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NIshimura | Agawa Bay, from Lake Superior Suite

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CAIT NISHIMURA from LAKE SUPERIOR SUITE

AGAWA BAY

PE

R

U

SA L

SC

O

R

E

for wind ensemble


SA L

U

R

PE SC R

O

E


CAIT NISHIMURA

AGAWA BAY from Lake Superior Suite for wind ensemble Duration: 2:30 Dif culty: Grade 5

Program notes and publishing info

R O SC

Flute 1, 2 Oboe Bassoon B♭ Clarinet 1, 2, 3 B♭ Bass Clarinet E♭ Alto Saxophone 1, 2 B♭ Tenor Saxophone E♭ Baritone Saxophone B♭ Trumpet 1, 2, 3 F Horn 1, 2 Trombone 1, 2 Euphonium (B♭ treble part included) Tuba Piano Timpani Chimes Marimba/Vibraphone Percussion 1 (triangle, suspended cymbal) Percussion 2 (suspended cymbal, bass drum)

E

Instrumentation

SA L

Lake Superior Suite is a ve-movement work for wind ensemble, inspired by the landscapes of ve provincial and national parks along the northern shoreline of Lake Superior in Ontario, Canada. Lake Superior is the largest of the Great Lakes and is the largest freshwater lake in the world by surface area, holding about 10% of the world’s fresh water. The Ojibwe/Anishinaabe name for the lake is gitchigami or gichigaaming, meaning “great sea”. This piece was conceptualized during camping trips at each of the ve parks, and is meant to express transformative experiences through music and highlight the power of nature connection. The nal movement, Agawa Bay, is named after a campground within Lake Superior Provincial Park. The music portrays the serenity of calm evening water, gratitude for all of nature, and the mixed emotions about returning home after a life-changing journey.

PE

R

U

Copyright © Cait Nishimura (SOCAN) All rights reserved. Published by Cait Nishimura Music | caitnishimura.com Distributed by Just a Theory Press | justatheorypress.com First published in 2017; second edition published in 2026 This edition was engraved by Éditions Plamondon Front cover photography and design by Cait Nishimura


SCORE

Dedicated with gratitude to Dr. Gillian MacKay at the University of Toronto

AGAWA BAY from LAKE SUPERIOR SUITE

B♭ Clarinet 1

B♭ Clarinet 3

Alto Saxophone 1

Tenor Saxophone

F Horn 2



 

  

  

Trombone 2

Euphonium

Tuba

     

with pedal

cup mute

        cup mute           

    

cup mute

  

   

   



 

 

         

    

     

     

   

    

A

  

   

   

Triangle

 

© Cait Nishimura 2017 / 2026 (SOCAN) All rights reserved. Published by Cait Nishimura Music | caitnishimura.com Distributed by Just a Theory Press | justatheorypress.com

 

 

 

 

   

  

 

 

   

   



      

  

  

Susp. Cym.

  

 

 

 

  

  

  

    

 

  

  

  

A

  

 

    

   Marimba /       Vibraphone   with pedal

Percussion 2

   

                                                                                               

Meditative ( = 66)

Percussion 1

  

Meditative ( = 66)

  Timpani   Chimes

 

 

   

 

 

 

PE

Trombone 1

 

  

U

F Horn 1



R

B♭ Trumpet 3

  



Alto Saxophone 2

B♭ Trumpet 2





Bass Clarinet

B♭ Trumpet 1

  



B♭ Clarinet 2

Piano



        

   

E

Bassoon

   

SA L

Oboe

 

 

R

                       

Flute 2

Baritone Saxophone

A

O

Meditative ( = 66)

SC

   Flute 1   

CAIT NISHIMURA

  


NISHIMURA - AGAWA BAY









A. Sax. 1



A. Sax. 2



T. Sax.

 

Tpt 3

Hn 1

   

  

    

  

  

  

Tbn. 1

Tbn. 2

Euph.

Tba

    

  

 

 

  

      

  

 

  

 

Perc. 1

Perc. 2

      

  

   

  

   

  

  

 

 

  

  

 

  

 

 

    

 

  

 

 

  

  

rit.

 

 

B Nostalgic ( = 54)

   

  

    

   

 

Solo

open

    

 

 

 

B Nostalgic ( = 54)

rit.

 

 

 

 

 

 

  

  

10

Vib.

   

 

  

B Nostalgic ( = 54)

                                               

 Timp. 

Chim.

 

 

PE

Hn 2

rit.

10

  Tpt 1  Tpt 2



B. Cl.

 

 

    

SA L

Cl. 3

 

U

Cl. 2

 

   

E



   

  

R

Cl. 1

 

R

  

Bsn

 

O

      

Ob

Pno

   

Fl 2

Bar. Sax.



10

SC

  Fl 1  

3

    

     


NISHIMURA - AGAWA BAY

  Fl 1  

21

  

  

Tpt 2

Tpt 3

Hn 1

Hn 2



 



  

  

Tbn. 2

Euph.

  

 

   

    

 Timp.     

   

   open      open

   

   

  

  

    

  

   

  

 

     

  

  

     

  Tba   

 

  

  

  

  



21



  Tutti     

 

 

Perc. 2

 

   

  

 

 

 

Bass Drum

 

 





                                                             

C Triumphantly

 

 

 

     

 

  

   

   

C Triumphantly

 

 

 

 

 

 

 

 

with pedal

        

             



               

                Chim.                  Vib.   Susp. Cym.             Perc. 1   21

R



PE

Tbn. 1

R

Tpt 1

 



T. Sax.



A. Sax. 2





A. Sax. 1

 



B. Cl.



O

Cl. 3

 

Cl. 2

SC

Cl. 1

Pno

  

Bsn

SA L

Ob

Bar. Sax.

U

Fl 2

C Triumphantly

E

4

 


NISHIMURA - AGAWA BAY



A. Sax. 2

T. Sax.



 

  

30

  

   

   



       

   

Tbn. 1

Tbn. 2

Euph.

  

  

        30   Timp.     Tba

Chim.

   

 Vib.  Perc. 1

Perc. 2

   

 

 

  

   

PE

  

 

R



 

                                                                                                    

   



   

    

           

 

 

 

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       

      

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 

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   

     

 

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  

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     

  

      

 

 

   

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      

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 

 

  

 

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E



A. Sax. 1

Hn 2





B. Cl.

Hn 1

R

Cl. 3

Tpt 3



Cl. 2

Tpt 2



O

Cl. 1

Tpt 1

      

Bsn

Pno

   

Ob

Bar. Sax.

SC

  

Fl 2

SA L

30

U

  Fl 1  

5

 

 

  

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  

  

  

      

cup mute

 

 

  

   

    

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 

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  

 

 

 


E R SC O L U SA R PE

NISHIMURA: AGAWA BAY JAT-161-040-FS

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