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Stafylakis | String Quartet No.3: Emergence

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String Quartet No. 3: Emergence

for string quartet

I. Something from Nothing

II. Equilibrium

III. Into Nothingness

Haralabos [Harry] Stafylakis

2015, rev. 2016

PERUSALSCORE

String Quartet No. 3: Emergence

for string quartet

I. Something from Nothing

II. Equilibrium

III. Into Nothingness

Haralabos [Harry]

Stafylakis

2015, rev. 2016

PERUSALSCORE

Program Note

Emergence was composed for the Quatuor Bozzini and premiered at Simon Fraser University in Vancouver, Canada on June 2, 2015.

It is set in three movements or episodes that – through their material and emotional/psychological trajectories – formally describe three states of being:

I. Something from Nothing

II. Equilibrium

III. Into Nothingness

—Haralabos [Harry] Stafylakis, 2015

Instrumentation

String quartet

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Duration: 15 minutes

First printing, March 2025

Copyright ©2015 Haralabos Stafylakis. All Rights Reserved. Program Note Copyright ©2015 Haralabos Stafylakis. All Rights Reserved Published by Just a Theory Press | www.justatheorypress.com

[throughoutthepiece,nonvib.shouldbethedefaultplayingstyle,with somevibratousedonlongernotesforaddedintensity,attheplayers'discretion]

crisparticulations,exaggeratedaccents

fcrisparticulations,exaggeratedaccents

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crisparticulations,exaggeratedaccents

bœœbœœœbœœœœœœœœœœœ bœœ

crisparticulations,exaggeratedaccents

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s.p.,onthestring

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(strongaccents,markbeginningofmeasures)

(strongaccents,markbeginningofmeasures)

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(transitionsbetweensustainedandtremoloshouldbesmooth,legato)

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emulateguitardistortion,butwithsolidfundamental (tenutonotesheldforfullvalue)

(slide/benduphalf-stepthroughout, emulateguitarbend)

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(slide/benduphalf-stepthroughout, emulateguitarbend)

(slide/benduphalf-step,emulateguitar bend;matchwithVla.&Vc.)

(slide/benduphalf-step,emulateguitar bend;matchwithVla.&Vc.)

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Theotherplayersremainin5/8me,q=72:Vln.Imaintainsconstant16ths,butmaydrifromVla.&Vc.; Vla.&Vc.shouldremaintogetherunltheyfadeout.]

extremelylight,airy

varybowposition,speed,angle,andpressurethroughoutpassage,creatinganincreasinglytorturedsound

keepmovingbowtowardbridge,allowingthe soundtograduallydieawayintoasoftfriction

keepmovingbowtowardlefthand,allowingthe soundtograduallydieawayintoasoftfriction

keepmovingbowtowardlefthand,allowingthe soundtograduallydieawayintoasoftfriction

onbridge (trailoffintosilenceatyourownrate)

barelyanypitchleft...

barelyanypitchleft...

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