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Nishimura | Golden Hour BAND

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CAIT NISHIMURA

GO L DEN H OU R

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for soloist with concert band


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CAIT NISHIMURA

GOLDEN HOUR for soloist with concert band

Duration: 6:00 Dif culty: Grade 4

Program note and publishing info

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Soloist (in concert pitch in the score) Flute 1 and 2 Oboe Bassoon Clarinet 1, 2, and 3 Bass Clarinet Alto Saxophone 1 and 2 Tenor Saxophone Baritone Saxophone Trumpet 1, 2, and 3 Horn 1 and 2 Trombone 1, 2, and 3 Euphonium (B- at treble part included) Tuba Double Bass Piano (this is an essential part in this piece and should not be omitted) Timpani Mallet Percussion (Glockenspiel, Xylophone) Percussion 1 (Chimes, Wood Block, Triangle, Suspended Cymbal) Percussion 2 (Bass Drum, Suspended Cymbal, Ride Cymbal)

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Instrumentation

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The “golden hour” is the magical period of time just before sunset when the sun is low in the sky and casts a beautiful, warm glow across the horizon. This piece was inspired by an exciting and rewarding journey through Yosemite National Park to reach the Glacier Point overlook before sundown. Driving up the steep mountain roads felt like a race against time, with the sunset already in progress. Along the way, we experienced jaw-dropping vistas over the edge of rocky cliffs; the colours in the sky shifted from vibrant blue and orange to hazy pink and purple. We drove through extensive areas of forest damaged by recent wild res– a visceral reminder of the impacts of our changing climate and the need for balance in nature. When we arrived at the lookout, we were rewarded with a magni cent and exhilarating view of Half Dome and Yosemite Valley set against a glowing sky (as shown on the cover of this score!) It was perfect timing to witness the last moments of sunset before the sky faded calmly into dusk.

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Golden Hour was originally composed for horn and piano in 2020 and was later transcribed for several other solo instruments. This version for soloist with wind band was created in 2025 thanks to the generous support of over 50 consortium members. One dollar from every purchase of this piece will be donated to The Nature Conservancy of Canada.

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A note for the conductor:

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In the score, the solo line is shown in concert pitch and in treble clef. Please be aware that the solo part has been created for various instruments in different transpositions and clefs, and may involve octave displacements to better suit the ranges of different instruments. The piano plays an essential role in this piece and should not be omitted.

Copyright © 2025 Cait Nishimura (SOCAN) All rights reserved. Published by Cait Nishimura Music | caitnishimura.com Distributed by Just a Theory Press | justatheorypress.com Front cover photography and design by Cait Nishimura


Many thanks to the following consortium members for supporting the creation of this version of Golden Hour:

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Appalachian State University - Jason Gardner (Boone, NC, USA) Ashley Killam (Bowie, MD, USA) Benjamin N. Cardozo High School - Michael Oberer (Bayside, NY, USA) Brian Barber (Waterloo, ON, CAN) Carrie Blosser (Bremerton, WA, USA) Cody Ray (Austin, TX, USA) Denise & Tom Hedlund (Grand Ledge, MI, USA) Evan Hardy Collegiate Senior Band - Stacey Mortenson-Spokes (Saskatoon, SK, CAN) Foothills Concert Band - Anthony Reimer (Calgary, AB, CAN) Formation Wind Band - Erin Keeton-Howard & Anne Kreider-Hughes (Seattle, WA, USA) Grand Rapids Community College - Shannon Shaker (Grand Rapids, MI, USA) Horton High School - Lyndsey Mitchell (Greenwich, NS, CAN) Jason Bergman (Bloomington, IN, USA) Jeff Heisler (Lake Orion, MI, USA) Kaitlin Oresky (Boston, MA, USA) Kate Warren (Gainesville, FL, USA) Kawartha Lakes Concert Band - Murray Lefebvre (Kawartha Lakes, ON, CAN) Kelly Watkins (Old Lyme, CT, USA) Kevin Fenske (Houston, TX, USA) Kitchener Musical Society Band - Joshua Crouch (Kitchener, ON, CAN) Lake Forest College Concert Band - Scott Edgar (Lake Forest, IL, USA) Lakeside Pride Symphonic Band - Kyle Rhoades (Chicago, IL, USA) Lethbridge Collegiate Institute - Sam Yamamoto (Lethbridge, AB, CAN) Luke Kranyak (State College, PA, USA) Lyon College Symphonic Wind Ensemble - John Christian (Batesville, AR, USA) MacPhail Center for Music - Ben Bussey (Minneapolis, MN, USA) 陳 文 達 Mandart Chan (Campbell River, BC, CAN) Memorial University Wind Ensemble - Alan Klaus & Dylan Maddix (St. John’s, NL, CAN) Millikin Symphonic Wind Ensemble - Neal Smith (Decatur, IL, USA) Mount Boucherie Senior Concert Band - Chris Perry & Will Friesen (West Kelowna, BC, CAN) Nick Sullivan (Lethbridge, AB, CAN) Northeastern State University Wind Ensemble - Joseph Bello (Tahlequah, OK, USA) Northern Valley Regional High School at Old Tappan Wind Ensemble - Amy Wilcox (Old Tappan, NJ, USA) Oakland University Symphonic Band - Pamela L. Klena (Auburn Hills, MI, USA) Otterbein University Wind Ensemble - Michael S. Yonchak (Westerville, OH, USA) Our Lady of Sion College - Martin Macaulay & Ryan Parks (Box Hill, VIC, Australia) Paci c Symphonic Wind Ensemble - Christin Reardon-MacLellan (Vancouver, BC, CAN) Portland Community Wind Band (Portland, OR, USA) Reavis High School Bands - Andrew Davis & Brandon Faust (Burbank, IL, USA) San Ramon Valley High School - Brant Nishida (Danville, CA, USA) St. Andrew’s College Wind Ensemble & Jen Stephen, tuba - Dan Horner (Aurora, ON, CAN) State College Area Municipal Band - BJ Hickey (State College, PA, USA) Sunshine Coast Youth Orchestra - Wind Symphony (QLD, Australia) Toronto Concert Band - Tony Field (Toronto, ON, CAN) UCLA Symphonic Band - Justin McManus (Los Angeles, CA, USA) University of Alberta Symphonic Wind Ensemble - Angela Schroeder (Edmonton, AB, CAN) University of Central Florida Concert Band - Dave Schreier (Orlando, FL, USA) University of Oklahoma New Horizons Band - Christopher Baumgartner (Norman, OK, USA) University of Portland Wind Symphony - Patrick Murphy (Portland, OR, USA) University of Texas at El Paso - Brandon Houghtalen & Andrew Hunter (El Paso, TX, USA) University of Texas Rio Grande Valley Wind Orchestra - Jonathan Helmick (Edinburg, TX, USA) University of Victoria - Steven J. Capaldo (Victoria, BC, CAN) William Aberhart High School Music Program - Nathan Gingrich (Calgary, AB, CAN) Zachary T. Fincher (Willard, MO, USA)


SCORE

GOLDEN HOUR

     

Oboe

                                          

Bassoon

B♭ Clarinet 1

B♭ Clarinet 2

B♭ Clarinet 3

Bass Clarinet

Alto Saxophone 1

 



     

Alto Saxophone 2

 B♭ Trumpet 1   

Horn 2

Trombone 1

   

Trombone 2

   

Trombone 3

    



  



  



  

    





Tuba

Double Bass

Piano

Timpani

Mallet Percussion

Percussion 1

Percussion 2

     

     

    

              

 

 

 

 

  

  





  

 

  

 

  



  

 



gentle and expansive ( = c. 80)

   



PE

   

Euphonium

  

  

R

               

Horn 1

    

  

B♭ Trumpet 3

     

 

    

  

gentle and expansive ( = c. 80)

  

B♭ Trumpet 2

          

  

Tenor Saxophone

Baritone Saxophone

     

 

 

© Cait Nishimura 2025 (SOCAN) All rights reserved. Published by Cait Nishimura Music | caitnishimura.com Distributed by Just a Theory Press | justatheorypress.com

 

     

    

     

    

    

    

  



  



 



 

  



  



 

  



 

  

  



  







 

 



  

  

  

    

  

     



  

    

    

    

SA L

Flute 2

 

 

  

  

           

 

  

 

 

 

 



 

  

  

   

  



  

 

  

  

 

 

  

 

  

 

  

  

 

 

   

       

  

   

 

  

   

  

E

    

R

   Flute 1  

U

SOLOIST

O

gentle and expansive ( = c. 80)

SC

      

CAIT NISHIMURA

  

 


NISHIMURA - GOLDEN HOUR

 

Bsn



Cl. 1

      



Cl. 2



Cl. 3

  



B Cl.

  



Tpt. 2

Hn. 1



 



Hn. 2

Tbn. 1

  

 

 

 

   

Tbn. 2

Tbn. 3

     

   

  

  

     

  

 

 

Euph.

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

    

   



 

  

 

  

  

  11

 

  

  

 

    

   

 

  

   

 

   

 

 

 

       

  

 

 

 

     

    

 

 

 

  

Suspended Cymbal

 

     

Bass Drum

     

  

     

  

 

 

  

 

 

     



 

   

 

 

 



pizz.

 

   

  

 

 

 

 

 

A joyful, with ease ( = 144)



                   with pedal ad. lib. throughout                     

 

   

 







 

 



 

 

  

 

 

A joyful, with ease ( = 144)

 

 

 

 

 

 

 

 

A joyful, with ease ( = 144)

  

   

 

 

  

 

 

 

     

 

    

 

     

 

     

    

 

  

  

 

       

    

  

    

   

    

    

     

 

 

  

   

      

PE

     

  

 

     

  

     

     

  





Tpt. 3

 

 



T. Sax.

A. Sax. 2

A. Sax. 1

Tpt. 1

 

E

         

Ob.

Bar. Sax.

   

R

  

Fl. 2

  

SC

   

R

Fl. 1

      

SA L

SOLO

    

    

U

  

11

O

4



  



 

   

      


NISHIMURA - GOLDEN HOUR

  

 

Bsn



Cl. 1



T. Sax.

  

Tpt. 3

Tbn. 1





Tba

D. B.

Pno.

Timp.

 

 

      

Mallet Perc.

Perc. 1

Perc. 2

  

  

  

  22

 



















          

 

 

 











  

     

      

 













 



  



   

               

 

 



 

 

  

     







 

 

 



  

  

     





 



         

  

 

 





 

 













              

           



cup mute



              





cup mute

   



              

cup mute









   

  

  



      

          







 

 

    



 

     

 





 







 

    



     

PE Euph.





 

 

Tbn. 3

 

 

Tbn. 2

 



 



Hn. 2



Hn. 1

 



Tpt. 2





A. Sax. 2

A. Sax. 1



B Cl.





Cl. 3

Tpt. 1



Cl. 2

Bar. Sax.

 

U

Ob.

 

SA L

  

Fl. 2

R

Fl. 1

E

R

O

   

SC

  

22

SOLO

5

           


NISHIMURA - GOLDEN HOUR

    



Cl. 1



Cl. 2



B Cl.



A. Sax. 1



T. Sax.

  



Hn. 1



Hn. 2

 

 



        

  

   

Euph.

Tba

D. B.

 

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

     

     

  

  

  

  33

 

 







   











    





  

               







   





   

  







    



   

 

 

 

 

 

 

 

  

  

 

     

       

  

   

Suspended Cymbal

 

 

 

      

     

   



 

                      

    

 

  

                     

 

 

      

     

   

 

      

 

         

           

                          

 

      

                         



     



    

     

  

   

                            





       



      

   



   

 



PE

Tbn. 3

 

   

              

 

Tbn. 2



              

 

Tbn. 1

   

              



Tpt. 3

 

 



Tpt. 2



A. Sax. 2

 



Cl. 3

35

SA L

Bsn

   

U

Ob.

Tpt. 1

E

  

Fl. 2

Bar. Sax.

R

   

 

R

Fl. 1



SC

   

33

SOLO

O

6

                  

 

 

 

 

 

 

 

 

 

 

                       

 

 

 

 

 

 

 

 

 

 

 

                      

    

 



      

 

    

      

 

 

 

 

 

 

 

 

             

    

 

  

 


NISHIMURA - GOLDEN HOUR

   

  

  

     

Cl. 1

Cl. 2

  

Cl. 3

B Cl.

A. Sax. 1

A. Sax. 2



   

   

Tbn. 1





   

Tbn. 3















   









Euph.

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

       

     

       B

 



     

           

              

  43

    

  

Wood Block

   





 

            

          

 









PE

   

  



    

 

 

     

 

       

          



  

 











 



   

       



































          

 



 

 



          



  

 

 

            

 



       

      

              

       



                

 

  

 

Xylophone

Xyl.

   51



Ride Cymbal

 



       

 

 











  

 



 

    



     

     

 









 

 



      



  

     





 

       



   

        





   

 

             

  



51





     



    





 

 



 



 

      





R

     

Tbn. 2





           

Hn. 2

cup mute

     

Hn. 1

 

 

   

Tpt. 3





 

     

 

 

cup mute

cup mute

   

B

 

    

   

 Tpt. 1     Tpt. 2

  

T. Sax.

   



E

Bsn



      

Ob.

  

R

O



      

Fl. 2

Bar. Sax.

    

SC

   Fl. 1  

 

U

SOLO

B

SA L

     

43

7



  

 

 



   

   

 




8

NISHIMURA - GOLDEN HOUR





Cl. 2

  

A. Sax. 1

 



B Cl.

  



T. Sax.



  

 Tpt. 1 



Hn. 1



Hn. 2

Tbn. 1

Tbn. 3

   

 

 

  

Euph.

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

      

 

           

  

 

 

   

  54







    

 

 

    















         

   



               

 









 

                   



PE

 

  

        

                 

 



                  

 

 





  

 



    



       

 

 

  

 







  



 

 

 

             

       

 

      

      

                   

    

  



 

    

    



  



 

   

   



               

 

      

    

    







 



  

   

    

     open

    

 

   





  





  

 

  

          



        

                       



  











  







       

 





  

 





   







 



 



 

                                   



    

  

    



  





 



   











                     





 







                    

   



              



  







  

  



                        





     

  



 

   



  



  

  



   

   

    

       

    

 

open

     



open

  

          

                                   

    

      

 

                                                                            

                                       

   

 

Tbn. 2

             



R



Tpt. 3

    



Tpt. 2

    

A. Sax. 2

  



Cl. 3

U

Cl. 1

   



E

 

Bsn

             

R

  

Ob.



O

         

Fl. 2

Bar. Sax.

   

   

SC

  Fl. 1  

SA L

     

54

SOLO

 

 

  

 

 

 

 

       

  

 


NISHIMURA - GOLDEN HOUR

  

   

 

 



T. Sax.

 



  

Tpt. 3



Hn. 1



Hn. 2

 







 

Euph.

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

  65

 





 

         

  

 



 



 

 



 



 







 

 

              







 

 

 



  

                                  

  

  

  

   arco  



      

 

      

   



      



PE

Tbn. 3



 

Tbn. 2

 

Tbn. 1



 

      

      



Tpt. 2





U

A. Sax. 2

R

A. Sax. 1

      



B Cl.

      



Cl. 3



      



Cl. 2

    

  

 

 

 





  

 



       



 

 



    

   









    

                          

  





  









 

 

        

  

     

   

  

  



  



 

   





 

   





  



  



 



    

 



    

  

  

 

    



    

    

  

  

  

  



  



  

 

   

  

 

  

  





  













 









   

 

    

 

 



  

  

  

  

  

      

         

  

   

  

     

 



 

 

 



    

     

 

 

  

                 

    



  

  

  

                        

  

 



    

 



 

      



 



 

           

 









    

  

  

   

       



  

Glockenspiel

  



  

      

 

 

E



Cl. 1

    

R

 

Bsn

Tpt. 1

  

Ob.

 

O

  

Fl. 2

Bar. Sax.

    

SA L

  Fl. 1  

 

SC

         

65

SOLO

9

   

   



    



    

    

 

    

    

  

  

    

    

  

    

   

         



    

     

                                

 

 


NISHIMURA - GOLDEN HOUR



Ob.

Cl. 1



Cl. 2



Cl. 3



B Cl.



A. Sax. 1



A. Sax. 2



T. Sax.

Bar. Sax.



             

Bsn

 

       

 

 





   

               

 

   

Euph.

Tba

D. B.

Pno.







Timp.

Mallet Perc.

Perc. 1

Perc. 2

       





       

 

 

 

  

        

  73

   

 

  

  





   



  

 



   

      

 

  

   



 

 

  

     

    













  

 

 



   

   

  





 





  







 

 



 

   

    



 



  

 

           



   











         



   

  

 

 

 

 



  

           

  

 

 

       



   

           

 

   



     

 

   

    

   

   

 



   







   







   

      

 

 

                            

  

 

       

      



   

  

   

   

   

 

       



 



 

 

 

 

 

 

 

      

  

 



    

                                                    

   

     





  

    

        



      

  

   

 

 

  

 



               

 



  

   



  

 

    

                         

     

     

 

 



 

 





    



 

  

 



   



  

  

  

C                                                

       

  





PE

Tbn. 3

    

       

Tbn. 2

       

Tbn. 1

    

R

Hn. 2

 



    

Hn. 1

  



Tpt. 3

C

  



  

   



   Tpt. 1      Tpt. 2

   





     

  

E

               



R



SC

   Fl. 1    Fl. 2



U

SOLO

C

SA L

      

73

O

10

 



    

   

     

 

 

   

 

 

 

  

    

       

   

    

                    


NISHIMURA - GOLDEN HOUR









Cl. 2

Cl. 3



B Cl.



A. Sax. 1



A. Sax. 2



T. Sax.

 





Hn. 2

Tbn. 2

   

Tba

D. B.

Pno.

 

    



 

    

   





Timp.

Mallet Perc.

Perc. 1

Perc. 2

    



      

 

    

      

     

  83

     

 



  

   

   

    



  

    

 

   

    

 

 



 





   

 

  

    

  



 

    

 

 

 

      

 



 

 

    

 

     







    

 

 





   

  

 

   

                       



  



    

  

 

    

 

 

  

  

   

 

        

     

  

      

   

     



 

 

  

  





   

  

  

    

     

     



    

  



  



  



 

 

     





  



  



 

  

 

      

    

 

                                                               

         

   





 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

             

 

 

 

 

  

 

 

  



 

   



 

 



        

  



                  



       

   

 

 

  

       

      



 

 

 

    

  

 

      

     

 

  



 

 

  

 

 

     

   

  

                        

   

 

  

    

 

 

 

 

    

  



 

   

 

                        

PE Euph.

    

Tbn. 3



    

Tbn. 1

 

    

             

   

Hn. 1

R

Tpt. 3

   

 

  

     

             

  

Tpt. 2

    

  

  

U

Cl. 1

Tpt. 1

  

  

 

E

    

Bsn

  

        

Ob.

Bar. Sax.

  

  

SA L

Fl. 2

 

 

         

R

  Fl. 1   

O

SC

   

83

SOLO

11

  

 

 

 

 

 

 


NISHIMURA - GOLDEN HOUR

              

Cl. 1

Cl. 3

     



  



 



B Cl.

A. Sax. 1



A. Sax. 2



T. Sax.





Cl. 2

 

       



Tpt. 2



Tpt. 3

 

    

D. B.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

      





R 





 

 

   

   



   

   





 

 

  

 

 









     



                       

 





 











 



   

pizz.



PE       



      

Euph.

  

      

Tbn. 3

  

  

   

                       

  

D dreamy and distant

      

Tbn. 2



      

Tbn. 1



    

Hn. 2



    

Hn. 1



   Tpt. 1  

Pno.

  

SC

     

Bsn

Tba

  

                               

Ob.

Bar. Sax.



SA L

Fl. 2



U

Fl. 1

 

E

SOLO

D dreamy and distant

O

       

92

R

12













                                                                        

D dreamy and distant

     

                                                                              

           

  92

      

Triangle

  



 

 







 

 


NISHIMURA - GOLDEN HOUR

                           

   

Ob.

   

Bsn



Cl. 1



Cl. 2



Cl. 3



B Cl.



A. Sax. 1



A. Sax. 2



T. Sax.

 







Tpt. 3

   

Tbn. 2

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

   

    

   



 

  = 60



     

       

  98

 

 

 

 

 

 

 

 

 

 

 

















  = 60                                            molto rit.































 

  



PE Euph.

molto rit.

   

     

   

Tbn. 3

R

     

Tbn. 1

        

  

Hn. 2





  

  

Hn. 1









   

  Tpt. 1  Tpt. 2



   





     

SA L

Fl. 2

Bar. Sax.

 



     

         

Suspended Cymbal

E expressive ( = c. 92)

 

         



 

  







  





 





 

     



       



 

 

 

 

 



 

      

 

     

 







 

 

 

 

  

    



 arco  

 

 

   

 



 

 

 

 

 

  





 

 

 

 





  

  

 



  



   

  



   

 

 

 

 



 

E expressive ( = c. 92)

 





 

 

 

 







 

 

                       



  

                       

 



 

                       

 



  

     



 



  

E expressive ( = c. 92)



  





E

   



U

Fl. 1

   

R

   

O

SOLO

  = 60

molto rit.

SC

     

98

13



 





 

 

 

 

 

 




NISHIMURA - GOLDEN HOUR

     

     

Cl. 3





B Cl.



A. Sax. 1



A. Sax. 2



T. Sax.

Tpt. 1



Cl. 2

Bar. Sax.



 

 

   

Tpt. 2



Tpt. 3

 

                      

    





 





   

  

   

   

   

   

Euph.

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

     

     

   

 

 

107

 

         

 

 

 

    

  

 

   

 

 

 

   

 

 



 

 

 

  

     

 

   

   



 

 

     

   

     

   

PE

Tbn. 3

   

 

                      

   

Tbn. 2

 

     

   

Tbn. 1

     

  

                      

     

  

Hn. 2

   

  

     

  

Hn. 1

 

   

      





  

  

 

Chimes

  

  

    

 

  

  

  

    

 

 

 

 

 

 

       











 

 

 

 

 

              

     

   

           

    

 

 

   

   

   

  

 

      

   

   

   

 

 

 

   

    

 

 

 

 

 

   

 

   

 

     

   

   

   

 

 

     

     

  

    



 

    

     

  

                 

          

       

 

 

 

 

    

 

                  

 

   

   

Bass Drum

  

  







 

 

        

  

   

     



 

       

   



     

     

 

   

 

 

     



   

 

 

     



   

 

 



            

  

      

 

       

  

                 

      

    

 

   

       

  

 

Triangle

   

 

 

 

SC

Cl. 1

 

     

     

                                        

     

Bsn

   

  

SA L

Ob.



  

 

  

U

Fl. 2



E

     

   

R

Fl. 1

R

   

107

SOLO

O

14





 

 

 

 

 

 

 

 


NISHIMURA - GOLDEN HOUR

Bsn

Cl. 1

   

   







Cl. 2

Cl. 3



B Cl.



A. Sax. 1



A. Sax. 2



  Tpt. 1 



Bar. Sax.

 



Tpt. 2

Hn. 1

    



    







    

Hn. 2



     

Tbn. 1

     

Tbn. 2

     

Tbn. 3





 



 

    









   







Euph.



Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

     

     

   

   

     



 

   

 

117



 

  



    



   

 

  

       

             

  



    



    



    

     

   

  

    

  

 

 

 



   



  

  



  

 

 

 

 

accelerando

 

  



  

 



    

 

PE

   

 

 







Tpt. 3

 

   

   



T. Sax.



 

           

  



     

 

    

 

 









   



 = 144        

  

  



 

 

  



               

                    

  

    

  

    





     

 

 

accelerando

 

  



 

 

 

    

  



  

 

 

 

 









 







  

    



 







  

  

 

 

    

    







  





 





    







 

  

 

 

 

  

 

cup mute

    





 

 

   



   

Wood Block





 









 







    

 

     

   

        





 = 144                      

Xylophone

  









    

  







    



     







   

   

 

 

 

 



 

 

  



     

     



 

 



 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

  

 



  

 

 



 

 

 



 

         

 



     

    

  

      

 

 

       

 



 



 

 



    

    







    

 





         

  



      



cup mute

 

 



             = 144 mute   cup    

  



E

         

Ob.

       

    

R

         

Fl. 2

       

    

O

         



  

accelerando

R

Fl. 1



   

SC

SOLO

 

SA L

U

     

117

15

         

 

   

 

 

    

    

Suspended Cymbal

 

 

 

 


NISHIMURA - GOLDEN HOUR

   

   

Ob.

    

Bsn

Cl. 1

    

 

Cl. 2

Cl. 3

B Cl.

A. Sax. 1

T. Sax.

 

 Tpt. 1   

Tpt. 3

 



Tpt. 2

  

 

 

A. Sax. 2

     

F with growing intensity (  = c. 100)

 

 

 

  

Hn. 2

    

Tbn. 1

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

     

D. B.

       





 













 





 

open

PE Tba

    

Euph.

    

Tbn. 3



    

Tbn. 2

               

Hn. 1

 







 

 



U

Bar. Sax.

SA L

Fl. 2

E

    

 

R

Fl. 1

R

SOLO

F with growing intensity (  = c. 100)

SC

      

127

O

16





F with growing intensity (  = c. 100)                                                                                                                                                         

           

 

127

 

 

   













 

Triangle
















NISHIMURA - GOLDEN HOUR



Cl. 2

           

B Cl.

A. Sax. 1

A. Sax. 2

T. Sax.

  



            

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

   

 

134

R

    





 

  



   



           

   























 

















           

   



 

 

















 

           







             











open

  



           

            

















                                                        

  

Chimes





 



 

           



           

Glockenspiel

                                                         



  





           

           

           

PE Tba

           

 

Euph.

 







            

 

Tbn. 3

 

open

 

Tbn. 2

 

 

Tbn. 1

 



Hn. 2

 



Hn. 1

 



 

            

Tpt. 3

Tpt. 2





 

Cl. 3

Tpt. 1

Cl. 1

Bar. Sax.



SA L

Bsn









U

Ob.



E



Fl. 2



R

  Fl. 1 

 

O



SC

   

134

SOLO

17








NISHIMURA - GOLDEN HOUR



Fl. 2



Ob.

 

B Cl.

A. Sax. 1

A. Sax. 2

T. Sax.



 Tpt. 1 













 



  

       

Euph.

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

    









 











  

  

   





 

 

 



















  





                  

 















 









   

       

   

 









  

  

   







 

 

 

   

















 

  





G

   

 

  

           



  

   

           



   

 

 



 







G

PE

Tbn. 3

   

U

             

Tbn. 2

             

Tbn. 1



Hn. 2

           

   

           



Hn. 1

           



Tpt. 3

Tpt. 2

Cl. 3





Cl. 2

Cl. 1

 

Bsn

Bar. Sax.











E

  



R

Fl. 1





SA L

SOLO





R



O

   

140

SC

18



  





 

  

  

  





 

                                                                                                                 G

   

   

 

140













  

 

  

 




NISHIMURA - GOLDEN HOUR



Cl. 3

B Cl.

A. Sax. 1

A. Sax. 2

T. Sax.

  









D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2



 

  





 





 

 











 

    

  



 

    

 

    

 

    

 



    

 



 

 

  



    





 

146

 

 

 

 

  

 

     

Bass Drum





 

  







 



   

  

    



 

 

 

 

   





 



    

            





            



 

 

            

 

    



                                                                  

  

151

 



 





 

  





 

            

 

    

  

 

    

 







      

                 

   



  

PE Tba





 

Euph.

 

Tbn. 3

 

Tbn. 2



 

Tbn. 1





  

Hn. 2



  

Hn. 1





Tpt. 3



Tpt. 2



   

 

SA L

Cl. 2

Tpt. 1

Cl. 1

Bar. Sax.

                 

   

Bsn

 

U

Ob.

 

 

E



Fl. 2



R

  





R

Fl. 1



O



SC

    

146

SOLO

19

 

 

 

 

  















  

   









 

 

 

   









  

   

   


NISHIMURA - GOLDEN HOUR

 

A. Sax. 1

A. Sax. 2

T. Sax.



 



 

   

Tbn. 2

   

Tbn. 3































PE

   



Euph.

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

    



























 

  

   

 







 

 

 



 





















               



      

       

  sub.

                                      sub.  

















 



 







 



  























 



 







































































  sub.

 









  

 

 sub.









   









                                        sub.



   

Tbn. 1



                                         sub.

                        



Hn. 2







                        



Hn. 1









 

                       

Tpt. 3

 

Tpt. 2



 





 





R

B Cl.

Cl. 3



Cl. 2



Cl. 1

Tpt. 1

   

Bsn

Bar. Sax.



    



SA L

Ob.



U

Fl. 2











O

   Fl. 1  



E



SC

   

152

SOLO

R

20











  sub.



 



 







 





  sub. 





 sub.





  sub.

  sub. 









 sub.



  sub.



  sub.

                                                                           sub.                                       



  

 

 



152



 



   

 



 

    

    

 





 



Xylophone

  

 

  


NISHIMURA - GOLDEN HOUR

   





Cl. 2

B Cl.

A. Sax. 1

A. Sax. 2

T. Sax.



 Tpt. 1 

Tpt. 2

Tpt. 3

 



Tba

    

D. B.

Pno.



Perc. 1

Perc. 2

 

158

  











  































 

 

 















 





 



 



  





  



 

  

  

 

 

  

  



  







 

 

 

 



  



 













 















 







   

   

  

   





  

 

 



 



   



 

 

 

   



 

   



























 

 





 













  

 



  

     





  



            

 



                                

 





  

H triumphant

  

     













Suspended Cymbal

 

  







              



             Mallet Perc.         Timp.



H triumphant

   

    

 

  



PE

   

Euph.



 





    



   

Tbn. 3



 

   

Tbn. 2





   

Tbn. 1



  



  







 







  

Hn. 2



      



  

Hn. 1

 

            

Cl. 3





U

Cl. 1

  



     

R

Bsn



   

      

   

Ob.



E

              

Fl. 2

Bar. Sax.



H triumphant

R

   Fl. 1  





O





SC

SOLO

  

SA L

158

21





      

          





 











    

                                    

 

  

   

 


NISHIMURA - GOLDEN HOUR

Bsn

Cl. 2

 

B Cl.

A. Sax. 1

A. Sax. 2

T. Sax.



 Tpt. 1  Tpt. 2

 



Hn. 1





   

Tbn. 2

   

Tbn. 3









 



  











Euph.

Tba

D. B.

Pno.

Timp.

Mallet Perc.

Perc. 1

Perc. 2

   

 

 

 

   

    





   

 

163

   

 

Chimes

 



  

    











 

 















 



   

   





        

 rit.



   





 

 

 

 

 

    





rit.

  



  



  

 





 

   

 

  

    

        

     

   

    



    





 

 



   















 



 



cup mute

 

cup mute

cup mute









pizz.





  





I warmly, fading away ( = c. 126)

 



   

 

 

 









 









                                                  

         



 



 



 

 



   

I warmly, fading away ( = c. 126)

   

 

 

 





   

 

 

 

 

 

Glockenspiel



 

 

        

 

 

  



           

 



  

   

 



  





  

 

  

 



    

 





I warmly, fading away ( = c. 126)

        

 





  

  









 







PE

    







   

Tbn. 1





Hn. 2





  

  







                           

 

             



             

Tpt. 3

Cl. 3

Cl. 1

Bar. Sax.



E



Ob.

        

rit.

R



Fl. 2

       

SA L

  

U

Fl. 1

R

SOLO

                    

O

            

163

SC

22

 

Suspended Cymbal

 

  



 






NISHIMURA - GOLDEN HOUR

       

Cl. 1

B Cl.

A. Sax. 1

A. Sax. 2

T. Sax.



 Tpt. 1 

 

  

Hn. 2

  

Tbn. 1







  

Tbn. 3



 



  

D. B.

Pno.



Timp.

Mallet Perc.

Perc. 1

Perc. 2

    













  







 













 















 

PE Euph.



 



  

 









 



































  





 



  

  

  











  



   



   



  

 

172













 









   









 

arco









 





 





























rit.









 

 





 



 





 

 

        

 





 



rit.



 







 



 



 



   





 



      

   



                                                                                                       





            





    

    



  

 







 



     







   









 

                       

 

 





                     



 



  

Tbn. 2

  

 





Hn. 1



  

Tpt. 3

Tpt. 2

Cl. 3

  

Cl. 2



  



 



 

     





  

 

            



rit.

E





R



SA L

Bsn

Tba



                         

Ob.

Bar. Sax.



 

U

Fl. 2



R

Fl. 1



O

SOLO

SC

 

172

23




E R SC O L U SA R PE

NISHIMURA: GOLDEN HOUR (SOLOIST WITH BAND) JAT-161-025-FS

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