


![]()












12SolosforTrumpet,Cornet,orFlugelHornandPiano AcollaborationbetweenDiversifytheStandandtheRoyalIrishAcademyofMusic
EditedbyDr.CarrieBlosserandAshleyKillam EngravedbyErisDeJarnett




Fromthe RoyalIrishAcademyofMusic:
WearedelightedtopartnerwithDiversifytheStandonthisfirstcollaborationofnewmusicReSoundingProgressforTrumpetandPiano.AspartofRIAM’s175Strategy,andasadirect responsetoStrategicGoal1to‘InvestinAccessandInclusionforamodernRIAM’,wehavebeen reviewingoursyllabiwithaviewtofindingandcommissioningnewworksfromadiverserangeof artists.Thispublicationmarksoneofthefirststepsonachallengingandsignificantjourneyof change.AstepwhichwehereatRIAMrecognisetheimportanceof,notleastgivenourreachand influencewithteachersandlearners,artists,creatives,andaudiencesacrosstheglobe.
WewouldliketopayspecialthankstoAshleyKillam,CarrieBlosser,andthewiderDiversifythe Standcommunityfornavigatinganddrivingusthroughthisprocess.DiversifytheStandprovides accessibleeducationalmusicforyoungermusiciansbycommissioningcomposersmarginalized byrace,ethnicity,nationality,gender,andorientation.Weareprivilegedtobeabletopartnerwith themonthisproject,theresultbeingacollectionofinterestinganduniquerepertoireforlearners thatwillinspire,challenge,andsupportmusicaldevelopment.
ForushereinRIAM,theexperienceofcommissioningnewworksforbrassstudentshasbeenboth excitingandinspiring.DavidhasalreadybeenusingWindsOfChangefromDtSwithhisstudents overthelasttwoyears-themainmotivatingfactorinreachingouttoourfriendsinDiversifythe Standandsaying,‘Hey,here’sanidea…!’
Weareproudtoincludethesestellarmodernworks,bytalentedcomposerswhoareinteresting anduniqueintheirownright,eachdeservingoftheirplacewithinthiscollection;MelikaM. Fitzhugh,NiloufarNourbakhsh,TylerMazone,andHopeSalmonsonareallartiststhatyouwillhear morefrominthecomingyearsifyouarenotalreadyfamiliarwiththeirwork.
Wehopeyouenjoyperformingthesepieces,andfindthemasrewardingandfunaswedo!
BrendanBreslin&DavidCollins
Anotefrom DiversifytheStand:
DiversifytheStandbeganwhentwotrumpetplayers,AshleyKillamandCarrieBlosser,metin 2020.Theybothsharedapassionforwantingtoexpandstudenttrumpetmusicallibrarieswith piecesdifferentthanthestandardcannonperformedintrumpetrepertoire.TheDiversifythe Standteamhasgrown,andsohasitsmissiontobenowaresourcetoprovideaccessible,educationalsolosbylivingcomposerswithstudents,educators,andperformers.
WeareincrediblythankfultotheRoyalIrishAcademyofMusicfortheirdesiretocreatethisnew collectionoftrumpetsolos.TheRIAMteamwasfantastictocollaboratewith,andwelookforward tocontinuingtobuildaninternationalcommunityofperformersandeducators.
reSoundingProgressisacollectionof12newworkscommissionedforbeginnerandintermediate trumpetplayers.DiversifytheStandisthankfultohaveworkedwithfourincrediblecomposersMelikaM.Fitzhugh,TylerMazone,NiloufarNourbakhsh,andHopeSalmonson.Eachwrotethree worksthatareprogressiveindifficulty.Tothecomposers,wearethrilledaboutthepieceseachof youwroteandcannotwaittoseeyourworksonyoungtrumpetplayers’stands!
Weencourageperformerstoreadabouteachcomposerandtheinspirationbehindtheirpieces. Eachsolotakestheplayeronauniquemusicaljourney.
Weencourageyoutosupportlivingcomposers,andspecifically,herearetwogreatwaystosupportthereSoundingProgresscomposers: Purchasethebook!Profitsfromeachbooksalegobacktoeachcomposer. Programthesepiecesandemailthecomposer(s)aprogramfromyourperformance.Composers receivemoneyfromaperformanceroyaltyorganizationforeveryperformanceoftheirmusic. Sharingacopyofyourprogramcostsnothingasaperformerandissoeasytodo-composer’s emailsarelistedatthebottomofeachsolo,andtheywouldlovetohearfromyou!
HAVEFUN!Enjoytheprocessandlearnsomethingalongtheway.Weareexcitedforyoutouse thesepiecestofindyourmusicalvoiceandgrowasapersonandperformer!
Andasalways,what’sonyourstand?
Dr.CarrieBlosser&AshleyKillam
Anotefromour engraver:
Hi!I’mErisDeJarnett,Iuseey/theypronouns,andIengravedallthemusicyou’ll findinthisbook.BringingthistolifealongsidetherestoftheDiversifytheStandstaff, ourcolleaguesattheRoyalIrishAcademyofMusic,andourwonderfulcomposershas beenatruepleasure,andI’msothrilledwegettobringyouallthismusic.Everywhere wecan,we’vedoneourbesttoensurethemusicyouengagewithisclear,consistent, andbestdescribesthecomposer’sintentions,andwehopeoureffortsallowyouthe smoothestpossibleprocessfrompreparationtoperformance!
Iwishyoumanywonderfuladventuresasyouexplorethisbook’spages,bethey paperorPDF.Thankyouforaddingthesedelightfulnewworkstoyourrepertoire!(I haveafeelingyou’lllovethemasmuchasIdo.)
ErisDeJarnett

AnativeofStafford,Virginia,MelikaM.Fitzhugh(A.B. Harvard-Radcliffe,MusicTheoryandComposition; M.M.LongySchoolofBardCollege,Composition)has studiedconductingandcompositionwithThomasG. Everett,BeverlyTaylor,JamesYannatos,Julian Pellicano,RogerMarsh,JeffStadelman,and,most recently,OsnatNetzerandJohnHowellMorrison. Performedinternationally,Mel’scompositionshave beencommissionedbyJohnTyson,CatherineE. Reuben,JohnandMariaCapello,LauraandGeoffrey Shamu,Ex-Aequo,andtheQuilismaConsort,and havebeenperformedbythoseartistsaswellasB3: BrouwerTrio(Valencia,Spain),thePHACEEnsemble (Vienna,Austria),QuartetoLarianna(SãoPaulo,Brazil), SarahJeffrey(Amsterdam,theNetherlands),theRadcliffeChoralSociety,PatriciaReubenAbreu,Berit Strong,MiyukiTsurutani,LIborDudas,andAldoAbreu.
Melwasa2021BangonaCanFellow,the2020winner ofthePatsyLuPrizeforIAWM’sSearchforNewMusic,andthe2014winneroftheLongyorchestral compositioncompetition.TheartisthasperformedwiththeRadcliffeChoralSociety,CoroAllegro,the HarvardWindEnsemble,theVillageCircleBand,andWACSAC.Mel,whohascomposedmusicforfilm andstage,wasamemberofJustInTimeComposersandPlayersandiscurrentlyamemberofworld/ earlymusicensembleUrbanMythandtheearlymusicensembleQuilismaConsort,inadditionto playingbassguitarwithacousticrocksinger/songwriterEmmyCerra,thesymphonicmetal/ progressivebandIllusion’sEnd,theambientrockbandRoseCabalandtheBalkanfolkdanceband BalkanFields.Melenjoysplayingavarietyofinstrumentsforfolkdanceensembles,including:violin/ viola;acousticguitar/bass;recorders;flute;handpercussionincludingdumbek/djembe/cajon.Mel teachestheseinstruments,inadditiontopiano,violoncello,trumpet,clarinetandsaxophone,privately.
DioxazinePurple isaverydeep,veryvividvioletcolour.
PerformanceNotes
CommissionedbyDiversifytheStandandtheRoyalIrishAcademyofMusicfor beginnertrumpetplayers(levels2,3&4).
SostenutomarksinthepianopartfollowthebottomlefthandnoteinpartI;allchords shouldberolledfromthebottom.Ifasostenutopedalisnotavailable,donotsubstitutesustainpedal:simpllyshortenthelowestleft-handnote.Favorthespace betweenthestaccatonotes!
Unlessotherwisenoted,pianodynamicsshouldmatchandsupportthetrumpet.








TylerMazoneisadeafandneurodivergentcomposer fromNewYorkStateandiscurrentlylivingin Michigan.HeisworkingtowardsaDoctoratein CompositionatMichiganStateUniversityandisa graduateofTheCraneSchoolofMusic.Tylerwrites mainlychamber,solo,andlargeensemblemusic.His musichasbeenplayedbyensemblessuchasThe CraneWindEnsemble,MichiganStateUniversity Bands,The___Experiment,andtheUSAirForce Band.Hisgoalistocontinuetheworkofaccessibility andtoreachabroaderrangeofaudiencesand performersbyimprovingupontheframeworkof inclusivepracticesinmusic.Tyleralsoenjoys performingsoloandlargeensemblemusiconthe bassclarinet.Outsideofmusic,Tylerenjoysvarious topicsandactivitiessuchasscience-astronomyin particular-videogames,reading,hiking,andwatching YouTube.
Thispieceisaspinontheusualgrandiosefanfares,optingforamoresteadyand reservedcharacter.Perfectentrythemeforintroverts! LakeReflections
Lakesareoftenfunplacestogointhesummer,butmypieceismoreaboutthelake onafoggyorrainydaywithoutanyonethere.Themutedtrumpetgivesamoreglassy sound,makingitperfecttoevoketheemotionofsomethingmoremysterious.
"hatingendings;ofsomeonewhotriestoavoidorprolongthefinalmomentofastory, relationship,orsomeotherjourney."I'maprocrastinatorsothischeekypieceand titlereallyspeakstome!









Describedas“stark”byWNPR,and“darklylyrical”by theNewYorkTimes,winnerofNationalSawdust’s2nd Hildegardcompetition,recipientof2019Female DiscoveryGrantfromOperaAmerica,andawinnerof 2022BethMorrisonProjectsNextGeneration Competition,Iranian-AmericancomposerNiloufar Nourbakhsh’smusichasbeencommissionedand performedbyNashvilleSymphonyOrchestra,Library ofCongress,I-ParkFoundation,NationalSawdust Ensemble,InternationalContemporaryEnsemble, CamerataPacifica,ShriverHallSeries,Centerfor ContemporaryOpera,WomenComposersFestivalof Hartford,PUBLIQuartet,ForwardMusicProject, CalidoreStringQuartet,CassattStringQuartet, AkropolisReedQuintet,andEnsembleConnectat numerousfestivalsandvenuesincludingCarnegie Hall,WashingtonKennedyCenter,MostlyMozart Festival,SealBayFestivalofAmericanChamber Music,andmanymore.Afoundingmemberand co-directorofIranianFemaleComposers Association,Nilouisastrongadvocateofmusiceducation.In2014,sheworkedasthesitecoordinator ofBrooklynMiddleSchoolJazzAcademysponsoredbyJazzatLincolnCenter.Sheiscurrently co-artisticdirectorofPeabodyConservatoryLaptopOrchestraandteachescompositionatLongy SchoolofMusicofBardCollege.Niloualsoregularlyperformswithherensemble,Decipher.
NilouisamusicgraduateandaGlobalCitizenScholarshiprecipientofGoucherCollegeaswellasa MahoneyandCaplanScholarfromUniversityofOxford.AmongherteachersareLisaWeiss,Kendall Kennison,LauraKaminsky,DanielWeymouth,MatthewBarnson,MargaretSchedelandDariaSemegen. ShereceivedaPh.D.inmusiccompositionfromStonyBrookUniversityunderthesupervisionofSheila Silver.






ComposerHopeSalmonsonisqueeringhermusic throughacross-genreartisticvoiceandanemphasis onestablishingmusicalcommunity.Herapproach embodiesideasofmusicaljoy,placingequal emphasisonelegantcompositionandcamaraderie onstage.Sheweavesaccessiblemusicallanguageand contemporaryapproachestomusicking,seeking meaningfulcollaborativeexperiences.Throughher interactivecompositions,Hopeseekstoensurethat everyvoiceintheroomisvalued,onandoffthestage.
AnimportfromuncededMi'kmaqterritory(Halifax), HopeisspreadingherwingsonMusqueam,Squamish andTsleil-Waututhlands(Vancouver).Afterreceiving herBMUSwithDistinctionfromMountAllison University,hergraduatestudiesattheUniversityof BritishColumbiahaveseenherstudyingwithDrs.T. PatrickCarrabréandJenniferButler.Sheisalready sparkingrelationshipsinthePacificNorthwest, composingforsmallandlargeensemblesintheVancouverarea.
However,shehasneverforgottenherAtlantichomeandcontinuestostrengthenconnectionsacross theland.She'swrittenforclassicalensembles,astreetbrassband,andvariouspointsinbetween. ParticipatingintheLunenburgAcademyofMusic,theWildflowerComposersFestivalandas Composer-in-Residenceatthe2021UNBContemporaryMusicFestival,she'shadnoshortageof musicaladventures.
Amidthis,Hopecontinuestoexploremusicinallitsfacets.Inadditiontoperformingherownworks, sheisactiveasawindbandtubist,choristerandrecreationaljazzdrummer.Sheseekstouplift underrepresentedcomposersinallfacetsofherpractice.ThishasledhertoworkwiththeTubaEuphoniumSocialJusticeInitiativeasResourceManager.Outsideofmusic,Hopeisanavidboard& videogamefan,andenjoyssharinggoodfoodwithherlovedones.
I.Reginald,theToadJester
ThisisReginald,theToadJester.Hetravelsfarandwide,hoppingtoandfro,tofind newstoriestotellhisfriendsbackhome.However,todayourbug-eyedfriendisthe starofhisownstory.
Reginaldsometimesneedstomakeuphisowntales.Togaininspiration,he’sbeen knowntowatchclouds,smellflowers,andsleep,dreamingupnewwondrousideas. Oftheseoptions,hemostlypreferstosleep.Andeatflies,butthatdoesn’thelphim thinkofstories.
However,Reginaldoftenwindsupgettingideasfromhisownmisadventures.Hehops somuch,hepracticallybouncesoffthewalls!Antsandbirdstakecovertomakesure theirhousesaren’ttoppledbythisclumsyacrobat
MuchlovetoCasey(crude_caseyonInstagram)fortheartworkanddesignof Reginald,whothey’vetattooedonmyarm!








Diversify the Stand is a Colorado-based non-profit that is dedicated to working with diverse musical voices to create accessible educational music. We commission education works by commissioning composers marginalized by race, ethnicity, national, gender, and orientation. If you would like to help contribute to the creation of future collections, visit our website by scanning the QR code at the bottom.
12 Works for Two Flex Instruments and Piano (2025)Available for C Treble Clef, C Bass Clef, B-Flat, E-Flat, or F Instruments
12 Progressive Solos for Tuba and Piano (2023)
12 Progressive Solos for Euphonium and Piano (2023)
12 Progressive Solos for Horn and Piano (2023)
12 Progressive Solos for Trombone and Piano (2022)
12 Progressive Solos for Trumpet and Piano (2021)
12 Solos for Trumpet, Cornet, or Flugel Horn and Piano (2023)



