Thompson | My Dungeon Shook

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My Dungeon Shook for solo piano

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Joel Thompson 2020

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PE U SA L R

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commissioned by Benjamin Hopkins

Instrumentation

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solo piano

Duration: 7'

First printing, December 2023

Copyright ©2020 Joel Thompson. All Rights Reserved.

Published by Just a Theory Press | www.justatheorypress.com

commissioned by Benjamin Hopkins

My Dungeon Shook Three American Preludes

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7

PE

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     

Totentanz

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(2020)

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



Joel Thompson

© Copyright 2020 by Blackmaninoff Publishing

20 August 2020

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23

PE

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16

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13

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29

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SA L

SC O

32

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        

35

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U



Totentanz

R



4

 39          

sub.

 



            

   

 

              

rall. molto                                     

      

 

 

      



E

R

SC O

PE



SA L



42

U





5

                                                                                                         [43]                                                      sempre                                        46                                                                                                                 49                                                                                                             [50]                                                                                                                        Aggressive  = 80

R



Totentanz

E

R

SC O

PE



SA L



U



Totentanz

R



molto rall.        vulnerable  53                                                                                                  Tempo I  = 108 57                                                                                 61                                        cresc.                                                             65                                                                                                                        68                                                                                                                   6



E

SA L

SC O

R

     76                                                                                                                             

80

PE



                



7

                                                            

U



 

        

R



        

72

Totentanz

                 

83

                  

               

                

  

               

                     

                      





                         

with forearm

8











              5                                                                       

SC O

R

E



                                                                                  

SA L

9

 

13

 





   

PE







                                    



poco rit. A muted cry  = 60

              

      

U







R





 

Numb, yet feeling  = 74

Lacrimosa

 

                                                              

19

Tempo I  = 74



         

    

 



                             











  

 



  







SA L

 

 

E

  

      

             

R



         

SC O

     

27









                                                                             

32

PE



                                                                                    

23

U



9

R



Lacrimosa

                                       

36

  

 

 





                 









 

10

 





E

R

SC O

SA L

          

 



                                                       

U



17

PE



Patriotically  = 60

R



                                                                                                                    6                                                                                                                                         11                           sub., dazed                                        





L’homme agenouillé

                                                                                

20

   



 

                                      

         



SC O

R

E

rit.                                                                                                                

29



  VI- * Steady  = 108                                                                          

33



38



       

   

PE



  

     

11

SA L



   

 

U



 

violent

 

R



      

23

L’homme agenouillé

   

  

 



   

   



 

              

rall.

  

      

                                         

44



* The performer may choose to cut to m. 50

-DE

hold until sound dies completely

R

PE U SA L R

SC O

E

R

PE U SA L R

SC O

E

E R SC O SA L U R PE www.justatheorypress.com