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Isaac Mayhew arr. Josh Trentadue
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SYMPHONY NO. 1 for wind ensemble
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“The Eternal Present”
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I - the significant II - the trivial III - the profound IV - the fatuous
commissioned by Dr. Matthew Arau & the Lawrence University Symphonic Band as part of a consortium consisting of the following members:
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Saint Paul Central High School Wind Ensemble (Matthew Oyen, director) Edina High School Band Program (Paul Kile, director)
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Premiered as part of the 150th Anniversary of the Lawrence University Conservatory of Music
© 2022/2024 Isaac Mayhew (ASCAP). All Rights Reserved.
INSTRUMENTATION PICCOLO FLUTE 1 - 4 OBOE 1 - 2 ENGLISH HORN (opt. Mvt. II) BASSOON 1 - 2 CONTRABASSOON (opt. Mvt. II) CLARINET IN E♭ (tacet Mvt. II) CLARINET IN B♭ 1 - 4 BASS CLARINET 1 - 2 CONTRABASS CLARINET (opt. Mvt. II)
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TIMPANI
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TRUMPET IN B♭ 1 - 4 HORN 1 - 4 TROMBONE 1 - 3 BASS TROMBONE EUPHONIUM TUBA HARP (optional) PIANO DOUBLE BASS
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SOPRANO SAXOPHONE ALTO SAXOPHONE TENOR SAXOPHONE BARITONE SAXOPHONE
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Wooden Wind Chimes*
*Use an outdoor patio set like the ones you typically find at your local hardware store.
PERCUSSION 1:
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Marimba, Hand Bells (E5, F#5)**, Large Suspended Cymbal
PERCUSSION 2:
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Vibraphone, Snare Drum, Small Suspended Cymbal
PERCUSSION 3:
Xylophone, Tom-toms (4), Hand Bells (A4, B4)**
PERCUSSION 4:
Glockenspiel, 2 Triangles (small, medium), Egg Shaker
PERCUSSION 5: Hi-Hat, Tam-tam, Chimes, Metal Patio Chimes* *Do not use a regular wind chimes/mark tree set. Use an outdoor patio set with chimes made of aluminum or copper (like the ones you typically find at your local hardware store).
PERCUSSION 6: Kick Drum, Concert Bass Drum, Hand Bells (E4, F#4)**, China Cymbal **All Hand Bell parts are strictly optional and may be substituted with Crotales or additional Glockenspiels and/or Vibraphones. These parts are also covered in Harp (if used), Piano, and the required Glockenspiel and Vibraphone parts. If some or all Hand Bells are available for use, be sure to obtain the correct octave as notated in each part. Place them together onstage, or in close proximity with each other.
PERFORMANCE NOTES
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-While the instrumentation for this symphony is intended to be one-on-a-part, B♭ clarinets may be doubled and auxiliary players may be used for the brass section as needed. -All trombone glissandi should be smeary & overbearing at louder dynamics, and smooth & connected at softer dynamics. The only exception to this is in Movement III, in which all of the glissandi should be smooth & connected regardless of the given dynamic. -Several different extended techniques are called for in many of the winds and brass parts in Movement IV (some of them, such as the baritone saxophone spectral multiphonics, are optional). All players should be mindful of balance here in order for these techniques to be heard (especially for the woodwind key clicks). -If possible, separate the Wooden and Metal Patio Chimes used in Movement IV as much as possible so that the call-and-response material between these two chime sets is more spread out within the ensemble.
PROGRAM NOTES My first symphony was first conceived of as a chamber work for violin, bass clarinet, and piano—I composed it in 2019 for the then-New York City-based Oasi Trio, who were planning to premiere it sometime in late Spring/early Summer 2020. The inspiration for this work—and the titles of each of the four movements—comes from a quote from William Manchester's book "A World Lit Only by Fire", discussing the ways in which Europeans in the years immediately preceding the dawn of the Renaissance failed to see what was coming: When we look back across five centuries, the implications of the Renaissance appear to be obvious. It seems astonishing that no one saw where it was leading, anticipating what lay round the next bend in the road and then over the horizon. But they lacked our perspective; they could not hold a mirror up to the future. Like all people at all times, they were confronted each day by the present...with the significant, the trivial, the profound, and the fatuous all tangled together.
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I first read this quote in 2019, a time when I thought I understood what it meant to feel uncertain about the future. Americans faced a barrage of shocking headlines, from political chaos to violence, and I was navigating my own transitions— career changes, a new relationship, loss, and self-discovery. Looking back, I realize how naive that was. Just months later, the COVID-19 pandemic shut down the world, and local events in the Twin Cities sparked global protests. Today, with wars, scandals, and climate crises abound, it’s clear that uncertainty is timeless. In times of uncertainty—and this current moment ought to qualify—I find history to be instructive and comforting in that it reminds me that we are all small in the grand scheme of things. Our lives hold meaning because they matter to us, but to worry too much about what is outside of our control is ultimately foolish, since it is really impossible to know where things will lead. In composing this symphony, my goal is not to suggest that we should not take into consideration the future implications of our actions, but rather remind all of us that the lives that are right in front of us, today, are gifts that should be cherished.
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Movement I - “the significant” significant (adjective): sufficiently great or important to be worthy of attention; noteworthy.
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Movement II - “the trivial” trivial (adjective): of little value or importance.
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The primary focus of this first movement is to lay the groundwork for what is to come. From the first downbeat and throughout the movement, motifs and themes are established that will evolve into the building blocks of the entire symphony. The irony is that the material in Movement I is also intended to feel random in the moment—a series of figures and colors sometimes dashing across the ensemble, running into each other, and exiting quickly.
The second movement pulls back and invites audiences into a sonic space that is much more reflective, almost meditative. As in Movement I, there are still a lot of ideas present, each layered in on top of one another, but this portion of the piece sorts through these materials to present through lines and other points of connection. As the tempo picks up, these slow, broad melodies in the low winds and brass become obscured while arpeggiating figures in the woodwinds and sharp interjections from the percussion add additional layers of material.
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Movement III - “the profound” profound (adjective): (of a state, quality, or emotion) very great or intense.
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Movement III is a celebration! Upbeat, energetic, and fun, this movement is defined by the bouncing melodic figure that begins in the bassoons and bass clarinets and is eventually passed to nearly every section of the ensemble. At first glance, this musical approach may feel at odds with the weighty title “the profound,” but what I sought to capture in the third movement is how truly important it is to not overlook those moments in life when we feel good—either about ourselves, the world around us, or both. Happiness can be fleeting, so it is important to appreciate it when it’s here. Movement IV - “the fatuous” fatuous (adjective): silly and pointless. Movement IV is a culmination of everything that has come before—both with regard to the musical material established and developed in the preceding three movements, but also in that it takes a 10,000-foot view of the ideas explored therein. It weaves together the various motifs and themes introduced earlier, but from a perspective that might seem nonsensical or even absurd. This final movement explores the idea that, when viewed from a distance, many of our struggles and triumphs can appear insignificant or comical. It serves as a reminder of the folly in taking ourselves too seriously, encouraging a sense of humility and a recognition of the broader, often chaotic, tapestry of life. Ultimately, my first symphony "The Eternal Present" is a reflection on how we interpret our place in the world amidst uncertainty and change. It suggests that while we may not always see the bigger picture or understand what lies ahead, there is value in embracing the present moment in all its complexity. Through its four movements, the symphony aims to capture the human experience, with all its significance, triviality, profundity, and absurdity, reminding us to find meaning and joy in the unpredictable flow of life. --program notes by Isaac Mayhew
ARRANGER'S NOTES I first met Isaac Mayhew shortly after the Millennium Composers Initiative was formed. Since then, I consider Isaac to be a good friend and colleague, whose artistic accomplishments and vision in bringing together community I've admired for years. I was very grateful to have been asked by Isaac to transform his first symphony (originally a chamber work) into this full-fledged version for wind ensemble.
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For this arrangement, the skeletal structure of the original version created the foundational groundwork for realizing the symphony for a much larger ensemble. I was granted the opportunity to expand upon Isaac's material in a way which not only built upon his initial ideas, but also provided my own musical interpretations in the process. The symphony, in a sense, therefore provides musical snapshots, as if listening to a concept album or EP. "the significant" grooves and flows with a grungy attitude, while "the trivial" is ethereal, meditative, and ambient. "the profound" joyously celebrates life amidst various concerns and anxieties, while the prelude and scherzo comprising "the fatuous" reveals the inevitable dangers hidden behind the inherent meaning of the word.
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I am so grateful to Isaac for entrusting me with this arrangement. My sincerest gratitude goes to Matthew Arau, the Lawrence University Symphonic Band, and the consortium supporting the creation of this arrangement for the opportunity to collaborate with some of the finest musicians in our community for the 150th anniversary of the Lawrence University Conservatory of Music.
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--notes by Josh Trentadue
commissioned by Dr. Matthew Arau & the Lawrence University Symphonic Band as part of a consortium
GRADE 6
“The Eternal Present”
Full Score (transposed)
(2022/2024)
1 2
English Horn
Bassoon
1 2
Contrabassoon
E♭ Clarinet
1 2
B♭ Clarinet 3 4
1 2
Contrabass Clarinet
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Bass Clarinet
1 2
B♭ Trumpet 3 4
1 2
Horn 3 4
1 2 Trombone
3
Bass Trombone
Euphonium
Tuba
Piano
Double Bass
Timpani
Marimba
Vibraphone
Xylophone
Glockenspiel
Percussion 5
Percussion 6
meccanico
meccanico
2
3
4
5
6
© 2022/2024 Isaac Mayhew (ASCAP). All Rights Reserved.
meccanico meccanico
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Harp
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3 4
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Flute
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1 2
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Oboe
Fast and harsh = 120
Piccolo
Isaac Mayhew arr. Josh Trentadue
I - the significant
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SYMPHONY NO. 1 for wind ensemble
very tightly Hi-Hat closed throughout
7
8
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
3 4
1 2
Eng. Hn
1 2 Fl.
Ob.
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
B. Cl.
meccanico meccanico
1 2
Cb. Cl.
A. Sax.
T. Sax.
S. Sax.
Bar. Sax.
1 2
3 4
1 2
1 2
Euph.
PE
Tba
Hp
Pno
pizz.
Timp.
Vib.
Glock.
Perc. 5
Perc. 6
9
Mar.
Xyl.
D. B.
B♭
10
closed slaptongue
11
12
13
14
R
B. Tbn
U
Tbn 3
Hn. 3 4
SA L
B♭ Tpt
closed slaptongue
1 Bsn 2
E
R
O
9
SC
Picc.
9
15
Kick Drum
16
10
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
Cbsn
1 2 B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
T. Sax.
A. Sax.
1 2
Hn. 3 4
Hp
Pno
Vib.
Perc. 5
Perc. 6
18
19
20
21
22
17
Glock.
Mar.
Xyl.
D. B.
Timp.
PE
Tba
U
Euph.
R
B. Tbn
Tbn 3
1 2
SA L
B♭ Tpt 3 4
E♭ Cl.
1 2
1 2
Bar. Sax.
E
Eng. Hn
R
1 2
3 4
B. Cl.
O
Fl.
Bsn
1 2
Ob.
17
SC
Picc.
23
Eng. Hn
1 Bsn 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
a2
a2
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Glock.
Perc. 5
Perc. 6
24
25
a2
26
27
28
harmon mute stem in
harmon mute stem in
straight mute
a2
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Tba
E
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1 2
Ob.
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SC
3 4
SA L
Fl.
U
1 2
24
R
Picc.
11
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
29
12
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
1 2
Eng. Hn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl.
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn.
3 4
Tbn
3
B. Tbn
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 5
Perc. 6
a2
a2
To Bass Drum
senza sord.
senza sord. senza sord.
To 2 Triangles
Perc. 4
PE
Hp
a2
R
1 2
Tba
a2
a2
Euph.
a2
a2
3 4
B. Cl.
a2
SA L
Bsn
U
Ob.
E
3 4
R
Fl.
O
1 2
30
SC
Picc.
30
31
32
33
34
35
36
13
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
a2
3 4
1 2
Eng. Hn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl.
1 2
a2
3 4
1 2
Hn. 3 4
a2
3
B. Tbn
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
B♮
2 Triangles
G♯
37
D♭
arco
38
39
40
a2
Bass Drum
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U
Tbn
R
a2
1 2
a2
B♭ Tpt
O
Bar. Sax.
SC
T. Sax.
A. Sax.
S. Sax.
D. B.
a2
Cb. Cl.
a2
Pno
Hp
SA L
1 2
Tba
Euph.
a2
3 4
B. Cl.
a2
Bsn
Ob.
a2
Fl.
1 2
rit.
E
R
Suddenly more expansive, romantic
Picc.
37
41
42
14
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
Fl. 3 4
1 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Cl.
2.
meccanico meccanico
meccanico
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Tba
meccanico
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
meccanico
43
44
45
46
47
meccanico
harmon mute stem in
To Kick Drum
To Egg Shaker
Perc. 6
harmon mute stem in
PE
R
solo, w/ Bari Sax
Euph.
SA L
U
1 2
solo, w/ Euph.
Bar. Sax.
O
solo, w/ Bari Sax
E
R
1 2
Ob.
43 a tempo - fast and harsh
SC
Picc.
a2 harmon mute stem in
48
49
50
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
Eng. Hn
Bsn
1 2
2.
Cbsn
E♭ Cl.
1 2
B♭ Cl.
B. Cl.
3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2 Hn. 3 4
a2
1 2
B. Tbn
Euph.
Hp
pizz. meccanico
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
Egg Shaker
Kick Drum
51
52
53
54
55
senza sord. sord. senza senza sord.
(play)
opt.
PE
Tba
R
3
Tbn
54
E
1 2
Ob.
R
Fl. 3 4
O
SC
1 2
SA L
Picc.
U
15
56
57
16
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
1 Ob. 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
B. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn.
3 4
1 2 Tbn
3
B. Tbn
Tba
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
58
59
flt.
ord.
flt.
ord.
60
a2
cresc.
cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
61
cresc. poco a poco Bari Sax solo - play if asked
cresc.
cresc. cresc. poco a poco
a2
a2
cresc. poco a poco
cresc.
a2
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
PE
Euph.
ord.
E
flt.
R
3 4
O
Fl.
SC
SA L
1 2
U
Picc.
R
cresc.
To Bass Drum
To 2 Triangles
62
63
17
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
Cbsn
E♭ Cl.
1 2
B♭ Cl.
a2
3 4
1 2
a2
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax. a2 1 2 B♭ Tpt
a2
1 2
Hn.
1 2 Tbn 3
B. Tbn
PE
Euph. Tba Hp
Pno
D. B.
Vib.
Xyl.
Perc. 4
Perc. 5
Timp.
Mar.
Perc. 6
(loco)
64
2 Triangles
molto
molto
G♮ D♮
Bass Drum
65
G♯
D♭
arco
a2
a2
molto
R
3 4
U
3 4
E
R
O
1 2
Bsn
a2
SC
Eng. Hn
1 2
Ob.
3 4
molto
rit.
SA L
Fl.
a2
1 2
Picc.
65 Suddenly more expansive, romantic
66
67
68
18
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
B♭ Tpt 3 4
1 2
Hn.
Tba
a2
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 6
straight mute
G♮
G♯
To Glock.
To Tom-toms
69
70
71
72
solo
73
74
75
To Kick Drum
Snare Drum
To Snare Drum
solo, w/ xylophone mallets
Tom-toms
Glockenspiel
Perc. 5
Hp
PE
U
Euph.
R
B. Tbn
3
Tbn
2.
1 2
a2
3 4
E
E♭ Cl.
R
Cbsn
O
1 Bsn 2
a2
SC
Eng. Hn
1 2
Ob.
opt. pizz./slaptongue
(ord.)
a tempo
a2
opt. pizz./slaptongue
3 4
a2
rit.
Fl.
71
SA L
1 2
a tempo
Picc.
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Tba
Pno
D. B.
Timp.
Mar.
Perc. 2
Perc. 3
Glock.
Perc. 5
Perc. 6
pizz.
PE
Hp
E
1 2
R
O
3 4
SC
Fl.
SA L
U
1 2
Ob.
76 Mechanical, unforgiving
R
Picc.
19
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
rim shot
w/ sticks
Kick Drum
76
77
78
79
80
81
20
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
82
Picc.
1 2
Fl. 3 4
1 2
Eng. Hn
Ob.
slur all 16th note groups together if needed
1 2
Cbsn
E♭ Cl.
1 2
3 4
a2 a2
B♭ Cl.
Cb. Cl.
S. Sax.
A. Sax.
Bar. Sax. 1 2
T. Sax.
R
O
1 2
SC
B. Cl.
slur all 16th note groups together if needed
E
Bsn
B♭ Tpt
1 2
SA L
3 4
a2
Hn.
slur all 16th note groups together if needed
3 4
1 2
B. Tbn
Euph.
Hp
Pno
( )
Perc. 5
Glock.
Perc. 3
on rim
Perc. 2
slur all 16th note groups together if needed
Mar.
Perc. 6
D. B.
Timp.
PE
R
3
U
Tbn
Tba
82
83
84
85
86
87
21
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
1 2
3 4
1 Ob. 2
Eng. Hn
Cbsn
E♭ Cl.
1 2
1 2
a2 (ord.)
Fl.
Bsn
a2
B♭ Cl.
Cb. Cl.
S. Sax.
A. Sax.
Bar. Sax. 1 2
T. Sax.
1 2
Hn.
a2
3 4
1 2
Tbn
Euph.
Hp
Pno
B♭
PE
U
B. Tbn
( )
Perc. 3
Glock.
r.s. r.s. r.s. r.s.
Perc. 5
Perc. 6
88
89
90
Perc. 2
Mar.
r.s.
91
Timp.
D. B.
a2
senza sord.
R
3
SA L
B♭ Tpt 3 4
O
SC
1 2
Tba
a2
3 4
B. Cl.
E
88
R
Picc.
r.s.
r.s.
92
r.s.
93
22
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant
3 4
1 2
Bsn
Eng. Hn
1 2
Cbsn
E♭ Cl.
a2
1 2 B♭ Cl.
a2
3 4
B. Cl.
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
1 2
Hn.
a2
3 4
1 2
Hp
Pno
D. B.
Timp.
Perc. 3
Glock.
Perc. 5
94
95
(gliss.)
a2
a2
U
(ord.)
Perc. 2
Perc. 6
a2
( )
Mar.
a2
a2
PE
Tba
Euph.
a2
R
B. Tbn
Tbn 3
B♭ Tpt
3 4
a2
Fl.
Ob.
E
a2 1 2
R
O
SC
Picc.
94
SA L
96
97
98
23
“The Eternal Present”: SYMPHONY NO. 1 | I - the significant 100
a2
a2
3 4
1 Ob. 2
Fl.
1 2
E♭ Cl.
1 2 B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
a2
a2
3 4
1 2
1 2
Tbn
B. Tbn
PE
Tba
Euph.
Hp
Pno
D. B.
Timp.
Perc. 3
Glock.
Perc. 5
99
closed slaptongue
101
102
r.s.
100
a2
Perc. 2
Perc. 6
Mar.
R
3
SA L
U
a2
3 4
B♭ Tpt
Hn.
a2
a2
1 2
a2 a2
Cbsn
B. Cl.
Eng. Hn
Bsn
1 2
E
R
O
Picc.
SC
103
104
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial
Bass Clarinet
3 4
1 2
Contrabass Clarinet
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
1 2
B♭ Trumpet 3 4
1 2
Horn 3 4
1 2 Trombone
3
Bass Trombone
Euphonium
Tuba
optional this movement
Harp
Piano
Double Bass
Timpani
Handbells (E5, F#5)
Vibraphone
Handbells (A4, B4)
Glockenspiel
Percussion 5
Handbells (E4, F#4)
1.
a2
harmon mute stem in - freely close and open mute
harmon mute stem in - freely close and open mute
harmon mute stem in - freely close and open mute
PE
B♭ Clarinet
tacet this movement
E
1 2
optional this movement
R
E♭ Clarinet
Contrabassoon
O
1 2
Bassoon
optional this movement
SC
English Horn
8
1 2
SA L
3 4
U
Flute
R
1 2
Oboe
Like a prayer = 52
Piccolo
II - the trivial
una corda
freely move from sul pont. to sul tasto in undulating motions
Tam-tam freely rub w/ superball mallet; dampen w/ leg or hand to reduce ring
2
3
4
5
6
7
8
9
10
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial
Fl. 3 4
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
1 2
B♭ Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1.
Hn. 3 4
a2 as before
as before
Tbn
Pno
D. B.
Timp.
H. Bls. (E5, F#5)
R
PE
Hp
U
Euph.
as before
B. Tbn
Tba
3
1 2
SA L
1 2
B♭ Tpt 3 4
Vib.
H. Bls. (A4, B4)
(u.c.)
1 2
SC
1 2
B. Cl.
3 4
E
1 2
R
O
Picc.
11
12
13
14
15
Perc. 5 H. Bls. (E4, F#4) Glock.
25
16
3 4
1 2
Eng. Hn
1 2
Cbsn
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Tba
PE
Hp
R
Bsn
Pno
D. B.
Timp.
H. Bls. (E5, F#5)
Vib.
H. Bls. (A4, B4)
Glock.
Perc. 5
H. Bls. (E4, F#4)
E
Fl.
(no arp)
(LH loco)
R
SC
1 2
SA L
Ob.
17 With a sense of calm, unassuming, self-assurance = 80
Picc.
U
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial
O
26
w/ mallet
To Chimes
17
18
19
20
21
27
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial Picc.
Eng. Hn
1 2
Cbsn
1.
1 2 B♭ Cl.
3.
3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
solo, w/ Euph.
1 2
3 4
1 2
Tbn 3
B. Tbn
SA L
Hn.
B♭ Tpt 3 4
SC
1 2
T. Sax.
E
1 2
Bar. Sax.
R
3 4
B. Cl.
O
Fl.
Bsn
1 2
Ob.
23
solo, w/ Tenor Sax
PE
Hp
Pno
D. B.
Timp.
R
Tba
U
Euph.
Vib.
H. Bls. (A4, B4)
Glock.
H. Bls. (E5, F#5)
Chimes Chim.
H. Bls. (E4, F#4)
22
23
24
25
28
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial Picc.
1 2
Fl.
3 4
Ob.
1 2
Eng. Hn
a2 1 Bsn 2
Cbsn
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
1 2
1 2
Hn. 3 4
1 2
Euph.
Tba
Pno
D. B.
Timp.
H. Bls. (E5, F#5)
PE
Hp
R
B. Tbn
U
Tbn 3
SA L
B♭ Tpt 3 4
O
SC
Bar. Sax.
E
1 2
B. Cl.
R
B♭ Cl. 3 4
To Suspended Cymbal
Vib.
H. Bls. (A4, B4)
Glock.
Chim.
To Xylophone
H. Bls. (E4, F#4)
26
27
To Bass Drum
28
29
29
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial Picc.
33
1. w/ Tenor Sax & Euph.
Fl.
3 4
1 2
Eng. Hn
Bsn
1 2
Ob.
1 2
Cbsn
a2
1 2
Cb. Cl.
a2
S. Sax.
A. Sax.
T. Sax.
1 2
Bar. Sax.
1 2
Hn. 3 4
1 2
Euph.
Hp
Pno
D. B.
Timp.
Perc. 1
Vib.
Xyl.
Glock.
Chim.
(no arp)
(no arp)
PE
Tba
R
B. Tbn
U
Tbn 3
SA L
B♭ Tpt 3 4
R
1 2
B. Cl.
O
SC
3 4
E
B♭ Cl.
Bass Drum Perc. 6
30
31
do not overpower Timpani
32
33
30
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial
3 4
1 2
1.
1 2
3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
Hp
Pno
senza sord.
senza sord.
Vib.
Glock.
Chim.
34
To Hand Bells
a2
Xylophone
Perc. 1
Perc. 6
straight mute
D. B. Timp.
Xyl.
PE Tba
senza sord.
Euph.
U
Tbn
B. Tbn
3
straight mute
Hn.
1 2
3 4
1 2
B♭ Tpt
3 4
1 2
B♭ Cl.
Cbsn
1 Bsn 2
Eng. Hn
B. Cl.
R
Ob.
E
Fl.
R
O
1 2
SC
SA L
Picc.
35
36
37
31
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial
1 2
3 4 1 2
T. Sax.
B. Tbn
Euph.
senza sord.
To Hi-Hat Perc. 5
H. Bls. (E4, F#4)
a2
senza sord.
a2
no cresc.
38
39
Suspended Cymbal
no cresc.
no cresc.
F♭ C♯ B♭
Hi-Hat
Glock.
Xyl.
Vib.
PE
U
3
R
Tbn
a2
SA L
1 2
Hn. 3 4
a2
1 2
B♭ Tpt 3 4
O
Bar. Sax.
Perc. 1
Timp.
A. Sax.
D. B.
Pno
S. Sax.
Hp
SC
Tba
Cb. Cl.
1 2
B. Cl.
B♭ Cl.
Cbsn
1 2
Bsn
Eng. Hn
1 2
a2 Ob.
3 4
Fl.
E
1 2
R
Picc.
no cresc.
choke!
40
41
32
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial
D. B.
Timp.
Vib.
Xyl.
Glock.
Perc. 5
H. Bls. (E4, F#4)
Hn. solo; play if asked
O
straight mute
straight mute
1. solo
cut off all sound
dampen dampen
Marimba
() ()
SC
E
R
1. Hn. solo; play if asked
To Marimba Mar.
PE Pno
1 2 Hn. 3 4 1 2 Tbn 3 B. Tbn Euph. Tba dampen Hp
U
1 2 Fl. 3 4 1 Ob. 2 Eng. Hn 1 Bsn 2 Cbsn 1 2 B♭ Cl. 3 4 1 B. Cl. 2 Cb. Cl. S. Sax. A. Sax. T. Sax. Bar. Sax. 1 2 B♭ Tpt 3 4
SA L
42
R
Picc.
42
43
44
45
46
47
33
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial
1 2
1 2
A. Sax.
T. Sax.
Bar. Sax.
1 2
Hn.
Pno
D. B.
Timp.
Xyl.
U
R
H. Bls. (E4, F#4)
Perc. 5
Glock.
Vib.
Mar.
PE
Tbn
Hp
poco
1.
B♭ Tpt 3 4
E
S. Sax.
Tba
Cb. Cl.
Euph.
B. Tbn
1 2
3
1 2
poco
3 4
3 4
1 2
B♭ Cl.
B. Cl.
1. 1 2
R
Cbsn
O
1 2
poco
Bsn
Eng. Hn
51
SC
Ob.
Fl. 3 4
SA L
Picc.
48
49
50
51
52
34
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial Picc.
3 4
1 2
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
1.
B. Tbn
Euph.
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Glock.
Perc. 5
H. Bls. (E4, F#4)
PE
Tba
R
3
U
Tbn
Hn.
3 4
SC
Cb. Cl.
SA L
1 2
1 2
3 4
3 4
B♭ Tpt
B♭ Cl.
1 2
1. 1 2
E
Cbsn
R
1 2
O
Eng. Hn
B. Cl.
Fl.
Bsn
1 2
Ob.
53
54
55
56
57
To Handbells
To Tam-tam
35
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial
58
Picc.
1 2
delicately
Fl.
Eng. Hn
1 Bsn 2
Cbsn
1 2 B♭ Cl. 3 4
1 2
Cb. Cl.
B. Cl.
1.
1 2
Hn.
1.
B. Tbn
Euph.
harmon mute stem in - always freely close and open mute
Pno
F♯ C♮ B♮
PE
Hp
harmon mute stem in - always freely close and open mute
R
3
U
Tbn
Tba
harmon mute stem in - always freely close and open mute
1 2
3 4
3 4
B♭ Tpt
SA L
1 2
SC
bring out
Bar. Sax.
bring out
T. Sax.
O
bring out
A. Sax.
S. Sax.
E
1 2
R
Ob.
3 4
freely move from sul pont. to sul tasto in undulating motions from here to the end
D. B.
Timp.
To Handbells
H. Bls. (E5, F#5)
Vib.
H. Bls. (A4, B4)
Glock.
Handbells (E5, F#5)
Handbells (A4, B4)
Tam-tam rub w/ superball mallet as in the beginning
Perc. 5
H. Bls. (E4, F#4)
58
59
Handbells (E4, F#4)
60
61
62
63
64
36
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial Picc.
65
delicately
1. solo
1 2 Fl. 3 4
1. solo, w/ Sop. Sax. 1 2
Eng. Hn
Ob.
Bsn
1 2
delicately
Cbsn
71
1. solo
delicately
B♭ Cl.
S. Sax.
A. Sax.
Bar. Sax.
1 2
3 4
Tbn 3
B. Tbn
Euph.
PE
Hp
Pno
D. B.
Timp.
H. Bls. (E5, F#5)
Vib.
Glock.
65
66
67
68
69
70
To Chimes
71
H. Bls. (E4, F#4)
H. Bls. (A4, B4)
Perc. 5
Tba
R
1 2
U
Hn.
SA L
1 2
delicately
solo, w/ Oboe
B♭ Tpt 3 4
T. Sax.
E
Cb. Cl.
R
O
1 2
B. Cl.
SC
3 4
1 2
72
37
“The Eternal Present”: SYMPHONY NO. 1 | II - the trivial w/ Fl.
delicately
1 2
Eng. Hn
Bsn
1 2
Cbsn
1.
1 2 B♭ Cl.
B. Cl.
3 4
1 2
S. Sax.
A. Sax.
T. Sax.
1 2
Hn. 3 4
Tbn
3
Hp
Pno
D. B.
Timp.
Chim.
Perc. 6
To Bass Drum
quasi-freely
quasi-freely
Chimes
73
74
75
Bass Drum
76
Glock.
H. Bls. (A4, B4)
Vib.
H. Bls. (E5, F#5)
PE
R
Euph.
U
B. Tbn
Tba
1 2
SA L
B♭ Tpt 3 4
1 2
Cb. Cl.
Bar. Sax.
SC
Ob.
E
Fl. 3 4
delicately
R
1. solo
1 2
O
Picc.
77
78
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
1 2
English Horn
Bassoon
1 2
Contrabassoon
E♭ Clarinet
1 2
B♭ Clarinet 3 4
1 Bass Clarinet 2
Contrabass Clarinet
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
1 2
B♭ Trumpet 3 4
1 2
Horn 3 4
1 2 Trombone
3
Bass Trombone
Euphonium
Harp
Piano
Double Bass
Timpani
Marimba
Vibraphone
Xylophone
Percussion 4
Percussion 5
Percussion 6
PE
Tuba
Hi-Hat
2
3
4
a2
harmon mute stem in harmon mute stem in
harmon mute stem in
pizz.
a2
7
E
R
3 4
O
Flute
SC
SA L
1 2
U
Oboe
Fast, driving = 132
Piccolo
R
III - the profound
2 Triangles
5
6
7
8
39
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound Picc.
1 2
a2
Fl.
Eng. Hn
1 Bsn 2
Cbsn
E♭ Cl.
1 2
a2
S. Sax.
A. Sax.
T. Sax.
Cb. Cl.
Bar. Sax.
1 2
1 2
Hn. 3 4
1 2 Tbn
Euph.
Hp
Pno
D. B.
Timp.
Xyl.
Perc. 4
Perc. 5
Vib.
Perc. 6
Mar.
straight mute harmon mute stem in
PE
Tba
U
B. Tbn
a2
R
3
9
10
11
12
13
14
15
solo
Kick Drum
solo
a2 a2 a2 a2
SA L
B♭ Tpt 3 4
a2
1 B. Cl. 2
B♭ Cl. 3 4
a2
E
R
1 2
O
SC
Ob.
3 4
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Cl.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
a2
a2
senza sord. senza sord. senza sord.
PE
Tba
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
(pizz.)
16
solo
To Suspended Cymbal
To Tom-toms
a2
E
R
3 4
O
Fl.
a2
SC
SA L
1 2
17 With joyful exuberance
U
R
Picc.
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
40
Tom-toms
17
18
19
To Glock.
20
21
22
1 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
B. Cl.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Tba
a2
PE
Hp
Pno
D. B.
Timp.
Perc. 1
Vib.
Perc. 3
Glock.
Perc. 5
Perc. 6
a2
a2
Suspended Cymbal
23
a2
a2
(pizz.)
24
25
26
a2
a2
a2
a2
a2
27
Glock.
a2
R
Ob.
41
E
R
3 4
O
Fl.
a2
SC
24
SA L
1 2
U
Picc.
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
28
Fl.
a2
a2
1 2
Eng. Hn
Bsn
3 4
Ob.
1 2
Cbsn
E♭ Cl.
a2
B♭ Cl.
a2
3 4
1 2
B. Cl.
1 2
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
Cb. Cl.
1 2
B♭ Tpt
1 2
a2
Hn.
a2
3 4
1 2 Tbn
3
B. Tbn
Euph.
Hp
Pno
Vib.
Perc. 3
Glock.
Perc. 5
Perc. 1
Perc. 6
D. B.
Timp.
29
a2
arco
agitated
30
agitated
31
To Marimba
To Xylophone
To 2 Triangles
32
agitated
To Bass Drum
agitated
a2
PE
Tba
R
3 4
E
R
1 2
agitated
O
a2
31
SC
SA L
Picc.
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
U
42
agitated
33
34
35
3 4
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl.
a2
3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Cl.
a2
lightly
lightly
lightly
B♭ Tpt 3 4
1 2
Hn.
a2
3 4
1 2 Tbn
3
B. Tbn
Euph.
Tba
a2
lightly
a2 lightly
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
PE
SA L
U
1 2
R
Bar. Sax.
E
Fl.
42
R
O
1 2
SC
Picc.
43
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
F♯ C♯
pizz.
36
37
38
39
40
41
42
2 Triangles
Bass Drum
43
44
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
Cbsn
E♭ Cl.
1 2
a2
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt
3 4
1 2
Hn.
a2
3 4
1 2 Tbn 3
B. Tbn
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
44
a2
46
Xylophone
Marimba
47
D♮ B♮
() no pedal
To Egg Shaker
48
49
50
51
45
a2
PE
R
Euph.
Tba
3 4
B. Cl.
B♭ Cl.
E
1 2
R
Eng. Hn
49 Tentatively grooving (like a Rube Goldberg machine)
O
1 2
SC
3 4
SA L
Fl.
Bsn
1 2
Ob.
U
Picc.
45
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound Picc.
1 2
Fl.
Eng. Hn
Bsn
a2
1 2
Cbsn
E♭ Cl.
1 2
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Cl.
Bar. Sax.
1 2
a2
B. Tbn
Timp. Mar. Vib. Xyl.
Perc. 4
Perc. 5
52
53
54
55
arco
a2
a2
a2
Egg Shaker
Perc. 6
D. B.
PE
R
U
3
a2
Tbn
SA L
Euph.
straight mute
1 2
Hn.
Pno
straight mute
3 4
a2
1 2
a2
3 4
Hp
B♭ Tpt
Tba
a2
SC
B♭ Cl. 3 4
E
1 2
R
O
Ob.
3 4
56
57
58
46
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
Fl.
3 4
1 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2 B♭ Cl. 3 4
B. Cl.
1 2
Cb. Cl.
S. Sax.
A. Sax.
1 2
T. Sax.
Bar. Sax.
B♭ Tpt 3 4
1 2
Hn.
Tbn 3
B. Tbn
Euph.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
59
61
62
63
64
To Kick Drum
65
60
a2
To 2 Triangles
a2
D. B.
Timp.
PE Pno
R
1 2
Hp
3 4
Tba
a2
U
Ob.
a2 1 2
E
R
O
SC
59
SA L
Picc.
To Tom-toms
66
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 B. Cl. 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Perc. 3
Perc. 4
Perc. 5
Perc. 6
senza sord. senza sord. a2
a2
pizz.
67
68
69
70
71
72
PE
Tba
73
E
1 2
R
O
3 4
SC
Fl.
SA L
U
1 2
Ob.
67 L'istesso tempo
R
Picc.
47
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
2 Triangles
73
74
48
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
Fl.
Ob.
3 4
1 2
1 2
Cbsn
E♭ Cl.
1 2
Cb. Cl.
a2
1 2
3 4
1 2
Hp
Pno
D. B.
Timp.
Vib.
Perc. 3
Perc. 4
Perc. 5
Perc. 6
a2
a2
75
To Egg Shaker
76
77
78
Kick Drum
Mar.
PE
Tba
R
Euph.
U
B. Tbn
Tbn 3
a2
a2
Hn.
SA L
B♭ Tpt 3 4
a2
T. Sax.
A. Sax.
1 2
S. Sax.
Bar. Sax.
a2
1 B. Cl. 2
B♭ Cl. 3 4
Eng. Hn
Bsn
79
E
R
O
1 2
SC
Picc.
79
80
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
Fl. 3 4
Ob.
1 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
T. Sax.
1 2
Hn. 3 4
1 2
Hp
Pno
(pizz.)
Vib.
Perc. 3
Perc. 4
Mar.
a2
D. B.
Timp.
PE
Tba
R
Euph.
U
B. Tbn
Tbn 3
SA L
B♭ Tpt 3 4
A. Sax.
1 2
S. Sax.
Bar. Sax.
Cb. Cl.
1 B. Cl. 2
B♭ Cl. 3 4
Egg Shaker
Perc. 5
Perc. 6
81
82
83
84
E
R
O
1 2
SC
Picc.
49
senza sord. senza sord. senza sord.
85
1 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Tba
Pno
D. B.
Timp.
Perc. 1
Vib.
Perc. 3
Glock.
Perc. 5
Perc. 6
2nd time only
2nd time only
pizz.
2nd time only
To Suspended Cymbal
2nd time only - pedal ad lib.
2nd time only
Glockenspiel 2nd time only
86
87
88
89
90
91
arco
1.
Tom-toms
F♮ D♭ B♭
PE
Hp
E
3 4
R
Fl.
O
SC
1 2
SA L
Ob.
86
Picc.
R
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
U
50
pizz.
(both times)
92
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
a2
no cresc.
PE
Tba
a2
Hp
Pno
D. B.
Timp.
Perc. 1
Vib.
Perc. 3
Glock.
Perc. 5
Perc. 6
arco
Suspended Cymbal
pizz.
93
a2
a2
a2
a2
a2
a2
94
95
96
E
R
3 4
a2
O
Fl.
SC
94
SA L
1 2
U
Picc.
2.
R
51
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
97
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
B. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
a2
a2
Hp
Pno
D. B.
Timp.
Perc. 1
Vib.
Perc. 3
Glock.
Perc. 5
Perc. 6
a2
a2
a2
a2
PE
Tba
98
99
a2
arco
a2
100
a2
E
3 4
a2
101
R
Fl.
O
a2
SC
1 2
SA L
Picc.
U
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
R
52
arco
101
102
1 2
a2
Fl. 3 4
a2
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B. Cl.
1 2
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
Euph.
a2
PE
Tba
B. Tbn
Hp
Pno
Timp.
Vib.
Perc. 3
Glock.
Perc. 5
Perc. 1
Perc. 6
D. B.
R
3
a2
Tbn
1 2
Hn. 3 4
a2
1 2
B♭ Tpt 3 4
Cb. Cl.
B♭ Cl. 3 4
103
a2
a2
104
a2
105
106
E
R
a2
O
SC
SA L
Picc.
U
53
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
B. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Tba
a2
a2
Hp
Pno
D. B.
Timp.
Perc. 1
Vib.
Perc. 3
Glock.
Perc. 5
Perc. 6
a2
a2
107
a2
a2
PE
a2
solo
(
)
To Egg Shaker
108
109
110
111
2nd time only solo, w/ Tom-toms
E
3 4
108
R
Fl.
O
a2
SC
1 2
SA L
Picc.
U
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
R
54
112
113
1 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Pno
D. B.
Timp.
Perc. 1
Vib.
Perc. 3
Perc. 4
Perc. 5
Perc. 6
114
115
116
118
117
Egg Shaker
Hp
PE
Tba
R
Ob.
119
E
3 4
R
Fl.
O
SC
1 2
SA L
U
Picc.
55
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
To 2 Triangles
119
120
56
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
Picc.
1 2
127
Fl. 3 4
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
Cb. Cl.
A. Sax.
Bar. Sax.
T. Sax.
S. Sax.
1 2
1 2
Hn.
1 2 Tbn 3
B. Tbn
Euph.
U
3 4
SA L
B♭ Tpt 3 4
R
1 2
O
B. Cl.
SC
3 4
E
B♭ Cl.
play if asked
Pno
D. B.
Timp.
PE
Hp
R
Tba
Perc. 1
Vib.
Perc. 3
Perc. 5
Perc. 6
121
122
2 Triangles
Perc. 4
To Bass Drum
123
124
125
126
127
57
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound Picc.
1 2
Fl. 3 4
1 2
Eng. Hn
Ob.
1 2
Cbsn
E♭ Cl.
1 2
Bsn
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
1 2
1 2
Hp
Pno
D. B.
Timp.
Perc. 1
Vib.
Perc. 3
Perc. 5
Perc. 6
Perc. 4
PE
Tba
U
Euph.
R
B. Tbn
Tbn 3
Hn. 3 4
SA L
B♭ Tpt 3 4
SC
B. Cl.
R
O
3 4
E
B♭ Cl.
128
129
130
131
132
133
134
58
“The Eternal Present”: SYMPHONY NO. 1 | III - the profound
135
Picc.
1 2
Fl. 3 4
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
A. Sax.
T. Sax.
Bar. Sax.
1 2
Cb. Cl.
1 2
1 2
Hn.
B. Tbn
Euph.
PE
Tba
R
3
Hp
Pno
Perc. 1
Vib.
Perc. 3
Perc. 4
Perc. 5
Perc. 6
135
136
137
138
139
140
141
Timp.
D. B.
U
Tbn
SA L
3 4
1 2
B♭ Tpt
3 4
SC
S. Sax.
B. Cl.
R
O
3 4
E
B♭ Cl.
Bass Drum
142
59
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
IV - the fatuous
English Horn
Bassoon
1 2
Contrabassoon
E♭ Clarinet
1
2
B♭ Clarinet 3
4
1
Bass Clarinet 2
Contrabass Clarinet
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
1 2
B♭ Trumpet 3 4
1 2
Horn 3 4
1 2 Trombone
3
Bass Trombone
Euphonium
Harp
Piano
Double Bass
Wooden Wind Chimes
Handbells (E5, F#5)
Vibraphone
Handbells (A4, B4)
Percussion 4
Percussion 5
Handbells (E4, F#4)
a2
a2
a2
optional: strum inside piano at the given keys
hold E5 handbell in LH
F♯
2 Triangles
2
3
Metal Patio Chimes
a2
a2
PE
Tuba
a2
E
1 2
Oboe
4
O
3
SC
Flute
2
SA L
1
*
U
R
Piccolo
R
With a feeling of being small in a large space = 60
To Glock.
gently activate random chimes as if wind is blowing through them
4
5
6
7
*Winds/Brass: Triangular arrow noteheads throughout this prelude indicate breathing in and our of your instrument without pitch (up arrows = inhale, down arrows = exhale). Be sure to breathe in time as indicated. Winds: Freely play unpitched, random, & asynchronous key clicks throughout the duration of the indicated figures.
60
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
1 2
Cbsn
E♭ Cl.
1
A. Sax.
T. Sax.
Bar. Sax.
1 2
S. Sax.
3 4
1 2
3
B. Tbn
Euph.
Pno
D. B.
Wooden W. Ch.
H. Bls. (E5, F#5)
Vib.
a2
etouffée
bring out pizz., very short bring out
bring out
Glock.
Perc. 5
H. Bls. (E4, F#4)
rubber mallets
To Xylophone
10
To Bass Drum
11
9
8
gently activate chimes as if wind is blowing through them
Wooden Wind Chimes
H. Bls. (A4, B4)
bring out
a2
a2
Glock.
a2
(yarn mallet, RH)
Mar.
Hp
PE
Tba
Tbn
1 2
Hn.
ord.
B♭ Tpt
3 4
B. Cl.
Cb. Cl.
2
1
4
B♭ Cl. 3
a2
2
a2
SA L
Bsn
Eng. Hn
12
13
E
1 2
Ob.
4
R
3
O
Fl.
SC
2
U
1
8
R
Picc.
61
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous Picc.
14
a2
key clicks in time w/ full section 1 2
Fl.
a2 key clicks in time w/ full section
3 4
Eng. Hn
1 2
Cbsn
E♭ Cl.
1. ord. 1 Ob. 2
Bsn
a2
a2 key clicks in time w/ full section
3 4
1 2
Hn.
Tbn 3
B. Tbn
Euph.
Hp
Pno
D. B.
Wooden W. Ch.
switch to four yarn mallets
deadstroke
Vib.
Mar.
PE
Tba
3 4
1 2
B♭ Tpt
3 4
key clicks in time
U
1 2
T. Sax.
O
SC
A. Sax.
S. Sax.
SA L
Cb. Cl.
Bar. Sax.
1 2
R
B. Cl.
a2 key clicks in time w/ full section
R
B♭ Cl.
1 2
E
key clicks in time w/ full section
Xylophone deadstroke
Xyl.
Perc. 5
Perc. 6
14
as before
sparsely and freely out of time; l.v. sempre
Glock.
15
16
17
18
19
20
62
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
ord.
1 2
Eng. Hn
Bsn
4
B♭ Cl.
3
4
1 2
Cb. Cl.
B. Cl.
S. Sax.
A. Sax.
T. Sax.
1 2
Tba
Hp
Glock.
Perc. 5
ord.
(deadstroke)
a2
a2
a2
harmon mute stem in harmon mute stem in
harmon mute stem in
To Suspended Cymbal
cresc. poco a poco
both staves
both staves
arco - freely move between sul pont. and sul tasto in undulating motions
Timpani
a2
ord.
breathe + key clicks (asynchronous) as before
breathe + key clicks (asynchronous) as before
cresc. poco a poco cresc. poco a poco
breathe + key clicks (asynchronous) as before
breathe + key clicks (asynchronous) as before
To Timp.
breathe + key clicks (asynchronous) as before
breathe + key clicks (asynchronous) as before
a2 ord.
breathe + key clicks (asynchronous) as before
Xyl.
breathe + key clicks (asynchronous) as before
cresc. poco a poco
cresc. poco a poco
25
(etouffée) bring out Pno bring out (pizz.) D. B. bring out Wooden W. Ch. Mar. Vib.
Perc. 6
Euph.
PE
B. Tbn
R
Tbn 3
U
1 2
Hn. 3 4
B♭ Tpt 3 4
1 2
a2
Bar. Sax.
2
1
E♭ Cl.
ord. ord.
Cbsn
1 2
3
Ob.
Fl.
ord.
E
R
SC
2
O
1
SA L
Picc.
21
22
23
24
25
To Chimes
26
63
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous Picc.
1 2
30
Fl.
Cb. Cl.
a2
1 2
(loco)
harmon mute stem in
(no arp)
(no arp)
Perc. 6
freely gliss. pedal very slightly above and below the given pitch until indicated
plastic mallets
Chimes Chim.
(cresc. poco a poco)
Glock.
Xyl.
Perc. 2
Mar.
U
PE
R
D. B.
Euph.
harmon mute stem in
B. Tbn
Timp.
3
Pno
Tbn
Hp
1 2
Hn. 3 4
(cresc. poco a poco)
insert harmon mute
insert harmon mute
3 4
B♭ Tpt
Tba
SA L
1 2
T. Sax.
A. Sax.
S. Sax.
SC
Bar. Sax.
key clicks in time w/ full section
(cresc. poco a poco)
E
R
O
1 2
B. Cl.
(cresc. poco a poco)
3 4
a2 key clicks in time w/ full section
B♭ Cl.
a2 1 2
a2
E♭ Cl.
Cbsn
1 2
Eng. Hn
1 Ob. 2
Bsn
3 4
a2
(cresc. poco a poco)
play freely and sparsely - gradually accel. poco a poco
27
28
29
30
31
64
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
1 2
1 Ob. 2
1 2
E♭ Cl.
B♭ Cl. 2
3 4
1 2
Cb. Cl.
B. Cl.
a2
Tbn
3
B. Tbn
Euph.
Hp
PE
R
1 2
3 4
B♭ Tpt
Hn.
1 2
3 4
A. Sax.
T. Sax.
Tba
S. Sax.
1 2
cresc. poco a poco
Bar. Sax.
cresc. poco a poco cresc. poco a poco a2 a2
1
Cbsn
U
Bsn
Eng. Hn
cresc. poco a poco
Fl.
a2
cresc. poco a poco
3 4
Freely
solo cut off very harshly cut off very harshly
E
R
a2
O
SC
Picc.
SA L
cut off very harshly cut off very harshly cut off very harshly cut off very harshly cut off very harshly cut off very harshly cut off very harshly cut off very harshly cut off very harshly cut off very harshly
Pno D. B. Timp. Mar. cut off very harshly To Vib. Suspended Cymbal Perc. 2 Xyl. Glock. To Tam-tam Chim.
China Cymbal w/ yarn mallets
Perc. 6
32
33
34
cut off very harshly To Bass Drum
35
36
65
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Eng. Hn
1 Bsn
2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1
B. Cl.
2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
1.
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Glock.
Perc. 5
Perc. 6
senza sord.
senza sord.
senza sord.
senza sord.
PE
Tba
E
1 2
R
O
3 4
SC
Fl.
SA L
U
1 2
Ob.
37 With building intensity = 64
R
Picc.
37
38
39
40
41
42
43
66
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Fl.
Eng. Hn
Bsn
1 2
Cbsn
B♭ Cl. 2
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
Hp
Pno
E♭ G♮ D♮
Perc. 6
44
45
46
47
Bass Drum
48
49
Tam-tam
Perc. 5
Xyl.
Glock.
Vib.
To Sus. Cym. Vibraphone To Tom-toms
Mar.
2.
SA L
Timp.
D. B.
PE
Tba
U
Euph.
2.
R
B. Tbn
a2
Tbn 3
1 2
Hn. 3 4
B♭ Tpt
1 2
3 4
49
3 4
B. Cl.
1
E♭ Cl.
E
1 2
Ob.
a2
R
3 4
O
1 2
44
SC
Picc.
50
51
67
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
)
(
1 2
)
( Fl.
3 4
)
)
(
Ob.
1 2
(
1 2
E♭ Cl.
Cbsn
(
1 2
( B♭ Cl. 3 4
)
)
( 1 B. Cl. 2
Cb. Cl.
S. Sax.
A. Sax.
1 2
1 2 Hn. 3 4
Tbn
3
B. Tbn
Euph.
Perc. 3
52
53
54
55
56
a2
Perc. 5
Glock.
Perc. 6
Perc. 2
a2
Mar.
D. B.
Timp.
Pno
Hp
R
PE
Tba
a2
1 2
senza sord.
3 4
B♭ Tpt
SA L
U
Bar. Sax.
T. Sax.
)
SC
Bsn
Eng. Hn
E
R
56 a2 a2
O
Picc.
solo
Sus. Cym.
Sus. Cym.
w/ xylophone mallets
Tom-toms
57
68
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
3 4
1 2
Eng. Hn
Cbsn
E♭ Cl.
1 2
3 4
a2
a2
a2
3
B. Tbn
Euph.
Xylophone
Glock.
To Hi-Hat
Perc. 6 Perc. 5
58
59
Xyl.
D. B.
Timp. Perc. 1 Perc. 2
PE
R
U
Tbn
1 2
a2
3 4
A. Sax. T. Sax. Bar. Sax. 1 2 B♭ Tpt
Hn.
S. Sax.
1 2
3 4
SA L
Cb. Cl.
Pno
a2 1 B. Cl. 2
Hp
a2
B♭ Cl.
Tba
a2
1 Bsn 2
SC
Ob.
60
E
Fl.
R
1 2
O
Picc.
solo (w/ xylo. mallets)
61
Tom-toms
69
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
ossia
B. Cl.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Hp
Pno
D. B.
Timp.
Mar.
Perc. 2
Xyl.
Glock.
Perc. 5
Perc. 6
a2
a2
Spectral Multiphonic: ad lib. between partials freely
a2
65
66
64
63
62
a2
warmly
3. straight mute
straight mute
Marimba
Xylophone
harmon mute stem in
a2
a2
a2
harmon mute stem in warmly
To Marimba
a2
E♮
PE
Tba
E
1 2
a2
R
O
3 4
SC
Fl.
SA L
U
1 2
Ob.
62 Grandiose, maybe overly so
R
Picc.
67
70
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Picc.
a2
1 2 Fl.
a2
3 4
1 2
Eng. Hn
Ob.
Bsn
1 2
a2
a2
1 2
a2
70
Cb. Cl.
a2 B. Cl.
S. Sax.
A. Sax.
1 2
T. Sax.
Bar. Sax.
R
O
1 2
SC
a2
B♭ Cl. 3 4
E♭ Cl.
Cbsn
E
a2
Hn.
a2
1 2 Tbn
3
a2
senza sord.
Tba
Hp
Pno
Timp.
Xyl.
Glock.
Perc. 5
Perc. 6
68
ossia
3.
69
Hi-Hat cool 70
warmly
71
harmon mute stem in
harmon mute stem in
a2
warmly
Perc. 2
a2
Mar.
D. B.
PE
Euph.
senza sord.
B. Tbn
R
3 4
U
1 2
SA L
B♭ Tpt 3 4
72
71
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous Picc.
a2 opt. pizz. - play ord. if needed
1 2
opt. pizz. - play ord. if needed
Eng. Hn
1 2
Cbsn
Cb. Cl.
T. Sax.
ossia
3 4
1 2
Hn. 3 4
a2
Tbn
3
Perc. 5
a2
73
a2
a2
senza sord.
75
To 2 Triangles
76
To Tom-toms
senza sord.
a2
74
a2
Glock.
Perc. 6
Xyl.
Timp.
Perc. 2
D. B.
Mar.
PE Pno
R
Euph.
B. Tbn
U
1 2
Hp
a2
3.
B♭ Tpt
slaptongue slaptongue
A. Sax.
S. Sax.
a2
SA L
SC
a2
1 2
B♭ Cl.
Tba
a2
3 4
1 2
E♭ Cl.
1 2
E
1 2
Bar. Sax.
R
a2
B. Cl.
O
3 4
Bsn
a2
Fl.
Ob.
77
72
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
a2
a2
1 2 Fl. 3 4
1 2
Eng. Hn
1 Bsn 2
Cbsn
a2
a2
a2
1 B. Cl. 2
Cb. Cl.
a2
Bar. Sax. T. Sax.
B♭ Tpt 3 4
senza sord. senza sord. a2
a2 1 2
Hn.
a2
1 2 Tbn 3
a2
B. Tbn
Euph.
D. B.
B♮
Perc. 4
Perc. 5
Perc. 6
78
79
80
joyously
a2
1. solo
Perc. 3
Tom-toms
Perc. 2
Mar.
PE
R
3 4
a2
a2
2
A. Sax.
1
S. Sax.
SA L
3 4
Timp.
a2
B♭ Cl.
Pno
a2
1 2
Hp
E♭ Cl.
Tba
U
Ob.
E
R
O
Picc.
78
SC
To Vib.
To Xyl.
81
82
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Tba
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
a2
1. solo
joyously
83
84
85
86
87
88
89
2 Triangles
To Tam-tam
To Glock.
joyously
1. solo
a2
PE
E
R
1 Ob. 2
O
SC
3 4
SA L
Fl.
U
1 2
83
R
Picc.
73
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
color flute
74
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Fl. 3 4
1.
1 Ob. 2
1 2
E♭ Cl.
1.
1 2
Cbsn
Eng. Hn
Bsn
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
3 4
1 2
Hn. 3 4
1 2
Tbn
Euph.
Tba
Pno
D. B.
Timp.
Mar.
Vib.
Vib.
Xyl.
Xyl.
Glock.
Glock.
Perc. 5
Perc. 6
PE
Hp
90
91
92
joyously
F♯
1. solo
U
B. Tbn
R
3
SA L
B♭ Tpt
93
E
R
O
1 2
color flute 1.
SC
Picc.
93
94
95
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
1. 1 2
Fl.
1.
Bsn
1 2
1. 1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
1 2
1 2
Tba
F♮
Mar.
Vib.
Pno
D. B.
Timp.
PE
Hp
U
Euph.
R
B. Tbn
Tbn 3
Hn. 3 4
SA L
B♭ Tpt 3 4
E♭ Cl.
Cbsn
Eng. Hn
1 Ob. 2
Glock.
Perc. 5
96
97
98
99
100
Xyl.
Perc. 6
O
SC
3 4
102
a2
101
E
R
Picc.
75
To Sus. Cym.
To Sus. Cym.
To Tom-toms
Tam-tam
To Chimes
102
103
76
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Fl. 3 4
1 2
Eng. Hn
Ob.
1 Bsn 2
Cbsn
E♭ Cl.
1 2
B♭ Cl.
1 2
Cb. Cl.
A. Sax. T. Sax. Bar. Sax. 1 2
1 2
Hn. 3 4
1 2
R
Perc. 1
Perc. 2
Perc. 3
Glock.
Chim.
104
105
106
107
Perc. 6
Timp.
a2
a2
a2
D. B.
PE Pno
Euph. Tba
Hp
B. Tbn
U
3
Tbn
SA L
B♭ Tpt 3 4
S. Sax.
a2
3 4
B. Cl.
E
R
1 2
O
SC
Picc.
108
109
110
111
77
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
a2
a2
Hp
Pno
D. B.
Timp.
Perc. 1
Perc. 2
Perc. 3
Glock.
Chim.
Perc. 6
a2
a2
(
)
)
112
(
PE
Tba
E
a2
R
3 4
O
Fl.
SC
SA L
1 2
U
Picc.
R
113
E♭ F♭ D♭
solo
Chimes
To Tam-tam
113
114
115
116
117
solo (w/ drum sticks)
Tom-toms
1 2
Eng. Hn
Ob.
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B. Cl.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Hp
Pno
D. B.
Timp.
Perc. 1
Perc. 2
Perc. 3
Glock.
Perc. 5
Perc. 6
a2
a2
a2
a2
PE
Tba
Sus. Cym.
Tam-tam
118
Sus. Cym.
a2
color trumpets color trumpets
color trumpets
a2
a2
E♮ F♮
pizz.
color trumpets
bring out
a2
bring out
a2
E
R
3 4
O
Fl.
SC
1 2
SA L
Picc.
119
U
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
R
78
To Xyl.
119
120
121
122
123
124
79
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
1 2
a2
Fl. 3 4
a2
Ob.
1 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
a2 1 2
B♭ Cl.
a2
3 4
1 2
Cb. Cl.
B. Cl.
A. Sax.
T. Sax.
1 2
S. Sax.
Bar. Sax.
B♭ Tpt 3 4
a2
a2
a2 Hn.
a2
3 4
1
Tbn 2
3
B. Tbn
Tba
Hp
Pno
Perc. 1
Perc. 2
Glock.
Perc. 5
Xyl.
Perc. 6
D. B.
Timp.
125
126
PE
Euph.
R
U
1 2
a2
127
128
arco
E
R
a2
127
O
SC
Picc.
SA L
129
80
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
1 Ob. 2
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl.
3 4
1 2
Cb. Cl.
B. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Tba
Hp
Pno
D. B.
Timp.
Perc. 1
Perc. 2
Xyl.
Glock.
Perc. 5
Perc. 6
a2
130
solo; thunderous!!
Xyl.
PE
E
R
3 4
O
Fl.
SC
SA L
1 2
U
Picc.
R
Marimba
131
(no roll; let ring)
To Vib.
To 2 Triangles
To Hi-Hat
132
81
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Eng. Hn
Bsn
1 2
Cbsn
E♭ Cl.
1 2
B♭ Cl. 3 4
1 2
Cb. Cl.
B. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Hp
Pno
D. B.
Timp.
Mar.
Vib.
Xyl.
Perc. 4
Perc. 5
Perc. 6
(Spectral Multiphonic)
2 Triangles
Glock.
pizz.
straight mute
straight mute
B♭
ossia
1. 3.
PE
Tba
E
a2
R
1 2
Ob.
O
SC
Fl.
SA L
U
1 2
3 4
133 L'istesso tempo
R
Picc.
133
134
135
136
137
82
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Picc.
140
Fl. 3 4
Ob.
1 2
Eng. Hn
Bsn
Cbsn
E♭ Cl.
1 2
a2
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 3 4
1 2
3 4
Tbn 3
B. Tbn
Euph.
Pno
D. B.
Timp.
Mar.
a2
a2
D♮
E♭
Perc. 4
Perc. 5
138
139
140
141
142
2 Triangles
Vibraphone
Perc. 6
To 2 Triangles
Xyl.
Vib.
a2
Hp
PE
Tba
R
1 2
Hn.
1 2
R
O
Cb. Cl.
SC
a2
1 2
B. Cl.
SA L
U
3 4
B♭ Cl.
1 2
a2
1 2
E
83
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
a2
3 4
1 2
a2
1 2
B♭ Cl.
a2
3 4
1 2
Cb. Cl.
S. Sax.
T. Sax.
2.
1 2
3
B. Tbn
Euph.
Hp
Pno
Perc. 5
Perc. 6
Hi-Hat
cool
Glock.
145
a2
146
straight mute
3. straight mute
a2
Sus. Cym.
warmly
harmon mute stem in
warmly
harmon mute stem in
144
143
Perc. 4
Xyl.
Vib.
Mar.
arco
E♮
D. B.
Timp.
PE
Tba
R
Tbn
1 2
Hn. 3 4
SA L
1 2
U
B♭ Tpt 3 4
ossia
Bar. Sax.
a2
E♭ Cl.
A. Sax.
Cbsn
B. Cl.
Eng. Hn
Bsn
a2
1 Ob. 2
Fl.
E
1 2
144
R
O
Picc.
SC
147
84
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
1 2
Eng. Hn
1 2
a2
B♭ Cl.
1 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
a2
a2 B. Cl.
a2
3 4
1 2
a2
E♭ Cl.
Cbsn
1 2
Hn.
1 2
Euph.
Hp
Pno
D. B.
148
149
150
cool 152
151
senza sord.
a2
senza sord.
a2
Perc. 6
Perc. 5
Xyl.
Perc. 2
Glock.
Mar.
Timp.
senza sord.
senza sord.
a2
PE
Tba
U
a2
R
B. Tbn
Tbn 3
a2
3 4
SA L
B♭ Tpt 3 4
E
a2
3 4
R
O
Fl.
Bsn
a2
1 2
Ob.
SC
Picc.
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Fl.
a2
3 4
a2 1 Ob. 2
Eng. Hn
1 2
1 2 B♭ Cl.
a2
3 4
1 2
a2
A. Sax.
T. Sax.
1 2
a2
B♭ Tpt
a2
3 4
1 2
a2
1 2 Tbn 3
Pno
Timp.
Mar.
Perc. 2
Perc. 5
Perc. 6
To Sus. Cym.
154
155
Sus. Cym.
153
a2
156
a2
Glock.
Xyl.
D. B.
PE
R
Euph.
B. Tbn
Hp
a2
3 4
Tba
a2 Hn.
S. Sax.
Bar. Sax.
Cb. Cl.
a2 B. Cl.
a2
E♭ Cl.
Cbsn
U
Bsn
E
R
a2
1 2
O
SC
Picc.
SA L
85
Tom-toms
To Chimes
(w/ drum sticks)
156
157
86
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
3 4
1 2
Eng. Hn
1 Bsn
2
E♭ Cl.
1 2
Cbsn
B♭ Cl. 3 4
1 B. Cl.
2
Cb. Cl.
A. Sax.
T. Sax.
S. Sax.
Bar. Sax.
a2
1 2
3 4
a2
1 2
Hn.
a2
3 4
a2
1 2 Tbn
U
3
B. Tbn
Euph.
Hp
Pno
D. B.
Timp.
Perc. 1
Perc. 3
158
159
a2
a2
Chim.
Glock.
Perc. 2
Perc. 6
PE
Tba
R
SA L
a2
B♭ Tpt
sub.
sub.
sub.
sub.
sub. sub.
Chimes
160
sub.
sub.
161
a2
sub.
sub. sub. sub. sub.
sub.
E
Fl.
Ob.
R
1 2
Picc.
O
SC
162
87
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
1 2
B♭ Cl. 3 4
1
B. Cl. 2
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1 2
B♭ Tpt 3 4
1 2
Hn. 3 4
1 2 Tbn
3
B. Tbn
Euph.
Hp
Pno
D. B.
Timp.
Perc. 1
Perc. 2
Perc. 3
Glock.
Chim.
Perc. 6
a2
a2
a2
a2
a2
a2
163
164
165
solo
D♭
PE
Tba
E♭ Cl.
Cbsn
2
Bsn
1
a2
Eng. Hn
E
1 2
Ob.
R
a2
O
3 4
SC
Fl.
SA L
1 2
U
Picc.
163
R
dampen!
166
88
“The Eternal Present”: SYMPHONY NO. 1 | IV - the fatuous
Eng. Hn
Bsn
1 2
Cbsn
1 2
E♭ Cl.
B♭ Cl.
1 2
Cb. Cl.
B. Cl.
S. Sax.
A. Sax.
T. Sax.
a2
1
Bar. Sax.
2
B♭ Tpt 3 4
1 2
Hn. 3 4
a2
Tbn
3
B. Tbn
PE
Euph.
Tba
Pno
D. B.
Timp.
Perc. 1
Glock.
Perc. 5
Perc. 3
Perc. 6
Perc. 2
Hp
To Tam-tam
167
a2
R
1 2
U
3 4
Tam-tam
168
a2
a2
solo
timidly
a2
a2
a2
169
170
Xyl.
dampen!!
To Xyl.
E
1 2
R
Ob.
SC
3 4
Fl.
O
1 2
Picc.
SA L
dampen!! dampen!! dampen!! dampen!! dampen!! 172 171