Portfolio 2010-2020 | June Jung

PORTFOLIO June Jung // 2010-2020

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CONTENTS

/ professional: The Collective Works

WILDERNESS DETOUR: A SELECTED & CRAFTED GOODS SHOP + CAFE

LOUNGE CAFE + LOBBY, CORNER STONE HALL, HANDONG UNIV.

EARTH COFFEE + RESIDENTIAL LOFT

KIM RESIDENCE

STUDENT LOUNGE, DEPT. OF COMPUTER SCIENCE AND ENGINEERING, POSTECH

/ professional: ZGF Architects

STANFORD IN REDWOOD CITY

4TH & WASHINGTON ST. MIXED USE HIGHRISE

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/ professional: Lake | Flato Architects

EPOCH WINERY

BRIDGE HOUSE

THE DIXON WATER FOUNDATION JOSEY PAVILION

/ academic

SENSUOUS COURTYARDS

PRODUCING HOUSING

GALVESTON MARITIME MUSEUM FENN RESIDENCE

LAKE | FLATO

STAIR STUDY

/ other

/ resume

ARCHITECTURAL PHOTOGRAPHY

JUNE JUNG M.Arch

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WILDERNESS DETOUR: A SELECTED & CRAFTED GOODS SHOP / ATELIER professional scope location team

The Collective Works, Pohang, South Korea Interior Design + Build + Furniture Design Pohang, South Korea June Jung + Saejin Lim

Wilderness Detour is the small atelier space of The Collective Works, located in an old, quiet residential area of the small harbor city called Pohang in South Korea. Peacefully facing a little park in the neighborhood, Wilderness Detour is designed for us to work, hold workshops, have client meetings, invite friends for teatime and also share the values and beauty of well-crafted goods with people in the city. Due to the very tight budget, Saejin and I decided to do all the construction works; from demolition to every single step of building this project, we worked on-site with tools in our hands for several months without much help from other professionals. This project has allowed us to take a closer look at how the design is made on-site, so that it has naturally taught us to pay more attention to little details of design and also balancing it with the constructability and the budget. In this project, the part that I enjoyed the most was to design the furniture. From the search of various materials to actual assembly, furniture-making was also done with our effort.

It was a true joy to see every piece of furniture harmonizing all together with space. Overall, we have tried to avoid the synthetic material, so that all the materials can speak of their genuine characters when people see them, touch them, feel them, or even smell them.

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3

4 | WILDERNESS DETOUR | professional work | on-going

Kitchen / Storage

Restroom

Garage

Gallery

Counter / Desk

Display table 3

Seating for 6-8 Display table 1 Seating for 3-4 Display table 2

Above: axonometric view Opposite page: furnishing made with steel and wood 5

LOUNGE CAFE + LOBBY, CORNER STONE HALL, HANDONG UNIV. professional scope location team

The Collective Works, Pohang, South Korea Interior Design + Furniture Design Pohang, South Korea June Jung + Saejin Lim

This project is located at a new building of the School of Spatial Environmental System Engineering at Handong University, Pohang, South Korea. The main design goal is to create spaces allowing a collaborative environment where students and faculty could have casual meetings and also take a rest. Another objective of this project was to share the genuine beauty of each material that are commonly used in architecture and interior design in relatively simple shape with good proportion.

Left: construction progress photos Opposite page: floor plan, lounge cafe 6

0

1

2m

7

TEXTURED BLACK TILE, 1200*600

VALCHROMAT BOARD

8 | LOUNGE CAFE + LOBBY | professional work | on-hold

BLACKENED STEEL PANEL WALL

STAINLESS STEEL 1D PLATE FOR COUNTER TOP

WHITE OAK WOOD SLOT WALL FOR STORAGE

BRUSHED STAINLESS STEEL WAY-FINDING SIGNAGE

BRUSHED STAINLESS STEEL BAR / PANEL

LOUNGE AREA WITH CUSTOM MADE FURNITURE

450.0

Above: custom furniture at the lobby Opposite page: counter space at the lounge cafe

450.0

450.0

2400.0

1600.0

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EARTH COFFEE + RESIDENTIAL LOFT professional scope location team

The Collective Works, Pohang, South Korea Interior Design [unbuilt] Seoul, South Korea June Jung + Saejin Lim

Located on a busy street in Seoul, South Korea, the building has more than 50 years of history. It had gone through countless renovations over the years, lost all of its original characters, and became an ordinary commercial building that can be found everywhere in Korea. The aim of this project was to revive the building to restore its uniqueness and furthermore, to present a design suggestion for the old commercial buildings that share the same problem. Earth Coffee is a simple interplay between the material ‘earth’ and the light. On approach from the street, as looking through the extended windows, the coziness inside catches the eye. The sensuous balance of the earth and the soft light from the sky sets the tone for the comfortable atmosphere of the coffee place; the mere characteristics of these elements reveal the sense of warmness and settledness, which is inseparable from coffee. The second floor is the residential loft for the owner of this coffee place. Through the white oak stairs beside the rammed earth wall at the back end, the door to the loft opens. While the rammed earth walls and the earth brick walls continuously carry on with the sense of comfort, light from clerestory and sky windows gently comes in to brighten the home.

Site photo in the 1980’s, the present, and elevation study sketches 10

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12 | EARTH COFFEE + RESIDENTIAL LOFT | professional work | fall 2017

LEVEL 2 FLOOR PLAN

Rammed earth wall Rammed earth brick wall Above: small concert vignette Opposite page: section perspective

LEVEL 1 FLOOR PLAN

0

1

3

5m

13

Skylight

Skylight

Roof

Closet Bathroom Bedroom

Entry

Second Floor

Living Dining / Kitchen

Roasting Stairs Sitting Main Table Coffee Bar

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Washroom

Ground Floor

Above: perspective view of the living room Opposite page: exploded axonometric diagram

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KIM RESIDENCE professional The Collective Works, Pohang, South Korea scope Architectural design location Ulsan, South Korea team June Jung + Saejin Lim construction Design 410 Construction, Ulsan, South Korea

This two-story house in a rural village in Ulsan has been a dream for the couple in their early 60’s as they wanted to live with their old mother. While providing privacy for the couple, it was our goal to give a sense of connection throughout the house. Beautiful sceneries from the fields and small hills on the south, the existing bamboo trees on the west, and the small garden the couple cultivates on the north are carefully captured through the windows. The double-height living room space is where all the spaces in the house and landscapes from outside are connected and all of the activities in and outside of the house cross.

Left: initial sequence study diagram Opposite page: the courtyard to the chapel 16

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a series of window photographs during construction

18 | KIM RESIDENCE | professional work | fall 2017 - spring 2018

‘shou sugi ban’ wall | mock-up model @ 6”=1’ 19

Left: ground floor plan Opposite page: view of the South East corner during construction 20 | KIM RESIDENCE | professional work | fall 2017 - spring 2018

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STUDENT LOUNGE, DEPT. OF COMPUTER SCIENCE AND ENGINEERING, POSTECH professional scope location team construction

The Collective Works, Pohang, South Korea Interior Design + Furniture Design + Signage Design Pohang, South Korea June Jung + Saejin Lim S.I. Construction, Pohang, South Korea

The project supports a diverse mix of undergraduate students at the Department of Computer Science and Engineering. A major design goal is to provide two types of lounge spaces; one is to provide a relaxing area to foster community, favor cross-pollination of ideas, and give a feeling of home, and the other one is to provide a space where students could concentrate and get the work done. Though the material palette is shared by the two lounges, the relaxing lounge space is more like a living room where students can have casual meetings, while the working lounge space is meant to be a little bit quieter and space is centered by a 12’ long table for 6.

Left: floor plan Opposite page: relaxing lounge, named as ‘deep lounge’ by students 0

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1

2

4m

Left: initial sequence study diagram Opposite page: the courtyard to the chapel

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24 | STUDENT LOUNGE | professional work | summer - fall 2018

Right: Entrance Signage Design Proposal Opposite page: Working lounge 25

STANFORD IN REDWOOD CITY professional ZGF Architects, Portland, OR location Redwoodcity, CA team Joe Collins, Partner in Charge, FAIA

Toby Hasselgren, Design Partner, AIA

Doug Sams, Project Manager, AIA

Renee Kajimoto, Project Architect, AIA Owen Turnbull, AIA Carey Givens Kay Guidry, AIA Amanda Hills, AIA June Jung Charley Danner Tyler Short Whiteny Jordan Dustin Moon The Redwood City campus—located a mile from the main Stanford campus—will allow the university to relocate administrative services, creating additional space on the main campus for academic programs to expand. To attract current and future staff to the new campus and generate excitement amongst employees, ZGF developed a systemic workplace approach that places employees first and wellness at its core. The buildings are designed to be “smart shells” to ensure longevity and provide the flexibility of occupancy and use. The design includes open workspaces and hoteling concepts, along with highly visible collaboration spaces located along the campus greenway circulation spine. Campus amenities, modeled after those offered on neighboring tech campuses, include community event space, dining space, a childcare center, open green space, a fitness center and pool, service retail and Stanford shuttle service. In line with the university’s sustainability goals, the campus features a highly sustainable, state-of-the-art central plant that utilizes nighttime thermal storage to increase cooling efficiency, enabling the project to substantially exceed California’s stringent energy code while meeting the university’s 10year targeted payback. The campus is also designed to use municipal reclaimed water resources for all external and internal non-potable needs. Phase one of the campus—comprising eight buildings and parking totaling nearly one million SF—is now open since October 2019.

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Redwood City Above: Bird’s eye view of the campus Left: Fitness Center / Opening ceremony at Cardinal Hall(B4) Opposite page: Metrics - Phase 1 for planning submittal 28 | STANFORD IN REDWOOD CITY | professional work | fall 2014- fall 2017

BLOCK E

BLOCK A BUILDING TOTAL B1 A1* PARKING NEED PARKING PROVIDED

107,243 SF 107,243 SF ( 14,753 SF) 322 30 (BARRON)

BLOCK B

CEF 1

BLOCK E FAR 0.32 MAX 1.75

LEGEND

97,325 SF 92,272 SF (E) 5,053 SF 292 624 (586 (E) + 38)

B Amenities

SITE TOTAL

BUILDING TOTAL B2 B3 A2 A3 PARKING NEED PARKING PROVIDED

(E) 510 BROADWAY

BUILDING TOTAL EXISTING OFFICE CEF PARKING NEED PARKING PROVIDED BUILDING TOTAL OFFICE AMENITY

358,412SF 159,437 SF 161,231 SF 6,585 SF 31,159 SF 962 1,076 (P1)

PARKING NEED PARKING PROVIDED

Parking Structures

838,613 SF 770,549 SF 68,064 SF

Below Grade Parking

2,312 2,313

Property Line Easement

REMAINDER BLOCK (E) 500 BROADWAY

# of Levels / Levels Below

6 1

BUILDING TOTAL B4 OFFICE B4 AMENITY EXISTING OFFICE

275,633 SF 161,313 SF 30,320 SF 84,000 SF (E)

PARKING NEED PARKING PROVIDED

736 583 (E)

* A1 AND PARKING STRUCTURES DO NOT COUNT TOWARDS FAR.

BROADWAY

B4

B3

1

B1

5

3

1

BLOCK B

REMAINDER BLOCK

BLOCK A

FAR 1.04 MAX 1.25

FAR 0.40 MAX 1.00

N

FAR 0.79 MAX 1.50

ON

P1

6 1

RR

2

A2 1

BA

A3

WA

RR

ING

DO

TO

UG

LAS

(E) 575 585 BROADWAY

B2

5

6

A1 1

BAY

REDWOOD CITY

METRICS - PHASE 1

0

PC PERMIT SUBMITTAL PC PERMIT RESUBMITTAL 1 PC PERMIT RESUBMITTAL 2

50

25

01/22/16 05/05/16 07/06/16

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100’

A1.12

Building Mass Breaks: building mass shall be recessed, projected, notched, or otherwise broken at intervals of 100 feet or less along street and Greenway frontages. recessed, projected, or otherwise broken areas should be a minimum of 6 feet measured between building planes

B1

Maximum Building Dimensions: shall be no greater than 250 feet along Broadway and Bay Road frontages, and no greater than 300 feet along side streets portions of the building plane that exceed 200 feet shall be set back a minimum of 20 additional feet parking structures shall be no greater than 250 feet along Bay Road and 275 feet along side streets

B2

BARRON

B3

B4

HEART

WARRINGTON

10’ 15’ 5’

Building Mass Breaks

60’

10’

30’

Building Dimensions

5 EQ BD MASS BREAKS @ 15’+5’

50’

30’

20’

200’

12 EQ BD MASS BREAKS@ 10’

10’

57’-6”

220’

37’-6”

10’ 25’

83’ 118’

105’

BROADWAY ELEVATION B4

HEART

B3

WARRINGTON

B2

B1

BARRON

15’ 5’

50’

55’

22’-6”

37’-6”

15’ 12’-6” 20’ 5’ 20’ 5’ 20’

15’

53’

17’-6” 10’ 27’-6”’ 10’

5’

80’

25’

67’

203’

277’-6”

30’

92’

5 EQ BD MASS BREAKS @ 15’+5’ 10’

60’

200’

GREENWAY ELEVATION A1

A2

BARRON

P1

38’

GREENWAY ELEVATION

12’ 12’

46’

25’

13’-6”

A3

53’-6”

41’-6” 95’

REDWOOD CITY 30 | STANFORD IN REDWOOD CITY | professional work | fall 2014- fall 2017

P1

24’

10’

47’

36’ 193’

WARRINGTON

94’ 107’-6”

193’

WARRINGTON

BAY RD ELEVATION

50’

10’

65’

A3

A2

76’

A1

BARRON

24’ 50’

SITE ELEVATIONS - PHASE 1

16’

30’

18’

26’

19’-6”

133’-6”

PC PERMIT SUBMITTAL PC PERMIT RESUBMITTAL 1 PC PERMIT RESUBMITTAL 2

01/22/16 05/05/16 07/06/16

A2.03

Redwood City

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0

5

10

20’

32 | STANFORD IN REDWOOD CITY | professional work | fall 2014- fall 2017

Left: Floor plan of the Central Energy Facility Opposite page: Completed photograph of the CEF from the North

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4TH & WASHINGTON ST. MIXED USE HIGHRISE professional ZGF Architects, Portland, OR location Portland, OR team Gene Sandoval, Partner in Charge

Julie Bronder, Project Manager, AIA

Jonah Gamblin, Project Architect, AIA June Jung Justin Mayo Lindsey Brockhouse

The project is a mixed-use high rise apartment building in downtown Portland including 380 apartments, ground floor retail, top-level amenity floor and a five-level below-grade parking garage, a total of 510,000 gross square feet. The team went through the redesign process at the beginning of SD due to a scope change requested by the client. The team had series of design charrettes, and I developed a new design scheme that breaks down the big massing as a response to the adjacent urban context, which was selected as the main design concept to move forward. Although This 32 story mixed-use highrise project ended up being put on hold at the end of SD, a series of physical models from this project were exhibited during Portland Design Week in 2017.

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Above: ground floor plan Opposite page: east elevation / study models

0

10

30’

EAST ELEVATION

36 | 4TH & WASHINGTON ST. MIXED USE HIGHRISE | professional work | fall 2016

EAST ELEVATION | SW 4TH AVE. LOOKING WEST

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Left: physical model in context Opposite page: Portland Design Week exhibition 38 | 4TH & WASHINGTON ST. MIXED USE HIGHRISE | professional work | fall 2016

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EPOCH WINERY / TASTING ROOM professional

location

Lake|Flato Architects, San Antonio, TX Paso Robles, California

team

Brian Korte, Partner in charge, FAIA Vicki Yuan, Project Architect, AIA David Ericsson, Project Designer June Jung, Intern Architect

recognition

2019 Texas Society of Architects’ Design Award 2020 Texas Society of Architects’ Design Award

Epoch Estate Wines recently acquired a historic 143 acre property in Templeton, CA as the location for their new Tasting Room and Production Winery. The York Mountain Winery has a long and storied history in the region, and particular significance for the owners of Epoch Estate Wines. Historical photos indicate that the original compound was once a living and working model of traditional agricultural land use, cultivating the land for a functioning winery. A full restoration of this landscape reconnects us to the origin of the site, and also brings together now disparate structures. The design aims to maintain the spirit of agrarian structures that are subservient to the landscape. The design scheme brings new life to the original earthquake-damaged winery as the new Tasting Room. A full reconstruction celebrates the original timber and masonry structure while introducing a new roof system to streamline the massing. A new winery production facility will provide a production capacity of 15,000 cases. The steel framed winery outbuilding “pole barn” houses the fermentation rooms, crush pad and cased goods storage, while below grade concrete vaults provide for barrel storage and winery production growth.

My responsibility was to update a CA drawing set and help Brian Korte, partner in charge, and the project architect to make final decisions on accent color and material selection by creating renderings.

Left: construction phase diagram (drawn by David Ericsson) Opposite page: entry perspective (rendering by David Ericsson) 40

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Left and opposite: accent color study for Epoch winery and administration building 42 | EPOCH WINERY | professional work | spring 2014

OPTION A

OPTION B

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44 | EPOCH WINERY | professional work | spring 2014

Opposite page: bathroom renderings for final material selection Right: section perspective at women’s bathroom 45

BRIDGE HOUSE CONSTRUCTION DOCUMENTS

professional

Lake|Flato Architects, San Antonio, TX location Houston, TX team Ted Flato, FAIA

Brian Korte, Partner in Charge, FAIA

Vicki Yuan, Lead Architect, AIA Megan Toma, AIA Karla Edward Benjamin Hartigen June Jung David Ericsson Josh Nieves

Located on a wooded, two-acre property with a private ravine, this primary residence is built on the site of the original homestead for the neighborhood. The former house compound was long referred to as the “Bridge House�, based on an existing driving bridge bisecting the ravine. The new Bridge House establishes a spacious, double-height living space extending into the landscape in place of the existing bridge, and the insertion of new bridges throughout both exterior and interior allude to the original icon. The house is designed to be sophisticated and sustainable, surrounded by a peaceful, natural landscape.

My responsibility was to assist Brian Korte, partner in charge, and Vicki Yuan, lead architect, to finalize stairs design by generating stair renderings and by developing detail drawings while working together with the consultants and the team. I also had a chance to pick up red-lines on interior elevation sheets and detail sheets for the CD deadlines.

Site Plan

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Left: rendering produced during CD Opposite: construction photo by Vicki Yuan / section detail

48 | BRIDGE HOUSE | professional work | summer 2014

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THE DIXON WATER FOUNDATION JOSEY PAVILION: AIA COTE TOP 10 APPLICATION GRAPHIC WORKS professional

Lake|Flato Architects, San Antonio, TX location Decatur, Texas team Bob Harris, FAIA, Partner in Charge

Tenna Florian, AIA, Project Architect

recognition 2016 AIA Committee on the Environment Top Ten Award

My responsibility was to create sustainability diagrams and renderings for the AIA COTE Top 10 Awards application under the guidance of Bob Harris, partner in charge and Tenna Florian, project architect along with the marketing team. As a result, the pavilion was awarded the COTE Top 10 award in 2016.

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52 | The Dixon Water Foundation Josey Pavilion | professional work | spring 2014

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SENSUOUS COURTYARDS: A MEMORIAL FOR THE UNCLAIMED academic course location critic

The University of Texas at Austin Advanced Studio, Fall 2013 Chicago, IL John Ronan, FAIA

Sensuous Courtyards is about an experiment with the everyday material to find its hidden beauty and let its materiality memorialize the unclaimed dead that are marginalized and forgotten by society. The project concept is informed by an analysis of a common hotel invoice that was transformed into something unique and special through the recording of a love poem written on its surface. It has acquired a unique character through its accumulated layers of stories, poems, finger prints, wrinkles, clerk’s handwritings, rips and folds. The project attempts a similar transcendence through architectural means.

The project employs dimensional pine lumber, a material common to coffins for the unclaimed--to create a system of courtyards, burial plots and a chapel. Combining the coffin burial system with wood retaining wall system is an effort to integrate the architecture of site with the burial system. The coffins work as a structural ‘deadman’ in the wood retaining wall system and it is physically and metaphorically connected to the site architecture. On top of the burial plots, plants and flowers are planted to memorialize the dead and bounded by walking paths for the living who visit the site.

Left: initial sequence study sketches Opposite page: view at the courtyard toward the chapel 54

wabi-sabi object | from a hotel invoce to the valuable

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burial sequence study model @ 1”=1’

retaining wall study models @ 1”=1’ 56 | SENSUOUS COURTYARDS | academic work | fall 2013

timber retaining wall / chapel timber wall assembly study model

partial section model study @ 1”=1’

‘shou sugi ban’ wall | mock-up model @ 6”=1’ 57

b

charring variation study | 2x6 dimensional lumber

‘shou sugi ban’ wall | mock-up model @ 6”=1’ | detail view 58 | SENSUOUS COURTYARDS | academic work | fall 2013

section a-a’

a’

a’

b

b’

b

a

a

plan

section b-b’ 59

Left: section a-a’, b-b’ Opposite page: courtyard level plan, ground level plan 60

The cemetery grows sequentially over time. Monthly burials form a courtyard and memorial gardens; courtyards form a memorial circuit; a chapel with viewing platform becomes a focal point for the site that offers views of downtown Chicago and overlooks the site. The courtyards are for sensual narratives of the dead [the wall and the coffins] and the living [trees, plants, water in the center of courtyards and visitors]. Visitors to the site would be a part of the narrative among them and interact with them.

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material research | charring the wood

The pine wood of the courtyard walls is charred with fire not only to make it rot and insect-resistant but also to generate sensual experiences (smoke and smell) during monthly ceremonies. It creates a new layer on the material to provide a place to leave marks/poems on. Once graffiti artists, lost relatives, people from the neighborhood leave their poem/ arts/scratches on the charred surface, it is no longer just a charred wall; it is architecture that inhabits accumulated stories. Likewise, the upper surface of the site is made of clay in which visitors’ footsteps, wind and fallen leaves would leave traces. There is no signage indicating where to go, but the footsteps on the surface and the stories on the charred wall would tell the history of the cemetery as visitors become a part of the site narrative. material research | wood retaining wall

Left: 1/16”=1’ site model, aerial view Opposite page: 1/16”=1’ site model, perspective view 62 | SENSUOUS COURTYARDS | academic work | fall 2013

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PRODUCING HOUSING academic The University of Texas at Austin course Advanced studio location Redhook, Brooklyn, NY date Spring 2013 critic Ulrich Dangel

The current residential area in Redhook, Brooklyn contains various environments that provide vibrant activities as it is surrounded by the Hudson river, various parks, and manufacturing facilities. As the ferry connects Redhook to Manhattan, and as the waterfront bicycle pathway connects to downtown Brooklyn, Redhook has been building its own identity as a diverse community which works as a ‘creative hub’. The Producing Housing project is an effort to redefine its dynamic identity of Redhook as a mix of residential and manufacturing facilities to work, live, produce, share and inspire.

Left: mass study model, final presentation model Opposite page: perspective view toward the residential tower 64

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from bicycle path from community garden

Therefore, the learning center is the starting point of all programs and it is shared by every users. Bike share and learning center is located on the ground floor. Seminar rooms and conference rooms are located on the second and the third floor. Connected by the timber bridge to the second floor from the learning center, the digital fabrication and the wood production facility could be accessed easily via the learning path; one could examine the actual manufacturing scenes and also receive on-site trainings.

from ikea ferry and bus stop

connection with neighborhood residential

wood production

bike shop

Manufacturing in the 21st century is no longer a bluecollar industry; it is a celebration of technology and a new potential for arts and designs. There is no longer a defined boundary between designers and fabricators; rather designers and fabricators are encouraged to collaborate to celebrate the new technology of manufacturing.

digital fabrication learning center + bike share

program distribution

circulation

66 | PRODUCING HOUSING | academic work | spring 2013

The pathway continues to the tower and this connection gives direct access from residences to the facilities. Community galleries on the 3rd, 8th, 14th and 19th floors of the tower - where a sense of community is created by sharing their works - are another connection to the manufacturing facility. At the end of the path is the Coop fabrication + art shop operated by the community. It’s connected to the bicycle shop on the ground floor and the plaza outside.

view of the fabrication facilities and the learning center

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structural Glulam column

CLT roof structure

structural CLT cores MANUFACTURING:

Glulam column and beam

BIKE SHARE + LEARNING CENTER:

Heavy Timber column and beam

The learning center is constructed with heavy timber column and a beam system with a triple glazing covering, which has a simple form of a transparent box that expresses its symbolic openness. The GluLam truss bridge connects the learning center to the manufacturing facilities. It works as a transitional space from the heavy timber construction to the engineered timber construction.

The manufacturing facilities are composed of Glulam column and beam. The beam and column are connected with steel connections. The 98’ long span beam is connected with steel connections. Steel tension wire truss is used to reduce the depth of the beam to provide more space for manufacturing.

The 23-story timber high-rise tower is consisted of four CLT (Cross Laminated Timber) structural cores and 12 glulam columns for vertical structure, and CLT floor panels for horizontal structure.

The mixed-use block is a proposal for an active way of connecting manufacturing to arts, technology and further to housing. Timber is one of the best materials to connect different programs into one for actualizing the new identity of Redhook and the best way to build and sustain it.

CLT floors

RESIDENTIAL:

23 story timber high rise residential building: Glulam column and beam, Cross Laminated Timber walls, and structural cores

axonometric diagram

68 | PRODUCING HOUSING | academic work | spring 2013

section perspective of the manufacturing facility

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community gallery studio studio 2bed studio 2bed

mech. room

storage

0

N

typical residential tower floor plan

loading

storage

CLT/GLULAM PRODUCTION LINE

loading

8

16

32

storage

on site training room / office

DIGITAL FABRICATION showroom

small scale wood fabrication

art + fabrication store (co-op)

lobby info center

cafe

BIKE SHOP

ground floor plan

70 | PRODUCING HOUSING | academic work | spring 2013

seminar room

BIKE SHARE

N

BIKE SHOP

0

LEARNING PATHWAY

8

16

32

second floor plan

class room

class room

N

0

8

16

32

community gallery | residential tower

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Cross Laminated Timber Roof Panel covered with standing seam metal panel

Wood Joist to support CLT

Partition wall and Insulation

Wood Mullion and double glazing Metal louver hanger

Glulam column and beam connected via steel connection

Wood louver

Metal X-bracing

coated with polyurethane

for lateral resistance

Footing connected via steel connection

exploded axonometric diagram of the manufacturing facility

72 | PRODUCING HOUSING | academic work | spring 2013

interior view of the manufacturing facility

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GALVESTON MARITIME MUSEUM academic The University of Texas at Austin course Advanced technical communication studio, Fall 2012 location Galveston, TX critic Adam Pyrek collaborator

Young Park

Located in the east part of the historical district in Galveston, TX, the site is surrounded by 50-100 year-old brick buildings and has a great connection to the water to the north. Young Park and I selected four main keywords to work with after multiple site visits; symbolization, light, contextual relationship, and public amenity.

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Left: final presentation model showing the site context, 1/16”=1’ Opposite page: S-N section model, 1/4”=1’ 76 | GALVESTON MARITIME MUSEUM | academic work | fall 2012

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floor plan | GL. +1’

78 | GALVESTON MARITIME MUSEUM | academic work | fall 2012

intersection of street

floor plan | GL. +19’

hierarchy of street

tourism attractions near site

public transportations

floor plan | GL. +43’

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80 | GALVESTON MARITIME MUSEUM | academic work | fall 2012

Symbolization | The building will not just be a single icon in Galveston, but one of the symbolic places around the Gulf of Mexico as the Maritime Collection.

Light | The museum will provide controlled daylight throughout the spaces. A central vertical void would provide ample daylight through out the architecture.

Contextual relationship | The relationship with historic buildings on the Strand - showing strong vertical repetitive rhythm and other elements - will be continued into a new building with a rhythmical balance on its facade.

Public amenity | The maritime museum will be a civic space that provides public amenities with programs closely placed along the circulation sequence.

Right: view from the Strand street and 21st street.

Opposite page: facade study sketches and south elevation

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Parapet Coping

Roof top observatory Sun shading device

Parapet Coping Metal railing

Stone Panel

Brick, Charcoal Color

Anchor tie

Rigid Insulation

Water proof wood deck Air Cavity, 2” Metal Framing Rigid Insulation, R-16, 2 3/4” thick

IGU TYPE 1 Double glass Steel Angle

Ceiling, Acoustic panel

IGU TYPE 1 Double glass

Mullion

Doubled Channel Glass (U-glass)

Air Cavity between Chanenel Glass

MARITIME COLLECTION IN GALVESTON

Rigid Insulation

Concrete

SCALE:

1/4" = 1'-0" DATE:

12.13.2012 SHEET NAME:

WALL SECTION-2 SHEET NUMBER:

1 Wall section - South side scale: 1”=1’

82 | GALVESTON MARITIME MUSEUM | academic work | fall 2012

2 Wall section - West side scale: 1”=1’

3 Wall section - East side scale: 1”=1’

A402 JJYP

Slope @ 1/4”/1’ Min.

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11 15 16 17

MARITIME COLLECTION IN GALVESTON

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3 Window Head Detail

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scale: 3”=1’

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1 Parapet Detail Section scale: 3”=1’

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4 Window Seal Detail

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scale: 3”=1’

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1 Metal Coping 8

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scale: 3”=1’

Cap flashing

SCALE:

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Base Flashing

3" = 1'

3 Built-up roof curb

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Steel Angle

DATE:

4 Anchor Tie, in dovetail slots 16” O.C.

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Metal Frame

12.13.2012

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Insulated Double Glazing Windows

5 Brick, charcoal color, 3 5/8” x 7 5/8” x 2 1/4”

Partial Detail Plan

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2 Plywood

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Mortar Net

6 Air Cavity

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Weep holes 16” O.C,

7 Rigid Insulation

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Flexible Flashing

8 Concrete

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Mullion

SHEET NAME:

DETAIL-1 SHEET NUMBER:

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Partial Rendering

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3

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1

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1 Channel Glass Head Detail

3 U-Glass Patial Plan scale: 3”=1’

scale: 3”=1’

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6 Curtain Wall Window Parape scale: 3”=1’

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detailWall drawings for channel class on west facade Curtain Window Patial Plan 4Left: Opposite page: view on 21st street

2 Channel Glass Sill Detail scale: 3”=1’

scale: 3”=1’

1 Wood Decking

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Steel Grating

2 Metal Framing

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Steel Bracing

3 2 x 6 Built-up Roof Curb

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Outer Layer of Glazing in Steel Frame

4 Metal Coping

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5 Rigid Insulation

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Layer of Glazing in Steel Frame 84 | GALVESTON MARITIME MUSEUM | academic work | Inner fall 2012 Water-bearing Hollow Steel Sections Mulion

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ARCHITECTURAL PHOTOGRAPHY

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Left: Kolumba museum, Cologne Bottom: VIA DI TOR MILLINA, Rome Opposite page: Messe Basel New Hall, Basel

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June Jung

M. Arch

2370 Quinn Street Halifax, NS B3L 3E7 hispjune@gmail.com 902.329.6515

education

The University of Texas at Austin

M. Arch // May 2014

Handong University, Pohang, South Korea BS in Construction Engineering (with the Architectural Design Certificate Program) BS in Urban and Environmental Engineering // August 2009 experience The Collective Works, Pohang, South Korea Co-founder & Director // November 2017 - March 2020 (2 years and 5 months)

_Concept/SD phases of a private residence in Pohang, South Korea

_Concept/SD/DD/CD/CA phases of a private residence in Ulsan, South Korea

_A goods shop/atelier interior design, design-build project, Pohang, South Korea

_A rental photography studio interior design project, Seoul, South Korea

_A cafe interior design-build project in Pohang, South Korea

_Lounges, offices, and research labs interior design projects at Pohang Univ. of Science and Technology and Handong University

ZGF Architects, Portland, Oregon | No. 1 Firm, The 2016 Architect 50, THE JOURNAL OF THE AMERICAN INSTITUTE OF ARCHITECTS Architectural Designer // September 2014 - September 2017 ( 3 years and 1 month )

_SD/DD/CD/CA phases of Stanford University, Redwood City Campus, Redwood City, California

_Concept/SD phases of a mixed use high-rise in Portland, Oregon

_worked on RFPs with varying project types and scales

Lake | Flato Architects, San Antonio, Texas | No. 1 Firm, The 2019 Architect 50, THE JOURNAL OF THE AMERICAN INSTITUTE OF ARCHITECTS Architectural Intern // January 2014 - August 2014 ( 8 months )

_Concept/SD phase of a ranch house in Cody, Wyoming | 2019 Texas Society of Architects Design Award

_CD phase of a residential project in Houston, Texas

_CD phase of a production winery and tasting room, Paso Robles, California | 2019 and 2020 Texas Society of Architects’ Design Award

_created renderings, diagrams, and drawings for AIA COTE Top Ten Award application | 2016 AIA Committee on the Environment Top Ten Award

Black + Vernooy Architecture and Urban Design, Austin, Texas Architectural Intern // December 2012 – January 2013 ( 2 months )

_researched medical school precedents

_created sectional drawings and master plan drawings for the UT Medical School proposal 88

teaching and researching Handong University, Pohang, South Korea Lecturer // March 2018 - December 2019 (4 semesters)

_taught architectural design studios and visual communication courses for undergraduate students

The Visual Resources Collection, School of Architecture, The University of Texas at Austin Graduate Teaching Assistant // January 2011 – December 2013 (3 years)

School of Architecture, The University of Texas at Austin Graduate Research Assistant for Prof. Fernando Lara // January 2011 – May 2011 (6 months)

awards and exhibits University of Texas School of Architecture 2013 Travel Scholarship Recipient

Trip to Cologne, Zurich, Basel, Chur, Haldestein, Vals, Rome, and Florence // Summer 2013 Oglesby Traveling Fellowship Nomination, University of Texas School of Architecture

The faculties of UT Austin School of Architecture award a graduating student for a travel fellowship // 2014 publication

NARU: URBAN REGENERATION MAGAZINE The cafe interior design-build project done in Pohang was featured in magazine’s September 2018 issue.

skills Revit, Sketch-Up, Rhino, AutoCAD, V-ray, Adobe Creative Suite, Microsoft Office

Lasercutting, Woodshop machines and hand wood tools, B&W photography, Digital photography

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Images from the rammed earth construction site in Hongchon, South Korea where I decided to pursue a career in architecture in 2009.

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Thank you for your consideration,

June Jung

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