. Sx.                Bs. Sx.             a2                 1      2    F Hn a2                3      4              1             2   B♭ Tpt           3            4    1         Tbn. 2            3           B. Tbn.                     Euph.             Tba             D. B.

                                                                                                                     

   

  

   

  

R

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

 

 

 



  

 



   





  



  

  

  

       

       

     

Medium Sus. Cym.

  

170

   

 

 

  

  

(

to Chimes

    

171

      

    

  

    

   

  

 



                 

  

3

3

3

  

  

   

  

  

  

  

  

  

3

  

        

  

  

 

      

  

  

  

   

   

 

      





      

  





3

3

 

3

 

    

      

 

 

             

    

a2

     

      

  



  



   

  

  

   

 

      

        

  

  



  

  

  

  





 



 



   

172

173

 

    

a2

 

  

      

 

  

  

 

       

  

  

 

 

             

               

    

  

     



 

                

3

  

   

 

3

to Brake Drum

     

                     

 

) 

                                   

a2

     

                          

     

          

PE Hp

  

     

     

 

U

A. Sx.

                                                                  

E

 

Eng. Hn

                  

R

 

1 2

      

29

O

3 4

    

SC

Fl.

Bsn

1 2

Ob.

SA L

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

    

171



 

 

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

3

Ob.

       

1 2

a2

       3

Eng. Hn

    

1 2

Cbsn

E♭ Cl.

1 2

S. Sx.

3 4

  

  

   

          3

3

 

  

   

  

  

B. Tbn.

    

 

Euph.

 Tba    

        

   

D. B.

Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

  

  





   

       3

  

    

3

  

  

  

  

 

        

  

 

Full Score (Transposed)



 





 

   

    

 

  

  

 

           

 

3

3

                

   

    

   

   

  

 

 

 

 

  

         

        

  

   



Brake Drum

  

     

w/ Xyl. mallets

  

  



  

 

175

3

 





 

3

  

       

  

       

        

     

 

   

  

 

   

   

  

Xylophone

176

 

 



  

 

 

 

  

3

           

            3

3

       

        3

3

            3

           

            3

                3

3

                 

        3

3

        3

   

   

            3

   

  

3

     3

  

            

    

                           



  

  

  

   

3

3

  

  

3

3



                   



  

  

           

     

 

 



  

3

  

  

 

  



  

3

3

 

     

3

 



       

      3

                 

3



  

  

       

      3

3



3

                  

  

       

   177

3

  

   

3

 

 

    to Oboe                                                                                                                                                                                                                                                                              

3

     

174

       

           

  

   a2  

 

               

 

 

    

 

 

 

   

    

 

  

        

             

 

3

 

 



 

       

PE

   

  

  

  

  

  

a2

   

1 Tbn. 2 3

  

    

3 4

                 

               

     

B♭ Tpt

  

1 2

     

Bar. Sx.

F Hn

a2

    

  

     

   

T. Sx.

    

3

                                                   

A. Sx.

1 2

3

   

Cb. Cl.

Bs. Sx.

            

a2

3 4

B. Cl.

     

3

B♭ Cl.

3

     

       

1 2

         

3

R

Bsn

             

 

SA L

3 4

3

 

U

Fl.

3

                  

     

E

2

                 

     

R

3

         

O

        Picc.           1     

SC

30



3

3



    r.s. 

 

    

 

    177

  


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

3

1 2

                                            3

B♭ Cl. 3 4

                    

Cb. Cl.

S. Sx.

3



 

3

                                          

1 2

                                                                                                                         3

B♭ Tpt 3 4

3

3

1 Tbn. 2 3

3

                                 3

3

3

B. Tbn.

                                

                                  3

3

                                 3

PE

D. B.

3

R

3

Tba

3

U

Euph.

Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

3

3 4

3

                

     

 

   

Brake Drum

     

 

  

178

  

     

3

 

  

   

  

   

   



    

  

  

  

  

   

    

  

  



 

SA L

Bar. Sx.

3

                

T. Sx.

                                      3

A. Sx.

3

                        

1 2

F Hn

  

1 2

1 2

3

E♭ Cl.

Bs. Sx.

3

3

Cbsn

B. Cl.

       3

                                        

1 2

Eng. Hn

Bsn

                              

  

   

    

   

     

179



3

 

    

  

     

(tenor drum)

    

  

7

3

3

3

3

3



 



 





 

Oboe

3

3

   

  





 

             a2

3

3

                          a2

3

3

3

3



  

  

    

  

  

  

    

  

     

    

    

  

 

  



 

            

      

180

 

5

 

 

 



   



 



 

3

3

3

 

   a2            3

3

               3

a2

3

3

3

3

3 3

3

3

3

 

  



 



 







   

 

3

 

  

  

 

        Chimes

3

                      Glockenspiel 3

181

3

  

  

(lg. sus. cym.)

3

     

  

  

                

                     

E

3 4

3

        

R

 

Fl.

                            

 

O

 

1 2

Ob.

SC

 Picc. 

31





   

                          

  

 





           

    

           

 

 

  

  

182

 

to Chimes

 



3



 

3





3

     

 

     

 

                      

to Marimba

(Picc. Sn. Dr.)



3

       

 

    

3

 



    

   



 

 



  



 

  



3

   

  

 

                   



  3

    

                 

                      3

183

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

Cbsn

E♭ Cl.

1 2 B♭ Cl.

3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

    

  

a2

  

  6

 

    

         Bs. Sx.      

Bar. Sx.

F Hn

3 4

            

B. Tbn.

Euph.

Pno

Timp.

Perc. 1

Chm.

Perc. 3

Glock.

Perc. 5

Perc. 6

 

 

 

 



r.s.



  

to Xylophone

 

to Crotales

Full Score (Transposed)

184

6

      

 

 



 



6

 

   

6

 



  



 

         straight mute

  

  

 

6

6

    

  

   6

      

  

 

      

 

   

6

Marimba       

6

      Xylophone

        6

6

       Crotales

6

186

 

    



6

 



         6

                        6

 

 

 

6

 

  

  6

      

     

            

straight mute

6

  6

a2

6

6

  

 

a2





                                                                       6

6

             6

6

  

    6

     



 

  

 

 

                                                       legato sempre

    6

       

   

  

 

6

 

 



a2

6

 

6

        6

                                           

     

     

 

 = 104

      

Hp



6

  

6

      

            

      

6

      

     



6

PE

D. B.

        

1 Tbn. 2 3

Tba

B♭ Tpt

1 2





    

        

3 4

     

6

         

     

R

1 2



6

   



        

accel.

E

1 2

      

 = 96

SA L

3 4

U

Fl.

Bsn

1 2

R

184 accel.

SC

 Picc. 

O

32



 

   

6

6

  



 

187

  6

6

  

 

 

 



        

       6

     

 

      

      

6

6

6

6

188


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

B♭ Cl.

3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

   

3 4

1 2 B♭ Tpt

3 4

1 Tbn. 2 3

Euph.

 



  

Timp.

Perc. 1

Mrb.

Xyl.

Glock.

Perc. 5

Crt.

 

 

   



        6

 

  

     

a2

 

   a2

  

 

       

 

 

  





6

 



 

6

 

6

                     

3

3

3

3

  



   

  

3

   6

 

 3

3



 



  

      

 



3

       3

3

3

   

       

3

 

 

    

 

      

 

3

 3

3

  

 

  6

  

 



 



 

      

 

  6

6

  

 

            Chimes

      6

 

 

 

   

to Medium Sus. Cym.

      to Bass Drum

6

6

6

190

6

6



    



 

   

 

 

191

6



   

  

 

  

  

 

                                                                6

     





6



 



  







  

      

  

  



  

 



 

  

 

 





   

    

 

        



6



 

    

   

 



  

6

  

 

 



 

 

 

  6

  

 

  

 

      



     

   

     

 

  

3

                                                                              6



  6

 



      to Large Tam-tam 

189



 

 

3

       

  

 

   

 

3

                

  

 

                 

    6

6

6

6

 

 

        

  



  

 



 

  

    6

                

 a2  

  

     

Pno

 

   

a2

 

     

Hp

 

 

     

      

     



 6

 

PE

D. B.



6

   

B. Tbn.

Tba

Bar. Sx.

F Hn

 

    

T. Sx.

1 2

 

  6

A. Sx.

Bs. Sx.

a2

 a2   



     6

 

6

  

 

 

 

 

 

192

 

 

6

6



 

 



 

     

1 2

    



  

E

E♭ Cl.

  

R

Cbsn

 

O

1 2

      

6

R

Bsn

SC

3 4

             6

SA L

Fl.

        6

1 2

      

190  = 112

accel.

U

 Picc. 

33

   

  

6



  

6



  

 

193 Full Score (Transposed)


34  Picc.  

1 2 Fl.



        

 

1 2

Cbsn



  

    a2

a2



3



 3



3







3

3



A. Sx.

3

  

1 2

B♭ Tpt

       

3





     

   

6





 

3



 



3

 

           

   

 

 

 

 

 

  









 



6

  

   

  

  



Full Score (Transposed)

  6

 

 

 





 





 3

3

     

  



  









  















3



  3

 

  

6

 



   

 



6





 

 

 





 

    

 







 

  

 





   

  



6

 







 

  

 

 

6

 

 

 



 

 

3

 







6

  

 



  

  

6

 

195







3

 



)

3



 

3

 



  196



   

  

6





3

3

3

3

3

3

3

3

 a2 - rip!    



senza sord.





 



 

   



6

  



3

 







   





6



3









 

 

  

 

6

 

to Large Sus. Cym. dampen!

  



 



 



 







6

  

 

6

 

 

  197

 

 

  198





 



 

 

 



 

3





3

 senza sord. 

 

senza sord.       



 

3



 a2 - rip!    

  





3





  





  

3



  

  



  

3





3

   





3





   

 

 





  



3





3

 a2       primal  a2       primal

3

 

 

)   

      

 









 

(

     

 



 

  



 

 



 





 

 

   

 

6

 



194



 3





)  

(







 



(

 



3

 

 

 

   ( )  

 

 



           

3

6

6

 

 

 

3

3

  

6

6

 

   

 

 



  



 

  

3



3

6

6

  3

 

 





 





 

 





3

 

 



3

 



 

3



    



3

 

 

   Chm. 

Crt.

 

PE

 

 

3

 

 Tba  

 





a2

 

Euph.

 

3





3



a2

 

B. Tbn.

  

3

  

 

Tbn.

Perc. 5

6

   







 

1 2

  



3 4

Glock.

 

3

6



    

3 4

Xyl.

3

                  

E

 

    

Bar. Sx.

Mrb.

6

   

T. Sx.

Timp.

       

SC

S. Sx.

Pno

U

Cb. Cl.

Hp

R

1 2

D. B.

6

3 4

F Hn



      



O

B♭ Cl.

1 2





3

  

R

3

6

1 2

Bs. Sx.

   3

  ( )    a2                                                     a2                                                            

E♭ Cl.

B. Cl.

  





      

 





SA L

Bsn

3

  

3 4



  

   

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence





   



6





 





 


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 2 Tbn. 3

B. Tbn.

Euph.

Tba

        

     

   

  

 

 

 

 

Hp

Pno

Timp.

Chm.

Mrb.

Xyl.

Glock.

Perc. 5

Crt.

  

 

     



 

 

 

 

                    

 

  

 

 

   

 



 

 

   

 

  

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 



  





PE

D. B.





  

6

 



 

 



   



6





6

 

 

 

 





 





   



 





   



6





 

 

199

 

 



 



      

  



     

 

  

 



 

   





 





 



6



 

  

  

 



 





6

 

 

 





                   6

  

6

6

Large Sus. Cym.

  

Medium Sus. Cym.

  

Large Tam-tam

  

(small tam-tam)

Bass Drum

                   6

200

  

 

 

6

6



 

 

  

   

   

 

 

201

 

 

 

 

 

202

 

 

   

 

 

  

 

       

       

   

  

        

  

 

 

a2

  

 

   

E

Cbsn

R

1 2

O

Bsn

SC

3 4

201 rit.

SA L

Fl.

U

1 2

                              

R

 Picc. 

35

203

 

204 Full Score (Transposed)


36

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - I. Prelude & Turbulence 



 

F Hn 3 4

 

3

B. Tbn.

 

Euph.

   

  

solo

PE

 

Hp

Pno

Timp.

Perc. 1

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

   

  

        eerily         solo

3 3

 

3



  

205

Full Score (Transposed)

  

 



 

206

 

  

 

  

3 3

 

 

207

   3



   

3

 

     



208

   

   

   

7

  

     

    3

209

   3

 

  



 

210



 3

    3

  



  

    



 

 

211



     

              

         



 

   





212





    

   

    



 

  

         

    

 



 



        

  



 

 

      

harmon mute



     harmon mute   

 



E 

 

 

     

 

   

   

    

 

R



 

   

   



       

7

 

  

     3

      

 

   

 

Tbn.

D. B.

1 2

 

 

 

 

3 4

B♭ Tpt

Tba



1 2

 

 

 

Bar. Sx.

  a2

T. Sx.

A. Sx.

S. Sx.

1 2

Cb. Cl.

1 2

 

3 4

  a2

O

B♭ Cl.

1 2

E♭ Cl.

Bs. Sx.

SC

1 2

Cbsn

B. Cl.

3 4

Bsn

SA L

Fl.

U

1 2

  = 52  

R

Picc.

    

213


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

37

II. Elegy

1 2

Bassoon 3

E♭ Clarinet

1 2 B♭ Clarinet

Bass Clarinet

3 4

1 2

 

Contrabass Clarinet

Soprano Sax

Alto Sax

Tenor Sax

Baritone Sax

Bass Sax (optional)

1 2 F Horn 3 4

    

1 2

B♭ Trumpet 3 4

1 Trombone 2 3

Bass Trombone

Euphonium

 Tuba 



   



  



 

  

 

 



one player

Harp

Celesta

Timpani

Vibraphone

Marimba

Percussion 3

Percussion 4

Percussion 5

Percussion 6

 

     

 

 

  

  

 

   

  

 



 

PE

Double Bass



 

 1

 

 

2

            

             

 

 

    

          

  



 

3

    

  

      

 

4

5



 

  

 

  

 

  



 

 



 

 

     

 

 





    

 

   



6



7

     

 

 



  

 



8

 

  



 

9

 

   



10





  

  



  



   



 

  

 



    





 

    

    

  







to Cbsn.

    

9

E

English Horn



1 2

R

Oboe

O

3 4

SC

Flute

SA L

U

1 2

 = 80  Doloroso  

R

Piccolo

11

  

  



12

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

E♭ Cl.

1 2 B♭ Cl.

3 4

1 B. Cl. 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

    

1 2 B♭ Tpt

3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba



  

  

       

   





 





 

 

  



 

 

   





 



Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

   

 

 

Full Score (Transposed)

 

13

    

 





 

    

PE

D. B.

 



 

14

            

       

   

   

   

    

  

 

  





   

  

   

harmon mute

 

 

harmon mute

 

 

 

 

15

      

 

16

 

  

       

    

17

 

   

   







   



 

 

 







 

 



 

   



    

   

18

 



     

   

19

  

 

   

   



 

 



 

     

   

20

      one player, solo

 

      

   

21

     

    

22

     

  

23

 

 

 



 

 



               

 

 

 

 





  

  

  



  

 

           

    



   



 



     



 



 



 



   

   

a2



   

accel

     

a2

  

Contrabassoon

   

           

   

  

E

3

 

    

R

Bsn

 

O

1 2



17



Eng. Hn

 

SA L

1 2



3 4



U

Fl.

Ob.

 

1 2

R

 Picc. 

SC

38


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

E♭ Cl.

1 2 B♭ Cl.

3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.



 1 2  

F Hn

3 4

1 2 B♭ Tpt

3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

   

  

 

   

 

 

senza sord.

       







  

   

senza sord.



Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

 

  

 

    

  

   

to Chimes

24

 



25

 

 



 

    

       



    

   

     

   

   

 





 

   

one player

   

 

 

 

 

      

 

      



  

appassionato





26

27

28

       

    

  

     

 

 

   





    

   

   

  

                           

to Bassoon

   

PE

D. B.

 

                      



    

   

 

  

    



    

 

 

  

  



   

A♯ D♯



 

 

           

  

  

 



     



  

     

 

      

 

  

 

 

 

play if asked

  

              

 



    



   



  

 







 

 

 

29

30

31

32

33

 



 





  



 

 

 

  

     



 

 



play if asked



 

        

 

32

E

Cbsn

R

1 2



Bsn

O

Eng. Hn

SC

1 2

U

3 4

R

Fl.

1 2

Ob.

SA L

24   = 88 Picc. 

39

    

  

    

 

  

    



34

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4 1 Tbn. 2 3

B. Tbn.

Euph.

Tba

        

     

  

 

      

 





 

 

 

  





 



 





 



  

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

   

 

 

  

 

 

  



 

    

35

Full Score (Transposed)

  

 

 

Celesta

 



 

36



 

   

 

   

 

 

 

37





 



 





(one player)

 

  



      



play

 

   

       



  

   

PE

D. B.

  

   

  

           

Bassoon



      

  

        

 

 

       

       

       

      

poco accel



  



to Piano

to Large Sus. Cym.

38





   

    

 

39



  

40

 

  

 

 

   

   

 = 94



one player

 

         

41

42

 



 

                   



                      

                                  



  

        

              

(one player)





 





 

   



  

             

  

  

    

  



   

 

 



 



A♮ B♮



 





           

  

tutti

 

tutti

43

 

   

         

    

   

   

   

E

1 2

   



Bsn

  

R

Eng. Hn

      

O

1 2

 



Ob.

38

SA L

3 4

 

U

Fl.

    

R

1 2



 Picc. 

SC

40

44

45

46

47

  

      

 

  


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

Eng. Hn

1 2 Bsn

3

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4 1 2 B♭ Tpt 3 4 1 Tbn. 2 3

B. Tbn.

Euph.

 

 

        

     

  

 Tba 

   

   

          

       

     

  

         

  

    

  

  

 

  

D. B.

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

  

 

 

  

 





  

48

   



     



49





  



     

     

    





 

     

    

  

   



         

   

     

 

   

 

                           

                        

  

  

 







  

  

 

  

 

 

  

                    

    



to Cbsn.

PE

 

  

 

  



   

  

  

50



51

 



 

 

3

3

   

  

Contrabassoon



             

  



   

    

  

3

  

    

           

3

    

  

    

52



 

3

  

3



   

                     

   1.

2.3. a2

            

  

       

 

 

 

 

53

54 With Greater Intensity  = 100

 

     

 

 

 

3



 

3

      

  

   3

                                        

 

   

                                   

E

1 2

 

  



rit.

R

Ob.

   

  

O

3 4

                 

   

 

   

      

SC

Fl.

  

SA L

1 2

U

48

R

 Picc. 

41

  

     a2

 

 

3

              

 

3

 

 

  

    

      

   3

 

1.2.

  

3.

    



  

 

legato      E♮

 

      

   

        



   

  

  

54

 



 



   



 

  

  

55 Full Score (Transposed)


42

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

     

B. Cl. 2



  

   

Cb. Cl.

 

S. Sx.

  

Bar. Sx.

     



a2

B♭ Tpt

   

1 2

Tbn. 3

B. Tbn.









 





 

 

  

 





 



Perc. 3

Perc. 4

Perc. 5

Perc. 6

  

 

 



  

   

  

 



 

 

  

 

Full Score (Transposed)



56





 

 

 

 

   









    3

   



 

   

57

 







  





 



   

   

   

        

   

 

 







 









  

    

  

  

        







3

   

  

 

 





3



3

  

    

 



   

  





  

 



 

 

  

 

  

 



 

58







 

   

  





 

 

 

 

 

59



  



    

    





 





  

 



 





3



 

   

    



 

 

 

 

60





    

   

      

    

   

    

   

  











 

 

 

 

 

61

 

  

  

  

     

 

 







  

  

  





3

   3

   

  



 

3

   







  





   

  





   

  

  







 

 

 

 

62

    

3





  



 



3





  

 





  

  



 

 





 

 

 









 





    





     senza sord.          

 

  



 



  



 

  

3

    

   



                                                    

  

   





               

 



   

 

 











 

3



  

 

    

  



  

     

 



3

 



 

 

  

 

   













  



  



 







  





3



   



 

 

       

 





   3

           

 

3



  





   

 

   

 

 



PE Mrb.







     

   





 



  

       



 

   

Euph.

3 4

 

         

1 2

T. Sx.

  

     

                   

A. Sx.

Vib.

   

 

   

62

3

E

1

Timp.

 

R

 

3 4

Cel.

   

   

O

B♭ Cl.

Hp

   

   

1 2



E♭ Cl.

D. B.

   

SC

  

Cbsn

Tba

    

SA L

1 2

3 4

 

                                                                                                                                    

Eng. Hn

F Hn

     

1 Ob. 2

1 2

3 4

Bs. Sx.

Fl.

Bsn

U

1 2

 

R

Picc.

 

 

 

 

  

 

63






THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

B♭ Cl. 3 4



2

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.





  

 

1 2

B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.



 

3.

  

    



 





 

 

 

 



   

             

 

   

 

D. B.

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6



 

 

 

  

 

  

 



 

  



  

 



64

 

 













 





 

 

 





 

 

 

 

 

 

    



 

    

    bring out a2

 

      

          bring out

  









  

bring out

           bring out           

bring out            bring out    





 



     

 

  



  



  

bring out

 



 



 



     1.2.    



        

 

 

  

  





              

     



PE

Tba

 

  

        

          



 

 



      



 

3 4



 a2   F Hn 1 2

 

                               

   

Cb. Cl.

 

        

 

R

B. Cl.





        

1

     



        

1 2

      



 











bring out

    







      

 

  

  



  



  

 

      

 

 

65

 

   

      

               

 

 



 

 

 

  

 

       





           

)        



  

 





 



     

  

  



 

   



     







  

(

66

    

 

   



   

   





 

 





   

  





   

 



67

 



    

 



 

 

  



   

      

  

    

       

 

 









                 

   

    

    



  

68

 

 





  

  

 



 

    





 

   

   





    a2

    



        





   

   



  



    



    

 

    

    

   

 

 



   

  







  

 

  

 



 







   

69

   



  

  

 



      

     

   

 

      

 



 



     



   

   



      







    



   

  

  

      



                     

  



 





  

  



  

   

   

  

 

 

   

69

  

 

  

      

 



     





             

   



   

               

  

   

  

            





 



E

  

E♭ Cl.



 

 



R

  

  

Cbsn

Bs. Sx.

 

 

   

 



1 Bsn 2

       

a2

 

O

Eng. Hn

  

            

   

 

 = 104

          



1 2

  

accel

SC

3 4





Fl.





SA L

     

1 2

Ob.



U

 



 Picc. 

43

      

  

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3 B. Tbn.

Euph.

 

        

     

  

  

 

                  

                                  

                      

           

  

  

 

  

        



     

      

   













     





   



D. B.

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

 

  

 

 

D♮



Full Score (Transposed)

















  a2 

 

  

 

  





   



  











  



 















            

     

a2





   

   







  



  

                   ( ) 

         

      

( )

     

          ( )            ( )



     

     ( )     

    

          

     

    



 

         

  

  

  

 

70

71

72

 



6

5

 



            ( )

   

                    



 

   

  



  

              

    



 

 

PE

Tba

   ( )



     

6

5

     



6

5

6

5



  

  

  

    5



 3

  



        5

  6

6

5

     

  

 

        5

   5

   5



  6

    

                        

  

    

   

    



 

     

       

          



 

 

 

 

   

  

73

 





  

 

               

     

           

 

 

 

 

               

 





 

                     





 

  



   

 

  



    

      





6

6





                  

 

     

    

 









 



E

1 2

  

( )



Doloroso, With Great Agony  = 80

R

Ob.

  

      

     74

SC

3 4

       

U

Fl.

  

                         

R

1 2

       

    

SA L

 

 Picc. 

molto rit.

O

44

    

 

74



   

 





  



      

 

 











  

  



 

75

76


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

Eng. Hn

Bsn

1 2

E♭ Cl.

1 2

3 4

Cb. Cl.

     

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

1 2 F Hn

1 2

Bs. Sx.



   

3 4

1 2 B♭ Tpt

3 4

 

   



    



 

 

    

    

     

B. Tbn.

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

    



















            

 



a2

 



 





 

 



















  

 

F♮ G♭ A♮

  

  









    

  



 

 







 





 

    

  

 

 

  







  







 

 

    





 

 

77

78

79

80

81

 

    

82

  

  

   a2   

 



  

 

    

1.2. a2

3.

        

                    

 

  

 



 

 

  

 

83

       

    

    

   





 

 



 



   

   

 

      

 

 

   





 

 

 

  

 

 



  

  





 

 

rit.  molto  



    





   



 

 

 

 

  

               

         

 

 





 

  

                             





 

 

 



 



PE

D. B.

 



R

Tba



U

 



                                                

      

1 Tbn. 2 3

Euph.

    

 

           

  

B♭ Cl.

      

Cbsn

B. Cl.



 

         

E

1 2

     



 

R

Ob.

 



O

3 4

    

79

SC

Fl.

  





1 2



SA L

 Picc. 

45

 

 

  

  

Large Sus. Cym.

  

Medium Sus. Cym.

  

Large Tam-tam

  

Small Tam-tam

84 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

 

1 2

 

B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

 

T. Sx.

 

Bar. Sx.

 

 1 2 

F Hn

3 4

1 2 B♭ Tpt

3 4

a2





a2

    

1 Tbn. 2 3

B. Tbn.

1.2. a2

3.



 

Euph.

   

  

               3

a2

a2

                3

 

 

                                               3

3

 

3

                3

 

 

 

  

 

 

              3

   

 

Hp

Cel.

          Perc. 1    Timp.

    

Perc. 3

Perc. 4

       

Perc. 5

Perc. 6

 

 

   

Full Score (Transposed)

  

Chimes

Chm.

   

  

 

  

  

 85

  

  

  

   

 

  

 

  

  

  

         



3

  

      

      

    

   

                 



  



3

3



      

3

  

  

    

       

 



   

     

86





                     

  

87

                                    3

         

      

                3

3

3

3

3



              

               3

3

               3

3

3

 

 

               3

3

3

3

3

3



             3

              3

                       

 





3

3

3

3

                  

88

      

      

3

3

                              

3

3

                        

3

                                                         3

      

 

          



      

3

3

3

                       

      

   

  

89

 

  

      

      

        

                     

      

       

  

               

  

  



  

  

     

         Bass Drum

90



 

  

 

 

  

  

        



 

 

          

             

                       

   

 

to Vibraphone

   

 

    91

 

  

           

92

    

 

    

  

   

  

  

 

  

3



                 

3



3

3

                  3

3

3



to Oboe

3

3

91 Doloroso  = 76

3

3

               



    

3



          

                         

PE

D. B.



 

A. Sx.

Tba



 

S. Sx.

Bs. Sx.

a2

3

3

E

E♭ Cl.

 

3

R

Cbsn

  

molto rit.

                          3

3

SA L

    

1 2

    

                          3

U

Eng. Hn

Bsn

1 2

3 4

R

Fl.

Ob.

1 2

         

O

85  = 92  With Fierce Resolve  Picc. 

SC

46

  

93

 


Pno

Perc. 1

  

 



95

Vib.

 



 



 

 





111

119

3 4

1 2 F Hn 3 4



 

     

  Euph.  

one player

119

 

96

 

 

  







97

 

 

 

  



 

120

  

   

  

   

121

 



 

 

     

    

      122

 

 

123



  

  

101



  





  



115





124

 

 

     

   

  

 



  

 

125

  





 



  

  

 

        

           126

109

   



 

 

116



117

  

 

127

   





128

   



Vibraphone

   

bowed



110

  

    

 

   

118

129

 





to Large Sus. Cym.



 

 



 





108



107





102

109



114



solo

 

 

 







100

113

 

99

            

   



   

98

   

 

       

 

112

  

106



 

 

  

 

  

105

D♮

  



 







 







B♭ Cl.



104

 

 

  1 2  

103



 

  

  



 

 Piano

 

 





      

3

47 rit.

E





PE

Pno

94





 

Faster  = 82 103 Slightly 

 1 Fl. 2  Hp



 



  

    



R

  

 1 Fl. 2  Hp

 

 

O

  

Perc. 6



SA L

Timp.

 



U

Hp

   

R

D. B.

 

97

SC

 1  Fl. 2 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy



  

1. solo

129

 

 

              

  

     

    

       130

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

E♭ Cl.

1 2 B♭ Cl.

3 4

         

1 2

Cb. Cl.

S. Sx.

A. Sx.

  

T. Sx.

1 2 F Hn

      

3 4

1 2 B♭ Tpt

3 4

1 Tbn. 2 3



  

Bar. Sx.

Bs. Sx.

  

 

 







     

    

          

   

    

B. Tbn.

Euph.



Hp

Pno

Timp.

Vib.

Chm.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

   

 

 

 

 





  

 





 











 

 

 

133

  

 

 

134









 

    





wailing   

wailing

 

 



    wailing a2



      wailing  a2

    

  

135

      

    

  

  

     wailing    

   

 

        

136

 

 

   

a2

    wailing   

 

 

  

  

 138









 



 



  wailing   



   

   





 

 

 

 

 

 

 

  

     

  

139

  

 

     

     140

 

     

  

141

 

     

 

       

   142

                        

   





  

       

 

   

 



143

  

 

  

 

  





  

144

 

  

  

 

 

 

 

 

 

 

  

    



 

 

 

 

     



   

       



 

 

  



  

  

 

    

 

  

  





 

 

                        

    



  

 

   



  



  

    



  



  



 

    



   

   

 

 

a2

 

   

 





     

 





wailing



      

 



        

 

  





      

 

rit. molto 



               

         



 

 

wailing





         

  

 

 

 

   



 

 

 

 

           



 

wailing      wailing      wailing

 

 137

    wailing



 

   

 



wailing    





a2



 



Oboe

 

wailing

      





Large Sus. Cym.

  

    

    

wailing

a2





 

     wailing          wailing   a2





 

wailing     

 

 



  

  

wailing    

  

  

 

  

Full Score (Transposed)



132



131

 



 





PE

D. B.

 



R

Tba

   





E

Cbsn





R

     

 

O

1 Bsn 2

1 2

Eng. Hn

B. Cl.

3 4

137 Molto Dramatico  = 68

SA L

Fl.

1 2

Ob.

rit.

U

 Picc. 

SC

48



145





 


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - II. Elegy

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

        

     

  

  

 

a2

   

     

 

   

   

      

 

  a2

 

     

     

 

       

 

  3.

     

 

 

 

 

                             



Hp

Pno

Timp.

 

  

 Perc. 1  Chm.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

   

 

 

solo 3

3

    

6

 

        

  

 

        

     

 

  

               7

 

146

  

 

     

 

5

 

 

a2

     

PE

D. B.



   

  a2

                a2

 

147

 

  

  

1.2. a2

 

   

 



            6

7



 

 



 

148



 

 

 

 

      

   

 

    a3

 

 

 

 

                

149

 

    

 

 

 

 

        a2

 

   

 

  

 

 

 



    



150

 

  

         

  

  

     

 

151

  





 

152

    

         



 



 

    

                 

a2

   

    

a2

               

    

               

    

   

 

         

 

 

  

  

  



  

 



 





 

a tempo

E

1 2

R

Bsn

O

1 Ob. 2 3

rit.

SC

3 4

SA L

Fl.

U

1 2

146 Slower  = 60  

R

Picc.

49

         

              

 

 

153

 

Full Score (Transposed)


50

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

III. Mysterious & Magical

Oboe

1 2

English Horn

1 Bassoon 2 3

E♭ Clarinet

1 2 B♭ Clarinet

3 4

Bass Clarinet

1 2

Contrabass Clarinet

Soprano Sax

Alto Sax

Tenor Sax

Baritone Sax

Bass Sax (optional)

1 2 F Horn 3 4

    

1 2 B♭ Trumpet

3 4

1 Trombone 2 3

Bass Trombone

Euphonium

Tuba

Harp

Celesta

Timpani

Vibraphone

 

  

Percussion 2

Percussion 3

Glockenspiel

Percussion 5

Crotales



Full Score (Transposed)

    

  

    

    



PE

Double Bass

 

    

 

 



 1

 

 

            

3

3

  







 

2

    

  

 

3

 

  3

  

  

 

5 a tempo

  

 

 



 

4



 

  

stagger breathe as needed

E

3 4

  

U

Flute

 

R

1 2

     3

rit.

R

1. solo

   

 

  





 

O

SC

 Mysterious = 72 

SA L

Piccolo

 

 

         



 

5

solo, soft mallets 3

3

6

3

  

3

bowed

7


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

E♭ Cl.

B♭ Cl. 3 4

Cb. Cl.

3 4

1 Tbn. 2 3

 

Euph.

Hp

Cel.

Timp.

Vib.

Perc. 2

Perc. 3

Glock.

Perc. 5

Crt.

 

Celesta

     



8



solo, freely - sparse

PE

D. B.

 

R

Tba

U

B. Tbn.



 







     Triangle freely, sparse

 

 

 

  

9

 







 

 

10

 







    

3

        

 

3

freely, sparse

11



 

in time

12



to Large Tam-tam

1. solo

 

   

harmon mute

etc.

poco dynamic swells, asynchronously + --> o --> + --> o etc., slowly and freely

harmon mute

 

  

  



etc.

  

poco dynamic swells

G♯ D♯



etc.

poco dynamic swells, asynchronously

etc.

poco dynamic swells, asynchronously

  



7

 

 

Marimba

    

poco dynamic swells, freely

  

  

etc.

 

 

   

13

   

    Claves solo

   

  

etc.

Sizzle Cymbal

   

poco dynamic swells, asynchronously + --> o --> + --> o etc., slowly and freely





in time

  

in time

 

soft mallets - freely, sparse







 

 



 

13

3 4

 

 

B♭ Tpt



stagger breathe as needed



1 2

 

Bar. Sx.

 



 

 

T. Sx.

A. Sx.

F Hn

S. Sx.

1 2

1 2

Bs. Sx.

 

    

1 2

B. Cl.

 

senza vib.

E

1 Bsn 2 3

 

Eng. Hn

senza vib.

1 2

  

R

Ob.

3 4

 

O

Fl.

1.

SC

1 2

  

SA L

 Picc. 

51

14

   3

Full Score (Transposed)


52

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 Bsn 2 3 E♭ Cl.

1

2

B♭ Cl.

B. Cl.

3

4

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4 1 2 B♭ Tpt 3 4 1 Tbn. 2 3 B. Tbn.

Euph.

    

     

  

 

 

    

  

 

 

7

    5

    

 

  

        

          

 

    

 

  

  

PE

Tba

 

D. B.

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Glock.

Perc. 5

Crt.

 

 

 

 





 

  

    



      

Full Score (Transposed)

 

 

 

 





                  

  

  

 

  

 

   

                           





    



  

 

        





                         

                             

E

Eng. Hn

            

R

1 2

O

Ob.



                                            

SC

3 4

  

SA L

Fl.

 

 

 

    

U

1 2

 

R

Picc.

  

15

  



 



 

    

    



     

  

16

  


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 Bsn 2 3 E♭ Cl.

1

2 B♭ Cl. 3

4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4 1 2 B♭ Tpt 3 4 1 Tbn. 2 3 B. Tbn.

Euph.

 

          

     

  

 Tba 

   

   







 



 



  



 



  

 

 





 

 

D. B.

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Crt.

 

 

 

  





  

 

  

solo, freely as before



      

Large Tam-tam

17





       2. solo

    

       5

 

 

  

3

 

  

  

   

 

       

to Glockenspiel

18





 

      

 

 



 

  

 

 

      

19

 

to Chimes

 



 



 



 

 

 





PE

     3

      

 

20

 

 

 

21

 

    

 

  

 

 

22

 

  

bowed

23

  



24

      

   

   

 





     

  

 

25

 

26

 

  

  

    

  

 

 



E

Eng. Hn

1. solo - ord.

R

1 2

O

Ob.

20

SA L

3 4

U

Fl.

R

1 2

SC

 Picc. 

53



  

27

28

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

3 4

1 2 F Hn 3 4

 

B♭ Tpt

B. Tbn.

Tba

 

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Crt.

 

 

G♮ A♭ D♭

 

  



Full Score (Transposed)

 harmon mute     

6

 

 



6



         6

29



 





6



 

         

  

       6

30



   legato, bring out

6





Glockenspiel

   lontano



not hurried (freely, sparse)

 

(bowed)

31



          6

6



Chimes

   lontano 

6



   

   



32

 

6

6

 



         



  

 





  

soft/felt hammers - freely, sparse, not hurried



 



 

   





6

6

 

6

6

   



  

          

6

 

  

         6

  legato, bring out

harmon mute    

PE

D. B.

 

Euph.

1 Tbn. 2 3

3 4

1 2

    

   

    

      

 

  



Bar. Sx.

 

     

T. Sx.

Bs. Sx.

A. Sx.

 

S. Sx.

Cb. Cl.

  

1 2

   bring out

B♭ Cl.

 

1 2

 bring out

E♭ Cl.

 

senza vib.

senza vib.

1 Bsn 2 3

1 2

Eng. Hn

B. Cl.

 

E

Ob.

 

R

3 4

SA L

Fl.



U

1 2

1.

O

29

R

 Picc. 

SC

54



6



 

33

 

         



6

6





 

 



34

6



 




THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

   

1 Bsn 2 3

  

1 2 B♭ Cl. 3 4

Cb. Cl.

S. Sx.

T. Sx.

Bs. Sx.

1 2 F Hn 3 4



            

1 Tbn. 2 3

B. Tbn.







    



 

Hp

Cel.

Timp.

  

 Vib.  Chm.

Perc. 3

Glock.

Perc. 5

Crt.

          6

6





  

  



  

35





         



 

6



  

   

            



6

6





     

  



 

PE

    

  

Euph.

               

3 4

     



 

B♭ Tpt

D. B.

 

 



1 2

Tba







 

Bar. Sx.

  

 

  

A. Sx.

 

   

  

1 2

E♭ Cl.

B. Cl.

Eng. Hn

  

 

  

 

 

    

 

 

 



 



 





         



 



36

6

6

6



 to Bass Drum

   

37



6



  

  



 

 

 

    

 

  

Alto Flute ord.

 



   

 

    



 

 



 

to Marimba

      

 

 

  

 

 

  

  

38

39

40

to Large Tam-tam

  

  

     



 





  

    

 

 

 



 

 

 

 

      

 





    



  

   









 

  

  

  

  

41

42

43

    

  

 

 

 

 





 













 

     

   





SA L

1 2

R

Ob.

E

R

    

38 With More Movement  = 80

to Alto Flute

4

U

Fl. 3

O

         

1 2

SC

 Picc. 

55



    

   



   

    

 

 

  

    

  

 

44



  

45

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

    

1 2

B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

   









  

                

    

    

 

     

    





         



 

PE

D. B.

 



 

Hp

Cel.

Timp.

Vib.

Chm.

Perc. 3

Glock.

Perc. 5

Crt.

   

   

 







 

46

Full Score (Transposed)

 

    

 



    

  

   

     to Piano

 

47

  

     

48

 

      

   

 

   



Contrabassoon

 

 

 



  



    



 



 

senza sord.  2.3. senza sord.

  

   



 



    

  

  

  

49

   

  

50

 



 



    

  

 

  

 

 

51



 

  





      

 







  

 





     

 









  

 

52

 

 

53

G♮

  



   

   

54

   

 

a2

  

2.3. a2

 

  

       



   

 

  



 

  

55

 

    

 

  

 



 

56









      

 

 

  



 

 



      

 



 

 

E♮ A♮

 

      

 

  

 

57

 

     

 

 



    

   



 

   

  



  



3 4

    



E

B♭ Cl.



R

1 2



E♭ Cl.



    

      

O

3







Bsn

SC

1 2





Eng. Hn

 

    

SA L

1 Ob. 2

1. ord.

49 a tempo

U

A. Fl.



3

R

Fl.

rit.

1 2

B. Cl.



 Picc. 



56

  

  

58

        

    

to Bassoon

        

           

   

    

       

     

     

         

59


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

    

  

Bar. Sx.

     1  2  F Hn 

Bs. Sx.

1 2

B♭ Tpt 3 4

Tbn. 3

B. Tbn.

Euph.

 

   

  

  

  

      

               

 

  

   

   

  

   

PE

Hp

Pno

Timp.

Vib.

Chm.

Perc. 3

Glock.

Perc. 5

Crt.

  

 legato   

Piano

 legato        

  

 



60

  

 

        

E♭ G♭





 

    

 



 

61

  

3



  

 

  



 

 

    

senza sord.

 Tba       D. B.

        



           

1 2



    

3 4

  



3



  











            3

  



   

 

 





     

  

 

62

   

  



  

3

 

  



  



     

G♮

  

 

63

  

      

  

  

   

3

  

 



    

 



 

 



 

 

 

 

   

      

 

 

     

  

  

 

 

64

 

 

      

      

3

 

65

      



 



 









3

 

     

 

          3

    

       

      

  



        

 



  

 

ord.

E♮

 

66

     

    

3



 



 

 

67

    

       3

3

  

        

         

     

      

   

E

3 4

 



   

    

 



R

B♭ Cl.





  

O

   

1 2

        





    





             

SC



 

E♭ Cl.



  





1 2





Cbsn

B. Cl.



1 2

Eng. Hn

Bsn

   

A. Fl.

U

3

Fl.

Ob.

R

1 2



60

SA L

 Picc. 

57

   

     

            

 

      

   

       



 

 



    

      

to Celesta



  

68



 

 



69

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 2

Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 2 Tbn. 3

B. Tbn.

Euph.



 

 

      

 

     

   

 

  

 

  





 

 

 

D. B.

Hp

Pno

Timp.

Vib.

Chm.

Perc. 3

Glock.

Perc. 5

Crt.

         

   

 



 

 

70

Full Score (Transposed)

  





    

71



   

 

  

 

   

  



 

     



 





   



ord.

 

   

  

  

PE

 Tba 



 

 



   

     72



  

 

   

    

73

        

 

  

 



 

  

 

 





 

 

 

             

  



  



   

  

  

          

77 a tempo

    

     

74

  



  









 

 





 





   

 

  

      75

 

Celesta

 

 

       

   





 

 

 

 

  warmly 

warmly 

 

 

 

 

 

 

      

76

      

    

  

 

 

      

  

 

warmly    

 

    

to Chimes

     77



 





 



 



 

       

78

 



 

 

 

Bassoon

 

 

 

    

   

   

 

 

        79

 

  

  

warmly   

 

   warmly  

rit.

  

      

     

   

 

  

 

   

   

   warmly   

   

   

   

         

80

 

 

 

 



        81

 

        82

        

              

   

         





        

        



    

to Cbsn.

warmly 

 





 

        



  

    



 

  

 

 

 

   

 

E

Ob.



R

A. Fl.



rit.

SA L

3

ord.



U

Fl.



R

1 2

   

  



O



 Picc. 

SC

58

   

 

  

       83


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 2 F Hn

 

B♭ Tpt

 

Cel.

Timp.

Chm.

Mrb.

Perc. 3

Glock.

Perc. 5

Crt.

Chimes

 

      

Marimba



 

84

 

    

 

85

  

  

  

86

    

87

    

88

    

89

 

 

    

 

 

90

    

91

    

 

 

92

       

 

93

    

94

  

  

Med. Sus. Cym.

  

Bass Drum

95

   

  

  

    

    

 

 

 

  



 

E

    

 

PE Hp

Euph.

D. B.

B. Tbn.

1 Tbn. 2 3

Tba

3 4

 

1 2



3 4



Bar. Sx.

T. Sx.

A. Sx.

Bs. Sx.

S. Sx.

Cb. Cl.

 

1 2

A. Fl. cue - play if asked

 

3 4

R

B♭ Cl.

1 2

 

O

E♭ Cl.

1 Bsn 2 3

 

SC

Eng. Hn

1 2

A. Fl.

B. Cl.

3

U

Fl.

Ob.

1 2

SA L

84  = 72  Ethereal   

R

Picc.

59

Full Score (Transposed)


60

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

 With a little more motion  = 76  Picc. 

Eng. Hn

1 Bsn 2 3

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4 1 2 B♭ Tpt 3 4 1 Tbn. 2 3

B. Tbn.

Euph.

Tba

        

     

  

  

   

  

solo

 



   

         

 

  

 

 



 

 





  

Hp

Cel.

Timp.

Chm.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

    

 

  

 

  

 legato    3

to Piano

    3

    legato   3

      

Large Tam-tam

   

Full Score (Transposed)

96



3

   3





 



  

 

 

 











3

    3

97

3

   3

    3

98

    3

3

   3

       

99

3

   3



  

 

 

3

3

100

3

   3

101

     3

3

3

  

 

 

 

   3

102

     3

3

   3

   3

   3

  3

   3

103

3

     3

3

 

      

 

 

A♮ D♮

 

 

3



  

3



        

3



      





    

 3

   

3

3







       

     3

3

 3

     3

3

       

3

 

 

 3

    

 



 

 







  

         









  

    

3



to Vibraphone

3

3

         

  



3





 



    



 









 

  







 

PE

D. B.

E

1 2

to Flute

R

Ob.

O

A. Fl.

SA L

3

       

U

Fl.

R

1 2

SC

96

   3

  3

   3

104

   3


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 Bsn 2 3

E♭ Cl.

1 2 B♭ Cl.

3 4

Cb. Cl.

S. Sx.

 



Hp

    

Cel.

Timp.

Chm.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

3

  3

3

 

    

    3

      3

3

3

 

3

 

3

  3

3

      3

3

  3



 



 



 









 



  



 

    

 







    

3

3

 

 

3

3

 

 

3

  3

      

3

    

 

 

3

C♯

3

  3

 

3

     3

   

3

3

    3

 

3

   

3

3

    3

3

 

105

106

107

108

109

110

111

 

112

 

3

3

    

   

 

     

  

3

3

3

  

  

3

3

   

 

 

 

 

    

 



3

3

 

      

 3

     3

3

 

3

3

3

 3

    

      

3



 3

    

3

    

  





   

 





 

 





 



  

   









  

 





                         



3

  

3



  

3



PE

  







3

 

 

  

 





 

 

3

 

Euph.



B. Tbn.





 

         

  

U

1 Tbn. 2 3

3 4

R

B♭ Tpt



  

 



 



 



  

 

 

 

 

  

        

  

1 2

D. B.



 

Bar. Sx.

Tba

 

T. Sx.

3 4



A. Sx.

F Hn

 

 

  

1 2

1 2



 

Eng. Hn

E

1 Ob. 2

Bs. Sx.

R

A. Fl.

B. Cl.

3

 

O

Fl.

106

SC

1 2

SA L

 Picc. 

61

113

3

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

Ob.

1 2

Eng. Hn

1 Bsn 2 3

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 2 Tbn. 3

B. Tbn.

Euph.

Tba

 

        

     

   

  



 warmly warmly  

  

3

3

3

            3

3

3

3

Hp

Pno

Timp.

  

 

 Vib.  Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

   

 

 

       3

3

         3

3





3

3

                        

      

   

 )

(

3

3

3

3

3

3

3

3

3

3

3

  

     

 

  

     

 

3

3

3

 

3

              3

3

3

3

3

3

 

3

 warmly a2

3



3

        3

3

3

       3

3

       3

3

       3

3

 warmly 

a2

   

3



3

3

3

3

             3

3

3

3

3

3

3

3

3

 

             3

3

3

             3

3

3

3

3

3

  3

   

            

   

         

3

3

3

3

3

3

                 3

3

3

3



3

3

3

3







3

3

3

 

3

    





 

 

3

 

3



    3

3

 

3

        3

3

3

       3

3

       3

3



   

    3

3

    3

   

     3

3

     3

3

  

     3

3

  

     3

3

3

   

   

   

   

3

3

3

3

3

         

    3

3

3

3

3



3

3



 

3



 

3

    3





  

   3

  



3

   3

3

 

   3

Piano

3

3

3

3

3

3

3

3

3

3

3

3

3

                                        3

3

 

  

      

Vibraphone

3



  3

   

Full Score (Transposed)

3

3

  3

3

3

 

114

3

 

 

3

3

          

3

3

  3



3

  3

 

to Glockenspiel

3

3

3

   

 

3

3

3

 

3

          

  3

3

3

3

3

3



3

  

3

    3

3

3

  3

 

3

     3

3

3

3

        3

3

3

        3

 

3

3

3

     

3

       



3

3

3

3

  

3



    3

3

  

3

   3

3

 

3

3

 

     

 

3

3

3

3



3

3

3

 

3

3

 

3

3

3

         3

3

3

3



       3

        3

3

      

      

       3

3



3

3

3

 

 

   

        3

3

3

     3

3

      

  3

3

3



            

3

3

3

  3

 

3

3

3

    3

3

 

3

 

3



   

            

3

3

3

3

3

3

3

3

3

                 3

3

3

3

3

3

3

3

3

 

  

3

3

3

 

 

    3

3

3

3

 

  

 

  

    3

3

           3

3

  3

  3

 

3

3

3

 

3

3

 

3

 

C♭

3

3

3

3

            3

3

3

3

                

  3

  

 

                

3

   

   3

3

3



3

            

3

              

3

3

3

   

3

3



3

 

3

3

3



3

 

3

                 



3

3

3

            

 

           

 

3

3

   

3

3

3

3



3

 

3

  

 

3

                     3

 





 





3

3

3



 

3

3



 

3



3

   

    3

 

            

3

3

3

 

             3

  

     

3

3

3

3

3

   3

 

3



                                                    

                    



 

        

3

 









  

   

      

3

  

           

 



3

3

 















   

 

   



 

  



   

3

 

 

3

3

                 3

        

3

                 3

              a2













 

3

a2

             a2

3



PE

D. B.

E

A. Fl.

SA L

3

U

Fl.

R

1 2

R

O

 

114

Picc.

SC

62

3

3

  3

  3

3

 

115

116

117

118

119

120

3

3

 

  3


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 2

Eng. Hn

3

E♭ Cl.

1 2 B♭ Cl.

 

S. Sx.

A. Sx.

T. Sx.



3

3

3

   



3

3

 

 

3

3

3

    3

    3

    3

       

3

3

    3

3

 

   

 

   

 

3

3

3

3

3

3

3



  

    3

   

   

3

3

3

3

  

1 2

3

3

B. Tbn.





 



 warmly  a2

   

Hp

Pno

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

 

   

   

 

3

   3

    3

3

    3

3

  3

 

 

3

3

3

3

 3

   3

  

121

3





 warmly

 warmly

  



  

  







   



  warmly

a2 - senza sord.

      







 









 

 





   



 



 



  

 

  





 

  

  

 



 









  

  



 

3

 

 

    3

    3

3

 

  

  3



 

3





   3



3

3

 







   3

3

   3

Small Tam-tam

 

 



 

3

  

Glockenspiel

 

   3

3

 

3

122

3



   

     

to Large Sus. Cym.

  

 

3

    

3

 





123

 

3





 

 3

3



3

124

 3

3

  

    

    

 3

  

 

3



 

 

3

3

 

3



 

  3

125



 3



 

3

 

 

3

 

 

 

3

3

 

 









 3

 

 3

  

 

3



F♭ A♭

 3

127

     3

3

 

 

 3





3



     3



  

128

 

3



 

        



3

 

  

3

3



3





        





126







  



    



3







  

 

  





  



 





 

 







  

 





 



 



 

  



 







 





 

 



 

 

 



 









  







   

 





   

 

 

 

 







 



  













 

 









 

















 



 

 



  





   



 

 

 

 

accel.

 

  







 

 



 



 













 

   





 













   



  







 



  



 

 



 

 warmly  warmly





 



Contrabassoon



 



  







3

 











              

 

  









PE





 = 84

 





 







 

Euph.

 

3

   

 

Tbn.

3

3 4

3

             

  

B♭ Tpt

D. B.

   

   

a2

   

1 2

Tba

  3

            

Bar. Sx.

3 4

a2

 

Cb. Cl.

F Hn

a2

1 B. Cl. 2

1 2

1.

 

3 4

 

         

Bsn

Bs. Sx.

 

1 2

 



U

Ob.

a2





E

3 4

a2

accel.

R

Fl.



 

O

 

 

1 2

122

SC

SA L

 

R

Picc.

63

3

129

3

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 2 Tbn. 3

B. Tbn.

Euph.

Tba

 

        

     

   

  



 







  a2

 

  

a2

to Oboe

                      



 

                  

 

 



 









Hp

Pno

Timp.

Vib.

Mrb.

Perc. 3

Glock.

Perc. 5

Perc. 6



  

 

 

 

  



  

 

   

 

 

 

  

 

 

   

to Large Tam-tam

   

Full Score (Transposed)

130

  

 

    

  

 

 

 

 

  







 

  

  

  







a2 - senza sord.



  

 

 

  

 

  









            

 

         

                   

 

 

 



 



 





 

 









 

 



 

  

  

  

132

 

      

 

131

 

 

 

 







 

 





 



 

  

           

 

 

                      

 

 

 

           

  

 

 

to Crash Cymbals



 







 

 

div.

 





   

            







            





 

PE

D. B.



 

 

  

 

   

 

 



133

  

 

    

   





 

    

      

     





 

 

 

  

   

 

  



 





          

   



     

     

   a2

     

     





 

       

E♮ G♮ C♮

      

 

       

a2      

  

     

   

   

   





a2

       

 

  

  

 

  

       

  

   

    

 

 

 

  



 

 

 

   

   



     

      

 

 

 

 

 

     

 

 

      

 

  

135

136

   

134

   

 

 

 

 

 

 

 

 

 

 

 

  

E

Eng. Hn



R

1 2

O

Ob.



a2



3 4

 

 

SA L

Fl.

U

1 2

130 Religioso  = 92   

R

Picc.

SC

64

137

 



 


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

B♭ Cl.

3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn

   

3 4

1 2 B♭ Tpt

3 4

1 Tbn. 2 3

B. Tbn.

Euph.

 







  

          

 

   6

 

D. B.

Hp

Pno

Timp.

Vib.

Mrb.

Perc. 3

Glock.

Perc. 5

Perc. 6

   

 

   

 

 



 



       

   6

   6



 

 



 

 

 

   

 

     

 



 

 

  



 

 

  







 

 

138

 

  

6

    

  

   6

6



                                                      

   6

6

    



  

 

  



 

 

 

139

 

   

 

6

   6

 

 

 

                      6

6





    

                    6

6

 



 

   





 

    6

      6

  

     

 

       

 



      4.     



 

   

    

 

141

 

  

Large Sus. Cym.

  

   

          

   

                  

 

142

       

a2

 

a2

     

       

 

  

        gliss ad lib.

      

  

140

 

  

         

Epic  = 72

                 

 

 

 

 



   



   

6



6

6

  



6

6

  



6

6

  

rit.

6

  

  

  

 



 







 

 

 

 

 

 



  

6

  

 

  

   

  



  

 



 

6

 

a2

a2

 

  

  

 

Oboe

PE

Tba



  

6

    

  

    



1 2

    

  



E♭ Cl.

 

  

6

 



Cbsn

    6

  

   6



1 2

6

  

  



3

 

a2

   

 

E

Ob.

  

6

R

1 2

 

   

O

3 4

a2

Fl.

Bsn



  

SC

 

SA L

1 2

U



138

R

 Picc. 

65

         

 

 

143

  

  

  

  

  

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

Ob. 3

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3 B. Tbn.

Euph.

Tba

 

        

     

  

  

   

  

     



    

  

             

                       

  

      



 

                             

 

        

 

        

 

  

     

  a2

  

    

    

             

                

      



Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6



  

 

     

 

  

 

 

       

 

     

    

Large Tam-tam

        

Full Score (Transposed)

  

  

     

  

      

    

        

     

 

  



        

  

145



                                       





  

  

 

      

 

  

     







     



 

    



144

    



 

Crash Cymbals

    



  

    

  





   

  



   

 



 

a2

 









  

     

 

  



      

 

PE

D. B.

  

  



 

 



With more motion  = 96

149

 

 

 

 

 

 

  



 



  



 

        

  

 

146



   C♮





 

 

                

 

  

          

        

147



 

 

 



  

  

   

  

  



 

 

    

  

 

   

  





  



  

      



 

               

   



  

  

148



   

 

 



a2

 



a2



 





 

English Horn

              



 



  



   





 

 



C♯

 



 



 

 

149

 

 

 

 



     

  

    

    

 

     

 



 

 

  



  

   

 

  



 

 

 

 

150

151

 

 

  

   

 

 



 

 



  



   







Marimba

   

 

     

   





     





   





 

                                                                                                    

 

  

 

  

 

rit.

                                               

  



to English Horn

  



    

  

  

         

  



    

 

    

1 2

  

  

a2

E

3 4

 

 



accel.

R

Fl.

   







 

O

1 2

   

 

  

SA L

  

U

Picc.

 

R

 

144

SC

66

 



     

 

  

  

152

 

  


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl.

B. Cl.

 

 

3 4

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 2 Tbn. 3

B. Tbn.

Euph.

 

 

 

     

   

  

 

  

 







 

 



 

 



 

 







 

 

 

 







 





 



 

 

 

 





 

 



 

 





 

 



D. B.

Hp

Pno

Timp.

Perc. 1

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6



  

 

 

  

 

  



a2

  



 

 



 





to Crash Cymbals

 

153

 

   

 

 



 

 

 

 

 



 



 

 



 

 

 



 

 

 

 

 

 



  



 

 





 



 

 

 

 



 

C♮

  

 

 

 

 





 

 

 

 

 



 

 





 

 



 



 

 





  





 

 

  

  

 

 

 

 



C♯



  

  

154

155

156





 





 

 

 

 

  

 

 

 

 

 

 

   

 

   

 

 

 

 



 

 







 

 

 





   

  

 

 

 

  

   

 

 

 



        



  









 

 

PE

Tba



a2

 

 

 

   

 









 



 















 



 

 

   

   

  





    





 

  

 

   







   

 

  a2



 

 









  



 



 

 





  

 

  

  

 

   

   

E

Eng. Hn





molto rit.

   

R

1 2

O

Ob.



SC

3 4

a2

SA L

Fl.



U

1 2

153  a tempo 

R

Picc.

67





 



  









 

a2

 

a2





to Celesta

 

 









   

 



 

  



 



   

 

 





 

   

  

     

  

  

157

 



 



 





  

   





 



   







  





a2



 

 

     



 

     

  

158



  

Full Score (Transposed)


1 2

Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 2 Tbn. 3

B. Tbn.

Euph.

Tba

 

 

        

     

   

  

 

                            



 

  

                  

 

 

 

        

   

      

       

      

             



 



 

  





            

                

 

    

     

  

  



 

Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

  

 

     

 

  

  

 

  

  

  

    

   

    

  

   

  

 

to Vibraphone

         

  

159

Full Score (Transposed)

  

  

 

  

161

   



  

 



160



 

                                                                                                                       

Celesta

to Marimba Crash Cymbals

     



  

 

 



  







 

 

  

  

  

                                                                                            



                        

 



  

        

        



 

                                                                                                                                                                  

PE

D. B.



    

            

162

 

              

                 

  a2

           

rit.

            

                

      

        

                 

 

 

  

                      

  

            

 

              

to Piano

           

 

 

163

 

  

  

 



    

165 a tempo

 

164

    

 

  

  ()

 

 

E

Ob.

R

3 4

     

      

O

Fl.

SC

1 2

  

Slower  = 80

SA L

159

U

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

R

68

   

  

  



 





 

  





   

165

   

166


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

  

1 2

Cbsn

1 2 B♭ Cl.

3 4

B. Cl.

S. Sx.

  

A. Sx.

F Hn

     

3 4

1 2 B♭ Tpt

3 4

1 2

Tbn. 3

B. Tbn.

Euph.

Tba

 

 

 





 



 



   



 



 

 



 

Hp

Cel.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

     

 

167



 





 





168

169

170

174 a tempo

  

 

  



 







 



  





PE

D. B.

  

Bar. Sx.

1 2

  

T. Sx.

Bs. Sx.

Cb. Cl.

a2

   

1 2

E♭ Cl.

 

 





 



  



  



 

   

      





   



   nobly   nobly

 nobly

   nobly

 nobly 

 

 

  

 

 



  

 

  

171





172



   

173

 

 



  

  

  



  

 

 

    



 



 

174

     

 



175



3

   

 

 



        



 

176

   

   

   

  

   



 

E

Bsn

rit.

R

Eng. Hn

1 2

O

Ob.

SC

3 4

SA L

Fl.

1 2

U

 

R

Picc.

69

177

178

 

      

       

 

   

 

179

 

      

 

  

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

Eng. Hn

1 Bsn 2

Cbsn

E♭ Cl.

1

2 B♭ Cl. 3

4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4 1 Tbn. 2 3

B. Tbn.

Euph.

  

 

  

 

 

  

 

 

     

 

 

   

 

 

   

























   

D. B.

Hp

Cel.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6



    

  

 

  

 

 

 



     

180

Full Score (Transposed)

  

 legato   

 





181

Piano

 legato    

   

 



               

     

 

  

   

A♮

  

  

182

 

  

Vibraphone

 



 

 

   

 

  



  

  



 

   

 



   

 

  



 



   



  

             

               

         

 

 

    

 

 

183

184

185

186



 



 



  







  

 



  

 

188 a tempo

Alto Flute

     

rit.



 

  



  

  

  



                 



















 











a2



a2



 

 

PE

Tba

 

 



 

 

 

 

   

187

 

 



 

 

  

one player

 

E♮ B♮

Marimba color Harp

 

 

 

   

 

    

      

 

 

to Celesta

 

  

  





 

   

 

 

 

 

  

 

E

1 2

R

Ob.

182 a tempo

O

4

SA L

Fl. 3

U

1 2

 rit. 

R

Picc.

SC

70

     

to Glockenspiel

 

188

189


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

to Bassoon

1

B♭ Cl.

 

4

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.



 



 

B. Tbn.

 



 

 

 



sonore

 

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

  

    

  

 

 

     

190

  

  

sonore 



sonore

 

 





 

 





  

 

  

 

 

 

 

  

   

 

 

 

 

 

sonore

 

 

   

191

   

   

    

   

         

         

    

    

  

192

 

 

stagger breathe w/ section

stagger breathe w/ section

 

 

stagger breathe w/ section

  

 

arco

      

F♯ A♭ B♯

   

 

193

194

195

196

197

198

 

          

        

    

         

Chimes

199

     

 

 

             

        

1. solo, warmly

stagger breathe w/ section

 

 

stagger breathe w/ section

stagger breathe w/ section

stagger breathe w/ section

  

 

 

     

stagger breathe w/ section

 

 

 

stagger breathe w/ section

to Chimes

stagger breathe w/ section

 

 

     

         

    

        

   

     

     

 

 



 



 

  



Pno

       

 

pizz.

  



Hp

 



D. B.



Tba



sonore

sonore 



sonore 

 sonore sonore 



 sonore

  

sonore

 sonore

 

sonore 

PE

Euph.

   

R

1 Tbn. 2 3

 

    

      

3 4

B♭ Tpt

  1       2  F Hn  3 4  1 2

  



  

Bar. Sx.

 

3

  

 

2

 to Flute      sonore     to Oboe         

E

    

E♭ Cl.

Bs. Sx.

Cbsn

B. Cl.

           

 

195 Contemplative  = 76

R

2

Bsn



1

rit.

O

Eng. Hn

       

1 Ob. 2

SC

A. Fl.



3

Fl.

SA L

1 2

 

U

Picc.

71

200

201 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

Eng. Hn

Bsn

1 2

E♭ Cl.

1 2 B♭ Cl.

B. Cl.

1 2

 

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.



Cb. Cl.



 1 2 

F Hn

3 4

1 2 B♭ Tpt

3 4





 



  



      

 

 

          

Pno

Timp.

Vib.

Chm.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

     



Hp

           

 

  

   

      

    

  

     

   legato, bring out B♮

 6

  

  



  

202

203

204

Full Score (Transposed)

6

6

  

 

  

 

PE

 

 

Bassoon

 



   

 

 

Flute

 

  



 

 

 

 

 









 

 





       



   

6

Celesta

6

  legato   

    bring out if needed

6

6

not hurried (freely, sparse)

205

 



 6

   6

  





 



 

6

  





 

206



 

 

  



 



 

6

 

 

 

6

  



 

  6



 

   

 

  

bring out 



 

6

 



 

soft/felt hammers - freely, sparse, not hurried

  

   bring out if needed

 

6



 





 

6

 



 



 

  

Glockenspiel

   

 

  







  

 



 

 

 





 



 

 





 



 

bring out senza vib.

 

 

bring out senza vib.

Euph.

D. B.

B. Tbn.

Tba

1 Tbn. 2 3

 

3 4

Cbsn

 

 

1 2

E

Ob.

 

bring out senza vib.

R

A. Fl.

O

3

204

SA L

Fl.

1 2

U

 

R

Picc.

SC

72

  

 

207

 



6

6

  

208

 




THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

  

1 2 B♭ Cl.

3 4

 

3 4

B♭ Tpt

 

1 Tbn. 2 3

B. Tbn.

Euph.



 

Hp

Cel.

Timp.

 

6

  



 



6

 

  

 

Perc. 3

Glock.

Perc. 5

Perc. 6

 

 

 

 

 

 

6







 

 

6



 

6

   

 

 



 

 

 

  

 

    Vib.  Chm.



 

 

 

 

PE

  

 

3 4

D. B.

 

1 2

Tba

   

   



U



  

  



  



Bar. Sx.

T. Sx.

 



6









 

 

  6

 

 

 

A. Sx.

F Hn

 

S. Sx.

1 2

 

 

Cb. Cl.



  

1 2

  

E♭ Cl.

      

    

              

        

color Trumpets

 

Oboe

      

color Trumpets

 



6



6







 



 

  

 

209

210

211

   

    

   



 

 

in time

 

in time

 



          

      

  

                        



 

 

   

              

  

         

              



    

 

            

          

 

   

E

   

1 Bsn 2 3

Bs. Sx.

Eng. Hn

  

1 Ob. 2

212

R

3 4

  

O

  

Fl.

B. Cl.

 

SC

1 2

SA L

 

R

Picc.

73

 



  



 

212

213

214

215 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

3 4

  

1 Ob. 2 3

1 Bsn 2 3

  

1 2 B♭ Cl.

    

 

   

1 2

Cb. Cl.

stagger breathe w/ section

 

  

1 2 F Hn

  

B♭ Tpt

 

3 4

1 Tbn. 2 3

B. Tbn.

  

 

Hp

Cel.

Timp.

Vib.

Chm.

Perc. 3

Glock.

Perc. 5

Perc. 6

 

   

 

 

 

Full Score (Transposed)

 







  

  





   

  

   

 





     

 

  

 

 

 



 

 

216

217

218

219

     

 

 

 

 

  

220

 

 

  

  

 

 

   

 

 

  

solo

 



 

 

 

 

 

  

  

 

 

 

 



 

 

  

 

 

PE

 

  



 

 



 

Euph.

D. B.

  

 

    

 

 

stagger breathe w/ section

   

1 2

Tba

 

3 4

  

 

stagger breathe w/ section

 

  

U

Bs. Sx.

  

  

R

 

 

stagger breathe w/ section

Bar. Sx.

 

 

stagger breathe w/ section

stagger breathe w/ section

T. Sx.

 

 

  

A. Sx.



  

  

S. Sx.

  

stagger breathe w/ section

stagger breathe w/ section

B. Cl.



   

3 4



E♭ Cl.



E

Fl.

color Trumpets ord.

R

1 2

 

O

 

SA L

Picc.

SC

74

  

221

3

 

 

 

 

 

   

  

  

222

 

223

      

 

  


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - III. Mysterious & Magical

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

        

     

  

 

 

stagger breathe w/ section

Contrabassoon

 

stagger breathe w/ section

stagger breathe w/ section

 

 

stagger breathe w/ section

stagger breathe w/ section

  

 

 

stagger breathe w/ section

 

    





 









 

stagger breathe w/ section

 



stagger breathe w/ section

 

D. B.

Hp

Cel.

Timp.

Vib.

Chm.

Perc. 3

Glock.

Perc. 5

Perc. 6





 

 

            

 





 

   

 

 

  

  

 

      

  

224

 



  

225

 

 

  

     

 

 

 



  

 

     

 

 

 

226

 

 

    

  

     

 

227

 



  

228

 

 



229



      

  

     

     

 

  

 



230

     

 

 



  



 

231

 

           







   



    

   

     

 

  

  

 

  

  

  

 

   

 



 





 

 



 

 

    

 

 

 

 

 





 

 

 

 

  

 



    

 

 



 

 

 













  





 

 

 



 



 



 

   

   

  

 

stagger breathe w/ section if necessary





stagger breathe w/ section if necessary







 



      

  

stagger breathe w/ section if necessary

stagger breathe w/ section

stagger breathe w/ section

 



  





    

   

stagger breathe w/ section

stagger breathe w/ section

 

 

   

 

 

 





stagger breathe w/ section if necessary

stagger breathe w/ section

stagger breathe w/ section

  

stagger breathe w/ section          

   

stagger breathe w/ section

      

  

   

PE

Tba

stagger breathe w/ section if necessary ord.

 

E

Bsn



stagger breathe w/ section if necessary

R

1 Ob. 2 3

    

O

3 4

SA L

Fl.

R

1 2

SC

U

 

224

Picc.

75

 

   

232

Full Score (Transposed)


76

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

IV. Scherzo Frenetico

Bassoon

1 2

Contrabassoon

E♭ Clarinet

1 2

B♭ Clarinet 3 4

Bass Clarinet

1 2

Contrabass Clarinet

Soprano Sax

Alto Sax

Tenor Sax

Baritone Sax

Bass Sax (optional)

1 2 F Horn 3 4

    

1 2

B♭ Trumpet 3 4

1 Trombone 2 3

Bass Trombone

Euphonium

Tuba

 

     



Harp

Piano Celesta

(opt. Piano 8va)

Timpani

Percussion 1

   

 

Marimba

Xylophone

Percussion 4

Percussion 5

Percussion 6

 

Full Score (Transposed)

  

   

  

  

  

Tom-toms (4 + floor)

 1

  

  

2

  

  

3

Piano solo, always bring out

 

  

   





4

 



  



   



5

 

  

  

6





PE

Double Bass

 

 

E

1 Oboe 2 3

R

Alto Flute

O

3

SC

Flute

SA L

U

1 2

 Relentless  =184 

R

Piccolo

  

  

7

  

8


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

 1 Bsn 2

B. Cl.

1 2

Euph.

Pno

Timp.

 

 

 



 

 



 

9

 









 



15   

  

  

  

  

 

 

 





 

 

   



  

15

(marimba enters)

11

 





 



 

12

16

 



 



13

14

 



 

 

 

 



 

 



 





 

 







 

 



 

 

 

  

 

 

(marimba enters)

E♭ D♯



PE

1 Bsn 2

B. Cl.

 



   



 

10

 

   



  

 

   

17

  

 

 

18

R

Perc. 4



E

Perc. 4

pizz.

R

Mrb.

 

O

Timp.

SC

Pno

SA L

Hp

9

U

D. B.

77

1 2

Euph.

Pno

Timp.

Perc. 4

   

    

  

  



 

19





 

  



 

20





 

  

 

21



  

 

 



 







 

 





    



   



  



 

 

22

  

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Hp

Pno

Timp.

Mrb.

Perc. 4

 

   

  

 A. Fl.     1 B♭ Cl.  2   F Hn



 

23

30

1 2

Pno

Timp.

    

 

  

  Perc. 1

Perc. 4

 



24







 

 

  

       30



  



 

 





38

A. Fl.

B♭ Cl.

1 2

1 F Hn 2

Pno

Timp.

Perc. 1

Mrb.

Perc. 4

     

    

 









 

  



    31

Full Score (Transposed)





  

  

 

  

 

25

 

 

     





 

  

(marimba enters)

26

 

32







  







 

  

 

  



    33





  

 

  

    40

    

 









 

  

27

 



    41

    

 

 

 

 

  

 



 

 

  

  

 

    35

28







29

  



 



    36



 

  



  

  

 





    43





 

     







  

 

  

    44





 





37



   









 

 





 

  

 

  

  

  







 

    42

 



  

  

  



  

 

 

  





 

34



 

   

 





 to Flute   





 







 



  

  

   

 

  

 

 

  

    39



 

 



  



 



(marimba enters)



  

(pizz.)

B♯

 

 

  

  



 



 

 

    38



 







  



 





  

  

 

 









  



Snare Drum

  



    

  

PE

 

  

 



   

 

Mrb.











 

 



E

D. B.

   

R

Euph.

   

SA L

1 2

R

B. Cl.

U

2

O

23     1  Bsn

SC

78

 



    45


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

1 2

B♭ Cl. 3 4

B. Cl. 2

Cb. Cl.



 

B♭ Tpt 3 4

B. Tbn.

  

(pizz.)

D. B.

Hp

Pno

 

   

 



        Timp.       Perc. 1         Mrb.   Xyl. 

Perc. 4

Perc. 5

Perc. 6

 

 

 

Bass Drum

 

46

      

color Saxophones























 









                 

  



      















 





 

 

 







   

       

 

 

 











 













     

     

     

47

48

49

50

51

52

53

  

     



           



     a2

     





 

  

         

    

    

     

               

   

  



   

  

     

    

    

                                         

    

 

 

 

 













Large Tam-tam

Small Tam-tam

   

54



 



















      





tutti

 



       



     

   

     

   

     

  







      to Large Tam-tam

        

 



 





 

 

 

     

in-audible entrance, like a whisper

 



                    

 















in-audible entrance, like a whisper









in-audible entrance, like a whisper



 

       

 

  

 

 

in-audible entrance, like a whisper

                  



 

 





 







   

 

            

PE

Tba

1 Tbn. 2 3

1 2

Euph.



 

U

3 4

  

 



 

   



 

 





  

  

 

         Bs. Sx. 

Bar. Sx.

F Hn

 

 







 

R

T. Sx.



 



                         

A. Sx.

1 2



 



 

 

 



senza vib.

S. Sx.

   

1

 





    

1 2



E♭ Cl.

Cbsn

 

Flute senza vib.

E

1 Ob. 2 3 Bsn

 



R

A. Fl.

 

 senza vib. 

3

O

Fl.

  

1 2

senza vib.

SC

46

SA L

 Picc. 

79











     

     

     

to Glockenspiel

to CYMBALS

55

56

57 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Bsn

       

1 2

Cbsn

E♭ Cl.

 

1 2

 

B♭ Cl. 3 4

B. Cl.

     a2

1 2

    

Cb. Cl.

S. Sx.

A. Sx.

Bar. Sx.

1 2 F Hn

     

3 4

B♭ Tpt

  

3

 

Euph.

3

     

 

 

   

 

3

 

 

  

 

 

Hp

Pno

Timp.

Perc. 1

Mrb.

Xyl.

Perc. 4

Perc. 5

Perc. 6

 

  





 

 

 

 

 

 

Full Score (Transposed)

 

58

 

 

3

3

 









 

59

       

                             3

3

 

 

 

 

 

 

 

            

                3

3

 

             3

    

 







 

60

           3

           3

                               

     

   

 

61

    





 

62

 

  

  

       

 63



  

  

  

Large Sus. Cym.

 

(hi-hat) CYMBALS

  

64

  

 





 

E♮ D♮ B♮

  

 

     





  



   

3

          

3

          

               3



                              

PE

3

                            

 

3

B. Tbn.

3

1 Tbn. 2 3

                            

3 4

D. B.

a2

1 2

Tba

  

       

T. Sx.

Bs. Sx.

a2

                              

U

1 Ob. 2 3

3

R

3 4

3

E

 

Fl.

ord.                 ord.               

R

 

1 2

O

SA L

 

58

Picc.

SC

80

 

 



 

(splash)

65



(china)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

E♭ Cl.

  

  

           

1 2 B♭ Cl. 3 4

1 2

S. Sx.

A. Sx.



 

   

T. Sx.



a2

  ord.               

Cb. Cl.

      1  2     

Bs. Sx.

F Hn

3 4

1 2 B♭ Tpt

    

1 Tbn. 2 3

 

 

 

 

 

 







 

 







 









 

       

 

  

      arco D. B.    

senza sord.

Pno

Timp.

Perc. 1

Mrb.

Xyl.

 

 

             

      (crash)       Glockenspiel

Glock.

Perc. 5

Perc. 6

 

  





66







 

 

 



 

 

 

 

 

 



  



   

  

 

        3

    3

   3







 

   



 

   

   











 

   

  

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

  

 





  



 

68



 

   



3

 

   



 

3

3

3

3





3

    

 

  

 



      





 71







 



  

  

  









 





3

  

           



 

 

 

72

 

 





    



   



 



 

 





 







 





 

  

70

 

 

a2

3

       



3

3

             

69

3



  

  

3

       

3

3





3

 



 



 



 



       

    

      

    

 

a3

3





 

3

     

 

3



 

      

 





 



 



 



 

  

 



 





 

 

 

 

 





 

 



senza sord.

 

 

   

 

 

  

    





67

  

3

3



 

  

   

 

 

   

3

 

   

 

3

 

3

 

   

  

 

 

 

R

 

  

 with determination 

 

 

  

    

PE Hp

 





 

 

a2

a2 senza sord.

 

 with determination



Tba

 

 

  



Euph.

 

 

  with determination

B. Tbn.

 



3 4



 



  

Bar. Sx.

 

 

SA L

 

E

 

U

1 2

Cbsn

B. Cl.

 

 

a3

1 Ob. 2 3

Bsn

 

R

  with determination     

O

66

SC

ord.             1    2   Fl.       3   4    

Picc.

81







  



 







 

73 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

     

E♭ Cl.

           

B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

F Hn

 a2   

3 4

 

Tbn. 3

B. Tbn.

  

 

3

  

 



   

    



Hp

Pno

Timp.

Perc. 1

Mrb.

Xyl.

Glock.

Perc. 5

Perc. 6

  

     

 

 

    

  

 



 

 

    3

Full Score (Transposed)

74



  

  

 

 

  

3

        3

3

 

 

       3

3

     

   

      

3

3

   

    

  

   

  

  

       

 

     

 

   

 

    



   

 

     

 

        3

3

       

      

    

3

3

        

        

       

75

     

   3



     

 

    

    

    

         

      

     

           

      

76





  

  

  

  

     

 

 

 

 3

3

 

77

   3

     



    

   

    



              

   

    

    



 

       

    

    

           

78

      

    

 

 

 

  

   



     3

     3

      

     3

          3

  



 

     

  



          3

3

 

        



              



   

 

   



 





3

    3

            

    3





                            3



 

 



 

  

 

 

 

   

  

 



   

    

   

   

    

79

 

 

  



 

 

                   ( )   

( )

   



3

   

 

3

  

   

       

   

 

 

   





3

    3

       





   



3

            3

     

     

 

 

   

   



3

   

 

3

 

 

  

      

    

 



    

     

  



 

 

 

 

 

    

       

 





       

    



  

  

 



 

    

    

     

  

    

    

  

  

    

  

        3

 

 

  

         3

        

 

 

 

       

  

 

     

     

       

  

  



     

             

     

 

   



 

 

   

 



 



3





 

     

                   

 





 

 

    

              

     

    

    









    

    

             



   

   

      

   

   



       

  





PE

   



3

    

  

   

   

 Tba    

  

Euph.

  

 

3

1 2

D. B.

  

 

3

     

       

B♭ Tpt

   

1 2

 

3 4

      

 

Bar. Sx.

1 2

 

T. Sx.

Bs. Sx.

3

a2

3

          

 

a2

1 2

a2

E

    

R

Cbsn

SA L

1 2

      

R

Bsn

  

U

      

1 Ob. 2 3

  

O

74                                  Picc.         a2                                  1  2       Fl. a2               3              4          

SC

82

80



       

 all! choke           81

  

    

     

82

  


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

  

a2

1 Bsn 2

  

Cbsn

E♭ Cl.

1 2 B♭ Cl.

3 4

S. Sx.

T. Sx.

a2

    3



    3



     

    

     

 

Bar. Sx.

3

 

A. Sx.

   

       

  

Cb. Cl.



  

1 2

   



3



 

       F Hn

   



3

   

 

3

1 2

  

3 4

  

1 2

  

3 4

   

1 2 Tbn. 3

B. Tbn.

Euph.

Tba



  

   



 



  

  

 



     

Hp

Pno

Timp.

Perc. 1

Mrb.

Xyl.

Glock.

Perc. 5

Perc. 6

       

     

 

   

    

      

 

    

83

                     rock and roll!              rock and roll!                                                                 marc. + always driving forward                                   rock and roll!          rock and roll!             rock and roll!              rock and roll!               rock and roll!                                                        3

3

3

 

 

      

3

3



  

 

 

 

 

  

 









     

     

  

      

  

let ring

  

 

 



 

 84

   

                          

     

    

    

     

 

  

  

 



      

    

      

   

bring out!           bring out!         bring out!             

                                                       

                      

    

 

  

    

    

     

  

        

a2

   

       

                          

 

  

  

 

  

    

 

  

     

 

   

 

 

  

              

 

  

        

 

       

    

       

     

  

 

                 



 

 

  

 

               rip!          rip!

3

3

 

bring out!

    

     

 

          bring out!         bring out!               

 

a2

 

                       

 

   

                 

3

    

      

3

  

 

  

 

 

     

 

 

 



     



                   

    



                             

          

 

 

  

                    

                                

                   

      

 

                  

 







  







   

 

               

      (div.)         marc. + always driving forward               

 



 

 

    

       

   

    



                              

3

 

     

  

         a2

PE

D. B.

 

 

R

B♭ Tpt

    

  

83

E

1 Ob. 2 3

 

 

R

   

 

O

3 4

      

a2



    

SC

        

Fl.

Bs. Sx.

      

SA L

        

1 2

B. Cl.

    

U

 Picc.    

85

 

   

 

(pitch does not matter)



  



 

 

  



 

  

         marc. + always driving forward 

to Brake Drum

to Anvil





85





 86



 

     



     

Brake Drum

       

Anvil

87

   

 88







 89

  

 

to Field Drum







 



90 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

1 Ob. 2 3

 

1 Bsn 2

 

Cbsn

E♭ Cl.

1 2 B♭ Cl.

3 4

B. Cl.

1 2

 

A. Sx.

 

T. Sx.

 

Bar. Sx.

    



       

 

  

 





 

   

1 Tbn. 2 3

 

Hp

 

 

       3

      3

Pno

Timp.

Perc. 1

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

      

   

 

     

 

 

     

  

      

3

3

        

    

   

   ( )                 3

3

 

3

3

    

    

  

   

 

    

              3

         

    

 

      

     

3

 

     

   

      

 

              

    

 

      3

       3

     

      

3

      

      

 

       

    

 

    

 

     

           

    

    





 91

Full Score (Transposed)







 92



93

 

             

 

  

94

 

  

  

95

 

3

     

3

 

 

 

 

     

3

  

      

      

 

       

    

    

   

             

    



  

96



 



 



to Piccolo Snare Drum

 97

  



  



 

 

  

      

 

   



 

 

99



    

   

  

 

      

 



    

         

   



  

  

    

 

 



    

  

 

a2

   

98



        

to Small Tam-tam



 

 

  

     

 3

  

     

   

         

 

3

  

  

 

3

      

 



    

 

  

  

 

 

    

    



a2





  

 

     

 

      

3

    

  

                         

     

(toms)

      

    

      

     

     

   

      

97

    

      ( )

    

 

       

3

     

  

     

        

 

      

                                

                     

       

     

3

 

PE

D. B.

                  

    

        

Euph.

  

 

B. Tbn.

Tba

  

  



        F Hn a2  3    4      1  2  3 4

  

  

1 2

B♭ Tpt

    

 

S. Sx.

       

Cb. Cl.

Bs. Sx.



  

E

      

 

R

3 4

O

Fl.

  

SA L

U

1 2

    

R

Picc.

SC

84

 

   



   

          

5

100

101

102

 103


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

B♭ Cl.

1 2

Cb. Cl.

S. Sx.

Bar. Sx.



a2    

 

1 2 B♭ Tpt

3 4

     

1 Tbn. 2 3

B. Tbn.



     

 

 

Pno

Timp.

Perc. 1

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

 

    





     

  

 

   

 

      

  

      

 

    

      

   

   



     

 

104

105



a2

      

 

       



        

            



   

    

   

  

 

 

 

        

       

107

108

         

106







 



 

 

          

a2

 

    

  

  



  

    

       

    

  

  

    

       

    



English Horn





       

           a2                               a2           a2          





    

         a2



 a2 

 a2 



     

 

 

       

       

     

     

 

 

PE Hp

    



 

  

     

   

Euph.

D. B.

   

T. Sx.

Tba

  

A. Sx.

3 4

  

 

3 4

  

112

  

   

              



    

                             

  



 

              

    



 

 

  



 

  



          

 

109



   

Small Tam-tam

 110

                

               

 a3                        

      

                                   

      



 

  

 

 





 



  

            



        



        

    

Piccolo Snare Drum

 

 

111

     

   

             



       

        



                   

          

                  

        

   

          

         

       

                   

     

      

     

     

  

112

113

      

                 

       

       

  

114

        

                 

          

                  

       

                        

                   

         

     

       

         

     

  

to Snare Drum

  

       

          

  

  

       

                



                    

                     

                 

                     

        

        

         

                

                   

  

  

        

                         



       

        

   

    

                 

       



         

                    

       

         

    



E

1 2

F Hn

 

R

E♭ Cl.

2.

=

O

Cbsn

 

SC

1 2

        

3

SA L

Ob.

1 2

1 2

Bs. Sx.

3 4

U

Fl.

B. Cl.

1 2

Bsn

R

 Picc. 

85

  

  

            

      

  

  

     

  

  

     

     

        

            

115

Field Drum

116

117 Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

                  



    

       

1 2

Cbsn

E♭ Cl.

a2

           

     a2

1 2 B♭ Cl.

a2

3 4

B. Cl.

T. Sx.

1 2 F Hn 3 4

 

 

                      a3                                    

B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

          

            

         

        

             

       

        

 

  

      

      

                 

PE

D. B.



            

1 2

Tba

                 

a2

         

A. Sx.

Bs. Sx.

                   

S. Sx.

Bar. Sx.

                            

Cb. Cl.

       

                      

1 2

       

Hp

Pno

Timp.

                      

  

     

 Perc. 1  Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6





 





 





 

  

    

            

       

  

  

     

         

    

          

    

    

                    

          

    

           

    

            

                                                            

                      

                   

        

                      

                                 





 



               

 





  

    

     

     

     

  

     

    

                     

                                   

         Snare Drum

    

     

 

Full Score (Transposed)

119

120

121

     

118

      

      

 

        

                                       

      

                        

 

   

       

  

   

  

  

   

             

   

             

             

   

   

  







 





 





 



           

                        

    

                     

       

         

     

  

                    

      

         

            

    

     

122





                  

        

    





      



       



      



   









     

    



 



 





 





  



  



  

  



         

   

                                  

    

               

  

 

  

    



      



      





          





   



   





    

   





      

     

 

     

     

     

             



     



 

 



    

     

123



     





 

                        





                  





                 





           





           



                                           

            



E



                               

                   

       

SA L

Bsn



U

Eng. Hn



                

R

a2                     

1 2

       



R

Ob.

               

O

          Picc.  a2      1    2  a2 Fl.      3    4 

SC

86



     



124



      

  







 

         

      

                         



 







        

      

              

                   







 



                                







        

        





     



125

  





    

 


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

1 2

Cbsn

E♭ Cl.

1 2

B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

    

1 2

B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba



Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

     

 

 

        







        

126

 

       

    

(CYMS.)     

127

  

  (Bongos)  

         128

    

    

  

      

 

          

    

   

           

   



  

 

    

            

            

          mechanical 

a2

       

to Marimba

                     

   

      

           

           

      mechanical  a2



   

PE

D. B.

 



E

Bsn

R

Eng. Hn

O

1 2

129  = 148

SC

Ob.

SA L

3 4

U

Fl.

accel.

R

1 2

       

126  = 124  Picc. 

87

   r.s. 

          mechanical r.s. to Xylophone                   Marimba

129



           

130



      

 

131



r.s.  



to Vibraphone

    

 (Small  Bass Drum)     

    

132



           

133

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4 1 Tbn. 2 3

B. Tbn.

Euph.

Tba

 

        

     

  

  

Hp

Pno

Timp.

Perc. 1

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

 

   

 

                          

             

                  mechanical 

         

          a2

a2

         

      

      

a2

 

 



          

          mechanical  a2

 

       

134

Full Score (Transposed)

                   

         

   

    

 



     

pizz.

     

 

135

       



    

   

   

   

  

      

 

  

  

     

          

           

  

           mechanical            Vibraphone



       Xylophone

   



 

 

 

  

   

   

            

   

               

                   

136

137

driving

 

  

   

            

                 

    

    

                    

a2

     

 

  

  

     

  

 

      

      

    

 

          

           

   

   

   

 

  

  

      

           

   

          

a2



   

    

 

   

   

                       

   

      

           

   



 

  



        

   

   

 

  

           

           

         

           

          

              

                   

138

139

140

  

                  



          

    



a2

        



        

    

PE

D. B.

    

    

                 

     a2

      

E

1 2

         

  

R

Ob.

SA L

3 4

136

U

Fl.

R

1 2

O

 Picc. 

SC

88

  

   

    

    

   

                

   



 

    

 to Celesta    

    

     



   

     

 

      

Sus. Cym.  to Medium   

               

141




THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

1 B. Cl. 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4 1 2 B♭ Tpt 3 4 1 Tbn. 2 3

B. Tbn.

Euph.

Tba

 

        

     

  

 

   

              

          

Hp

Pno

Timp.

Vib.

Mrb.

Xyl.

Perc. 4

Perc. 5

Perc. 6

     

 

 

a2        

a2        

      

       

a2

    

      

a2



  

       

       

         

  



         

Celesta       

       

         

      

      

143

      



142

PE

D. B.

           

   

   

  

 

 



       

144

       

      

to Chimes

to Wood Blocks (3)

       

to Small Tam-tam

145

 

 



  



        

      

 

     

 

 

                     1.       

   

                                                                                                                    

             harmon mute 

 

 

 

146

 

          



harmon mute

   

to Piano



 

  

  

  

 

G♯

Piano

  

 

 



147

  

Small Tam-tam

  

148

   

           

              

 

   



149





Chimes

 

 

  

  

                     

 



 

   

    

    

   

   



  

 



   

 



 

 

 

150

 

  

 



 

 

  



 

 

 

  

 



 

 

  

 

     arco

 

E

Eng. Hn

  a2      

R

1 2

         

O

Ob.

 a2       

SA L

3 4

U

Fl.

R

1 2

         146

SC

 Picc. 

89

 

 

 

151

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico 

3 4

Eng. Hn

1 2

Cbsn

E♭ Cl.

   

     

A. Sx.

 

T. Sx.

 

Bar. Sx.

 

 



1 2

3

   

 



 

  

  

     

Hp

Pno

Timp.

Chm.

Mrb.

Xyl.

Perc. 4

Perc. 5

Perc. 6

      

 





      

 



 





Full Score (Transposed)

   

   



 

 152





  

  

    

      

   

    

     

    

      

   

    

 

   

 

                 

    

  

154

   

    

    

    

           mechanical               mechanical  

mechanical             

    

 



to Celesta

to Large Sus. Cym.

      



 

  

  

to CYMBALS

to Crotales

155

156

   

    



  

   



 

    

 

Wood Blocks (3)

 153

   

   

    

 

  

  

                 

 

 

  



 

  

PE

  



    

 

 

      

  

     

Euph.



   

B. Tbn.

    

       

    

Tbn.

     

 

 

       



 

3 4

 

                                

B♭ Tpt

     

    

  

1 2

D. B.

 



S. Sx.

Tba

     

SA L

Cb. Cl.

3 4



   

1 2

F Hn

 

a2

3 4

1 2

U

B♭ Cl.

Bs. Sx.

   

                               

1 2

B. Cl.

  

R

Bsn

1 2

 

 

a2                         

               

                            

      

SC

Fl.

Ob.

1 2

156

         

           

          

                       

E

R

 Picc. 

O

90

                    

                         

             

  

157

                              

      

            

           

                    

 

          

   



 

    

pizz.        

 

  

      





 

158

 

     

159




THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl.

3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

    

1 2

B♭ Tpt 3 4

1 2

Tbn. 3

B. Tbn.

Euph.

Tba

 



    



    

              

                    

            

                       

                    

                         

             

 

Hp

Pno

Timp.

Chm.

Perc. 2

Xyl.

Perc. 4

Perc. 5

Perc. 6

   

         

  

  

 





 

     

        

160

          

              

  a2                             

                                

            

          

                                 

            

         

                   

          

       

                                   

    

           

    

 

 

           

161

 



      

162



      



  

  

 

 

Large Sus. Cym.

        

  

     

Medium Sus. Cym. w/ sticks

 (CYMS.)      

163

    

            with great force           with great force 

 

 

                 

with great force             with great force                     with great force               with great force 

 

   

 



    

      

                    

       

         

           

            

   

            

with great force

      with great force  



164

 

  



      

   

Whip

   

   



   



      

 

           

      

                                    

PE

D. B.



165

           with great force

E

Eng. Hn

R

1 2

O

Ob.

                              a2              

SA L

3 4

U

Fl.

R

1 2

SC

 Picc. 

91



 

to Marimba

 

165

       with great force  



        with great force        with great force                 

               

                      

                         with great force 





 

   

        with great force senza sord.

    with great force      with great force senza sord.

  

  

        with great force       with great force  arco









           Snare Drum

             Field Drum

 

166

 

      

  

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Ob.

1 2

Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4 1 2 B♭ Tpt 3 4

1 Tbn. 2 3 B. Tbn.

Euph.

 

        

     

  

 

           

                           

      

     





    



         with great force

           

               

                                   

                               

         

     

D. B.

Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

    

     

 



    

    

 

      

      

Full Score (Transposed)

 

167



                        

                

        

   

    

            

       









 

  

   

   

 

  

   

    

  

    

 

  

      

 

  

Bass Sax cue - play if asked

 

 

   

 

   

   

 

   

 

             





         

         

         

        

    

  

 

               



        

  

168

    

        

              

    

          

      

 

  

   

 

       

    

   

   

     slap-tongue       slap-tongue      slap-tongue       slap-tongue     

   

slap-tongue

   

  

   

 

  

  

  

  

  

   

        

   

   

 

  

   

 

  

  

 

   

 

  



  

  

   

  

   

  

 

   

                     

    

    

 

 

  

        

   

 

   

 

   

 

    

   

   

 

 

             



     

  

Bass Sax cue - play if asked

 

               

                                  

         

              

       

        

      

             

     

     

         

         

        

            

                       

  

a2        

                

         with great force                          

    

           with great force              

     

     



resilient and with confidence      resilient and with confidence 

                                                                

PE

Tba

SA L

3 4

U

Fl.

R

1 2

169

E

R

O

 Picc. 

SC

92



      

 

 

      

  

       

    

   

  

    

 



  

    

     

     dampen!           

 

  

  

 

    

              

                       

   

   

 

      to Vibraphone        Marimba             to Tambourine       

169



 

      

 

170



 

 

            

171



 

           

172



 

          no pedal           Vibraphone

  

173



 

            

174




THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4 1 2 B♭ Tpt 3 4 1 Tbn. 2 3 B. Tbn.

Euph.

Tba

 

 

   



  

  

 

Hp

Pno

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

   

 

                

   

  

   

                                         



 

  

      

                             

   

  

 

   

   

                                        

                                

                           

                  

 

   

 

  

   

  

 

   

                          

                                        

 

   

   

     

                           

 

                  

 

                               

 

                                               

              





  



        

 

    

          

  



 

    

          

175



   

    

176



         

          

177



     

      

178

     

        

 

     

      

pizz.         

 



         

  



 

    



          

179

       

180

  

    

 



   

 

  





 

         

             

 

   









  







     

   

     

   

     

   

     

   



181

  



182

183

     

     

  

 

 

   

 

 

 

     

  



Celesta

 



   



  

  



  

         

     

              

       

     

  

  

 

 

Alto Flute

 

       



       

     

         

         

   

     

     

         

PE

D. B.

         

 to Alto Flute    

           

E

Eng. Hn

     

         

181

O

1 2

SC

Ob.

     

         

   

         

SA L

4

 

      

          a2

U

Fl. 3

R

1 2

R

 Picc. 

93



 

Crotales

 

184

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico 

      

A. Fl.

1 2

Eng. Hn

Cbsn

3 4



  



 

   

B♭ Tpt 3 4 1 Tbn. 2 3

Euph.

  

  





                         

a2 straight mute

  

      

a2 harmon mute

        

PE

B. Tbn.

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Crt.

          

           







Full Score (Transposed)



     





   

   







   

   

                           

         

           

        

        

        

        

 

186



 

187

188

           

to Flute

          

    

        

to Bass Drum

185



   

          

     

    

       189

             

     1. solo         

    

        



    







   a2   







a2







  



                  

 

  





 

 







 

  

  

1 2



 

  

3 4

 

 

Bar. Sx.

D. B.

 

T. Sx.

Tba

A. Sx.

F Hn

S. Sx.

1 2

 

Cb. Cl.

Bs. Sx.

  

1 2

U

B. Cl.

  

B♭ Cl.

1 2

     

E♭ Cl.

     

1 2

     

R

Bsn

  

190

             

             

SC

3

SA L

Fl.

Ob.

1 2

189

E

R

 Picc. 

O

94

   

    

              

color Flutes

  

   



      





     



        



                     

    

191

192

193

  

    

      

 



  

  

 

 

   



 

solo



   

 

        


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Ob.

1 2

Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4 1 Tbn. 2 3 B. Tbn.

Euph.

Tba

 

 

        

     

  

 

 

       

            

 

    

         

  

  



   



    

PE

D. B.

Hp

Cel.

Timp.

Vib.

Mrb.

Perc. 3

Perc. 4

Perc. 5

Crt.

 

     



 

 

to Piano

  



to Snare Drum

to Crash Cymbals

     

194

  

 





          

     

            

            

 

  

                

                   

   

195

   

196

   

197

 

  

 

  

   

198



 



                                                                       

  

 

     

   

E

A. Fl.

U

3

  

                                                                                                                                                               Flute                                                                                       

R

Fl.

R

O

1 2

195

SC

SA L

 Picc. 

95

      

  

                    

        

   

199 Full Score (Transposed)


1 2

B♭ Cl. 3 4 1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

 

 

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

                                                                    

Hp

Cel.

Timp.

                       

 Perc. 1  Mrb.

Perc. 3

Perc. 4

Perc. 5

Crt.

   

solo







Full Score (Transposed)





  

Snare Drum

 

200

  

 

  

   

 

  

   

    

     

 

 

 



 

to Chimes

senza sord.       senza sord.      senza sord.         senza sord.    

 

 

 

 

    





 

   

    

 

 

 

      

202

   

   

     

 

Crash Cymbals

  

    

  

 

 

 

 



 

 

 

    

    

 

 

 

    

    

  

 

204

 

 

 

   

    

    

 

  

 

 

   

Chimes

          

     

 

 

 

 

 



  

 

203

 

  

 

   

     

Piano

           

 

201

     

  

           

 

           

                                                      

  

    w/ Xyl. mallets Tambourine                   

    a2     a2

 

 

   

 

   

                                                      



                                                       

 

                                                       

r.s.

     

                                 

 

    

                                                                    

                                       

 

    



                                                      

                                                      

PE

                                                       

 



3 4

 

                                        

E

E♭ Cl.

D. B.

                                                       

                                 

R

Cbsn

Tba

1 Bsn 2

F Hn

   

O

Eng. Hn

1 2

1 2

Bs. Sx.

  

U

3 4

B. Cl.

    

R

Fl.

Ob.

1 2

201    

SC

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

SA L

96

 

  

  

      

 

 

 

            

205

 


 

1 Bsn 2

1 2 B♭ Cl. 3 4

1 2

Cb. Cl.

A. Sx.

T. Sx.



 

  

 

 

   

    

   

   

a2

   

a2

3 4

1 2

          

B♭ Tpt 3 4

1 Tbn. 2 3

 

B. Tbn.

Euph.

   

  

 

   

  

 

    

   

 

   

         

Hp

Pno

Timp.

Chm.

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Crt.

        

                

  



 

  

 

 

 

     

 



     

206

                  

      

   

 

      

       

     

                  

     

      

                

                 

           

          

          

         

      

      

R 

     

            arco          

     

            

 



to Oboe

 

 

    

PE

D. B.

Bar. Sx.

Tba

   

S. Sx.

F Hn

                   

U

E♭ Cl.

1 2

    

 

                                                                                   

Cbsn

Bs. Sx.



      

       

                  

                   

                   

 

                                                           

207

208

        

     

               

      

     

                



209

  

 

 

               

       

      

                 

                           

  

                        

210

     

                  

                                                                                                                            

         

Oboe

       

                 

      

   a2      a2

   

    

 

   

 



  

 

   

  

  

       

          

  

  

   

        

 

   

  

   

      

         



 

97

E

Eng. Hn

R

1 2

O

3 4

   211             

SC

                                          

Fl.

B. Cl.

                             

1 2

Ob.

                 

SA L

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

          

   

           

     

 

                    

           



211

  

 

  

         

  

  

 

   

212 Full Score (Transposed)


3 4

Cb. Cl.

 

S. Sx.

     

A. Sx.

T. Sx.

Bar. Sx.



1 2

3 4

1 Tbn. 2 3

Tba

          

   

           

  







        

 

        

    

 

Hp

Pno

Timp.

Chm.

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Crt.

 

  

    

          

       

 

      

       

Full Score (Transposed)

 

     

     

      

     

       

      

     

                                  

213

to Celesta

 

 

  

           

     

      

               

           

           

         

         

       

        

                        

                       

            

            

           

           

to Vibraphone

to Whip

            

               

      



              

PE

D. B.



   

B. Tbn.

 

 

a2

 

B♭ Tpt

              

        

      

               

    F Hn a2  3  4 

Euph.

  

 

1 2

                            

           

           

to Small Tam-tam

 

214

  

215

  

     

216

  

 

                  

218

 

                  

                

      

     

              



            meccanico meccanico                               

 

  

               

 

            

                               

                

   

               



       

217

  

            

   

       



 a2           a2                



              

  

  

   

          

  



      



                              straight mute         meccanico 

Small Tam-tam

  

   

    

    



 

     Whip

         

     

 

 

Xylophone

    

Vibraphone

   

straight mute

 

 

               meccanico              bring out                          

    

E

B♭ Cl.

1 2

E♭ Cl.

           

R

Cbsn

O

 

1 2

1 2

         

 

1 Ob. 2 3

U

3 4

Bs. Sx.

R

Fl.

B. Cl.

 

                                                           

1 2

Bsn

          

SC

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

SA L

98

   

dampen immediately throughout!

218

 

 

                     

  

    

  

    

219




THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4 1 Tbn. 2 3

B. Tbn.

Euph.

Tba

        

     

  

  

   

  



      

   

 



    



          

a2

   a2

 

          

a2

   

 

  

           

         

 

    



 

 

    





 

 

 

        

 

 

   

 



  

 

 

 

 

  

           



    

 

    

            

            

 



  

   

 

 

 

 

PE

D. B.

    

Hp

Pno

Timp.

   

 Vib.  Perc. 2

Xyl.

Perc. 4

Perc. 5

Crt.

  



  

  

  

     

 

 

 

 

   

 

    

  

220

 

      



              

                   

  

          

 



  

 







  

  

 

 



  

  

                 





  



  



  



      

  

 

              

 

  

                                             

 



               



 



 

 

    

    

  



 

  

        

  

  



  

 

  





    

 

 

  

  

     

      

     

 

   

   

   

         

  

  

 

 

  

 

  

  

  

 

 

      



   

                

   

  

              

  

   

  

  

 

 

        

 

221

   

  

 

   

 

 

 

  

        



  

   

 

  

 

   

 

 

 

 

222

 

 

 

   

  

 

  

 

 

  

  

  

 

 

 

  

 

    

   

  

 

      

  

  

  

   

 

 

    

 

  

 

 

 

  

                 

 

        

 

 

 

 

   

   

 

 

  

 

 

   

      

 

                      

                           

             

 

     

 

 

223

 

   

      





          

      

 

 



                         

                     

                                                            

E

1 2

  



   

R

Bsn





    

O

1 Ob. 2 3

 

 



SC

3 4

     

  

    

SA L

Fl.

  



U

1 2

  

 

R

Picc.

99

 

  

    

   

  

 

       



   



to Marimba

 to CYMBALS

224



                                                                    

 

 

 



   





 

 

225



 

 

    

 

  

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

1 B. Cl. 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

 

         

     

  

  

   

  

Hp

Pno

Timp.

Vib.

Perc. 2

Xyl.

Perc. 4

Perc. 5

Crt.

  

 

  

  



  

      

     

     



                                

                  

                  

     

 

 



               

  

      

 

 



     

    

     

    

       



 

   

 



 

        

     

    

  

           

     

    

  

       

     

      

     

      

       

     

 legato

  



  



    

     

Full Score (Transposed)

226

     

       



      Marimba

227

        

 

                         

      

  

    



    

 

    

 

 

 

 

  



 



 

228

     



          

  

 

   

     

229



       

         

                           

  

                 

 





   

     

   

     

 

 





       

       



      

      

   



    



      

       





    



  

   

   

   





   

   

             

      

 















   

     



      

    

        



       

    

 

  





      

 



      



230



    

231



 

 





 

        





   

 

    



           

  

     

    

 

     

         

       

  

     

    



        

   



PE

D. B.

with greater determination

 

 





   

232

    

 

 

   

 

   

 

   

    a3         

  

a2

 

      

                                  



 



   

      

   

    

 

      

 

      

       

     

      

 

      

 

       







  



  

E

1 Ob. 2 3

    

R

3 4

 



SA L

Fl.



a2

U

1 2

O

226

R

 Picc. 

SC

100







 

      

 

  

233

       


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

1 B. Cl. 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

         

     

  

  

   

   

         

                                

       

                 

        

         

 

  

       

      

             

   

  

  

 

      

 

 

    

   

  

 

 

 

 

     

 

Hp

Cel.

Timp.

  

   

 

 Vib.  Mrb.

Xyl.

Perc. 4

Perc. 5

Crt.

  



 

Celesta

  legato



    

 

           

        

     

 







  

  

      

   

                

           

                 

        

          

   

   

   

    

    

            

           

          

                

       

 

    

 

   

 

   

    

 

   

 

 

 

   

    

           

  



        

   

        

          

 

 

     

     

        

 

    

 

        

     

  

    

PE

D. B.

    a3       

 

            

            

                             

 

        

 



       

   

234

235

 

   



  





        

    

     

 

    

 



 

 

 

236

237

       

              

             

              

 

  

 

   

     

  

 

   

   

 

       

   

   



  

 

 

 

       

     

              



  

             

 

 

      

  

  

238



                    

                                 

                                                         

  

    

 

 

                 

      

 

 

                           

                        

   

                     

     

                

 

  

  

    

                       

                

 

         

 



               





      

       

G♯ A♮ C♮

 







      

         





    





    

     

 

 

 



 



    

239

  

  

  

 

   



     

     

       







       







 

  to Piano   

   



      







            

E

1 Bsn 2

 



  

R

1 Ob. 2 3

a2

O

3 4

               

239                           

  

SA L

Fl.

                   



R

1 2

  a2         

         

SC

234

U

 Picc. 

101



        



 

  



 

 

        

240

241

      

 

  



Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4 1 Tbn. 2 3

B. Tbn.

Euph.

Tba

        

     

  

  

   

  

  

    a3    

 



          

      

        

   

            

   

    

   

    

   

    

       

     

  

  

 

  

  

 

  

   

 

  

Hp

Cel.

Timp.

  

 

 Vib.  Mrb.

Xyl.

Perc. 4

Perc. 5

Crt.

  



 

 

  

  



  

Full Score (Transposed)

                     

             

             

   

 

 

    

   

 

    

   

242

 

   

   

 

   

 

 

   

 

 

    

    

 

   



    

 

 







PE

D. B.

 

      

                              

      

  

 

  

  

               

   

   

                



   

 

      

  

 

 

  

         

   



243

 



 

   

             

   

 

    

     

       

   







     



 

  





 



 



   

  

   

 

         with great force            with great force            with great force

   

  with great force with great force                with great force  4.                                               with great force           with great force              with great force                                    

   

      

    

  

   





244



    

 



    

 

a2

   

a2

 

 

        

      

           with great force           with great force           with great force             

 

  

            

       

         

                             

   

      

     

      

  

   

  

      

    

   

    

   

   

  

        

 

     

quasi-glisses.                quasi-glisses.                          

   

  

  

     

           

 

     

        

               a2 (straight mute)           with great force a2 (straight mute)             with great force                                      with great force                         



 

                  

  

   

   

     

     

   

   

                               

 with great force

   

                                    with great force a2        

 

   



   

  

  

     

  

 

     

    

 

  

     

     



     

  

    

3.

  



 

                1.2. a2

      

   

  

 

         

    

     

      

245

246

247

  



 

   

  

   

     

          

      

     

E

Bsn

                     

246 

R

1 Ob. 2 3

a2

            

SA L

3 4

U

Fl.

                                                                

R

1 2

                  

O

      a2                

 Picc. 

SC

102

     

  

  

  

       

  

  

 

 

 

 

  

   

   

    

 

 

 

 

  

  

 

                                                 

                                      

   

 

  

 

 

 

 

                          

   

           

    

  

 

 

 

 



                                                  

   

 



 

   

        

 

    

 

     



     

        

   



248

   

 

        

 

   

  

      

 

  


Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

        

  

 

  

   

    

 

   3.     

  

a2 

 

  

  

a2

 



  

         

 



     



a2 

 

 

 



 

 

  

a2

         

 

  

 



1.2. a2

 

   





 

 

a2



 



  

 

a2

  

   

 

Hp

Cel.

Timp.

Vib.

Mrb.

Xyl.

Perc. 4

Perc. 5

Crt.

   

     



  

 

     

         

249

      





   

 

 

 

     

 

                  

 

 

      

 

     





 

  

  

  

  

 

        

 



     



 

 

  

 

 

               

   



     

   

 

  



    



 

 

 

 

 

 

    

 

250

   

 

      

 

  

     



     

     

E♮





 

Bass Drum

to Chimes

 

 

to Glockenspiel

to Crotales

251







 







      









      

     

253





      

  

     

     

 

Chimes

 

 

254

     

     

     

 



 



Piano





  

 



 

   



 

  

 

 

   

       

251

 

 

PE

D. B.

E

1 2

R

Bsn

103

O

1 Ob. 2 3

 

 

SC

3 4

 

SA L

Fl.

 

U

1 2

 

R

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Glockenspiel

Crotales

255

  

256

Full Score (Transposed)


B♭ Cl.

1 2

Cb. Cl.

S. Sx.

1 2 F Hn

   

B♭ Tpt

3 4

1 Tbn. 2 3

Euph.

Tba



Hp

Pno

Timp.

Vib.

Chm.

Xyl.

Glock.

Perc. 5

Crt.

 

 



 

 

 

 

257

Full Score (Transposed)





 





258

 

  



259

 

  

 

260

 



 

 

261

 





 w/ Glk. mallets



262

263



 

 



 

  

 

 

 

 

  





Bongos (2)

 









 









  



  













  

 



 



   



















 



PE

D. B.

  



B. Tbn.











 

1 2



3 4







 



 

Bar. Sx.

Bs. Sx.

T. Sx.

   







 

A. Sx.





3 4

B. Cl.

1 2



E

E♭ Cl.



R

Cbsn

O

1 2

1 Ob. 2 3

3 4

259

U

Fl.

1 2

Bsn

SA L

 

R

Picc.

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

SC

104

 

  

 

264


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

 

        

  

 

  

  

   

  

   

  

English Horn

      



 



 

 



 

 

 





 

  

    

 

Hp

Pno

Timp.

Vib.

Chm.

Xyl.

Perc. 4

Perc. 5

Crt.

  

 

 

  

   



 

F♮ A♯

 

 





  



 

265

     

  

 









 

    



 

 



 





 

 

 

 E♭ B♭

  



 

 



 



 



 

 

 

 





 

 









 





 

  



 



 

 

 











 

 



   

 

   

  

  

 

 

  



 

   





 

 

  

 

 



  





 

 

















 

  



                                                                                                       

              







 

 

 

 



  



  









    

  

  



 



  

  

 



PE

D. B.

E

3

R

Ob.

O

1 2

 

SC

3 4

U

Fl.

R

1 2

SA L

 

265

Picc.

105

  

Glockenspiel

  

 

  

  

  



  



266

     

267

 

     

     

 

268

 

     

     

269

     

 

 

270



  









     

271

     

 

272

  





      

  

  

273

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Cbsn

E♭ Cl.

3 4

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

F Hn

 

  

Euph.

     

 

Hp

Pno

Timp.

Vib.

Chm.

Xyl.

Glock.

Perc. 5

Crt.

 



 

    

 





 

 

 

Full Score (Transposed)



 

274

 

 







 

275

  

  

 

               



      



    

276

  

     

  



     



 

 

                

     



 

      

 

 

a2

 



 

 



      

          

 

    



  



  

 

 

 

  

 

         

 





  



    

     

     

    

  



 



       

      

      

   

                    

 

 

 

 

  

 

 

       

     

  

  

 

  

 

 



   



  



    

        

     

     

  

 

to Field Drum

   

  

  





  

 

          



                    

 

   

 

   

 



  

 

      

to Large Sus. Cym.

to Bass Drum

       

to Celesta

                             

   



                

  

to DRUMS

      

 

                



  

      

  

 

   

      



    

                                      

a2 senza sord.

 

  

a2 senza sord.



     



PE







  

 



        

  

  



  



    

B. Tbn.



1 Tbn. 2 3



3 4







 





B♭ Tpt



 

 

1 2

D. B.

 

3.

 

3 4

Tba



 

Bar. Sx.

1 2



R

B♭ Cl.

Bs. Sx.

 



   

1 2

B. Cl.





     

R

1 Bsn 2



SC

Eng. Hn

     

SA L

1 2

U

3 4

Fl.

Ob.

E

277

 Picc.  1 2

                            a2             a2                    

O

106



  

 

277

278

279

280

281

282

283


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 2 Tbn. 3

B. Tbn.

Euph.

Tba

 

        

     

   

 

 

  



 

    

  pizz.   

 

 

Hp

Pno

Timp.

Vib.

Chm.

Xyl.

Perc. 4

Perc. 5

Crt.

  

 

     



 

  

    

   

      

             

 

solo(w/sticks)                      3

3

284

    

3

DRUMS

   

  

  







 

 

 





     

 

 

 

3

  

Bass Drum

285

 

 

 









 

  

   arco   marc.  

     

 

 

 

legato

   marc.

      

 

 





 

 bring out   bring out

 

 

  

286



 

 

 

   

 bring out a2 

 bring out     

 

  

 

  bring out a2

  bring out 

 

    

 

a2

 

Celesta

 

 



  

  

                       a2       bring out     

 





 

   









 

      



  

Large Sus. Cym.

3



              

  

(Bongos)                       

3



   

   

    

     

       

         



  

 

    

  

 

 

  

 

   

  









 

 



 







                                                                                                                                                                                                   

      

   

      

 

    

  

  

  

    

 

   

 

  

 

  

PE

D. B.

 



   





 

287

 

   



 











                   

  

   

 

    

 

 

   

  

  

   



    

 

      

 

    

 



    

  

 

 

 

 

 

   





   

 

 

 

  

 



  

 

   

288



 

 



 

 

 

 

  

  

  

   

 

 

   

  

 



 





 



 

  

   

 





    



 

 



 

    

 

  



           

    

 

 

    

  

  

E

Eng. Hn



R

1 2



O

Ob.

   

 

SA L

3 4

 

U

Fl.

R

1 2

286

SC

 Picc. 

107

 





 

     

       

289 Full Score (Transposed)


E♭ Cl.

1 2

B♭ Cl. 3 4

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

F Hn

   

3 4

B♭ Tpt

3 4

1 2

Tbn. 3

B. Tbn.

                   

 

 

 

  

a2

a2

 

 

    

    



   

 

 

  

 

  

 

  a2   



 

  

  

 

 

                   

  

D. B.

Hp

Cel.

Timp.

Perc. 1

Chm.

Xyl.

Perc. 4

Perc. 5

Perc. 6

 

 

 

   

 

 

  

 

   

 



Full Score (Transposed)





 



choke sempre

           

 

 

    

 

   

  

  

 

   

      

 

 

 









     



     

 

 

 

              

290

      

  

 



 



 

     

 

    



293

 

          



 

 

    

 

 

 

 

 

 



 





   



        

 

   

 

    

    

   

 

 

 

    







  

    

 

PE

Tba

                 a2               

       

1 2

Euph.

 

       

 



 

 

 

 

  



    



291



  

 

    

 

 

  

 



 

   

 

         



 



 



 

 





          



292

     a2

    

  

       

 

   

               

   

               

   

                



     

   

 

   

                 ( ) a2

 

 play any multiphonic    play any multiphonic    play any multiphonic    play any multiphonic    play any multiphonic     

 



 

 

 





                

               

                 

 



  

 





 

 

 

  

 

 

  





         

   

   

   

Field Drum

 



       



293

   

 

  

          





 

4.







 

       

                                

 

  

   

     

   

  

   

 

 

           

 

  

 

  

 

      



 

 

   

 

  

 

 

   

                        

294

 

    

   

 

   

 

 

 

         

 

 

 

 

   



              

  

 

            

  

 

 

 

 

 

 

 

 



                     

 



    

    

                            

  

    

 

    

  

                  

      



         bring out!   

   





                    3.   

   

                                                                                                 

     a2

   

    

SC

Cbsn

1 2



SA L

1 2

Bs. Sx.

   

U

1 2

Eng. Hn

B. Cl.

                 

R

3 4

Bsn



                                                                                                                                                              

Fl.

Ob.





E

1 2

     

R

 Picc. 



THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

O

108

           

295

  

 

  

     

 


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

     a2

3 4

       

1 Ob. 2

Eng. Hn

1 2

Cbsn

 

    

E♭ Cl.

    

3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

  

B♭ Tpt

3 4

 



  

3

  

   

     

 

a2

a2

  

  

 

  

 

   



 

 

 

            

 

Hp

Cel.

Timp.

Perc. 1

Chm.

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

 

 

 

 

     

   

  

 

  

 

 

 

         

  

 

 

 

 

  

 

296

        

   





 

 



            

  

  

           

 



 

   

 

 

 



           

 

   

             





 

 

        

   

   





 

   

   

 

 

   

                               

 

 

 

 

 









        

 

 

  

  

  

 

          

  

   

 

      



 

 

                                          297

 

  

 

   

 

   

    

  



 



  



              

   

 

 

 

  



 

 

                                    



         

 

  

 highest pitches!        

                    



   

 

 



 

                  

  



        

  

       

                                

PE D. B.







 

 





  

                          









        



 

   



           

 

 

         

B. Tbn.

 

  

       



 Tbn.

   

    

 



 

      

 

    

1 2

Tba

  

                               

1 2

Euph.

      

a2

    

B♭ Cl.

   

                        

   

a2

1 2

 

R

Bsn

   

     

      

    

    299  = 160       highest pitches!        

SA L

Fl.

   



U

1 2

       

     a2

  

 

298

       

   

   

   

      

 

   

   

 

   

   

   

 

 

  

   

  

     

     

 

 

 

 

 

 

 

 

 

gliss ad lib.

  

          to Xylophone     





 

 

to Glockenspiel

299

G♮ A♭

  

 







 

  

to Piano

 

   

    

                 

   

    

  

    

 

   

  

    

    

     

E

a2

      

R

    

   

109

O

       

accel. poco a poco

SC

  Picc.    

highest pitches!

        







   

  

 

Small Tam-tam

 



 

  

300

Full Score (Transposed)


B♭ Cl.

1 2

S. Sx.

  

 a2   

  

B♭ Tpt

1 2

Tbn. 3

B. Tbn.

Euph.

 

    

Pno

Timp.

Perc. 1

Chm.

Xyl.

Glock.

Perc. 5

Perc. 6

  

              Xylophone                Glockenspiel              

 

 

Full Score (Transposed)

301

    

   

   



        

  

 



       

 



   

  

  

   

      

 

 



 

       

        

 



  





                         

 

 

 



     

 



   



              

             

                                   



 

         

   

        



       

   



   



    

   

  



 

    

  

 

 









 

 















                





 





                 



  





  

 

 

  

  

      

                            







   

   

 

  

      

302

303

304

305

306

 



  

                

 



 



    

  

 

  

  

  

     

  



    



 

 



                 





   



                            

   



 



         





   







          

   

 



 

   

    

  

    





 



 



                               

             

 



 

Piano

 









 



PE Hp









  

                            

         

 

   

a2

    

        

a2

      

3 4

  

a2

                        

 

  

1 2

 



U

Bar. Sx.

D. B.

  

  

T. Sx.

Tba

a2

  

A. Sx.

3 4

                

Cb. Cl.

F Hn

  

3 4

1 2

a2



   

                         

E

                

1 2

         

E♭ Cl.

Bs. Sx.

   

          

   

R

1 2

Cbsn

B. Cl.

a2

      

Eng. Hn

Bsn

 

    

   

          

SA L

1 2

   

   

R

Ob.

   

SC

            Picc.   a2          1   2   Fl. a2   3       4    

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

O

110

 


Bsn

 

1 2

Cbsn

1 2 B♭ Cl.

Cb. Cl.

S. Sx.

Bar. Sx.

  

   



  

    

B♭ Tpt 3 4

3

Euph.

Hp



 

  

 

   

 







Pno

Timp.

Perc. 1

Chm.

Xyl.

Glock.

Perc. 5

Perc. 6

 





      

   

  

  

                    

 



  



  

307



  

 

   

    

 

 



 

 

  

 

 

   

   

 

 

      

     

    

 

 

  a2





 



 



 











 

   

    

      

 





  

 

   

   

    

    

      

   

     

308



 



      

  a2

  a2

    a2

 

 

 

 

 

   



 











 



    



 

 

309



to Medium Sus. Cym.





 

             

   

   





 





 

   

   

  

  

 

 

     

 

     

  

 

  

    

  

 

 





 



 



 

 

     

 

 



 

      



 

    



   



   

    

PE





  





 

   

 





   







 

 

  

B. Tbn.

 



 

Tbn.



 



 

1 2



    

1 2

 

 

  

3 4

D. B.

 

 

T. Sx.

Tba

 

 

A. Sx.

F Hn

  

  

1 2

1 2

 



  

3 4

Bs. Sx.



  

E♭ Cl.

B. Cl.



  



 



 

 

 

 



 

  

  

       

  

to CYMBALS

 



 

   

  

    

  

   

 

  

  

 





       

   

 



 

         

 

        

 

  







 

 

 

 



 

 

  

 

  

   

  

 

 



     

    

         



 

 

  

  

310

311

312

    

 



  

   

       

 



 



    

          



 

          

 

 



  

  

 

     





 

 

 

 

 

 



    

  

 

 

 

   

    

  

 

  







           

 

 

 

   

 

 

  

    

 



 



 



 

 

 

  

  

 

   

 

    

 

 

  

  

 

 

 

 

 

 

 

 

  

 

  

    

  

313

  

  

  

  

  

   

  

 





 

 

 

 

 

 

314

      

 

 

  

  

   

  

  

 

 

  

 

 

   

  



a2

 

a2

 

 

a2

   

 

   

  



   



   

 

 



 

E

Eng. Hn

  

     



 

111

R

1 2

a2

  



R

Ob.



   

 

  

O

3 4

a2

 

SC

Fl.



   

SA L

1 2



309

U

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

  

    

Full Score (Transposed)


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

Eng. Hn

1 Bsn 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn

 

 

        

  

3 4

1 2

B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

  

 Tba  

 

  

   



  

     

        

   





Hp

Pno

Timp.

Perc. 1

Chm.

Xyl.

Glock.

Perc. 5

Perc. 6

    

 

   

 

  

 

  

   

  

Full Score (Transposed)

315

        

316

            

   

 

     

 

 

            CYMBALS

317

 

        

 

Tambourine

318

   

   

   

    

   

          

   

               

    

   

     

 

          

      

                         

   

    

Crash Cymbals

solo, rock and roll!

   

                  

          

Medium Sus. Cym.



     

                            

           



   

                 

           



319

 

   

   

    

   



            

    

           

 

    

     

   

       

            

             



to Tambourine

    

   

     



to Crash Cymbals



   

 

     

        

        

   

    

                       

        

 

            



   

   

  

     

   

                           

 

   

    

         

       

 

             

    

   

     

          a2

            

 



          

      

             

                        

 



a2

       



                                                   



        

                      a2

  

  



   

                    

3.

  

a2

            

a2

PE

D. B.

 

   

    

    

             

               a2                

 



       

   



    

   

      

   

320

    





             

        

    

    

  

        

   

    

   

        

      

 



  

  

  

        

    

   

   

        

  

   

                         

      

       

  

    

  

        

  

   

  

      

E

1 2

        

a2



  

   

R

Ob.

319

SA L

3 4

   

U

Fl.

R

1 2

    

     

O

   

 Picc. 

SC

112

  



 

   

  

  

  

    

   

   

  

   

  

  

       

        

      

      

   

  

       

    

  

        

        

        

           

             

           

                          

  

   

   

       

  

  

   

    

     

      

  

   

                

        

         

                              

   

  

      

  

    

 

   

    

    

 

   

    

  

   

  

  

        

    321

  

   

  

      

        

to Tom-toms

      

322


THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

 

  

a2

  

  

1 2

  





a2

3 4

 

B. Tbn.

   

   

 

       











 

    

   

   

   

 

  





Hp

Pno

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

  

   

 

 

  

   

 

 

323

 





 

a2

 



  





 

 









 

 



 



 

 

 







 

 





a2

 

  

1.2. a2

3.

   



 

 





  



 

 





 

a2

 

   

  

 

 

 

 





 



 

 

 

325

 

  

  

  

 

  

  

   

   

 



  

  



 

  

 

  

 

  

  



  

  

  

 

 

   

 

 

    

  

  

    

  

  

   

     

326

 

  

 

     

  

  

  

  

  

 





  

  

 

 

 

 

   

  

  

           

 

327

  

 

    

 

 

  

 

 

    

  

  

  

  

  

        

   

  

    

  

   

 

 

  

  

   



 

   

  

             

 

 

  

  



  

328

       

 

  

  



   

              

    

  

  

 

 



 

  

 

           

  

  



 

  

  

  

      

  

 





  

  

 

  

           

  

 

  

  

  

  

     

    

    

  

 

  

   

 

 

329



 



   

  

     

  

   

          

    

 

     

  



   

    

 

  

    

 

 

      

     

  

 

   



   

  

 



  

 

 

324



 

     

 





    

 



 





 

 

 

 



         

  

 

 



 

 

 

 

   

 



       

   

  

 

 





             

E



   

PE

 

 



 

 

  

  

 

    

 

 

Euph.

       

 

1 Tbn. 2 3

 

 

a2

   

B♭ Tpt

    

 

  

3 4

  

 

 

 



             

 

 

 

R



 

Bar. Sx.

D. B.

 

 

T. Sx.

Tba

 

 

A. Sx.

 

a2

 

S. Sx.

F Hn

 

 

Cb. Cl.

  

a2

 

1 2

 

 



327

O

3 4



 

B♭ Cl.

1 2



 

1 2

Bs. Sx.

  

E♭ Cl.

 

  

 



 

1 2

Cbsn

B. Cl.



a2

 

Eng. Hn

Bsn

a2

 



SC

1 2

    

 

SA L

3 4

 

R

Fl.

1 2

Ob.

    

U

 Picc. 

113

   



  

 

  

   

 

 

    

  

  

  

  

  

       

 

 

    

  

     

   

          

  

 

 

 

 

  

  

       

    

   

    

     

 

 



               

    



    

 330

 

  

 



   

         Tom-toms

Full Score (Transposed)


Eng. Hn

Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

 

        

     

  

  



 

 

 

  

 

 

 

 

 

 

 

 

    

    

   

 

 

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

Perc. 6

 

     

 

 

    

 

  

  

 

   

 

 

 

 

                              

   

Full Score (Transposed)

 

331



a2

    



    

   

 





  







 



 

  

 

         to Large Tam-tam                                              

 

332

  

333



 



   

 

                    



 

 

 



     

 



 

 



to Chimes

334

  



 

  

 

  

  

     

335

 

 

  



  

   



 

       

 

 

 

 

 

 

 

 

 

               

               

336

337

   

 

  

 



                                                              

 

  



 





    



   

 

 

 

 gliss ad lib. wildly!



 

   



                  



     

 



     

      



 



 

      

          

 

 

      

 

  

 



    









 



Timp.

  

 

           



   





Pno

 

 

   







Hp











    



 



     

 





   



  





 

      

 

   





    

 





     

 

 





      

 

 

 







       



  

 

 







 

PE

D. B.

 

E

1 2

  

333

R

Ob.

O

3 4

   

SA L

Fl.

U

1 2

  

 

R

Picc.

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

SC

114


Bsn

1 2

Cbsn

E♭ Cl.

1 2 B♭ Cl. 3 4

B. Cl.

1 2

Cb. Cl.

S. Sx.

A. Sx.

T. Sx.

Bar. Sx.

Bs. Sx.

1 2 F Hn 3 4

1 2 B♭ Tpt 3 4

1 Tbn. 2 3

B. Tbn.

Euph.

Tba

 

        

     

  

  

 

 

 



    







             

                







  



 

 

   

       

           

Chimes



    

 



 



                Large Tam-tam

338

 

  









 

 

   

       

             

 

 



 



 

 





                 



               







 

    

              

                    

          

                

                

gliss. as long as possible!      

 

 gliss. as long as possible!          



 

 

 



 



 





 

           

339

340

 

 

 

 



 

 





 



 

                 

341

 

 

 

   

   



   

           

a3      

115

 

                                                                                                                                                                                                                              

 

             

               





 

 







 



 

 

 

    







 

 





 

  

 

 





                  



 





 

               





Perc. 6

 



Perc. 5

  



Perc. 4

a2         a2  

            





     



                





  



Perc. 3

 











Chm.





Perc. 1

          









Timp.

   

 



Pno

 

 



           

 

 

 



 



Hp

           

 

 

 



         

                   

 

  





  

 

 



PE

D. B.

 

            

           

E

Eng. Hn

    

R

1 2

            

         

O

Ob.

             

              

 

SA L

3 4

       

U

Fl.

            

    

R

1 2

         

SC

 

 Picc. 

THE SUM OF ALL THINGS (SYMPHONY NO. 1) - IV. Scherzo Frenetico

   

        

           

342

Full Score (Transposed)


Turn static files into dynamic content formats.

Create a flipbook