Music Icons

Music Icons

Auction Date:

May 29 - 30, 2026

| New York

On May 29 and 30, Hard Rock Cafe Times Square will host what may be the most significant gathering of rock and roll artifacts in recent memory with Music Icons 2026, a landmark two-day live auction featuring over 650 lots spanning five decades of rock and roll, heavy metal, punk, blues, and beyond. This year, the collection hits different.

From the instrument Johnny Cash carried to his Grand Ole Opry debut to the guitar Kirk Hammett inscribed as “The very first Ouija guitar — 0001,” this collection represents the most significant assembly of music memorabilia to come to market in years.

Bid live in New York, online from anywhere in the world, or by phone — the auction is open to all. “Interest in music memorabilia is reaching unprecedented levels, fueled by collectors who appreciate both the cultural significance of these instruments and the legacy of the artists behind them — often resulting in record-breaking sales.”

— Martin Nolan, Co-Founder and Executive Director, Julien’s Auctions

Guitars, stage wear, handwritten lyrics, and deeply personal relics from the artists who defined the sound of the last half-century will change hands across those two days. But before the gavels fall, a curated exhibition of highlights is making its final stop on a three-leg worldwide tour from London and Tokyo to Hard Rock Cafe New York, where it opens to the public on May 13. Consider it a museum visit with unusually high stakes.

Where to Be and When

The exhibition opens at Hard Rock Cafe New York on May 13 and is open to the public daily in the lead-up to the sale. The auction itself runs May 29 and 30, live from Hard Rock Cafe Times Square. For those unable to make the trip, bidding across the full collection of more than 650 items is currently open online at juliensauctions.com.

The guitars, the clothing, the signed sleeves — they’ve all been patient. They’ve waited in cases and vaults and private collections for the right moment to pass into new hands.

Some guitars were built to be played. A handful were played to change everything

1

Hank Williams Sr.: 1944 Marriage License to Audrey Williams

A framed and matted display featuring the marriage certificate (and original envelope) of Hank Williams to Audrey Sheppard, which reads: “H.H. Williams of Montgomery, Ala. and Audrey Sheppard Day of Banks, Ala. were united by me in marriage on the fifteenth day of December in the year of our Lord One Thousand Nine Hundred and Forty Seven at Andalusia, Alabama - M.A. Boycott J.P. - Witnesses Willie V. Nichols - Andalusia, Alabama.”Williams and Sheppard were married on December 15, 1944, in a gas station garage in Andalusia, Alabama. Their volatile, highly influential relationship produced iconic songs and one child, Randall Hank Williams (Hank Jr.), before divorcing in May 1952. Audrey was a driving force behind Hank’s early career, often managing him and performing alongside him.

• 12in x 19.5in x 1.5in

• From the Estate of Hank Williams Sr.

Estimate: $1,000 - $2,000

Lot 2

Hank Williams Sr.: 1948 Fan Mail

A group of fan mail (two handwritten letters, each in an envelope, and seven postcards) addressed to Hank Williams Sr. at W.S.F.A. Radio Station, each postmarked 1948. The letters consist of compliments and song requests, with one of the letters reading: “Dear Hank and Drifting Cowboys, I listen to your program every afternoon at four o’clock. I have to go to school. I hear your 11:30 program on Saturday. I don’t hear any of the Drifting Cowboys say anything I’d want to hear. Red Todd sang ‘To My Sorrow.’ Thanks a million. Your friend, Margaret.”In the late 1930s, a young Williams began his professional journey by playing guitar and singing on the sidewalk outside the W.S.F.A. radio studios. After working in a shipyard during World War II, Williams returned to Montgomery in 1945 and resumed his show on W.S.F.A., where he continued to write and perform the songs that would eventually lead him to Nashville and the Grand Ole Opry.

• 6.5in x 3.75in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Lot 3

Hank Williams Sr.: 1949 Post-WWII Grand Ole Opry Tour Photos

Six black and white vintage photographs of Hank Williams Sr. and his first wife, Audrey Williams, together with a Grand Ole Opry touring troupe, in November of 1949. The photos depict the troupe on the plane, on stage, and at a backstage Thanksgiving feast. On November 13, 1949, a Grand Ole Opry troupe began a historic USO tour of U.S. Air Force bases in Germany and Austria, including stops around November 19, 1949. The cast included Roy Acuff, Minnie Pearl, Red Foley, Little Jimmy Dickens, Rod Brasfield, and Hank and Audrey Williams. Other members on the tour included Cowboy Copas, Ernest Tubb, and Don “Red” Barry.

• 10in x 7.75in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Lot 4

Hank Williams Sr.: 1950s Bell & Howell 200 Electric Eye 16mm Movie Camera with Photo

A vintage Bell & Howell 200 Electric Eye 16mm movie camera, owned by Hank Williams Sr. in the 1950s. Together with the original leather hardcase, which includes an original brochure, two empty cases of Kodak film, and a black leather camera carrying strap. Please note: the leather carrying strap on the case is broken (but included inside). This camera model is notable as one of the first to feature an automatic exposure control system known as the “Electric Eye”. It is a magazine-load camera, designed for ease of use without the need for manual film threading. Includes an original black and white photograph of Williams using a different camera, c. early 1950s, while stopping in Bermuda to refuel while returning from a tour in Europe.

• 10.75in x 10.75in x 3.25in

• From the Estate of Hank Williams Sr.

Estimate: $1,000 - $2,000

Lot 5

Hank Williams Sr.: 1951 WSM Radio Performance Photos

Two black and white photographic prints featuring Hank Williams Sr. performing on Nashville’s WSM radio, c. early 1950s. WSM was the home of the Grand Ole Opry, where Williams was a major star. The photos were taken by Henry Schofield, owner of Henry Schofield Studios, and feature the photographer’s copyright stamp.These pre-recorded weekday morning shows at WSM featured Williams, his band the Drifting Cowboys, and announcer “Cousin Louie” Buck, capturing him at his peak. The rescued, historic recordings were later released as a Grammy-nominated box set.

• 8in x 10in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Lot 6

Hank Williams Sr.: 1952 Fan Mail Sent to Hospital

A group of fan mail (twenty letters, each in an envelope) addressed to Hank Williams Sr., each postmarked 1952. The letters consist of various kitschy “Get Well Soon” cards, with personalized messages from fans. One letter features a clock and a display shelf with the text “It’s Time To Get Well!”In 1952, Williams was in the hospital due to a combination of severe, chronic back pain from a previous spinal operation, severe alcoholism, and injuries from a fall during a hunting trip that same year. According to another 1952 handwritten letter, the fan obtained Hank’s hospital address from “Union Radio Station,” which announced on air that the singer was sick and urged fans to send him cards and letters.

• 6.25in x 5.25in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Hank Williams Sr.: 1952 Fan Mail Sent to Hospital

A group of fan mail (twenty letters, each in an envelope) addressed to Hank Williams Sr., each postmarked 1952. The letters consist of various kitschy “Get Well Soon” cards, with personalized messages from fans. One letter features a basket of kittens and thread with the text “Hope You’ll Soon Be On The Mend.”In 1952, Williams was in the hospital due to a combination of severe, chronic back pain from a previous spinal operation, severe alcoholism, and injuries from a fall during a hunting trip that same year. According to another 1952 handwritten letter, the fan obtained Hank’s hospital address from “Union Radio Station,” which announced on air that the singer was sick and urged fans to send him cards and letters.

• 6.5in x 5.25in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Lot 8

Hank Williams Sr.: 1952 Fan Mail Sent to Hospital

A group of fan mail (eighteen letters, each in an envelope, two blank envelopes, and one postcard) addressed to Hank Williams Sr., each postmarked 1952. The letters consist of various kitschy “Get Well Soon” cards, with personalized messages from fans. One letter features a bunch of cherries with the text “Cheery Get Well Wishes.”In 1952, Williams was in the hospital due to a combination of severe, chronic back pain from a previous spinal operation, severe alcoholism, and injuries from a fall during a hunting trip that same year. According to another 1952 handwritten letter, the fan obtained Hank’s hospital address from “Union Radio Station,” which announced on air that the singer was sick and urged fans to send him cards and letters.

• 6.5in x 5.25in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Lot 9

Hank Williams Sr.: 1952 Fan Mail Sent To Hospital

A group of fan mail (twenty-seven letters, each in an envelope) addressed to Hank Williams Sr., each postmarked 1952. The letters consist of various kitschy “Get Well Soon” cards, with personalized messages from fans. One letter features Dumbo the elephant with the text “Just Waitin’ To Hear You’re Feeling Better!”In 1952, Williams was in the hospital due to a combination of severe, chronic back pain from a previous spinal operation, severe alcoholism, and injuries from a fall during a hunting trip that same year. According to one of the handwritten letters, the fan obtained Hank’s hospital address from “Union Radio Station,” which announced on air that the singer was sick and urged fans to send him cards and letters.

• 5.5in x 6in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Lot 10

Hank Williams Sr.: Issued Holy Bible

A black leather-bound Holy Bible - Red Letter Edition, issued to Hank Williams Sr. by Mrs. Maria Smith. Hank Williams Sr. was deeply religious, rooted in a Southern Baptist upbringing, though his faith was complicated by severe addiction and personal struggles. He wrote several gospel songs, such as “I Saw the Light” and “Mansion on a Hill,” and often performed hymns.A Red Letter Edition Bible prints the spoken words of Jesus Christ in red ink, typically within the New Testament, to make them stand out for study and devotion.

• 5.25in x 7.5in x 1.75in

• From the Estate of Hank Williams Sr.

Estimate: $800 - $1,200

Lot 11

Hank Williams Sr.: Family Related Photos

Six black and white photographs of Hank Williams Sr. and his family including: a publicity photograph of Hank Williams Sr. and his first wife, Audrey Williams; a photocopy of a Hank and Audrey Williams photograph; two photographs of Lycrecia (the daughter of Audrey Williams and James Erskine Guy) being filmed on her 9th birthday on August 13, 1950, taken by Henry Schofield, owner of Henry Schofield Studios; a photographic print of Hank Williams Sr. and Lycrecia; and a photographic print of the back porch of his home.

• 8in x 10in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $300 - $500

Lot 12

Hank Williams Sr.: Hank and Audrey’s Corral Appearance Photos

Three black and white photographic prints of Hank Williams Sr. and his first wife, Audrey Williams, at the grand opening of their western-themed clothing and music store “Hank and Audrey’s Corral” on November 7, 1951. The shop was located at 724 Commerce Street in downtown Nashville, Tennessee. The photos were taken by Henry Schofield, owner of Henry Schofield Studios, and feature the photographer’s copyright stamp.The event was a major country music gathering, attended by stars like Ernest Tubb, Red Foley, Roy Acuff, and Lefty Frizzell. Despite the high-profile opening, the store was very shortlived. Hank and Audrey divorced in 1952, and Hank passed away early the following year.

• 10in x 8in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $300 - $500

Lot 13

Hank Williams Sr.: 1952 Traveling Photos

Six original black and white photographs featuring Hank Williams travelling by plane with musicians including Roy Acuff, June Carter & the Carter sisters, Jimmy Riddle, Don Helms, Howdy Foster, and Grady Martin, c. 1952.These photographs were likely taken while traveling during the Grand Ole Opry troupe tour.

• 4.25in x 3.25in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $300 - $500

Lot 14

Hank Williams Sr.: The Drifting Cowboys Photos

Eight black and white photographic prints of Hank Williams and The Drifting Cowboys including: five promotional photographs; one photograph of the band on stage; and one of Williams while traveling with the Hadacol Caravan Show in 1951.

• 11in x 8.5in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $300 - $500

Lot 15

Hank Williams Sr.: Doyle and Bernice Turner Signed

“Hank Williams & His Drifting Cowboys”

Photo and Additional Photo

A black and white promotional photograph of Doyle Turner & the National Hillbillies (also known as Doyle Turner & the Famous National Hillbillies), led by Doyle Turner and his wife, Lillian Bernice Hilburn Turner. Together with a promotional photograph of Hank Williams & His Drifting Cowboys, signed by Doyle and Bernice Turner in black marker.

• 10in x 8in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $200 - $400

Lot 16

Hank Williams Sr.: Novelty Salt & Pepper Shaker Sets with Shelving

A collection of novelty salt and pepper shakers, including: a pair of candlesticks; pear and apple baseball players; a pair of irons; a toaster with each piece of plastic toast (2) holding salt or pepper; a pair of frying pans; an ice bucket with two bottles of champagne; a television set; a pair of feet with red painted toenails; a set of “Ma” and “Pa” outhouses; souvenir teapots, one with a “New Orleans” plaque; a set of sailors holding signs; a set of maracas from Bermuda; a set of praying children; a pair of coffee pots on a burner; a pair of wooden and metal shakers; and a singular hen salt shaker. Together with a set of six wooden square display shelves with scalloped edges that vary in size and connect when hung on the wall, presumably to display all of the shakers.

• x x

• From the Estate of Hank Williams Sr.

Estimate: $600 - $800

Lot 17

Hank Williams Sr.: Ceramic Ashtray Used at Home with Photo

A cream ceramic ashtray, in the shape of an oversized pipe, used in the home of Hank and Audrey Williams. The ashtray is unmarked. Together with an original black and white photograph of Lycrecia, Hank Williams Jr., and their nanny, taken by Henry Schofield, owner of Henry Schofield Studios, with the ashtray in the background.

• 4in x 4in x 8.25in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Lot 18

Hank Williams Sr.: Linens Used at Home

A group of cream, floral embroidered linens used by Hank and Audrey Williams at their home c. late 1940s-early 1950s. The set comprises: 4 napkins, 16 place mats, and two large table cloths.

• 9.25in x 3.25in x 15.5in

• From the Estate of Hank Williams Sr.

Estimate: $600 - $800

Lot 19

Hank Williams Sr.: Victrola Record Player

An antique wooden Victrola record player, with a front 45 record storage compartment, used by Hank and Audrey Williams at their home, c. late 1940s-early 1950s. The record player was purchased by Williams during the Grand Ole Opry’s overseas tour in November 1949, during which the show performed for troops at military bases in postwar Germany and Austria.

• 14in x 13.5in x 17.25in

• From the Estate of Hank Williams Sr.

Estimate: $600 - $800

Lot 20

Hank Williams Sr.: 1953 Montgomery, Alabama Funeral Home Registry and Fan Note Left on Grave

Two original spiral-bound registry books for the funeral of Hank Williams Sr., held on January 4, 1953, in Montgomery, Alabama. The books feature pages of handwritten names, written in pencil.Together with a single note, handwritten in ink by a fan in 1962 and placed on his grave, which was later found and saved by his stepdaughter, Lycrecia. Hank Williams Sr.’s funeral was a massive public event that drew an estimated 20,000 to 25,000 mourners. The service took place at the City Auditorium, with 2,750 inside and thousands more waiting outside in the cold. He was buried at Oakwood Annex in Montgomery.

• 7in x 9.75in x 1in

• From the Estate of Hank Williams Sr.

Estimate: $1,000 - $2,000

Lot 21

Hank Williams Sr.: 1953 West Virginia Funeral Home Registry

An original spiral-bound registry book related to the death of Hank Williams Sr. on New Year’s Day in 1953, and the subsequent funeral.The book features pages of handwritten names, written in pencil.Williams was found dead in the back seat of his 1952 Cadillac by his driver, Charles Carr, when they stopped for gas at the Pure Oil station in Oak Hill. His body was then taken to Tyree’s Funeral Home (which later became a pharmacy) for an autopsy before being transported back to Alabama.

• 7.5in x 10in x 1in

• From the Estate of Hank Williams Sr.

Estimate: $1,000 - $2,000

Lot 22

Hank Williams Sr.: 1953 Gravestone Illustration

An original illustration depicting a guitar and cowboy boots, created c. 1953 for the grave of Hank Williams Sr. at the Oakwood Annex Cemetery in Montgomery, Alabama. Williams’ gravesite is famous for being covered in green astroturf (to prevent grass from being stolen) and features large granite monuments adorned with cowboy hat sculptures, musical notes, and engravings of his hit songs.

• 36.75in x 48in x 0.025in

• From the Estate of Hank Williams Sr.

Estimate: $200 - $300

Lot 23

Hank Williams Sr.: Audrey Williams Posthumous Handwritten Notes To Hank

A framed display featuring three handwritten notes in paper from Audrey Williams to ex husband Hank Williams Sr. which, in part, reads:

“Dear Hank, It’s your birthday again, and that means it’s time for our Big Hank Williams Day in Montgomery, Ala, which of course is your hometown. What a celebration this is. Everybody is just so wonderful to take time out from busy schedules to come join in and be with us for your day. – Honey, the children have grown so much. Lycrecia is a lovely, sweet girl and does a good job when it comes to singing. She is now 13. Little Hank Jr. is a prince of a little guy. Good every day in every way. He looks more like you. – Babe, come and help to guide us right.”

Together with an additional handwritten note, written by Audrey in green marker, that reads “Well, here I am at home alone, my husband is somewhere beyond the blue &my; children are all grown up & gone, now they get a life of their own, they don’t know how lonely I am at home.”

• 36.5in x 19.5in x 1in

• From the Estate of Hank Williams Sr.

Estimate: $400 - $600

Johnny

Cash:

Grand Ole Opry 1956 Debut Stage Played 1954 Martin D18 Acoustic Guitar

Johnny Cash’s 1954 Martin D18 acoustic guitar, serial #138225, stage played by the Man In Black himself during his earliest days as a recording artist. Cash employed this Martin D-18 from 1954 to 1956, potentially making it his earliest professional guitar. During that period Cash recorded his singles “Hey, Porter,” “Folsom Prison Blues,” “I Walk the Line,” and “There You Go” and this guitar may have been present for some of his earliest writing and demo recording sessions.

This instrument appears in Johnny’s hands in photos taken at his Grand Ole Opry debut performance on July 7th, 1956, where He performed “Folsom Prison Blues” and “I Walk The Line.” The guitar has been grain matched to photographs taken during the performance, and the pattern of the celluloid tortoise shell pickguard is also photo matched.

We also fervently believe that this is the very guitar Johnny Cash played on what may be his first Television appearance in a 1956 episode of the Purina Grand Ole Opry where he performed “So Doggone Lonesome” amidst a group of gambling cowboys –– a group which included Lester Flatts and Earl Scruggs in the foreground, who followed Crash with their own tune “Salty Dog Blues.” Screen shots of this segment are also a match for wood grain and pickguard pattern.

This guitar leaves Cash’s hands in late 1956 or early 1957, when he traded it in for a Martin D-28 at Fred Roden’s Record Corral in Toronto, ON. Trouble is, that guitar already had a buyer: our consignor’s mother, Rosalie Linseman. Rosalie tells the story in a letter of provenance provided by the consignor.

“My husband went to Fred Roden’s Record Corral in Toronto and had his heart set on a beautiful Martin D 28 guitar… After telling me about it, Peter’s mother and I went to the store to put money down on this guitar as a surprise birthday gift. When we went to pay the balance of $100, which was a lot of money in those days, the guitar Peter wanted was gone! We were told that Johnny Cash needed the Martin D 28 and left his Martin D 18 guitar in its place. My husband was very upset…”

The family still ended up with Cash’s beat-up D-18, and even offered it back to the country star backstage at Crang Plaza Country Jamboree, to which he graciously replied, “No, I don’t need it and you should enjoy it.”

This 1954 Martin D-18 features a 25.4 inch scale length mahogany neck with a 20 fret ebony fretboard, graduated pearl dot inlays, bone nut, CF Martin & Co logo decal, and six nickel plated no-line Kluson tuners. The body has mahogany back and sides and a spruce top, ebony bridge, lots of play wear, and a uniquely-patterned celluloid tortoise shell pickguard. The guitar has an added undersaddle pickup (battery not included) and includes a black hardshell case with black interior of recent make. https://www.youtube.com/ watch?v=h1CZCSEqtrQ

• 17.5in x 44.5in x 7in

Estimate: $100,000 - $200,000

Lot 25

Johnny Cash: 1960s Signed Photograph

A black and white photograph of Johnny Cash performing live on stage signed by Cash in blue ink. The signature was obtained in Sweden in the 1960s. Accompanied by a Letter of Authenticity.

• 6in x 4.4in x 0.25in

Estimate: $300 - $500

Lot 26

Johnny Cash: Handwritten Spiritual Essay

A one-page spiritual essay entitled “Acts Spiritual - Chapter 14,” handwritten in black ink by Johnny Cash on lined notebook paper.

• 8.5in x 11in x 0.025in

Estimate: $300 - $500

Lot 27

Johnny Cash: Scratch Signed Polacolor Photo

A Polacolor (D09P144E) photograph of Johnny Cash, who has scratched his signature into the film.

• 4.25in x 3.25in x 0.025in

Estimate: $600 - $800

Johnny Cash: Signed 1975 “Texas - 1947” Demo Record Single with Documents

Johnny Cash’s 1975 demo of his record single, “Texas - 1947” (3-10237), signed by him to the label in black ink.Accompanied by a Letter of Authenticity and other documents detailing the circumstances and how the signature was obtained.

• 12in x 9.5in x 0.25in

Estimate: $600 - $800

29

Johnny Cash: Signed and Personally Owned Bently Acoustic Guitar

A c. 1980s Bently 5106 acoustic guitar serial number 83101259 in satin natural finish. Owned played and signed by Johnny Cash on the top in black felt tip pen. The guitar was kept in Cash’s home office before he sold it to his friend Bill Miller founder of The Johnny Cash Museum in Nashville TN. Cash personally selected the guitar signed it and gave it to his assistant who then packed it to ship to Miller.

The guitar features a 25.5” scale length mahogany neck with a 20 fret rosewood fretboard six chrome open gear tuners Martin-style headstock shape plastic nut and pearloid position markers. The body has a laminate spruce top with laminated mahogany back and sides a rosewood bridge with adjustable saddle faux tortoise shell plastic pickguard and black binding on the top and back. Includes red wood and fiberglass hardshell case with red interior with labels on the outside inscribed “Cash” and “Send To: Mr. Johnny Cash / Claudhill Drive / Hendersonville Tennessee.” Also includes one extra plain string.

• x x

• Lot 20, “Rock & Roll Memorabilia,” Bonhams, New York, November 19, 2018.

Estimate: $10,000 - $20,000 Lot 30

Tex Montana: 1960s Photo-Worn Music Note Nudie Suit

A Nudie’s Rodeo Tailors embroidered western suit, custom-made for country artist Tex Montana, c. 1960s. The cream two-piece suit features a black embroidered music note design on the jacket and pants, and black piping along the smile pockets and additional pockets. The label on the inside reads, “Nudie’s Rodeo Tailors, North Hollywood, California.” Tex Montana and His T.V. Cowboys was an American rock ‘n’ roll and country-western musical group led by singer Tex Montana (born Frank Sprouse Jr.). Based primarily in Massena, New York, the band was active from the 1950s through the 1980s.Includes a copy of the original Nudie’s suit design form, copies of Tex Montana performance flyers, a copy of a photo of Montana wearing the suit, and more.

• x x

Estimate: $2,000 - $4,000

Lot 31

Buddy Holly: Signed Cut Sheet with Black and White Photo

A cut sheet of lined note paper signed in black ink by Buddy Holly. Accompanied by a black and white image of Holly.

• 8in x 10in x 0.025in

• Lot 192, “Music Icons,” Julien’s Auctions, May 29-30, 2024, New York, NY

Estimate: $300 - $500

Lot 32

Gary Busey: 1959 Fender Stratocaster Hardtail, Three Tone Sunburst

A 1959 hardtail Fender Stratocaster electric guitar in three tone sunburst finish, no serial number, owned and played by Gary Busey, star of The Buddy Holly Story, Lethal Weapon, Predator 2, Point Break, and more. Gary’s son Jake tells us he purchased this guitar from Norman’s Rare Guitars in 1978, and from then Busey can be seen playing it on stage in photos from 1978 to 2000, and until just this year as a treasured companion in the comfort of his own home.

The guitar features an oversprayed 25.5 inch scale length one piece maple neck with 21 non-original frets, fretboard radius flattened from 7.25 inches to 12 inches, a replaced Fender decal, replaced nut, five heavily tarnished nickel plated single line Kluson tuners with one modern chrome replacement on the D string, gold plated tuner bushings, gold plated tuner mounting screws, gold plated truss rod adjustment nut, and a 3-59 pencil date on the neck heel. The three tone sunburst alder body and shielding paint in the cavities, which may be covering any dates written on the wood. It has a white single ply pickguard, white pickup covers, and white knobs and switch tip, a chrome hard tail bridge with Fender Pat Pend saddles, and is equipped with three single coil pickups wired to a non-original five way selector switch, master volume, and tone controls for the neck and middle pickups.

Include a black 1960s Fender hardshell case with logo, orange interior, a Stunts Unlimited sticker on the lid, a yellow Police Line strap, a brown leather strap, 8 picks, a pair of strap locks in a baggie, and an old set of GHS Boomers DYM guitar strings gauges 13-56. The original D string tuner is also in the case pocket.Provenance: From The Collection of Gary Busey.

• 15in x 42in x 4in

Estimate: $20,000 - $40,000

Gary Busey: Owned and Screen Used 1966 Gibson “The Buddy Holly Story” Southern Jumbo Acoustic Guitar with DVD

A 1966 Gibson Southern Jumbo acoustic guitar in sunburst finish owned and played by Gary Busey, who used this guitar in his 1978 hit film The Buddy Holly Story. Busey acquired the guitar in 1972 for his own use, brought it with him to the silver screen, and continued to play it for over 40 years.

This guitar, serial #843606, features prominently throughout The Buddy Holly Story including the opening scene at a roller rink where Busey’s Holly and his band perform a version of Les Paul and Mary Ford’s cover of the Pinetoppers song “Mockin’ Bird Hill.” Strumming away to a crowd of disinterested skaters who later beg for an uptempo “bop,” Holly obliges, picks up an anachronistic Fender Bronco, and launches into the song “Rock Around With Ollie Vee” which the younger crowd loved, but garnered predictably sour expressions from the older attendees.

The Gibson Southern Jumbo appears throughout the film, notably at the failed studio recording session in Nashville, recording a demo of “Everyday” in the garage, and later in his New York home at Christmastime, where he wrote songs and tuned a guitar for two neighbor kids. The guitar can be screen-matched thanks to its unique pearloid inlays, particularly the one on the treble side of the first fret which has a J-shaped swirl which catches the light in numerous scenes, notably while recording in the garage. Additionally, the replacement gold plated 1970s Schaller tuners are an easy match along with Busey’s well-documented history with the guitar.

After the movie, Busey retained the guitar and continued to play it in a number of musical projects over the years and made occasional social media posts playing and posing with it while declaring his love for the sunburst Gibson guitar. As you can see, this guitar is heavily worn from Gary playing it, with finish worn to the bare wood around the strings and pickguard, numerous dings and scratches, and areas of completely missing binding from impact and deterioration. Request a condition report for more information.

The 1966 Gibson Southern Jumbo features a 24.75 inch scale length mahogany neck with a bound 20 fret rosewood fretboard, pearloid split parallelogram inlays, mother of pearl Gibson logo and a crown inlay which lines up with the A and D tuners, with six non-original gold plated Schaller M6 tuners. The body has mahogany back and sides with a spruce top finished in a dark-rimmed sunburst finish, a brown and yellow speckled plastic shell pickguard, multi-ply binding on the top and back, multi-ply soundhole rosette, a replaced rosewood bridge which lacks the mother of pearl dot inlays of the original seen in the film, and an added passive pickup for plugged-in use.

This truly special instrument is not only Gary’s prized possession, but also a fantastic instrument. It has a bold, deep tone with a booming clarity that begs to be played. It includes an equally worn black hardshell case with a blue interior, two picks, a very old set of strings played by Busey himself for years, a red strap and a DVD copy of “The Buddy Holly Story”.

• 18in x 43.5in x 7in

Estimate: $10,000 - $20,000

Elvis Presley: 1964 Kissin’ Cousins Screen-Worn Red Jacket with DVD

A red button-down top screen-worn by Elvis Presley in the 1964 musical comedy film Kissin’ Cousins (Four Leaf Productions 1964).

The wool top features two front breast pockets grey plastic buttons and waist fasteners on either side. An interior MGM Studios label is present with typed information including Presley’s name Production #1819 Job #1 Chest 42 and Collar 15 1/2. An additional MGM stamped dry cleaning tag is stapled on the inside near the hem.

The film follows Army officer Josh Morgan (Elvis Presley) who is sent to the Smoky Mountains to negotiate with his reluctant family to allow the military to build a missile site on their land. Presley is seen wearing a red top during multiple scenes in film including while singing “One Boy Two Little Girls.”

Accompanied by a signed Letter of Authenticity from Presley’s longtime friend George Klein which in part reads: “Elvis gave me this jacket after the filming wrapped and said to keep it or raffle at the radio station here in Memphis. I never got around to the raffle and have had this jacket since that time.” Also accompanied by a Certificate of Authenticity from Graceland and a DVD of the film.

• x x

Estimate: $20,000 - $40,000

Lot 41

Elvis Presley: 1968 “Comeback Special” Contact Sheets and Negatives

Three contact sheets and negatives featuring unpublished photographs of Elvis Presley during the taping of The ‘68 Comeback Special, originally titled Elvis, the landmark concert television special that aired on NBC on December 3, 1968. Housed in an original NBC folder. Together with a letter from an NBC employee to the recipient of the negatives detailing the “rarer than rare” contact sheets. The special, directed by Steve Binder, was recorded at NBC Studios in Burbank, California, in June 1968, and marked Presley’s highstakes return to live performance after a seven-year hiatus. The special was a critical and commercial triumph, becoming the highest-rated program of the television season and effectively relaunching his music career. Binder famously steered the production away from a traditional “Christmas special” favored by Elvis’s manager, Colonel Tom Parker, focusing instead on a raw, contemporary rock ‘n’ roll image.

• 12in x 9in x in

Estimate: $800 - $1,200

Lot 42

Elvis Presley: Signed 1969 Coronation and Grand Opening of the International Hotel

A plaque commemorating the Coronation and Grand Opening of the International Hotel in Las Vegas, dated July 1969, signed by Elvis Presley in black marker on the front. On August 4, 1969, Presley signed a landmark deal with the International Hotel in Las Vegas, just weeks after his triumphant return to live performances that July. The hotel, owned by billionaire Kirk Kerkorian, had just opened and was the largest in the world at the time. Accompanied by a Letter of Authenticity.

• 12in x 16in x 1in

Estimate: $800 - $1,200

Elvis Presley: 1979 Alfred Wertheimer Signed Photo

An Alfred Wertheimer black-and-white photograph of Elvis Presley, signed by Wertheimer in black marker and stamped 1979 on the verso.

• 8in x 10in x 0.025in

Estimate: $600 - $800

Lot 68

Elvis Presley: 1982 Opening of Graceland Tours Flyer

An original flyer from Graceland Enterprises related to the opening of guided tours for Elvis Presley’s Graceland estate, c. 1982, located in Memphis, TN. The flyer, in part, reads: “Graceland - Legendary home of the late Elvis Presley - Guided tours available beginning June 7, 1982.” The flyer also included pricing details, hours of operation, billing information, and contact information.

• 8.5in x 11in x 0.025in

Estimate: $200 - $400 Lot 69

Elvis Presley: 1992 USPS Stamp Ballots

A group of 5 Elvis Presley 1992 USPS stamp ballots, offering a choice between 2 stamp options, both featuring Presley’s face.Americans ultimately made their choice, returning nearly 1.2 million ballots to the Postal Service, with more than 75 percent favoring a young Presley. The stamp was later dedicated at Graceland just after midnight on Jan. 8, 1993 — what would have been his 58th birthday.

• 3.75in x 5.5in x in

Estimate: $300 - $500

Elvis Presley: Original “Memphis” Restaurant on Beale Street Menu

An original menu for Elvis Presley’s “Memphis” restaurant, which operated from 19972003. The menu includes two drink insert menus. Elvis Presley’s Memphis was a themed restaurant located at 126 Beale Street in Memphis, Tennessee, which opened on July 24, 1997, and closed in September 2003. Situated in the historic Lansky building, it served as a popular tourist spot before the space was later occupied by the Hard Rock Cafe.

• 9in x 13in x in

Estimate: $400 - $600

Lot 71

Lisa Marie Presley: 2003 Concert Poster

A pink promotional poster for Lisa Marie Presley’s concert with John Eddie on Sunday, July 20, 2003, at The Stone Pony in Asbury Park, New Jersey. Lisa Marie was touring in support of her 2003 album To Whom It May Concern.The Stone Pony was made famous as an early performance venue for Bruce Springsteen and The E Street Band.

• 14in x 22in x 0.025in

Estimate: $400 - $600

Lot 72

Frank Sinatra: Radio and Phonograph Console from Palm Springs Home

A Grundig-Majestic brand model SO2U1 stereo console and phonograph, from the former Palm Springs home of Frank Sinatra. Accompanied by the original auction catalog, as well as a Sinatra record album and two framed Sinatra items.

• 25in x 35in x 12in

• Lot 101, MIMO Modern Auctions, “Palm Springs 1st Modern/Contemporary Auction, 2008

Estimate: $1,000 - $2,000

Lot 73

Tony Bennett: Original “Tuscany Garden” Painting

Tony Bennett (American, 1926-2023) watercolor on paper titled “Tuscany Garden,” signed lower left, “Benedetto,” matted and framed.

• 20in x 22.75in x 2in

Estimate: $1,000 - $2,000

Lot 74

Tony Bennett: Paddy Jupurrala Nelson Painting

An original Paddy Jupurrula Nelson (c. 1919 - c. 1999) synthetic polymer paint on canvas dreaming dots, Warlukurlangu catalog number on overlap “49/87” with artists name “Paddy Jupurrula Nelson.” Additional notation on verso reading, “Property of / Warlukurlangu / Artists.” This painting can be seen on the wall of Bennett’s apartment in a photograph by Ken Regan taken in 1994. Click here to see the painting in Tony’s home. Paddy Jupurrurla Nelson was one of the five artists who painted the thirty doors of the school in the Warlpiri community of Yuendumu in 1983. The project was intended to remind the students of their traditions and their heritage, placing their ancestors firmly in the midst of their mainstream education.The project had a ripple effect that spread well beyond the doors themselves and marked the beginning of the painting movement in the region. Although the Yuendumu elders remained reluctant to paint traditional designs with European materials on small boards or canvases, the painting of the doors demonstrated the ability for large canvases to accommodate the telling of epic ancestral narratives.

• 36in x 24in x 1.5in

• Lot 656, “Tony Bennett: A Life Well-Lived,” Julien’s Auctions, Los Angeles, CA, April 18-19, 2024.

Estimate: $1,500 - $2,500

Lot 75

Jackie Wilson: Signed Photo with 1958 Telegrams

A black-and-white promo photograph of Jackie Wilson, signed by him and inscribed “To My Love Stella / Always” in blue ink.Together with three 1958 Western Union telegrams, both addressed to Estelle Zuber, additionally inscribed by Wilson.Accompanied by a Certificate of Authenticity.

• 8in x 10in x 0.025in

Estimate: $400 - $600

Joey DeFrancesco: Marla Gibbs 1957 Hammond B3 Organ with Matching Leslie

22H Cabinet and Stool Walnut

A 1957 Hammond B3 Organ serial #68305 with a matching Leslie 22H rotary speaker cabinet and stool serial #19123 in Walnut finish. Owned and played by the late Joey DeFrancesco, the prolific organist who released over 30 albums and worked with legendary musicians including Miles Davis John McLaughlin Danny Gatton John Scofield George Benson Ray Charles Bette Midler Lee Ritenour Diana Krall Van Morrison and many others. A portion of the proceeds from this lot will go to The Joey DeFrancesco Scholarship Fund. This organ was acquired from actress singer comedian writer and television producer Marla Gibbs who was also the owner of the Los Angeles jazz club Marla’s Memory Lane Jazz and Supper Club from 1981-1999. Gibbs was well known for playing the role of Florence Johnston in the CBS sitcom The Jeffersons which ran from 1975-1985 s well as roles on The Fresh Prince of Bel-Air Martin Touched By An Angel Scandal and Grey’s Anatomy. This Hammond B3 was later an integral part of Joey DeFrancesco’s career as a renowned jazz organist and is also said to have been owned by jazz musician Jimmy Smith who is credited with boosting the popularity of the B3 in the 1950s. It features two 61 key manuals with light action and 12 preset keys for each 38 drawbars 25 note pedalboard two position switches for volume vibrato swell and great a Chorus/Vibrato rotary switch percussion on/ off percussion swell percussion decay and harmonic selector and Start and Run switches on the upper right. Includes matching Leslie 22H rotating horn and speaker cabinet pedalboard and matching stool with gold fabric seat. Non-functional.

• x x

• From the estate of Joey DeFrancesco

Estimate: $5,000 - $7,000

Lot 77

Joey DeFrancesco: 1962 Hammond B3 Organ with Matching Leslie 22R Cabinet and Stool Walnut

A 1962 Hammond B3 Organ serial #87250 with a matching c.1963 Leslie 22R rotary speaker cabinet and stool serial #41152 in Walnut finish. Owned and played by the late Joey DeFrancesco, the prolific organist who released over 30 albums and worked with legendary musicians including Miles Davis John McLaughlin Danny Gatton John Scofield George Benson Ray Charles Bette Midler Lee Ritenour Diana Krall Van Morrison and many others. A portion of the proceeds from this listing will go to The Joey DeFrancesco Scholarship Fund.It is in working order and sounds fantastic through its matching cabinet. It features two 61 key manuals with light action and 12 preset keys for each 38 drawbars 25 note pedalboard two position switches for volume vibrato swell and great a Chorus/ Vibrato rotary switch percussion on/off percussion swell percussion decay and harmonic selector plus a tremolo on/off switch at the front. Start and Run switches are accompanied by an indicator lamp. Includes matching Leslie 22R rotating horn and speaker cabinet pedalboard and matching stool.

• x x

• From the estate of Joey DeFrancesco

Estimate: $3,000 - $5,000

Lot 78

John Coltrane: 1963 Portrait of John Coltrane by Jim Marshall 1987 Print Signed

This is a photo of legendary jazz saxophonist John Coltrane at home in Queens, NY in 1963 shot by Jim Marshall printed in 1987. Back of photo has Jim Marshall’s studio stamp and is hand numbered 2/50. This is a chromogenic print, pencil signed and dated by Marshall in the lower right, titled lower left.

• 20in x 16in x 0.25in

Estimate: $800 - $1,200

Bo Diddley: 1965 “Have Guitar, Will Travel” Signed Record Album

An original USA pressing of Bo Diddley’s 1960 album Have Guitar, Will Travel signed by Bo on the back in black marker.

• 12in x 12in x 0.25in

Estimate: $200 - $400

Lot 80

B.B. King: Custom-Made Stage Jacket

A patterned metallic jacket with a black satin peaked collar and cuffs, custom-made for B.B. King by E. House of Kowloon. The jacket features an embroidery on the interior lining that reads “Made Specially For B.B. King - King Of The Blues” with an additional globe embroidery that reads “B.B. King - King Of The Blues Worldwide.” Labeled “E. House.”

• x x

• From The Estate of B.B. King

Estimate: $800 - $1,200

Lot 81

The Supremes: 1964 BMI Citation of Achievement for “Where Did Our Love Go”

A 1964 BMI Citation of Achievement presented to Lamont Dozier for The Supremes’ song, “Where Did Our Love Go.” Signed by BMI President and Senior Vice President in black ink.

• 12in x 16in x 0.025in

Estimate: $200 - $400

The Supremes: Signed Photo

An oversized photograph of the Supremes, signed by Mary Wilson and Diana Ross and dated “2005” in black and blue marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 12in x 11.5in x 0.025in

Estimate: $200 - $400

Lot 83

Ike and Tina Turner: Signed Photo

A photo of Ike and Tina Turner, signed by them in black marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 8in x 10.5in x 0.025in

Estimate: $400 - $600

Lot 84

Tina Turner: Signed “Nutbush City Limits” Original Digital Artwork

An original digital artwork created by Soundwaves Studio, signed by Tina Turner. The image seen is a digital representation of the song “Nutbush City Limits” put to canvas.

• 51.25in x 51.25in x in

Estimate: $800 - $1,200

Lot 85

Stevie Wonder: Signed Audix Microphone

An Audix OM2 hypercardioid condenser microphone, serial #2221015-215, in black finish and signed by Stevie Wonder in gold felt tip pen with the help of his assistant. This mic includes its original black pouch, black mic clip, and a Letter of Authenticity with a unique certification number.

• 5in x 8in x 3in

Estimate: $1,000 - $2,000

Lot 86

Stevie Wonder: Signed Hohner Special 20 Harmonica

A Hohner Special 20 harmonica signed by Stevie Wonder in black felt tip pen with the guidance of his assistant. This harmonica includes its original grey plastic case and a Letter of Authenticity with a unique certification number.

• 2in x 4.5in x 1.5in

Estimate: $1,000 - $2,000

Lot 87

The Beach Boys: Band Signed Photo

A photo of the Beach Boys, signed by Mike Love, Al Jardine, Brian Wilson, and Carl Wilson in black and blue marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 8in x 10in x 0.025in

Estimate: $400 - $600

Lot 88

The Beach Boys: “Pet Sounds” Studio Reel to Reel Print

A framed and matted print featuring the cover of The Beach Boys’ master studio reel-toreel tape for the group’s 1966 studio album Pet Sounds.

• 20.5in x 20.5in x 0.75in

Estimate: $300 - $500

Lot 89

The Beach Boys: Signed “Pet Sounds” Gold Record

This is a Gold Record presented to The Sound Shop to commemorate the sale of more than 500,000 copies of Pet Sounds signed by Brian Wilson, Mike Love, Al Jardine, and Bruce Johnson. Accompanied with a flyer advertising a Brian Wilson ticket raffle at Amoeba Hollywood from a September 2008 Brian Wilson CD signing and performance.

• 17in x 21in x 1in

Estimate: $1,000 - $2,000

Lot 90

The Beach Boys: RIAA-Certified “Platinum” Sales Award For “Pet Sounds” Presented to Brad Elliott

An RIAA-Certified “Platinum” Sales Award presented to Brad Elliot to commemorate the sale of more than 1,000,000 album, cassette, and CD copies of The Beach Boys 1966 studio album Pet Sounds. Brad Elliott is a prominent Beach Boys historian and author who has extensively documented the history of the Pet Sounds album. He is best known for writing the liner notes for various reissues of the album, providing deep insights into its production and track-by-track details.

• 26in x 18in x 1in

• Lot 201, “Rock & Roll And Entertainment Memorabilia,” Christie’s, December 17, 2004

Estimate: $500 - $700

The Beatles: German Tony Sheridan and the Beat Brothers and The Beatles Polydor Recording Sheets (3)

Three original one-sided Polydor recording (Aufnahme-Planung) sheets from The Beatles’ legendary recording sessions with German producer Bert Kaempfert and Tony Sheridan and the Beat Brothers. These sheets are the last surviving recording documents from the German Polydor sessions.

Each sheet consists of typewritten and signed material. The first sheet is typewritten indicating a December 1961 session with Tony Sheridan and the Beat Brothers and signed illegibly by another Polydor producer. The second sheet is filled out by hand and lists “Sweet Georgia Brown” and “Swanee River” as the tracks being recorded by Tony Sheridan and the Beat Brothers / The Beatles (The “Beat Brothers” has been crossed out and replaced with “Beatles”) in May 1962 with Kaempfert’s signature in the “producer” field. The third sheet is also filled out by hand signed by Kaempfert and indicates another May 1962 recording session with The Beatles.

• 8.5in x 12in x 1in

• PROVENANCE From the Bert Kaempfert Family Archives

Estimate: $3,000 - $4,000

Lot 92

The Beatles: 1962 Band Signed Cut Sheets

A page from an autograph book signed by The Beatles. Paul McCartney, George Harrison, and Ringo Starr have signed the page, but according to its previous owner, John Lennon was in a “mood” and signed on a separate lined piece of paper that has been affixed to the upper right corner. Together with another page from the autograph book featuring a black-and-white newspaper photograph of The Beatles. Accompanied by a Letter of Authenticity that explains the story of the autographs.

• 4.5in x 7in x 0.025in

Estimate: $3,000 - $5,000

Lot 93

The Beatles: Twice-Signed “Love Me Do” JR Demo Record Single (R4949)

A demo first pressing of the Beatles Parlophone single “Love Me Do” (45-R 4949; Matrices 7XCE 17144-1N, 7XCE 17145-1N) with original sleeve signed by Paul McCartney John Lennon, and George Harrison on the front and also the back of the center label.The record has a JR (journalist review) stamper on the dead wax indicating a demo pressing. This record was one of only 250 official demos that had this stamp. Accompanied by a Letter of Provenance from the original recipient which reads: “Bought ‘Love Me Do’ in NEMS Record Shop Whitechapel Liverpool on day of release. I went to Cavern the next time they were on and had it signed there.” Ringo Starr wasn’t asked to sign, as Pete Best had just left the band.”Love Me Do” is the debut single by the Beatles released in the UK on October 5 1962. The single reached number 17 on the UK chart and topped the US charts when it was released in 1964.

• 7in x 7in x 0.1in

Estimate: $10,000 - $15,000

Lot 94

The Beatles: Band Double-Signed Magazine Page

A framed double-sided magazine photo of The Beatles signed by Paul John George and Ringo in blue ink to either side of the page (two signatures from each Beatle).

Housed in a wooden frame box.

Accompanied by a Letter of Authenticity.

• x x

Estimate: $5,000 - $7,000

Lot

95

The Beatles: Band Signed Twist and Shout Record Single

A vinyl copy of The Beatles’ EP “Twist and Shout” (Parlophone GEP 8882) signed to the back of the sleeve by John Paul George and Ringo in blue ink and marker.The signatures were obtained on September 7, 1963 at The Beatles’ Fairfield Hall show in Croydon, South London.

• x x

Estimate: $20,000 - $30,000

Lot

96

The Beatles: Signed 1963 Magazine Page

A double page taken from the May 1963 issue of Boyfriend Magazine featuring a color photograph of The Beatles, signed by Paul McCartney John Lennon, and Ringo Starr in ink. The back of the page features a comic and an unrelated article.

• x x

Estimate: $3,000 - $5,000

The Beatles: Band Signed 1963 Empire Theatre Set List

A two-page set list for The Beatles’ performance at the Empire Theatre in Liverpool on December 7, 1963, signed by The Beatles. They performed in front of 2500 members of the group’s Northern Area Fan Club, and BBC Television recorded the show for broadcast, entitled “It’s The Beatles.”Songs included: “From Me To You,” “I Saw Her Standing There,” “All My Loving,” “Roll Over Beethoven,” “I Want To Hold Your Hand,” “Money (That’s What I Want),” and more.

• 9.5in x 14in x 0.025in

Estimate: $1,500 - $2,500

Lot 98

The Beatles: 1963 German Odeon Records Promotional Poster

A 1963 double sided Odeon Records Beatles promotional poster.

• 16.5in x 23.4in x 0.25in

Estimate: $1,000 - $2,000

Lot 99

The Beatles: Astrid Kirchherr Signed John Lennon Artist Proof Lithograph

A lithograph bearing an image of John Lennon taken by the photographer Astrid Kirchherr in November 1960 at Heiligengeistfeld Square in Hamburg, Germany as part of the Beatles’ first photo session. The image shows John Lennon with Stuart Sutcliffe in the background standing next to a Hugo Haase railway wagon in a funfair. The print has been signed in the lower left corner by Astrid in pencil and she has written the words “Art. proof.”

• 23.5in x 17in x 0.025in

Estimate: $300 - $500

Lot 100

The Beatles: Pete Best Signed Drum Head And Drum Sticks

An 8” drum head signed by Pete Best, the original drummer of The Beatles from 19601962. Accompanied by a Pete Best signed drumstick.

• 3.15in x 6.3in x 0.79in

Estimate: $200 - $400

Lot 101

The Beatles: David Hurn “A Hard Day’s Night” Contact Sheet Poster Print

A contact sheet poster print featuring The Beatles in the studio examining the script for their debut film A Hard Day’s Night (UA, 1964) at Abbey Road Studios in London. Photographed by David Hurn. The border features a Magnum embossed stamp.

• 16in x 20in x 1in

Estimate: $200 - $300

Lot 102

The Beatles: Band-Signed Sheet Display

A framed and matted display featuring the signatures in ink of all four Beatles: Ringo Starr, Paul McCartney, John Lennon, and George Harrison. Undated. Displayed alongside the front cover of The Beatles’ album, Meet The Beatles!

• 25in x 1in x 18in

• Lot 342, “Rock & Roll And Entertainment Memorabilia,” Christie’s, December 17, 2004

Estimate: $4,000 - $6,000

Lot 103

The Beatles: 1964 Vee Jay Records Injunction Telegram

A Western Union telegram regarding an injunction forbidding Vee Jay Records from “manufacturing, selling, distributing, or otherwise disposing of or advertising the sale by it, its agents, attorneys or servants of any and all recordings by the Beatles.” Dated March 20, 1964.

• 8.5in x 5.5in x 0.025in

Estimate: $1,000 - $2,000

Lot 104

The Beatles: Band-Signed 1965 North American Tour Baseball

An official American League baseball, signed and inscribed faintly in black ink “To Ray” (the Minnesota Twins equipment manager) by all four Beatles during their sole appearance in Minnesota, which took place on August 21, 1965 at Metropolitan Stadium in Bloomington as part of their 1965 North American Tour. The ball is labeled with the date in blue ink. Accompanied by a Letter of Authenticity from Frank Caiazzo and Epperson REAL, as well as a Letter from the original owner of the baseball detailing how the signatures were obtained, and a printed photo of the owner with the Beatles.According to the letter, to avoid fans, the Beatles slept on cots in the Minnesota Twins’ locker room prior to the concert, where Brian Epstein photographed Ray with the Fab Four.

• 3.25in x 3.25in x 3.25in

Estimate: $20,000 - $30,000

Lot 105

The Beatles: John Lennon and Paul McCartney “Day Tripper” Royalty Statement

A John Lennon/Paul McCartney royalty statement for the period of July to December 1969 for The Beatles song “Day Tripper.” Details royalty payments made to Lennon and McCartney for sales in respect of the recording from various countries.

• 7.4in x 11.3in x 0.25in

Estimate: $300 - $500

Lot 106

The Beatles: John Lennon and Paul McCartney “Paperback Writer” Royalty Statement

A John Lennon/Paul McCartney statement for July to December 1969 royalties for The Beatles song “Paperback Writer.” Details royalty payments made to Lennon and McCartney for sales from various countries.

• 8in x 12in x 0.025in

Estimate: $300 - $500

Lot 107

The Beatles: 1966 Butcher Cover “Yesterday And Today” Record Album (Third State)

A third state (peeled) “butcher” cover copy of the 1966 Beatles record album, Yesterday and Today, featuring the scandalous and quickly-withdrawn artwork that depicted the band covered in chopped meat and dismembered dolls. Following the disastrous reception of the controversial “butcher” artwork in the United States, Capitol Records began the process of recalling all copies of the record from distributors to paste the more acceptable “trunk” cover artwork over it. Third state examples of this album, such as this one, have had the pasted-on “trunk” cover removed.

• 12.25in x 12.25in x 0.25in

Estimate: $1,000 - $2,000

Lot 108

The Beatles: Full-Scale Chromalin Printer’s Proof for “Yesterday and Today”

A full-scale, four-color Chromalin printer’s proof of the infamous full stereo “butcher” cover album artwork for The Beatles’ Yesterday and Today (Capitol Records, 1966), printed from Capitol’s original 1966 negatives. Chromalin is a complex, high-quality color proofing system used to check color accuracy and image placement that involves exposing separate photosensitive sheets under halogen lights and combining them. The process can take up to an hour for each print, and only a handful were ever produced.Accompanied by a Letter of Authenticity from Beatles expert, Perry Cox.

• 16in x 16in x 0.025in

Estimate: $1,000 - $2,000

Lot 109

The Beatles: 1966 NEMS Program for “The Beatles at Shea Stadium” Documentary

A 1966 NEMS Enterprises bi-fold program for the documentary, The Beatles at Shea Stadium (NEMS Enterprises, 1965). The program contains a film synopsis by Beatles press officer, Tony Barrow, and images of the band during the historic concert at Shea Stadium documented in the film.

• 9.5in x 13.75in x 0.025in

Estimate: $800 - $1,200

Lot 110

The Beatles: 1966 Butcher Cover “Yesterday and Today” Record Album (First State)

A 1966 “First State” Beatles Yesterday and Today stereo record album (ST 2553), produced in Los Angeles (5).This copy is sealed with air holes in the shrink wrap (please note: this was sealed later, and is not in its original shrink wrap). There is slight age-related staining on the edges of the record beneath the shrink wrap. Following the disastrous reception of this controversial “butcher” album artwork in the United States, Capitol Records began the process of recalling all copies of the record from distributors to replace the album artwork with the “trunk” cover. On June 14, 1966 a memo was sent to reviewers requesting that they disregard the “butcher” artwork. From here onward, sealed first state butcher covers have become a highly sought-after item for collectors.

• 12.25in x 12.25in x 0.25in

Estimate: $20,000 - $30,000

Lot 111

The Beatles: George Martin Signed “Revolver” Record Album Cover

The Beatles 1966 Revolver Album cover signed on the front by George Martin. There is no record included.

• 12in x 12in x 0.25in

Estimate: $300 - $500

Lot 112

The Beatles: 1966 Yellow Submarine RIAA “Gold” Record Award

An original 1966 RIAA gold record award presented to The Beatles to commemorate the sale of more than one million copies of the Capitol Records single “Yellow Submarine.” Housed in the original white matte, with the original New York Frame & Picture Co paper sticker still in place on the verso.

• 13.25in x 17.25in x 1in

Estimate: $6,000 - $8,000

Lot 113

The Beatles: “Yellow Submarine” Blue Meanie Animation Cel

A highly detailed, gouache on celluloid sheet animation cel of a Blue Meanie stormtrooper from the production of The Beatles’ animated film, Yellow Submarine (Apple Corps, 1968).The cel features a standard Blue Meanie soldier (identified by orange/yellow striped leggings). The green apple appears as a separate layer on top of the Meanie’s face, indicating a complex “two-piece overlay” production setup. The high-action frame features a “squashed” anatomy, splayed legs, and a rare blue tongue protruding. Accompanied by a copied Certificate of Authenticity.

• 16in x 12.5in x 0.025in

Estimate: $1,000 - $2,000

Lot 114

The Beatles: “Yellow Submarine” Ringo Starr Animation Cel

A highly detailed, gouache on celluloid sheet animation cel of Ringo Starr from the production of The Beatles’ animated film, Yellow Submarine (Apple Corps, 1968).The cel features Ringo in his “Everyday Outfit” (iconic Mod attire consisting of vertical red/violet striped coat, orange shirt, and lavender tie with orange stripe), wearing two rings on his right hand (one blue, one red) and waving with his left hand.Accompanied by a copied Certificate of Authenticity.

• 15.75in x 12.75in x 0.025in

Estimate: $1,000 - $2,000

The Beatles: “Yellow Submarine” Paul and George Tuba Infiltration Animation Cel

A highly detailed, gouache on celluloid sheet animation cel of George Harrison and Paul McCartney with tubas from the production of The Beatles’ animated film, Yellow Submarine (Apple Corps, 1968).The cel features George and Paul in rare red coat Blue Meanie disguises with tubas tucked under their coats, from a pivotal comedic scene in the film. Paul appears in a pink hat with blue pom-pom.Accompanied by a Certificate of Authenticity.

• 16in x 12.75in x 0.025in

Estimate: $1,000 - $2,000

Lot 116

The Beatles: 1967 “Sgt Peppers Lonely Hearts Club Band” Record Album Signed by Artist Sir Peter Blake

A copy of The Beatles 1967 album Sgt Peppers Lonely Hearts Club Band record autographed on the front by the English pop artist Sir Peter Blake in black felt pen. Blake designed the cover art for Sgt. Peppers Lonely Hearts Club Band with his then wife Jann Haworth.

• 12in x 12in x 0.25in

Estimate: $200 - $400

Lot 117

The Beatles: 1967 Band-Signed “Sgt. Pepper’s Lonely Hearts Club Band” Record Sleeve

A record sleeve from the Beatles’ 1967 record album, Sgt. Pepper’s Lonely Hearts Club Band (PCS 7027), with signatures to the inner gatefold from all four Beatles in purple and blue ink. From left to right, each Beatle’s signature appears alongside the image of their face (Ringo, John, Paul [in purple ink], and George [in blue ink]).Please note: Each signature was originally executed on paper in 1967, and all four have been transferred by a skilled restorer to the inner gatefold. Accompanied by two Letters of Authenticity from leading Beatles experts Frank Caiazzo and Paul Wane.

• 12.25in x 12.25in x 0.25in

Estimate: $20,000 - $40,000

Lot 118

The Beatles: Band-Signed Cut Sheet

A cut sheet with images of each of The Beatles’ faces pasted on, signed by John, Ringo, George, and Paul in red ink.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 5.25in x 3.75in x 0.025in

Estimate: $2,000 - $4,000

Lot 119

Pattie Boyd: Signed Photo with George Harrison

A modern black and white photograph of George Harrison and Pattie Boyd autographed by Pattie in black pen.

• 8.3in x 5.9in x 0.25in

Estimate: $200 - $400

Lot 120

The Beatles: John Lennon Owned Davenport Plate

A blue and white Davenport pottery plate that was formerly the property of John Lennon when he lived in his Weybridge home Kenwood in 1960s. Lennon gave this plate to his friends and assistants Ken and Margaret Brunt after moving. Accompanied by a letter from David Brunt, Ken and Margaret’s son, that explains the origins and story of the plate.

• 10in x 3in x 10in

Estimate: $400 - $600

Lot 121

The Beatles: Signed “Sgt. Peppers Lonely Hearts Club Band,” “Among The Flower Bulbs,” “Please Please Me,” and “In The Beginning” Record Album Covers

Four record covers signed by the respective drummer of each Beatles album. This collection includes Please Please Me signed by drummer Andy White, De Bietels Tussen de Bollen signed by drummer Jimmie Nicol, In The Beginning signed by Pete Best, and Sgt. Peppers Lonely Hearts Club Band signed by Ringo Starr. Together with a certificate of authenticity. In The Beginning and De Bietels Tussen de Bollen come with their records.

• 12in x 12in x 1in

Estimate: $1,000 - $2,000

Lot 122

The Beatles: White Matte Record Award “All you Need is Love”

An RIAA-certified “gold” record award, white linen matte, presented to The Beatles to commemorate the sale of more than one million copies of the Capitol Records pop single record “All You Need Is Love.” The award has been reframed and rematted.

• 17in x 13.5in x 1in

• Lot 22 Julien’s Auctions, “The Beatles” Liverpool, UK. 2019https://www. juliensauctions.com/en/items/43801/the-beatles-white-matte-record-award

Estimate: $2,000 - $4,000

Lot 123

The Beatles: “White Album” 1968 Pressing Mono Number 0000024 Record Album

A rare, low-numbered mono vinyl pressing of The Beatles White Album (PCS 7067/68). Number 0000024. The minimalist sleeve design was by Richard Hamilton, who suggested the approach and the consecutively numbered sleeves which would ironically give a limited-edition feel to a multi-million-selling record. It is rumored that there are several copies of each of numbers 1-10, which were given to the group and Apple employees. This could be one of the few remaining truly low-numbered individual copies to come onto the open market.

• 12in x 12in x 0.025in

Estimate: $7,000 - $9,000

Lot 124

The Beatles: John Lennon “Come Together” BMI Citation

An original Broadcast Music Incorporated Special Citation of Achievement presented to John Lennon for over 5 million broadcast performances of The Beatles 1969 song “Come Together.”

• 17.25in x 14.25in x 1in

Estimate: $300 - $500

Lot 125

The Beatles: “Anthology 1” CD Signed by George Harrison

A CD copy of The Beatles’ 1995 compilation album Anthology 1, signed by George Harrison. Accompanied by a receipt from the original online auction, claiming the signature was authenticated by Roger Epperson.

• 5in x 5.5in x 1in

Estimate: $1,000 - $2,000

Lot 126

The Beatles: “Anthology 1” CD Signed by George Martin

A CD copy of The Beatles’ 1995 compilation album Anthology 1, signed on the interior in gold marker by the band’s primary producer, George Martin.Accompanied by a Letter of Authenticity from American writer, record producer, and historical entertainment consultant, Jim Berkenstadt, stating he obtained Martin’s signature via mail.

• 5in x 5in x 0.5in

Estimate: $800 - $1,200

Lot 127

The Beatles: “Anthology 1” CD Signed by Original Quarrymen

A CD copy of The Beatles’ 1995 compilation album Anthology 1, signed in person by the original Quarrymen: Rod Davis, Colin Hanton, Len Garry, and John Duff Lowe. Accompanied by a Letter of Authenticity from American writer, record producer, and historical entertainment consultant, Jim Berkenstadt, stating he obtained the signatures in August of 1997 at the Fest for Beatles Fans in Rosemont, Illinois at the O’Hare Hyatt.

• 5in x 5.5in x 1in

Estimate: $600 - $800

Lot 128

The Beatles: “Anthology 1” CD Signed by Ringo Starr, Pete Best, and Klaus Voormann

A framed CD copy of The Beatles’ 1995 compilation album Anthology 1, signed in person by Ringo Starr, Pete Best, and Klaus Voormann.Accompanied by a Letter of Authenticity from American writer, record producer, and historical entertainment consultant, Jim Berkenstadt, stating he obtained Starr’s signature on June 17, 2006 at Rosemont Theater in Rosemont, IL; former Beatle Pete Best’s signature on August 21, 200t at Chicago Fest for Beatles Fans in Rosemont, IL; and Voorman’s signature on March 4, 2017 at New Jersey Fest for Beatles Fans.

• 5.75in x 5.75in x 0.75in

Estimate: $800 - $1,200

Lot 129

The Beatles: 1976 “Rock ‘n” Roll Music” Master Foil Proof

A 1976 “Contract Standard” master gatefold foil proof (Job #16771, 5/4/76), pulled during the final production window before the passing of Art Director Roy Kohara and CEO Bhaskar Menon.

• 32in x 20in x 0.025in

Estimate: $800 - $1,200

The Beatles: 1980 Large Rarities Butcher Print

A large full-frame color print of the infamous “butcher” cover artwork from the 1966 Beatles album, Yesterday and Today, from the release of Capitol Records’ 1980 compilation album Rarities.

Rarities (embellishing upon a concept presented by the UK album of the same name in 1978) was to include tracks that had not been readily available in the United States, such as alternative versions or mixes of well-known songs or lesser-known tracks that had not been released on vinyl by Capitol or Apple.

Capitol’s Beatles photo archive was sifted through for images to include in the gatefold packaging and a 35mm color slide of the original butcher photo was discovered.

Producer Randall Davis and press and artist relations editorial manager Stephen Peeples initially lobbied to use the maligned butcher photo for the front sleeve but ultimately this image (still controversial in 1980) was rejected in favor of a sparse Polaroid of the Fab Four. However it was agreed that the full-frame image could be included on the inside left of the gatefold. Prints were made from the original 35mm slide for this purpose.

The album released on March 24, 1980 featured a sticker advertising the butcher cover photo inside. While the first pressing included a crop of the image the second pressing corrected this by swapping in the full-frame image (in which a set of dentures can be seen on the floor between John and Paul).

• x x

Estimate: $1,000 - $1,500

Lot 131

The Beatles: Strawberry Field Liverpool Limited Edition Brick

An original Victorian limited-edition brick taken from the Strawberry Field Salvation Army children’s home in Liverpool. The brick is presented in an outer box, individually numbered, and embossed with a hologram. The name Strawberry Field became immortalized in February 1967 with the release of The Beatles’ single “Strawberry Fields Forever” written by John Lennon. John grew up near the children’s home and always looked forward to attending the annual Garden Party with his Aunt Mimi. He found the place gave him a sense of peace and tranquillity and would often climb over the wall to play in the grounds. Accompanied by a Certificate of Authenticity from Strawberry Fields.

• 6in x 4in x 10in

Estimate: $200 - $400 Lot 132

The Beatles: Signed Michael McCartney Photo

A black and white limited edition (24/250) photo print of the Beatles (Pete Best, George Harrison, John Lennon, Paul McCartney) decked out in their leathers c. 1960-1962, taken by Paul’s brother, Michael McCartney, and numbered and signed by him in pencil.

• 20.5in x 19.25in x 1.5in

Estimate: $800 - $1,200

Paul McCartney: Personally Donated, Signed and Personalized “Revolver” Super Deluxe 4LP and 7-Inch Vinyl EP

Paul McCartney’s personalized, signed copy of the Revolver Special Edition Super Deluxe 4LP + 7” Vinyl EP donated by Paul McCartney to benefit Fundraising Auction in support of the extension of the Lelung Dharma Trust’s Peace House Buddhist Temple.

We are delighted and honored to announce a generous contribution from Paul McCartney facilitated by our dear friend James McCartney. Paul has kindly donated a personalized signed copy of the Revolver Special Edition Super Deluxe 4LP + 7” Vinyl EP by The Beatles in recognition of our ongoing efforts to promote world peace and spiritual development.

This Special Edition of The Beatles’ ‘Revolver’ features a new mix by Giles Martin and Sam Okell the original mono mix a 4-track EP 31 session takes and home demos a 100-page book with a foreword by Paul McCartney an essay by Questlove detailed track notes photos and ephemera including handwritten lyrics tape boxes and extracts from Klaus Voormann’s graphic novel on the making of the cover art.

Proceeds from the auction will contribute to the continued development of the Peace House and its outreach programmes.

The box set will be signed with the winner’s name (or another selected name) by Paul McCartney and posted directly to them by Tracked Delivery from Thailand. All costs will be covered by MPL Communications.

• 12.5in x 12.5in x 2in

Estimate: $2,000 - $4,000

Lot 134

Paul McCartney: 1970 Apple Records Press Kit with Printed Signature

An Apple Records press kit for Paul McCartney including three black and white promo photos and one set of typewritten questions and answers. The typewritten questions and answers are dated “April 1970” and feature Paul’s printed signature on the final page.

• x x

Estimate: $500 - $700

Lot 135

Paul McCartney: 1974 Signed “Stevie Wonder at the Rainbow” Program

A program from Stevie Wonder’s concert at The Rainbow Theatre in London, which took place on January 24, 1974, signed by Paul McCartney, Madeline Bell, and Doris Troy in black marker.Accompanied by a Letter of Authenticity.

• 8.25in x 11.75in x 0.025in

Estimate: $600 - $800

Paul McCartney: 1976 Chicago Limousine Service Baggage Tag

An original Chicago Limousine Service baggage tag personally owned by Paul McCartney and used by him while on tour with Wings in the spring of 1976.

The black plastic tag reads “Chicago Limousine Service” with the business’ printed address on one side and “Paul McCartney” on the other.

• 3in x 1.5in x 0.1in

• PROVENANCE From the Estate of Rose Martin

Estimate: $800 - $1,200

Lot 137

Paul McCartney: 1980 Telegrams to Paul While Jailed in Japan

Two 1980 telegrams sent to Paul McCartney at the Hotel Okura in Tokyo surrounding his arrest on potential drug smuggling charges (for the half-pound of marijuana in his baggage) prior to his intended 11-city tour with Wings.

One reads: Now you know how they felt in ‘The Longest Day.” Hope it wasn’t too tough and that you all arrived safe. Have a ball be good or at least be careful. Your Technicolor Dreamer. This telegram is addressed to “Martin-Hamilton” (Paul’s housekeeper Rose Martin) and the sign-off “Your Technicolor Dreamer “ along with the trio of small doodles at the top of the page -- bars (perhaps jail bars) a zero and the letter “J” below a cursive “J” -- make the likely sender of the telegram John Lennon.

The other addressed “c/o Mrs. Linda McCartney “ reads: Dear Paul on behalf of many thousands of your fans in America we send our love and support Hope you get back home soon Love Mark and Carol Lapidos producers of Beatlefest. This telegram was sent by Mark and Carol Lapidos.

While McCartney assured Japanese officials that the marijuana was intended only for personal use the quantity warranted a potential charge of smuggling. However McCartney escaped trial and sentencing and was deported without going to court.

• 8.5in x 6in x 1in

Estimate: $800 - $1,200

Lot 138

Paul McCartney: 1986 Autographed “Press To Play” Promotional MPL Postcard

A color Paul McCartney 1986 ‘“Press To Play” MPL promotional postcard signed by Paul in black marker. Framed alongside a color photo of Paul.

• 18in x 15in x 1in

Estimate: $400 - $600

Lot 139

Paul McCartney: Signed “All The Best!” Record Album

A UK vinyl pressing of the 1987 Paul McCartney album All The Best! signed on the front cover by Paul McCartney.

• 12in x 12in x 0.25in

Estimate: $1,500 - $2,500

Lot 140

Paul McCartney: Signed Landmine Survivors Network Poster

This Landmine Survivors Network Poster poster is signed by Paul McCartney and Heather Mills, his partner from 2002-2008. During the early 2000s Paul McCartney used his platform to support survivors of landmines, and advocate against their use even calling them “cowardly weapons that should be banned” at a gala. In addition to hosting galas to raise money for survivors, McCartney did political advocacy and even met with US Secretary of State Colin Powell.

• 3in x 31in x 3in

Estimate: $1,000 - $2,000

Lot 141

Paul McCartney: Typed and Signed Letter to Former Housekeeper Rose Martin

A typed letter on “Paul McCartney” stationery sent from McCartney to Rose Martin (his former housekeeper) dated May 12, 1999 and signed by McCartney in blue ink. The letter reads: “Dear Rose Linda always arranged for small gifts to be sent to people over the years and one of these was a blanket which used her photographic images as decoration. The kids and I decided to continue this tradition and so we are sending you herewith the latest blanket to keep you warm. Also enclosed is a poster I have had made which shows Linda’s photographs of some of the bouquets I picked for her most mornings. I hope you will enjoy both these little gifts and that they bring some sunshine into your days. Love Paul.”

• 10in x 7.25in x 0.1in

Estimate: $600 - $800

Lot 142

Paul and Linda McCartney: Signed Photo

A color photo of Paul and Linda McCartney, signed by them in blue marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 9.75in x 11.25in x 0.025in

Estimate: $300 - $500

Lot 143

Linda McCartney: Handmade Photographic Postcard of Daughter Heather Sent to Lee Eastman

A postcard made by Linda McCartney from an original contact print of her daughter Heather addressed to Linda’s father / Heather’s grandfather Lee Eastman. Eastman’s New York City address is written on the back which is stamped and adorned with doodles of the Manhattan skyline and a heart.

• 4.25in x 4in x 1in

Estimate: $600 - $800

Lot 144

SNL: 1993 Paul McCartney and Alec Baldwin Signed “Saturday Night Live” schedule

A rehearsal and studio schedule for episode 776 of Saturday Night Live (NBC, 1975-present) that aired on February 13, 1993, signed by Paul McCartney and Alec Baldwin. The episode was hosted by Baldwin and guest starred McCartney. Housed in a frame with two promotional “SNL” photographs of McCartney.

• 26.6in x 15in x 1in

• Lot 42, “The Beatles,” Julien’s Auctions, Liverpool UK, May 9-10, 2019.

Estimate: $800 - $1,200

Denny

Laine: RIAA “Gold” Sales Award for “Wings Over America”

An RIAA-Certified “Gold” sales award presented to Denny Laine to commemorate the sale of more than 500,000 copies of Paul McCartney & Wings 1976 live album Wings Over America. The triple live album Wings over America was recorded during the tour and released in December of 1976. On tour, Laine played electric and acoustic guitar, keyboards, piano, bass guitar, and harmonica.

• 21in x 17in x 25in

Estimate: $2,000 - $4,000 Lot 146

John Lennon: Brick From John Lennon’s Childhood Home in Mendips Liverpool

A brick from John Lennon’s childhood home in Mendips, Liverpool, England. There is a plaque affixed to the top which reads “This is to Authenticate & Verify that this brick, Number 15 of 150, was taken from the partition wall between the living room and lounge of John Lennon’s childhood home at Mendip, 251 Menlove Avenue, Liverpool on the third day of October, in the year Two Thousand.”Mendips was where Lennon was raised by his Aunt Mimi Smith in the 1940s and 1950s. In 2000, the owner of Mendips allowed NBC to make a film about John in the home, including the removal of part of a wall to aid in the filming. 150 bricks were salvaged at the time and were sold by the Liverpool auctioneers Outhwaite & Litherland. The home is now owned by the National Trust, who will not allow filming, photographs, or the taking of souvenirs.

• 1.97in x 1.18in x 3.74in

Estimate: $500 - $700

Lot 147

John Lennon: Handwritten “Bernice’s Sheep” Poem

A single sheet containing a poem entitled “Bernice’s Sheep,” handwritten in blue pen by John Lennon, and titled by him at the bottom of the page. There are five numbered verses, beginning: “This night I lable down to sleep/ with hefty heart and much saddened/ with all the bubbles of the world/ bratting my boulders/ oh dear sheep.” The poem is nearly identical to the one that is published in Lennon’s 1965 nonsense book, A Spaniard in the Works. Lennon has here made one correction in the final verse, with the word “ribbolls” crossed out and “eber” inserted.Lennon loved wordplay and often expressed his admiration for the works of Lewis Carroll and Edward Lear, as evidenced by the title of both the poem and the book. “Bernice’s Sheep” is a play on the Bernese mountain dog (a herding animal), and A Spaniard in the Works is a play on the idiom, “a spanner in the works.” Accompanied by a Certificate of Authenticity.

• 7in x 10in x 0.025in

• From the Collection of Tom Maschler (John Lennon’s Publisher)

Estimate: $10,000 - $15,000

Lot 148

John Lennon and Yoko Ono: 1969 Apple Savile Row Negatives With Copyright

A collection of four black and white medium format negatives of John Lennon and Yoko Ono. The images were taken in the Apple offices at Savile Row in June 1969. The negatives are sold with full copyright.

• 9.25in x 2.5in x 0.025in

Estimate: $600 - $800

Lot 149

John Lennon: Mike Randolph Signed and Stamped Photo of John Lennon and Yoko Ono at Rock N Roll Circus

A black and white photograph taken by Mike Randolph of John Lennon performing with The Dirty Mac at the Rock n Roll Circus at Intertel Television Studios in London on December 11th, 1968. The photo is stamped Mike Randolph verso and signed Randolph on the front.The show featured performances by The Rolling Stones, John Lennon, Yoko Ono, The Who, Eric Clapton, Jethro Tull, Taj Mahal and Marianne Faithfull. During the show John performed with his temporary super group The Dirty Mac, the other band members were Yoko Ono, Eric Clapton, Keith Richards and Mitch Mitchell.

• 6in x 12in x 0.025in

Estimate: $200 - $400

Lot 150

John Lennon: Original Illustration and Newspaper

A self-portrait illustration of John Lennon and Yoko Ono sitting cross-legged on top of a cloud the drawing in Lennon’s hand in black marker on “Bag Productions 3 Savile Row London W.I.” letterhead. The drawing is addressed to “N.M.E. Readers! “ and is additionally inscribed at the bottom in an unidentified hand in pencil and reads “NME - June 21/69 P.4.”Together with an original copy of New Musical Express from June 21 1969 showing a copy of this drawing that accompanied an interview by Alan Smith titled: “John Yoko Hit Back at Armchair Critics.”According to the consignor the doodle was given to Alan Smith at Apple Studios by Lennon.

• 8in x 6.75in x 0.1in

• Lot 194, “Rock & Pop Memorabilia,” Christie’s, London, UK, April 26, 2007.

Estimate: $25,000 - $35,000

Lot 151

John Lennon: Plastic Ono Band

RIAA Gold Album Award

An RIAA Gold Album for Plastic Ono Band presented to John Lennon to commemorate the sale of more than one million dollars worth of the Apple Records LP Plastic Ono Band. With verso white label printed in black with the message “for Yoko with love from John 9/10/70.”

• 18in x 22in x 1in

Estimate: $5,000 - $6,000

Lot 152

John Lennon: Instant Karma RIAA “Gold” Single Record Award

A white matte RIAA certified gold record award presented to John Ono Lennon to commemorate the sale of over one million copies of his 1970 single, “Instant Karma.”

• 13in x 17in x 1in

• Really good shape but there is a little water damage on the left side and some scuffs on the frame.

Estimate: $2,000 - $4,000

Lot 153

John Lennon: White Matte Record Award for “Walls and Bridges”

An RIAA-certified “gold” record award, white linen matte, presented to Apple Records to commemorate the sale of more than $1 million worth of the Apple Records long-playing record album Walls and Bridges.

• 17.5in x 22in x 1in

• Lot 233 “The Beatles,” Julien’s Auctions, Liverpool UK, May 9-10, 2019. https:// www.juliensauctions.com/en/items/43874/john-lennon-white-matte-record-award

Estimate: $2,000 - $4,000

John Lennon: RIAA Gold Sales Award for “Double Fantasy”

This is an RIAA award presented to John Ono Lennon to commemorate the sale of more than 500,000 copies of the John Lennon and Yoko Ono Album Double Fantasy.

• 17in x 21in x 2in

Estimate: $2,000 - $3,000

Lot 155

Ringo Starr: 1960s Signed Cut Sheet

A c. 1960s cut sheet, signed by Ringo Starr in black ink.

• 4.5in x 3in x 0.25in

Estimate: $400 - $600

Lot 156

Ringo Starr: Apple Corp Products

A group of Apple Corps. items from the collection of Ringo Starr and Barbara Bach, including: a 1988 Beatles watch in original box; the Beatles “White Album Pod Pen” from 2002, in original box; a 1992 Apple Corp. Sgt. Pepper Zippo lighter; a 1992 Beatles lighter; and a 2002 Apple Corp. Zippo lighter.

• x x

• Lot 1277, “Property from the Collection of Ringo Starr and Barbara Bach,” Julien’s Auctions, Beverly Hills, CA, December 3-6, 2015

Estimate: $500 - $700

Ringo Starr: Art Deco Style Bar Cart

An Art Deco style chromed metal bar cart with two mirror-inset shelves, on four casters, possibly European, circa late 1930’s, from the collection of Ringo Starr and Barbara Bach.

• 27.75in x 27.75in x 17in

• Partial Lot 484, “Property from the Collection of Ringo Starr & Barbara Bach,” Julien’s Auctions, Beverly Hills, CA, December 3, 2015

Estimate: $200 - $400

Lot 158

Ringo Starr: Bust of Voltaire, After Jean-Antoine Houdon

A patinated bronze portrait bust of Voltaire, after the model by Jean-Antoine Houdon (French, 1741-1828), from the collection of Ringo Starr and Barbara Bach. The bronze bust and socle are set on a carved black marble contre-socle.Starr played the role of Emmanuel in the 1968 film “Candy,” a satirical film based loosely on Voltaire’s 1759 philosophical novel, “Candide.” The title role was played by Swedish actress Ewa Aulin, with whom Starr was reportedly involved in a brief high-profile relationship during the making of the film, which coincided with the height of Beatlemania. Co-starring Marlon Brando, Richard Burton, and Walter Matthau, the sex farce was poorly received by critics, though Ringo’s performance as Candy’s Mexican gardener and “good boy” has factored into the film being considered a camp classic.

• 5in x 14in x 5in

• Partial Lot 290, “Property from the Collection of Ringo Starr & Barbara Bach,” Julien’s Auctions, Beverly Hills, CA, December 3, 2015

Estimate: $200 - $400

Lot 159

Ringo Starr: Italian Bistro Table by Vico Magistretti for Kartell

A steel pedestal bistro table, marked “Kartell Design / Vico Magistretti / Made in Italy” on the underside of the Polypropylene inset circular top, from the collection of Ringo Starr & Barbara Bach.

• 27.5in x 29in x in

• Partial Lot 484, “Property from the Collection of Ringo Starr & Barbara Bach,” Julien’s Auctions, Beverly Hills, CA, December 3, 2015

Estimate: $100 - $200

Ringo Starr: Multicolor Table and Chair Set

A painted chrome and multicolored vinyl breakfast dining set consisting of a round table, four side chairs and one child’s chair, from the collection of Ringo Starr and Barbara Bach.

• 42in x 28.50in x in

• Lot 467, “Property from the Collection of Ringo Starr and Barbara Bach,” Julien’s Auctions, Beverly Hills, CA, December 3-6, 2015

Estimate: $4,000 - $6,000

Lot 161

Ringo Starr: Signed Zildjian Artist Series Drumsticks

A pair of Ringo Starr’s signature Zildjian drum sticks hand signed by Ringo. Ringo became a Zildjian sticks artist in 2012 and designed these sticks to be similar to a 5A.Accompanied by Letters of Authenticity.

• 2in x 16in x 1in

Estimate: $500 - $700

Ringo Starr: Victorian and Later Table

A Victorian Gothic Revival gilt metal liturgical base converted into a table with a modern marble top, from the collection of Ringo Starr and Barbara Bach.

• 22.25in x 39.25in x 22in

• Lot 300, “Property from the Collection of Ringo Starr and Barbara Bach,” Julien’s Auctions, Beverly Hills, CA, December 3-6, 2015

Estimate: $600 - $800

Lot 162

Ringo Starr: 2013 Grammy Museum Exhibition Banners

Two professionally framed large-printed vinyl banners promoting the Grammy Museum Los Angeles exhibition titled “Ringo: Peace & Love,” which opened on June 12, 2013.

• 40.5in x 99.5in x in

• Lot 1357, “Property From The Collection of Ringo Starr and Barbara Bach,” Julien’s Auctions (#125), December 3, 2015

Estimate: $1,000 - $2,000

George Harrison: Owned 1960s Hoyer 12 String Acoustic Guitar Gifted to Photographer Jean-Claude Volpeliere

A 1960s Hoyer 12-string acoustic guitar made in Germany, which was formerly owned by The Beatles’ George Harrison while his was living at his Friar Park home in HenleyOn-Thames, England in the 1970s. This guitar comes from the collection of photographer Jean-Claude Volpeliere, who knew and photographed Harrison’s then-wife Pattie Boyd. The guitar is accompanied by a COA signed by Volpeliere and dated 2025 which states the following:”I had known George’s first wife Pattie Boyd since the sixties and l also became friends with George after they got married. I attended Beatles recording sessions and various other high profile events such as the Our World broadcast I was a visitor to George’s house in Esher and also to his home in Henley. One day in the 1970s (?) I was visiting George at Friar Park we had been doing a bit of jamming him building on my three and half chords. We wandered around the house looking at the changes he was making and he just took the Hoyer acoustic guitar illustrated below off the wall saying ‘Here you are have this..’ so I took the guitar home.”The guitar features a 24.25 inch scale length neck made of mahogany and maple ply, a 21 fret rosewood fretboard, pearl dot inlays, a 2 inch nut width, and eleven out of twelve tuners on the headstock, though it should be noted the buttons have crumbled off on three tuners. The body appears to have a spruce top with mahogany back and sides, double bound, with a reddish clear celluloid pickguard, a rosewood bridge, and the Original Hoyer label can be seen through the soundhole. Currently strung with only six very old strings, this guitar includes a soft shell case and COA.

• 18in x 43in x 6.5in

• PROVENANCE: From the collection of photographer Jean-Claude Voleliere

Estimate: $6,000 - $8,000

Lot 165

George Harrison and Ravi Shankar: Signed Promo Photo

A 1995 Angel promotional photograph of George Harrison with Ravi Shankar, signed by them in black marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 8in x 10in x 0.025in

Estimate: $600 - $800

Lot 166

George Harrison: “Concert for George Harrison” Poster, Signed by Paul McCartney, Tom Petty, Jeff Lynne, Olivia Harrison, Daniel Harrison (with Soundtrack Record Album)

A Concert for George Harrison poster, signed by Paul McCartney, Tom Petty, Jeff Lynne, Olivia Harrison, and Daniel Harrison. Together with an unopened 4-LP soundtrack record album set.

• 12.5in x 12.5in x 1in

Estimate: $1,000 - $2,000

Lot 167

The Rolling Stones: 1960s Autographs

Three small sheets of paper, signed by all five members of The Rolling Stones in 1964.

• 3in x 4in x 0.025in

Estimate: $500 - $700

Lot 168

The Rolling Stones: 1964 Signed Program

A 1964 “Sensational Rolling Stones” concert program signed on inside pages by Mick Jagger, Keith, Richards, Brian Jones, Charlie Watts and Bill Wyman at a concert during their 1964 UK tour.

• 8.5in x 11in x 0.025in

Estimate: $1,000 - $1,500

Lot 169

The Rolling Stones: Vintage 1960s Jigsaw Puzzle with Box

A vintage 1960’s Rolling Stones Jigsaw Puzzle, complete and housed in a frame, made in England by Bestime Product. The 350-piece die-cut card puzzle is titled “A Welcome from the Fans.”Together with the original box.

• 11.5in x 17.5in x 0.5in

Estimate: $400 - $600

Lot 170

The Rolling Stones: 1965 French Decca Disques Promo Poster

A large, framed 1965 French Decca Disques poster for a Rolling Stones performance at the Olympia in Paris.Includes the original Sotheby’s auction listing.

• 39.5in x 57.5in x 1in

• Lot 114, “Rock n Roll Sale,” Sotheby’s, New York, NY, June 24, 2014.

Estimate: $2,000 - $4,000

Lot 171

The Rolling Stones: 1965 Promotional Poster and Unreleased “Rock and Roll Circus” Album Artwork

Two framed posters related to The Rolling Stones, including: an original 1965 Decca Disques promotional poster for the Olympia. Paris, featuring a photograph of the band by Pierre Fouf; and a framed and matted display featuring a printer’s proof depicting proposed record sleeve cover art for the unreleased Rolling Stones live album, The Rolling Stones Rock and Roll Circus.

• 32in x 16in x 2in

• Partial Lot 123, “Rock n’ Roll Sale,” Sotheby’s, New York, NY, June 24, 2014

Estimate: $2,000 - $4,000

Lot 172

The Rolling Stones: 1966 Band Signed Concert Program

A vintage 1966 Rolling Stones concert program signed in ink by band members Mick Jagger, Keith Richards, Charlie Watts, Brian Jones, and Bill Wyman on the front cover.

• 10.5in x 8in x 1in

Estimate: $2,200 - $2,600

Lot 173

The Rolling Stones: “Beggar’s Banquet” Banned Cover Art Record Album Slick

An original cover slick for the Rolling Stones record album Beggar’s Banquet, showing the original artwork that was banned by the Decca record company for being too offensive.

• 26.5in x 14.5in x 0.025in

Estimate: $300 - $500

Lot 174

The Rolling Stones: “Rock ‘n’ Roll Circus” Cover Art Record Album Slick

An original cover slick for the Rolling Stones record album, Rock ‘n’ Roll Circus, featuring unreleased alternate cover art of a guitar morphing into a tiger.

• 2in x 15.25in x 2in

Estimate: $300 - $500

The Rolling Stones: 1969 Terry O’Neill Photo of Mick Jagger And Keith Richards

A vintage black-and-white photograph of Mick Jagger and Keith Richards, taken by Terry O’Neill in October of 1969 at the home of Stephen Stills in Laurel Canyon California. Stamped “Photograph by Terry O’Neill Copyright Hatton” on the verso.At the time this photo was taken, The Rolling Stones were staying in Laurel Canyon while rehearsing for their upcoming US tour.

• 9.75in x 14.5in x 0.025in

Estimate: $600 - $800 Lot 176

The Rolling Stones: Mick Jagger 1969 Hyde Park Concert Stage-Worn Belt with Photos

A brown leather oversized belt, with various silver-tone grommets in circular patterns throughout (some are painted blue), stage-worn by Mick Jagger on various occasions from 1968-1971, including at The Rolling Stones’ free concert in Hyde Park on July 5, 1969, officially known as “The Stones in the Park,” which remains one of the most legendary events in rock history; on stage at Madison Square Garden, New York on November 28, 1969; on March 14, 1971 at The Roundhouse in London, UK (and on many other occasions on the Stones’ 1971 UK Tour); and many more. The belt features three panels attached (the center panel being a diamond shape), with a single side buckle. No size or label present. A note from the consignor: “Mick Jagger rented Castlemartin in Ireland in the summer of 1971. My brother-in-law, Malise Ruthven, handled this on behalf of his own brother, Lord Gowrie, who owned the house at that time. When Malise returned to the house to tidy things up, he discovered a fair amount of property had been left behind and called the agency Gunne Residential. Malise was particularly interested in a number of bottles of extremely good wine, but there were also items of clothing. On being informed that the client(s) had no further interest in what they’d left, Malise disposed of the clothing, giving, as I remember, a colored waistcoat to someone from the village who worked at the house. My sister intervened at this point and took the belt to give to me as she thought I was the only person she knew who might wear it. However, I had moved on fashion-wise, and the belt has spent the intervening decades hanging in my cupboard.”Includes two photos of Jagger wearing the belt, on at the 1969 Hyde Park performance, the other at the 1969 MSG performance.

• 36in x 3.25in x in

Estimate: $1,000 - $2,000

Lot 177

The Rolling Stones: Mick Jagger Australian In-House “Gold” Record Award

An Australian in-house “gold” record award on a paneled wood mount presented to Mick Taylor by WEA Records Pty. Limited for Australian sales of The Rolling Stones album Sticky Fingers (1971) in excess of $50,000.

• 17in x 21in x 1.5in

• Lot 233, “Icons & Idols: Rock ‘n’ Roll,” Julien’s Auctions, Los Angeles, CA, November 19-22, 2021.

Estimate: $1,000 - $2,000

The Rolling Stones: 1971 UK Tour Poster

An original concert poster for the Rolling Stones 1971 tour of the UK.

• 2in x 20in x 2in

Estimate: $400 - $600

Lot 179

The Rolling Stones: Keith Richards Signed Hot Rocks Record Album

The Rolling Stones’ compilation album Hot Rocks (1971) signed to the front in gold marker by Keith Richards.

• x x

Estimate: $500 - $700

The Rolling Stones: Cardiff and Pembroke Castles 1973 Limited Edition Lithograph

This is a limited edition lithograph print that was derived from the artwork used on the 1973 Rolling Stones Pembroke Castles concerts. This lithograph was made in 1994 and is a plate edition featuring facsimile signatures of the artists – Charlie Watts, Mick Jagger, Ron Wood and Keith Richards. It is numbered 4655/5000.Accompanied by a Certificate of Authenticity.

• 28in x 20in x 1.25in

Estimate: $200 - $400

The Rolling Stones: 1977 Andy Warhol “Love You Live” New York Launch Party Promotional Poster

An extremely rare Rolling Stones Love You Live promotional poster designed by Andy Warhol issued for the album’s launch party at Trax nightclub in New York on September 27th, 1977. The poster features a series of photographs of Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood, and Bill Wyman taken by Andy Warhol. Warhol created the cover artwork for the album and also designed this exclusively for the party for selected guests who attended the launch party. They were never made commercially available to the public.

• 36in x 48in x 0.25in

Estimate: $5,000 - $7,000

Lot 182

The Rolling Stones: “Tattoo You” Limited Edition Lithograph

This is a limited edition framed lithograph featuring the artwork for The Rolling Stones’ 1981 Album Tattoo You, including facsimiles of each band member’s signatures. Numbered 3365/5000. Accompanied by a Certificate of Authenticity.

• 41in x 28in x 1in

Estimate: $200 - $400

Lot 183

The Rolling Stones: 1993 Limited Edition Lithograph of 1973 Australian Tour Poster

This is a framed official Rolling Stones lithograph featuring a print of the original artwork used for their Australian Tour Poster in 1973. These lithographs were produced in 1993 and this is 3595/5000. Signatures are printed. Accompanied by a Certificate of Authenticity.

• 19in x 25in x 0.5in

Estimate: $200 - $400

Lot 184

The Rolling Stones: Band-Signed “Bridges to Babylon” Prints

A group of four prints featuring the album artwork for the Rolling Stones’ 1997 studio album, Bridges to Babylon, each of which has been signed by Mick Jagger, Keith Richards, Ronnie Wood, and Charlie Watts in ink or marker.

• 12in x 12in x 0.025in

Estimate: $1,000 - $2,000

Lot 185

The Rolling Stones: Keith Richards Signed 1997/1998 World Tour Jacket

A Rolling Stones 1997/1998 World Tour jacket, signed on the reverse by Keith Richards in black marker and inscribed “To Leslie Keith Richards 99.” Size XL. Accompanied by the original pen that was used to sign the jacket.

• x x

Estimate: $600 - $800

Lot 186

Andy Warhol: Signed Mick Jagger Print

A print of an Andy Warhol print of Mick Jagger, signed by him in pencil.Slabbed with certification from PSA.

• 6.5in x 10.25in x 0.25in

Estimate: $800 - $1,200

Bill Wyman: Roland JX-10 Keyboard

A Roland JX-10 Super JX Polyphonic Synthesizer keyboard, serial #716861. The Roland JX-10 is a 12-voice analogue synthesizer released in 1986 and was the last full analogue synthesizer manufactured by the company. An updated take on its predecessor, the JX-8P, the JX-10 features a full 76-key keyboard with velocity and after-touch, two Digitally controlled oscillators per voice, a resonant 24/dB analogue filter, and a digital LCD screen with complex programmability and storage. Non-functional. Originally sold as part of Julien’s Auctions 2020 Property From Bill Wyman And His Rolling Stones Archive auction. Includes power cable. 240v operation.

• 14.5in x 47in x 4.5in

Estimate: $1,000 - $2,000

Lot 188

Ronnie Wood: Signed Print of The Rolling Stones

An original limited edition one of one artwork featuring an image of Ronnie Wood, Charlie Watts and Keith Richards on stage created by Ronnie Wood. The lower edge has been signed in pencil by Ronnie. The words “Ali Baby…. add this to your collection” have also been handwritten in pencil by Ronnie. The message on this print was dedicated to Alan Rogan, the former guitar technician to Pete Townshend and Keith Richards.

• 4in x 29in x 4in

Estimate: $500 - $700

Lot 189

Ronnie Wood: Abstract Guitar Signed Original Oil on Canvas Painting

An original Ronnie Wood oil on canvas painting entitled “Abstract Guitar,” signed by him.

• 37in x 49in x 2in

Estimate: $3,000 - $5,000

Lot 190

Ronnie Wood: Butterfly Signed Original Watercolor on Paper Painting

An original Ronnie Wood watercolor painting entitled, “Butterfly,” signed by him.

• 13.5in x 16.5in x 1in

Estimate: $800 - $1,200

Lot 191

Ronnie Wood: Female Nude Signed Multi-Stage Proof Print (3)

A three-part multi-stage proof print of Ronnie Wood’s work, “Female Nude,” signed by him.

• 25in x 32in x 3.5in

Estimate: $500 - $700

Lot 192

Ronnie Wood: Female Nude Signed Original Oil on Canvas Painting

An original Ronnie Wood oil on canvas painting entitled “Female Nude,” signed by him

• 30.5in x 43in x 2in

Estimate: $3,000 - $5,000

Lot 193

Ronnie Wood: High Tea Signed Original Ink on Paper Illustration

An original Ronnie Wood ink on paper illustration entitled “High Tea,” signed by him.

• 21.5in x 19in x 1.5in

Estimate: $600 - $800

Lot 194

Ronnie Wood: Horse #3 Signed Original Oil on Canvas Painting

An original Ronnie Wood oil on canvas painting entitled, “Horse #3,” signed by him.

• 30.5in x 37in x 2in

Estimate: $2,000 - $3,000

Lot 195

Ronnie Wood: Irish Bar Signed Original Oil on Canvas Painting

An original Ronnie Wood oil on canvas painting entitled “Irish Bar,” signed by him.

• 32in x 21.5in x 2in

Estimate: $2,000 - $3,000

Lot 196

Ronnie Wood: Jimi Hendrix Signed Proof Print

A Ronnie Wood proof print of his work entitled, “Jimi Hendrix,” signed by him.

• 26.5in x 33in x 1in

Estimate: $300 - $500

Lot 197

Ronnie Wood: Josephine Signed Print

A Ronnie Wood print of his work, “Josephine,” signed by him.

• 21in x 26in x 1in

Estimate: $300 - $500

Lot 198

Ronnie Wood: Leaves Signed Original Oil on Canvas Painting

An original Ronnie Wood oil on canvas painting entitled, “Leaves,” signed by him.

• 42.5in x 54.5in x 1.75in

Estimate: $2,000 - $3,000

Lot 199

Ronnie Wood: Meru Signed Original Mixed-Media on Paper Painting

An original Ronnie Wood mixed-media on paper painting entitled, “Meru,” signed by him.

• 6.89in x 8.07in x 0.59in

Estimate: $800 - $1,200

Lot 200

Ronnie Wood: Picasso Signed Original Oil on Canvas Painting

An original Ronnie Wood oil on canvas painting entitled, “Picasso,” signed by him.

• 43.5in x 56in x 1in

Estimate: $3,000 - $5,000

Lot 201

Ronnie Wood: Rhino Original Oil on Canvas Painting

An original Ronnie Wood oil on canvas painting entitled, “Rhino.”

• 54.5in x 42.5in x 2in

Estimate: $3,000 - $5,000

Lot 202

Ronnie Wood: Rhino Signed 1-of-1 Proof Print

A one-of-one proof print of Ronnie Wood’s work entitled, “Rhino,” signed by him.

• 26.5in x 33in x 2in

Estimate: $300 - $500

Lot 203

Ronnie Wood: Sandy Mount View Signed 1-of-1 Proof

Print

A one-of-one proof print of Ronnie Wood’s work entitled, “Sandy Mount View,” signed by him.

• 32in x 25.5in x 1.5in

Estimate: $300 - $500

Lot 204

Ronnie Wood: Sandy Mount Original Oil on Canvas Painting

An original framed Ronnie Wood oil on canvas painting, entitled, “Sandy Mount.”

• 37.5in x 50in x 2in

Estimate: $3,000 - $5,000

Lot 205

Ronnie Wood: Seal Signed Original Watercolor on Paper Painting

An original Ronnie Wood watercolor painting entitled, “Seal,” signed by him.

• 17.5in x 22in x 1.5in

Estimate: $800 - $1,200

Lot 206

Ronnie Wood: Shara Signed Original Mixed-Media on Paper Painting

An original Ronnie Wood mixed-media on paper painting entitled, “Shara,” signed by him.

• 20.5in x 17.5in x 1.5in

Estimate: $800 - $1,200

Lot 207

Ronnie Wood: Window on Seattle Signed Original MixedMedia Painting on Paper

An original Ronnie Wood mixed-media on paper painting entitled, “Window on Seattle,” signed by him.

• 19.5in x 24.5in x 1.25in

Estimate: $1,000 - $2,000

Lot 208

Ronnie Wood: Wisteria Original Mixed-Media on Paper Painting

An original framed Ronnie Wood mixed media painting entitled, “Wisteria.”

• 22.5in x 27in x 2in

Estimate: $1,000 - $2,000

Lot 209

Ronnie Wood: Signed Limited-Edition “We’ll Drink These Fish” Faces Print

A framed limited-edition print originally designed by Ronnie Wood as promo for The Faces, titled “We’ll Drink These Fish,” signed by Wood in pencil at the bottom right. Numbered 176/350.

• 13in x 15in x 1in

Estimate: $300 - $500

Lot 210

Ronnie Wood: Signed “Josephine” Original Ink on Paper Illustration

An original framed Ronnie Wood ink on paper illustration, entitled, “Josephine,” and signed by him.

• 33in x 38in x 1in

Estimate: $1,000 - $2,000

Lot 211

Peter Max: Mick Jagger Hand-Embellished Screenprint

A hand-embellished Peter Max screen print entitled, “Mick Jagger.”

• 42in x 55.5in x 2.5in

Estimate: $1,000 - $2,000

Lot 212

Bob Dylan: 1963 Signed “Broadside” Music and Lyrics

Two pages from Issue #23 of the influential New York mimeograph publication, Broadside magazine, signed in pencil by Bob Dylan and dated “63” with a doodle. The pages features music for Dylan’s “Train a-Travelin’” and the lyrics to the song.Founded in 1962 by Agnes “Sis” Cunningham and Gordon Friesen, Broadside was produced on a mimeograph machine that had formerly belonged to the American Labor Party. Its mix of hand-drawn and handwritten music and text with illustrations and copied elements anticipated the look and distribution model of zines, which would come decades later.

• 8.5in x 11in x 0.025in

Estimate: $2,000 - $4,000

Lot 213

Bob Dylan: Don Hunstein “Bob Dylan and Suze” Photograph

A framed and matted photo print of the The Freewheelin’ Bob Dylan photo session, which features Bob Dylan and his then-girlfriend Suze Rotolo walking down Jones Street in Greenwich Village, New York City. Taken in February 1963 by photographer Don Hunstein.

• 25.25in x 31.25in x 1.25in

Estimate: $3,000 - $5,000

Lot 214

Bob Dylan: Owned Hohner Harmonica

A Hohner harmonica, used by Bob Dylan, and gifted by Dylan to his road tech, Cesar Diaz, c. 1980s. Marked as a “C” harp. In original box. Accompanied by a notarized Letter of Authenticity from Diaz, as well as a Letter of Authenticity from American writer, record producer, and historical entertainment consultant, Jim Berkenstadt, that in part states: “The harmonica was originally acquired by Diaz and given to a friend from Penn State University, whom he met back in the 1970s.”

• 4.5in x 1.25in x 1.75in

Estimate: $800 - $1,200

Lot 215

Bob Dylan: Signed Photo

A black and white photo of Bob Dylan, signed by Dylan in brown marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 10in x 8in x 0.025in

Estimate: $800 - $1,200

Lot 216

Bob Dylan: Stage-Worn Nudie’s Western Shirt

A Nudie’s western button-down shirt, owned by Bob Dylan, c. 1970s. The black-and-greystriped western shirt features white piping, two front pockets, and white snap buttons down the front and along each sleeve cuff. A label with “Bob Dylan” stamped is present, as well as a “Nudie’s Rodeo Tailors North Hollywood California” label. Accompanied by a Letter of Authenticity from the original recipient that, in part, reads: “In 1995, I traded 25 antique quilts dating from the 1930s to 1940s for this shirt and a custom-made Stetson hat that had been owned and worn by Bob Dylan. The previous owner of this shirt was legendary record producer Snuff Garrett. Garrett’s then-wife was opening a western design store in Scottsdale, Arizona. The quilts were to be a part of her sales inventory once the store was opened.”

• x x

Estimate: $4,000 - $6,000

Lot 217

Bob Dylan: RIAA-Certified “Gold” Sales Award for “Street Legal” Presented to Jerry Weintraub

An RIAA-Certified “Gold” Sales Award presented to concert promoter and producer Jerry Weintraub to commemorate the sale of more than 500,000 copies of Bob Dylan’s long-playing record album Street Legal. Weintraub managed Dylan during the 1978 Street Legal era, which featured a new, larger band and a more produced sound for the album and subsequent tour. The partnership marked a shift toward a more commercial, largescale touring approach.Please note: the center paper has fallen to the left corner inside the frame.

• 16.75in x 20.75in x 1.25in

Estimate: $600 - $800

Lot 218

Grateful Dead: Bob Weir, Phil Lesh, and Mickey Hart Signed “Live / Dead” CD Album Booklet

A booklet from the Grateful Dead CD album, Live/Dead, signed by Bobby Weir and Mickey Hart in black marker, and by Phil Lesh in blue marker.Accompanied by a Letter of Authenticity from PSA.

• 4.75in x 4.75in x 0.025in

Estimate: $300 - $500

Lot 219

Grateful Dead: Signed “Best of Bob Weir” Poster

This is a “Best of Bob Weir” framed poster signed by Bob Weir of the Grateful Dead. Poster is 12 inches by 16 inches.

• 12in x 16in x 0.5in

Estimate: $800 - $1,200

Alton Kelley and Stanley Mouse: “First Prize Turkey” Artwork

An Alton Kelley and Stanley Mouse airbrush on board artwork depicting a turkey against a green background with a “1st Prize” ribbon painted below.

• 26.5in x 20in x 1in

Estimate: $400 - $600 Lot 221

Janis Joplin: Handwritten 1968 Set List

A torn envelope, addressed to Mary Jane Lorince of Collingswood, N.J., containing a setlist in the hand of Janis Joplin from her show with Big Brother and the Holding Company at The Bushnell Auditorium in Hartford, Connecticut, in 1968. The set list reads: “SET 1. Down on Me 2. Downtown Nowhere 3. Call on Me 4. Summertime 5. Farewell Song 6. Piece of My Heart (crossed out and ‘Cuckoo’ written in place) 7. Cuckoo (crossed out and ‘Mr. Natural’ written in place) 8. Mr. Natural (crossed out and ‘Piece of My Heart’ written in place) 9. Comb 2 10. Ball & Chain.”The list is accompanied by a letter from Paul Simmons, the band the Damn Yankees’ road manager, who collected it that night while assisting the band with breaking down. He also witnessed Joplin writing up the song list prior to the show.

• 6in x 12in x 0.025in

Estimate: $2,000 - $3,000 Lot 222

Janis Joplin: Signed Newspaper Page with Photos

A clipped-out Swedish newspaper page with photo of Janis Joplin, signed by her in red marker. Together with a snapshot of Janis, in two sizes.Accompanied by a Letter of Authenticity.

• 6in x 8in x 0.025in

Estimate: $600 - $800

Lot 223

Jimi Hendrix: Christmas On Earth Concert Poster

An original poster for the “Christmas On Earth” concert that took place at the Olympia Theatre in London England on December 22nd 1967. Among the artists on the bill were Jimi Hendrix, The Who, and Pink Floyd.

• 2in x 20in x 2in

Estimate: $4,000 - $6,000

Lot 224

Jimi Hendrix: Jimi Hendrix Experience Signed Autograph Book

An autograph book with Jimi Hendrix Experience autographs in pencil. Jimi has added the word “Love” above his name, Noel has also added the word “Love” above his signature and three kiss symbols “xxx” after it, Mitch has written “to Maria Love” above his name and three kiss symbols “xxx” below it. The autographs were obtained at a hotel in Marble Arch, London, England in 1967 when The Jimi Hendrix Experience were part of the Walker Brothers UK tour.

• 4in x 4.5in x 0.25in

Estimate: $3,000 - $5,000

Lot 225

Mitch Mitchell: Drumhead, Hoop, and Drumsticks

A Remo Ebony Series DW Drums resonant kick drum head, 22” black hoop, and a pair of unused Vater Power 5B drumsticks which were once owned by the Jimi Hendrix Experience drummer Mitch Mitchell.

• 23in x 23in x 2.5in

Estimate: $300 - $500

Lot 226

Grace Slick: Signed Photograph

A black and white photograph signed and inscribed by Grace Slick in black marker: “Mike - Well / its better / than nothing.”

• 8.5in x 11in x in

Estimate: $100 - $200

Lot 227

The Young Rascals: 2006 Dino Danelli Madonna #2 Painting

An original mixed media painting by Dino Danelli of The Young Rascals entitled “Madonna #2 “ featuring writing in marker on the verso.

• x x

Estimate: $400 - $600

Lot 228

The Young Rascals: 2007 Dino Danelli Pablo’s Kiss Painting

An original matted mixed media painting by Dino Danelli of The Young Rascals entitled “Pablo’s Kiss “ featuring writing in marker on the verso.

• x x

Estimate: $400 - $600

Monterey Pop Festival: Original 1967 Poster and Ticket Display

A vintage framed and matted poster advertising the Monterey Pop Festival, held June 16-18, 1967, at the Monterey County Fairgrounds in Monterey, California. Printed in color. Designed by Tom Wilkes. The framed display also features a ticket to the June 18th day of the festival. The 1967 Monterey International Pop Music Festival was a landmark three-day event considered the inaugural major rock festival and the start of the “Summer of Love”. Roughly 200,000 people attended the charity event, which featured legendary performances from Jimi Hendrix, Janis Joplin, The Who, and Otis Redding.

• 13in x 22in x 1in

• Lot 92, “Rock n’ Roll Sale,” Sotheby’s, New York, NY, June 24, 2014

Estimate: $800 - $1,200

Lot 230

Jim Morrison: 1964 Document Related to Citation in Ensenada, Mexico

The original citation received by Jim Morrison on July 12, 1964, in Ensenada, Mexico, for “MULTA: Por infracción al Bande de Policía (FINE: For violation of the Police Band),” which resulted in a fine of 100.00.The sheet features “James Douglas Morrison” typed at the top, and is dated and signed by the El Oficial de Guardia, Justiniano Lozano Hernandez. Although not much is known about this specific trip to Mexico in 1964, Morrison was famously photographed in 1969 visiting the ancient Teotihuacan ruins in Mexico, often seen near the carved stone serpent representing the feathered serpent deity, Quetzalcoatl. His trip was deeply influenced by a fascination with shamanism, ancient cultures, and the occult, allowing him to connect with the spiritual and historical atmosphere of Mexico.

• 8.25in x 5.25in x 0.025in

Estimate: $2,000 - $3,000

Lot 231

Jim Morrison: 1964 UCLA Summer Class Registration Sheet

An original green slip of paper detailing Jim Morrison’s summer class schedule for the University of California at Los Angeles in 1964. Morrison’s name is typed on the sheet as “Morrison, James Douglas Mr.” The three classes listed are: Hist of Thea Arts, Documentary Led Film, and Direction Thea Arts. The slip reads “Student Copy.” In January of 1964, Morrison transferred from Florida State University to UCLA and enrolled in the Department of Theater Arts, specializing in film. He worked on several projects during his enrollment, and even appeared briefly in Ray Manzarek’s student film Induction (1966). He completed his Bachelor’s degree in 1965, and famously skipped his graduation ceremony.

• 7.25in x 3.5in x 0.025in

Estimate: $2,000 - $4,000

Lot

232

Jim Morrison: Gloria Stavers Contact Sheet

A Gloria Stavers black-and-white contact sheet containing images of Jim Morrison, c. 1967. Labeled in pencil “Gloria Stavers” and stamped “Star File Photos” on the verso.

• 8in x 10in x 0.025in

Estimate: $300 - $500 Lot 233

Jim Morrison: Original 1960s “Blue Note A Go-Go” Tijuana

Photograph

An original black and white photograph (5 x 7 inches) featuring Jim Morrison on stage at the Blue Note bar in Tijuana, c. late 1960s.The photograph is housed in an original paper card that, on the front, reads: “Blue Note A Go-Go Bar - Open 24 Hours - 4 BandOwner: Chema Camacho - Revolucion 1010 - Tel. 5-4461 - Tijuana, B.C.”Known as “Blue Note A Go Go” or the “Blue Note Cafe,” the bar was part of the vibrant 1960s Tijuana music scene that often hosted American visitors and military personnel. Morrison, along with close friends like Alain Ronay, reportedly considered the Blue Note one of their favorite spots in Tijuana.

• 8in x 6.5in x 0.25in

Estimate: $2,000 - $3,000 Lot 234

The Doors: 1967-1970 Vintage Concert Tickets

A group of six vintage tickets to various The Doors concerts including: a full-sized ticket to Madison Square Garden on January 24, 1969; a torn ticket to Shrine Exposition Hall on December 22 (or 23), 1967; a ticket stub to the Hollywood Bowl on November 19, 1967; a ticket stub to the Hollywood Bowl on July 5, 1968; a ticket stub to the Long Beach Arena on February 7, 1970; and a ticket stub to The Forum in Los Angeles, CA, on December 14, 1968.

• 6in x 1.75in x 0.025in

Estimate: $600 - $800

The Doors: March 1967 Original Avalon Ballroom Concert Poster

An original concert poster for The Doors’ performances on March 3-4, 1967 at the Avalon Ballroom in San Francisco, California. The poster is encased in lucite against a blue background.The poster, designed by Victor Moscoso, commemorates the band’s debut headlining shows at the iconic San Francisco venue.

• 18in x 23.5in x 1in

• Lot 35, “Rock n’ Roll Sale,” Sotheby’s, New York, NY, June 24, 2014

Estimate: $600 - $800

Lot 236

The Doors: Vintage Assorted Psychedelic Postcards and Fliers For Various Bands

A group of forty-nine assorted psychedelic postcards, concert fliers, and other small artworks, featuring bands/artists including: The Doors, John Lennon, Muddy Waters Blues Band, Jefferson Airplane, Grateful Dead, Moby Grape, The Who, The Youngbloods, Motherload, Quicksilver Messenger Service, Spirit, Country Joe and the Fish, Big Brother, The Mothers of Invention, and more. Some of the postcards are addressed to Alain Ronay, a French filmmaker, UCLA film school classmate, and close, long-time friend of Morrison.

• 6in x 10in x 1in

Estimate: $500 - $700

Lot 237

Jim Morrison: 1969 Copies of Airline Tickets and Plaza Hotel Reservation Receipt

Two carbon copies of American Airlines tickets for Jim Morrison (issued on January 21, 1969) and Alain Ronay (issued on January 22, 1969), housed in an original American Airlines paper ticket pouch. Stapled to the front is a single sheet of white paper with handwritten flight information. Together with an original receipt for “Mr. & Mrs. J. Morrison” at the Plaza Hotel in New York City, NY, for January 22, 1969. The reservation is for a one-bedroom suite costing $70.00.Morrison and The Doors were in New York that January to perform to a sold-out crowd of roughly 20,000 at Madison Square Garden on January 24. The concert, featuring material from The Soft Parade with a horn section, was marked by a theatrical performance where Morrison threw his leather jacket into the audience.

• 8.75in x 4in x 0.025in

Estimate: $2,000 - $4,000

Jim Morrison: Original Signed 1969 Bail Bond Documents

A collection of original bail bond documents related to Jim Morrison’s arrest in Miami, FL on March 1, 1969, including:

A statement of information, partially filled out with Morrison’s information by attorney Max Fink, listing Morrison’s address as 9777 Wilshire Blvd, the offense being “Traffic,” dated 4-3-69, and signed by Morrison on the bottom in blue ink, with additional documents stapled onto the statement including three receipts and statements of charges and a typed letter to Fink from Max Spielberg of the Bonding Agency thanking him for referring Morrison to the agency and stating: “Bond in the amount of $5000.00 was executed for the defendant’s appearance before the Honorable United States Commissioner on the 14th day of April, 1969, at the hour of 10 o’clock, a.m.; he being charged with the Violation of Title 18 USC 1073; his case number being 9=80.”

An additional statement of information, partially filled out with Morrison’s information by attorney Max Fink, listing Morrison’s address as 9777 Wilshire Blvd, dated 4-12-69, and signed by Morrison at the bottom in blue ink.

A single statement card, filled out following Morrison’s death, featuring personal information matching the other statements, with “Dead 7-7-71” handwritten in the “Charge” field.

On March 1, 1969, Morrison was charged following a chaotic performance at the Dinner Key Auditorium in Miami, FL. While local law enforcement issued warrants days after the show, Morrison officially surrendered to the FBI in Los Angeles on April 4, 1969. Morrison faced six warrants, including a felony for lewd and lascivious behavior and misdemeanors for indecent exposure, public profanity, and public drunkenness.

In September 1970, a jury found Morrison guilty of indecent exposure and open profanity. He was sentenced to six months in jail and a $500 fine. Morrison was released on bond while his legal team appealed the conviction. He moved to Paris in 1971 and died there before the appeal could be settled.

On December 9, 2010, the Florida Clemency Board, led by Governor Charlie Crist, granted Morrison a full posthumous pardon. Crist cited the lack of conclusive evidence and the “blot on his record” for an incident that may not have even occurred.

• 8.5in x 14in x in

Estimate: $20,000 - $40,000

Lot 239

Jim Morrison: 1970 Paris Doctor’s Report and Knee X-Rays

An original typed doctor’s report for Jim Morrison by Doctor Paul Rensonnet, dated July 1, 1970, which reads: “Monsieur James MORRISON - EXAMEN RADIOLOGIQUE DU GENOU GAUCHE, face, profil. Les différents clichés n’ont pas enregistré de signe direct de lésion traumatique osseuse.”The English translation reads: “RADIOLOGICAL EXAMINATION OF THE LEFT KNEE, anteroposterior and lateral views. The various radiographs did not record any direct signs of traumatic bone injury.”Together with two original X-rays of Morrison’s knee, housed in their original envelope, which is addressed to: “Monsieur MORRISON James.”

• 7.75in x 10in x 0.025in

Estimate: $1,000 - $2,000

Lot 240

Jim Morrison: 1971 West Hollywood Apartment Original Garage Door

The original wooden garage door of Jim Morrison’s final U.S. residence, located at 8214 West Norton Avenue in West Hollywood, CA. He shared this two-bedroom unit with Pamela Courson from 1970 to 1971, where he conducted his final Rolling Stone interview before moving to Paris. PLEASE NOTE: The item is being stored offsite, and the winning bidder will need pick up the item in Woodland Hills, CA.

• 84in x 88.8in x 3.5in

Estimate: $1,000 - $2,000

Jim Morrison: Handwritten Postcard to Alain Ronay

Dated May 12, 1971

A postcard, postmarked May 12, 1971, handwritten in blue ink from Jim Morrison to Alan Ronay (actually spelled Alain Ronay) in Sherman Oaks, CA, which reads: “AlanWe’re travelling for month of May - original tenant back til June 7. Why don’t you wait til then? If you need help on ticket, I’d be glad to. Also, we have an extra room. Will write again from Corsica.” The front of the postcard features the artwork “The Circus” by Georges Seurat.Ronay (a French filmmaker, UCLA film school classmate, and close, longtime friend of Morrison) visited Morrison that June in Paris, capturing the final candid photographs of Morrison on June 28, 1971, just days before his death, which are often called “The last days of happiness.”

• 4in x 6in x 0.025in

Estimate: $4,000 - $6,000

Lot 242

Jim Morrison: Death Related Ephemera

A group of ephemera related to the death of Jim Morrison including: two cropped maps of Père Lachaise cemetery in Paris, France (where Morrison is buried), one marked with Morrison’s location, the other with the contact information of “Peter Christian Johansen” on the back; two cards for H. Bigot (or Entreprise de Convois Funèbres H. Bigot), the historical Parisian funeral home that handled the arrangements for Morrison following his death on July 3, 1971; and a single card for Georges Kiejman, the legal representative for the family of Morrison following his death.

• 11.5in x 8.5in x 0.025in

Estimate: $500 - $700

Lot 243

Jim Morrison: Pamela Morrison Unused Return Envelope Addressed To Simon & Schuster

An unused return envelope addressed to Mr. Jonathan Dolger at Simon & Schuster, from Pamela Morrison (Jim Morrison’s common-law wife). During his lifetime, Morrison published The Lords and the New Creatures with Simon & Schuster, which was released on April 7, 1970. After his death, Courson attempted to get other works published.

• 6.5in x 3.75in x 0.025in

Estimate: $300 - $500

Jim Morrison: Typed Poems with Annotations with Copies

Three sheets of original typed poems by Jim Morrison, c. late 1960s, each with a handdrawn symbol at the bottom right of what appears to be a Mars symbol inside of an ovallike shape. The poems include “Horse Latitudes,” “Novices” which features a handwritten annotation, and other lesser-known poems. Together with two copies of the original sheets. “Horse Latitudes” appeared as a spoken word piece on The Doors 1967 album Strange Days.

• 8.5in x 11.25in x 0.025in

Estimate: $3,000 - $5,000

Lot 245

The Doors: Band-Signed “The Best of the Doors” Record Album

The compilation album, The Best of the Doors, signed by Robby Krieger, Ray Manzarek, and John Densmore in blue marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 12.25in x 12.25in x 0.25in

Estimate: $200 - $400

Lot 246

The Doors: Collection of Albums Owned by Jim Morrison’s Friend Alain Ronay

A collection of 11 The Doors vinyl record albums (studio releases, rehearsal sessions, compilation albums, and live recordings), owned by Jim Morrison’s former UCLA film school classmate and close, long-time friend, Alain Ronay. The albums include: Morrison Hotel, Resurrection, Rock is Dead, 13, Absolutely Live, An American Prayer, L.A. Woman, The Doors, Strange Days, The Soft Parade, and Waiting For The Sun.

• 12.5in x 12.5in x 2.5in

Estimate: $300 - $400

Joni Mitchell: Original Handwritten

“Woodstock”

Recorded Lyrics and Book

A framed original fair copy autograph manuscript of the lyrics to Joni Mitchell’s 1970 song “Woodstock,” as recorded, removed from a black leather artists’ notepad, circa 19671969, the one Mitchell was using while living in Woodstock, New York.

The lyrics in black felt tip on blank artist sketch paper comprise 34 handwritten lines, including 3 stanzas and the repeated 3-line chorus.

Mitchell wrote the song “Woodstock” in a New York City hotel room as a tribute to the 1969 Woodstock Music and Art Fair, though she notably did not attend the festival herself. At the time, her manager advised her to skip the event to appear on The Dick Cavett Show instead. She drew additional inspiration from accounts given by her then-boyfriend, Graham Nash, who performed there with Crosby, Stills, Nash & Young (CSNY).

The song became a defining anthem of the 1960s counterculture and was released in several notable versions in 1970, including Mitchell’s original version, which appeared on her 1970 studio album Ladies of the Canyon; Crosby, Stills, Nash & Young’s upbeat version, released on their 1970 studio album Déjà Vu, reaching #11 on the Billboard Hot 100; and Matthews Southern Comfort’s 1970 cover, which reached #1 on the United Kingdom singles chart.

Together with a copy of Joni Mitchell: In Her Own Words, a 2014 book by Malka Marom, a journalist and musician who compiled decades of conversations with Mitchell into a biography told through Mitchell’s own voice, covering her life, art, and creative process.

• 17.5in x 21in x 0.75in

• Lot 91, “Rock n’ Roll Sale,” Sotheby’s, New York, NY, June 24, 2014

Estimate: $20,000 - $30,000

Lot 248

Joni Mitchell: 1999 Signed Painter Palette

A palette, used by Joni Mitchell and signed and dated “99” by her in paint.Dehl Vella is quoted on jonimitchell.com, saying of the palette:It was early 1999, my mom and I left Canada for 6 months to stay in the small fishing village of Boca De Tomatlan, Mexico. We lived in a 3 level home, each level rented separately. We would meet new people frequently, and Joni was renting one level. Each level had an open balcony with a gorgeous view of the ocean with fishing boats coming and going. Joni joined us one day for a day of boating and exploring the Marieta Islands. Everyday Joni would take time to paint her artwork and I would often check in to see the progress. When it was complete it was stunning, I assumed she was going to discard the palette to depart back to Canada, which is when I asked if I could keep it.

• 6.5in x 8.5in x 1in

Estimate: $3,000 - $5,000

Lot 249

Graham Nash: Signed Hohner Special 20 Harmonica

A Hohner Special 20 harmonica (D) signed by Graham Nash in silver marker. Housed in a gray Hohner hard case.

• 4.75in x 1.25in x 1.75in

Estimate: $800 - $1,200

Lot 250

Henry Diltz: Signed Color Photo of Joni Mitchell, David Crosby, and Eric Clapton

A framed color photograph of Joni Mitchell, David Crosby, and Eric Clapton, taken by Henry Diltz in 1968, signed and labeled “Joni, David & Eric - 1968” by him in black marker.

• 19.25in x 15.5in x 1.5in

Estimate: $400 - $600

Lot 251

Neil Young: Signed “Hey Hey, My My” Limited Edition Lithograph

A limited edition Neil Young “Hey Hey, My My” lithograph autographed on the front by Neil Young numbered 140/500. These were sold to in 1995 to raise funds for Bridge School. The image of Neil was taken on February 19th, 1991, at his Boston Square Garden performance.

• 4.5in x 31in x 4.5in

Estimate: $300 - $500

Lot 252

Rick Rosas: 2006 “Neil Young: Heart of Gold” Stage-Worn Manuel Western Suit Ensemble

A custom-made western suit ensemble, designed by famed celebrity tailor Manuel Cuevas, worn by legendary studio musician Rick Rosas in Neil Young: Heart of Gold (2006), the critically acclaimed concert documentary directed by Jonathan Demme. The ensemble comprises: an olive green wool suit jacket with white piping and contrast stitching, as well as front plastic button closures, with a “Made Exclusively for Rick Rosas by Manuel” label sewn into the interior; a pair of matching suit pants; and a tan cotton button-down top with maroon piping and snap button closures down the front, Manuel label present. Neil Young: Heart of Gold (2006) captures Neil Young’s two-night performance at Nashville’s Ryman Auditorium in August 2005.https://youtu.be/YN5lfNPLnY?si=mWnFzyD1vq4WyDjx

• x x

Estimate: $2,000 - $4,000

Rick Rosas: 2014 “Neil Young and Crazy Horse” Tour Stage-Worn Custom-Made Jaime Western Jacket

A custom-tailored western jacket, owned and stage-worn by legendary studio musician Rick Rosas during Neil Young’s 2014 tour. The black wool jacket features white piping details along the front yoke and smile pockets, as well as front snap button closures and green embroidered weed leaves on the arms. Labeled “Jaime Custom Tailoring - North Hollywood, CA.” Size M. Click here for image of Rosas wearing the jacket.

• x x

Estimate: $800 - $1,200

Lot

254

Deep Purple: Band Signed Remo Drum Head

A Remo drumhead autographed on the front by Deep Purple in black felt tipped pen.

• 14in x 14in x 0.5in

Estimate: $400 - $600

Lot 255

Deep Purple: Band Signed “The Book of Taliesyn” Record Album

Deep Purple’s sophomore record album, The Book of Taliesyn, signed to the inner gatefold in blue ink by Jon Lord, Ian Paice, Roger Glover, and Rod Evans.

• 12.25in x 12.25in x 0.25in

Estimate: $600 - $800

Lot 256

Jeff Beck: 1963 9-Carat Gold Wedding Ring With Marriage and Divorce Certificates

A 9ct gold wedding ring that was purchased by Jeff Beck for his first wife Patricia Rose Brown prior to the couple’s marriage at St. Mary’s Parish Church, Southgate, Sussex, England on July 13, 1963. The ring comes with the original copy of the marriage certificate, a vintage period photocopy of the divorce certificate which took place on November 15th, 1963, and a vintage black and white photograph of the couple taken before they were married. This comes from the collection of Patricia Rose Brown.

• 7in x 9in x 0.5in

Estimate: $1,000 - $2,000

Lot 257

Jeff Beck: Signed “BECK01” Limited Edition Book

This is a signed copy of Jeff Beck’s BECK01 limited edition 2016 autobiography published by Genesis Publications LTD number 541 out of 2000. This book visually celebrates the intersection of hot rods and rock n roll in Jeff Beck’s life, and features photography and writing. It is hand bound in Italian leather with a stamped metal front cover inspired by a vintage CA license plate, housed in a custom box with a custom printed cloth dustcover bag.

• 12in x 2in x 14in

Estimate: $800 - $1,200

Lot 258

Jeff Beck: Signed Fender Dan Smith Stratocaster, Black

A left-handed c.1983 Fender USA Dan Smith era Stratocaster electric guitar, serial number E346253, in black finish and signed on the bass side of the body in silver felt tip pen by Jeff Beck. The signature was obtained at the O2 arena, London, England on either 13th or 14th February, 2010 during the Together & Apart tour with Eric Clapton. Includes a Letter of Authenticity from Jim Baggott, production manager for the 2010 Together & Apart tour which declares, “I Personally witnessed Jeff Beck sign this guitar during the event…” This left-handed guitar features a 25.5 inch scale length one piece maple neck, 21 frets, black dot inlays, a bone nut, and six chrome Fender tuners. The alder body is finished in black with a single ply white pickguard, aged cream plastics, a chrome Dan Smith tremolo bridge, and three single coil pickups wired to a five way switch, master volume and tone controls, and output jack mounted to the pickguard. Includes black hardshell with black interior, a set of Ernie Ball Super Slinky guitar strings, and four loose Ernie Ball spare strings.

• 15in x 41in x 6in

Estimate: $6,000 - $8,000

The Who: 1966 Concert Poster for Corn Exchange, Newbury (UK)

A silk-screened, boxing-style concert poster for the Who’s appearance at the Corn Exchange, Newbury (UK), on May 20, 1966, with “supporting act and disc jockey.” Tickets are priced at “8-” (8 shillings). At this performance, Keith Moon and John Entwistle arrived late to the show to find that Roger Daltrey and Pete Townshend had started the gig without them (with members of the support band filling in for the two missing members). This created tension in the band, culminating in a physical altercation at the end of the show with Moon sustaining a black eye. Both he and Entwistle quit the band that night, though both rejoined within several weeks (Neill Andy & Kent Matt, Anyway Anyhow Anywhere: The Complete Chronicle of The Who 1958-1978, p. 83).

• 20in x 30in x 0.025in

• Lot 138, “Popular Culture: Rock and Pop Memorabilia” (The Collection of Brad and Diana Rodgers), Christie’s, South Kensington, London, June 24, 2010.

Estimate: $6,000 - $8,000

Lot

260

The Who: 1971 Keith Moon Signed “Who’s Next” Record Album

A UK vinyl pressing of The Who’s 1971 album Who’s Next, signed by Keith Moon. Accompanied by a letter from the original recipient that explains the origins of the signature.

• 12in x 12in x 0.25in Estimate: $300 - $400

Lot 261

The Who: 1971 Track International UK Tour Poster

A black and white 1971 The Who UK tour poster featuring an image of Pete Townshend performing live.

• 2in x 20in x 2in

Estimate: $400 - $600

Lot 262

The Who: John Entwistle Signed “Smash Your Head Against The Wall” Record Album

A UK vinyl pressing of the 1971 John Entwistle album Smash Your Head Against The Wall signed on the front cover by Entwistle. Accompanied by a letter detailing how the signature was obtained.

• 12in x 12in x 0.25in

Estimate: $200 - $400

Lot 263

The Who: 1976 “Who Put The Boot In” Concert Poster

An original The Who concert poster for their Who Put The Boot In tour performances at Charlton Athletic Football Club, Celtic Football Club, and Swansea City Football Club in May and June 1976.

• 30in x 40in x 0.025in

Estimate: $300 - $500

Lot 264

The Who: 2015 Roger Daltry and Pete Townshend Signed “Tommy” Record Album

A rare 2015 Ode Records demo 2-LP record album of The Who’s rock musical, Tommy (ODE-00005-1), that has been signed to the cover by Roger Daltrey and Pete Townshend in black marker. Accompanied by a Letter of Authenticity.All proceeds from this lot will benefit Teenage Cancer America.

• 12.5in x 12.5in x 0.25in

Estimate: $400 - $600

The Who: 2017 Zak Starkey Signed Drumhead

A 14.5-inch Remo drumhead, signed by drummer Zak Starkey and dated “2017” in silver marker. There is a sticker for The Who affixed to the drumhead. The signature was obtained at The Who’s performance at Caesar’s Palace in Las Vegas, NV on July 29, 2017. Accompanied by a Letter of Authenticity.All proceeds from this lot will benefit Teenage Cancer America.

• 14.5in x 14.5in x 1in

Estimate: $500 - $700

Lot 266

The Who: Roger Daltrey, Pete Townshend, and Eddie Vedder Signed “Moving On!” Poster

A laser-printed poster advertising The Who’s appearance at Wembley Stadium on July 6, 2019 during their Moving On! Tour, with special guests Eddie Vedder and The Kaiser Chiefs, signed by Roger Daltrey, Pete Townshend, and Eddie Vedder in black marker. Vedder joined The Who for the performance of “The Punk and the Godfather” and “Hero Ground Zero.”Accompanied by a Letter of Authenticity.All proceeds from this lot will benefit Teenage Cancer America.

• 18in x 24in x 0.025in

Estimate: $400 - $600

Lot 267

Pete Townshend: Signed “Classic Quadrophenia” Poster

A laser-printed poster advertising Pete Townshend’s Classic Quadrophenia Tour, signed by Townshend in black marker. The tour, which took place in September 2017, provided audiences with an orchestral experience of The Who’s classic 1973 album, Quadrophenia, and featured Billy Idol and tenor Alfie Boe.Accompanied by a Letter of Authenticity.All proceeds from this lot will benefit Teenage Cancer America.

• 20in x 24.5in x 0.025in

Estimate: $300 - $500

Pete Townshend: Stage Used Classic Quadrophenia US Tour Pick and Guitar Strings

A heavy white Fender pick with Pete Townshend’s name printed on it along with a full set of acoustic guitar strings stage played by Pete Townshend of The Who during the final 2017 date of the Classic Quadrophenia US Tour. This lot includes a COA signed by Simon Davies of Teen Cancer America confirming that all items were used by Pete Townshend onstage at The Greek Theater on September 16th, 2017. Includes the following D’Addario strings: a full set of acoustic Bronze wound strings with plain steel B and E strings, plus an electric D (nickel wound) and plain G strings. Also includes part of a string package. All proceeds from this lot will benefit Teenage Cancer America.

• 4.5in x 4.5in x 1in

Estimate: $300 - $500

Sir Peter Blake: Signed and Roger Daltry and Pete Townshend Signed Going Home (Theme from a Local Hero) Canvas Print

A large limited edition (4/7) Sir Peter Blake print on canvas featuring his artwork from Mark Knopfler’s Guitar Heroes’ charity single “Going Home (Theme from a Local Hero)” signed by Blake in black marker. The print is additionally signed by The Who’s Roger Daltrey and Pete Townshend. All proceeds from this lot will benefit Teenage Cancer America.

• x x

• Donated by The Who

Estimate: $10,000 - $15,000

John Entwistle: Handwritten “I Believe In Everything” Lyrics

A piece of cream composition paper on which John Entwistle has written the lyrics to “I Believe In Everything” in blue ballpoint pen and pencil. The song was first released in 1971 from “Smash Your Head Against The Wall.” Entwistle was the bassist for The Who and was the first member of the band to also pursue a solo career. Accompanied by a Certificate of Authenticity from the John Entwistle Foundation.

• 9.5in x 22.22in x 0.025in

Estimate: $500 - $700

Keith Moon: Late 1970s Address Book

A calfskin Asprey Of London address book, belonging to The Who’s drummer Keith Moon.The address book features Keith’s name and the address of Ramport Enterprises and includes 17 pages of addresses and telephone numbers, in various hands, including Keith’s.Names listed include: David Bowie, The Who’s tour assistant Sally Arnold, New Musical Express editor Keith Altham, Roger Daltrey, Dom Deloise, Mick Fleetwood, Forest Mere, Mark Forstater, Eric Idle, Ron Kass Kathay, Terry Melcher, Tommy Nutter, Johnny Thunder, and more.Accompanied by a Letter of Authenticity from Keith’s last girlfriend Annette Walter-Lax detailing how the address book was obtained.

• 5.75in x 7in x 0.5in

Estimate: $5,000 - $7,000

272

Led Zeppelin: “Led Zeppelin III” Limited Edition Artists Proof Screenprint Signed By The Album Sleeve’s

Designer Zacron

A limited edition screenprint that depicts the front cover of the Led Zeppelin’s 1970 album Led Zeppelin III, signed by the sleeve’s designer Zacron AKA Richard Drew. Led Zeppelin commissioned Zacron to design the artwork for Led Zeppelin III after a gig. The unconventional approach to the artwork set back the album release by two months but the delay only fueled anticipation. Sales in the United States alone totaled 25 million copies making it one of the most iconic covers in rock history. Zacron was an active artist until his death in 2012 who worked for over five decades and showed work internationally. His art is sought after by legends of the music world and is included in many significant collections.

• 27in x 27in x 0.025in

Estimate: $400 - $600

Lot 273

Led Zeppelin: John Bonham 1976 Photo-Worn Velvet Suit

A blue velvet suit tailored by John H. Robinson, Redditch, for Led Zeppelin drummer John Bonham in 1974. Bonham wore the suit on January 23, 1976, at a Deep Purple after-show party in New York City, NY. The label on the inside pocket reads “J. Bonham ESQ March 1974.” John H. Robinson Tailors was located just a mile or two from Bonham’s home in Redditch; both Bonham and Robinson were also childhood friends. Bonham later gave the suit to his brother-in-law, Allan Waever.Includes original auction tag and letter detailing how the suit was obtained. Click here for image of Bonham wearing the suit.

• x x

• Lot 120, “From the Collection of Allan Weaver, John Bonham’s brother-in-law,” Fielding’s, November 27, 2025

Estimate: $15,000 - $25,000

Led Zeppelin: John Bonham RIAA “Platinum” Sales Award for “Led Zeppelin IV”

An RIAA-certified “Platinum” sales award presented to John Bonham to commemorate the sale of more than 1 million copies of Led Zeppelin’s record album and cassette, Led Zeppelin IV. Ill Eagle sticker on the verso.

• 17in x 21in x 1.5in

Estimate: $800 - $1,200

Lot 275

Led Zeppelin: Jimmy Page Signed Limited Edition “Led Zeppelin IV” Lithograph

A limited edition lithograph featuring the artwork for the front and back cover of the sleeve of the 1971 Led Zeppelin album Led Zeppelin IV signed by Jimmy Page in pencil. The lithograph is numbered 38/250.

• 41in x 25.25in x 2in

Estimate: $600 - $800

Lot 276

Led Zeppelin: Robert Plant and Jimmy Page Photo Print Signed by Photographer Magnus Landqvist

A black and white print of Robert Plant and Jimmy Page taken during Led Zeppelin’s March 21st 1973 performance at Musikhalle in Hamburg. Photographer Magnus Landqvist has signed the print on the bottom right corner.

• 9.06in x 6.69in x 0.01in

Estimate: $200 - $400

Robert Plant: “Heaven Knows” Record Single with Signed Poster and VIP Guest Pass

A box set of the Robert Plant single “Heaven Knows.” The box set contains a 12 inch single featuring three songs, two collector’s photos, and a 23.75 in x 11.75 in poster which is signed by Robert Plant. The poster also comes with an unused VIP Guest pass from the 1988 Robert Plant UK tour.

• 13in x 13in x 0.75in

Estimate: $300 - $500

Lot 278

Robert Plant: Signed “Everything I Need to Know I Learned From Led Zeppelin” Book

A copy of the book Everything I Need to Know I Learned from Led Zeppelin (The Enthusiast, 2016), signed to the title page by Robert Plant in black marker. Accompanied by a Letter of Authenticity.All proceeds from this lot will benefit Teenage Cancer America.

• 8.25in x 8.25in x 1in

Estimate: $400 - $600

Lot 279

Jimmy Page: Signed “Led Zeppelin Live” DVD

This Led Zeppelin Live DVD set has been autographed by Led Zeppelin guitarist Jimmy Page. Jimmy has added the inscription “GARETH ROCK ON!” above his name. DVD One features Led Zeppelin performing live at The Royal Albert Hall in 1970. DVD Two features live footage from Madison Square Garden in 1973, Earls Court in 1975, Knebworth in 1979, and a number of extras. Total run time is five hours and twenty minutes. DVD was made in 2003, and signed during the 2000s.

• 5.5in x 7.4in x 0.75in

Estimate: $400 - $600

Pink Floyd: Band-Signed “A Saucerful of Secrets” Record Album

Pink Floyd’s record album, A Saucerful of Secrets, signed to the cover by Nick Mason, David Gilmour, Roger Waters, and Richard Wright in blue ink.

• 12.25in x 12.25in x 0.25in

Estimate: $2,000 - $4,000

Pink Floyd: Storm Thorgerson Signed “Wish You Were Here” Print

A rare limited edition lithograph picture of the artwork for the front cover of the 1975 Pink Floyd album Wish You Were Here. The lithograph number 218/295 has been signed by the designer of the sleeve, the legendary Storm Thorgerson who work at the company Hypnosis, It is a hand silkscreen in 21 colours on Somerset UK white textured 300 gsm paper. The lithograph measures 25 inches x 33 inches.

• 26in x 33in x 0.025in

Estimate: $1,500 - $2,500

Pink Floyd: 1982 “The Wall” Original Ghost Soldier Animation Cel

An original framed animation cell depicting a “ghost soldier” from Pink Floyd’s 1982 musical/fantasy film The Wall (MGM, 1982), directed by Alan Parker.The cel appears during the film’s “Goodbye Blue Sky” sequence, which further pushes the overall anti-war themes of the album.Accompanied by a Letter of Authenticity.

• 23.75in x 20in x 1in

Estimate: $4,000 - $6,000

Lot 283

Pink Floyd: Band-Signed “Division Bell” Photo

A photo of the artwork from Pink Floyd’s Division Bell, signed by Richard Wright, David Gilmour, and Nick Mason in blue marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 9.5in x 12in x 0.025in

Estimate: $200 - $400

Lot 284

Pink Floyd: Golden Circle Stockholm Print Signed by Photographer Kenneth Ekberg

A black and white print of Pink Floyd taken before their performance at Gyllene Cirkeln (Golden Circle) in Stockholm on September 10th, 1967. The image was taken by Kenneth Ekberg who has signed the print in the bottom left corner.

• 24in x 18in x 0.025in

Estimate: $200 - $400

Lot 285

Pink Floyd: Nick Mason Autographed “Relics” Limited Edition Lithograph

A limited edition lithograph featuring the artwork for front cover of the sleeve of the of the 1971 album “Relics” autographed by the group’s drummer and designer of the sleeve Nick Mason. The lithograph is numbered 37/195.

• 28in x 28.75in x 1.5in

Estimate: $600 - $800

Lot 286

Nick Mason: Signed Paiste Cymbal

A purple Paiste Colour Sound 900 cymbal, signed by Nick Mason in silver marker.

• 14in x 14in x 2in

Estimate: $300 - $500

Lot 287

Roger Waters: Signed Unbranded Bass Guitar

A bass guitar in natural wood finish signed by Roger Waters, solo artist and bassist for Pink Floyd. Includes a Roger Epperson COA confirming the authenticity of the signature. The bass features a 34” scale length maple neck, 24 frets, four chrome plated tuners, wood body, chrome hardware, and two pickups. Includes soft case.

• 15in x 47.5in x 4in

Estimate: $1,000 - $2,000

Cat Stevens / Yusuf Islam: 1993 Signed Letter Addressed To Mitch Mitchell

A typed letter on Yusuf Islam letterhead addressed to Mitch Mitchell and signed at the bottom by Yusuf dated April 2nd 1993. Cat Stevens converted to Islam in 1977 and changed his name to Yusuf Islam. The letter comes from the estate of Mitch Mitchell, former drummer of the Jimi Hendrix Experience.

• 8.2in x 11.6in x 0.25in

Estimate: $200 - $400

Lot 288

Peter Frampton: Photo Matched, Stage Played, and 2010 Tennessee Flood Damaged David Bowie Glass Spider Tour 1987 Pensa-Suhr Electric Guitar with

Photo

A photo matched Pensa-Suhr Strat-style electric guitar built for Peter Frampton in January of 1987, and stage played by Frampton as part of David Bowie’s 1987 Glass Spider Tour band. The guitar was damaged in the 2010 Tennessee Flood, after which Peter signed the guitar and offered it for auction at his performance at the PNC Pavilion in Cincinnati, OH on August 28th, 2011 in support Friends of Radnor Lake, which was devastated by the floods.

The Tennessee Floods of 2010 displaced 10,000 people and caused $2.3 billion in damage to residences and businesses throughout the state and surrounding areas. Affected businesses included The Grand Ole Opry, Schermerhorn Symphony Center, WSM Radio Studios, the Musicians Hall of Fame, and even Gibson Guitars.

Also on the list of affected local establishments was Soundcheck Studios, a rehearsal space and storage facility which was home to many high profile acts and Nashville musicians alike. Soundcheck was under 4’ of water for several days including the equipment stored within. All of Peter Frampton’s gear at Soundcheck was ruined just a few weeks out from his upcoming tour.

This guitar was one of many of Frampton’s submerged instruments, its finish still showing the telltale signs of water damage including blushing of the finish as well as areas where the finish has separated from the wood, beneath leaving behind a bubbled milky-white appearance on the areas of the body surrounding the pickups, controls, rear control cavities, and at the tuners. The hardware is rusty as are the strings, the frets tarnished and dull, and finish has chipped away at the headstock.

The guitar features a 25.5” scale length bolt-on birdseye maple neck with a 22 fret rosewood fretboard with aged dot inlays, a black chrome locking nut and string retainer bar, six black chrome tuners, and a solid quilted maple body finished in natural. The body is equipped with a black chrome Floyd Rose tremolo bridge, an HSH pickup configuration, a five way selector switch, and volume and tone controls.

The guitar includes a black molded hardshell case with grey interior, a photo of Peter Frampton signing the guitar, a gold metal plaque which reads “Peter Frampton’s PENSA-SUHR / Played on Bowie’s Glass Spider Tour,” and a printed sheet of information about the guitar floods and Friends of Radnor Lake.

• x x

Estimate: $10,000 - $20,000

John Denver: RIAA-Certified “Gold” Sales Award for “An Evening with John Denver” Presented to Jerry Weintraub

An RIAA-Certified “Gold” Sales Award presented to concert promoter and producer Jerry Weintraub to commemorate the sale of more than one million dollars worth of the long-playing John Denver record album An Evening with John Denver. Weintraub signed John Denver in 1970, turning the relatively unknown singer into a global superstar through strategic radio campaigns, TV specials, and film roles such as Oh, God! Weintraub managed Denver’s career for years before their partnership ended acrimoniously.

• 17.75in x 21.75in x 1in

Estimate: $600 - $800

Lot 291

Eric Clapton: In-House RSO Records “Gold” Sales Award for “I Shot the Sheriff”

An In-House “Gold” RSO Records sales award presented to Eric Clapton to commemorate the sale in Canada of more than 75,000 copies of “I Shot the Sheriff.” Issued in September of 1974.

• 8.75in x 10.75in x 0.75in

Estimate: $500 - $700

Lot 292

Eric Clapton: Vintage Western Shirt

A patchwork western-style shirt, previously owned by Eric Clapton and gifted to David English. The shirt features a floral-patterned yoke and sleeve cuffs, navy blue and cream patterned sleeves, striped piping, and snap button closures. Labeled is faded. David English was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years. During that time David received many gifts and mementoes from Eric.

• x x

• From the Estate of David English

Estimate: $1,000 - $2,000

Eric Clapton: Vintage Western Shirt

A blue western-style shirt, previously owned by Eric Clapton and gifted to David English. The shirt features a patterned yoke and sleeve cuffs, a Peter Pan collar, and navy blue piping. Labeled “Deborah & Clare Shirtmakers London.” Size 14.5. David English was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years. During that time David received many gifts and mementoes from Eric.

• x x

• From the Estate of David English.

Estimate: $1,000 - $2,000

Lot 294

Eric Clapton: and Pattie Boyd Wedding Reception Invitation

A paper invitation to the wedding celebration of Eric Clapton and Pattie Boyd that reads: “HELLO - Me and the Mrs. got married the other day, but that was in America, so we’ve decided to have a bash in my garden on Saturday May 19th about 3.00pm. for all our mates here at home, if you are free, try and make it, it’s bound to be a laugh...see you then..... Eric and Pattie Clapton. R.S.V.P. Hurtwood Edge. Pitch Hill, Ewhurst, Near Cranleigh, Surrey. Telephone: Ewhurst 888. P.S. You don’t have to bring any presents if you don’t want to.”Clapton married Boyd on March 27, 1979, in Tucson, Arizona. The wedding reception mentioned above was attended by guests including George Harrison, Paul McCartney, and Ringo Starr.

• 7in x 4.5in x 0.025in

Estimate: $100 - $200

Lot 295

Eric Clapton: Pattie Boyd 1978 “Slowhand World Tour” Bomber Jacket

An original black satin tour jacket from Eric Clapton’s 1978 “Slowhand” World Tour, worn by Pattie Boyd at the shows.The vintage bomber jacket features contrasting gold satin sleeves, ribbed cuffs, and embroidered patches to the front and reverse that read: Slowhand, 78, Smart but Casual, TASCO London New York Los Angeles.” Labeled “The Cats Pyjamas.” Size XS.Boyd and Clapton began their relationship in the mid-1970s and eventually married on March 27, 1979.Includes original auction tags.

• x x

• Lot #68, “The Pattie Boyd Collection,” Christie’s, London, UK, March 22, 2024

Estimate: $2,000 - $3,000

Eric Clapton: 2000 ICC Program Inscribed to David English

An ICC program (Bunbury Cricket Club vs. Ripley Cricket Club, 2000) featuring a photograph of Eric Clapton in his cricket gear, inscribed to David English in black marker and initialed by Clapton.The inscription reads: “To Arfur / with love from EC.”. Eric always called David “Arfur“ after the British comedian Arthur English. This photo was taken during a cricket match featuring Eric’s charity team The EC X1. David and another friend, John Cousins formed this cricket team with Eric in 1987.David English was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years.

• 8.25in x 11.75in x 0.25in

• From the Estate of David English.

Estimate: $600 - $800 Lot 300

Eric Clapton: Photo Inscribed to David English

A framed photograph of Eric Clapton with David English, inscribed with a football (soccer) joke to English in black marker.The inscription reads: “To David ‘Arfur’ Best Wishes, Stan, F*CK West Ham”. Clapton called David “Arfur” after the old English comedian Arthur English. David English was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years. During that time David received many gifts and mementoes from Eric, who was a supporter of soccer club Aston Villa F.C. David regularly accompanied Eric to Villa matches and on this particular day Villa lost to West Ham. Hence the inscription “F*ck West Ham.

• 8.25in x 10.25in x 0.5in

• From the Estate of David English.

Estimate: $800 - $1,200

Lot 301

Eric Clapton: Signed “River of Tears” Original Digital Artwork

An original digital artwork, created by Soundwaves Studio, signed by Eric Clapton. The image seen is a digital representation of the song “River of Tears” put to canvas. The canvas was signed at Clapton’s Chelsea office in 2010.

• 39in x 39in x in

Estimate: $400 - $600

Eric Clapton: Signed Aslin Dane Strat Style Guitar in Wood Display Case

An Aslin Dane Strat-style electric guitar in black finish signed on the pickguard by Eric Clapton in black felt tip pen. Eric has inscribed “2005” and “NO!” alongside his signature. The guitar is mounted in a wood display case with a green felt back. Includes COA signed by Eric Clapton confirming that he signed this instrument. The guitar features a 25.5 inch scale length maple neck, synthetic fretboard, dot inlays, six chrome tuners, black body finish, white three ply pickguard, chrome hardware, and three single coil pickups. David English was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years. Eric inscribed “NO“ as a joke when David asked him to sign this guitar.

• 15in x 50.5in x 6in

• From the Estate of David English.

Estimate: $2,000 - $3,000

Eric Clapton: Signed Fender Mexico Standard Stratocaster in Tweed Display Case

A 2007 Fender MIM Standard Stratocaster, serial #MZ7052335, in black finish and signed in silver felt tip pen by legendary guitarist and songwriter Eric Clapton. Clapton has inscribed “Not For Sale” and “For Dave” along with 07 for the date. The guitar is housed in a Tweed display case with blue interior and a plexiglas front panel which opens for easy access to the guitar. The guitar features a 25.5 inch scale length maple neck, 21 frets, black dot inlays, chrome tuners, a black finish on the body, a white three ply pickguard, chrome hardware, three single coil pickups, five way selector switch, master volume and two tone controls. David English was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years. During that time David received many gifts and mementoes from Eric.

• 22in x 47.5in x 5in

• From the Estate of David English

Estimate: $2,000 - $3,000

Lot 304

Eric Clapton: Signed Phil Pro Electric Guitar

A Phil Pro electric guitar, serial #2208027, in black finish with a white pickguard signed by Eric Clapton in black felt tip pen. The guitar includes a signed COA from Eric Clapton confirming that he personally signed the guitar. It features a 25.5 inch scale length maple neck with a 22 fret rosewood fretboard, a black body finish, white three ply pickguard, chrome hardware, and three single coil pickups. Includes gig bag. This guitar was signed for David English who was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years.

• 16.5in x 41in x 3in

• From the Estate of David English.

Estimate: $2,000 - $3,000

Eric Clapton: Signed Phil Pro Electric Guitar, Matte Black

A Phil Pro electric guitar in matte black finish signed by Eric Clapton in white felt tip pen and inscribed “For Dave 2007.” The guitar includes a signed COA from Eric Clapton confirming that he personally signed the guitar. It features a 25.5 inch scale length maple neck with a 22 frets, a matte black body finish, aged white three ply pickguard, chrome hardware, and three single coil pickups. Includes gig bag and tremolo arm. The guitar was signed for David English, who was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years. During that time David received many gifts and mementoes from Eric.

• 16.5in x 41in x 3in

• From the Estate of David English.

Estimate: $2,000 - $3,000

Eric Clapton: Signed Phil Pro Electric Guitar, Transparent Green

A Phil Pro electric guitar in transparent green finish with a white pickguard signed by Eric Clapton in black felt tip pen. The guitar includes a signed COA from Eric Clapton confirming that he personally signed the guitar. It features a 25.5 inch scale length maple neck with a 22 fret rosewood fretboard, a green body finish, white three ply pickguard, gold plated hardware, and three single coil pickups. Includes gig bag and tremolo arm. The guitar was gifted to David English, who was Assistant to Robert Stigwood at RSO Records and worked closely with Eric Clapton throughout his recording career at RSO. David and Eric remained close friends for over 50 years. During that time David received many gifts and mementoes from Eric.

• 16.5in x 41in x 3in

• From the Estate of David English.

Estimate: $2,000 - $3,000

Lot 307

Stevie Ray Vaughan: Limited-Edition Murray Eisner

Portrait Artwork

A limited-edition giclee on paper artwork of musician Stevie Ray Vaughan by artist Murray Eisner. Signed by artist at the lower right. Numbered 120/500.

• 25.5in x 30.5in x 1in

Estimate: $100 - $200

Stevie Ray Vaughan: MTV Unplugged 1969 Guild F-412 BL

12 String Acoustic Guitar, Natural

A 1969 Guild F-412 BL 12 string acoustic guitar, serial #OB-114, played by renowned Texas blues guitarist Stevie Ray Vaughan during his 1990 MTV Unplugged performance. Taped on January 30th, 1990, and aired on March 4th, 1990, this episode of Unplugged split the runtime with another legendary guitarist, Joe Satriani. As the opener, Vaughan breezed through a masterful ten minute set of solo acoustic versions of the songs “Pride and Joy,” “Rude Mood,” and “Testify.” The guitar has been screen matched to performance footage thanks to the distinctive yellow splotches in the pattern of its faux tortoise shell pickguard, bridge base style, interior label, and a bridge saddle which is slightly offset toward the treble side of the bridge. Though he played this Guild 12 string for the taping of MTV Unplugged, Vaughan did not own the guitar. Rather, it was the property of Studio Instrument Rentals (SIR) which rented the guitar to a number of musicians and events in the New York City area. It was later acquired by John Sebastian of The Lovin’ Spoonful, who used it to record his 2021 album John Sebastian and Arlen Roth Explore the Spoonful Songbook. It cannot be overstated how much of a canon this guitar is, whether you’re strumming hard or soft; it has a clear, loud midrange focus, crisp attack, and shockingly easy action for a twelve of its age. In an included handwritten letter of provenance, Sebastian muses on the sound of the guitar: “This 1969 Guild F-412 sounds this way because it belonged to Studio Instrument Rentals [SIR], where it played for any player needing a 12-string in New York City for 50 years. It’s huge, loud, and scares cats. Pretty much what this model is famous for.” The guitar features a 25.5 inch three piece flame maple neck with a center walnut stripe, a bound 20 fret ebony fretboard with white and black purfling, mother of pearl block inlays with abalone triangles within them, bone nut, a headstock with mother of pearl Guild logo and emblem inlays and multi-ply binding, and twelve gold plated Pat Pend Grover Rotomatic tuners. The body has a 17 inch lower bout width and a spruce top, flame maple back and sides, multi-ply binding throughout, black and white soundhole rosette with a center layer of plastic shell, a celluloid shell pickguard, rosewood bridge, bone saddle, and an interior label bearing the model and serial numbers. The guitar has a moderately weather checked finish, has had a few crack repairs, and appears to have had a neck reset; see condition report for more information. This lot includes a black Guild hardshell case with a red interior and both “Guild 12” and the guitar’s serial number stenciled on the exterior, plus a Cool thin pick, and a 12 string set of strings used by Stevie Ray Vaughan in 1984. https://www.youtube.com/ watch?v=oNNPOnrcAt0

• 19.5in x 48.5in x 7in

Estimate: $300,000 - $500,000

309

Sir Rod Stewart: 2018 Stage-Worn Hollywood Bowl Ensemble

An ensemble stage-worn by Sir Rod Stewart on June 25, 2018, at The Hollywood Bowl in Los Angeles, CA, including a black and gold brocade jacket by Versace; a black shirt with a red ‘heart and lip’ print pattern by Saint Laurent; and a pair of custom-made gold leather sneakers with Stewart’s facsimile signature on the back heel.Stewart played two sold-out nights at the Hollywood Bowl on June 25-26, 2018, kicking off his summer tour with special guest Cyndi Lauper. The nearly two-hour setlist featured hits like “Maggie May” and “Da Ya Think I’m Sexy,” along with covers such as “It’s a Heartache” and “Downtown Train.”https://youtu.be/aWtOzU-fw9M?si=ujkLVXwGjxUDRHBI

• x x

Estimate: $1,000 - $2,000

Van Morrison: Signed “Wavelength”

Record

Album

Van Morrison’s record album, Wavelength, signed to the cover by him in black marker. Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 12.25in x 12.25in x 0.25in

Estimate: $200 - $300

Lot 311

Steely Dan: 1972 Band-Signed Contract Amendment with Contracts, Legal Correspondence, and Lead Sheets

A group of documents from the tumultuous early period of the rock band, Steely Dan, including a two-page contract amendment that has been signed to the second page by David Palmer, Walter Becker, Donald Fagen, Jeffrey Baxter, Dennis Dias, and ABC Records executive, Howard Stark.The group additionally includes: five management contracts between each band member and Kudo III Management Inc. (Joel Cohen) dated July 5, 1972; correspondence from the Law Offices of Silverberg, Rosen & Leon, dated October 17, 1974; and seven lead sheets (copied).

• 9in x 14.25in x 0.25in

• From the Collection of Joel Cohen (Band Manager, 1972-1974)

Estimate: $500 - $1,000

Lot 312

ZZ Top: Billy Gibbons “Gimme All Your Lovin” Music Video and “Can’t Stop Rocking” Cover Worn Leather Jacket

A vintage distressed brown leather, zip front jacket by Sportclad, from the personal collection of ZZ Top’s Dusty Hill, worn by Billy Gibbons in the music video for “Gimme All Your Lovin” as well as on the cover for the 1985 single “Can’t Stop Rocking.” Together with eight guitar picks and a single quarter found in the pockets. Accompanied by various documents from ResMatch, confirming the photo-match. https://youtu.be/ Ae829mFAGGE?si=nyzR-0KpPgsRgWfV

• x x

• Partial Lot #129, “The Collection of Dusty Hill of ZZ Top (Day Sale - Sessions II & III),” Julien’s Auctions, Dallas, TX, December 7-9, 2023

Estimate: $1,000 - $2,000

Lot 313

ZZ Top: Dusty Hill “Platinum” German Sales Award for “Afterburner”

A Bundesverband Musikindustrie (BVMI) Certified “Platinum” Sales Award presented to Dusty Hill in appreciation of more than 500,000 units sold in Germany for ZZ Top’s 1985 studio album Afterburner.Afterburner is the band’s highest-charting album, peaking at No. 4 on the Billboard 200 and reaching 5x Platinum status.

• 17.5in x 17.5in x in

• Lot 299, “From The Estate of Dusty Hill,” Julien’s Auctions, Dallas, TX, December 7-9, 2023

Estimate: $600 - $800

Lot 314

ZZ Top: Dusty Hill “Velcro Fly” Music Video-Worn Leather Jacket

A custom black leather motorcycle jacket with silver ring zipper pulls, worn by Dusty Hill of ZZ Top in the music video for “Velcro Fly,” the fourth single off ZZ Top’s 1985 album Afterburner.Interior is lined. No label. Size 40. https://youtu.be/ F89McWFENTs?si=zuDtLQrpVwsH-DSc

• x x

• Lot #314, “The Collection of Dusty Hill of ZZ Top (Day Sale - Sessions II & III),” Julien’s Auctions, Dallas, TX, December 7-9, 2023

Estimate: $1,000 - $2,000

Lot 315

ZZ Top: Dusty Hill BPI-Certified “Multi-Platinum” British Sales Award for “Eliminator”

A BPI-Certified “Multi-Platinum” Sales Award presented to Dusty Hill in 1984, to commemorate the sale of over 600,000 units in the UK of ZZ Top’s 1983 studio album Eliminator.Released on March 23, 1983, Eliminator is ZZ Top’s eighth studio album and remains their most commercially successful, achieving Diamond certification from the RIAA for selling over 10 million copies in the U.S. alone.

• 20.25in x 24.75in x in

• Lot 124, “From The Estate of Dusty Hill,” Julien’s Auctions, Dallas, TX, December 7-9, 2023

Estimate: $600 - $800

ZZ Top: Dusty Hill In-House “Platinum” Canadian Sales Award for “Deguello”

An In-House “Platinum” Canadian sales award presented to Dusty Hill in September of 1982, in recognition of attaining sales status of Canadian platinum for ZZ Top’s 1979 studio album Deguello.Released in November 1979, Deguello served as the band’s debut on Warner Bros. Records and is widely considered the final record of their “pure” bluesrock era before they incorporated synthesizers and new wave influences in the early 1980s.

• 16.5in x 20.5in x in

• Lot 76, “From The Estate of Dusty Hill,” Julien’s Auctions, Dallas, TX, December 7-9, 2023

Estimate: $1,000 - $2,000

ZZ Top: Dusty Hill In-House “Triple-Platinum” Canadian Sales Award for “Afterburner”

An In-House “Triple-Platinum” Canadian sales award presented to Dusty Hill in December of 1985, to commemorate the sale of over 300,000 units of ZZ Top’s 1985 studio album Afterburner.Afterburner is the band’s highest-charting album, peaking at No. 4 on the Billboard 200 and reaching 5x Platinum status.

• 30.25in x 20.25in x in

• Lot 319, “From The Estate of Dusty Hill,” Julien’s Auctions, Dallas, TX, December 7-9, 2023

Estimate: $600 - $800

Lot 318

ZZ Top: Dusty Hill’s Fender Custom Shop Precision Bass, Black and Silver Paisley Skull

A 2012 Fender Custom Shop Precision Bass made for Dusty Hill, the late bassist of ZZ Top, serial #DH-PS-4, in black with black and silver Paisley Skull foil paper finish on the body top, fretboard, and headstock. Based on the Fender Dusty Hill Custom Shop Signature Precision Bass produced from 2012-2019, this special Paisley model shares many features with it including the reverse headstock, Seymour Duncan stacked single coil pickup, and “The Dust” neck plate with longhorn design. Originally sold as part of the 2023 Julien’s Auctions’ The Collection of Dusty Hill of ZZ Top auction held on December 7th-9th of 2023. This bass features a 34 inch scale length maple neck, 20 frets on a Paisley Skull-covered fretboard, matching reverse headstock with four tuners, a black finish on the rear of the neck, and Fender Custom Shop logo on the back of the headstock. The body is finished in black with black and silver Paisley Skull foil paper on the top, alternating western star and skull cross emblems attached around the body edges, rear-routed controls, chrome knurled knobs, a chrome two-saddle bridge, and a Seymour Duncan pickup wired to volume and tone controls. Includes a tweed hardshell case with gold interior, original Fender Custom Shop COA signed by Mike Eldred, cable, strap, and various Fender factory materials, lot tag from the 2023 Dusty Hill auction still tied on the E string tuner, and two handwritten inspection tags.

• 15.5in x 48in x 4.5in

• PROVENANCE From The Estate of Dusty Hill

Estimate: $8,000 - $10,000

Lot 319

Allman Brothers: Band-Signed Photo

A black and white photograph of the Allman Brothers, signed by Butch Trucks, Dickey Betts, Gregg Allman, and Jaimoe in black and blue marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 11in x 14in x 0.025in

Estimate: $200 - $400

Lot 320

Lynyrd Skynyrd: Artemus Pyle Signed and Inscribed Squier Bullet Strat Electric Guitar, Black

A Squier Bullet Strat electric guitar, serial #ICS14030094, in black finish and signed and inscribed with lyrics from “Free Bird” in white felt tip pen by former Skynyrd drummer Artemus Pyle. The guitar includes a COA from Roger Epperson confirming the authenticity of the signature. The guitar features a 25.5 inch scale length maple neck, rosewood fretboard, 21 frets, dot inlays, a black finish on the body, chrome hardware, white pickguard, three single coil pickups wired to a five way selector switch, volume, and two tone controls. Case not included.

• 13in x 39in x 2.5in

Estimate: $1,000 - $2,000

Lot 321

Lynyrd Skynyrd: Signed “Freebird” Printed Lyrics

A page of printed lyrics for the Lynyrd Skynyrd song, “Free Bird,” signed by Bob Burns, Artimus Pyle, and one additional person in blue marker.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 8.5in x 11in x 0.025in

Estimate: $200 - $400

Lot 322

Tom Petty: Signed “Damn the Torpedoes” Record Album

Tom Petty’s record album, Damn the Torpedoes, signed and inscribed “To Steven / Thanks for the visit” by him in blue ink.

• 12.25in x 12.25in x 0.25in

Estimate: $800 - $1,200

Lot 323

Tom Petty: 2003 Handwritten Tom Petty and the Heartbreakers Vic Theatre Setlist

A setlist, handwritten by Tom Petty in black ink on a yellow notebook page, for the Tom Petty and the Heartbreakers concert which took place on April 17, 2003, at the Vic Theatre in Chicago, IL, a part of the band’s 2003 Chicago residency.The list comes from Cathy Buffington, who worked in a number of capacities for Tom Petty and the Heartbreakers c. 1990s-2000s. Buffington helped to design the official website, administer the fan club, and has served as the band’s unofficial archivist, saving important memorabilia and documents, including this setlist.

• 8.5in x 11in x 0.025in

• From the Collection of Cathy Buffington (Former Employee and Fan Club Administrator)

Estimate: $2,500 - $3,500

Lot 324

Fleetwood Mac: Peter Green Owned And Played 1950s

Triumph Archtop Acoustic Guitar

A 1950s Triumph archtop acoustic guitar, serial #17794, made in Germany by Framus for Selmer. Owned and played by English blues rock singer, songwriter, and guitarist Peter Green, founder and band leader of Fleetwood Mac. This guitar was sold as lot 187 in the Bonhams Peter Green Man of The World sale held between the 16th and 28th June 2023 in London. The guitar features a 24.5 inch scale length maple neck, a 19 fret Brazilian rosewood fretboard, pearl dot inlays, zero fret, wood nut ,six open gear tuners, Framus decal on the headstock face and another which reads “Foreign” on the reverse. The body is constructed with maple back, sides, and top and finished in a lovely reddish brown sunburst with single ply binding on the top and back, bound F-holes, trapeze tailpiece, plastic iviroid pickguard, and floating wood bridge. Includes chipboard case with greenish interior, and Bomhams lot tag and pick.

• 16in x 41in x 7in

• Provenance: Lot 187 in the Bonhams Peter Green Man of The World sale held between the 16th and 28th June 2023 in London.

Estimate: $1,000 - $2,000

John McVie: Stage-Played 1960 Fender Precision Electric Bass Guitar, Natural Finish

A 1960 Fender Precision bass guitar in natural refinish (serial number 48880), acquired by John McVie during the 1960s and used throughout the majority of his time with Fleetwood Mac. McVie favored Fenders during the Peter Green era of Fleetwood Mac. This 1960 Fender Precision bass can be seen being played by McVie throughout various concert performances with Fleetwood Mac from their early years (with Peter Green), middle period (including Wembley Stadium in 1980), and can be seen in videos and photos up through the 2013 tour.

The bass is in very good condition and shows a 5 - 60 pencil neck date with original sunburst finish in the body cavities and neck pocket. The neck and body exhibit all signs consistent with a 1960 Fender Precision bass such as routes and tooling marks. The electronics were changed by or for McVie at some point to an EMG Precision bass pickup and wiring harness. The original pickup and electronics are present in the case with a visible potentiometer code dating to the 49th week of 1960. The original electronics are still wrapped in plastic and gaff tape, unopened as it arrived from McVie. The original tortoise shell pick guard is in very good condition with no cracks or significant shrinking and is accompanied by its original metal shielding underneath. The hardware (including the reverse tuners and frets) appears original to the instrument (with the exception of the locking strap buttons). The factory original neck plate has a piece of tape bearing the song title and tuning notes “So Afraid, E to C” in reference to the 1975 Fleetwood Mac song “I’m So Afraid” from the album “Fleetwood Mac” often referred to as the white album released that same year.

The bass is accompanied by its original brown, orange-lined hard shell case with Fragile stickers from its time on the road with McVie.

• x x

Estimate: $20,000 - $30,000

Lot 326

Loretta Lynn: Signed and Inscribed Acoustic Guitar

An unbranded child’s acoustic guitar with black letter stickers which spell out Loretta Lynn’s name on the top. The guitar is signed in black felt tip pen by Loretta Lynn herself along with the inscription “Love You.” Case not included.

• 14in x 36in x 4in

Estimate: $500 - $700

Lot 327

Dolly Parton: 1976 “Dolly!” Stage-Worn Custom Pink Dress

A custom-made pink floor-length gown, worn by Dolly Parton on her 1976 syndicated weekly country-variety series Dolly! (1976 Showbiz Inc.) while performing her 1974 song “Love is Like a Butterfly.”The ballet-pink floor-length dress features an exterior polyester knit pointelle fabric with a polyester sheer organza capelette, trimmed with pleated organza and lace. The dress also features a fitted bodice with princess seams, which tapers in at the natural waistline, going into an open circle skirt. Metal zip at center back. A label is present that reads “Exclusive Design for Dolly Parton by Lucy.” No size present. In a quote from the book Behind the Seams: My Life in Rhinestones by Parton she shares: “In 1976 when I did my very first variety show Dolly! in Nashville Lucy Adams designed my costumes. I’d open the show drifting down to the stage in a red vel- vet swing.” She continued: “For some numbers I’d wear a beautiful chiffon gown. Later I’d have chiffon capes made in different shades of peach pink and red some sprinkled with rhinestones. The chiffon was great for hiding those extra pounds I tended to put on when I was on the road.”

• x x

Estimate: $2,000 - $4,000

328

Kenny Rogers: 1981 “Favorite Male Vocalist” AMA Award

An American Music Award presented to Kenny Rogers for “Favorite Male Vocalist Pop or Rock N Roll” in 1981.The award sits on a wooden base with a gold-tone plaque. The top of the award is an acrylic pyramid. At the base of the pyramid, “American Music Awards” and “1981” are etched on the front and back.Rogers also won the “Favorite Country Album” award that year.

• 4.5in x 14.5in x 4.5in

• Lot 54, “Property From The Estate of Kenny Rogers,” Julien’s Auctions (#3352), October 21, 2022

Estimate: $2,000 - $4,000

Lot 329

Kenny Rogers: RIAA “Multi-Platinum” Sales Award for “Eyes That See in the Dark”

An RIAA-Certified “Multi-Platinum” Sales Award presented to Kenny Rogers for the sale of over 2,000,000 copies of the album Eyes That See in the Dark.Released in August of 1983, the album was a collaboration with the Bee Gees, who contributed background vocals and production, and featured Rogers’ biggest career hit, “Islands in the Stream,” a duet with Dolly Parton that reached #1 on multiple charts.

• 23in x 34.5in x in

• Lot 101, “From the Estate of Kenny Rogers,” Julien’s Auctions, Beverly Hills, CA, October 21-24, 2022

Estimate: $400 - $600

330

The Highwaymen: Signed 1990s Australian Tour Poster

A poster for The Highwaymen’s 1990s Australian tour, which included four Australian tour stops, signed by band members Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson in black marker on the front. The poster was signed by their tour manager at the time, who obtained their signatures in person.

• 19in x 26.75in x 0.025in

Estimate: $600 - $800

The Highwaymen: Signed 1995 Australian Tour Poster

A poster for The Highwaymen’s 1995 “The Road Goes on Forever” Australian Tour, signed by band members Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson in black marker on the front. The poster was signed by their tour manager at the time, who obtained their signatures in person.

• 16.5in x 23in x 0.025in

Estimate: $600 - $800

George Strait: RIAA-Certified “Gold” Sales Award for “Pure Country” Soundtrack Presented to Jerry Weintraub

An RIAA-Certified “Gold” Sales Award presented to concert promoter and producer Jerry Weintraub to commemorate the sale of more than 500,000 cassette and C.D. copies of George Strait’s soundtrack to the 1992 film Pure Country.

• 13in x 17in x 1.25in

Estimate: $400 - $600 Lot

Dwight Yoakam: Signed Epiphone Elitist 1965 Casino Natural

An Epiphone Elitist 1965 Casino hollowbody electric guitar serial #T139405 in natural finish and signed in gold pen by country music legend Dwight Yoakam. The Epiphone Elitist 1965 Casino features a 24.75” scale length mahogany neck with a bound 22 fret rosewood fretboard acrylic pearloid trapezoid inlays six chrome Grover tuners and a mother of pearl Epiphone logo inlay. The hollow body has maple top back and sides double bound in single ply plastic with nickel plated pickup covers a nickel ABR-1 style bridge a chrome trapeze tailpiece a white pickguard and gold reflector knobs. Two P90 pickups wired to a three way toggle switch and individual volume and tone controls for each. Includes original Epiphone Elitist case (also signed!) and owner’s manual.

Dwight Yoakam has sold over 26 million albums worldwide with five reaching the #1 spot on Billboard. He is a 21-time nominated multiple GRAMMY Award winner. He has 12 Gold albums and nine Platinum or multi-Platinum albums. Yoakam is the recipient of the Artist of the Year Award from the Americana Music Association the prestigious BMI Country Awards’ President’s Award and has been inducted into the Nashville Songwriters Hall of Fame. This September he received a Lifetime Achievement Honor at the 2024 Americana Music Awards. He has collaborated with everyone from Beck to Kid Rock ZZ Top Hunter S. Thompson and Jack White. He has toured with the likes of Buck Owens Johnny Cash and Hüsker Dü. His upcoming album Brighter Days will be released on November 15th and includes 12 brand-new songs written/co-written by Yoakam as well as two seemingly disparate covers of “Keeping On The Sunny Side” by the Carter Family and “Bound Away” by Cake. The album which marks Dwight’s first collection of new music in nine years will include recently released singles “I Don’t Know How To Say Goodbye (Bang Bang Boom Boom)” with Post Malone and “Wide Open Heart.”

• x x

Estimate: $1,000 - $2,000

Lot 334

Garth Brooks: Signed Shirt

A blue, green, and cream plaid button-down shirt, signed by Garth Brooks in black sharpie on the front. The original owner purchased this shirt at a charity sale in 1997 to benefit Hunters Bend Elementary school in Franklin, Tennessee. Franklin is home to many in the Nashville Music Industry, and this shirt appeared in the charity sale because a student’s parent worked with Garth Brooks, who took the shirt off his back and signed it after being asked to provide something to raise money for the school. Labeled “Maury Tates ‘Mo’ Betta By Joann. 100% cotton.

• x x

Estimate: $600 - $800

Lot 335

Bonnie Raitt: Handwritten “Give It Up” Lyrics

A framed display featuring a small notebook page on which Bonnie Raitt has handwritten the lyrics for “Give It Up.” Matted below a color photograph of Bonnie.

• 13in x 27in x 0.5in

Estimate: $800 - $1,200

Lot 336

Paul Simon: RIAA Gold Single Award for “Bridge over Troubled Water”

This is a RIAA Award presented to Paul Simon to commemorate the sale of more than one million copies of the single “Bridge Over Troubled Water.”

• 13in x 17in x 1in

Estimate: $700 - $900

Neil Diamond: RIAA-Certified “Gold” Sales Award for “September Morn” Presented to Jerry Weintraub

An RIAA-Certified “Gold” Sales Award presented to concert promoter and producer Jerry Weintraub to commemorate the sale of more than 500,000 copies of Neil Diamond’s longplaying record album September Morn.Weintraub, known for orchestrating massive arena tours, was instrumental in shaping Diamond’s status as a superstar, alongside managing artists like Elvis Presley and Frank Sinatra.

• 17in x 21in x 1.25in

Estimate: $600 - $800

Lot 338

Neil Diamond: RIAA-Certified “Platinum” Sales Award for “Beautiful Noise” Presented to Jerry Weintraub

An RIAA-Certified “Platinum” Sales Award presented to concert promoter and producer Jerry Weintraub to commemorate the sale of more than 1,000,000 copies of Neil Diamond’s long-playing record album Beautiful Noise.Weintraub, known for orchestrating massive arena tours, was instrumental in shaping Diamond’s status as a superstar, alongside managing artists like Elvis Presley and Frank Sinatra.

• 17in x 21in x 1.25in

Estimate: $600 - $800

Lot 339

Neil Diamond: RIAA-Certified “Platinum” Sales Award for “Love at the Greek” Presented to Jerry Weintraub

An RIAA-Certified “Platinum” Sales Award presented to concert promoter and producer Jerry Weintraub to commemorate the sale of more than 1,000,000 copies of Neil Diamond’s long-playing record album Love at the Greek.Weintraub, known for orchestrating massive arena tours, was instrumental in shaping Diamond’s status as a superstar, alongside managing artists like Elvis Presley and Frank Sinatra.

• 17in x 20.75in x 1.25in

Estimate: $600 - $800

Lot 340

Neil Diamond: RIAA-Certified “Platinum” Sales Award for

“You

Don’t Bring Me Flowers” Presented to Jerry Weintraub

An RIAA-Certified “Platinum” Sales Award presented to concert promoter and producer Jerry Weintraub to commemorate the sale of more than 1,000,000 copies of Neil Diamond’s long-playing record album You Don’t Bring Me Flowers.Weintraub, known for orchestrating massive arena tours, was instrumental in shaping Diamond’s status as a superstar, alongside managing artists like Elvis Presley and Frank Sinatra.

• 17in x 21in x 1.25in

Estimate: $600 - $800

Lot 341

Neil Diamond: RIAA-Certified “Gold” Sales Award for “The Jazz Singer” Soundtrack Presented to Jerry Weintraub

An RIAA-Certified “Gold” Sales Award presented to concert promoter and producer Jerry Weintraub to commemorate the sale of more than 500,000 copies of Neil Diamond’s long-playing record album soundtrack to the 1980 film The Jazz Singer. Weintraub, known for orchestrating massive arena tours, was instrumental in shaping Diamond’s status as a superstar, alongside managing artists like Elvis Presley and Frank Sinatra.

• 16.75in x 20.75in x 1.25in

Estimate: $600 - $800

Lot 342

The Carpenters: 1981 “Made in America” Album Art with Record Album.

Original airbrush artwork from the production of The Carpenters’ 1981 studio album, Made in America. Together with a copy of the record album.The art is executed on board and features a transparency with masking tape with notes handwritten in black marker.

• 31.5in x 16.75in x 1in

Estimate: $1,000 - $2,000

Lot 343

Olivia Newton-John: 1974 RIAA “Gold” Sales Award for “If You Love Me Let Me Know”

An RIAA-certified “gold” record award presented to Olivia Newton-John to commemorate the sale of more than 1 million copies of the 1974 MCA Records single, “If You Love Me (Let Me Know).” Framed with its original white matte.

• 13in x 17.25in x 1in

Estimate: $600 - $800

Lot 344

Olivia Newton-John: 1976 Japanese Cassette Sales Award with Transparency

A plaque presented to Olivia Newton-John by Toshiba-EMI in November, 1976, in recognition of her tape sales in Japan. Together with a transparency of Olivia holding the plaque.

• 10.5in x 14.5in x 1.5in

Estimate: $400 - $600

Lot 345

Olivia Newton-John: 1977 Grammy Awards Shower Appreciation Medal

A Grammy Awards Show telecast medal presented to Olivia Newton-John for her participation in the 1977 Grammy Awards ceremony. Together with a printed letter of thanks from the NARAS (National Academy of Recording Arts and Sciences) Board of Trustees.The brass medallion features the NARAS gramophone on the front and has “In appreciation / Olivia Newton-John / The Grammy Awards Show / Telecast 1977” on the verso. Housed in a hinged wooden box.

• 4.75in x 4.75in x 2in

Estimate: $400 - $600

Lot 346

Olivia Newton-John: 1979 “People” Magazine Cover Worn Western Top with Signed Magazine, Newspaper, and Photo

A western-style embroidered button-down shirt, worn by Olivia Newton-John in the July 9, 1979 issue of People Magazine, as well as on July 22, 1978, in Olivia, Minnesota as the Grand Marshall for Corn Capital Days Parade.The red long-sleeve top features colorful floral embroidery on the yoke, silver metallic piping, and metal snap button closures down the front. No size or label present. Accompanied by the 1979 issue of People Magazine, signed on the cover by Newton-John in black marker, as well as a newspaper from the 1978 Times Journal in Olivia, Minnesota, showing Newton-John wearing the top at the parade, and a photograph from the parade.

• x x

Estimate: $600 - $800

Lot 347

Olivia Newton-John: 2002 Still Life Watercolor Painting

A watercolor still life painting of fruits and vegetables by Olivia Newton-John, signed and dated 9/1/02 by here in black ink.

• 11in x 15in x 0.25in

Estimate: $400 - $600

Lot 348

Olivia Newton-John: Charles Schulz Signed and Inscribed “Peanuts” Comic Strip

A vintage framed Peanuts comic strip, gifted to Olivia Newton-John by creator Charles M. Schulz, who has signed and inscribed the strip, “To Olivia with admiration & best wishes” in black marker.In the strip, Charlie Brown says: “Maybe someday I’ll also marry Olivia Newton-John.”

• 29in x 7in x 1.5in

Estimate: $1,000 - $2,000

Lot 349

Olivia Newton-John: Scotty 3M Award for “Physical”

A framed Scotty Award honoring “Master Music Makers” for Olivia Newton-John’s hit, “Physical.” The award features artwork of Newton-John and a plaque which reads: “Scotty Award / Master Music Maker / A personal tribute to the best of the recording teams who achieved gold or platinum recording on 3M Audio Tapes / Artist: Olivia Newton-John / Engineer: David J. Holman / Producer: John Farrar / Studio: David J. Holman Studio.”

• 22in x 22in x 2in

Estimate: $400 - $600

Lot 350

Olivia Newton-John: Taperflex G200 Waterski with 1979 American Waterski Association Membership Card and Gloves

Olivia Newton-John’s Taperflex G200 waterski. Together with a pair of Olivia’s gloves, her 1979 American Waterski Association membership card, a patch, and decal. Housed in a black carrying case.

• 67in x 8in x 8in

Estimate: $400 - $600

Lot 351

Olivia Newton-John and John Travolta: Signed

“You’re the One That I Want” Sheet

Music

Vintage sheet music for the song, “You’re The One That I Want,” from the 1978 movie musical, Grease, signed to the cover in black marker by Olivia Newton-John and John Travolta

• 8.75in x 12in x 0.025in

Estimate: $400 - $600

John Travolta: T-Birds Style Motorcycle Jacket Gifted to RSO Records Executive Jan Landy

A black leather motorcycle jacket in the style of the ones worn by John Travolta and the T-Birds in the motion picture Grease (Paramount, 1978), gifted from Travolta to RSO Records executive Jan Landy. The jacket has “T-Birds” on the back and silver-tone and gold-tone hardware. A label is present to the interior that reads “Exclusively Designed for John Travolta for the movie ‘Grease.’ ” RSO marketed the soundtrack album for Grease. The jacket also comes with a note from its original owner on original RSO branded notepad paper. Jacket measurements: 18.5 chest, 21 hip, 25 length.

• 21in x 25in x 2in

Estimate: $4,000 - $6,000

Lot 353

Cher: 1973 “The Sonny & Cher Comedy Hour” ScreenWorn Bob Mackie Gown

A custom-made Bob Mackie slender-fitting shocking pink gown worn by Cher in 1973 while performing with husband Sonny Bono on The Sonny & Cher Comedy Hour (CBS 1971-1974).

The gown is composed of a ribbed fabric with a sheen and has a halter strap that is heavily embellished with rows of white and magenta rhinestones and silver bugle beads a cowl neck and a plunging back. A label is present that reads: “E.C. 2. Costumes - L.A. CA - No: W-EG-18 - Size 6-8 - D. EC.”

• x x

• Lot 655, “From the Collection of Bob Mackie,” Julien’s Auctions, Beverly Hills, CA, November 16-18, 2018

Estimate: $5,000 - $7,000

Lot 354

Cher: 2003 “Stuck on You” Film Screening Worn Wig

A long, jet-black, and platinum blonde horizontal-cut-layered wig worn by Cher for the screening of Stuck On You (20th Century Fox, 2003). Cher was photographed wearing the wig walking the red carpet at the Clearview Chelsea West Theatre, New York, NY, on December 3, 2003. The wig features bold horizontal layered cuts with two underlayers of platinum blonde at the middle and base of the wig, made with human hair, no labels. The hair is threaded onto a stretch tulle, net cap with a part at the center, with bangs at the forehead. Cher starred as herself in the Farrelly Brothers comedy about conjoined twins who have different aspirations for their futures. Click here for image of Cher wearing the wig.

• x x

• Lot 664, “The Collection of Cher” Julien’s Auctions, Los Angeles, CA, October 3, 2006

Estimate: $1,000 - $2,000

Lot 355

Robin Gibb: Signed Phil Pro Electric Guitar, White Sparkle

A Phil Pro electric guitar in white sparkle finish with a white pearloid pickguard signed by Robin Gibb of Bee Gees in black felt tip pen. It features a 25.5 inch scale length maple neck with a 22 fret rosewood fretboard, a white sparkle body finish, white pearloid pickguard, gold plated hardware, and three single coil pickups. Includes gig bag.This guitar was signed for David English who was a personal friend of Robin Gibb from the Bee Gees days at RSO. This guitar was given by Robin to David during David’s stay at Robin’s home in Miami Beach

• 16.5in x 41in x 3in

• From the Estate of David English.

Estimate: $1,000 - $2,000

Lot 356

Earth Wind & Fire: Verdine White Stage Worn Pants

These are a pair of custom made pants that Verdine White wore while touring with his band Earth Wind & Fire in 2008. The pants are custom, featuring flags from Zimbabwe, Japan, England, Eswatini, Ghana, South Africa, and the United States on the front, with various stripes on the back, and fringe down the sides. These are wide leg, with a shape that sits between workwear and bell bottoms, with a size 28 waist and 46 inch length. These pants were likely made 1/1 for Vernon White and are hand rhinestoned. Along with a photo of Verdine wearing pants at the Nokia Theater at Grand Prairie Texas and a signed comp ticket for the show.

• 14in x 3.5in x 14in

Estimate: $600 - $800

Lot 357

Alexander Dumble: Webcor 1960s 10” Speaker Cabinet from the Shop of Alexander Dumble, Serial Number 521243

This was one of Alexander Dumble’s personal speaker cabinets. Made from a 1960s Webcor cabinet, Serial number 521243. Dumble fitted a 10” 2007 WGS (Warehouse Guitar Speaker) It is unclear if Dumble decorated the cabinet, though it seems he may have changed or modified the baffle for the 10” speaker. Note: This cabinet is in “as found” condition, in Dumble’s residence/ shop and may be in non-working order and/or missing parts.

• 17in x 8in x 19in

Estimate: $300 - $500

358

Alexander Dumble: Owned and Used Vintage Ampex Stereo Model 2010

Serial number 10937.

• 17in x 15in x 9in

Estimate: $300 - $500

Lot 359

Alexander Dumble: Owned and Used Vintage Webster Model 80-I Wire Recorder

A vintage Webster Model 80-I Wire Recorder owned and used by famed amp designer and builder Alexander Dumble, serial number 16338.

• 8in x 13in x 8in

Estimate: $300 - $500

Lot 360

Alexander Dumble: Metal Cabinet and Tool Organizer

This is a tool/ parts organizer cabinet with metal drawers from famed amp designer and builder Alexander Dumble’s early shop in Santa Cruz and beyond. This was in Dumble’s storage unit and contains parts and miscellaneous items from his shop. The contents of the drawers are as placed there by Alexander Dumble prior to his storage of the organizer. Missing one drawer and showing some rust and deterioration overall. This lot also includes a brush and tape dispenser both in which Dumble wrote “Dumble” on as well as various parts ad tools.

• 30in x 012in x 37in

Estimate: $1,500 - $2,500

Alexander Dumble: Vintage Bell Carillon 35 Amplifier Owned by Dumble

This Vintage Bell Carillon Tube Amplifier from Alexander Dumble’s shop/ house, serial Number 1672047 It appears that Dumble maintained, serviced and modified this amplifier internally. Extra verification from Paul Morte (Current builder of Dumble Amplifiers) No tubes currently installed.

• 12in x 15in x 7in

Estimate: $4,000 - $6,000

Alexander Dumble: Vintage Dumble Owned Bell Sound Pacemaker PM-10 Amplifier

This vintage Bell Sound Pacemaker PM-10 amplifier was from famed amp designer and builder Alexander Dumble’s shop/ house. It appears that Dumble maintained, serviced and modified this amplifier internally. Extra verification from Paul Morte (Current builder of Dumble Amplifiers)

• 8.5in x 15in x 10in

Estimate: $4,000 - $6,000

Alexander Dumble: A Vintage Seeburg Tube Amplifier Owned by Dumble

This vintage Seeburg amplifier from famed amp designer and builder Alexander Dumble’s home/ shop shows different/ aftermarket potentiometers having been installed. It appears that Dumble maintained, serviced and/or modified this amplifier internally. Extra verification from Paul Morte (Current builder of Dumble Amplifiers)

• 7in x 14in x 8in

Estimate: $3,000 - $5,000

Lot 364

Alexander Dumble: Early Dumble Made Power Amplifier

This is an early Dumble-made power amplifier with large transformers. No tubes currently installed.

• 12in x 08in x 7in

Estimate: $2,500 - $3,500

Lot 365

Alexander Dumble: Owned Altec 1960s PA Amplifier

This vintage Altec PA amplifier was in the shop/house of famed amp builder and designer Alexander Dumble. No modifications visible, appears to be 100% stock internally. No tubes currently installed.

• 9in x 17in x 9in

Estimate: $600 - $800 Lot 366

Alexander Dumble: Vintage Weston OQ-2 788 Tube Tester From The Shop of Alexander Dumble

This is a large, vintage Weston Model 788 tube tester in well-preserved condition. Complete with patch cables with labels. This example is in very good to excellent condition for it’s age. Encased in original, wooden case.

Note: This Tube Tester is “as found” in Dumble’s residence, shop and/or storage and though this unit appears complete, it may be in non-working order and/or missing parts.

• 14in x 24in x 8in

Estimate: $600 - $800

Alexander Dumble: Tone Generator Project Chassis With Eleven Transformers

This appears to be hand made by famed amp designer and builder Alexander Dumble with 11 transformers with each corresponding to a musical note, written in pencil on the inside of the chassis. It is still wrapped as packed by A. Dumble

• 14in x 7.5in x 3in

Estimate: $800 - $1,000

Alexander Dumble: Two Reactive Load Boxes and Two AC Power Regulators/ Variacs

The reactive load boxes possibly built from a kit by famed amp designer and builder Alexander Dumble for amplifier/ speaker testing. The two Voltage regulators are one large, high power (uses a UK power plug) and is labeled “Stills” on the front. The other is an IDCType TVR-1000 Automatic Voltage Regulator.Largest 10 x 13 x 8. Dimensions for all items are available upon request.

• 13in x 10in x 8in

Estimate: $1,000 - $1,500

Alexander Dumble: Group of Amplifier/ Project Parts from Dumble’s Shop and Home Including a Vintage Vox AC-4 Chassis with Parts and Transformers

This is a collection of projects/ parts from Dumble’s shop and house. Dumble wrote on the boxes with one having an elaborate (black with gold paint pen) Dumble-made label as he liked to do for special items. Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.Largest 4.5 x 11 x 7 inches. Dimensions for all items in this lot are available upon request.

• 11in x 4.5in x 7in

Estimate: $800 - $1,200

Alexander Dumble: Set of 6 Dumble Audio and Power Cables With Inscriptions plus one Adapter

This is a unique set of audiio and power cables from the shop of Alexander Dumble. There are: (2) Long speaker cables, each with one unterminated (bare wire end) and a 1/4” angled plug. (1) Medium length speaker cable with a 1/4” angled plug at one ena and a strait 1/4” plug at the other. The straight 1/4 metal jacket is enscribed “Dumble” - “Do Not Take” (1) Vintage single-conductor to 1/4” cable in black (2) 6” (short) Female 1/4” to bare wire (Green/ Black) (1) Female to Female 1/4” cable extender/ adapter enscribed with “Dumble” (1) Dumble assembled 4-plug AC Cable with Inscription: “Stolen From Dumble” Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts. In one box.

• 15in x 10in x 6in

Estimate: $1,000 - $2,000

Lot 371

Alexander Dumble: Custom Frequency Generator “For Experimental Use Only”

This is a custom-made Dumble Frequency Generator handmade by famed amp designer and builder Alexander Dumble. Utilizing a cutting board as abase, this unique piece of test equipment shows a had-written faceplate by Dumble which reads: “Frequency Generator For Experimental Use Only” Note: This unit is presented “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

• 13.5in x 13.5in x 4in

Estimate: $1,500 - $2,500

Lot 372

Alexander Dumble: Owned/ Used Test Gear 12-Piece Lot with Tube Tester

This is a 12-pc lot of original test equiplment owned and used by famed amp designer and builder Alexander Dumble in his amplifier building shop (“The Amp Lab” as he called it) Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

Alexander Dumble was known to extensively measure and test everything. Any component that went into one of his amplifiers went through meticulous and careful testing, checking and measurement. Values of any given make of electrical component be it a capacitor, resistor, potentiometer, tube, transformer or even wires are rated within a tolerance of the specs. These tolerance ranges mean that something rated at a specific specification may be 10 to over 20% above or below that rating/ specification. Dumble knew that these relatively small tolerance variations added up and kept vast collections of many amplifier building components, each single component hand-tested and often sorted and labeled with the exact number/ specification(s) it tested for. The test units in these lots are from Alexangers amp lab, residence and storage unit(s). These were the pieces of equipment used to test single components, engineer circuit designs and build amplifiers.

Largest item measures 18 x 9 x 13 inches. A full list of dimensions of each item in this lot is available upon request.

• 9in x 18in x 13in

Estimate: $1,000 - $1,500

Alexander Dumble: Owned/ Used Test Gear

This is a 13-pc lot of non-funcioning, original test equiplment owned and used by famed amp designer and builder Alexander Dumble in his amplifier building shop (“The Amp Lab” as he called it) These are units and parts that are incomplete/ missing parts or in very poor condition. Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

Alexander Dumble was known to extensively measure and test everything. Any component that went into one of his amplifiers went through meticulous and careful testing, checking and measurement. Values of any given make of electrical component be it a capacitor, resistor, potentiometer, tube, transformer or even wires are rated within a tolerance of the specs. These tolerance ranges mean that something rated at a specific specification may be 10 to over 20% above or below that rating/ specification. Dumble knew that these relatively small tolerance variations added up and kept vast collections of many amplifier building components, each single component hand-tested and often sorted and labeled with the exact number/ specification(s) it tested for. The test units in these lots are from Alexangers amp lab, residence and storage unit(s). These were the pieces of equipment used to test single components, engineer circuit designs and build amplifiers.

Largest item 23 x 18 x 9 inches. A list of dimensions of all items in this lot is available upon request.

• 18in x 23in x 9in

Estimate: $600 - $800

Alexander Dumble: Owned/ Used Test Gear

This is a 10-pc lot of original test equiplment owned and used by famed amp designer and builder Alexander Dumble in his amplifier building shop (“The Amp Lab” as he called it) Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

Alexander Dumble was known to extensively measure and test everything. Any component that went into one of his amplifiers went through meticulous and careful testing, checking and measurement. Values of any given make of electrical component be it a capacitor, resistor, potentiometer, tube, transformer or even wires are rated within a tolerance of the specs. These tolerance ranges mean that something rated at a specific specification may be 10 to over 20% above or below that rating/ specification. Dumble knew that these relatively small tolerance variations added up and kept vast collections of many amplifier building components, each single component hand-tested and often sorted and labeled with the exact number/ specification(s) it tested for. The test units in these lots are from Alexangers amp lab, residence and storage unit(s). These were the pieces of equipment used to test single components, engineer circuit designs and build amplifiers.

Largest item measures 18 x 9 x 13.5. A list of dimensions of all items in this lot is available upon request.

• 9in x 18in x 13.5in

Estimate: $1,000 - $1,500

Alexander Dumble: Owned/ Used Test Gear

This is a 10-pc lot of original test equiplment owned and used by famed amp designer and builder Alexander Dumble in his amplifier building shop (“The Amp Lab” as he called it) Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

Alexander Dumble was known to extensively measure and test everything. Any component that went into one of his amplifiers went through meticulous and careful testing, checking and measurement.Values of any given make of electrical component be it a capacitor, resistor, potentiometer, tube, transformer or even wires are rated within a tolerance of the specs. These tolerance ranges mean that something rated at a specific specification may be 10 to over 20% above or below that rating/ specification. Dumble knew that these relatively small tolerance variations added up and kept vast collections of many amplifier building components, each single component hand-tested and often sorted and labeled with the exact number/ specification(s) it tested for. The test units in these lots are from Alexangers amp lab, residence and storage unit(s). These were the pieces of equipment used to test single components, engineer circuit designs and build amplifiers.

Largest item measures 18 x 9 x 13 inches. A list of dimensions of all items in this lot is available upon request.

• 9in x 13in x 13in

Estimate: $1,000 - $1,500

Alexander Dumble: Owned/ Used Test Gear

This is a 9-pc lot of original test equiplment owned and used by famed amp designer and builder Alexander Dumble in his amplifier building shop (“The Amp Lab” as he called it) Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

Alexander Dumble was known to extensively measure and test everything. Any component that went into one of his amplifiers went through meticulous and careful testing, checking and measurement. Values of any given make of electrical component be it a capacitor, resistor, potentiometer, tube, transformer or even wires are rated within a tolerance of the specs. These tolerance ranges mean that something rated at a specific specification may be 10 to over 20% above or below that rating/ specification. Dumble knew that these relatively small tolerance variations added up and kept vast collections of many amplifier building components, each single component hand-tested and often sorted and labeled with the exact number/ specification(s) it tested for. The test units in these lots are from Alexangers amp lab, residence and storage unit(s). These were the pieces of equipment used to test single components, engineer circuit designs and build amplifiers.

Largest item measures 22 x 13 x 10 inches. A list of dimensions of all items in this lot is available upon request.

• 13in x 22in x 10in

Estimate: $1,000 - $1,500

Lot 379

Alexander Dumble: Owned/ Used Test Gear

This is a 9-pc lot of original test equiplment owned and used by famed amp designer and builder Alexander Dumble in his amplifier building shop (“The Amp Lab” as he called it) Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

Alexander Dumble was known to extensively measure and test everything. Any component that went into one of his amplifiers went through meticulous and careful testing, checking and measurement. Values of any given make of electrical component be it a capacitor, resistor, potentiometer, tube, transformer or even wires are rated within a tolerance of the specs. These tolerance ranges mean that something rated at a specific specification may be 10 to over 20% above or below that rating/ specification. Dumble knew that these relatively small tolerance variations added up and kept vast collections of many amplifier building components, each single component hand-tested and often sorted and labeled with the exact number/ specification(s) it tested for. The test units in these lots are from Alexangers amp lab, residence and storage unit(s). These were the pieces of equipment used to test single components, engineer circuit designs and build amplifiers.

Largest measures 20 x 12 x 8 inches. A list of dimensions of all items in this lot is available upon request.

• 12in x 20in x 8in

Estimate: $1,000 - $1,500

Alexander Dumble: Owned/ Used Test Gear

This is a 7-pc lot of original test equiplment owned and used by famed amp designer and buillder Alexander Dumble in his amplifier building shop (“The Amp Lab” as he called it) This lot has a notable piece, an EICO Model 625 Tube Tester, Serial Number 32778 with tape showing notes from Dumble that begin with “From Kerry Wright... Brought to me on April 10 2009” Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

Alexander Dumble was known to extensively measure and test everything. Any component that went into one of his amplifiers went through meticulous and careful testing, checking and measurement. Values of any given make of electrical component be it a capacitor, resistor, potentiometer, tube, transformer or even wires are rated within a tolerance of the specs. These tolerance ranges mean that something rated at a specific specification may be 10 to over 20% above or below that rating/ specification. Dumble knew that these relatively small tolerance variations added up and kept vast collections of many amplifier building components, each single component hand-tested and often sorted and labeled with the exact number/ specification(s) it tested for. The test units in these lots are from Alexangers amp lab, residence and storage unit(s). These were the pieces of equipment used to test single components, engineer circuit designs and build amplifiers.

Largest item 12 x 27 x 17 inches. A list of dimensions of all items in this lot is available upon request.

• 27in x 12in x 17in

Estimate: $1,500 - $2,000

Alexander Dumble: Owned/ Used Test Gear

This is a 7-pc lot of original test equiplment owned and used by famed amp designer and builder Alexander Dumble in his amplifier building shop (“The Amp Lab” as Dumble called it) Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.

Alexander Dumble was known to extensively measure and test everything. Any component that went into one of his amplifiers went through meticulous and careful testing, checking and measurement. Values of any given make of electrical component be it a capacitor, resistor, potentiometer, tube, transformer or even wires are rated within a tolerance of the specs. These tolerance ranges mean that something rated at a specific specification may be 10 to over 20% above or below that rating/ specification. Dumble knew that these relatively small tolerance variations added up and kept vast collections of many amplifier building components, each single component hand-tested and often sorted and labeled with the exact number/ specification(s) it tested for. The test units in these lots are from Alexangers amp lab, residence and storage unit(s). These were the pieces of equipment used to test single components, engineer circuit designs and build amplifiers.

Largest 9 x 17 x 14 inches. A list of dimensions of all items in this lot is available upon request.

• 17in x 9in x 14in

Estimate: $1,000 - $1,500

Lot 382

Alexander Dumble: Owned and Used Group of Home Stereo Components Including a Dumble Modified Electro-Voice Stereo Receiver

A group of seven home stereo components including an Electro Voice Receiver showing etchings and modifications from A. Dumble. Also included are amplifiers inscribed on the back by Dumble Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts.Largest 14 x 18 x 5 inches. A list of all dimensions for all items is available upon request.

• 8in x 14in x 5in

Estimate: $1,000 - $1,500

Lot 383

Alexander Dumble: Owned and Used Concertone Model 505 Reel to Reel Machine

A Concertone Model 505 Reel to Reel Machine owned and used by famed amp designer and builder Alexander Dumble.

• 18in x 16in x 8in

Estimate: $300 - $500

Lot 384

Alexander Dumble: Owned HP Model 654A Oscillator

HP Model 654A Oscillator, Serial Number 0951A03798, with manual, in heavy-duty case addressed to “A. Dumble”.

• 21in x 18in x 12in

Estimate: $300 - $500

Lot 385

Alexander Dumble: A Collection 73 Handbooks, Manuals and Guides for Amplifier Building Components

A Bin of 73 Handbooks, Manuals and Guides for Amplifier Building Components as Packed by Alexander Dumble. Four books were written on by A. Dumble including one marked “Dumble Amplifiers” on the cover. It is most probable that Dumble packed this bin sometime in the mid to late 1980s as the latest book found dates to 1986. These were the early books Dumble referenced in the 1960s, 70s and beyond.

• 22in x 16in x 13in

Estimate: $2,000 - $4,000

Lot 386

Alexander Dumble: Two Dumble Owned Lionel Model Train Controllers

Two Lionel Brand model train transformer/ controllers in fair to poor condition.

• 17in x 25in x 3in

Estimate: $100 - $300

Alexander Dumble: Owned and Used group of HAM Radio Equipment

A Lot of four Ham Radio components, including two vintage receivers and one newer switcher Note: All pieces are “as found” in Dumble’s residence, shop and/or storage and may be in non-working order and/or missing parts. Largest 10 x 19 x 9 inches. A list of all dimensions is available upon request.

• 19in x 10in x 9in

Estimate: $400 - $600

Lot 388

Alexander Dumble: Seven Unused Hammond

Manufacturing brand Amplifier/ Project Steel Chassis from the Shop of Alexander Dumble

A bin containing 7 unwrapped/ unused Hammond Brand steel chassis for amplifier/ project buildng. Various sizes including two 17” x 10” x 3” with 1 bottom plate; two 13.5” x 5” x 2” with no bottom plates; three 12” x 8” x 2” with 2 bottom plates.

• 10in x 17in x 3in

Estimate: $400 - $800

Lot 389

Alexander Dumble: Pair of Two Dumble-Labeled Bins

Containing 6 Fender Amplifier Covers and 12 MarshallStyle Amplifier Cabinet Handles

The bins consist of one Dumble labeled “Amp Covers” containing 6 Fender brand amplifier covers likely from amplifiers Dumble modified and/ or owned, The second bin Dumble labeled “Amplifier Handles” containing 12 metal amplifier handles similar to those found on Marshall/ Randall 4x12 cabinets.

• 16in x 24in x 14in

Estimate: $200 - $300

Eddie Van Halen: 1969 School Homework Assignment

A homework assignment entitled “Energy,” typewritten by Eddie Van Halen in 1969. The assignment is housed in a blue folder and features comments by the teacher in red ink. Eddie received a “100” for the assignment.

• 9.25in x 11.5in x 0.25in

Estimate: $200 - $400

Eddie Van Halen: Personally Striped and Stage Played

Charvel Art Series Guitar 076 from Last Performance With Sammy Hagar, Red with Black and White Stripes

A stage played c.2003 Charvel EVH Art Series electric guitar, #00076, in Frankenstein Mk II style red finish with black and white stripes. Hand signed and stage played by Eddie Van Halen in concert during the song “Somebody Get Me a Doctor” on November 19th, 2004 in Tucson, Arizona. This concert would ultimately be singer Sammy Hagar’s final performance with the band. Eddie Van Halen would close the show by smashing his primary green Peavey Wolfgang guitar, making this possibly the last intact instrument Eddie played with Hagar.

This limited series of EVH Art Series guitars were born from a partnership between Eddie and Charvel, designed to his specs, and offered only through internet auctions. This instrument bears its edition number of 076 on the neck plate as well as on a holographic sticker affixed to the tremolo spring cavity which reads “Genuine EVH 00076.”

Eddie has inscribed the guitar “Tucson, AZ 11-19-04 / Van Halen ’04” and signed the guitar on the lower treble bout of the body in black felt tip pen. There’s also a large “H” above the bridge.

The guitar features a 25.5” scale length one piece bolt-on maple neck with 22 frets, black dot inlays, a thin oil finish, chrome locking nut and string retainer, and six chrome Schaller sealed gear tuners on the headstock. The basswood body is finished in red with white and black stripes with no pickguard, a single white tone knob on the master volume control, and a chrome Original Floyd Rose vibrato with D-Tuner installed. The lone pickup in the bridge position is a Fender-made EVH Humbucker direct-mounted to the body. Includes original black G&G; hardshell case with black EVH branded interior, a chrome arm for the Original Floyd Rose vibrato, an original COA from Charvel signed by Eddie Van Halen, chrome tremolo arm, and a photo of Eddie Van Halen playing the guitar on stage.

• 15in x 41.5in x 4in

Estimate: $50,000 - $70,000

Lot 392

Rick Wakeman: 1979 “Rhapsodies” Album Artwork

A collection of artwork relating to Rick Wakeman’s 1979 album “Rhapsodies.” Included are the original cover artwork which consists of separate shots, taken by photographer Paul Wakefield, combined into one retouched dye-transfer print with air brushing added to the sky, an original concept sketch, four original Polaroid photographs, one of which was used for the inner gatefold, a sample copy of the sleeve without the vinyl.

• 17.5in x 24in x 0.25in

Estimate: $800 - $1,200

Don Van Vliet (Captain Beefheart): “Riding Some Unusual Skull Sleigh” Box Set with Proof Print

A limited-edition box set titled Riding Some Kind of Unusual Skull Sleigh by Don Van Vliet, published by Rhino Handmade/Artist Ink Editions, which includes: two books, one a collection of photos, lyrics, artworks, cuttings, plus the text of the pieces on the accompanying CD; the other includes an essay by Ben Watson and 60 color plates of Don’s paintings and drawings. Together with a framed print of a colored etching (17 x 13.5 inches).Don Van Vliet, best known by his stage name Captain Beefheart, was an influential musician, songwriter, and visual artist. He was famous for leading a rotating ensemble called the Magic Band, with whom he recorded 13 studio albums between 1967 and 1982.

• 13in x 9.25in x 2.76in

Estimate: $200 - $300

Frank Zappa: Technics Quartz Turntable Carver Receiver and Genelec Speakers

An original Technics Quartz Direct Drive Turntable System SL-1200MK2, Carver HTR880 Home Theater receiver, and three Genelec 1031A bi-amplified monitoring speakers. These units have not been tested for operation. Turntable: 6 x 18 x 13.25 inches; Receiver: 7 x 19 x 13 inches; Speakers: 15.5 x 9.75 x 11.5 inches

• x x

• PROVENANCE The Zappa Trust

Estimate: $300 - $500

Ed Mann: Frank Zappa Signed and Inscribed “Plastic People Songbuch” and “Jimi Hendrix Electric Gypsy” Books

Two books signed and inscribed by Frank Zappa to percussionist Ed Mann. Plastic People Songbuch (a rare 1977 collection of Frank Zappa lyrics with both English and German translations) and Jimi Hendrix: Electric Gypsy (a 1990 biography about Jimi Hendrix by Harry Shapiro and Caesar Glebbeek).

• 7in x 11in x 4in

Estimate: $200 - $400

Lot 394

Lot 395

Lot 396

Ed Mann: 1978-1982 Passport, ICA Tag, and Zappa Stage Passes

A collection of Zappa percussionist Ed Mann’s essential tour items, c. 1978-1982. Included: his passport with stamps from extensively touring with Frank Zappa during the era, his ICA luggage tag, a Frank Zappa Stage Pass Laminate, and a Zappa “Läther” era Crew backstage pass from the late 1970s. This ICA luggage tag comes from Intercontinental Absurdities, Zappa’s self-financed production company based in Studio City, CA. This badge features the address to Frank Zappa Records INC based briefly in West Hollywood.

• 4in x 6in x .25in

Estimate: $200 - $400

Lot 397

Ed Mann: Zappa Stage Used Wuhan Gong Collection with Rack

This gong set up belonged to Ed Mann, Frank Zappa’s percussionist from 1977 to 1988 and features five gongs, a set of wooden wind chimes, two additional bells, a mallet, and two small road cases. This configuration was created drawing inspiration from a number of Ed’s set ups throughout the years as well as an early stage plot from his Zappa ephemera.

All gongs and bells are 1970s Wuhan, and have been used on stage with Frank Zappa, you can see some of these gongs in this photo of Ed on stage with Zappa in Europe in the Percussive Arts Society article about Zappa percussionists here. Gongs are an 11.5” Wuhan Gong, 13” Wuhan Gong with hand written “Fu Yin Gong,” 14” Wuhan Gong with hand written “Shewng Kwong Gong,” 21” Wuhan Gong, and 22” Wuhan Gong. Also included in this lot is a set of wood chimes from Ed’s box of chimes, a 7” Wuhan Bell, an 11.5” Wuhan Bell, a gong stand created from odds and ends in Ed’s hardware collection, and two small gong flight cases.

Ed Mann was a percussion expert who studied and taught at Cal Arts. He was a gong specialist for Paiste Cymbals and later for Ufip cymbals. He dedicated his life to performing as well as to educating practitioners and musicians about the healing possibilities of gongs. He designed gong events for health care professionals, and even took his gongs into hospitals in his work as a music therapist.

Accompanied with a copy of Modern Drummer featuring Ed on the cover. Set up the gong stand as is 100” x 59” but can be packed down into two guitar cases to be transported. Drum key not included.

• 28in x 57in x 19in

Estimate: $2,000 - $4,000

Ed Mann: 1988 32” Paiste Sound Creation Gong Earth 3A with

Arched Stand, Mallet, and Advertisement

A 32” Paiste Sound Creation Earth Gong with black arched rolling gong stand and large black mallet used and owned by Frank Zappa drummer Ed Mann. This gong was handcrafted in Germany in 1988 by Paiste, and is part of the Planetary Gong series. Each gong in this series is tuned to the orbits of the celestial bodies in our solar system, whose frequencies are made audible thanks to the groundbreaking work of Hans Cousto. These gongs were made for sound healers, performers, and composers. This specific gong has a low and dark resonance. Ed Mann worked in music therapy after his touring and recording era with Frank Zappa, visiting hospitals and psychiatric centers with his healing gongs to facilitate sound baths and healing sessions. He also taught other sound practitioners how to use gongs for therapeutic purposes.Accompanied by an ad from Modern Drummer showing Ed’s use of Paiste gongs, and a leaflet for Ed’s “Gong and Sound Resonance” workshops. Gong and stand are in excellent condition.

• 40in x 40in x 30in

Estimate: $2,000 - $4,000

Lot 399

Ed Mann: Frank’s Drum Shop Wuhan Gong with Stand, Mallet, and Magazine

A 24” Vintage Wuhan gong and gong stand belonging to Ed Mann, percussionist for Frank Zappa from 1977 to 1988, with “Franks’s Drum Shop” spray-painted in red (signifying that it was purchased at the iconic Chicago drum shop, which was one of only a handful of professional drum shops in the US for many years). The gong stand was featured in Ed’s Modern Drummer photo shoot. An issue is also included, along with a mallet used by Ed on stage and on the cover of the magazine.

• 35in x 35in x 8in

Estimate: $1,000 - $2,000

Lot 400

Ed Mann: You Are What You Is Frank Zappa North American Tour Raglan T Shirt

Ed Mann’s personal t-shirt (Size S) from the 1981 “You Are What You Is” North American tour. The Plymouth raglan t-shirt features a screen-printed image of Frank Zappa on the front and the Barking Pumpkin Records logo on the back. Mann was the percussionist on this record and on this tour. Shirt measures 14” across the chest, 15” across the hip, and is 20” top to bottom.

• 6in x 8in x 2in

Estimate: $200 - $300

Ed Mann: Frank Zappa “You Are What You Is” Tour T-Shirt

A vintage Frank Zappa “You Are What You Is” tour t-shirt, from the collection of Ed Mann, who was the touring and recording percussionist on this Zappa album and tour, and played with Frank Zappa until 1988. The vintage purple cotton t-shirt is a Stedman Medium, with screen-printed images on the front and back. The front features the Zappa “You Are What You Is” logo from the album, and the back features Zappa’s Barking Pumpkin Records logo. Shirt measurements: chest 17”, hip 16.5”, 25” tall.

• 6in x 8in x 2in

Estimate: $200 - $300

Lot 402

Ed Mann: Ambrosia T-Shirt, Christmas Card, and Records

An original 1982 Ambrosia Road Island tee (Size Medium) with a personalized Christmas card signed to Frank Zappa percussionist Ed Mann. Together with Ambrosia’s selftitled record and Ambrosia’s Road Island record. Ed performed with Ambrosia. T Shirt measurements: 17” chest, 18” hip, 24” tall.

• 13in x 13in x 3in

Estimate: $100 - $300

Lot 403

Ed Mann: Zappa Tour Used Musser M31 Marimba with ICA Road Case, Mallets, Sheet Music, and Book.

Vintage Musser M31 four-octave marimba with proprietary “Kelon” bars. Anvil road case featuring stage position instructions and ICA spray painted logo, sticker with hand written “Ed Mann” in sharpie, and a few flight tags from tours are still intact. Included are some of Ed Mann’s Mallets: Mike Balter #10s and a pair of Vic Firth M1’s.

Together with hand marked marimba sheet music for Zappa’s “Mo and Herb’s Vacation” and “Bob In Dacron and Sad Jane,” a copy of Ed Mann’s book The Essential Mallet Player, and a photocopy of one of Ed’s Zappa stage plots.

Ed Mann played percussion with Frank Zappa from 1977 until 1988 at some of his most legendary shows. This marimba can be heard and seen in the 1981 Halloween Concert at the Palladium. Some of his most famous marimba playing with Zappa can be heard on the 1982 song “Ship Arriving Too Late to Save a Drawing Witch.”

The marimba was an important part of Frank Zappa’s sound and Ed Mann’s life. It was an impromptu 2 AM call to join a Zappa rehearsal on marimba that got Ed Mann the gig in Zappa’s band after Ruth Underwood quit. Mann once joked in an interview that if Frank Zappa were to be an instrument he would be a marimba.

This marimba can be heard and seen in the video below from Zappa’s 1981 Halloween performance during one of Ed’s solos on “Easy Meat.”

• 40in x 21in x 65in

Estimate: $2,000 - $4,000

Lot 404

Ed Mann: Indonesian Cowbells

A set of 7 Indonesian Cowbells owned and used by Frank Zappa’s percussionist Ed Mann. These bells are vintage, all play a different pitch, and in great shape. Bells range in size: One large 6” bell with a hand written “Ed” on the inside of the handle, five differently pitched 3” bells, and one small 2.75” bell.

• 8in x 9in x 6in

Estimate: $100 - $200

Lot 405

Ed Mann: Vintage Waterphone with Bow

A vintage waterphone with bow owned and used by Ed Mann. A waterphone is a rare instrument primarily used to score horror films. It is filled with water which adds to its eerie tone. It can be played with the bow, struck, played with a hand, and moved around to change resonance. Waterphone measures 10x13 and is in good condition. The bow is 28” long and in good condition.

• 12in x 30in x 12in

Estimate: $500 - $700

Lot 406

Ed Mann: Percussion Lot with Zappa Stage-Used 1960s Carroll Sound Chinese Bell Tree

This percussion lot comes with three items owned and used by Frank Zappa’s long time percussionist Ed Mann.The 1960s Carroll Sound Chinese Bell Tree is photo matched to many Zappa concerts. It was one of Ed’s central percussion items used on stage with Frank Zappa at multiple performances between 1977 and 1988 such as his legendary Halloween 1981 Palladium concert and Frank Zappa Live in Barcelona 1988. You can also see a photo of Ed playing the Bell Chime with Zappa in Europe here. The Ludwig tom is a 1960s rack tom in Black Oyster Pearl, with an accompanying snare stand set to a height for standing players. The steel concert tops were likely used on stage with Zappa as Mann frequently used toms and aux percussion like this in his set ups in the 1970s and 1980s. Concert toms are 10” x 3 and 8.5” x 2.5, set up its stand is about 46” tall. Chimes are 21” x 6” x 9” Ludwig tom is 12x9 and its stand is about 36” when set up at standing height.

• 24in x 28in x 15in

Estimate: $800 - $1,200

Lot 407

Ed Mann: Small Percussion Lot

This is a collection of percussion instruments used by Frank Zappa Percussionist Ed Mann. Mann played percussion for Frank Zappa from 1977 until 1988, and was known for using gongs, marimbas, xylophone, electronic percussion, assorted whistles and duck calls, and percussion instruments from around the world to serve Zappa’s wild and eccentric arrangements. Included in this lot are eight items: a vintage percussion stand, a 16x4 Remo PTS frame drum, a 10 inch vintage tamborine, one green Whirly tube, one medium shekere, two calls, and a copy of Ed’s 1990 Modern Drummer Magazine that shows him using some of the instruments in this collection.

• 17in x 42in x 17in

Estimate: $500 - $700

Lot 408

Ed Mann: Percussion Lot with Mokugyo Blocks, Stand, Cymbal, Bell, and Chimes

Vintage Japanese Mokugyo wood blocks, vintage 14” Italian-made cymbal, vintage 10” chimes, 7” 1970s Wuhan bell, and Slingerland stand with additional clamps and mounts that belonged to Ed Mann, the long-time percussionist for Frank Zappa. All included items are in good condition.

• 18in x 20in x 34in

Estimate: $500 - $700

Lot 409

Ed Mann: Frank Zappa Set List Fax, Tour Itinerary, and Pass

These documents come from the collection of Ed Mann, long time percussionist for Frank Zappa. Included are a fax from Frank Zappa seeking TV representation, a possible set list, Ed’s 1982 European tour Itinerary for “Ship Arriving Too Late to Save a Drowning Witch” tour with hand written notes, and an unused backstage guest pass for the “Ship Arriving Too Late to Save a Drowning Witch” tour.

• 9in x 12in x .5in

Estimate: $100 - $500

Lot 410

Ed Mann: Zappa Stage Used Wuhan China, Effects Cymbals, and Magazine

These cymbals come from long-time Zappa percussionist Ed Mann’s collection. Included is a 1970s 21” Wuhan China that Ed played by hand at concerts such as Frank Zappa’s 1981 Halloween at the Palladium concert, as well as a vintage stack he used on stage which was featured in Modern Drummer Magazine. Together with a stand, the issue of Modern Drummer Magazine with an image of Ed playing the effects cymbals.

• 34in x 34in x 9in

Estimate: $200 - $400

Lot 411

Ed Mann: 1970s Conga Set

Pair of Gon Bops Classic Oak Congas made in the 1970s, used and owned by Frank Zappa Percussionist Ed Mann. These Congas are a 10 inch quinto and 11.5 inch conga which are shown in his Modern Drummer photoshoot. They come with one road case and a stand as well as a 1990 issue of Modern Drummer with Ed on the cover. Ed Mann was Frank Zappa’s percussionist from 1977 until 1988 and played a variety of percussion and sound effects on albums and tours.

• 32in x 31in x 19in

• Collection of Ed Mann via consigner Jessica Lee

Estimate: $400 - $600

Lot 412

Ed Mann: 1980s Remo Timbales with Stand and Sticks

This is a pair of Remo Quadra Timbales owned and used by Frank Zappa percussionist Ed Mann. Timbales are gold and measure 13x7 and 14x7. Together with their stand, and a pair of purple Alex Acuna signature timbale sticks owned and played by Ed Mann. Ed played percussion for Frank Zappa from 1977 to 1988 and played a rotating collection of percussion, cymbals, whistles, bells, and sound effects items on stage. These timbales are in good condition with intact vintage Remo drum heads.

• 10in x 31in x 17in

Estimate: $100 - $200

Ed Mann: Fostex RD-8 ADAT and Studio Tapes Collection

This is a Fostex RD-8 Digital Multi Track recorder that comes with three boxes of DAT and ADAT recordings that Ed Mann completed for projects for Paiste cymbals, as well as projects like Repercussion Unit, Ancient Voices, and others. Included are many recordings of gongs for Paiste from their Planetary Gong Series. Ed was known for being an early adopter of electronic innovation in percussion, and even was known to sample his own acoustic percussion to use with his electronic gear such as SynDrums in the 1980s with Zappa. The RD8 was created in 1994 so these tapes are not from the Zappa era, but this is an incredible peice of drumming and cymbal history. RD8 powers on but has not been tested, and does not come with an IEC cable. Also included are a few studio odds and ends.

• 22in x 40in x 15in

Estimate: $200 - $400

Lot 414

Ed Mann: Frank Zappa Record Collection

This is a collection of Zappa records that belonged to Ed Mann that he recorded percussion on, as well as some Mothers of Invention records he did not record on. The records included in this lot include the first Zappa album Ed Mann appeared on Zappa in New York Live, which featured Mann on overdubs in a studio in 1977 after the gig (Ruth Underwood played on stage). Other Frank Zappa Records Ed recorded on included in this lot are Frank Zappa’s Them or Us, Shut Up and Play Your Guitar Some More, You Are What You Is double LP (Promo Copy), Sheik Yerbouti, Joe’s Garage Act I, Joe’s Garage Act II and III, The Man from Utopia, Ship Arriving Too Late to Save a Drowning Witch (Promo Copy), Tinseltown Rebellion, and Ed’s Cal Arts affiliated experimental band Repercussion Unit’s In Need Again. Also included are Mothers of Invention’s Freak Out, Frank Zappa and the Mothers of Invention’s Dupree’s Paradise, and the Mothers of Invention’s Tiny Nightmares.

• 12.5in x 12.5in x 4in

Estimate: $200 - $400

Lot 415

Bruce Springsteen: 1980 Signed “The River” Tour Book

Centerfold Photo

The centerfold photograph of Bruce Springsteen from his 1980 The River tour book, signed by him in blue ink c. 1980-1981.The photo is framed and matted, featuring an image of Bruce with his Telecaster.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 17.75in x 29.75in x 2in

Estimate: $500 - $700

Bruce Springsteen: 1981 Signed Concert Program 1981

A signed concert program for the Bruce Springsteen and the E Street Band concerts that took place at Wembley Arena in London from May 29th to June 5th 1981. Springsteen has signed next to his photo in the centerfold of the program. Accompanied by a letter from the original owner explaining how the program was autographed.

• 12in x 12in x 0.25in

Estimate: $400 - $600

Lot 417

Bruce Springsteen: 1980s Annie Leibovitz Stamped Color Photo

A c. 1980s Annie Leibovitz color photo of Bruce Springsteen, stamped on the verso and hand labeled “4878 / #19.”

• 10in x 8in x 0.025in

Estimate: $600 - $800

Lot 418

Bruce Springsteen: 1987 Stamped Annie Leibovitz “Tunnel of Love” Outtake Color Photo

A 1987 Annie Leibovitz color photograph of Bruce Springsteen, stamped on the verso. The image is an outtake from the photo shoot for Springsteen’s studio album, Tunnel of Love.

• 10in x 8in x 0.025in

Estimate: $600 - $800

Bruce Springsteen: Eric Meola Vintage Darkness at the Edge of Town Photo Print

A framed black-and-white photo print of Bruce Springsteen sitting in front of a “Valmy Auto Court” gas station and store in Nevada, taken by photographer Eric Meola in 1977. Springsteen was on a road trip from Salt Lake City to Reno while preparing for his album Darkness on the Edge of Town.

• 17.75in x 21in x 1.25in

Estimate: $400 - $600

Lot 420

Bruce Springsteen: Signed “Born in the U.S.A.” Record Album

A copy of Bruce Springsteen’s 1984 record album, Born in the U.S.A., signed by Springsteen on the front in blue marker. Born in the U.S.A. is Springsteen’s best-selling album and ranked 85 on Rolling Stone Magazine’s 500 Greatest Albums of All Time.Please note: the shrink wrap was partially peeled back to allow Springsteen to sign directly onto the front cover.

• 12.25in x 12.25in x 0.25in

Estimate: $1,000 - $2,000

Lot 421

Bruce Springsteen: Springsteen and E. Street Band Signed Squier by Fender Affinity Tele Electric Guitar, Black

A Squier by Fender Affinity Tele electric guitar, serial #CY99012782, in black finish and signed by Bruce Springsteen and members of his E. Street Band: Ray Bitten, Max Weinberg, Nils Lofgren, Little Steven, Danny Federici, Clarence Clemons, and Garry Tallent. The guitar features a 25.5 inch scale length maple neck with a 21 fret rosewood fretboard, dot inlays, and six chrome tuners. The hardwood body is finished in black with a white single ply pickguard, now faded to tan, with chrome hardware and two pickups wired to a three way selector switch and controls for volume and tone. Includes black gig bag. Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 18in x 46in x 3.5in

Estimate: $4,000 - $6,000

Clarence Clemons: Custom-Made Schafer Cowboy Hat Gifted by Charlie

Daniels with Case

A custom-made tan wool, Schafer-brand cowboy hat, gifted from Charlie Daniels to Clarence Clemons. The interior is stamped “To: Clarence Clemmons From: Charlie Daniels.” Together with a brown metal road case with a bag tag that reads “#15 Peter Maffay,” referring to a German artist Clemons toured with in the 1970’s.

Daniels and Clemons met at the taping of Hank Williams Jr.’s massive, star-studded recording of his iconic anthem, “All My Rowdy Friends Are Here on Monday Night,” to promote the transition of Monday Night Football (MNF) from ABC to ESPN. From there, they formed a friendship and agreed to send each other a duplicate of their hats in their own size. This hat is the one sent to Clemons with the road case he kept it in, and is an exact match to Daniel’s hat with the card of the hatmaker. Clemons sent Daniels an exact replica of his fedora in return.

A portion of profits is going to a non-profit Charitable organization, Tomorrow’s Rainbow. Tomorrow’s Rainbow provides children’s grief counseling through free support groups and equine-assisted therapy.

• 18in x 11.5in x 18in

• PROVENANCE From the Clemons family

Estimate: $800 - $1,200

Lot 423

Bruce Springsteen: 2007 Signed Promotional Lyric Booklet for “Magic””

A promotional lyric booklet for the 2007 Bruce Springsteen album Magic autographed on the front cover by Bruce Springsteen in black felt tipped pen from the collection of a former CBS/Sony executive.

• 6in x 8in x 0.25in

Estimate: $400 - $600

Lot 424

Queen: Signed “Hot Space” Record Album

A UK vinyl pressing of the 1982 Queen album Hot Space signed on the front cover by Freddie Mercury, Brian May, John Deacon and Roger Taylor in black ballpoint pen. Brian has added “All the best Queen 82” under his name.Accompanied by a Letter of Authenticity.

• 12in x 12in x 0.5in

Estimate: $3,000 - $5,000

Freddie Mercury: Owned And Worn 1970s Superman T-shirt

A medium white round neck T-shirt featuring a red glittery Superman logo formerly owned and worn by Freddie Mercury in the 1970s. The label inside the collar reads “DIAMOND DUST.” Originally sold as part of lot 2210, “Freddie Mercury: A World Of His Own, Crazy Little Things 2” Sotheby’s, London, UK, September 13th, 2023. Accompanied by a certificate of authenticity.

• 6.5in x 9in x 2in

Estimate: $2,000 - $3,000

Queen: Collection Of 10 Freddie Mercury Queen Prints Signed By Photographer Roland Schroder

A collection of ten photo prints of Freddie Mercury or Freddie and John Deacon taken at Queen’s Johanneshov Stadium concert in Stockholm on May 7th, 1977. Each image is reproduced from the original negative, printed on high-quality Hahnemühle paper, and signed by photographer Roland Schroder.

• 24in x 16.5in x 0.25in

Estimate: $500 - $700

Queen: Freddie Mercury “Down In The City” 1970s

Handwritten Lyrics

Freddie Mercury’s handwritten lyrics to an unrecorded Queen song “Down In The City,” including a doodle Mercury made of the band’s name. Although the song was never recorded or performed live the line “down in the city” is a prominent line in the song “Now I’m Here” from the 1974 Queen album Sheer Heart Attack.

The lyrics are a good example of Mercury’s style of songwriting that often told a story. These lyrics describe a man leaving town without his baby to go to a city where he is stopped by another man near an alley who asks if the protagonist is gonna ”go his way tonight.” Despite the song mentioning he was wearing leather boots, he resigns that he would not “be your pretty blue eyed boy today,” evocative of cruising which was a big part of the experience of city life during the gay liberation era.

This is a rare glimpse into Mercury’s process as a songwriter, and a very special piece of ephemera that demonstrates how he engaged with LGBTQ culture of the 1970s in his own creative writing practices.

The lyrics were originally sold as part of Lot 101 in “Freddie Mercury: A World of His Own,” Sotheby’s, London, UK, on September 13th, 2023.

• 10in x 12in x 0.025in

Estimate: $20,000 - $30,000

Queen: Freddie Mercury Owned 1970s Biba Green Sweater

A mixed fiber green sweater that belonged legendary Queen vocalist Freddie Mercury. This sweater has a deep square neckline and ribbed patterned lower half, and a faded gold silk Biba label. Accompanied with a certificate of authenticity. This was originally sold at “Freddie Mercury: A World Of His Own, Crazy Little Things 2” held at Sotheby’s, London, UK, on September 13th, 2023.

• 7in x 10in x 2in

Estimate: $1,500 - $2,500

Brian May: 2025 Autographed Brian May BMG Special Electric Guitar

A 2024 Brian May Guitars BMG Special electric guitar, serial #BHM240283, in antique cherry finish. It has been signed in silver felt tip pen by Queen guitarist Brian May and dated 2025. It features a 24 inch scale length mahogany neck with a 24 fret ebony fretboard, dot inlays, and six chrome locking tuners. The body is also made of mahogany and finished in antique cherry, with a black single ply pickguard, white tipped switches, metal knobs, multi-ply binding on the top and back, and is equipped with a trio of Brian May Tri-Sonic pickups ’Brian May’ wired to individual on/off and phase switches as well as master volume and master tone controls. Includes a Brian May Guitars padded gig bag.

• 17in x 42in x 4in

Estimate: $1,000 - $2,000

Queen: Brian May and Roger Taylor Signed “Bohemian Rhapsody” Original Digital Artwork

An original digital artwork created by Soundwaves Studio, signed by Brian May and Roger Taylor of Queen. The image shown is a digital representation of the song “Bohemian Rhapsody” put to canvas. May and Taylor signed the canvas in Surrey in 2010, and each hand wrote a line of lyrics.

• 39.5in x 39.5in x in

Estimate: $800 - $1,200

431

Queen: Roger Taylor Autographed Nagoya Limited Edition Lithograph

A 2024 limited edition lithograph entitled Nagoya designed by artist and tattooist Manuela Gray and autographed by Roger Taylor in black pen. The lithograph is numbered 22/100 and measures 23.5 inches x 33 inches.

• 4in x 25in x 4in

Estimate: $300 - $500

Lot 432

Queen: Roger Taylor Studio Used Drumsticks

A pair of Roger Taylor signature Premier CC drumsticks that were used by Roger Taylor during studio recordings with Queen in the early 1980s.

• 0.5in x 16in x 0.5in

Estimate: $200 - $400

Lot 433

Queen: 1992 Brit Awards Magazine Page Signed by Brian May John Deacon And Roger Taylor

A page taken from a 1992 Brit Awards magazine autographed by Brian May, John Deacon and Roger Taylor of Queen. The event took place at the Odeon Theatre in London on February 12th, 1992. The group won the Best British Single category for “These Are The Days Of Our Lives” and their late frontman Freddie Mercury was honored posthumously for “Outstanding Contribution To Music” award after his passing in November 1991.

• 8.4in x 10.9in x 0.25in

Estimate: $600 - $800

434

Queen: Queen and Elton John 1979 Concert Poster

An original 1979 L&R; Concerts promotional poster advertising upcoming events in Germany promoted by L&R; Concerts including Herbie Hancock, Queen, Elton John, Scorpions, and more.

• 2in x 24in x 2in

Estimate: $300 - $500

Lot 435

Elton John: 2014 Signed “Goodbye Yellow Brick Road” Record Album (EU)

Mercury Records’ special 2014 European re-release of Elton John’s record album, Goodbye Yellow Brick Road (375 349-5), signed to the cover by Elton in blue marker. Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 12.5in x 12.5in x 0.50in

Estimate: $1,500 - $2,500

Lot 436

Elton John: 1972 Vintage Black And White Photograph Used For Cover Of Honky Château

A vintage black and white photograph of Elton John taken by Ed Caraeff which was used on the front of Elton’s 1972 album ‘Honky Château’. It is backed on to card with hand written design instructions on the borders.

• 19in x 13.5in x 0.025in

Estimate: $500 - $700

Lot 437

Elton John: 1980s Custom-Made Polka Dot Jumpsuit

A custom-made satin black and white striped jumpsuit with green and blue polka dots, owned by Elton John, c. 1980s. The jumpsuit features elastic at the waistband, short-sleeve cuffs, and pant leg trim, with painted polka dots throughout, and a front zipper. No size or label present. The suit was sold at one of John’s “Out Of The Closet” charity sales, c. 1990s.

• x x

Estimate: $400 - $600

Lot 438

Elton John: 1980s Signed Photograph

A black and white photograph of Elton John signed by Elton at the bottom. Accompanied by a letter explaining the origins of the photograph and the signature.

• 9in x 7.5in x 0.025in

Estimate: $300 - $500

Lot 439

Elton John: 1986 “Heartache All Over The World” Town

House Acetate And Master Tape

Elton John’s original Town House Studios, London 7 inch acetate and reel to reel master tape for Elton’s 1986 song “Heartache All Over The World.”

• 11in x 11in x 1in

Estimate: $400 - $600

Lot 440

Bernie Taupin: Elton John “The One” Record Award 1992

This is an award recognizing sales of 250,000 copies of Elton John’s The One in Germany. Encased in an ornate gold frame. Bernie Taupin is a lyricist and artist who has co-written many of Elton John’s most famous songs.

• 16in x 19in x 2.2in

Estimate: $800 - $1,200

Lot 441

Bernie Taupin: “Elton John Greatest Hits” 1970-2002 Record Award

This is an award presented to Bernie Taupin recognizing sales in the UK of 900,000 copies of Elton John Greatest Hits 1970-2002. Taupin is a long time collaborator of Elton John and is the lyricist of some of John’s most iconic songs such as “Rocket Man,” “Crocodile Rock,” “Tiny Dancer,” “Candle in the Wind,” and many more.

• 15.1in x 19.5in x 1in

Estimate: $800 - $1,200

Lot 442

Elton John: Gianni Versace Lilac Suit

A Gianni Versace lilac suit jacket and matching trousers, personally owned by Elton John. Designer labels present. Trousers size 50.The suit was previously sold as lot 205 at Gorringes Auctions in October of 2010. The auction featured lots consigned by Elton’s mother, Sheila Farebrother, and former personal assistant, Bob Halley. Includes original auction tag.

• x x

Estimate: $800 - $1,200

443

Elton John: Signed Gucci

Letterman Jacket

A multi-colored wool and leather letterman-style Gucci jacket, signed by Elton John in black marker on the interior.The jacket features a yellow “A” patch on the front and “Blind For Love “ on the back. The inside is lined in red satin. Labeled “Gucci / Made in Italy.” Size 56.

• x x

Estimate: $1,000 - $2,000

444

Liberace: Venetian Rococo Style Painted Dining Suite and Documents

A vintage eight-piece dining room set, the elaborately carved glass-topped table marked “Liberace,” having floral and shell-form aprons and cabriole legs joined by a stretcher; the four side and two armchairs with shield backs and shell crest rails, the seats covered in a damask upholstery; and the large bombé vitrine on stand with four glass-paneled doors opening to shelves above two cupboards, one fitted with flatware drawers. The suite is unmarked but resembles furniture made by Italian maker Silik or similar. (One escutcheon is damaged).The lot includes a framed collection of provenance documents, including the original paddle and invoice from the Liberace sale, along with a copy of the original catalogue. Ten items total.

• 31.3in x 35.43in x 9.06in

• Lot 1511, “The Liberace Collection,” Butterfield & Butterfield in association with Christie’s, Los Angeles, CA, April 9-12, 1988.

Estimate: $10,000 - $15,000

Lot 445

David Bowie: 1966 Full Name Signed Promo Card

A 1966 black-and-white Deram Records promotional card featuring a photo of David Bowie, signed “Mary / David Bowie” by Bowie in black marker.

• 3.5in x 5.5in x 0.025in

• Partial Lot 79, “Sound & Cinema: with property from the Marianne Faithfull Estate,” Bonhams, London, December 3, 2025.

Estimate: $1,000 - $1,500

Lot 446

David Bowie: Live Photo Print Signed By Photographer Roland Schroder

A print of David Bowie taken during his performance at the Empire Pool (now known as Wembley) on May 3rd, 1976. The image was taken by Roland Schröder who has signed the print.

• 24in x 17in x 0.025in

Estimate: $500 - $700

Lot 447

David Bowie: Signed “Low” Record Album Sleeve

The sleeve from David Bowie’s record album, Low, signed by him in black marker. Accompanied by a Letter of Authenticity.

• 12.25in x 12.25in x 0.25in

Estimate: $600 - $800

Lot

448

David Bowie: Signed Little Wonderland 1977 Tour Poster

A David Bowie Little Wonderland UK tour poster autographed on the front by David Bowie in 1997.

• 2in x 20in x 2in

Estimate: $400 - $600

David Bowie: Signed 2013 Victoria & Albert

Museum

Exhibition Poster

A framed 2013 Victoria & Albert Museum poster for the “David Bowie is Here” exhibition held from March 23 to August 11, 2013, signed by Bowie on the front in orange marker. The exhibition, curated by Victoria Broackes and Geoffrey Marsh, featured over 300 objects from the David Bowie Archive, including more than 60 flamboyant stage costumes, original lyric sheets, and personal sketches.

• 23.5in x 33in x 1.25in

Estimate: $3,000 - $5,000

Lot 450

David Bowie: 2015 Signed Letter

A typed letter from David Bowie to a school child named “Michaela,” signed by him in green marker.The letter addresses a question posed to him about what he eats before going on stage and is dated July 11, 2015.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 8in x 6in x 0.025in

Estimate: $500 - $700

Lot 451

The Cult: Billy Duffy’s Stage Played 1974 Gretsch White Falcon

A 1974 Gretsch 7594 White Falcon hollowbody electric guitar, serial #11 4011, which was Billy Duffy’s backup for his main White Falcon and appears in touring rotation at some point in the late 1990s or early 2000s. It can be seen in Billy’s hands on stage with The Cult from 2001-2007 (click here), notable for the dark section of the T in the Gretsch logo which covers the R and E, the alignment of the pickguard mounting screw hole at the bridge pickup, a blue and white interior label which is affixed at an odd angle, flaked off gold plating on the Bigsby vibrato at the Bigsby logo close to the body edge, figuring of the mother of pearl block inlays at the 1st, 9th, and 17th frets, and a dark spot on the treble side of the neck near the joint. Synonymous with the Baldwin-era Gretsch White Falcon, Duffy used his primary Falcon during The Cult’s early years from 1983-1987, defining the band’s sound with a guitar favored by rockabilly players at the time. A little brighter, lower-output, but most importantly, flashy. Duffy stood out on stage with his big, white hollowbody with gold sparkle binding and massive mother of pearl block inlays. While this isn’t that guitar, it is the same model and year, stage played and Duffy-approved. The Gretsch 7594 White Falcon features a 25.5 inch scale length maple neck with a bound 21 fret ebony fretboard with mother of pearl block inlays, zero fret, multi-ply sparkle bound headstock with aged white celluloid overlay, gold sparkle Gretsch logo, and six gold plated Grover tuners. The maple hollow body and neck are finished in white which has aged gracefully, with gold hardware, gold sparkle multi-ply binding on the top, back, and f-holes, an ebony bridge base, and a Gretsch branded Bigsby vibrato. It is equipped with two TV Jones Filter Tron pickups wired to a three way pickup selector switch, three way tone filter switch, master volume, and individual volumes controls for each pickup. Includes black Gretsch hardshell case with dark wine red interior and the original set of Gretsch Hi-Lo Tron pickups and case latch in the storage compartment.

• 20in x 46in x 6in

Estimate: $8,000 - $12,000

The Cult: Billy Duffy’s Stage, Studio, and Video Played 1976 Gibson Les Paul Custom, Natural Top

A 1976 Gibson Les Paul Custom formerly owned and stage played by Billy Duffy of The Cult, with an oval headstock decal indicating the serial #00 122996, with a stripped and refinished natural top with original black back, sides, headstock, and the neck refinished in black. Duffy played this guitar and another matching guitar on tour beginning in 1989 in support of The Cult’s album Sonic Temple, and according to interviews with Duffy, he used the pair of Les Pauls with stripped natural maple tops for “every show on and off for over 12 months.”

This guitar also appeared in the music video for the song “Fire Woman” and was used to track guitars for the band’s next album Ceremony (1991). It appears in the video for “Wild Hearted Son” where it is identifiable by the wood grain of the top, the high position of the bass side maple top seam, as well as the unique diagonal pattern of the 5th and 12th fret inlays despite the guitar having different pickup surrounds and knobs at the time. An included set of photos clearly display all of these features.

In correspondence between Billy Duffy and the consignor, Duffy confirmed that this guitar was also used on the cover of the album “Sonic Temple”. He explained that he’d planned for the guitar to have a stripped top look for the cover shoot, but this was done at a later date, so it was a different color when it appeared on the cover.

Duffy held the guitar on the cover of the January 1990 issue of Guitarist magazine, where it can be seen with its former bridge pickup with a cream bobbin for the screw coil. It can also be seen on the cover of the July 2012 issue of Vintage Guitar Magazine which features an interview with Billy Duffy. The two matching natural top Les Pauls can be also be seen side-by-side in a photograph from the article with the guitar in this lot pictured on the left. A copy of both magazines is included in this lot.

The guitar features a 24.75 inch scale length three piece maple neck refinished in black, with a bound 22 fret ebony fretboard, 22 nonoriginal frets, mother of pearl block inlays, a bone nut, multi-ply bound headstock with Gibson logo and split diamond inlays in mother of pearl, and the original tuners were replaced long ago with six nickel plated Grover tuners.

The mahogany pancake body is finished in black with a stripped and natural refinished three piece maple top, black pickup surrounds, black reflector knobs, a black toggle switch “poker chip” and switch tip, and modern Tone Pros locking Nashville style Tune-O-Matic bridge and stopbar tailpiece, both in aged nickel finish. The pickups are a high output Seymour Duncan JB in the bridge and a Gibson pickup in the neck position with the patent number stamped on the base plate, Phillips screws, and a cream bobbin facing the neck which has been painted black. This pickup may possibly be one of the pickups seen in the “Fire Woman” and “Wild Hearted Son” videos as well as the January 1990 cover of Guitarist magazine, where the guitar had one or even two “zebra” pickups with one black and one cream bobbin. The pickups are wired to a toggle selector switch and individual volume and tone controls for each.

This Les Paul includes a ‘90s Gibson hardshell case with a brown exterior and pink interior with shroud. Also includes three photographs of Billy Duffy playing this exact guitar onstage, a copy of the January 1990 issue of Guitarist, and the July 2012 issue of Vintage Guitar Magazine.

• 15in x 43in x 6in

Estimate: $20,000 - $30,000

453

Black Sabbath: Signed 1972 Mary Sol Pop Festival Poster

A framed and matted poster print of the April 1972 Mar Y Sol Pop Festival, signed by Black Sabbath members Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward.The Mar y Sol Pop Festival was a major rock event held in Manatí, Puerto Rico, from April 1–3, 1972. Often dubbed the “Puerto Rican Woodstock,” it attracted an estimated 30,000 to 35,000 attendees to a 420-acre site near Los Tubos beach.

• 19.75in x 28in x 1.5in

Estimate: $400 - $600

Ozzy Osbourne: Brad Gillis’ “Over The Mountain” 1978

Schecter Stratocaster Style Guitar, Red to Burgundy Sparkle Fade

A 1978 Schecter Stratocaster style guitar played by guitarist Brad Gillis (formerly of Night Ranger) while on tour with Ozzy Osbourne in 1982, with performances from the tour recorded and later released as the live album Speak of the Devil. Gillis used this guitar to play the song “Over the Mountain” as can be seen in concert footage.

The guitar features 25.5 inch scale length neck which appears to be made of Wenge wood with clay style dot inlays, six black vintage style tuners, Allen key affixed to the back of the headstock, and a chrome locking nut and string retainer. The body has a red-to-burgundy sparkle fade finish with a black anodized aluminum pickguard, an early chrome Floyd Rose locking vibrato bridge, and black plated knurled knobs. Equipped with a pair of red Seymour Duncan Hot Stack pickups in the neck and middle positions and a Gibson humbucker in the bridge with two T bobbins, gold screw poles on one coil, and DC Resistance measuring at 7.32k Ohms. The pickups are wired to a five way selector blade switch, a master volume control, a tone for the bridge pickup, and a tone for the neck and middle pickups.

This lot includes a brown hardshell case with a pink interior and a Guitar Center branded leather guitar strap signed by Brad Gillis.

• 14in x 41in x 4in

Estimate: $8,000 - $12,000

Lot 455

Ozzy Osbourne: Blizzard Of Ozz Signed Record Album

A UK vinyl pressing of Ozzy Osbourne’s 1980 album Blizzard Of Ozz autographed by Ozzy Osbourne on the front cover. Accompanied by a letter from a relative of the original recipient that explains the origin of the record and its autograph.

• 12.5in x 12.5in x 0.25in

Estimate: $300 - $500

456

Black Sabbath: Bill Ward Studio-Played “Sweet Leaf” Zildjian Turkish Gong

A c. 1957-1959 Zildjian Turkish gong, used by Bill Ward on “Sweet Leaf,” the opening track of Black Sabbath’s seminal studio album, Master of Reality (1971).The bronze alloy gong is 28-inches, medium-heavy weight, and features a center mount for use as a cymbal as well as two suspension holes. Small 1.25-inch stamp which reads: “Avedis Zildjian Co. / Genuine Turkish Cymbals / Made in U.S.A.”

• 28in x 28in x 2in

Estimate: $3,000 - $5,000

Lot 457

Black Sabbath: Bill Ward Signed and Additional Set Lists

Three printed setlists (one laminated), used at Black Sabbath concerts, two with notations underlining the song titles in red. One setlist is signed by Bill Ward in black marker. All include the songs “War Pigs,” “Iron Man,” and “Paranoid.”

• 9in x 14.25in x 0.025in

Estimate: $200 - $300

Lot 458

Black Sabbath: Group of Bill Ward Signature Drumsticks

A group of 16 sets of Bill Ward signature Vic Firth drumsticks, unused, dating from between 2001-2005. Together with two sets of Pro-Mark Millennium II drumsticks. According to the consignor, the sticks were received directly from Bill Ward.

• 1.25in x 17in x 4in

Estimate: $2,000 - $3,000

Black Sabbath: 1999 Bill Ward Tour Itinerary Book

An original 1999 spiral-bound Black Sabbath reunion tour itinerary booklet, with a large label on the front cover reading, “Bill Ward II.” The booklet provides all essential information on personnel, tour-related offices with contact information, maps, and day sheets for the shows.

• 6in x 8.5in x 1.5in

Estimate: $200 - $300

Lot 460

Black Sabbath: RIAA Sales Award for “The Black Sabbath Story Volumes 1 & 2” Presented to Bill Ward

An RIAA-certified “platinum” sales award presented to drummer Bill Ward to commemorate the sale of more than 100,000 DVD and VHS copies of The Black Sabbath Story Volume 1 and more than 50,000 DVD and VHS copies of The Black Sabbath Story Volume 2.

• 19.5in x 13.5in x 1in

Estimate: $2,000 - $3,000

Lot 461

Ozzy Osbourne: Signed Karera Electric Guitar, Red White and Blue Marble Finish

A Karera electric guitar, serial #9615667, in marble red, white, and blue finish. The guitar was signed by Ozzy Osbourne backstage during the Merry Mayhem Tour on December 1st, 2001 at the Alliant Energy Center in Madison, Wisconsin. This lot includes a letter of provenance from Tom Moen, Executive Director of East Madison Community Center, stating that he personally obtained this signed guitar on the stated date. Originally sold as part of a 2004 Celebrity Auction held at the Edgewater Hotel in Madison in 2004. The guitar features a 25.5 inch scale length maple neck, a 21 fret rosewood fretboard, six chrome strip tuners, chrome tremolo bridge, and a single pickup wired to a volume control. Includes gig bag.

• 17in x 46.5in x 4in

Estimate: $1,000 - $2,000

Lot 462

Zakk Wylde: Signed and Inscribed Epiphone Buzzsaw Les Paul Custom Signature Model Electric Guitar

An Epiphone Zakk Wylde Buzzsaw Les Paul Custom, serial #U06075042, signed and inscribed by Zakk Wylde in silver felt tip pen in Munich on June 28, 2007. The guitar features a 24.75 inch scale length maple neck, a blunt 22 fret rosewood fretboard, block inlays, mother of pearl Gibson logo and split diamond inlay on the multi-ply bound headstock, and six chrome Grover tuners. The mahogany body has multi-ply binding and an exciting orange and black “Buzzsaw” finish, black plastics, chrome hardware, and a pair of EMG-HZ pickups wired to a three way toggle selector, two volumes, and two tones controls. Case not included, but does include original Epiphone materials.

• 13in x 40in x 3in

Estimate: $2,000 - $4,000

Lot 463

Zakk Wylde: Signed Epiphone Zakk Wylde Les Paul Custom Signature Model, Bullseye

An Epiphone Zakk Wylde Les Paul Custom electric guitar, serial #I05120303, in Bullseye finish, signed and dated 2006 in silver felt tip pen by Zakk Wylde, guitarist and frontman of Black Label Society and former guitarist for Ozzy Osbourne. Zakk has also inscribed the date of 11/14/06 along with various projects he’s been associated with. A sticker is affixed to the back of the headstock bearing certification number Z59492. Accompanied by a Letter of Authenticity.

The guitar features a 24.75 inch scale length maple neck with a bound 22 fret rosewood fretboard, pearloid block inlays, multi-ply headstock binding, mother of pearl split diamond and Epiphone logo inlays, and six gold plated Grover tuners. The mahogany body has a carved maple top, multi-ply front and back binding, eye-catching Bullseye finish, white finish on the back and sides, black plastics, black speed knobs, gold bridge and stop tailpiece, and a pair of EMG-HZ pickups wired to a three way toggle selector switch and individual volume and tone controls for each pickup.

Includes black Epiphone hardshell case with grey plush interior.

• 15in x 43in x 6in

Estimate: $2,000 - $4,000

Zakk Wylde: Signed Epiphone Zakk Wylde Les Paul Custom Signature Model, Camouflage Bullseye

An Epiphone Zakk Wylde Les Paul Custom electric guitar, serial #I05091765, in camouflage Bullseye finish, signed and dated 2018 in gold felt tip pen by Zakk Wylde, guitarist and frontman of Black Label Society and former guitarist for Ozzy Osbourne. A sticker is affixed to the back of the headstock bearing certification number Z59493; a card found in the case pocket celebrating Zakk using EMG pickups for 25 years is also signed by Zakk in black felt tip pen, dated 2013, and bears number Z78560. Accompanied by two Letters of Authenticity.

The guitar features a 24.75 inch scale length maple neck with a bound 22 fret maple fretboard, pearloid block inlays, multi-ply headstock binding, mother of pearl split diamond and Epiphone logo inlays, and six gold plated Grover tuners. The mahogany body has a carved maple top, multi-ply front and back binding, eye-catching camouflage Bullseye finish, black finish on the back and sides, black plastics, reflector knobs, gold bridge and stop tailpiece, and a pair of EMG Zakk Wylde limited edition Bullseye active pickups (9v battery required) wired to a three way toggle selector switch and individual volume and tone controls for each pickup. Includes black tooled hardshell case with yellow fur interior, a black towel, and aforementioned EMG card.

• 15in x 41.5in x 6in

Estimate: $2,000 - $4,000

465

A 2005 Epiphone Zakk Wylde Signature Les Paul Custom serial #I05023131 in an eye catching orange and black Buzzsaw finish. This guitar was signed in black felt tip pen by former Ozzy guitarist and Black Label Society frontman Zakk Wylde and BLS guitarist Nick Cantanese aka the “Evil Twins” of Black Label Society. Zakk has inscribed the guitar with a date of 2/01/07 along with bands he’s played in: “OZZY/BLS/SDMF/DIME.”

The guitar features a 24.75 inch scale length maple neck with a scarf joint headstock a bound 22 fret rosewood fretboard block inlays seven ply binding on the headstock with mother of pearl Epiphone logo and diamond inlays and six chrome plated Grover tuners. The mahogany body has a maple top and is finished in an orange and black Buzzsaw design with seven ply binding on the top and five on the back chrome bridge and tailpiece black plastics and a pair of EMG HZ pickups wired to a three way selector switch with volume and tone for each. Includes black Epiphone hardshell case with dark grey interior.

• x x

Estimate: $4,000 - $6,000

Lot 466

Ozzy Osbourne: Signed “Ban Trophy Hunting” T-Shirt

A size large “Ban Trophy Hunting” white t-shirt designed by Ozzy Osbourne and signed on the front in purple marker by Ozzy. Sharon and Ozzy donated the shirt to aid the charity work of Ban Trophy Hunting and are seen on their website wearing similar shirts. Accompanied by a photo of Sharon and Ozzy in Ban Trophy Hunting shirts.

• 10in x 8in x 2in

Estimate: $300 - $500

Lot 467

Ozzy Osbourne: “Muse des Bois” Edouard Drouot

Sculpture from “The Osbournes” Home

Muse des Bois, is a sculpture created by the French artist Edouard Drouot (1859-1945) depicting a young nymph playing pipes. Bronze casting with gilded patina. Signed on base. This sculpture appeared in the living room throughout The Osbournes television series which aired on MTV from 2002-2005.

• 12in x 30in x 12in

• Partial lot 258, “The Osbourne Collection 2007,” Julien’s Auctions, Beverly Hills, CA, November 30-December 2, 2007

Estimate: $8,000 - $12,000

Lot 468

Ozzy Osbourne: Gilt-Bronze Figural Lamp

A gilt-bronze figural lamp, with a naked female figure on a shaped base, without a shade. This lamp is thought to be the cause of the 2006 fire at the Osbourne’s House. Sharon told the LA Times in 2007 that the lamp used to have a glass shade that shattered in the fire.

• 14in x 27in x 14in

• Lot 68, “The Osbourne Collection 2007,” Julien’s Auctions, Beverly Hills, CA, November 30-December 2, 2007

Estimate: $800 - $1,200

Lot 469

Ozzy Osbourne: Group of Three Modern Barstools

A group of three modern barstools, from the collection of Ozzy Osbourne, with swiveling iron bases, leather and suede upholstery, and sea grass backs.

• 17in x 43.5in x 17.5in

• Lot 200, “The Osbourne Collection 2007,” Julien’s Auctions, Beverly Hills, CA, November 30-December 2, 2007

Estimate: $600 - $800

Lot 470

Ozzy Osbourne: Pair of Carved Stained Beech Torcheres

A pair of carved stained beech torcheres, from the collection of Ozzy Osbourne, each with a black marble top, on scroll husk and leaf carved legs.

• 16in x 43.5in x 16in

• Lot 70, “The Osbourne Collection 2007,” Julien’s Auctions, Beverly Hills, CA, November 30-December 2, 2007

Estimate: $1,000 - $1,500

Lot 471

Alice Cooper: 2012 “Raise The Dead” Tour Stage-Worn Studded Leather Jacket

A fully studded black leather jacket with patches and spiked epaulets and shoulders, stage-worn by Alice Cooper on multiple occasions during his 2012-2015 “Raise the Dead” tour. The tour was famously named after Cooper’s former drinking club, the “Hollywood Vampires,” and served as a tribute to deceased rock legends like John Lennon, Keith Moon, and Jimi Hendrix.The jacket, designed by Hazmat Custom jackets in Los Angeles, features a large custom “Alice Cooper” snake and skull patch on the back, as well as three patches on the front, including a skull and crossbones, a “Cooper” patch, and a “BitchBitch-Bitch” mouth and tongue logo patch. “Brutal P” is handwritten on the interior under the label. No size present.

• x x

Estimate: $5,000 - $7,000

Alice Cooper: Signed 2021 Ace Frehley and Alice Cooper Tour Poster

An original poster for the September 29, 2021 concert for Alice Cooper with special guest Ace Frehley, held at the TCU Amphitheater at White River State Park in Indianapolis, Indiana.The poster features a skeleton graphic and is signed in grey and blue marker by Cooper and Frehley.

• 18in x 24in x 0.025in

Estimate: $200 - $300 Lot 473

Lemmy Kilmister: Owned, Worn, and Signed Boots

These are a pair of size 9 white Cuban-heel boots owned, worn, and signed by Motörhead frontman Lemmy Kilmister. Lemmy had multiple pairs of the same boots that he wore on stage. He even told a magazine that he kept a number of them because he frequently wore them out starting with the right boot as seen in this pair. He’s seen wearing a pair on the Ace Of Spades album cover, in many appearances such as Top of the Pops, and in his every day life. The previous owner of these boots won them in 2002 when a Swedish channel hosted the Televised gala Världens barn-galan to raise money for children in need.Lemmy humorously wrote descriptions on the boot as if they were a package in the mail: “To Whom it may concern,” “back,” and “front” with arrows on the right boot, and on the sole of the left boot Lemmy has written “this side down.”

• 12in x 5in x 11in

Estimate: $800 - $1,200

Lot 474

Motorhead: 1990s Lemmy Kilmister Handwritten Letter

A one page letter written by Motörhead frontman Lemmy Kilmister sent to Alan Burridge. The letter discusses the circumstances of a tour cancelation during the 1990s. The letter comes in the original mailing envelope bearing Lemmy’s personal Ian F. Kilmister stamp. From the estate of Alan Burridge, head of the UK fan club Motorheadbangers, the band’s official biographer and close friend of Lemmy.

• 8.5in x 11in x 0.025in

Estimate: $200 - $400

Metallica: Kirk Hammett Stage-Played Studio-Played and Signed Very First Ouija Glow In The Dark ESP Custom Electric Guitar

A 1993 ESP Kirk Hammett Ouija electric guitar made by the ESP Custom Shop for Kirk Hammett of Metallica. Made in Japan and acquired by Kirk in 1993 this guitar was the first of his two Ouija themed guitars and quickly became one of Kirk’s favorite guitars immediately going into heavy rotation for Metallica’s 1993 “No Where Left To Roam” touring cycle. The guitar is signed by Kirk on the back and dated 2019 where he declares it “The very first Ouija guitar - 0001!” Handwritten in gold he goes on “This was one of my main touring + recording guitars throughout the ‘90s” and also lists the guitars studio recording bona fides which includes Metallica’s Load Re-Load Garage Inc The Black Album and Death Magnetic.

Kirk used the guitar at innumerable Metallica concerts where it can be seen in photos and footage including the five night stint at Mexico City’s Palacio De Los Deportes from February 25th-March 2nd 1993 later released as a live album on CD VHS and DVD as Live Shit Binge & Purge. It can also be seen onstage with Kirk in the TV broadcast from Milton Keynes National Bowl (UK) from June 5th 1993 as well as various DVD releases including Some Kind of Monster (2004) Making of Death Magnetic (2008) Français Pour une Nuit (2009) Quebec Magnetic (2012) and the live stream from the Voodoo Music & Art Experience at City Park New Orleans (2012). Kirk used the guitar until 2015 having already sold its backup in 2001.

The ESP Ouija features a 25.5” scale length three piece maple neck which runs through the entire body with a 24 fret rosewood fretboard, crescent moon and star inlays, dual star inlays at the 24th fret, a black chrome locking Floyd Rose nut, six black ESP branded tuners, and an ESP Custom Guitars logo on the back of the headstock. The body wings are glued to the center neck portion, also made of maple, and the body is finished in black and white graphics with glow in the dark elements, taken from Hasbro’s Ouija, a spirit board said to allow communication between living souls and those passed on into the great hereafter. Equipped with black barrel control knobs, black plastics, a black chrome Floyd Rose Original vibrato, and a set of EMG pickups wired to a three way blade switch, master volumes for each pickup, and a master tone. The guitar requires a 9v battery (not included) to operate.

Includes a black ESP hardshell case with a black interior black chrome tremolo arm one signed photo of Kirk with the guitar 2 unsigned photos and a number of guitar music magazines and foldouts featuring Kirk and this ESP Ouija guitar many of which are signed by Hammett. Accompanied by a Certificate of Authenticity from Kirk Hammett.

• x x

Estimate: $250,000 - $350,000

Megadeth: Dave Mustaine’s Stage Played and Signed 2007 Dean Blood

Lust

Double Neck Mustaine V Electric Guitar

A 2007 Dean Dave Mustaine Double Neck V, serial #07 02765, owned and stage played by Dave Mustaine, frontman of legendary thrash metal band Megadeth on tour from around 2009-2011. Mustaine has signed the back of the 12 string headstock in black felt tip pen and has inscribed an anarchy symbol along with his signature. This lot includes high quality photographs of Mustaine playing the double neck on stage as well as a signed COA.

Used primarily on the song “Trust,” this guitar can be seen in Mustaine’s hands on numerous dates across a number of tours. This includes the band’s shows in Baltimore, MD on October 6th, 2010 on the Jägermeister Music Tour, and on the European Carnage tour from March 13th to April 14th, 2011 (Paris, Bamberg, and Rome).

This USA-made double neck guitar features two 25.5 inch scale length mahogany necks with bound 24 fret ebony fretboards, combination shark fin and dot inlays, black nuts, six in line headstocks, and six black Grover tuners on each headstock with half of the strings on the 12 string side anchored at the headstock. The three-pointed mahogany body is finished in a red-to-black Blood Lust fade, set off by black hardware including the TonePros bridges, V shaped tailpieces, control knobs, and the row of six Grover tuners located at the lower body bout for tuning the octave strings of the 12 string neck. Black plastic pickup surrounds, countersunk strap locks, and switch tip. Equipped with a trio of Seymour Duncan Dave Mustaine LiveWire active pickups wired to a three way toggle selector switch, individual volumes for each neck, a master tone control, and a three way switch located in the lower middle of the body for switching between the necks.

Includes hardshell case and a heavy duty leather strap with locks installed. The case is marked “C Rig 6/12 Bomb Pop” on yellow tape. 9v battery not included.

• 24in x 48in x 5in

Estimate: $5,000 - $7,000

Megadeth: Dave Ellefson’s Stage Played Big Four Tour Jackson Custom Shop Five String Bass Guitar, Silver

A stage played and signed c.2009 Jackson Custom Shop five string electric bass guitar, serial #J7596, custom made for Dave Ellefson of Megadeth, who played it during the Big Four Tour from 2010-2011, which featured sets from Metallica, Slayer, Anthrax, and of course, Megadeth. Ellefson has signed the back of the headstock and the lot includes a signed COA, a signed Hartke amplifier ad wherein Dave is holding the bass, plus a framed and signed photo of Dave playing the bass along with a stage used green Dunlop Tortex pick.

It can be seen in Ellefson’s hands in footage and photographs from these shows, including in Sofia, Bulgaria on June 22nd, 2010 and on July 9th, 2011 at the Sonisphere Festival held in Amnéville, France. The bass is identifiable thanks to the unique patterns of its mother of pearl shark fin inlays, especially the fifth, ninth, and twelfth fret inlays, which are particularly active.

The bass features a 34” scale length maple neck with a bound 21 fret ebony fretboard, mother of pearl shark fin inlays, a black nut, matching painted and bound headstock, and five black Hipshot tuners. The body is finished in silver metallic and wears a black Badass V bridge, and is equipped with a pair of EMG pickups with BQS active circuitry (9v battery required, not included).

Includes a blue hardshell case with blue interior, embroidered Rust In Peace fallout symbols, Ellefson signature, and Jackson logo. Also includes the aforementioned framed and signed photo, COA, and ad.

• 15in x 51.5in x 6in

Estimate: $3,000 - $5,000

Megadeth: Dave Mustaine’s Tour Used Dean Angel of Deth #2 Zero Electric Guitar

A stage played and signed 2010 Dean Zero Angel of Deth II electric guitar, serial #10 00321. Played on tour by Dave Mustaine of Megadeth from 2010-2013, including the TH1RT3EN tour spanning November 2011 to April of 2012. Mustaine held the guitar on the cover of Guitar World’s Big Four issue from November of 2011.

It can be seen in Mustaine’s hands during numerous concerts including the band’s Big Four Tour performance in Ullevi, Sweden on July 1st, 2011 as well as that year’s Halloween performance of “Public Enemy No. 1” on Jimmy Kimmel Live! on October 31st. The guitar includes a COA signed by Dave Mustaine confirming the guitar is “concert used” with a photo of Dave playing the guitar printed on the second page.

According to green tape affixed to the case, Mustaine retired the guitar on January 15th, 2013. He’s autographed the back of the headstock in bronze over silver felt tip pen and inscribed an anarchy symbol next to it. The guitar stands out with its “Angel of Deth II” artwork which has lightly yellowed from UV exposure, with signs of play wear including tarnished pickup covers, pick marks, dings, and some fret wear.

The guitar features a 25.5 inch scale length neck with a 24 fret ebony fretboard, combination mother of pearl shark fin and dot inlays, six in line headstock, and six black Grover tuners. The body is finished in black with graphic applied to the top an wears black plastics, black hardware for the TonePros bridge and V tailpiece, black countersunk strap locks, black dome knobs, and a pair of Dave Mustaine signature Seymour Duncan LiveWire active pickups wired to a three way toggle selector switch, individual volumes for each pickup, and a master tone control.

Includes black Dean hardshell case with black interior and aforementioned COA. • 19.5in x 48in x 5in

Estimate: $4,000 - $6,000

Lot 479

Megadeth: Dave Mustaine’s Stage Played 2012

Dean

VMNT Angel of Deth Electric Guitar

A 2012 Dean VMNT “Angel of Deth” Flying V electric guitar, made in Indonesia, serial #CT120704944. Originally part of the 2014 Countdown To Extinction auction which featured 20 of Dave Mustaine’s studio and tour used instruments, this instrument is signed by Mustaine on the back of the headstock in gold felt tip pen with an Anarchy symbol beneath. The guitar includes a COA signed by Dave Mustaine which calls this guitar “concert used” but we were unable to photo match the guitar to any specific performance (his stage-used Angel of Deth instrument had a black V tailpiece instead of the string-thru ferrules found on this guitar).

The guitar features a 25.5 inch scale length mahogany neck, a bound 24 fret ebony fretboard, combination shark fin and dot inlays, six in line headstock with black Grover tuners, and as mentioned, Dave has signed the back of the headstock. The mahogany body has a black finish with Angel of Deth graphic applied to the top, black plastic pickup surrounds, black knurled knobs, a black TonePros bridge, countersunk strap locks, and thru-body stringing. The guitar is equipped with a pair of Seymour Duncan Dave Mustaine LiveWire active pickups wired to a three way toggle selector switch, individual volumes for each pickup, and a master tone control. Note: the 9v battery compartment is covered with gaffer’s tape.

Includes a black Dean hardshell case with the guitar’s serial number written on a piece of gaffer’s tape affixed to the lid. The case has a black plush interior.

• 19.5in x 50.5in x 5in

Estimate: $3,000 - $5,000

Megadeth: David Ellefson Signed Jackson 30th Anniversary X-Series 5-String Concert Bass CBX-V, Black

A Jackson 30th Anniversary David Ellefson X-Series 5-String Concert Bass CBX-V, serial #ICJ2205829, in black finish and signed by Megadeth bassist David Ellefson in silver felt tip pen on the back of the headstock. Acquired directly from Ellefson by the consignor. The bass features a 34 inch scale length maple neck with a black-bound 21 fret laurel fretboard, a compound 12-16 inch radius, pearloid shark fin inlays, and five black Jackson die-cast tuners. The poplar body and neck are finished in black with a black Jackson HiMass five string bridge, a P/J pickup configuration, three way toggle selector switch, and controls for volume, treble, and bass. Case not included.

• 13in x 45.5in x 3in

Estimate: $3,000 - $5,000

Lot 481

Megadeth: Jackson CBX V David Ellefson Signature 5-String Electric Bass, Satin Black

A Jackson CBX-V Concert Bass electric bass guitar, serial #ICJ2132255, in satin black finish and signed in silver felt tip pen by David Ellefson, bassist for legendary metal band Megadeth. Signed by Ellefson on the upper bass side bout, this bass was acquired directly from David Ellefson by its current owner. The bass features a 34” scale length maple neck with a bound 21 fret rosewood fretboard, pearloid shark fin inlays, five black tuners on the bound headstock, and a 12-16 inch compound fretboard radius. The basswood body is finished in satin black with a black HiMass five string bridge, two EMG active pickups, and controls for master volume, pickup balance, and a three band EQ. Case not included.

• 13in x 45.5in x 2.5in

Estimate: $2,000 - $4,000

Lot 482

Megadeth: Dave Mustaine Stage-Played and Signed Gibson Dave Mustaine Flying V, Antique Natural

A 2022 Gibson Dave Mustaine Signature Flying V EXP electric guitar, serial #234610177, in Antique Natural finish. The guitar is stage played and hand signed by Megadeth frontman Dave Mustaine in black felt tip pen.

In 2022, this instrument and a number of others like it were offered at auction to fans of Megadeth via the band’s website, all stage played during the song “Symphony of Destruction” across dates of the Metal Tour of The Year 2022 tour. This particular instrument was played by Dave Mustaine onstage on an unspecified date. It retains its original Gibson factory inspection card bearing its serial number dated January 11th, 2022.

The guitar features a 25.5 inch scale length mahogany neck with a bound 24 fret ebony fretboard, mother of pearl Teeth inlays, six black Grover mini Rotomatic tuners on the Explorer style headstock, Graph Tech nut, mother of pearl Gibson logo inlay, and Dave Mustaine signature truss rod cover. The mahogany body and neck are finished in Antique Natural, with black plastics, black witch hat knobs, black Nashville Tune-O-Matic bridge and stop bar tailpiece, and a pair of Seymour Duncan Dave Mustaine signature Thrash Factor pickups wired to a three way toggle selector switch, two volumes, and a master tone control. Includes original grey hardshell case with grey plush interior, factory inspection card and baby photo, Gibson strap, and accessories pouch.

• 19in x 48in x 5.5in

Estimate: $6,000 - $8,000

Anthrax: Scott Ian’s Stage and Studio Played Big Four Jackson Custom Shop USA T-1000 Soloist, Silverburst

A stage played silverburst Jackson Custom Shop T-1000 Scott Ian Signature electric guitar, serial #J7660, played by Scott Ian of Anthrax on numerous tours including the legendary Big Four tour featuring Anthrax, Slayer, Megadeth, and Metallica all on the same stage. Ian held this guitar in a cover photo shoot for the Guitar World November 2011 issue featuring players from each of the Big Four. According to an included handwritten letter from Ian, he also used this guitar to record many tracks for the band’s 2016 album For All Kings.

Named after Robert Patrick’s mimetic polyalloy assassin from the James Cameron movie Terminator 2, Ian used this silverburst guitar on tour on and off from 2010 through 2016 where it can be seen in numerous photos and videos from the era. This includes the June 22nd, 2010 Bulgaria Big Four tour date, in Jakarta, Indonesia on March 31st, 2012, as well as in Ian’s hands in various guitar rig tours on YouTube including one with Jackson guitars in 2011 and with Fret 12 in 2016.

At the time of the November 2011 Guitar World cover shoot, the guitar was still in its original configuration with an Adjust-O-Matic bridge and thru-body string anchoring. At some point early in 2012, Ian had an Evertune Bridge (a bridge that acts as a mechanical memory for the tuning of each string) installed on the guitar in place of its stock hardware, and appeared on the Evertune website as an artist endorsee on March 18th of that year, which featured an image of Ian holding this guitar.

Later, after numerous winter European tours, the guitar’s original finish was left with a lot of checking from deeply cold temperatures and was sent back to Jackson for refurbishment. Refinished in the same silverburst finish, some small details changed including the original black Jackson logo being swapped for a white logo. So different was the instrument to Ian’s eye that he didn’t recognize it until 2019, when he sifted through his gear locker and made six phone calls in an attempt to track it down, only to realize that the guitar he was searching for had actually been on his couch since Christmas of the previous year.

The story of this guitar’s use, modifications, and Ian’s fondness for it are lovingly and humorously detailed in a handwritten letter from Ian himself which is included with this lot. At the end of the letter, he writes: “You’re getting a really special guitar…” We agree.

The guitar features a 25.5 inch scale length mahogany neck with a bound 24 fret ebony fretboard, mother of pearl Hi Voltage position marker inlays, a bound headstock with matching silverburst finish, large of-white painted Jackson logo, a brass nut, six black Jackson branded tuners, and no finish on the back of the neck. The maple-capped mahogany body is finished in silverburst with black hardware, a black pickup ring, a single Seymour Duncan pickup mounted directly to the wood, a lone volume control, and the mechanical marvel that is the Evertune bridge, which is, unsurprisingly, still in tune to this day. The rear of the body has a clear plastic cover which allows a scenic view of the Evertune’s impressively engineered internals, while the control cavity cover is of black anodized aluminum.

Includes black hardshell case with black interior and white Anthrax logos on the front and back.

• 15.5in x 43in x 6in

Estimate: $5,000 - $7,000

Anthrax: Scott Ian’s Stage Played “Baldini” 2015 Jackson King V, Candy Apple Red

A stage played 2015 Jackson Custom Shop King V “Baldini” electric guitar, serial #J8826, in Candy Apple Red finish. Custom-made for Scott Ian of legendary heavy metal band Anthrax with his nickname Baldini, given to him by late Pantera guitarist “Dimebag” Darrell Abbott, painted on the back of the neck in silver metallic finish. This guitar was purchased by its owner directly from Scott Ian.

Used on tour by Ian from 2016-2019, the guitar has been footage-matched to Ian’s 2019 Sweetwater Rig Tour as well as Anthrax’ set at Rockpalast in Gelsenkirchen, Germany on June 9th, 2019 thanks to its very distinctive 3rd, 15th, and 21st fret inlays as well as the cellophane tape on the treble side of the neck pickup bobbin.

The guitar features a 24.75 inch scale length neck with a bound 22 fret rosewood fretboard, mother of pearl block inlays, bound matching headstock, black nut, mother of pearl Jackson logo inlay, and and six chrome Jackson branded tuners. The mahogany body is finished in Candy Apple Red with an off-white pickguard, chrome Adjust-O-Matic bridge and stop tailpiece, black dome knobs, and black switch tip. Equipped with a pair of Seymour Duncan humbuckers, likely a JB in the bridge, with only the bridge pickup wired to the volume control; switch and tone control are disabled. Includes black molded hardshell case with the Anthrax logo stenciled on the outside (partially worn) with black interior and original Jackson pre-pack checklist dated 3/4/15.

• 21in x 49in x 6in

Estimate: $8,000 - $12,000

Lot 485

Anthrax:

Scott Ian’s Stage Played 2010 Dimebag Darrell Tribute Jackson Custom Shop Dime Slime Soloist

A 2010 Jackson Custom Shop Dime Slime Soloist electric guitar, serial #J8599, owned and stage played by Scott Ian of Anthrax. This guitar, purchased directly from Ian by its owner, was custom made for Ian as tribute to Dimebag Darrell, late guitarist of Pantera and Damageplan. It is finished in Dimebag’s signature “Dime Slime” yellow-to-green sunburst finish with a photograph of Ian and Dimebag Darrell together on the tremolo cavity cover with stars drawn on each of their heads.

Scott Ian played this guitar onstage at the Rock on the Range festival in Columbus, Ohio on May 17th, 2015. Judging by the small amount of play wear, it doesn’t appear this guitar saw a lot of stage time.

The guitar features a 25.5 inch scale length maple neck with a 24 fret ebony fretboard, mother of pearl shark fin inlays, a mother of pearl Jackson logo on the bound headstock, and a chrome locking nut and Jackson branded tuners. The body appears to be alder and finished in green, capped off with a flame maple top in Dime Slime burst finish. The guitar is equipped with a chrome Floyd Rose tremolo bridge, a black tremolo arm, chrome barrel knobs, a chrome neck pickup surround, and a black bridge pickup surround. For pickups, it has a Seymour Duncan humbucker in the neck position and one of Ian’s signature El Diablo dual rail humbucker pickups in the bridge; only the bridge pickup and volume control are wired into the circuit. The guitar wears Dunlop Dual Design strap lock buttons and includes a Washburn soft case.

• 15in x 42in x 6in

Estimate: $8,000 - $12,000

Slayer: Gary Holt Signed, Tour Used, and Gifted LTD GH-600 Electric Guitar, Black with Red Binding

A 2016 LTD GH-600 electric guitar, serial #W16010562, in black finish with red binding and pickup covers. Stage played on tour with Slayer by guitarist Gary Holt from 2016-2019 and confirmed to be stage-used by Gary himself in messages dating to September of 2025.

Holt had a number of his LTD signature models in his touring rig, often used as backups for his main stage guitars; tape on the bass side of the headstock is marked “B2” with additional tape on the control cavity cover that reads “Drop B” which indicates it was used as a backup for the main Drop B-tuned guitar. Being that this low tuning is a rarity within Slayer’s catalogue, its use as a backup would have been limited to songs like “Payback” from the band’s album God Hates Us All (2001) or “Cast the First Stone” from Repentless (2015), the former having been part of the set list for the band’s final concert on November 30th, 2019.

Gary Holt personally gifted this guitar to bladesmith and champion of The History Channel’s Forged in Fire Neil Kamimura, who in 2021 forged a knife out of Holt’s guitar strings used on Slayer’s 2019 Farewell Tour. Holt has signed the guitar in bronze felt tip pen at the rear base of the headstock. The case lid is signed in gold felt tip pen by Holt himself and inscribed with the following message: “Neil! A Slayer Axe for the Slayer blade! Much Love + respect!”

The guitar features a 24.75 inch scale length set-thru three piece mahogany neck with a bound 22 fret ebony fretboard, acrylic pearl split block inlays, black plated locking nut, six black Grover tuners, and mother of pearl LTD logo inlay on the bound headstock. The mahogany body is finished in black with red top binding, black plastics, a black Floyd Rose locking tremolo bridge. It is equipped with an active EMG 81 and 89r pickup set (9v battery required) wired to a three way toggle selector switch, bridge volume control, and push-pull neck volume control for coil split. Includes hand inscribed black hardshell case with grey interior, extra tremolo springs, and black tremolo arm.

• x x

Estimate: $4,000 - $6,000

Lot 487

KISS: Ace Frehley Signed 1974 Promotional Copy Self-Titled Record Album

A promotional vinyl copy of the debut self-titled KISS album, released in 1974, signed in silver marker on the front cover by Ace Frehley. Sealed. The iconic cover features the four band members in their signature makeup against a black background, a pose inspired by The Beatles’ With the Beatles album cover.

• 12.25in x 12.25in x 0.25in

Estimate: $100 - $200

Lot 488

KISS: Ace Frehley Guitar Picks

A collection of 31 Ace Frehley guitar picks from various Kiss and Frehley’s Comet tours. This lot includes three (3) Frehley’s Comet picks in pink, green, and black; one (1) white pick with a KISS logo on one side and Ace Frehley’s name on the other; one (1) black Ace Frehley pick; one (1) white unused pick from the KISS Alive/Worldwide tour of 1996-1997; and the following seemingly unused picks from the KISS Farewell Tour 2000: four (4) green from Long Island, NY on 6/9, nine (9) white from Hershey, PA on 7/5, four (4) orange from George, WA on 7/22, four (4) transparent blue from Portland, OR on 7/24, and three (3) transparent blue from Austin on 8/17. Also included is one (1) white pick from Ace’s Anomaly Tour from 2009-2010 which appears to have been used, with smudged ink and edge wear. • 4in x 7in x 0.25in

Estimate: $400 - $600

KISS: Ace Frehley’s #1 “Budokan” 1975 Triple Pickup Gibson Les Paul Custom, Cherry Sunburst

Ace Frehley’s stage played #1 “Budokan” 1975 Gibson Les Paul Custom with three cream pickups and cherry sunburst finish, serial #657947 with what appears to be an A prefix. Instantly recognizable as Ace’s main axe during the band’s most prolific period, this triple-pickup Les Paul Custom was used by Frehley for every KISS concert during the band’s 1976 Rock and Roll Over tour through 1979’s Dynasty tour.

This is the very guitar Ace played at the band’s legendary four night residency at Japan’s Nippon Budokan arena from April 1st-4th, 1977, where it gained the nickname “Budokan.” Ace used it to record the KISS album Love Gun in May of 1977 and continued to use it on tour as his main guitar through 1979, when it was relegated to back-up duty. As a result, it saw less frequent stage time during the Unmasked tour in 1980 through the end of Ace’s tenure in the band at the tail end of 1982 after a short promotional tour in Europe.

He continued to use this guitar throughout the 1980s, albeit with some modifications down the line that included replacing the bridge pickup with a black humbucker and adding a chrome Washburn Wonderbar vibrato system with matching string retainer at the nut, which explains the holes located at the truss rod cover area of the headstock. Photos of Ace using the guitar in this configuration in 1987 are included, but the guitar was soon restored back to its more famous bridge and pickup complement as seen here.

Ace Frehley’s sunburst 1975 Gibson Les Paul Custom is a truly iconic instrument inextricably linked to Frehley’s career and of utmost historical importance for KISS fans around the globe. It spawned a number of high-end signature model collaborations with Gibson guitars, with initial prototypes built in 1996 for its first batch of three-pickup Ace Frehley Les Pauls known as “The 300” finally released in 1997, which featured lightning bolt inlays and Ace’s face inlaid on the headstock in mother of pearl. Alongside The 300, Gibson also offered USA made signature models, and in 2011 Gibson released “The Budokan” Les Paul, a limited Custom Shop replica of this very guitar in both Aged and VOS runs, plus a concurrent Gibson USA release.

While previously reported to be a 1974 model, this Gibson Les Paul Custom has a date stamp of August 13, 1975 located on the neck heel which is visible from the neck pickup rout, as well as potentiometer date codes indicating the 37th and 52nd weeks of 1974. It features a 24.75 inch scale length three piece mahogany neck with a bound ebony fretboard re-fretted with 22 very large frets, no binding nibs, mother of pearl block inlays, a headstock bound with five ply white and black plastic, mother of pearl Gibson logo and split diamond inlays on the headstock veneer, and is fitted with six chrome Grover tuners with pearloid buttons. The body has ‘pancake’ construction, with two layers of mahogany and a thin middle layer of maple between them, plus an additional layer of maple beneath the maple top; the three piece maple top, back, sides, and neck are finished in cherry sunburst.

The top is bound with seven ply white and black binding with five ply on the back, with cream plastics for the DiMarzio pickup bobbins, pickup rings, pickguard, switch tip and poker chip. On the back of the body is a blue and gold presidential seal. The Gibson ABR-1 bridge and stop bar tailpiece are chrome plated and the guitar wears a mismatched set of gold speed knobs. The guitar is equipped with a pair of DiMarzio PAF pickups in the neck and middle positions which are not wired into the circuit, and a DiMarzio Super Distortion in the bridge position connected the appropriate set of volume and tone controls; the three way toggle selector switch engages the bridge pickup in the bridge and middle positions with a mute on the neck.

Ace’s Budokan Gibson Les Paul Custom includes a 1990s brown Gibson hardshell case with pink interior and shroud. The exterior of the case has neon tape on the outside with “#1” written on it and white stenciling which reads “R1” and “Top.” Also includes a collection of 17 photographs of Ace playing the guitar onstage with KISS and a pink receipt from Gibson Custom Shop from June of 2011, when Gibson was inspecting the guitar in preparation for the “Budokan” replica guitars. https://www.youtube.com/watch?v=FbNE5aTzvKE

• 15.5in x 42in x 6in

Estimate: $400,000 - $600,000

Ace Frehley: 1976 Photo-Worn Arthur Kane-Gifted Satin Jumpsuit with Magazine Clippings

A dyed magenta satin jumpsuit, worn by Ace Frehley in a series of photographs published in January of 1976. The jumpsuit (originally white) was gifted to Frehley by The New York Dolls bassist, Arthur Kane, who first wore it on stage in the early 1970s. The jumpsuit features an asymmetrical front zip and front pocket zip, with black satin and metallic stripe details on each sleeve, and tapered legs. No size or label present. Includes three vintage magazine clippings featuring Frehley wearing the jumpsuit. Click here for image of Kane wearing the jumpsuit.

• x x

Estimate: $3,000 - $5,000

Lot 491

KISS: 1976 “Rock And Roll Over” Press Kit

An original press kit for the 1976 KISS album Rock And Roll Over, including: a three-page typed press release, seven pages of press clippings, six color publicity photos, and a color graphic page.Released on November 11, 1976, Rock and Roll Over is the fifth studio album by KISS. Following the polished production of their previous album, Destroyer, the band intentionally sought a raw, “live” feel for this record, working with producer Eddie Kramer at the Star Theatre in Nanuet, New York.

• 8.75in x 11.5in x 0.25in

Estimate: $200 - $300

Lot 492

Ace Frehley: 1976 Financial Statements

Two vintage photocopies of Ace Frehley’s financial statements, including: one dated December 31, 1976, titled “KISS - Partner Draw - Paul Frehley,” listing various charges comprising a cash advance of $55,354, and an Airline Beer Stein - $36. The second document lists net worth, net income, and withdrawals through the year 1976, showing a net worth of -$36,945.

• 8.5in x 11in x 0.025in

Estimate: $300 - $500

Ace Frehley: 1977 Japanese Bomber Jacket

A cream silk bomber jacket, personally owned and worn by Ace Frehley during the KISS 1977 “Rock & Roll Over” Tour, which began on November 24, 1976, and ended April 4, 1977. According to the consignor, each member of the band was personally presented with one of these jackets by Mr. Udo, a legendary promoter in Japan. The jacket features front snap button closures, knitted cuffs and collar, and various patches, including a large tiger and “KISS Japan” patch at the front, a “Van Jacket Inc.” patch at the shoulder, and an “Udo Artists Inc.” patch at the other shoulder. The back of the jacket features a large Japanese sun with Japanese characters that read “life.” No size or label present. The jacket features a makeup stain, which Ace confirmed with the consignor originated from his own makeup following a performance.KISS’s first-ever 1977 tour of Japan is remembered for its high-energy performances, iconic costumes, and Frehley’s legendary guitar solos. On the tour, KISS performed four historic shows at the Nippon Budokan in Tokyo.

• x x

Estimate: $4,000 - $6,000

Lot 494

Ace Frehley: 1977 Japanese Embroidered Kimono

A full-length black kimono, personally owned by Ace Frehley, featuring an embroidered golden dragon at the shoulder, an additional red and white embroidery at the other shoulder, and red interior lining. The back of the kimono features a full-length gold dragon flying through storm clouds. Labeled “Marukyo Kyoto - Tokyo.” This kimono is similar to the one Frehley was photographed wearing during a March 27, 1977 promotional photo shoot, during the KISS “Rock & Roll Over” tour. KISS’s first-ever 1977 tour of Japan is remembered for its high-energy performances, iconic costumes, and Frehley’s legendary guitar solos. On the tour, KISS performed four historic shows at the Nippon Budokan in Tokyo.

• x x

Estimate: $4,000 - $6,000

Lot 495

KISS: 1977 “Alive II” Ace Frehley Signed Press Kit

An original press kit folder for the 1977 live album by KISS titled Alive II, signed by Ace Frehley on the front in silver marker, including: a three-page typed press release with an additional typed sheet (loose), a poster featuring a collage of newspaper headlines featuring the band, two temporary tattoo sheets, a color promotional photograph, and a black and white photograph of the band on stage, signed and inscribed by Frehley in silver marker. Alive II is the second live album by the American hard rock band Kiss, released on October 14, 1977. It captures the band at the height of their 1970s popularity and followed three successful studio albums: Destroyer, Rock and Roll Over, and Love Gun.

• 8.75in x 11.5in x 0.25in

Estimate: $200 - $300

Lot 496

KISS: 1977 “Alive II” Press Kit

An original press kit folder for the 1977 live album by KISS titled Alive II, including: a three-page typed press release, a poster featuring a collage of newspaper headlines featuring the band, a “Meet The Members of KISS” sheet, a color promotional photograph, and a black and white photograph of the band on stage, signed and inscribed by Frehley in silver marker. Alive II is the second live album by the American hard rock band Kiss, released on October 14, 1977. It captures the band at the height of their 1970s popularity and followed three successful studio albums: Destroyer, Rock and Roll Over, and Love Gun.

• 8.75in x 11.5in x 0.25in

Estimate: $100 - $200

Lot 497

KISS: 1977 “Live in Japan” Photo Book

A Japanese photo book with 150 pages of color images documenting Kiss performing at Budokon in 1977-1978.

• 8.5in x 12in x 2in

Estimate: $50 - $75

Lot 498

KISS: 1977 “Love Gun” Cardboard Gun Paper Toy

A 1977 KISS promotional die-cut cardstock “Love Gun.” Unassembled, with assembly instructions typed on the front. The “Love Gun” was included in the original first pressings of the Love Gun vinyl album released on June 30, 1977. This unique promotional item was a die-cut cardstock “pop gun” that fans could assemble.

• 7.25in x 9.5in x 0.25in

Estimate: $25 - $50

Ace Frehley: RIAA “Gold” Sales Award Casablanca “Ace Frehley”

An RIAA Certified “Gold” Sales Award presented to Ace Frehley to commemorate the sale of more than 500,000 copies of the 1978 self-titled record album Ace Frehley.Released on September 18, 1978, this record was part of a simultaneous release of four solo albums by all KISS members.

• 17in x 21in x 1.25in

Estimate: $1,000 - $2,000

Lot 500

KISS: 1978 “Double Platinum” Press Kit

A press kit folder for the 1978 KISS greatest hits album Double Platinum, including: a fourpage typed press release, a Cashbox article titled “Kiss: Overnight Sensation Or Classic Success Story,” a color publicity photo, and a black and white publicity photo.

• 8.75in x 11.5in x 0.025in

Estimate: $200 - $300 Lot 501

KISS: 1978 Solo Albums Press Kit

An original press kit folder for the four KISS members’ 1978 solo albums, including a six-page typed press release, four color publicity photos, and a black-and-white publicity photo.In 1978, KISS made music history by having all four original members—Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss—release individual solo albums on the same day: September 18, 1978.

• 8.75in x 11.5in x 0.025in

Estimate: $200 - $300

KISS: Ace Frehley’s

“New York Groove” Power Mouth Pro Talkbox

A P-R-O Power Mouth talk box effect owned and used by Ace Frehley for his 1978 LP Ace Frehley, which was one of four albums by each of the members of KISS. This effect can be heard on Ace’s cover of glam rock band Hello’s “New York Groove.” Ace’s childhood friend Bobby McAdams is credited as contributing Power Mouth to the recording. This effect pedal was acquired directly from Ace by its owner and is essentially a speaker placed between the guitar amp and speaker cabinet, with a long PVC tube which connects the internal speaker to the player’s mouth. A microphone placed beside the tube pics up the sound of the speaker being blown into the mouth, allowing the musician to “speak” as the guitar by forming vowels and consonants as normal. It features a rather large enclosure with wood sides and black tolex covering with a blue metal face plate to which the stomp switch, top-mounted port for the missing clear tube, and rear-mounted in and output jacks. Inside the unit is an 8 ohm Electro-Voice 1823M mid range driver. Untested.

• 6in x 12in x 5in

Estimate: $1,500 - $2,500

Lot 503

KISS: 1983 “Lick It Up” Album Cover Production Proof

A production proof sample of the cover for the 1983 KISS record album, Lick It Up, with notes in blue ink.Accompanied by a Letter of Authenticity.

• 26.5in x 14in x 0.025in

Estimate: $800 - $1,200

Lot 504

KISS: 1984 “Animalize” Album Cover Production Proof

A production proof sample of the cover for the 1984 KISS record album, Animalize, dated in black ink.Accompanied by a Letter of Authenticity.

• 26.5in x 14in x 0.025in

Estimate: $800 - $1,200

Lot 505

John Reagan: Signed Photo Print

A framed print featuring John Reagan, the former member of ex-KISS guitarist Ace Frehley’s band “Frehley’s Comet” from 1984 to 1990, signed on the front by Reagan in black marker.

• 13.25in x 14.5in x 1in

Estimate: $300 - $500

Lot 506

Ace Frehley: 1987 Interview Transcripts

A series of transcripts from interviews with journalist Ken Sharp and Ace Frehley of KISS on six different occasions including on July 26, 1987 (11 pages); March 15, 1987 (12 pages); June 21, 1988 (11 pages); October 19, 1988 (5 pages); March 4, 1990 (28 pages); and July 30, 1992 (23 pages). The interviews served as source material for Sharp’s 1997 book The Kiss Years. The transcripts total 90 pages.

• 8.5in x 11in x 1in

Estimate: $400 - $600

Ace Frehley: 1987 Signed “Frehley’s Comet” Digital Artwork

A framed and matted digital artwork depicting a flaming comet titled “Ace Frehley / Frehley’s Comet,” signed at the lower right “Ace Frehley 3/11/87.”

• 12in x 10in x 1in

Estimate: $1,000 - $2,000

Lot 507

Lot

508

Ace Frehley: Dragon Digital Artwork

A framed and matted digital artwork depicting a dragon, c. 1990s, created by Ace Frehley of KISS.

• 15.25in x 11.25in x 1in

Estimate: $300 - $500

Lot

509

Ace Frehley: Signed Digital Art Print

A framed and matted art print featuring a colorful cityscape, signed and inscribed by Ace Frehley of KISS in black felt tip pen, “To Al - From One Bronx Kid To Another! Rock on - Ace Frehley.” Marked at the bottom right “Frehley 9/89.”The back of the frame reads “Property of Bill Baker,” with an Ace Frehley Archives stamp present.

• 12.75in x 11in x 1in

Estimate: $500 - $700

Lot 510

Ace Frehley: Handwritten 1988 “Frehley’s Comet”

Invitations

An original invitation for the showcase and taping of Ace Frehley of KISS’s new band, “Frehley’s Comet,” handwritten by Frehley in pencil. The invitation is affixed to a board backing. The invitation reads: “You are cordially invited to attend the showcase & videotaping of Ace Frehley’s new band, Frehley’s Comet, on Friday Nov. 30th at 7:30 P.M. at S.I.R. - 52nd ST. bet. 8th & 9th Ave. *No cameras or tape will be allowed.”

• 7.25in x 5.5in x 0.025in

Estimate: $500 - $700

Ace Frehley: 1993 Tour Schedule

A copy of a single page of handwritten instructions for Ace Frehley of KISS to follow in order to catch a flight home during his 1993 tour. The note, dated “Nov 9, 1993,” begins with the first instruction, “Wake-Up: 4:00 AM,” with a postscript that they arrive back at JFK at 10:15 am. Frehley had just completed five nights in Japan, closing at W’OHOL in Osaka, Japan, on the night of the 8th of November, with a punishing 4 am wake-up call the next morning.

• 8.5in x 11in x 0.025in

Estimate: $100 - $200

Ace Frehley: 1993 “Just For Fun” Tour Set Lists

Two printed set lists from Ace Frehley’s 1993 “Just For Fun” tour, each with duct tape still intact from being posted on the stage. One is dated July 21, 1993. The other is undated. After the dissolution of his band “Frehley’s Comet,” Frehley returned to touring under his own name with a more straightforward hard rock approach.

• 8.5in x 11in x 0.025in

Estimate: $100 - $200

KISS: Ace Frehley’s 1995 MTV Unplugged Epiphone PR 7E/ RS Acoustic Guitar, Cherry Sunburst Over Birdseye Maple

An Epiphone PR 7E/RS Acoustic Guitar played by Ace Frehley of KISS during the band’s 1995 episode taping of MTV Unplugged, released as the 1996 album KISS Unplugged. This episode surprised the audience with the first performance by the original KISS lineup without makeup, and it also was the only time that original members Peter Criss and Ace Frehley performed with guitarist Bruce Klick and drummer Eric Singer. After an overwhelmingly positive audience response, KISS reformed with its original lineup for the first time since 1979 and embarked on The KISS Reunion Tour the following year.

For Unplugged, Criss and Frehley joined the band for the final songs of the show, “Beth,” “Nothin’ to Lose,” and “Rock and Roll All Nite.” Frehley played this Epiphone guitar for those three songs, with stage lights setting off its uniquely figured Birdseye top and sides. This makes the guitar identifiable thanks to specific groupings of Birdseye as well as particularly ringy sections of the wood beneath the strings and on the lower treble side bout.

This Epiphone PR 7E/RS has a serial number on the label which is partially flaked off and difficult to read. It appears to read 93100 with two more indecipherable numbers and ends with 3 It features a 25.5 inch scale length mahogany neck with a 21 fret rosewood fretboard with mother of pearl diamond inlays, six gold plated tuners, and mother of pearl Epiphone logo and crown headstock inlays. in sunburst finish. The body is made entirely of exquisitely figured Birdseye maple, which includes the top, back, and sides. Finished in cherry sunburst with multi-ply binding on the top and back, the guitar also features a Venetian cutaway, decorative backstrap and soundhole rosette in white and black plastic, a rosewood bridge, compensated saddle, and an undersaddle piezo pickup with Epiphone V electronics (Note: the 9v battery door is missing, battery not included). This lot includes an Epiphone hardshell case. https://www.youtube.com/watch?v=6v0SLja6TrM • x x

Estimate: $10,000 - $15,000

KISS: Ace Frehley’s Stage Played 1996 KISS Reunion Tour Light Show Sanchez Custom

Gibson Les Paul Jr, Silver Sparkle Metallic

A modified 1990s Gibson Les Paul Junior “Flasher” light show guitar played by Ace Frehley during the 1996-1997 KISS Reunion Tour (aka Alive/Worldwide Tour) including the band’s appearance on the MTV Video Music Awards on September 4th, 1996 when the band played “New York Groove” next to the Brooklyn Bridge. Footage exists of Ace using the guitar through 2008.

The guitar was customized by luthier Sammy Sanchez, guitar technician for the likes of Slash, Ted Nugent, Toto, and many more. He also built and modified guitars for Stephen Stills, Larry Carlton, Megadeth, David Lindley, Santana, ZZ Top, and KISS, including this light show guitar. The instrument appears to have started life as a 1990s Gibson les Paul Junior, but Sanchez routed the body, affixed a hand drawn Frehley to the headstock, and refinished the guitar in a sparkly metallic silver.

To achieve the light show effect, the guitar’s top has been routed to about half its depth, leaving the edges of the body and a center portion for mounting the bridge and pickup. This new cavity was filled with electronic components, dozens of lamps, and holographic foil for a colorful shimmering effect, and capped off with a piece of clear plexiglas which is screwed directly to what’s left of the guitar’s top.

On the back is a large rout of the lower body bout with a large silver plastic cover with a smoking devil sticker to accommodate a blank PCB with a custom-made circuit controlling the light pattern, plus the three large Ni-Mh batteries to operate it all. Inside the cavity is a business card affixed directly to the wood from Thomas Boles of Torrence, California’s Entertainment Engineering dated 6/12/1996, presumably the maker of the electronics.

No serial number is visible on the refinished and repaired headstock, but the Sanchez Custom USA logo has been applied between the tuners. The guitar features a 24.75 inch scale length mahogany neck with 22 frets on its rosewood fretboard, pearloid dot inlays, a chrome plated truss rod cover, six nickel plated Grover tuners, and a silver Gibson logo. The mahogany body is heavily routed and finished in silver sparkle metallic, with a large clear plexiglas top covering the holographic foil and lights. The guitar is equipped with a mirror-topped DiMarzio Super Distortion pickup, a chrome pickup surround, chrome intonatable warp tail bridge, and a clear knob on its single volume control. On the lower bout side of the body is a push-pull potentiometer with a knurled knob which activates the light show electronics and acts as a speed control for the sequenced light effect. The back control cavity has three large RC car batteries and a PCB, plus a metal plate for stabilizing the bridge studs. The guitar has Dunlop Dual Design strap lock buttons and two output jacks, one working and one covered with tape.

This lot includes three original batteries, three new batteries, three battery chargers, and a Gibson Protector “chainsaw” case. The guitar is strung with D’Addario 10-52 gauge strings.

Note: The original batteries are old enough that they struggle to hold a charge, but we have replaced them to preserve light show functionality; these new batteries are also included and the guitar is fully functional and incredibly bright.

• 16in x 42in x 7in

Estimate: $10,000 - $15,000

KISS: Ace Frehley Super Bowl XXXIII Stage Played Artist Proof

#007 1997 Gibson Signature Les Paul Custom, Cherry Sunburst

Ace Frehley’s stage played cherry sunburst 1997 Gibson signature Les Paul Custom artist prototype, serial #AFS 007, which is the 7th of 12 such instruments delivered to Frehley by Gibson. It appears to be the guitar Ace played onstage during the Super Bowl XXXIII pre-game show featuring KISS on January 31, 1999, with matching wood grain to performance photos and footage and three mounting holes on the back of the headstock where a rotating sparkler was mounted, which Ace activated during the guitar solo of “Rock and Roll All Nite.”

This guitar was purchased by its owner directly from Ace Frehley. Of the 12 prototypes that Frehley received, he reported that he played only numbers 001, 002, and 007.

The guitar features a 24.75 inch mahogany neck with a bound 22 fret ebony fretboard, very large frets, sterling silver lightning bolt and Ace Frehley signature inlays, a multi-ply bound headstock facade with Ace’s face inlaid in mother of pearl and red and blue epoxy, a sterling silver ace of hearts truss rod cover, a mother of pearl Gibson logo inlay, and six nickel plated Grover tuners with pearloid buttons. The weight received mahogany body is finished in transparent cherry and is paired with an exquisitely figured AAA flame bookmatched maple top with multi ply top and back binding. The guitar wears cream plastic parts including the switch tip, poker chip switch surround, pickup rings, pickguard, and pickup bobbins, plus a set of gold speed control knobs. For hardware, it has a Nashville Tune-O-Matic bridge and stop bar tailpiece, both nickel plated. It is equipped with a trio of DiMarzio Super Distortion pickups with the neck and middle pickups disconnected; only the bridge pickup is functional with the three way toggle switch acting as a mute or “kill” switch in the middle and neck positions. The bridge pickup is wired to its own volume and tone controls.

This lot includes the original black Gibson Custom Shop hardshell case with red interior and Ace’s signature silk screened on the lid.

• 15in x 42.5in x 5in

Estimate: $40,000 - $60,000

Ace Frehley: 1998 “Metal Edge” Magazine Handwritten

Interview Questions

A list of questions from Metal Edge Magazine for Ace Frehley of KISS, to be used in their features “Roundups,” with handwritten responses in Frehley’s hand to their questions in blue ink. Frehley has also signed the bottom half of the page with his Ace playing card signature and celestial planet and star doodles, dated 1/28/1998.One of the questions reads: “Any hidden tattoos?” with Frehley’s handwritten response being, “On my butt I have a tattoo of the planet Jendell! (My birthplace) No shit!!”

• 8.5in x 11in x 0.025in

Estimate: $600 - $800

517

Ace Frehley: 2014 Signed Limited-Edition Bust

A wall-mounted relief bust of Ace Frehley by Illusive Originals with limitation number 998/15,000. The front is signed in silver marker by Frehley, and the verso is signed and dedicated by the artist, “They All / Lose their heads / over you, Paul... / Frehley!” / Happy Birthday Ace! / 4/27/2014 / 2014...year of the / Space Invader! / Let’s Do this! / Mario Chiodo.”

• 14in x 14in x 9in

Estimate: $300 - $500 Lot 518

KISS: Ace Frehley Life-Size Destroyer Costume Mannequin with Signed Sheet Music

A life-size custom mannequin created with a life cast of Ace Frehley of KISS, including a detailed silicone life cast head and hands, by Joe Petra. The mannequin is displayed on a wooden circular base. The figure was created to display Frehley’s complete custom Destroyer costume that was worn on stage during the KISS Alive World Tour, aka the Reunion Tour. The tour began on June 28, 1996, in Detroit and concluded on July 5, 1997, in London, England. This was the first tour featuring original members Peter Criss and Ace Frehley since the 1979 Dynasty Tour.Includes a sheet music booklet for the Frehley song “New York Groove,” featuring the original costume, signed by Frehley on the front in silver marker.

• 36in x 81.5in x 36in

Estimate: $15,000 - $25,000

Lot 519

KISS: Peter Criss Life-Size Destroyer Costume Mannequin

A life-size custom mannequin created with a life cast of Peter Criss of KISS, including a detailed silicone life cast head and hands, by Joe Petra. The mannequin is displayed on a wooden circular base. The figure was created to display Criss’ complete custom Destroyer costume that was worn on stage during the KISS Alive World Tour, aka the Reunion Tour. The tour began on June 28, 1996, in Detroit and concluded on July 5, 1997, in London, England. This was the first tour featuring original members Peter Criss and Ace Frehley since the 1979 Dynasty Tour.

• 36in x 78in x 36in

Estimate: $10,000 - $15,000

Lot 520

KISS: Paul Stanley Signed Ibanez PS60 Signature Model Electric Guitar, Silver Sparkle

An Ibanez PS60 Paul Stanley signature model electric guitar, serial #4L160700205, in silver sparkle finish and signed in blue felt tip pen by Paul Stanley, lead singer of legendary rock band KISS. The guitar features a 24.75 inch scale length maple neck with a bound 22 fret purpleheart fretboard with pearloid and abalone block inlays, six chrome plated tuners, and a bound silver sparkle headstock. The poplar body and back of the neck are finished in black with a bound silver sparkle top, chrome hardware, chrome pickup surrounds, mirror pickguard and tailpiece accent, and black knobs. Equipped with a pair of humbuckers wired to a three way toggle selector switch, volumes for each pickup, and a shared tone. Includes black hardshell case with grey interior, manual, and cable.

• 15in x 45.5in x 5in

Estimate: $1,000 - $2,000

Lot 521

KISS: Paul Stanley Signed Oscar Schmidt Goldtop Electric Guitar

An Oscar Schmidt OE20G goldtop electric guitar, serial #S15070392, signed by Paul Stanley of KISS fame on the top in black felt tip pen. This guitar has the initials PS affixed to the truss rod cover and includes a Paul Stanley Collectors Club Member pass from Kiss Kruise VII, held in 2017. The guitar features a 24.75 inch scale length maple set neck with a bound 22 fret fretboard, trapezoid inlays, six chrome tuners, gold metallic top finish and a walnut finish on the mahogany back, single ply top binding, cream plastics, chrome hardware, and two pickups. Includes a Gibson USA soft case.

• 18in x 43.5in x 5in

Estimate: $1,000 - $2,000

Lot 522

KISS: Paul Stanley Smashed Washburn PS Guitar Lane Bryant at Roseland Ballroom NYC, 2002

The body of a Washburn Paul Stanley electric guitar which is said to have been smashed by Paul Stanley of KISS himself at the Roseland Ballroom in NYC during the Lane Bryant Fashion Show on February 5th, 2002. Footage from this performance is scant and we have been unable to match this guitar body to the event. The guitar is broken in Stanley’s characteristic manner, slamming the body flat on the stage, separating the neck rather cleanly at the body joint, with a large crack running from the control cavity to the edge of the body on the front with a crack from the edge of that cavity to the treble side cutaway. The neck pickup is gone, only its base plate is retained. Bridge and tailpiece are missing as well. Duct tape is holding the broken lower treble side bout on the body.

• 14in x 25in x 2in

Estimate: $1,000 - $2,000

KISS: Original KISS Touring Wardrobe Case

A large silver rolling wardrobe case from the KISS Reunion Tour, previously sold as part of KISS: The Auction held by Butterfield’s on June 24th-25th, 2000. The case is covered in textured metal paneling and has a latching front and a hinged back. It swings open to reveal four large top drawers and two cabinets with double doors. Old tape still present on two drawer faces indicate “Accessories” and “80s Costumes” while tape on the lower right drawer is inscribed “Boots.” On the exterior, black stenciling of the band’s logo an up-facing arrows. The drawers are empty save for a tag with the number 812 written on it and a black wrist band from KISS: The Auction. The bottom right cabinet is filled with deteriorating foam. A lock is secured to the right front handle.

• 47.5in x 67.25in x 36.5in

Estimate: $3,000 - $5,000

524

Night Ranger: 1982 “Dawn Patrol” Promotional Poster

A framed promotional poster for Night Ranger’s 1982 debut studio album Dawn Patrol. Released on November 1, 1982, Dawn Patrol peaked at #38 on the Billboard 200.

• 23.25in x 35.25in x 0.025in

Estimate: $100 - $200

Lot 525

Night Ranger: Brad Gillis Portrait Artwork

A portrait of Brad Gillis from Night Ranger by artist Peter Kellett, executed in his anodized aluminum, anaglyph technique, signed in the lower right by the artist.

• 20.25in x 26in x 0.025in

Estimate: $400 - $600

Night Ranger: Jack Blades Stage and “Sister Christian” Video Played #1 1983 Hamer Bass, Cherry Sunburst with Photos

A stage and video played sunburst 1983 Hamer double cut bass guitar, serial #0693, which was the main instrument for Night Ranger bassist Jack Blades. Blades played this bass on tour starting in 1983 where it can be seen in numerous concert photos and footage of the era, and continued using it until the band parted ways in 1989. During those years, the bass appeared in no less than four of Night Ranger’s music videos including 1984’s hit single “Sister Christian,” “When You Close Your Eyes” (1984), “Goodbye” (1985), and “The Secret Of My Success” (1987).

Jack Blades’ Hamer bass has a 32 inch scale length mahogany neck with a 21 fret rosewood fretboard, mother of pearl dot inlays, and a symmetrical Hamer headstock with four chrome Schaller tuners with a drop D tuning mechanism on the low E string; the bass still wears one of Blades’ telltale thumb picks around the G string tuner. The body is made of flame maple with a back with lots of figuring throughout, and top binding with cherry sunburst finish. The bass has a chrome Hamer bridge, countersunk Dunlop strap lock buttons, a pair of EMG pickups with cream covers, a three way toggle selector switch, individual volumes for each pickup plus treble and bass EQ controls on the neck and bridge tone pots. There is a hole drilled in the top for an unknown purpose, possibly a now-removed control of some kind.

This lot includes five photographs of Jack Blades playing the bass onstage with Night Ranger in the 1980s. Case not included.

• 13in x 42in x 2.5in

Estimate: $15,000 - $25,000

Lot 527

Night Ranger: Used Metal Suitcase with CD

A large aluminum suitcase with remnants of various stickers, similar in style to the one that appeared on the cover of Night Ranger’s 1987 studio album Big Life. The suitcase was given to the consignor by lead guitarist Jack Blades. Together with a CD copy of Big Life.

• 18in x 27.5in x 9in

Estimate: $500 - $700

Lot 528

Aerosmith: Band Signed Epiphone Les Paul Special, Black

An Epiphone Les Paul Special electric guitar in black finish and signed in silver felt tip pen by the members of legendary rock band Aerosmith: Joe Perry, Steven Tyler, Brad Whitford, Joey Kramer, and Tom Hamilton. The guitar features a 24.75 inch scale length neck with a bound 22 fret rosewood fretboard, black finish, chrome hardware, and two pickups wired to a three way toggle switch and master volume and tone controls.

• 13in x 40in x 2.5in

Estimate: $3,000 - $5,000

Stryper: Michael Sweet’s Stage Played 2009 Carvin Ultra V in Custom Yellow and Black Finish

A c.2009 Carvin Ultra V model electric guitar, serial #95193, with a distinctive yellow-and-black finish which can only mean one thing: this was the main guitar used on tour by frontman Michael Sweet of Christian metal band Stryper, famous for the hit 1986 song “To Hell With The Devil,” with the album of the same name eventually peaking at #32 on the US Billboard 200 that year and #3 on the US Top Christian Albums chart.

The band’s 1984 debut EP The Yellow and Black Attack set the stage for the band’s two-tone stage look, and instruments followed suit. This guitar, used by Sweet from 2010-2016, is no different with its striped yellow-on-black custom finish. The guitar can be seen in Sweet’s hands in concert footage and photographs including Jakarta, Indonesia in 2010 (click here) and at the Whisky A Go Go in Los Angeles in 2014. It also appears in the music videos for the songs “No More Hell To Pay” and “Sympathy” which both released in 2013.

The guitar can be clearly distinguished from Sweet’s other, very similar instruments by the Carvin brand on the headstock; Sweet has used V-shaped instruments in similar color schemes by Jackson, Washburn, and Sully. Most importantly, this guitar has very distinctive abalone shell inlays which make it easy to identify in footage and photos of the era, specifically the inlays found at the 3rd, 7th, 15th, and 17th fret positions. It’s also notable that the pickups were changed to an active Seymour Duncan set with black covers in or around 2015, with an open coil set of presumably passive pickups installed prior to this. Another V-shaped instrument with a nearly identical finish can be seen onstage with Sweet beginning in 2016 which has a reversed headstock which appears to become his main instrument from that point onward.

Michael Sweet’s 2010-2016 tour used Carvin Ultra V features a 25 inch scale length maple neck with a 24 fret ebony fretboard, abalone pearl shell block inlays, black locking Floyd Rose nut and string retainer, six black locking Sperzel tuners with chrome posts, and a black headstock face with gold Carvin logo. The body is finished in a striped yellow and black finish and has Gaffer’s tape covering a former output jack rout on the treble outer side of the body which can also be seen in the “Sympathy” music video. It wears black plastic pickup rings, black knurled dome knobs, a black Floyd Rose tremolo bridge, and a pair of active Seymour Duncan pickups wired to a three way toggle selector switch, master volume, and master tone controls.

The guitar includes seven photographs of Sweet playing the guitar on stage, a black molded SKB hardshell case with a black plush interior, four yellow Dunlop Tortex Michael Sweet/Stryper guitar picks, an unopened set of Dunlop 9 gauge strings, and black tremolo arm.

• 21in x 50in x 6in

Estimate: $8,000 - $12,000

Lot 530

George Lynch: Mr Scary Guitars Emerald Dragon Electric Guitar Custom

Made By George Lynch

A Mr Scary Guitars Emerald Dragon electric guitar, serial #0115, custom-built by highly influential guitarist of Dokken and Lynch Mob, George Lynch. This instrument was made by Lynch in his personal workshop with high-quality components, and was purchased directly from Lynch himself in 2021. Includes a hand stamped and signed Mr Scary Guitars COA with George Lynch’s signature and a date of 8/3/21 written in black ink.

The guitar features a 25.5 inch scale length maple neck with a 22 fret rosewood fretboard, pearloid inlays, black locking nut and string retainer, three-bolt neck with black neck plate, six black Gotoh tuners, and MR Scary branding on the front and back of the uniquelyshaped headstock. The hand-carved body has a color shift green-to-orange finish with decorative snaps hammered into the top. The lone volume control is capped off in a hand-molded yellow and black swirl knob and the guitar is equipped with a single customwound Arcane Mr Scary pickup with aged poles and a black chrome Floyd Rose tremolo bridge. Includes black hardshell case with black interior and tremolo arm.

• 15in x 41.5in x 4in

Estimate: $3,000 - $5,000

George Lynch: Owned and Played 1975 Fender Stratocaster Electric Guitar, Olympic White

A 1975 Fender Stratocaster electric guitar in Olympic White finish, serial #652059, owned and played by Dokken and Lynch Mob guitarist George Lynch. Among the many guitars used in his personal studio Lynchtopia, Lynch has signed the guitar in black felt tip pen along the bass side body contour. George can be seen playing the guitar while recording tracks for his album Guitars at the End of the World at Lynchtopia in an Instagram post on his personal account from March 16th, 2022. The guitar is easily identifiable by the areas of the body where its heavily yellowed clear coat has been worn away, revealing brighter white finish underneath.

The guitar features a 25.5 inch scale length one piece maple neck with 21 frets, black dot inlays, large headstock shape, six chrome plated Fender F tuners, bullet truss rod, two string trees, three-bolt mounting scheme and micro-tilt adjustment. The alder body is finished in Olympic white which has yellowed considerably with areas of worn-away finish exposing the white beneath as well as tan lines under the pickguard. The guitar wears a white three ply pickguard, white plastics, chrome tremolo bridge and output jack plate, and is equipped with three single coil pickups, a five way selector switch, master volume, and two tone controls. Includes original hardshell case with orange interior and tremolo arm.

• 14in x 40.5in x 4in

Estimate: $1,000 - $2,000

Dokken: RIAA “Gold” Sales Award Presented To George Lynch for “Back for the Attack”

An RIAA certified “Gold” Sales Award presented to guitarist George Lynch to commemorate the sale of more than 5,000,000 albums and cassette copies for Dokken’s 1987 studio album Back for the Attack.Released on November 2, 1987, through Elektra Records, Back for the Attack sold about 1.5 million records worldwide and was later certified Gold and Platinum on January 14, 1988.

• 18in x 22in x 1in

Estimate: $200 - $300

Guns N’ Roses: 1987 Marquee London Photo Print by Richard Bellia

A silver gelatin print featuring Slash with Guns N’ Roses performing on-stage in June of 1987 at the Marquee Club in London, UK, taken by photographer Richard Bellia. Photographer’s stamp on the verso. Accompanied by a Certificate of Authenticity from Morrison Hotel Gallery.

• 19.25in x 15.5in x 0.025in

Estimate: $400 - $600

Guns N Roses: Izzy Stradlin’s

“Welcome

To

The Jungle”

Video and Stage Played Gibson Howard Roberts Fusion Electric Guitar, Black

A 1987 Gibson Howard Roberts Fusion semi hollowbody electric guitar, serial #80377553, stage and studio played by Guns N Roses guitarist Izzy Stradlin. This guitar was given to Stradlin by Gibson in 1987 during the recording of the Guns N Roses album Appetite For Destruction. Stradlin played the guitar in the music video for the single “Welcome To The Jungle” and used it on stage from 1987-February 1988 when Stradlin was traded it into Hollywood guitar shop Guitars R Us as partial payment for a similar instrument. An included LOA from former GNR manager and Guitars R Us shop owner Howard Hubberman dated 8/30/2020 details this transaction.

The guitar features a 24.75 inch scale length three piece maple neck with a 22 fret ebony fretboard, mother of pearl dot inlays, six vintage style nickel plated Kluson Deluxe tuners, and mother of pearl Gibson logo and crown inlays on the headstock. The semi-hollow body has maple top, back, and sides, a smaller overall size with Florentine cutaway, binding on the top and back, a pair of f-holes, black plastics, and chrome hardware including the ABR-1 bridge, TP-6 fine tuner tailpiece, and pickup covers. It is equipped with a pair of Gibson humbuckers wired to a three way toggle selector switch with individual volume and tone controls for each.

Includes a black Gibson hardshell case with blue interior, a bag of presumably original frets and a pickguard in case pocket as well as a strap button pulled from the guitar. Also includes a printed multi-page document detailing how the current owner acquired this Gibson guitar as well as 16 photographs of Izzy Stradlin playing the guitar on stage with Guns N Roses.

• 17in x 43in x 6in

Estimate: $30,000 - $50,000

Guns ’n Roses: 1988 Gibson ES-175 Electric Guitar Custom Made for Izzy Stradlin with Photos

A 1988 Gibson ES-175 hollow body electric guitar, serial #82878542, in ebony finish. This guitar was owned, played, and custom-made by Gibson for Izzy Stradlin, guitarist from the original lineup of Guns ’n Roses from 1985-1991. In those days, Stradlin favored hollowbody instruments and can be seen in concert footage and photographs of the era using similar instruments in white, sunburst, and black finishes.

This instrument comes with a COA from Matt’s Guitar Shop detailing the history of this ES-175 as well as a photo of another from Norm’s Rare Guitars from 2008 which states, “We purchased this guitar directly from Izzy Stradlin at our old store,” along with the guitar’s serial number.

Like other instruments custom ordered for famous musicians, this instrument bears the stamp “Not For Resale” above the serial number on the back of the headstock. The guitar features a 24.75 inch scale length mahogany neck with a bound 20 fret rosewood fretboard, mother of pearl split parallelogram inlays, six gold plated Gibson Deluxe tuners, and mother of pearl Gibson logo and crown inlays on the headstock face. The body has a maple top and mahogany back and sides with multi-ply binding and an ebony finish. The guitar wears black plastics including the pickup rings and top hat knobs, gold hardware for the Nashville Tune-O-Matic bridge and tailpiece, and is equipped with a pair of Patent Stamp Gibson humbucker pickups with gold plated covers wired to a three way toggle selector switch and volume and tone controls for each.

Includes a black Gibson Custom hardshell case with grey interior, non-original pickguard (not installed, missing bracket), a used set of strings, a Dean Markley Howard Leese, pick both COAs, and photos of Stradlin with the guitar outside of Norm’s Rare Guitars.

• 19in x 44.5in x 6.5in

Estimate: $6,000 - $8,000

Lot 536

Slash:

Signed Epiphone

Slash Les

Paul Standard Electric Guitar, Anaconda Burst

An Epiphone Slash Les Paul Standard electric guitar, serial #17111508401, in Anaconda Burst finish over a flame maple top veneer. The guitar is signed in black felt tip pen by Slash, the legendary guitarist for Guns N Roses, Velvet Revolver, and Slash’s Snakepit. Includes original Epiphone COA booklet. It features a 24.75 inch scale length mahogany neck with a bound 22 fret rosewood fretboard, six vintage style tuners with plastic keys, Slash’s signature Skully doodle on the back of the headstock, a mahogany body with a bound veneer AAA flame maple top finished in Anaconda Burst, cream pickup surrounds, amber switch tip, gold top hat knobs, ABR style bridge and stop tailpiece, and a pair of ProBucker pickups wired to a three way toggle selector switch and individual volume and tone controls for each. Includes Epiphone box and owner’s manual.

• 17in x 41.5in x 6in

Estimate: $2,000 - $4,000

Lot 537

Slash: Signed Glarry Guitar with Slash Graphic Top

A Glarry GT502 acoustic guitar signed by Guns N Roses guitarist Slash on the top in black felt tip pen. The guitar has a graphic sticker applied to the top featuring a Guns N Roses logo and Slash’s picture behind the bridge. A clear plastic pickguard has been applied over the signature for protection. Case not included.

• 16in x 41in x 5in

Estimate: $800 - $1,200

Slash: Velvet Revolver Stage Played and Signed Gibson Les Paul Classic with Photograph

A 2003 Gibson Les Paul Classic electric guitar, serial #03523511, in Heritage Cherry Sunburst finish over a highly figured flame maple top. Slash played this very guitar onstage with Velvet Revolver at the band’s tour warm-up show held at The Roxy on May 9th, 2004.

This lot includes a framed photograph of Slash playing this very guitar onstage at The Roxy, with a clear view of the guitar’s photo-matched wood grain. Slash used the guitar for five songs from the set that night, and then signed the guitar in copper felt tip pen at The Rainbow Room as a birthday gift for a friend, dated “2K4” and inscribed with his Skully doodle above the signature.

The guitar features a 24.75 inch scale length mahogany neck with a bound 22 fret rosewood fretboard, acrylic pearloid trapezoid inlays, six vintage style Gibson Deluxe tuners, and a Gibson mother of pearl inlay on the headstock with gold Les Paul Model silkscreen. The mahogany body is finished in cherry with a bound, highly figured maple top with a nicely aged Heritage Cherry sunburst finish. It is equipped with cream pickup surrounds and selector switch “poker chip,” nickel-plated Nashville Tune-O-Matic bridge and stop bar tailpiece, gold top hat knobs, and pair of black bobbin humbucker pickups wired to a three way toggle selector switch and volume and tone controls for each pickup. The guitar includes a black Gibson hardshell case with a grey interior, a purple Velvet Revolver pick, Slash’s black leather strap, and the aforementioned photograph of Slash playing this guitar.

• 15in x 43in x 6in

• Provenance: Lot 379 from 2008 Music Rising: Instruments For The Gulf Coast, Julien’s Auctions

Estimate: $20,000 - $40,000

Richard Fortus: Owned and Played 1989 Rickenbacker 330/12 12 String Electric Guitar, Maplego

A 1989 Rickenbacker 330/12 electric 12 string guitar, serial #J2 6337, in Mapleglo finish. Formerly owned by Guns N Roses and Psychedelic Furs guitarist Richard Fortus, this guitar was sold by Chicago Music Exchange in 2021 as part of The Richard Fortus Collection and includes its original CME COA signed by Fortus. The guitar features a 24.75 inch scale length three piece neck made of maple and walnut, with a 24 fret finished rosewood fretboard, 1.63 inch nut width, small dot inlays, black truss rod cover with white Rickenbacker logo, and twelve black plated Schaller tuners on the headstock. The maple body has some mild figuring on the top and back and wears black plastics, black reflector cap knobs, and black chrome hardware including the tailpiece, bridge cover, and pickups. It’s wired up with Rickenbacker’s five-knob layout. Includes original black hardshell case with blue interior, printed control manual, CME ephemera, and an unopened set of D’Addario EXL150 strings.

• 17.5in x 42in x 4in

Estimate: $2,000 - $4,000

Lot 540

Guns N Roses: Richard Fortus Owned and Played Fernandes Monterey Elite Electric Guitar, White

A Fernandes Monterey Elite electric guitar in white finish. Formerly from the collection of longtime Guns N Roses guitarist Richard Fortus, this guitar was sold by Chicago Music Exchange in 2021 and includes a COA indicating as such. Additionally, the guitar also appears in the Gear section of Fortus’ own website.

The Fernandes Monterey features a 24.75 inch scale length mahogany neck with a bound 22 fret rosewood fretboard, split pearloid inlays, multiply headstock binding, and smoked chrome plated Grover tuners. The mahogany body wears a multi-ply bound maple cap and is finished in an aged white, with black plastics, smoked chrome hardware, a Seymour Duncan JB pickup in the bridge and a Sustainer pickup in the neck position, activated by two black chrome switches on the lower treble side bout. Control scheme includes a three way toggle selector switch, volume, and tone. Includes black molded hardshell case with a black interior, CME COA, white tape on the case lid which reads “BT/Fortis/New York” and orange tape on the side which reads “Richard Locker.”

• 16in x 42in x 6in

Estimate: $3,000 - $5,000

Lot 541

Guns N Roses: Richard Fortus Owned and Stage Played Tom Anderson Baritom Electric Guitar, Gold Sparkle

A 2001 Tom Anderson Baritom electric guitar in gold sparkle finish, dated on the neck plate 01-17-01A. This instrument hails from The Richard Fortus Collection and includes a Chicago Music Exchange COA hand signed by Richard Fortus. There is tape on the headstock inscribed with the number 5, indicating it may have been part of Fortus’ touring rig at some point, but we have been unable to pinpoint the dates of its use.

It features. 28.5 inch scale length hard rock maple baritone neck with a 22 fret rosewood fretboard, clay dot inlays, matching gold sparkle headstock, and six chrome Andersonbranded locking tuners. The alder body is finished in gold sparkle with a matte black pickguard, chrome knurled dome knobs, a chrome Tom Anderson tremolo bridge, and three pickups (two SD1s and an Anderson humbucker) wired to a five way selector switch, master volume, a push-pull tone for adding the bridge pickup to the neck and neck + middle switch positions, and a mini toggle switch for splitting the bridge pickup.

Includes original black hardshell case with black crushed interior, CME COA, Tom Anderson spec and warranty registration sheet, tremolo arm, a few spare strings, and the 2021 receipt from Chicago Music Exchange.

• 15in x 45in x 5in

Estimate: $3,000 - $5,000

Slash: Bronze Serpent Torchiere

An Art Deco style bronze torchiere in the form of a coiled serpent after an original design by Edgar Brandt, from the personal collection of Slash.

• in x 59in x in

• From the Collection of Slash and Perla Hudson

Estimate: $300 - $400 Lot 543

Richie Sambora: Owned and Signed Greco Zemaitis Electric Guitar

A Greco Licensed Zemaitis electric guitar, serial #0311019, owned, signed and dated 2015 by Bon Jovi guitarist Richie Sambora in black felt tip pen. Sambora donated and signed the guitar for a charity fundraiser through storied Los Angeles guitar store Norman’s Rare Guitars.

Accompanied by a photo of Richie with the guitar and a Certificate of Authenticity from Norman’s.

Made in Japan, the guitar features a 25 inch scale length mahogany neck, a 24 fret rosewood fretboard, mother of pearl dots & diamonds inlays, engraved metal truss rod cover and Z plaque on the headstock, and six chrome plated Schaller tuners. The mahogany body has an inlaid flame maple center portion with a heart and diamond shaped inlay or rosewood and ebony, Zemaitis style Greco bridge and tailpiece, four black reflector knobs (one is damaged), and two humbucker pickups wired to a three way toggle selector switch and individual volume and tone controls for each pickup. Includes a black hardshell case with black interior and tape on the outside which reads “Greco-Zemaitis/ Richie Sambora.”

• 15in x 42in x 5in

Estimate: $6,000 - $8,000

Jon Bon Jovi and Richie Sambora: Signed 1980s Squier

By Fender E-Series Stratocaster, Red

A 1980s Squier by Fender Stratocaster electric guitar, serial #E728304, in red finish and signed in gold felt tip pen by Jon Bon Jovi during a Dutch 1996 The Music Factory (TMF) Xtra television appearance. In the linked video below, Jon signs the guitar at the 20:11 mark. Richie Sambora also signed the guitar using the same felt tip pen off-camera. https://www.youtube.com/watch?v=JjPxd0_szYU The guitar features a 25.5 inch scale length maple neck with 21 rets, black dot inlays, six chrome plated sealed gear Fender tuners, a string-locking mechanism behind the nut, a red body finish, a white single ply pickguard, aged white plastics, and a chrome tremolo bridge. The guitar is equipped with three single coil pickups wired to a five way selector switch, master volume, and two tone controls. Includes a molded hardshell case with black interior, tremolo arm, and a few cloths to protect the signature during storage and transport.

• 15in x 41in x 5in

Estimate: $3,000 - $5,000

Lot 545

Bon Jovi: 2002 Band Signed “Bounce” Photograph

A large format 2002 Bon Jovi “Bounce” photograph signed on the front by the group.

• 16in x 12in x 0.025in

Estimate: $200 - $400

Lot 546

Steve Vai: Owned and Played 2007 Emerald X5 Life Acoustic Guitar Green Burst

An Emerald X5 Life carbon fiber acoustic guitar made in 2007, with a built-in pickup system and marked SV #165 on the side of the body in blue tape. This instrument was made for Steve Vai by Irish luthier Alistair Hay, who had previously spent 1000 hours turning the impossible fantasy guitar of Vai’s The Ultra Zone album artwork into a real instrument known as “The Ultra Guitar.”Previously owned by Vai, this X5 Life guitar can still be seen at Vai’s website under its SV 165 inventory number. It features a 25.5 inch scale length neck, 21 frets on a gloss fretboard, six Sperzel locking tuners, a small carbon fiber body with a green burst finish on the top, bridge pins with abalone inlays, and on board B-Band electronics with built-in tuner. It comes with a padded gig bag and a strap.

• 13.5in x 35.5in x 6in

Estimate: $2,000 - $3,000

Lot 547

Tommy Lee: Signed CRIA Triple-Platinum Sales Award for Shout at the Devil by Motley Crue

A CRIA Certified “Triple-Platinum” sales award presented to Tommy Lee to commemorate the sale of more than 300 000 copies of Motley Crue’s 1983 studio album Shout at the Devil. Signed by Lee on the front in silver marker. Dated 1988.Released on September 26 1983 Shout at the Devil was a breakthrough record that established the band as one of the top-selling metal acts of the 1980s and later reached No. 17 on the Billboard 200 and was certified 4x platinum.

• 21in x 25in x 1.5in

• PROVENANCE From the Collection of Tommy Lee

Estimate: $800 - $1,200

548

Mötley Crüe: Set of Three Nashville Predators Mötley Crüe Jerseys

This is a set of three officially licensed Nashville Predators hockey jerseys with “Motley Crue” on the back. One of the jerseys is number 81, commemorating the year the band started.Jerseys are all size 2XL.

• x x

Estimate: $500 - $700 Lot 549

Motley Crue: Nikki Sixx Nixon “Rotolog” Stainless Steel

Original Artwork Limited-Edition Wristwatch

A Nixon “Rotolog” Stainless Steel original artwork limited-edition wristwatch, of quartz movement, the square aqua colored dial with moveable disc function, within a blackened stainless steel case, to the link bracelet and deployant clasp, with original painting inlay to the links, made with Nikki Sixx’s donated artwork, the case measuring 35 mm, bracelet 7 inches, in a Nixon black presentation case with outer box and papers.Verso and bracelet marked Nixon. Verso marked Nixon Ltd No. 4 out of 5 2008 Nikki Sixx. With Certificate of Authenticity.

• 6in x 3.25in x 9.1in

Estimate: $300 - $500

Motley Crue: Nikki Sixx Signed and Stage Played Schecter Sixx Bass, White

A Schecter Sixx electric bass guitar, serial #W14061166, in an aged white finish and hand signed in black felt tip pen by Nikki Sixx, bassist of heavy metal band Motley Crue. In 2014 during the All Bad Things Must Come To An End tour, Nikki Sixx routinely offered fans the opportunity to have a bass of his signed and stage played, often inscribing the bass with a personal message. This particular one says “To the Black Night/Primal Scream/ Nikki Sixx/2014.” This instrument includes a framed plaque noting that Sixx used the bass to perform the song “Primal Scream.” The bass features a 34” scale length maple/ walnut multi-ply neck with neck-thru construction, a 24 fret rosewood fretboard, smoked chrome plating on the tuners, mahogany body wings, an aged white finish, black plastics, smoked chrome knurled knobs and bridge, and a pair of EMG P/J pickups with controls for individual pickup volume, active master tone, and a two position kill switch. The bass includes a Schecter case with black interior, the plaque, and Allen keys for adjustment.

• 16in x 51in x 5in

Estimate: $5,000 - $7,000

Motley Crue: Mick Mars Owned and Played 1959 Fender Stratocaster, Blonde

A 1959 Fender Stratocaster electric guitar in blonde finish, serial #32541, formerly owned and played by Mick Mars, guitarist of Motley Crue. The guitar features a one piece maple neck with a 25.5 inch scale length, 21 vintage style non-original frets, black dot inlays, six single line Kluson tuners, and a non-original nut. The ash body has a heavily worn blonde finish, (likely non-original), a white single ply 8-hole pickguard, white plastic pickup covers, knobs, and switch tips, and a chrome tremolo bridge with stamped Fender saddles. It is equipped with three single coil pickups wired to a three way selector switch, master volume, and tone controls for the neck and middle pickups. Includes a reissue tweed hardshell case with an orange plush interior and the tremolo arm in the case pocket.

• 15in x 42in x 4in

Estimate: $20,000 - $40,000

552

Motley Crue: Mick Mars Studio Played Theater of Pain 1984 Gibson Explorer

A 1984 Gibson Explorer electric guitar, serial #82964518, used by Motley Crue guitarist Mick Mars to track guitars for the band’s 1985 album Theatre of Pain. This instrument was purchased directly from Tom Werman, who produced three albums for the band including Shout at the Devil (1983), Theatre of Pain (1985), and Girls Girls Girls (1987). This lot includes a COA signed by Tom Werman which states that this guitar was played by Mick Mars on Theatre of Pain.

The guitar features a 24.75 inch scale length mahogany neck with a 22 fret rosewood fretboard, pearloid dot inlays, hockey stick headstock with silkscreened Gibson logo, and six chrome plated mini Grover tuners. The mahogany body and neck are finished in white, which has aged to a lovely cream color and has discolored from pieces of tape that were wrapped around the body. It has black plastics for the pickup rings, top hat knobs, and pickup bobbins, a chrome Nashville Tune-O-Matic bridge, and a chrome stopbar tailpiece. It is equipped with a pair of Gibson Dirty Fingers pickups wired to a three way toggle selector switch, individual volumes for each pickup, and a master tone control. Includes original black Gibson hardshell case with red interior.

• 18in x 46in x 5in

Estimate: $20,000 - $30,000

Lot 553

Motley Crue: 2008 Vince Neil Leather Costume Sketches

Two 2008 costume sketches of Motley Crue’s Vince Neil, created by designer Tod Waters of Junker Designs. The pencil-on-paper sketches are designated “Black N Red” and “Vince Vest” and feature handwritten design elements by Waters.

• 8.5in x 11in x in

Estimate: $200 - $400

Tommy Lee: eMoke Electric Vehicle

An original eMoke electric vehicle personally owned and driven by Tommy Lee.

This electric vehicle features a lithium ion battery with a 75 mile range and a top speed of 45 miles per hour. The battery takes six hours to fully charge on a standard household power outlet. Moke America vehicles are assembled in Sarasota, Florida.

This vehicle was ordered with a full black exterior including black bumpers wheels grille and paint and the Bimini black top. The rear seats have been upgraded to a bench seat and this vehicle includes a premium audio system with Bluetooth.

A portion of the proceeds from the sale of this vehicle will go to benefit MusiCares.

Notice: The winning bidder is responsible for ensuring that proper vehicle transfer of ownership is completed in accordance with state and federal regulations. The winning bidder will be responsible for coordinating vehicle shipment and delivery. The vehicle will be available for pick-up from Gardena CA. If not collected by the winning bidder within 30 days the vehicle will be transferred to a storage facility in Burbank CA and will incur a storage fee of $35/day at the winning bidder’s expense. Julien’s will not be held liable for any money owed on a vehicle or fees associated with the vehicle’s ownership. Pre-sale condition reports are available upon request in writing via e-mail only.

• 58in x 61in x 135in

• PROVENANCE From the Collection of Tommy Lee

Estimate: $15,000 - $20,000

Sex Pistols: Paul Cook 1977 Stage-Worn “Anarchy In The U.K.” T-Shirt with Original Unpublished Photos and Negatives

A Sex Pistols “Anarchy in the U.K.” sleeveless t-shirt, stage-worn by Paul Cook of the Sex Pistols on December 6, 1977, at Donkiesjot, Sittard, Netherlands.

This sleeveless T-shirt was from the Seditionaries collection and designed by Jamie Reid, Vivienne Westwood, and Malcolm McLaren. It features a screen-printed artwork by Reid depicting a Union flag with bulldog clips and safety pins, as well as typography in ransom note style used to promote the band’s first single, “Anarchy in the U.K.” The sleeves were cut off, leaving frayed edges.

In a document from the consignor, the daughter of the original owner, she states:

“’YOU ARE THE ONLY REAL PUNK HERE! ARE YOU FROM LONDON?!’ Johnny Rotten said to our father Eric while looking him straight in the eyes. That moment, just after their concert in our small town of Sittard, somewhere in the countryside of the Netherlands, back in 1977, became one of Eric’s most treasured life memories.

The Sex Pistols concert was organized by the Pinkpop agency and held in Donkiesjot. It was originally scheduled for the 12th of December 1977. However, when another concert got canceled, it was moved to the 6th of December 1977. Everyone from Sittard and the surrounding area was there. Even our mother, who is more of a “be sweet and stay home” kind of girl, stood in the back of the venue and witnessed the impact this iconic band had on the crowd. Our father, who at the time had not yet met our mother, was part of the stage crew of Donkiesjot and sat on the stage making sure everything would run as smoothly as it could go at a Sex Pistols concert.

Before the concert began, he was able to take several personal photographs documenting the band’s arrival at Donkiesjot and their soundcheck.

After the concert, the band met Eric, then 21 years old, backstage again and thanked him for helping make the concert such a success. It was then that Paul Cook asked Eric if he wanted to swap shirts, an offer he could not decline, regardless of the sweat and smell.”

This lot is accompanied by unpublished photographs taken by the consignor’s father, as mentioned above, along with negatives (copyright included), newspaper clippings, and a document from the consignor that further explains the story above.

• x x

Estimate: $10,000 - $20,000

Lot 556

The Clash: Heatwave Music Festival Poster

An original poster that was issued to promote Heatwave Music Festival which was held on Saturday August 23rd, 1980 at Mosport Park in Toronto, Canada. The festival included acts such as Elvis Costello & The Attractions, Talking Heads, B52’s, The Pretenders, and more. It was originally slated to include The Clash who cancelled at the last minute and did not perform.

• 18.5in x 24in x 0.025in

• Tracks

Estimate: $400 - $600

Lot 557

The Vandals: Band-Signed Squier Five String J Bass

A Squier Five String J Bass signed by members of punk band The Vandals, serial #CY150902368, in black finish. The band has signed the pickguard in black felt tip pen with a Vandals sticker affixed to the center portion of the guard. The bass features a 34 inch scale length maple neck, a 20 fret rosewood fretboard, five chrome tuners, a black finish on the body with a faded white pickguard, chrome control plate, chrome bridge, and two pickups wired to individual volumes and a shared tone control. Case not included.

• 14in x 46in x 2.5in

Estimate: $1,000 - $2,000

Lot 558

Ian Dury and the Blockheads: 1978 Signed Roadie Badge

A roadie badge from the Ian Dury and the Blockheads concert at Paradiso, which took place in Amsterdam on March 3, 1978, signed to the back “Dury is Ian” in black ink by Ian. Accompanied by a photo of Dury taken at the event and a Dutch-language newspaper clipping from the event.

• 9in x 11.75in x 0.025in

Estimate: $100 - $200

The Runaways: Lita Ford Signed 1978 Stage-Worn Studded Jumpsuit

A black spandex sleeveless jumpsuit with gold-tone flat studded details, stage-worn by Lita Ford of The Runaways at “Woodland Festival” in Torhout, Belgium on July 8, 1978. The jumpsuit is signed by Ford in gold marker on the back. The jumpsuit features flat, goldtone, prong-set studs on the outer seams and in geometrical shapes on the sides and back, with larger studs along the top hem. The sides are accented by simulated ruby gemstones. A gold-tone front zipper is present. Labeled “Ciria.” No size present. Accompanied by a Certificate of Authenticity from Backstage Auctions, where Ford donated her items for a 2017 auction. Click here for image of Ford wearing the jumpsuit.

• x x

Estimate: $500 - $700

Lita Ford: Stage Played and Signed 2014 B.C. Rich Warlock, Red

A stage played and signed 2014 B.C. Rich Warlock electric guitar owned and played by lead guitarist and solo artist Lita Ford, formerly of The Runaways. Lita has signed the back of the guitar in black felt tip pen and inscribed her black widow logo, and the guitar includes a signed COA confirming the guitar was part of Lita’s personal collection.

The Warlock was first released in 1981, and Ford, who was at the time about to embark on her solo career, was an early adopter of the model. To this day, she continues to use her original red ‘80s Warlock with the “Fuck the World” graphic of a Skeleton in a toilet with its left middle finger extended on the lower bass side body bout.

Ford played this guitar at Mohegan Sun Casino in Uncasville, CT on May 10th, 2014, and it can be seen in her hands in photos from the show taken by photographer Nancy Dagata (click here). This guitar was also held by Lita on the cover of Guitar Thrills’ December 2023 issue along with famous titular movie car Christine.

The guitar in this lot, serial #LF214006, is a near-identical replica made by B.C. Rich in 2014 after scrutinizing her original guitar, even going so far as hiring an artist to recreate the unsigned skeleton graphic as closely as possible. Like the original, this guitar has Ford’s name inlaid in the ebony fretboard from the first to ninth frets, large B.C. Rich script logo, large six-in-line headstock, black Kahler tremolo, and two Seymour Duncan humbucker pickups with simplified controls as the only major deviation from the 1980s model.

This instrument features a 24.75 inch scale length maple neck with thru-body construction, a 24 fret ebony fretboard with Lita Ford’s name inlaid in mother of pearl from the first to ninth frets, serial number impressed on the fretboard after the last fret, black locking nut, six black Grover tuners, and a large black truss rod cover. The body is made of maple wings and the guitar is finished in a radiant red finish, set off by black pickup surrounds, a black Kahler tremolo, and two Seymour Duncan humbuckers word to a lone black volume knob, a three way toggle selector switch, and a chrome two way mini-toggle switch for activating the guitar’s on-board boost function (requires 9v battery, not included). A pair of chrome Dunlop Dual Design strap locks are installed on the rear of the body.

Includes a grey B.C. Rich hardshell case which is also signed by Lita, with the guitar’s tremolo arm tucked into the case storage pocket. The case has a red tag which reads “L1” and an LAX baggage tag, both attached around the case handle.

• 17in x 46.5in x 5in

Estimate: $4,000 - $6,000

Lot 561

Blondie: 1978 Stockholm Performance Photos Signed by Photographer Goran Tannfelt

A collection of three black and white photographs of Blondie taken during their performance at the Jarla Theatre, Stockholm on February 19th, 1978. The images are primarily of Debbie Harry. They were taken by Göran Tannfelt who has signed the prints in the bottom right corner, two in gold pen and one in silver.

• 24in x 36in x 0.25in

Estimate: $200 - $400

562

Annie Lennox: 2008 Stage-Worn Dress with Signed Note and Photo

A patterned prairie-style dress, stage-worn by Annie Lennox while performing at the Black Ball UK in aid of the “Keep A Child Alive” HIV/AIDS charity at St John’s, Smith Square on July 10, 2008, in London, England.The maxi dress features a vintage prairie-style silhouette with black-and-white patterned tiers and a ruffled, off-the-shoulder neckline. Labeled “Nicole Farhi.” No size present. Includes a photocopy featuring Lennox wearing the dress, a Certificate of Authenticity, and a costume tag with a handwritten note from Lennox that reads: “This dress was an [illegible] purchase to wear for my performance with Alicia Keys in London for ‘Keep a Child Alive’ - It’s a kind of voodoo princess vibeCourtesy of Nicole [illegible]. Love Annie Lennox.”

• x x

Estimate: $1,000 - $2,000

Lot 563

Eurythmics: Annie Lennox 1999 Lord’s Prayer Suit

A two-piece suit in ivory twill, which is printed overall in black with text from the Lord’s Prayer, made by Joe Allen London for Annie Lennox to wear during the Eurythmics 1999 “Peace” tour. The jacket is single-breasted with four buttons, twin hip pockets, and a single vent. No size labels are present in the jacket or trousers.Includes two original auction tags.

• x x

• Lot #130, “Donated by Annie Lennox to the Band Aid Trust,” Christie’s, South Kensington, November 15, 2011

Estimate: $1,000 - $2,000

Eurythmics: Dave Stewart Signed Fender Stratocaster Electric Guitar, White

A white Fender Stratocaster electric guitar, serial #MX12249171, in white finish and autographed on the body by Eurythmics’ Dave Stewart in black felt tip pen. The guitar features a 25.5 inch scale length maple neck with a 21 fret rosewood fretboard, dot inlays, and six chrome plated Fender sealed gear tuners. The alder body is finished in white with a faded white pickguard, white plastics, chrome hardware, and three single coil pickups wired to a five way selector switch, master volume, and two tone controls. Case not included. Accompanied by a Letter of Authenticity detailing how the signature was obtained, and a photo of Dave with the guitar.

• 13in x 39in x 2.5in

Estimate: $500 - $700 Lot 565

Kraftwerk: Band-Signed Venezuelan “Computer World” Record Album

A Venezuelan release of Kraftwerk’s 1981 record album, Computer World, signed in ink by Ralf Hutter,Wolfgang Flur, Karl Bartos (black ink), and Florian Schneider (blue ink) to the inner gatefold. Florian, Wolfgang, and Karl have additionally signed the front of the record sleeve.Florian has included an additional dedication in German to Italian fan Massimo to the inner gatefold in black ink.

• 12.25in x 12.25in x 0.25in

Estimate: $1,000 - $2,000 Lot 566

Florian Schneider: Set of Four Kling Klang Industrial Swivel Office Chairs

A set of four industrial swivel office chairs steel and vinyl from the personal collection of Kraftwerk founding member Florian Schneider.

These chairs were used in Kraftwerk’s Kling Klang Studio with one chair for each member of the band.

• x x

• PROVENANCE From the Estate of Florian Schneider

Estimate: $800 - $1,200

Lot 567

Genesis: Vorst National Forest 1981 Concert Poster

An original concert poster for a performance by Genesis at the Vorst National Forest in Belgium on October 22nd, 1981.

• 2in x 27in x 2in

Estimate: $200 - $400

Lot 568

Genesis: Autographed “Foxtrot” CD Award

A Virgin Records Italy award presented to Genesis for their album Foxtrot signed on the front by Phil Collins, Tony Banks and Mike Rutherford in gold felt tipped pen. Phil has added “thanks for all your help! Luv Genesis” above the signatures.

• 9.5in x 13in x 0.5in

Estimate: $500 - $700

Lot 569

Genesis: Phil Collins Stage And Studios Used Headphones

A pair of 1990s Beyer Dynamic DT100 headphones that were formerly used by Phil Collins in Fisher Lane Studios and on stage. The headphones were sold as part of a sale of Genesis equipment, authorized by the band. Accompanied by a letter from an associate of Genesis explaining the headphones’ origin.

• 5in x 10in x 8in

Estimate: $500 - $700

Lot 570

Genesis: Band Signed Promotional

“Abacab”

Record Album With Phil Collins Doodle

A UK vinyl promotional copy of Genesis 1981 album Abacab autographed on the front cover by the band. Phil has added “Congratulation from Genesis” in the yellow area of the signature, and drawn a caricature of himself on the drums under his signature. Accompanied by a letter from the previous owner that explains how the record was obtained.

• 12in x 12in x 0.25in

Estimate: $400 - $600

Lot 571

Phil Collins: 1980s Signed Virgin Records Promotional Photograph

A black and white 1980’s Virgin Records promotional photograph of Phil Collins that has been signed by Phil in black marker.

• 8in x 10in x 0.25in

Estimate: $300 - $500

Lot 572

Phil Collins: Signed Pro-Mark Signature Drum Sticks

A pair of Phil Collins Pro Mark Signature drum sticks one of which has been signed by Phil. The sticks were obtained by a member of the road crew while on tour with Phil.

• 2in x 15in x 1in

Estimate: $300 - $500

Lot 573

Kate Bush: 1984 Signed Letter

A typed thank you letter to Pauline Richards on Kate Bush’s letterhead paper, signed by Kate. Accompanied by the original mailing envelope which is postmarked DARTFORD KENT 21st August 1984.

• 8.25in x 8.25in x 0.25in

Estimate: $400 - $600

Lot 574

Sting: 1986 “Bring On The Night” Complete Original Artwork Including Inner Sleeves And Dummy Records

The original artwork for the outer sleeve, inner sleeves and record labels for the 1986 Sting album Bring On The Night.

The sleeve was designed by Mike Ross and John Warwicker using paintings by Donna Muir and Su Huntley. The artwork consists of the outer sleeve which is made on clear plastic with painted lettering at the top and handwritten text in crayon at the bottom, the color artwork attached to the front and back of a card sleeve, the reverse side has handwritten notes in crayon and printed artwork.

The collection also comprises two handmade inner sleeves featuring printed artwork and hand drawn scribbles in crayon to represent where the text would go and two dummy records with hand made labels featuring printed artwork.

Also included is a sleeve and inner sleeves for the released version of the album which shows that colours on the artwork differ to the released version. Bring On the Night was the first live album by Sting recorded over the course of several live shows in 1985 and released in 1986. The title is taken from a song by the Police from their 1979 album Reggatta de Blanc’ The songs performed include Sting’s early solo material from the studio album ‘The Dream of the Blue Turtles’ and material from his time with the Police.

• 12in x 12in x 1in

Estimate: $800 - $1,200

Lot 575

The Smiths: 1984 “Hatful Of Hollow” Promotional Poster

An original promotional poster for the release of The Smith’s Hatful Of Hollow compilation album from 1984. It features the album art work and information about the album tracks.

• 2in x 14in x 2in

Estimate: $200 - $400

The Smiths: Morrisey Signed Birthday To Liz Taylor

A Hallmark birthday card that pictures a clown on the front that was sent by Morrissey to employee Liz Taylor. Morrissey has written the following message inside that card: “Dear Liz, I Hope You Enjoyed Your Birthday Love etc – Steven.” It is extremely rare for Morrissey to sign his name “Steven” on anything.The birthday card comes from the collection of Liz Taylor, who was employed by The Smiths manager Joe Moss at the Crazy Face offices in Manchester. Liz also designed t-shirts and artwork for various early Smiths projects. Accompanied by a Letter of Authenticity from Liz Taylor.

• 4.5in x 6.75in x 0.25in

Estimate: $500 - $700

Lot 577

The Smiths: Morrissey Signed 1984 UK Tour Contract Cardiff University

The Smiths contract for a 1984 concert at Cardiff University which includes financial details, such as their fee for one performance, and special stipulations such as billing order and hospitality. Their single “William, It Was Really Nothing” was just released and this mini tour was planned as a warm up for The Smiths first American tour which was due to take place in October, however, was cancelled at the last minute to record their album “Meat Is Murder.” Accompanied by a Certificate of Authenticity.

• 11.7in x 8.3in x 0.025in

• From the estate of Mike Hinc, former booking agent at Rough Trade.

Estimate: $600 - $800

Lot 578

Cheap Trick: Bun E. Carlos Drumsticks, One Signed

Four sets of concert-used Bun E. Carlos signature drumsticks, one stick signed in black Sharpie by Carlos.

• 17in x 0.75in x 5in

Estimate: $800 - $1,200

Lenny Kravitz I Signed “Build This Garden For Us” Record

Single:

A 12 inch vinyl pressing of the 1989 Lenny Kravitz single, “I Build This Garden For Us,” signed on the front cover by Lenny.

• 12in x 12in x 0.25in

Estimate: $200 - $300 Lot 580

Live Aid: “The Greatest Show on Earth” Book Signed by Paul McCartney, Elton John, Pete Townshend, and Other Celebrities

The 1985 book, The Greatest Show on Earth: Live Aid, signed to the fly leaf and title page by Paul McCartney, Elton John, Frankie Valli, Brian May, Ronnie Wood, Elvis Costello, Pete Townshend, Bono, Billy Ocean, Mike Love, and others in black and blue marker. Accompanied by a Letter of Authenticity.

• 8.5in x 11.75in x 1in

Estimate: $1,000 - $2,000

Lot 581

U2: Adam Clayton Unforgettable Fire Studio Used and Stage Played ‘85 Live Aid Vintage Fender Jazz Bass Natural Refinish

A vintage Fender Jazz Bass, neck plate serial #347533, in natural refinish. Adam Clayton of U2 owned and played this bass in the studio during the recording of the band’s fourth studio album, The Unforgettable Fire (1984). According to longtime U2 guitar technician Dallas Schoo, this bass was also used by Adam during The Unforgettable Fire Tour. On July 13th, 1985, U2 gave a rousing performance at Live Aid that’s still talked about to this day. Bassist Adam Clayton played this Fender Jazz Bass on stage, notably during the songs “Bad” and “Sunday Bloody Sunday,” as frontman Bono’s earnest vocals soared above the Wembley Stadium crowd while he danced with audience members.

Originally finished in sunburst with a maple neck, Adam had the 1972 body refinished in natural in later years and paired it with a bound and block-inlaid 1966 Jazz Bass neck with a rosewood fretboard and a refinished headstock face. Thankfully, the body still retains original finish in the neck pocket along with the all-important “paint stick” identifier. The bass has a 34 inch scale length maple neck, replaced decal, and chrome Schaller tuners. The natural body has a pearloid pickguard, a chrome control plate with black knobs, black pickup covers, and a chrome Badass Bass II bridge. It is equipped with Fender reissue Jazz Bass pickups wired to individual volume controls and a shared master tone. Includes a non-original hardshell case and Lakland strap. https://www.youtube.com/ watch?v=HvBgRSSlVBA

• x x • fulltext

Estimate: $20,000 - $40,000

Lot 582

U2: Band Signed “The Joshua Tree” Record Album

A vinyl pressing of U2’s 1987 album, The Joshua Tree, signed by all four members of the band in marker: Bono in blue, the others in black.

• 12.25in x 12.25in x 0.25in

Estimate: $1,000 - $2,000

Lot 583

U2: Band-Signed “All That You Can’t Leave Behind” CD

A CD copy of U2’s 2000 studio album All That You Can’t Leave Behind, signed to the insert by all four members of the band in black marker (the Edge’s signature is faint). This lot only includes the CD and the insert.The signatures were acquired at the BBC in 2001.

• 5.5in x 5in x in

Estimate: $1,000 - $2,000

Lot 584

U2: Bono Signed “War” Record Album

A vinyl pressing of U2’s 1983 album War, signed in black marker by Bono, who has also drawn on visor-style glasses around the boy’s eyes on the cover image.

• x x

Estimate: $1,000 - $2,000

Lot 585

Madonna: Early 1980s Polaroid Photo

An early 1980s Polaroid photograph of Madonna, likely taken at an after-hours party in New York City.

• 3.5in x 4.25in x 0.025in

Estimate: $800 - $1,200

Lot 586

Madonna: Bruce Weber Photo

A Bruce Weber black-and-white photograph of Madonna and her entourage. Labeled on the verso in pencil.The image appeared in the cover story on Madonna in the December 2006 edition of LIFE magazine.

• 8in x 10in x 0.025in

Estimate: $300 - $500

Lot 587

Madonna: Original 1981 “Gotham” Demo Cassette Tape

An original cassette audio recording featuring a set of pop-rock demo tracks recorded by Madonna in 1981 at Gotham Sound Studios in New York City, from the estate of Jon Gordon, a NYC session guitarist and producer who worked on Madonna’s early pre-fame demos in 1981 and performed with her live.In 1981, manager Camille Barbone of Gotham Management signed Madonna and sought to develop her as a rock singer. Along with Gordon, Madonna recorded a four-track demo tape intended to secure a major record deal. The tracks include: 1. Love On The Run. 2. Get Up. 3. High Society. 4. I Want You. This original cassette was found among Gordon’s personal effects, following his death in May of 2025.

• 4.25in x 2.25in x 0.25in

• From the Estate of Jon Gordon

Estimate: $1,000 - $2,000

Lot 588

Madonna: Handwritten To-Do List

A to-do list, handwritten by Madonna in multi-colored ink on notebook paper.

• 5.25in x 8.5in x 0.025in

Estimate: $300 - $500

Lot 589

Madonna: Jean Paul Gaultier “Blonde Ambition” Costume Sketch with Swatch

An original Jean Paul Gaultier costume sketch from Madonna’s 1990 Blonde Ambition Tour. There is a swatch of fabric stapled to the design, which also features a small annotation in pencil.

• 11.75in x 16.5in x 0.025in

Estimate: $300 - $500

Lot 590

Madonna: “Desperately Seeking Susan” Archive

A group of ephemera from the film Desperately Seeking Susan (1985), including: a script, a novelization, four 8x10 photos, a postcard and holiday card from director Susan Seidelman, a Magic Club postcard, a photo of Madonna, and a rolled poster.

• 10.5in x 14.5in x 32in

Estimate: $1,000 - $2,000

Lot 591

Madonna: 1987 Signed Check

A Madonna Ciccone check for $45, dated May 28, 1987 and signed by her in black ink. Slabbed with unique authentication number.

• 9.5in x 4.75in x 0.50in

Estimate: $400 - $600

Lot 592

Madonna: 2022 Signed “Sex” Book

The reissue of Madonna’s ground-breaking book, Sex (Saint Laurent, 2022), signed by Madonna in blue marker.Madonna’s book Sex caused significant controversy upon release due to its explicit content. The book features risque photography of Madonna exploring themes of sexuality, power, and taboo. While it received mixed reviews, Sex remains an iconic and influential work in pop culture.

• 13.75in x 15.75in x 1in

Estimate: $1,000 - $2,000

Lot 593

Whitney Houston: 1990 Stage-Worn Marc Bouwer Metallic Gown

A gray knit, figure-hugging Marc Bouwer gown woven with silver lamé and faceted glass buttons, stage worn by Whitney Houston in Japan in 1990 as part of her “Feels So Right” Tour. This month-long, sold-out regional tour served as a preview for her upcoming third studio album, I’m Your Baby Tonight, featuring new songs and a brand-new band. A Marc Bouwer label is present. Together with a matching long jacket with a Marc Bouwer label. While wearing the gown, Houston asked the audience if they liked her dress, spoke about love songs, and performed nine songs, including “All at Once,” “All the Man I Need,” “The Greatest Love of All,” and Stevie Winwood’s hit “Higher Love.”The original consignor acquired the ensemble through Houston’s management. The item was on display at a Grammy Museum pop-up at the Yaamava Casino in 2024. https://youtu.be/ Co5XR8ZUP_k?si=9u2TmzsD04EhvUDE

• x x

Estimate: $8,000 - $10,000

Janet Jackson: 1993 JDJ Entertainment Japanese Sales Award for “janet.”

A Japanese (Toshiba-EMI) Sales Award presented to jdj Entertainment in recognition of sales of over 400,000 units of Janet Jackson’s 1993 album, janet. janet. debuted on May 18, 1993, at #1 on the Billboard 200, setting a then-record for the highest first-week sales by a female artist (350,000 copies).

• 20in x 16in x in

• Partial Lot 270, “Iconic Treasures From the Legendary Career and Life of Janet Jackson,” Julien’s Auctions, Beverly Hills, CA, May 14-17, 2021

Estimate: $400 - $600

Lot 595

Janet Jackson: 2008 “Rock Withchu” Tour Stage-Worn Jumpsuit

A long-sleeve black and white jumpsuit with faux leather attachments worn by Janet Jackson while performing on her 2008 “Rock Witchu” tour.The jumpsuit features a white long-sleeve shirt top with black faux leather epaulets and a black tie as well as zips in the back. No size or labels present. The jumpsuit is stored in an archival garment storage box. Jackson wore the jumpsuit while performing “Black Cat” as well as “If” with her backup dancers.

• x x

• PROVENANCE Lot 514 Property From The Collection of Global Icon Janet Jackson Julien’s Auctions (#3286) Beverly Hills May 21 2023

Estimate: $2,000 - $3,000

Wet Wet Wet: Signed “Love Is All Around” Original Digital Artwork

An original digital artwork created by Soundwaves Studio, signed by Marti Pellow, Tommy Cunningham, Graeme Clark, and Neil Mitchell of Wet Wet Wet. The image shown is a digital representation of the song “Love Is All Around” put to canvas. The print was signed in Glasgow in 2009.

• 39.25in x 39.25in x in

Estimate: $400 - $600

Lot 597

George Michael: Signed Printer’s Proof for “Five Live” Album Artwork

A printer’s proof of the album artwork for George Michael’s 1993 EP collaboration with Queen and Lisa Stansfield, Five Live, signed boldly by George in black marker. Never commercially available, these proofs were distributed to a limited number of record executives.

• 23in x 19.5in x 0.025in

Estimate: $1,000 - $1,500

Lot 598

George Michael: 2006-07 “25” Live Tour Custom-Made Giorgio Armani Suit

A custom-made Giorgio Armani suit, made to be worn by George Michael during his “25” Live Tour in 2006/2007.The suit includes an iridescent midnight-blue three-button jacket and matching flat-front pants. Half lined and semi sheer. Interior labels present - reads Giorgio Armani for George Michael. Size 6. Accompanied by a signed Letter of Authenticity from Michelle May of Robobuild Ltd., stating that the suit was made to be worn by Michael on his tour.

• x x

Estimate: $2,000 - $3,000

Lot 599

George Michael: 2016 Signed Letter

A typed letter from George Michael to a school child named “Michaela,” signed by him in black marker.The letter addresses a question posed to him about what he eats before going on stage and is dated July 2, 2016.Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 8.25in x 9in x 0.025in

Estimate: $500 - $700

Lot 600

Luther Vandross: Owned Masatomo Suit

A purple ombre silk and linen blend suit, owned by Luther Vandross.The suit comprises a jacket, size XL; matching trousers, size 90; and a shirt, size XXL. Labeled Masatomo. Accompanied by a Certificate of Authenticity from the estate auction and a printout of the auction page.

• x x

• Lot 851, “Luther Vandross Estate Auction,” Dawson & Nye, December 5 & 6, 2007

Estimate: $400 - $600

Lot 601

Michael Jackson: Signed Magazines and Photos

A group of 5 items signed by Michael Jackson, including: two People magazines, one TV Guide, and two photos (one color, one black-and-white).

• 8in x 11in x in

• Partial Lot 622, “Music Icons,” Julien’s Auctions, May 30-31, New York, NY

Estimate: $400 - $600

Lot 602

Michael Jackson: Signed Photos and Magazines

A group of five items signed in black marker by Michael Jackson.The group includes: one TV Guide; one People Weekly magazine; and three black-and-white photos.

• 8.5in x 11in x 1in

Estimate: $800 - $1,200

Lot 603

Michael Jackson: 1988 Signed “Moon Walk” Book

A signed UK hardback copy of Michael Jackson’s 1988 book Moon Walk. The book is accompanied by a letter from the original recipient that explains how Michael Jackson signed the book during a private shopping experience at Foyles Bookshop in London.

• 6.25in x 9.25in x 1.25in

Estimate: $500 - $700

Lot 604

Michael Jackson: In-House award of Dangerous

This is an award presented to Michael Jackson to commerate the sale of 14,000,000 album, cassette, and CD copies of his album Dangerous.

• 55in x 43in x 3in

Estimate: $1,000 - $2,000

Lot 605

Michael Jackson: 1998 Signed Amendment to Loan and Security Contract

An Amendment to Loan and Security Agreement, signed to two pages in black ink by Michael Jackson, with additional signatures from co-trustees Bert Mitchell and John Branca.Also included are three cover pages on Ziffren, Brittenham, Branca & Fischer letterhead, dated January 14, October 21, and November 24, 1998, respectively.

• 8.5in x 11in x 0.5in

Estimate: $1,000 - $2,000

Lot 606

Michael Jackson: 2001 Signed 30th Anniversary Concert Poster

A poster for Michael Jackson’s 30th Anniversary Concert which took place at Madison Square Garden on September 7, 2001, signed by Michael in black marker.

• 22.5in x 34in x 0in

Estimate: $400 - $600

Lot 607

Michael Jackson: Memorial Items

A group of items from Michael Jackson’s memorial service, “King of Pop: A Celebration of the Life of Michael Jackson 1958-2009,” which took place on July 7, 2009 at the Staples Center in Los Angeles, CA.The group includes: a program, a wristband, and one unused ticket.

• 9in x 12in x 0.5in

Estimate: $200 - $300

Lot 608

Michael Jackson: Signed Romero Britto “What More Can I Give” Print

A limited edition (34/250) Romero Britto print entitled, “What More Can I Give,” signed in black marker by the artist and Michael Jackson. The artwork was created to be used alongside Jackson’s song of the same name to raise money for various charities.”What More Can I Give” was originally recorded by a group of singers (among them Beyoncé Knowles, Celine Dion, Luther Vandross, Mariah Carey, and Usher) following the September 11, 2001, attack on the United States and was scheduled for release as a charity single for survivors and the families of victims of the terrorist attack.The single was never released but was finally made available to the public as a digital download in 2003 with proceeds going to various children’s charities. Jackson used Britto’s original artwork, created for the single, in conjunction with the “Michael Jackson Once in a Lifetime Event” held at his Neverland Ranch in California in 2003.

• 3in x 44in x 3in

Estimate: $1,000 - $2,000

Lot 609

Michael Jackson: David LaChapelle Signed “Archangel Michael” Print

A large David LaChapelle chromogenic print of Michael Jackson, entitled “Archangel Michael: And No Message Could Have Been Any Clearer” (2009), signed and inscribed by the artist in black marker.

• 26.5in x 39.5in x 0.25in

Estimate: $3,000 - $5,000

Lot 610

Prince: Signed “Prince” Record Album

Prince’s self-titled album, signed to the cover “Love You” and dated “88” by him in blue marker.Accompanied by a Letter of Authenticity.

• 12.25in x 12.25in x 0.25in

Estimate: $1,000 - $2,000

Lot 611

Prince: 1984 “The Purple Dynasty Party” Ticket

A ticket for Prince’s 1984 Purple Dynasty Party, which took place “Monday Night After the Concert” in Detroit, Michigan, during the Purple Rain tour.

• 4.25in x 5.5in x 0.025in

Estimate: $300 - $500

Prince: 1986 Lyrics Handwritten During the Production of “Under the Cherry Moon”

Three sheets of paper on which Prince has handwritten lyrics for “Christopher Tracy’s Parade,” “An Honest Man,” and the quote, “With love there is no death.” These were handwritten by Prince during the production of his film, Under the Cherry Moon (1986). Each sheet of letterhead features a gold-tone letter “C” alongside a crescent moon and has been “signed” “C. Tracy,” his character in the film. Together with a card from the film’s fictional Venus De Milo Piano Bar.The first sheet contains the film’s iconic quote in black ink: “With love there is no death.” There is a smiley face doodle and other small doodles surrounding the writing.The second sheet contains lyrics in blue ink from “Christopher Tracy’s Parade”: “Goodness will guide me when love is inside me / until then… life’s a PARADE!” There is a small smiley face doodle (with flat line mouth) and a heart alongside the lyrics.The third sheet contains lyrics in black ink from “An Honest Man”: “I want 2 be an honest man, I’ll be your slave just understand.” Several versions of the track were recorded c. 1985, with the song inspired by Kristen Scott Thomas’ character from Under the Cherry Moon.

• 8.25in x 11.5in x 0.025in

Estimate: $10,000 - $20,000 Lot 613

Prince: Handwritten “Somewhere Here on Earth” Lyrics

A sheet of notebook paper on which Prince has handwritten in pencil the lyrics for the song, “Somewhere Here on Earth” from his studio album Planet Earth (2007). Prince has added a small doodle of the planet Earth at the top of the page, characteristic of his expressive writing style.Accompanied by a Letter of Authenticity.

• 8in x 10.5in x 0.025in

Estimate: $8,000 - $12,000

Prince: 1987 European “Black Out - A/B” Pressing of “The Black Album”

An early, unofficial European (German) “BLACK OUT A/B Pressing” of Prince’s untitled 1987 Warner Bros. record album, later known as The Black Album (LC-0392 / 925 677-1 WX147). The record bears the original German center label with the identifying white “33” within a triangular symbol. “Black out A / Black out B” are etched by hand along the label on each side of the record.Intended as an answer to critics who claimed Prince had moved too far in a “pop” direction, this follow-up to Sign o’ the Times was touted by early press releases as “The Funk Bible,” a tour of Black musical styles. However, its December 1987 release was canceled after promotional copies had been sent out, as Prince purportedly considered the album to be “evil.” In a dramatic move, Warner Bros. destroyed roughly half a million copies of the record, but some made their way to the public via bootleg. This rare pressing belongs to the earliest generation of post-withdrawal European copies, produced from analog source material circulated internally for a short period in 1987. Early German pressings of this type number in the dozens worldwide. Accompanied by a collector’s reference sheet.

• 12.25in x 12.25in x 0.25in

Estimate: $5,000 - $6,000

Lot 615

Prince: Custom-Made Jose Arellanes Brown Ensemble

A custom-made Jose Arellanes ensemble, made for Prince, c. 1990s. The ensemble includes: a brown turtleneck top with metallic embellishments in a swirl pattern, with a pair of matching pants. Jose Arellanes label present in the top.Prince wore a black version of this ensemble while performing at Paisley Park in 1999, as well as at the Versace Diamond Gala on July 15, 1999, in Paris, France. Click here for image of Prince in Paris.

• x x

Estimate: $3,000 - $5,000

Lot 616

Prince: 1990s Custom-Made Boots

A pair of custom-made brown booties with metallic embellishments and a gold-tone “Love Symbol #2” zipper pull attachment, made for Prince, c. 1990s. Labeled “Andre #1 Made in U.S.A.”The booties match an ensemble Prince wore while performing at Paisley Park in 1999, as well as at the Versace Diamond Gala on July 15, 1999, in Paris, France.

• x x

Estimate: $1,000 - $2,000

Lot 617

Custom Electric Guitar in the Shape of Prince’s Love Symbol, Gold Metallic:

A custom electric guitar made in the style of Prince’s famous Love Symbol in the 1990s. Prince used similar guitars during the Ultimate Live Experience tour, however this instrument does not appear to have been part of Prince’s collection. Construction is consistent with examples made by Schecter, though unbranded, and features a 25.5 inch scale length maple set neck, painted fretboard with 22 frets, a love symbol at the 12th fret and a heart at the 19th, six gold plated locking Sperzel tuners, a brass nut and arrow truss rod cover, circular body with long treble side extension terminating in a scroll, a black pickguard surrounding the black bridge base, gold plated saddles, brass neck pickup surround, and a pair of EMG pickups wired to volume and tone controls and a toggle selector switch. Currently strung with gold plated strings. Case not included.

• 19.5in x 40in x 3in

Estimate: $10,000 - $20,000

Lot 618

Playboy Limited Edition “Midnight Pearl” Acoustic Guitar New In Box:

A Playboy “Midnight Pearl” PBE-AC1 limited edition acoustic guitar serial #PBA 00224 in gloss black finish. This was the first acoustic guitar sponsored by Playboy magazine designed by Steve Clayton and authorized by Hugh Hefner. A 25.3 scale length neck with bound 20 fret neck with an acrylic pearl Bunny logo inlay at the 12th fret. The headstock wears six chrome Grover tuners with a mother of pearl Playboy logo. The body has a spruce top and mahogany back and sides finished in black with mother of pearl purfling plus rainbow mother of pearl bunny and bow tie inlays around the sound hole. Includes original Playboy box Playboy soft case Playboy COA Midnight Pearl pick and Allen key.

• x x

Estimate: $2,000 - $4,000

Lot 619

Gretsch: 1989 Prototype G6120 Nashville Hollowbody Electric Guitar, Transparent Orange

A prototype 1989 Gretsch G6120 Nashville hollowbody electric guitar, serial #891112002p, in transparent orange finish. One of two such prototypes which Fred Gretsch gave to Randy Bachman of The Guess Who and Bachman Turner Overdrive, this instrument was originally sold as part of Julien’s Auctions’ 2021 Property From The Gretsch Family Archives auction.

Made in Japan, the interior label lists the G6120 model number and serial number but reads “Made in USA.” It features a 24.75 inch scale length three piece maple neck with black center stripe, a flame maple headstock overlay with rainbow pearl Gretsch logo and horseshoe inlays, six gold plated sealed gear tuners, a bound 22 fret ebony fretboard, and plain acrylic pearl block inlays. The body has a maple top, back, and sides finished in transparent orange with multi-ply binding on the top, back, and f-holes. The guitar is equipped with back painted gold pickup surrounds and pickguard with “Nashville” and Gretsch logos, gold-plated G knobs, a gold-plated adjustable bridge with ebony base, and a gold plated Gretsch B12 Bigsby vibrato.

The guitar includes a black hardshell case with bright green interior with masking tape on the exterior with the model and serial numbers and the original 2021 Julien’s Auctions lot card.

• 17in x 46in x 7in

Estimate: $1,000 - $2,000

1989 Ernie Ball Music Man Steve Morse Signature Model Electric Guitar, Blueburst with Ad:

A 1989 Ernie Ball Music Man Steve Morse signature model electric guitar, serial #88332, in blue burst finish. First released in 1987, this particular Steve Morse model is one of the earliest to be produced, with notable features like a 6 bolt neck, non-countersunk neck plate, square body neck joint, matte pickguard, and a neck date stamp of September 6th, 1988. Tone potentiometer has a blue date sticker marked 6/29/89, and according to Ernie Ball serial number decoder, the instrument has a manufacture date of August 7th, 1989.

The guitar features a 25.5 inch scale length birdseye maple neck with a 22 fret rosewood fretboard, small dot inlays, 4x2 headstock with six chrome Sperzel tuners, and a black spoke style truss rod adjustment nut at the heel. The poplar body is finished in a gorgeous blue sunburst which has greened with age and contrasts nicely with the black three ply pickguard. The guitar has a chrome tailpiece and ABR style bridge and is equipped with four DiMarzio pickups (two humbuckers and two single coils) wired to a unique array of controls for a wide range of tones.

Includes a black hardshell case with black plush interior and Ernie Ball stickers. Also includes a switching diagram and a copy of an ad which ran in Guitar Player in the April 1988 issue featuring Steve Morse with one of his signature Music Man guitars and the quote, “Somebody finally got it right!”

• 14in x 39in x 5in

Estimate: $2,500 - $3,500

621

Gibson Gives Guitars For Peace Ukraine Relief Les Paul Standard Stage Played by Fher Olvera of Mana:

A 2022 Gibson Guitars For Peace Les Paul Standard, serial #208420378, in a custom finish. Originally sold as lot 970 from Julien’s Auctions’ Icons & Idols: Rock ’N’ Roll auction which benefitted Gibson’s Guitars For Peace Ukraine Relief held in November of 2022. This guitar was played on stage by Fher Olvera. vocalist/guitarist of Maná in the summer of 2022 at the Los Angeles Forum.

The custom finish on this Les Paul, originally Azure blue and yellow like the flag of Ukraine, has faded from blue to mild purple on the bass side of the body, with the dove’s green olive branch heavily faded as well. This is likely due to UV exposure and possibly the instability of the blue dye itself.

The guitar features a 24.75 inch scale length mahogany neck with a bound 22 fret rosewood fretboard, acrylic pearloid trapezoid inlays, six nickel plated Gibson Deluxe tuners with plastic buttons, and mother of pearl Gibson logo inlay and Les Paul Model silkscreen on the headstock. The mahogany body has a bound center seam maple top with custom Ukraine flag finish, cream plastics, gold top hat knobs, and nickel plating on the Nashville Tune-O-Matic bridge and stop bar tailpiece. Equipped with Burstbucker pickups with nickel covers wired to a three way toggle selector switch and individual volume and tone controls for each pickup.

Includes original brown Gibson hardshell case with red interior, a cream pickguard in the case storage compartment, and accessories pouch.

• 15in x 42.5in x 5.5in

Estimate: $2,000 - $4,000

Harvey Daniels: Hand-Painted Gibson Les Paul Special SL Electric Guitar

A Gibson Les Paul Special SL electric guitar, serial #030860462, hand-painted by artist Harvey Daniels in 2007 and originally sold as part of the Ernst & Young Rock Couture Collection auction held in London on May 31st of that year. Titled “Cubist Cool,” the artwork is bright and colorful. The back of the neck is inscribed “Harvey Daniels 2007” in black paint. The guitar features a 24.75 inch scale length mahogany neck, 22 frets, dot inlays, silkscreen Gibson logo, and six vintage-style tuners. The mahogany body and neck are finished in cherry and painted over in multicolor artwork. It has chrome hardware, cream plastics, gold top hat knobs, and is equipped with a Gibson 490R humbucker pickup in the neck and a 498T in the bridge wired to a three way toggle selector switch and individual volume and tone controls for each pickup. Includes SKB molded hardshell case.

• 16in x 42in x 6in

Estimate: $2,000 - $4,000

Lot 623

Kurt Cobain: 1991 Signed Hospital Records

A single sheet Outpatient/Emergency hospital record, dated 4/15/91 and signed by Kurt Cobain in black ink.The record lists “epigastric pain” as the reason for registration. Accompanied by a Letter of Authenticity.

• 8.5in x 11in x 0in

Estimate: $800 - $1,200

Lot 624

Kurt Cobain: “Foxes” T-Shirt Gifted to Hole’s Patty Schemel

A t-shirt owned and worn by Nirvana frontman Kurt Cobain, gifted to Patty Schemel in the early 1990s. Cobain and Schemel were close friends, and Schemel was a huge fan of films which she would often encourage Cobain to watch, such as the 1980 film Foxes starring Jodi Foster who Schemel was a huge fan of. The friends were also big fans of fun and obscure thrifted t-shirts, and frequently shopped together at thrift stores away from the city, sharing their finds with each other. At an early 1990s photoshoot a stylist had several shirts for Cobain to wear. He chose the Foxes shirt because he and Schemel loved watching the film together. He asked if he could keep the shirt after the photo shoot and gifted it to Schemel soon after. Patty Schemel was the drummer for the legendary rock band Hole from 1992 to 1998, and was one of the first lesbian rock musicians to come out officially in Rolling Stone Magazine in 1995. Her deep friendship with Cobain is a central part of her 2017 memoir Hit So Hard. T-Shirt measurements: 16” chest, 18” hip, 24.5 length.

• 7in x 8in x 1in

• From the Collection of Patty Schemel Estimate: $4,000 - $6,000

Nirvana: Krist Novoselic Studio Played Hilversum Session Trace Elliot GP11 Mk V Bass Combo Amplifier

A c.1980s UK-made Trace Elliot GP11 Mk V 4x10” bass guitar combo amplifier. Used by Nirvana bassist Krist Novoselic at a recording session which took place on November 25th 1991 in Hilversum North Holland Netherlands prior to the band’s performance at Paradiso that same evening. Given the fact that Kurt Cobain played the bass at one point during the session it’s conceivable that he also played through this amp. It appears in photos taken photographs taken during the studio session by Michael Linsson which can be seen here here and here.

The session which was a joint effort between Dutch radio stations VPRO and VARA was held at Hilversum Studios. The band meandered through three songs including Leadbelly’s “Where Did You Sleep Last Night?” and a cover of “Here She Comes Now” by The Velvet Underground; the unnamed third song would come to be known as “Horrified.”

As the band’s equipment was already being set up for that evening’s concert backline rental gear was used at the studio including this Trace Elliot bass amp. Novoselic can be seen playing a Warwick Dolphin bass plugged into this combo identified by the HVK Music rental company sticker affixed to the stage right panel in full view. Two additional labels found under the Trace Elliot logo on the front panel as well as another on the stage left side are missing.

The Trace Elliot GP11 Mk V bass combo amplifier features two inputs controls for Gain and Level an EQ on-off as well as a mid cut switch an 11 band graphic equalizer Noise Reduction an XLR out with a switch for pre or post EQ line out effects loop and four 10” speakers behind a heavy duty metal grille.

• 24in x 30in x 13in

Estimate: $1,000 - $2,000 Lot 626

Nirvana: Photo Matched Dave Grohl Studio Played Hilversum Session Drums with Cymbals Stands and Cases

A Remo Acousticon Quadra 14x8” steel snare drum (serial #36549) a Tama 18x16” floor tom (serial #15411182) in black a Zildjian 18” Crash Ride cymbal plus stands and cases all used by Nirvana Drummer Dave Grohl during a recording session which took place on November 25th 1991 in Hilversum North Holland Netherlands prior to the band’s performance at Paradiso that same evening. The drums and cymbal have been matched to photographs taken at the studio here here and here.

The session which was a joint effort between Dutch radio stations VPRO and VARA was held at Hilversum Studios. The band meandered through three songs including Leadbelly’s “Where Did You Sleep Last Night?” and a cover of “Here She Comes Now” by The Velvet Underground; the unnamed third song would come to be known as “Horrified.” Dave Grohl can be seen playing this stripped-down drum kit during the session in photos taken by Michel Linssen which can be seen here.

As the band’s equipment was already being set up for that evening’s concert backline rental gear was used at the studio including these drums which still have their HVK Music and inventory stickers affixed to the hardware and the outside of the cases as well as a Music Plant sticker on the underside of the Zildjian Crash Ride and on the cymbal bag. The Zildjian Crash Ride has “HVK” written in marker on the underside as well as “www.musicplant.nl” which was added later.

This lot includes the snare drum floor tom floor tom legs and the snare stand from the Linssen photos plus the Zildjian cymbal cymbal stand and cases with HVK logos that can be seen in the Linssen photos.

• 23in x 37in x 23in

Estimate: $3,000 - $5,000

Nirvana: Unused April 1994 Brixton Academy Cancelled Concert Tickets

A complete set of four unused concert tickets for the cancelled Nirvana performances that were scheduled to be played at Brixton Academy in London on April 3rd, 4th, 5th and 6th, 1994. Nirvana’s 1994 UK tour was cancelled following Kurt Cobain’s suicide attempt in Rome, Italy. Kurt Cobain’s death on April 5th 1994 took place on what would have been the band’s third of four nights performing at the venue.

• 7.1in x 4in x 0.25in

Estimate: $300 - $500

Eddie Vedder: 1993 Handwritten and Doodled Tour Notes

A page of “Pearl Jam / Not getting drunk in Europe Tour” paper on which Eddie Vedder has handwritten notes on the band’s 1993 Summer European tour.Eddie has listed dates in June and July and added a doodle of a face with “I’m with Eddie” written underneath. Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 8.25in x 11.5in x 0.025in

Estimate: $800 - $1,200

Foo Fighters: Band Signed 1998 Gibson Explorer Electric Guitar, Cherry Red

A 1998 Gibson Explorer electric guitar, serial #92398424, in cherry red finish and signed by the members of Foo Fighters including Dave Grohl, Chris Shiflett, Nate Mendel, and Taylor Hawkins. Reportedly, this guitar came from a former tech for the band and was used briefly by Chris Shiflett. The guitar was signed by the members of rock band Foo Fighters in silver felt tip pen in July of 2005 at the Quarts Festival in Kristiansand, Norway, then given to local nightclub and venue Midnight Cafe, where the guitar was on display through 2023. It can be seen on the wall in a photo from an article about the bar which can be viewed here. On the back of the body is the cafe’s name and phone number, also written in silver felt tip pen.

The guitar features a 24.75 inch scale length mahogany neck, a 22 fret rosewood fretboard, pearl dot position marker inlays, hockey stick headstock, and the original Grover tuners have been replaced with a set of chrome six-in-line locking Sperzel units. The mahogany body and neck are finished in cherry red with a white pickguard, gold speed knobs, and a chrome Nashville Tune-O-Matic bridge and stop tailpiece. It is equipped with two humbucker pickups, with the neck measuring at 8.4k ohms (likely the original Gibson 496R model, and the Seymour Duncan bridge at 15.85k, likely a JB model. No case included.

• 18in x 45.5in x 3in

Estimate: $6,000 - $8,000

Lot 629

Dave Navarro: Stage Played PRS PRS Custom 24 Electric Guitar Custom Made for Dave Navarro

A stage played 2003 PRS Custom 24 electric guitar in a white finish, serial #3 76225, owned and played by Dave Navarro in both Jane’s Addiction and his hard rock supergroup project Camp Freddy. The guitar is labeled #1 on the top edge of the headstock alongside a notable ding on the bass side tip which aids in identifying the guitar in photos from the era.

This instrument includes a handwritten and signed letter of provenance from none other than John 5, the country-metal shredder that has worked with Rob Zombie, Marilyn Manson, David Lee Roth Band, and Motley Crue. In the letter, John 5 writes, “My buddy Dave Navarro Traded Signature Models / He Got Mine And I got His PRS. We Call Our guitars Billy from the movie Caddy Shack / Lucky Billy.”

While Navarro has used a number of white 24 fret PRS guitars in the 2000s, this guitar appears to have been played by Dave Navarro on tour with Jane’s Addiction in 2003, with possible dates of use being the band’s performance at Lollapalooza on August 3rd in Atlanta, GA, and on August 9th in San Antonio, TX. Identification is based on the active fretboard inlays at the 3rd, 5th, 7th, 9th, 12th, and 19th fret positions. Another tell: the guitar’s truss rod cover which is engraved with Navarro’s name, unlike his others.

Navarro does appear to have used this instrument more often with his side project Camp Freddy, with numerous clearer photos available from those performances which show off the inlays as well as the telltale ding on the bass side tip of the headstock, the “1” label on the top of the headstock, and a piece of black tape on the bass side of the headstock which is still affixed to the guitar to this day. These performances largely range from January to September of 2005.

This PRS Custom 24 features a 25 inch scale length mahogany neck with a 24 fret rosewood fretboard, mother of pearl bird inlays, matching headstock, gold PRS logo, and six gold plated Sperzel tuners. The back of the headstock is inscribed “Custom Made for Dave Navarro” in gold felt tip pen. The mahogany body has a flame maple top which you can see poking through the white finish in certain light. It wears black plastics, a gold tremolo bridge, and a pair of black PRS humuckers with gold pole pieces wired to a three way selector switch, master volume, and master tone.

Includes a black Fender Custom Shop hardshell case with black interior, gold plated tremolo arm, a Herco Flex 75 pick, and the aforementioned Letter of Provenance.

• 14.5in x 41.5in x 5in

Estimate: $6,000 - $8,000

Bush: Band Signed 2018 Gibson SG Special 70s Tribute Electric

Guitar

A 2018 Gibson SG Special 70s Tribute electric guitar, serial #180018220, in Satin Cherry finish and signed by Bush members Gavin Rossdale, Chris Traynor, Corey Britz, and Nik Hughes. Two photos depicting Rossdale signing the guitar and the band posing with it are included in this lot. Originally sold as Lot 1 from Julien’s Auctions’ Music Icons Sale held February 27th, 2024. Formed in London in 1992, British rock band Bush emerged onto the alternative rock scene and achieved widespread success with their 1994 debut album Sixteen Stone, which produced several hits including “Comedown,” “Machinehead,” and “Glycerine.” The guitar features a 24.75 inch scale length mahogany neck with a 22 fret rosewood fretboard, small block inlays, six Gibson Deluxe tuners with green plastic keys, silkscreened Gibson logo on the front of the headstock and a Made In USA 2018 Model stamp on the back of the headstock. The mahogany body and neck are finished in Satin Cherry with black plastics, nickel plated Nashville Tune-O-Matic bridge and stop tailpiece, two mini humbucker pickups wired to a three way toggle switch and individual volume and tone controls for each pickup. Includes brown Gibson hardshell case with red interior, 2024 auction lot card, and the aforementioned photos.

• 15.5in x 42.5in x 5in

Estimate: $800 - $1,200

Dave

Matthews: Signed

Breedlove Discovery Concert

Acoustic Guitar with Rhino Illustration

A 2014 Breedlove Discovery Concert acoustic guitar, serial #CC141108661, in natural finish and signed in black felt tip pen by singer-songwriter Dave Matthews, who has also added a large illustration of black rhino. Originally sold as lot #904 in Julien’s Auctions’ Music Icons sale held on February 27th, 2024. The guitar features a 25.5 inch scale length mahogany neck with a 20 fret ovangkol fretboard, small dot inlays, and six chrome sealed gear tuners. The body has mahogany back and sides with a spruce top, ovangkol bridge, and multi-ply binding on the top with single-ply on the back. Includes gig bag.

• 17in x 42in x 5in

Estimate: $2,000 - $4,000

Lot 633

Liam Gallagher: Stage Used Rhythm Tech Tambourine

A Rhythm Tech tambourine used on stage by Liam Gallagher and thrown to a fan at the Ziggy Dome, Amsterdam on February 7th 2020. Accompanied by a letter that explains how the fan caught the tamborine.

• 9in x 7.5in x 2in

Estimate: $1,500 - $2,500

Lot 634

Coldplay: Signed “Yellow” Original Digital Artwork

An original digital artwork created by Soundwaves Studio, signed by Chris Martin, Jonny Buckland, Guy Berryman, and Will Champion of Coldplay. The image seen is a digital representation of the song “Yellow” put to canvas. The band signed this canvas in their North London studio in 2008.

• 74.5in x 23in x in

Estimate: $1,500 - $2,500

Coldplay: Signed Axis Strat-Style Electric Guitar, Candy Apple Red

A presumably 1990s Axis brand import Stratocaster style electric guitar signed by the members of Coldplay and dated July, 2001. The band signed and inscribed the band’s name in black felt tip pen on the upper and lower bass side body bouts. These signatures hail from a period during the band’s rise to fame. On the rear tremolo cavity in silver felt tip pen is the inscription “Midnight Cafe / Oswald” along with a phone number.

The guitar has been damaged in shipping with part of the pickguard around the second tone knob broken off and pushed into the control cavity. There is also a piece of white tape holding something onto the forearm contour of the guitar which is labeled “Broken Piece Do Not Remove.”

The guitar features a 25.5 inch scale length maple neck, a 21 fret rosewood fretboard, black locking nut with the locks missing, six black plated tuners, a body finished in Candy Apple Red with a black two ply pickguard, black licensed Floyd Rose vibrato, black pickup covers and knobs, and three pickups which includes a humbucker at the bridge and two single coils in the neck. Case not included.

• 13in x 39.5in x 2.5in

Estimate: $2,000 - $4,000

636

Garbage: Band Signed 2016 Gibson Les Paul Studio T Electric Guitar, Radiant Red

A 2016 Gibson Les Paul Studio T electric guitar, serial #160107950, finished in Radiant Red. The guitar is signed in silver felt tip pen by members of Garbage including Shirley Manson, Duke Erikson, Steve Marker, and Butch Vig. Originally sold as lot #2 in Julien’s Auctions’ Music Icons sale held on February 27th, 2024.

Formed in 1993, Garbage gained international recognition with their self-titled debut album in 1995, featuring hits like “Stupid Girl” and “Only Happy When It Rains.” Known for their fusion of rock, electronic, and grunge elements, Garbage carved out a unique sound that set them apart in the ‘90s music scene.

The guitar features a 24.75 inch scale length mahogany neck with a 22 fret rosewood fretboard, acrylic trapezoid inlays, six Gibson Deluxe tuners with plastic keys, and silkscreened Gibson and Les Paul Model logos on the headstock. The back of the headstock is stamped “Made In USA 2016 Model” and “Demo.” The mahogany body, maple top, and neck are finished in Radiant Red set off by cream plastics, chrome plated Nashville Tune-O-Matic bridge and stop bar tailpiece, and gold speed knobs. Equipped with a set of 490R and 498T pickups with chrome covers wired to a three way toggle selector switch, and individual volumes with push-pull coil splits and tone controls for each pickup.

Includes original brown Gibson hardshell case with red interior, original Gibson COA, original Julien’s lot card, and accessories pouch.

• 15in x 42.5in x 5.5in

Estimate: $800 - $1,200

Linkin Park: Mike Shinoda Signed Squier Bullet Strat Electric Guitar With Hand Drawn Artwork

A 2017 Squier Bullet Strat electric guitar serial #ICS17078521 in white finish and signed by Mike Shinoda of Linkin Park with hand-drawn artwork throughout the body top. Shinoda has signed the guitar behind the bridge in blue along with various cartoon faces in pink orange purple and blue ink. The guitar features a 25.5 inch scale length maple neck with a 21 fret laurel fretboard dot inlays chrome tuners a white body with a white pickguard three single coil pickups and a chrome hard tail bridge.

• x x

Estimate: $1,000 - $2,000

Lot 638

Papa Roach: Signed Gibson SG Standard 2018 Electric Guitar, Autumn Shade

A Gibson SG Standard 2018 electric guitar, serial #18006618, in Autumn Shade finish and signed in black felt tip pen by members of the Band Papa Roach including Jacoby Shaddix, Jerry Horton, Tobin Esperance, and Tony Palermo.

Formed in Vacaville, California, in 1993, Papa Roach achieved commercial success with their breakthrough 2000 album Infest. The album included hits like “Last Resort” and “Between Angels and Insects,” propelling the band into mainstream popularity.

The guitar features a 24.75 inch scale length mahogany neck with a bound 22 fret rosewood fretboard, acrylic pearloid inlays, mother of pearl Gibson logo a crown inlays on the headstock, and six chrome locking Grover tuners. The mahogany body and neck are finished in Autumn Shade with black plastics, a five ply black pickguard, chrome Nashville Tune-O-Matic bridge and stop bar tailpiece, and a pair of chrome covered 61R and T pickups wired to a three way toggle selector switch with individual volume and tone controls for each pickup.

Includes carbon fiber hardshell case with red interior, Gibson strap, manual, warranty card, and original lot card from the Julien’s Music Icons sale.

• 17in x 43in x 6in

Estimate: $1,000 - $2,000

Slipknot: B.C. Rich Warlock Signed by All 9 Band Members, Black

A B.C. Rich Bronze Series Warlock electric guitar, serial #01020057, signed in silver felt tip pen by all 9 members of the band Slipknot on July 6th, 2004. Signatures are bright against the black finish. The guitar features a 24.75 inch maple neck with a 24 fret rosewood fretboard, dot inlays, six chrome plated tuners, and a black nut. The body is finished in black with a chrome wraptail bridge, two humbucker pickups, volume and tone controls with chrome dome knobs, and a three way toggle selector switch. Note: the guitar’s headstock tips were damaged in shipping with wood missing. See condition report for details.

• 15in x 44in x 2.5in

Estimate: $2,000 - $4,000

Amy Winehouse: Ballet Slippers

A pair of pink ballet slippers, owned by Amy Winehouse. Size 6. The satin pale pink ballet slippers are lined with a twill canvas, trimmed with cotton bias tape, with cotton cord for the bows at the vamps. The interior soles appear to be a felt fabric, and the exterior soles are suede soles. The slippers feature moderate wear, discoloration, and stains on both the exterior and interior.

• Partial Lot #302, “Property From The Life and Career of Amy Winehouse,” Julien’s Auctions (#3258), November 6, 2021

Estimate: $800 - $1,200

Lot 641

Amy Winehouse: Denim Shorts and Braided Belt Worn DJing at Snakehips

These shorts and belt belonged to the legendary singer Amy Winehouse who wore them when she DJ’d at her event Snakehips at The Monarch in Camden in July, 2008, as seen here.

Winehouse wanted to create a club night where she could share the music that inspired her as an artist; a mix including The Cure, The Supremes, The Specials, Dexy’s Midnight Runners, Desmond Dekker, and more, playfully advertising that she would DJ battle her friend Bioux who helped her with some of the technical aspects of playing records throughout the night. Snakehips at The Monarch only happened once, many speculate due to the fact that the paparazzi and tabloids took advantage of the proximity to Winehouse since it was a small dance club. In the early 2000s Camden was still a place for alternative culture, and Winehouse was a part of the scene there before becoming famous.

These shorts are exemplary of her style: she was famous for wearing short denim shorts with woven belts, often along with a tank top and ballet flats. Winehouse wore a very similar pair of shorts and belt on stage at Coachella 2007.

These shorts are size 24 J Brand, and in the left pocket is a small cat toy. Amy was a left handed cat lover who had many cats, and even made a Facebook profile for her cat Shirley Baxter to secretly communicate with her lover Blake in 2009.

• 11in x 9in x 2.5in

Estimate: $1,000 - $2,000

Amy Winehouse: Diesel Red Denim Shorts, Black Chunky Belt, and Artist Pass Worn at T In The Park 2008

These are a pair of size small red Diesel denim shorts and a black stretch snakeskin chunky belt worn on stage by Amy Winehouse at her legendary 2008 T in the Park performance in Scotland. It was disputed if Amy would actually show up to T in the Park in 2008 since she had cancelled her much anticipated appearance in 2007 due to exhaustion from a year of non-stop touring following the release of her 2006 album Back To Black. Despite 2008 being a year of ups and downs for the singer, her T In The Park performance was a triumph and is heralded by her fans as one of her most iconic performances. She played a mix of songs from her catalog along with covers she made her own: The Zutons “Valerie,” Sam Cooke’s “Cupid,” and The Specials two tone classic “You’re Wondering Now,” along with her full band. The set was playful, sometimes incorporating improvised lyrics and vocal runs. These shorts are a part of Winehouse’s legacy as influential in women’s fashion during the 2000s: the short shorts and chunky belt became a marker of alternative femme fashion. Included is an artist transport pass from the festival.

• 14in x 10in x 2in

Estimate: $1,000 - $2,000

Lot 643

Amy Winehouse: Fred Perry Shirt

A black cotton bowling-style shirt with yellow gingham trim, monogrammed “Amy,” from the Fred Perry/Amy Winehouse collaboration collection. Fred Perry and Amy Winehouse labels are present. US size 2.

• Lot 736, “Property from the Life and Career of Amy Winehouse,” Julien’s Auctions, Beverly Hills, CA, November 6-8, 2021

Estimate: $500 - $700

Lot 644

Amy Winehouse: Original Pete Doherty and Winehouse “Amy 4 Blake” Artwork

An original illustration created by Amy Winehouse and Pete Doherty (former Libertines frontman). The artwork (which is framed and mounted over a British flag textile) was executed on a canvas panel using mixed media - which reportedly included blood and heroin dust.The illustration depicts an image of Winehouse embracing her husband, Blake Fielder, before he was taken to prison. The scene has been embellished with heart symbols and a caption above Winehouse’s image reads “Oh heavenly bridegroom.” A caption next to Fielders image begins “How powerful is a woman’s fear...” Following Winehouse’s death in 2011, Doherty revealed that the two had been lovers.The artwork was featured in the biographical book My Amy: The Life We Shared by Tyler James (Macmillan 2021).

• 20in x 25.5in x 2in

Estimate: $6,000 - $8,000

Lot 645

Amy Winehouse: Stax Records T-Shirts

A collection of four Stax Records t-shirts, from the collection of Amy Winehouse. The red, white, and one black shirt are size medium. One black shirt is size extra large.

• x x

• Lot 87, “Property From The Life And Career Of Amy Winehouse,” Julien’s Auctions, Beverly Hills, November 6, 2021

Estimate: $1,000 - $2,000

The White Stripes: RIAA Certified “Platinum” Sales Award for “Elephant” Presented to Tracee Mae Miller

An RIAA-Certified “Platinum” Sales Award presented to Tracee Mae Miller to commemorate more than 1,000,000 CD copies of The White Stripes’ 2003 studio album Elephant. Released on April 1, 2003, Elephant is widely considered the band’s magnum opus and includes their most famous hit, “Seven Nation Army.” Elephant earned the band their first two career Grammy Awards, including Best Alternative Music Album and Best Rock Song for “Seven Nation Army.”

• 17in x 21in x 1in

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $1,000 - $2,000

The White Stripes: “Hotel Yorba” Music Video-Worn Cocktail Dress

A vintage 1950s cocktail dress, worn by frequent collaborator and close friend of White, Tracee Mae Miller, in The White Stripes’ 2001 music video for “Hotel Yorba.”The midlength sleeveless dress features light blue chiffon fabric at the waist and under the skirt’s lace overlay. The entire dress features a lilac lace overlay, as well as a lined bodice and a back zipper. No size or label present. The official music video for “Hotel Yorba” by The White Stripes was released in 2001 to support their breakthrough album, White Blood Cells. Directed by Anthony Ernest Garth and Dan John Miller, the video features Jack and Meg White performing in and around the actual Hotel Yorba in southwest Detroit, with Miller playing Jack’s bride. https://youtu.be/DZPEUyiNcjA?si=2RJhOsBlKpAJwsWr

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $2,000 - $4,000

The White Stripes: “Hotel Yorba” Music Video-Worn Wedding Ring

A wire “wedding ring” prop, handmade by Jack White and worn by frequent collaborator and close friend of White, Tracee Mae Miller, in The White Stripes’ 2001 music video for “Hotel Yorba.” Roughly size 8.5.The official music video for “Hotel Yorba” by The White Stripes was released in 2001 to support their breakthrough album, White Blood Cells. Directed by Anthony Ernest Garth and Dan John Miller, the video features Jack and Meg White performing in and around the actual Hotel Yorba in southwest Detroit, with Miller playing Jack’s bride. https://youtu.be/DZPEUyiNcjA?si=XEvzsbPxWMWhfMpk

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $1,000 - $2,000

The White Stripes: “The Hardest Button To Button” Music Video Used Compact Mirror

A cracked compact mirror used in The White Stripes’ music video for “The Hardest Button To Button,” from the personal collection of frequent collaborator and close friend of Jack White, Tracee Mae Miller. The mirror features pressed flowers on the back behind glass, with a metal rim. In the music video, Beck makes a cameo as a man in a white suit who presents Jack White with a box explicitly described as a “box with something in it,” which, according to Miller, was this broken compact mirror. Before The White Stripes became famous, Miller was a member of the short-lived Detroit band Two-Star Tabernacle (1997–1999). The group included Jack White, Tracee Mae Miller, her husband Dan John Miller, and Damian Lang. Some songs originally performed by Two-Star Tabernacle, such as “Hotel Yorba,” were later recorded and released by The White Stripes on their breakthrough album White Blood Cells.

• 2.5in x 2.5in x 1in

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $800 - $1,200

Lot 650

The White Stripes: Jack White Personalized Zippo Lighter

A metal Zippo lighter, gifted to Jack White by frequent collaborator and close friend, Tracee Mae Miller. The lighter is engraved on one side with the phrase “I Asked Her For Water, She Gave Me Gasoline,” a reference to the opening line of the classic blues song “I Asked for Water (She Gave Me Gasoline)” by the Howlin’ Wolf. The other side features a red film and is engraved “3.”According to Miller, White kept this lighter with him all the time.

• 1.5in x 2in x in

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $800 - $1,200

The White Stripes: Meg White “Elephant” Album CoverWorn Gunne Sax Dress with CD

A vintage white cotton eyelet maxi dress by Gunne Sax, worn by Meg White on the cover of The White Stripes’ 2003 studio album Elephant, from the personal collection of frequent collaborator and close friend of Jack and Meg White, Tracee Mae Miller. The album artwork features Jack and Meg sitting on a circus trunk against a red background. Jack later revealed that the composition contains a hidden “head-on” perspective of an elephant.The dress features a slight sweetheart neckline, ruffles at the empire waistline, bishop sleeves that taper at the wrist with a zipper detail, and a flowing, floor-length maxi skirt with a tiered design and ruffle at the hem. Gunne Sax label present. Size 7.For various photo shoots during that time, Miller shared that she and Meg would pull items from their own closets to style themselves. For this shoot, Miller pulled the dress directly from her closet for Meg to wear. The bodice of the dress was tailored by Miller’s mom to fit her, and the dress luckily ended up fitting Meg perfectly as well. Includes a CD copy of Elephant.

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $4,000 - $6,000

The White Stripes: RIAA Certified “Gold” Sales Award for “Elephant” Presented to Tracee Mae Miller

An RIAA-Certified “Gold” Sales Award presented to Tracee Mae Miller to commemorate more than 600,000 CD copies of The White Stripes’ 2003 studio album Elephant. Released on April 1, 2003, Elephant is widely considered the band’s magnum opus and includes their most famous hit, “Seven Nation Army.” Elephant earned the band their first two career Grammy Awards, including Best Alternative Music Album and Best Rock Song for “Seven Nation Army.”

• 16in x 16in x 1in

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $600 - $800

Lot 653

Tracee Mae Miller: Antique Georgian Memorial Ring Gifted By Renee Zellweger

An antique Georgian memorial ring, gifted to Tracee Mae Miller by Renee Zellweger as a birthday present when she was dating Jack White.Centering upon a cabochon paste glass panel, encasing a plait of human hair, within an old mine-cut diamond surround, mounted in silver-topped gold, circa 1835, 2.0 grams, ring size 4.75, in original antique green leather case. Interior engraved, “Richard Shepherd, O6 8 Apl 1835, Oct 60.” Condition: 12 Old mine-cut diamonds, gauged to weigh approximately 0.48 carats total, I-J color, I clarity, hand-cut stones; paste cabochon with a lot of abrasion; will be difficult to resize.

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $300 - $500

Lot 654

Tracee Mae Miller: Art Deco Platinum Wristwatch Gifted By Renee Zellweger

An Art Deco platinum wristwatch, gifted to Tracee Mae Miller by Renee Zellweger as a Christmas present when she was dating Jack White.Of mechanical movement, the engine turned circular dial with black Arabic numerals and hands, within a simulated diamond surround, with similarly-set shoulders and joined to a mesh link bracelet, with adjustable length, 23 mm case, 24.3 grams, circa 1920, in original fitted case.

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $500 - $700

Tracee Mae Miller: Framus 5/149 Star Bass Stage Played in Blanche and with Jack White in Two Star Tabernacle

A mid-1960s Framus 5/149 Star Bass electric hollowbody bass guitar owned and played by Tracy Mae Miller, bassist and vocalist of Detroit punk band Two Star Tabernacle and gothic alt-country band Blanche. Miller and her husband Dan John Miller are former band mates and frequent collaborators of Jack White’s, who went on from Two Star Tabernacle to found and front The White Stripes. A number of the band’s songs were reworked and re-recorded for The White Stripes’ 2001 album White Blood Cells as well as Blanche’s If We Can’t Trust the Doctors…, released in 2004.

Insofar as we can tell, Tracee played this old Framus bass from around 1997 through 2009 on tours and recording sessions. It appears to be her primary stage instrument with Two Star Tabernacle and Blanche and may even be the only bass Tracee employed at this time. The bass is recognizable in photos and footage by its figured maple top, the replacement of the bass’s original pickup with a massive Floyd Rose Sustainer pickup, and the removed Framus logo on the headstock with various items in its place (currently a Victorian style black and white resin cameo brooch) as seen in the video linked below.

In addition to being a musician, Miller is also a skilled oil painter and actor, having appeared in the 2005 Johnny Cash biopic Walk The Line as Luther Perkins’ wife Birdie (Dan John Miller played Luther).

Tracee Mae Miller’s Framus Star Bass features a 30.2 inch scale length plywood neck with a bound 20 fret rosewood fretboard, pearloid dot inlays, four tuners with pearloid buttons, and a zero fret. The body has a flame maple top, back, and sides with multi-ply binding on the top and back, bound f-holes with tortoise shell plastic covering the holes, a chrome tug-bar on the treble side of the strings, chrome bridge with cover, worn nickel Star Bass tailpiece, and the aftermarket Floyd Rose Sustainer pickup wired to an on-off switch and volume and tone controls. It is strung with black nylon tape flatwound strings.

The bass includes a black hardshell case with dark red interior, a black stage-used strap, a pen, four neck bolts in a bag, and a set of used black nylon strings.

• 19.5in x 49in x 6in

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $2,000 - $4,000

Tracee Mae Miller: Vintage 1970s Gucci Bag Gifted By Renee Zellweger

A vintage Gucci bag, gifted to Tracee Mae Miller by Renee Zellweger as a Christmas present when she was dating Jack White.A Gucci Blondie Bag, c. 1970s, the exterior features natural cured leather with monogrammed woven jacquard, at the bottom center is the iconic GG hardware. The bag is a shoulder-style bag with two expandable gussets and a zip pocket on the back panel of the interior. There is a gilt gold-tone embossed stamp that reads “Made in Italy by Gucci.” Interior is leather-lined.

• 10.5in x 11in x 2in

• From the Collection of Tracee Mae Miller, Collaborator and Close Friend of Jack White

Estimate: $600 - $800

Lot 657

Taylor Swift: 2007 Twice Signed Promo Photo

A 2007 debut-era color promotional photograph of Taylor Swift, signed by her in black marker, with a cartoon drawn by the original recipient on the verso, and an additional signature from Taylor.The photo is slabbed by PSA with certification number.

• 10in x 13.5in x 0.5in

Estimate: $800 - $1,200

Taylor Swift: 2011 “Speak Now” Tour Stage-Worn Glove

A pale pink lace glove, stage-worn by Taylor Swift on February 19, 2011, performing a sold-out show at the Smart Araneta Coliseum in Quezon City, Philippines. Together with two V.I.P passes and an orange wristband with the date 2/19/11 written on the surface in black marker. Accompanied by a Letter of Provenance from the original recipient that, in part, reads: “I was a VIP ticket holder and attended Taylor Swift’s Speak Now Tour concert at the Smart Araneta Coliseum in Manila, Philippines, on February 19, 2011. I attended the show with my husband, my daughter, and my two sisters. As Taylor performed the song “Speak Now,” she walked down steps from the main stage onto an extended platform that reached out into the audience. My family and I were positioned on the front-right side of this VIP stage area. Taylor reached out to the fans and presented one of her pink, lace gloves to the crowd. It was my husband who successfully secured the glove from Taylor’s hand.”

• 3.5in x 9.5in x in

Estimate: $1,000 - $2,000 Lot 659

One Direction: Band-Signed One Direction x Office Depot

“Together Against Bullying” Campaign T-Shirts

Five signed One Direction x Office Depot “Together Against Bullying” campaign t-shirts including: a light blue t-shirt featuring Harry Styles with the caption “NICE,” signed by Styles on the front in black marker, size M; a pink t-shirt featuring Niall Horan with the caption “CONFIDENT,” signed by Horan on the front in silver marker, size M; an orange t-shirt featuring Louis Tomlinson with the caption “ORIGINAL,” signed by Tomlinson on the front in black marker, size M; a neon yellow shirt featuring Zayn Malik with the caption “UNIQUE,” signed by Malik on the front in black marker, size M; and a steel blue t-shirt featuring Lam Payne with the caption “TRUE,” signed by Payne on the front in black marker, size M. In 2013, One Direction partnered with Office Depot for the “1D+OD Together Against Bullying” campaign, aiming to raise $1 million for anti-bullying education in US schools. The campaign featured a PSA and specialized school supplies, and promoted the message “Live Nice, Love Everyone, and Move Together Against Bullying.”

Estimate: $1,000 - $2,000

One Direction: Harry Styles Signed One Direction x Office Depot “Together Against Bullying” Campaign T-Shirt

A light blue One Direction x Office Depot “Together Against Bullying” campaign t-shirt featuring Harry Styles with the caption “NICE,” signed by Styles on the front in black marker. Size M. In 2013, One Direction partnered with Office Depot for the “1D+OD Together Against Bullying” campaign, aiming to raise $1 million for anti-bullying education in US schools. The campaign featured a PSA and specialized school supplies, and promoted the message “Live Nice, Love Everyone, and Move Together Against Bullying.”

Estimate: $600 - $800

Lot 661

OutKast: 2004 Grammy After Party Stenciled Levi’s 501 Jeans

A pair of dark wash Levi’s 501 jeans featuring portraits of Big Boi and André 3000 of OutKast that were live stenciled for guests at a private after-party during Grammy Week 2004, following the duo’s “Album of the Year” win for Speakerboxxx/The Love Below. W - 38. L - 34. According to the consignor, they were personally present at the event and obtained a pair of jeans directly that night, where they remained unworn and in their possession until now. In 2026, photographs of the jeans were reviewed by the artist’s studio, which confirmed the event and Shepard Fairey’s attendance and involvement, noting that studio assistance was present during the live stenciling.

Estimate: $600 - $800

Lot 662

Usher: 2004 Billboard Music Award-Worn Jacket

A grey wool herringbone tweed and black leather jacket with patches, worn by Usher to the 2004 Billboard Music Awards held on December 8, 2004, at the MGM Grand Garden Arena in Las Vegas, NV.The jacket features various patches stitched onto the front and sleeves, with white contrast stitching throughout. The jacket appears to be vintage reworked, with a vintage label that reads “Cricketeer for Strawbridge Clothier,” and an additional modern label that reads “Chassis Los Angeles.”Usher dominated the 2004 Billboard Music Awards, held on December 8, 2004, winning 11 awards, including Artist of the Year, Male Artist of the Year, and Hot 100 Single of the Year for “Yeah!.”

• x x

Estimate: $800 - $1,200

Jennifer Lopez: 1999 “Latina Magazine” Worn Dress with Magazine

A sequined champagne midi-dress, by designer Silvia Car, worn by Jennifer Lopez in the March 1999 issue of Latina Magazine. The halter-neck gown is fully embellished with sequins and features a back crossbody design, a low back, with additional fabric and bead embellishments toward the bottom of the skirt. Silvia Car Milano label present. No size. Lopez appeared on the March 1999 cover of Latina Magazine at a pivotal moment in her career—just months before the release of her debut album, On the 6. Includes a copy of the March 1999 issue of Latina Magazine.

• From the Collection of Designer Silvia Car

Estimate: $800 - $1,200

Lot 664

Jennifer Lopez: 2025 “WorldPride Festival” Stage-Worn Metallic Boa

A metallic gold ruffled boa, stage-worn by Jennifer Lopez while headlining the WorldPride DC Music Festival on June 6, 2025, in Washington, D.C. No size or label present. During the performance, Lopez sang hits as well as new music, including “Save Me Tonight” and a cover of “Freedom” with the Gay Men’s Chorus of Washington. https://youtu.be/ kZLJRzO41og?si=QTGpJoKnnt6XjBeb&t;=2882

• 84in x in x in

Estimate: $500 - $700

Lot 665

Shakira: 2025 Stage-Worn Sunglasses

A pair of chrome plastic sunglasses (in the style of the Versace 0VE4461 Sunglasses), stage-worn by Shakira on October 30, 2025, at Televisa San Ángel in Mexico City.This exclusive event was the centerpiece of the Televisa Univision Upfront 2026, where the media giant presented its upcoming content and strategy to executives, advertisers, and celebrities.According to the consignor, as soon as Shakira began her performance, she threw the sunglasses into the crowd, and her husband was seated in the third row, where he caught them.

• 6in x 2.75in x 3in

Estimate: $1,000 - $1,500

Lot 666

Baz Luhrmann’s “The Great Gatsby”: 2013 Third Man Records Gold and Platinum Metallized Record Album with Wooden Jacket

Third Man Records’ 2013 Gold and Platinum Limited Edition Metallized Record Set release of the soundtrack for Baz Luhrmann’s film, The Great Gatsby (TMR 222). Housed in a laser-cut wooden jacket. Includes the original quality assurance card and white cotton gloves provided for handling the discs.Disc one is metallized with platinum and disc two is metallized with gold, the first-ever commercially available records made with these materials, using this process.

• 13.25in x 13.25in x 1in

Estimate: $1,000 - $2,000

Lot 667

Beyonce: “Blow” Music Video-Used “Roller City USA” Neon Sign

An oversized “Roller City USA” neon sign, featured in Beyoncé’s 2013 music video for “Blow.”The music video for “Blow” was released on December 13, 2013, as part of Beyoncé’s self-titled fifth visual album. Directed by Hype Williams, the video is a high-energy, neon tribute to the disco era. https://youtu.be/ CIELYkfoKy8?si=unKyrbYU3Mx2e1dp

• 122in x 29in x 8in

Estimate: $1,000 - $2,000

Lot 668

Beyoncé: 2015 MTV VMA Moonman Presented to Jonathan Wing for Best Editing on Beyoncé’s “7/11”

2015 MTV VMA Moonman for Best Editing on Beyoncé’s “7/11” music video presented to editor Jonathan Wing. The video for “7/11” drew polarizing comments. Many people loved its fun and playful tone, shot like a home movie at locations like the Presidential Suite at the Beverly Wilshire Hotel, and a nondescript hotel patio where Beyoncé dances in a sweatshirt adorned with the word “KALE” in true 2014 fashion. Some critics hated that it looked like it was filmed with an iPhone, but its relatability made it go viral with fans who even turned scenes into GIFS for Tumblr. Looking at it today, its aesthetics are predictive of what Instagram Reels and TikTok videos have become. “7/11” was an influential part of Beyoncé’s visual catalog in the 2010s, and this award recognizes the editing that brought it all together.

• 9in x 9in x 14in

• From the Collection of Jonathan Wing

Estimate: $2,000 - $4,000

Lot 669

Nipsey Hussle: Signed Limited-Edition Mailbox Money CD

A CD copy of Mailbox Money, the ninth mixtape by Nipsey Hussle, released on December 31, 2014, signed on the interior sleeve in silver marker. Limited edition 7/100.The project is famous for its “Proud 2 Pay” campaign, where Hussle sold a limited edition of 100 physical copies for $1,000 each.

• 5.5in x 5in x 1in

Estimate: $800 - $1,200

Lot 670

Gwen Stefani: 2021 Paper Magazine Photoshoot-Worn “OBSESSED” Costume Necklace

A single-strand costume choker necklace featuring simulated pearls in a size gradient, the largest at the center, with gold-tone letters spelling out “OBSESSED” suspended at the center, length 19.5 inches, worn by Gwen Stefani in a 2021 photoshoot with Paper Magazine. For the feature titled “Have You Met Gwen Stefani?” photographed by Jamie Nelson and styled by Nicola Formichetti, Stefani showcased high-fashion, avant-garde looks that referenced her past eras, while promoting her 2021 singles “Let Me Reintroduce Myself” and “Slow Clap.”Click here to see the Paper Magazine cover story.

Estimate: $400 - $600

Lot 671

Lady Gaga: 2021 “Casa Gaga” Haus Labs Promo VideoWorn Costume Earrings

A pair of statement gold-tone and tortoise shell resin bar drop earrings, worn by Lady Gaga in a promotional video for the limited-edition “Casa Gaga” Italian Glam Collection by Haus Labs, which launched in November 2021. Inspired by Lady Gaga’s Italian heritage and her role as “Patrizia Reggiani” in the film House of Gucci (MGM, 2021), the collection features high-performance formulas in gold-accented packaging designed to evoke 1980s Italian glamour.https://youtu.be/SZBgL274o3U?si=9ePdGz6kgKlvYHcY

• 1.75in x 4.25in x in

Estimate: $400 - $600

Lady Gaga and Bradley Cooper Signed Zeny Acoustic Guitar:

A Zeny acoustic guitar signed by Lady Gaga and Bradley Cooper in black felt tip pen. Includes COA. The guitar features a 25.5 inch scale length, 20 frets, and a sunburst finish. Accompanied by a Certificate of Authenticity from Roger Epperson Authentication Ltd. (REAL).

• 16in x 41in x 5in

Estimate: $800 - $1,200

Lot 673

Demi Lovato: 2022 “Substance” Music Video-Worn Cropped Blazer

A cropped houndstooth blazer, worn by Demi Lovato in the 2022 music video for her single “Substance.”The blazer features gold-tone plastic button details and shoulder pads, no size or label present. Please note: the blazer has been cut and features a jagged hem. Lovato’s music video for “Substance” was released on July 15, 2022, as the second single from their eighth studio album, Holy Fvck.

Estimate: $500 - $700

Billie Eilish: Signed Fender Billie Eilish Signature Ukulele

A Fender California Coast Billie Eilish signature ukulele, serial #IPS191216710, signed on the top by singer-songwriter Billie Eilish herself in silver felt tip pen. This uke was given away at one of Eilish’s concerts in London in 2023. This concert-sized uke features a Telecaster headstock on a neck with a bound fretboard, dot inlays, 16 frets, and four nickel plated tuners. The body has sapele top, back, and sides finished in matte black with Billie Eilish’s “blohsh” symbol. Equipped with Fishman electronics and a no-tie bridge.

• 24in x 3in x 9in

Estimate: $2,000 - $3,000

Lot 675

Victoria Monet: 2024 Cosmopolitan Magazine CoverWorn Latex Top with Magazine

A red latex cropped top, worn by Victoria Monet on the 2024 cover of Cosmopolitan Magazine. The top features a front zipper and built-in underwire bra cups. No size or label present. Monét was the cover star for Cosmopolitan’s Spring 2024 “The Sound of Now” issue. The feature followed her breakout success at the 2024 Grammys, where she won Best New Artist. Includes the 2024 issue of Cosmopolitan Magazine.

Estimate: $400 - $600

Lot 676

Lisa: 2025 W-Magazine Korea Cover-Worn Fringe Gloves with Magazine

A pair of black mesh opera gloves, with each finger featuring a tiered, colorful gemstone fringe suspending from the tip of each finger, worn by Lisa of BLACKPINK on the cover of the 2025 Issue of W-Magazine Korea. 33 inches long. For the March 2025 issue (Volume 3), Lisa was featured as one of the primary cover stars alongside BTS’s j-hope and actor Gong Yoo. This “Special Beauty Issue” highlighted the Spring/Summer 2025 season with a focus on vibrant, “Spring in the Air” aesthetics. Includes the 2025 issue of W-Magazine Korea.

Estimate: $400 - $600

Lot 677

Chappell Roan: 2025 “Journey to the Grammy’s” Interview-Worn Saint Laurent Rive Gauche Jacket

A Saint Laurent Rive Gauche color block jacket from 1988, worn by Chappell Roan during her Journey to the Grammy’s interview with CBS leading up to the 67th annual Grammy Awards on February 2, 2025.The satin jacket features bubblegum-pink sleeves, a champagne-and-black trompe-l’œil silhouette, black plastic buttons down the front, and a Peter Pan collar. Saint Laurent Rive Gauche label present. Size 44. At the 2025 ceremony, Roan won her first Grammy Award for “Best New Artist “ following the success of her debut album, The Rise and Fall of a Midwest Princess, and her hit song “Good Luck Babe!”Accompanied by a three-page Certificate of Authenticity showing that the jacket is a photo-match.

Estimate: $1,000 - $2,000

Lot 678

Sabrina Carpenter: Corset Worn in “Emails I Can’t Send” Tik Tok

A black corset made by Sintra worn by Sabrina Carpenter on July 20th, 2022, for a Tik Tok Promotional video for her single “Emails I Can’t Sent.” Accompanied by a Certificate of Authenticity. Click here to see Sabrina wearing the corset.

• 4in x 16in x 9in

Estimate: $3,000 - $5,000

Lot 679

Sabrina Carpenter: Manchild Music Video-Worn Bluemarine Shorts

A pair of blue plaid micro-mini shorts, worn by Sabrina Carpenter in her 2025 music video for “Manchild,” the debut single off of her 2025 studio album Man’s Best Friend. The shorts feature a rhinestone-embellished interior pocket, as well as simulated diamond rivets. Labeled “Bluemarine - Made in Italy.” No size present. Released on June 6, 2025, the “Manchild” music video features Carpenter on a surreal, humorous road trip across the American West. Carpenter wore the shorts during a scene in the music video where she is hitching a ride from a stranger.https://youtu.be/aSugSGCC12I?si=aRBC6YtTqe9uWzLb

• From The Collection of LIDOW Archive

Estimate: $1,000 - $2,000

Lot 680

Tate McRae: 2026 Rolling Stone Magazine Cover-Worn Bodysuit with Magazine

A vintage red lace lingerie bodysuit, worn by Tate McRae in the January 2026 issue of Rolling Stone Magazine.The lace, satin, and mesh high-cut bodysuit features red fringe details and a ribbon bow at the center. No size or label present. The cover story, titled “How a ‘Very Sensitive, Very Introverted’ Singer Became a Pop Superstar,” was written by Angie Martoccio with photography by Carin Backoff. With this issue, McRae made history as the first artist to appear on the inaugural cover of Rolling Stone Canada, which launched in January 2026.Includes the 2026 issue of Rolling Stone Magazine.

Estimate: $700 - $900

Hard Rock Cafe New York - Press Preview Exhibition 2026

Consign Now for our Fall 2026 Auction “Play, Worn & Torn”