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Stafylakis | The Sharp End

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Haralabos [Harry] Stafylakis

The Sharp End

for Saxophone Quartet 2009

TRANSPOSED SCORE

PERUSALSCORE

Haralabos [Harry] Stafylakis

The Sharp End

Program Note:

The Sharp End was composed during my 2009-10 residency with the McGill University Saxophone Quartet, under the direction of Abe Kestenberg. Having had ample time to work with the ensemble, to explore their repertoire of music, techniques, and timbres, I set about developing a piece that attempts to take advantage of the “woodwindesque” lyricism and sweetness, as well as the “brassy” power and raucousness of the instruments.

Throughout the work, I sought to emulate the sound and syntax of progressive metal-style electric guitar writing, with a preponderance of power chords (open 5ths and their inversions/extensions), ostinati, jagged rhythms, and asymmetrical meters. There is often an implication of a strong backbeat, where an imaginary drumkit would typically carry the rhythmic momentum

The Sharp End was premiered by the McGill University Saxophone Quartet on March 27, 2010 in Redpath Hall, Montreal, Canada.

Duration: ca. 12 minutes

PERUSALSCORE

Published by Just a Theory Press, L.L.C. www.justatheorypress.com

The Sharp End Copyright © 2009 Haralabos Stafylakis (ASCAP for the USA, SOCAN for the World) & Staves Obsidian Publishing (ASCAP). All Rights Reserved. . Program note Copyright © 2009 Haralabos Stafylakis. All Rights Reserved. For more information, visit www.hstafylakis.com

of this edition, December 2022

—Haralabos [Harry] Stafylakis 2009

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

Moderato ( q = 104 )

to Abe Kestenberg & Alana Goldscheid, Micah Langer, Paula Arzac, and Samantha Parent.

e Sharp End [ 2009 ]

I. Prologue

Copyright © 2009 Haralabos Stafylakis (ASCAP for the USA, SOCAN for the World) and Staves Obsidian Publishing (ASCAP), all rights reserved. Published by Just a Theory Press | www.justatheorypress.com

Haralabos [Harry] Stafylakis (b. 1982)

*One way to obtain the sound desired here is to play with less breath support than usual. Also, try relaxing the jaw and backing off the mouthpiece a bit.

II. The Story

PERUSALSCORE

III. Epilogue

Poco più mosso ( q = 108 )

PERUSALSCORE

PERUSALSCORE

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