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2023

GENERAL- Vibrato should be kept to a minimum.
BOXED TEXT - Each individual singer should sing this type of text in their own tempo and rhythm.


ALEATORY - Continue boxed musical gesture for the duration of the arrow.

SMALL ARROW - Gradual change over time.

BODY PERCUSSION - Can be assigned as the ensemble sees fit, including the subdivison and assignment of sections of the percussion parts. There should be at least two people on each line of the part at all times.
CHORAL CHANT - Should be as close to speech rhythms as possible, except where indicated.
First Seed (Text by Michael Pollan) (Desire- Now came roses that resembled aroused nymphs, tulip petals in the shape of daggers, peonies bearing the scent of women.) In time human desire entered into the natural history of the flower, and the flower did what it has always done: made itself still more beautiful.
Magnolia (Text by Kamala Sankaram) Evamaria was the first woman to bring forth yellow, Cross Yulan and cucumber tree.
Second Seed (Text by Michael Pollan) We gazed even farther into the blossom of a flower and found something more: the crucible of beauty, if not art, and maybe even a glimpse into the meaning of life.
Hatazakura (Text by Roy Lancaster) Petal, sepal, bract, leaf It grew in a garden beside the road, its branches soaring above the boundary wall in a great wave, which in spring carried an abundance of pink single blooms ahead of the coppery emerging leaves. Bold and brazen in the sheer exuberance of its blooming. I enjoyed it then, delighting in its exuberance and charm, and was always sad to see its brief spring beauty fading Come autumn its leaves changed from green to a blaze of bonfire shades that burned ever brightly and then were gone, leaving only the bare branches dark against the sky. Its appearance each springIts leaves staining red the black forest and lighting like flares the gray mist of dawn. Its fragility and brief appearance remind the poets in us: Beauty is fleeting; life should be lived to the full.
Third Seed (Text by Michael Pollan) Our grammar might teach us to divide the world into active subjects and passive objects, but in a coevolutionary relationship every subject is also an object, every object a subject.
Weeping Beech (Text by Kamala Sankaram) Weeping We tattoo We possess We carve Into the beech, not an inch of bark unspoiled — Jose and Liz. Alhue loves Rina Melissa, J + K, Amalia y Carlos, Tamaka, Dee, Mum, MKA 55, Diego Heaven
Fourth Seed (Text by Michael Pollan) It has become much harder, in the past century, to tell where the garden leaves off and pure nature begins
Dawn Redwood (Text by Kamala Sankaram)
Straight Red Needles like fossils
Like living fossils Forgotten Alone for millions of years
Dawn Redwood (Metasequoia glyptostroboides) Hidden in Hubei, Shuihsu Valley. Once, the valley was covered with forests, Now, one last stand still standing straight, red, hidden, but alive. Through ice, through war, hidden, but alive. And so we gathered the lentil-sized seeds, The first to grow here for two million years.
Fifth Seed (Text by Michael Pollan)
We are shaping the evolutionary weather in ways Darwin could never have foreseen; indeed, even the weather itself is in some sense an artifact now, its temperatures and storms the reflection of our actions. For a great many species today, “fitness” means the ability to get along in a world in which humankind has become the most powerful evolutionary force. Artificial selection has become a much more important chapter in natural history as it has moved into the space once ruled exclusively by natural selection.
ManGrove (Text by Michael Pollan) That space, which is the one we often call “the wild,” was never quite as innocent of our influence as we like to think…
Partly by default, partly by design, all of nature is now in the process of being domesticated— of coming, or finding itself, under the (somewhat leaky) roof of civilization. Indeed, even the wild now depends on civilization for its survival.
Taking Root (Text by Kamala Sankaram) Desire. Protect the wild spaces. Protect the seas and the forests. Protect the mangrove and the beech.
Michael Pollen text adapted with permission from the Botany of Desire
Roy Lancaster text adapted with permission from the introduction to Japanese Flowering Cherries
Instrumentation
SSATTBB Ensemble
Duration: 20'
First printing, March 2024
Copyright ©2023 Kamala Sankaram. All Rights Reserved. Program Note Copyright ©2023 Kamala Sankaram. All Rights Reserved Published by Just a Theory Press | www.justatheorypress.com
TextbyMichaelPollan
forSSATTBVoicesacappella
Singtheboxedtextonthegivennoteatyourownpace.Youmaychoosetorepeat thetextexactlyortorepeatonlycertainwords.Tenor1cuestheswitchtothenext measure.Ifthenextmeasurecontainsarest,restartthetextatyournextentrance.
Desire.Nowcamerosesthatresembledarousednymphs,tulippetals intheshapeofdaggers,peoniesbearingthescentofwomen.
Desire.Nowcamerosesthatresembledarousednymphs,tulippetals intheshapeofdaggers,peoniesbearingthescentofwomen.
Desire.Nowcamerosesthatresembledarousednymphs,tulippetals intheshapeofdaggers,peoniesbearingthescentofwomen.
MusicbyKamalaSankaram
intheshapeofdaggers,peoniesbearingthescentofwomen.
Desire.Nowcamerosesthatresembledarousednymphs,tulippetals intheshapeofdaggers,peoniesbearingthescentofwomen.
Desire.Nowcamerosesthatresembledarousednymphs,tulippetals intheshapeofdaggers,peoniesbearingthescentofwomen.
flow'r. made mf itself - stillmorebeauti - -ful. beau- tiful.
flow'r.
made mf itself - stillmorebeauti - -ful. beau- tiful.
didwhatithasalways - done: made mf itself - stillmorebeauti - -ful. beau- tiful.
didwhatithasalways - done made mf itself - stillmorebeauti - -ful. beau- tiful.
made mf itself - stillmorebeauti - -ful. beau- tiful.
made mf itself - stillmorebeauti - -ful. beau- tiful.
Exuberant
q=112 18
Attacca .
Ee f -yeh
MusicandtextbyKamalaSankaram & & .
& ‹
Ee f -yeh
Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Ee f -yeh, eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Ee f -yeh, eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh, - eeyehEeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Ee f -yeh Eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh, - eeyehq=112 & & & & ‹ & ‹ ? &
B. Snaps Claps
Snaps Claps
eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh, - eeyeh, - eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh - Eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyehEeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh, - eeyeh, - eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh - yehyeh E p -vamar - -i-awasthefirstEva - -mari --awasthe
Eeyeh, - eeyeh - yehyeh Eva p - -mari --awasthefirstEva - -mari --awasthe
Eeyeh, - eeyeh - yeh yeh
Ye{lele>] pp subito
Beginwith"Ye"andcontinueonleleinyourowntimeuntilyouneedabreath. & ‹
Eeyeh, - eeyeh - yehyeh
Ye{lele>] pp subito
Beginwith"Ye"andcontinueonleleinyourowntimeuntilyouneedabreath.
Eeyeh, - eeyeh - yeh yeh
Eeyeh, - eeyeh - yeh yeh
Ye{lele>] pp subito
Beginwith"Ye"andcontinueonleleinyourowntimeuntilyouneedabreath.
Ye{lele>] pp subito
Beginwith"Ye"andcontinueonleleinyourowntimeuntilyouneedabreath.
first Eva - -mari - -awasthefirst Eva - -mari - -awasthefirstthefirst
Ye{lele>] thefirst
Ye{lele>] thefirst
Ye{lele>] thefirst
Ye{lele>] thefirst
B. Snaps Claps first Eva - -mari - -awasthefirst Eva - -mari - -awasthefirstthefirst
S.2 A.
Ee f -yeh Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh38 Ee f -yeh, eeyeh - eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyehEe f -yeh, eeyeh, - eeyeh, - eeyeh, - Eeyeh,
B. Snaps Claps
Ee f -yeh, Eeyeh, Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyehEe f -yeh, eeyeh, - eeyeh, - eeyeh - Eeyeh, - Eeyeh
B. Snaps Claps
Snaps Claps
eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh, - eeyeh, - eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh - Eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyehEeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh, - eeyeh, - eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - eeyeh - yehyeh
mp -vamar - -i-awasthefirstwoman - Eva - -mari --awasthe
Eeyeh, - eeyeh - yehyeh E mp -vamar - -i-awasthefirstwoman - Eva - -mari --awasthe
Eeyeh, - eeyeh - yeh yeh Ye{lele>] p subito
Beginwith"Ye"andcontinueonleleinyourowntimeuntilyouneedabreath. & ‹
Eeyeh, - eeyeh - yehyeh Ye{lele>] p subito
Beginwith"Ye"andcontinueonleleinyourowntimeuntilyouneedabreath. & ‹
Eeyeh, - eeyeh - yeh yeh Ye{lele>] p subito
Beginwith"Ye"andcontinueonleleinyourowntimeuntilyouneedabreath. ?
Eeyeh, - eeyeh - yeh yeh Ye{lele>] p subito
Beginwith"Ye"andcontinueonleleinyourowntimeuntilyouneedabreath.
Ooh Eeyeh, - eeyeh, - eeyeh - Eeyeh, - eeyeh, - eeyeh - Eeyeh, - eeyeh, - eeyeh -
Ooh Eeyeh, - eeyeh, - eeyeh - Eeyeh, - eeyeh, - eeyeh - Eeyeh, - eeyeh, - eeyehEeyeh, - eeyeh, - eeyeh - Eeyeh, - eeyeh, - eeyeh - Eeyeh, - Eeyeh, -
Eeyeh, - eeyeh, - eeyeh - Eeyeh, - eeyeh, - eeyeh - Eeyeh, - Eeyeh, -
B. Snaps Claps
Ee mp -yeh eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Ee mp -yeh, eeyeh - eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Ee mp -yeh, eeyeh, - eeyeh, - eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Ee mp -yeh, yeh Eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Ee mp -yeh, Eeyeh, - Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Ee mp -yeh, eeyeh, - eeyeh, - eeyeh - Eeyeh, - Eeyeh - Eeyeh - Eeyeh, - eeyeh -
Eeyeh, - yeh
Eeyeh - Eeyeh - Eeyeh - eeyeh - eeyeh -
Eeyeh - Eeyeh - Eeyeh - Eeyeh, - eeyeh eeyeh - eeyeh -
Eeyeh, - Eeyeh, - Ee-yeh Eeyeh - Eeyeh - Eeyeh, - eeyehEeyeh, - eeyeh, - eeyeh, - Eeyeh, - Eeyeh, - Eeyeh,eeyeh - eeyeh - Eeyeh, - eeyeh, - eeyeh, - eeyeh - eeyeh& & & . .. & ‹ . & ‹ ?
Eeyeh - Eeyeh - Eeyeh - eeyeh, - Eeyeh, - Eeyeh - Eeyeh - Eeyeh -
Eeyeh - eeyeh - Eeyeh - eeyeh -
Eeyeh - eeyeh - Eeyeh - eeyehLoooh - Loooh -
Eeyeh, - eeyeh, - eeyeh - Eeyeh, - eeyeh, - eeyeh -
Eeyeh, - eeyeh, - eeyeh - Eeyeh, - eeyeh, - eeyeh -
B. q=80 102
Pe p -tal, sepal, - bract,leaf
Pe p -tal, sepal, - bract,leaf
Pe p -tal,sepal, - bract,leafPetal, - sepal, - bract,leafPetal, - sepal, - bract,leaf
Pe p -tal,sepal, - bract,leafPetal, - sepal, - bract,leafPetal, - sepal, - bract,leaf
B.
bract, leaf, leafIt mf grewinagarden - beside - theroad, 112
bract, leaf, leafIt mf grewinagarden - beside - theroad,
Petal, - sepal, - bract,leaf It mf grewinagarden - beside - theroad,
Petal, - sepal, - bract,leaf It mf grewinagarden - beside - theroad,
Petal, - sepal, - bract,leaf leafIt mf grewinagarden - beside - theroad,
Petal, - sepal, - bract,leaf leaf Pe mf -tal, sepal, - bract,
which mf inspringcarried - anabund - -ance ofpinksinglewhich mf inspringcarried - anabund - -ance ofpinksingle -
bract,leaf Petal, - sepal, - bract,leafleafofpinksingle -
leafPetal, - sepal, - bract, leaf leafofpinksingle -
B. which mf inspringcarried - anabund - -ance ofpinksingle -
leafPetal, - sepal, - bract, leafPetal, - leafofpinksingle -
bloomsahead - ofthecopper - -y emerg - -ing leaves.
blooming. - I
briefspringbeauty - fading. - fading. - Fad p -
briefspringbeauty - fading. - fading. - Fad p -
briefspringbeauty - fading. - fading. - Fad p -
briefspringbeauty - fading. - fading. - Fading - Fading - Fading, -
briefspringbeauty - fading. - fading. - Fading - Fading - Fading. -
pal,springbeauty - fading. - fading. - Fading. - Fading.
Pe p tal, - sepal, - bract,leaf
- sepal,Pe p tal, - sepal, -
Pe p tal, - se pal, -
Pe p tal, - se pal, -
bract,leafPetal, - sepal, - bract,leafPetal, - sepal, - bract,leaf
bract,leafPetal, - sepal, - bract,leafPetal, - sepal, - bract,leaf
p -tal, sepal, - bract,leaf
- sepal, - bract,leaf
B.
Pe p -tal, sepal, - bract,leaf
Pe p -tal, sepal, - bract,leaf
spring.Pe p tal, - se pal, - its mf leavesstaining - redtheblackforest - and spring.Pe p tal, - se pal, - its mf leavesstaining - redtheblackforest - and
Petal, - sepal, - bract,leafPetal, - sepal, - bract,the
blackforest -
Petal, - sepal, - bract,leafPetal, - sepal, - bract,the mf blackforest - and
pearance - reminds - thepoets - inus.
Petal, - sepal, - bract, leaf
Petal, - sepal, - bract, leaf
Petal, - sepal, - bract, leaf
B. pearance - reminds - thepoets - inus.
Petal, - sepal, - bract, leaf
mp y - isfleeting. - Lifeshouldbelivedtothefull.
y - isfleeting - Lifeshouldbelivedtothefull.
Lifeshouldbelivedtothefull.
MusicbyKamalaSankaram
Dadumdadumdadum
Dadumdadumdadum
Dadumdadumdadum
dadumdadumdadumDadumdadumdadum
dadumdadumdadumDadumdadumdadum
dadumdadumdadumDadumdadumdadum
dadumdadumdadumDadumdadumdadum dadumdadumdadum
dadumdadumdadumDadumdadumdadum dadumdadumdadum
dadumdadumdadumDadumdadumdadum
- subject - isalso - anobject, - ev'ry - object - asubject. -
Heep f heep!
Heep f heep!
Al mf hue - lovesRina. - Di f -e go - Tama - ka -
Al mf hue - lovesRina. - Di f -e go - Tama - ka -
Al mf hue - lovesRina. - Di f -e go - Tama - ka -
Al mf hue - lovesRina. - Di f -e go -
Alhue - lovesRina. - Di f -e go -
- ka -
- ka -
Alhue - lovesRina. - Di f -e go - Tama - ka -
Singtheboxedtextonthegivennoteatyourownpace.Youmaychoosetorepeatthetext exactlyortorepeatonlycertainwords.Movetonextchordaftersopranos'repeat.
Intothebeech,notaninchofbarkunspoiled,JoseandLiz.AlhuelovesRina Melissa,J+K,AmaliayCarlos,Tamaka,Dee,Mum,MKA55,Diego Heaven,Heaven
Singtheboxedtextonthegivennoteatyourownpace.Youmaychoosetorepeatthetext exactlyortorepeatonlycertainwords.Movetonextchordaftersopranos'repeat.
‹ Intothebeech,notaninchofbarkunspoiled,JoseandLiz.AlhuelovesRina Melissa,J+K,AmaliayCarlos,Tamaka,Dee,Mum,MKA55,Diego Heaven,Heaven
Singtheboxedtextonthegivennoteatyourownpace.Youmaychoosetorepeatthetext exactlyortorepeatonlycertainwords.Movetonextchordaftersopranos'repeat.
‹ Intothebeech,notaninchofbarkunspoiled,JoseandLiz.AlhuelovesRina Melissa,J+K,AmaliayCarlos,Tamaka,Dee,Mum,MKA55,Diego Heaven,Heaven
Singtheboxedtextonthegivennoteatyourownpace.Youmaychoosetorepeatthetext exactlyortorepeatonlycertainwords.Movetonextchordaftersopranos'repeat.
Intothebeech,notaninchofbarkunspoiled,JoseandLiz.AlhuelovesRina Melissa,J+K,AmaliayCarlos,Tamaka,Dee,Mum,MKA55,Diego Heaven,Heaven
Intothebeech,notaninchofbarkunspoiled,JoseandLiz.AlhuelovesRina Melissa,J+K,AmaliayCarlos,Tamaka,Dee,Mum,MKA55,Diego Heaven,Heaven
‹ Intothebeech,notaninchofbarkunspoiled,JoseandLiz.AlhuelovesRina Melissa,J+K,AmaliayCarlos,Tamaka,Dee,Mum,MKA55,Diego Heaven,Heaven
‹ Intothebeech,notaninchofbarkunspoiled,JoseandLiz.AlhuelovesRina Melissa,J+K,AmaliayCarlos,Tamaka,Dee,Mum,MKA55,Diego Heaven,Heaven
Intothebeech,notaninchofbarkunspoiled,JoseandLiz.AlhuelovesRina Melissa,J+K,AmaliayCarlos,Tamaka,Dee,Mum,MKA55,Diego Heaven,Heaven
totellwherethegardenleavesoffandpurenat ure - begins. -
harder,inthelastcentur - -y, totellwherethegarden - leavesoffandpurenatgardenleavesoffandpurenature - begins. Ithasgrownharder, It mp hasgrownharder, - inthelastcentur - -y, totellwherethegarden - leavesoffandpure It mp hasgrownharder,inthelastcentur - -y, totellwherethegardenleaves
Ithasgrownharder, - inthelastcentur - -y,
loneformillions - ofyears. Years. Did p -dut Diddut - Diddut -
loneformillions - ofyears. Years. Did p -dutDiddut - Diddut -
loneformillions - ofyears. Years. Did p
loneformillions - ofyears. Years. Years.
loneformillions - ofyears. Years. Years. p
loneformillions - ofyears. Years. Years. p
p
Still
standing - Straight Red. Hidden, - butalive. - Throughice.
Still mp standing - Straight Red Hidden, - butalive. - Throughice.
Still mp standing - Straight Red Hidden, - butalive. - Throughice.
Throughwar.Hidden, - butalive. - Hid
Throughwar.Hidden, - butalive. - Hid
Throughwar.Hidden,
-den, butalive.
And mp sowegathered - the
And mp sowe gathered -
And mp sowe Ooh lentil - sizedseeds,thefirstto growherefortwomillion - years.Andsowe gathered - the
thelentil - sized seeds, thefirstto growhere fortwomillionyears.
gathered - thelentil - sizedseeds,thefirstto growherefortwomillionlentil - sizedseeds,thefirstto growherefortwomillionyears.And
TextbyMichaelPollan MusicbyKamalaSankaram
We are shaping the evolutionary weather in ways Darwin could never have foreseen;
indeed, even the weather itself is in some sense an artifact now, its
temp'ra - tures - andstorms thereflect - ion - ofouractions.
temp'ra - tures - andstorms thereflect - ion - ofouractions.
CHORAL
For a great many species today, “fitness” means the ability to get a-
long in a world in which humankind has become the most
powerfulevolutionaryforce.
Artificial selection has become a much more important chapter in natural history as it has moved into the space once ruled exclusively by natural selection.
-vi-val. For its survi - -val. For its survi - -val.
Dur.Shouldbearound10s
Singtheboxedtextonthegivennoteatyourownpace.Youmaychoosetorepeatthetextexactlyortorepeatonlycertainwords.
Desire.Protectthewildspaces.Protecttheseasandtheforests.Protectthemangroveandthebeech. Attacca
Desire.Protectthewildspaces.Protecttheseasandtheforests.Protectthemangroveandthebeech.
Desire.Protectthewildspaces.Protecttheseasandtheforests.Protectthemangroveandthebeech.
‹ Desire.Protectthewildspaces.Protecttheseasandtheforests.Protectthemangroveandthebeech.
‹ Desire.Protectthewildspaces.Protecttheseasandtheforests.Protectthemangroveandthebeech.
Desire.Protectthewildspaces.Protecttheseasandtheforests.Protectthemangroveandthebeech.
