JU DE A HAMILTON
INTERIOR DESIGN
P O RT F O L I O
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ABOUT ME
ABOUT ME Greetings! My name is Judea Hamilton and i’m currently an Interior Design student at The University of Texas at San Antonio. Here I have had the oppurtunity of designing in an independent and collaborative way to meet the needs of the people in an innovative way. It has been amazing to challenge myself to think outside the box to problem solve through shaping and molding an idea structurally to respond to its necessity to provide a specific service(s). I have responded to these experiences by expanding my views and perspectives when it comes to offering my ideas to real people, that have real needs and real responses. Even when it comes to selecting materials, equipment, and furniture...asking myself ‘How would this benefit a consumer? What are the psychological results of these selections?’ It brings me joy to contribute to the changes and trends of design and most importantly, how the world is changing. Having an artistic upbringing, with Artists/Painters/Architects in the family, aesthetics has always appealed to me. Combining this with my duty to the community, I find that Commercial, Cultural, and Historical Preservation/Renovation projects are very inviting to me ideally but am excited to be challenged by anything.
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M O D A: F A S H I O N Introduction
MODA: FASHION EXPERIENCE PROMOTE. DISPLAY. ENGAGE.
Moda, or fashion in its noun form can attest to many definitions; how-
ever, its verbal definition is defined as “to give shape or form to: to make, construct, or create (something) usually with careful attention or by the use of imagination and ingenuity” (source: Merriam Webster). Our target is a universal audience that will be catered to by a fashionbased company whose focus will be to promote and host progressive designers of greater San Antonio. This concept will not only generate a connection to the community of San Antonio but will create an environment in which to incubate cultural identity.
“Connecting to the community of San Antonio in order to incubate cultural identity. identity.” *Existing building on Dolorosa St. San Antonio, TX
*Drawings using Revit Conceptual development/space programming
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M O D A: F A S H I O N Concept Diagrams
Versatility in select spaces.
Mobius Strip Runway.
Depending on the event/time of day the Runway, Open bar, and Gallery area have a dual use.
The purpose of the Mobius strip is to connect the full surface of a strip into one continuous side, which inspired the runway of our structure to be a continuous connection.
Our interior will be influenced by the nature of a runway. Unbreaking and fluid, it can be translated into defining the negative space in between work zones. Doing so means that there will always be a direct, consistent relation to the five linear stages of eudemonia- the library, the salon, the gallery, the deep space, and the chamber.
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M O D A: F A S H I O N
FLOOR PLANS
Floor Plans/Furniture catalog/Materials
I.
Scale: 3/32”= 1’-0”
J.
L.
H.
K.
FLOOR 2 A. D.
G. F.
C.
E.
B.
FLOOR 1
A. Studio B. Showcase Store C. Cafe/ Bar D. Material Library E. Gallery/ Main Runway F. Elevator Lobby and Bathrooms
G. Backstage H. Virtual Office I. Mini Runway/ Conference Room J. Marketing Office K. Showcase Lounge L. Photography Studio
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CONTEMPORARY CONVENT Introduction
CONTEMPORARY CONVENT ABROAD PROJECT: ITALY FALL 23
Returning to the orginal machine of the monastery, we navigate through
imagining a modern facility that allows university and community “pilgrimmage” by honoring its importance through the language of design. In 1650, when the baptistery was consecrated each space served a purpose to the monks living and working there. Now in 2023, each space in the structure is the modern version of the original program for teachers and visitors who will live and work on the university campus. Different centuries, but the purpose remains the same.
*Existing building on Colle dei Cappuccini hill located in Urbino, Italy
*Drawings using Revit Conceptual development/space programming
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CONVENT
Ritornando alla funzione originale del monas Returning to the original machine of the monastery, we navigate through designing a C O N T E M P O R A R Y C O N V E N Tmodern faculty that allows university and community by honoring its importance una struttura moderna che permetta un “pel e della comunità onorando la sua importanza Conceptual plans/Condition responses/Perspectives Returning to the original machine of the monastery, we navigate through designing a linguaggio del design. modern faculty that allows university and community by honoring its importance
Conceptual Idea:
CAFE RENDERING RENDERING CAFETERIA
LOFT SECTION
Returning to the original machine, we plan to nagi- SEZIONI ATTICO vate through modernity and honor its orginal program through the language of design. • • • •
Open & natural circulation/spaces Accented curves & arches S1 Plaster, brick, stone, concrete Neutrals, pastels, earth tones
In 1650 when the baptistery was consecrated ea purpose to the monks living and working there. space in the structure is the modern version of t teachers and visitors who will live and work on Different centuries, but the purpose remains the
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DN
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Monastery original spaces • Church S2 • Dormitory (upper floor w/ access to church) • Cloister • Refectory (communal meal) • Library • Infirmary LEVEL 1 • Outlying granges (exteriorPIANO farms) 1 DN
COURTYARD RENDERING RENDERING CORTILE CENTRALE
LIBRARY/NOOK RENDERING RENDERING LO STUDIO E BIBLIOTECA
Nel 1650 quando il battistero è stato consacrato, scopo ben preciso per i monaci che vi vivevano e 2023, ogni spazio della struttura rappresenta la v spazio originale per gli insegnanti e i visitatori ch nel campus dell’università. Secoli diversi ma la fu
New modern spaces • Conference/Classroom • Teacher residence w/ direct access to central spaces • Covered exterior walkways for open circulation • Cafe/public gathering • Library/study rooms CLOISTER CHIOSTRO S1 • Local Clinic • Exterior gardens UP
UP
MATERIALS CLOISTER CHIOSTRO
UP
-Dark oak -Stone -Terracotta DORMS -Stucco/Plaster DORMITORY -Greenery -Black Metal Framing
UP
S2 DORMS DORMITORY
LEVEL 0
GRANGES GRANGE
PIANO 0
LIBRARY BIBLIOTECA
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CONTEMPORARY CONVENT Floor Plans *not to scale
LEVEL -1: RESIDENTIAL & AUDITORIUM
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UP UP ---
UP
UP
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LEVEL 0: COMMUNAL & RECEPTION
DN
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LEVEL 1: RESIDENTIAL
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THE RAND Introduction
THE RAND: THAT ENABLES US.
The Rand is a community that is designed strategically to refurbish an already existent identity in Dowtown San Antonio, Texas. Despite the influx of tourists, this version of the Rand will welcome those from other places but will serve those who call “SA” home. Providing spaces for interest, focus, support and enjoyment. As well as creating shared spaces that encourage individuality and unity as the new and rising face of San Antonio. The Rand is an amenity for the community itself. I believe my Rand will further represent that idea, by catering to the concept of the People People, and what we provide to the Rand. *14.3% of the dowtown population are foreign born, and over 10% are non-citizens, while the dominating age demographics are Millennials and older Generation Z.
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THE RAND
Program/Spaces Info
Basement Level: Night Club Street Level: Restaurant Gathering space functional by night. Open to public and pedestrians as Separated by floors Street through well, this street level restaurant is second, the residents will have a purposed to provide quality meals to buffer between to filter activity and residents returning from work withnoise levels after hours. in close proximity to their rooms. Retail/Grocery Shop to Also accessible street pedestrians, this quick-stop grocery was design to house essential produce and prod ucts.
Level 2: Study Spaces
Levels 3-8: Residential
Different space typologies for different study styles. Open to residents and public.
Single and doubles suites purposed for young adults and couples, looking for community and amenity within the heart of the city of San Wellness/Legal Couseling Antonio.
Offered primarily for residents to have mental/emotional assiatance on hand and within reach. Based on research of this demographic, acces sibility is its greatest roadblock.
47' - 0" AFF
33' - 6" AFF
20’-0” AFF
-13' - 6" AFF
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THE RAND Plans/Materials/Drawings
Street Level *not to scale
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2
4
3
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THE RAND Plans/Materials/Drawings
Second Floor *not to scale
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LAW FIRM Introduction
LAW FIRM: REDESIGN
What is this new concept that is emerging? A place to work that will also give back to its occupants. A place that promotes both wellness and work. Researchers are calling it “third space”, WSJ reporters Katie Bindley and Konrad Putzier talk about this in detail in a short film The Office of the Future Might Not Be an Office. Several new projects are taking the place of former buildings like old department stores and turning them into “third spaces”. The purpose is for colleagues to prioritize productivity and connection both with themselves and each other. It is important to note that the new “workspace” is psychological. As designers, we should be working to create spaces that mentally affect people in a positive way. *In this project we were given a pre-existing firm plan with several challenges unresolved. Including the need for “third spaces”, circulation, and rooms required with unconventional spacing available. Our job was to resolve these issues without adding any footage to the plan
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LAW FIRM Finishes& Materials catalog
A
C
B
D
F
E
H
G
6 5.8
5.1
COFFEE BAR
RECEPTION
4
ART WALL SP
KITCHEN/LOUNGE
PE-E
ELECTRICAL ROOM
PE-F
MECHANICAL ROOM
WOMEN
FIRE SERVICE LOBBY
STAIR 2
ELEVATOR LOBBY
PE-D
MEN
STAIR 1
COFFEE BAR
O A GE1
JAN
TELECOM CLOSET
SE1
PE-C
4.1
SP
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PE-A
PE-B
3.1
T E
3
FIRE RATED CORRIDOR
2.1
2
1
SCALE: 81"- 1'-0"
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LAW FIRM Furniture & Finishes
Thank You. Get connected with me!
judeahamilton10@gmail.com (832)993-0964 www.linkedin.com/in/judeahamilton