Jack Schulman | Architecture Portfolio | CAPLA Job Fair 2024

ARCHITECTURE PORTFOLIO Jack Thomas Schulman

JACK SCHULMAN

PROFILE My name is Jack Schulman, a 23-year-old native of Los Angeles, California. I am currently a 5th year in the Architecture program at the University of Arizona.

I am recognized for my strong work ethic, sociable nature, and leadership capabilities.

I believe in the power of architecture to address critical issues facing our society. My passion lies in finding innovative solutions to these challenges through architectural design.

Throughout my architectural journey, I have embraced a professional and dedicated approach to my studies and projects. My goal is to make a meaningful impact in the field of architecture by utilizing its potential to create solutions for pressing global issues.

C O N TA C T S Email: Jackschulman.arc@gmail.com Phone: 310 962 4339 Adress: Los Angeles, CA 90034 Website: TBA

SOCIALS INSTAGRAM /jts_arc

LINKEDIN /jack-schulman-arc

The 1st Homecoming King to be nominated by CAPLA

EXTRACURRICULARS

AWARRDS & HONORS

HOBBIES

2018-20 - University of Arizona Wrestling Club

2018 - Exellence in Architecture Award

Fishing Tinkering Camping

2022 - ACSA Cote Top 10 Competition

2023 - CAPLA Student Profile - University of Arizona Homecoming King Nominee - University of Arizona Homecoming Court

2023 - Volume Zero Tiny Library Competition - Ivory Innovations Hack - A - House

***Making small emoticons for each hobby***

2023-24 - AIAS Fundraising Director

SKILLS & TRAITS Adaptable - I can be the team leader or the teamate Optimistic - my glass is half full Hardworking - always giving my 110% Oppertunist - always looking for ways to improve myself and my work Tech-Savvy - quick to master new technologies and programs People’s Person - a smile goes a long way!

Craftsman - talented in all forms of fabrication

EXPERIENCE 2024 - Collaborator for Professor Mike Silver Digital Modeling & Research

E D U C AT I O N Bachelor of Arts (B.A.) In Architecture Aug 2018 - May 2024

SOFTWARE PROFICENCY

Enscape 5 years

Rhino 5 years

Lumion 5 years

Revit 6 months

Photoshop 4 years

AutoCad 1 year

InDesign 5 years

Illustrator 6 months

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Terraza Verde

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The Bar

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Hill House

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Gulu Library

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Work In Progress

Harboring Resilience

Work In Progress

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01 Terraza Verde Situated in downtown Tucson, Arizona, this project showcases a mid-rise apartment complex spanning eight stories. The design prioritizes the well-being of residents by incorporating green architecture, dedicated communal spaces, and opportunities for social interaction.

With a total of 78 rooms, 60% of the units are designated as affordable housing, addressing the local community’s housing needs while fostering a sustainable and health-conscious living environment.

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Floor Plan 01 Lobby East Lobby West HVAC Storage Bathroom Commercial space A,B,C Bicycle Storage Parking

Floor Plan 02 Unit x (x12) Unit y (x0) Unit Z (x4) Custodial

Floor Plan 07 Unit x (x0) Unit y (x5) Unit Z (x4) Study Center Social Space Custodial

1/32”=1’0”

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pm

N O RT H | S O U T H SEC T ION 1/16”=1’0”

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UNIT X

UNIT Y

650 sq ft

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650 sq ft

UNIT Z

1350 sq ft

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02 The Bar Situated in Oro Valley, Steam Pump Ranch is rejuvenated amidst the Canada Del Oro River and Catalina Mountains. The 16-acre site, with underutilized structures, thrives through weekly events by The Historical Society. To preserve its history, building westward integrates the site effectively, creating a subgrade space for public engagement.

The manipulation of topography, besides addressing runoff concerns, forms a bioswale, featuring “The Oasis” pond for water storage. Abundant water fosters diverse vegetation, positively impacting mental health. Design decisions prioritize well-being, incorporating open workspaces, tall ceilings, visual connections to nature, and integration with natural systems.

The architectural intervention aims for carbon neutrality, employing six passive (e.g., evaporative cooling) and four active strategies (e.g., solar panels). This holistic approach ensures Steam Pump Ranch stands as a sustainable icon, preserving history while embracing environmentally conscious design in Oro Valley.

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CA

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DESIGN FOR :: clean and water is taken DESIGN FOR WATER WATER clean and accessible accessible water is is instantaneous. taken for for granted. granted. People People have have become acclimated to the idea that access to clean water become become acclimated acclimated to to the the idea idea that that access access to to clean clean water water is is instantaneous. instantaneous.

1ST FLOOR 1ST 1ST FLOOR FLOOR

Floor Plan 01 Water Preservation Museum HVAC Storage Bathroom Closet Main Office

2ND FLOOR 2ND 2ND FLOOR FLOOR

1/32”=1’0”

Floor Plan 02 Laundry Room---------- 40 sq ft HVAC --------------------- 30 sq ft Storage ------------------- 25 sqft Bathroom ---------------- 80 sq ft Bedroom ----------------155 sq ft Closet -------------------- 50 sq ft Kitchen ----------------- 162 sq ft

1/32”=1’0”

3RD FLOOR 3RD 3RD FLOOR FLOOR

CEILING PLAN 1/32”=1’0”

Floor Plan 03 Laundry Room---------- 40 sq ft HVAC --------------------- 30 sq ft Storage ------------------- 25 sqft Bathroom ---------------- 80 sq ft

Total: x sq ft

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W EM HA PH T D + O L + ow ASI ES M Z + E? TH e -C IS +C Edu nta arb l o PR om ca He n t F O m ion alt o JE un h otp CT ity rin t

N or t h / Sou th Se ctio n: Prelim inar y Sk et ch

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Co m p l e x i t y a n d O rd e r

Ref uge

P re s e n c e o f w a t e r 10

Nor th / So uth Se ctio n 1/3 2 ”= 1 ’ 0”

rraC/ekhtoK | F2202 | 104 CRA | namluhcS kcaJ

0’

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Reflected Ceiling Plan 2nd Floor | Prefabricated Waffle Slab Organization

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The second and third floors are built with an array of prefabricated waffle slabs (5’ x 10’ x 1’6”). 8 unique casts were made to maximize the efficiency of the ribbings along openings in the structure. these slabs use post tension in unison with a dual core structure to rely on the structural rigidity.

Jack Schulman | ARC 401 | 2022F | Kothke/Carr

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03 Hill House Hill House, situated on Sentinal Peak in Tucson, Arizona, reimagines architectural fabrication by drawing inspiration from aerospace engineering. Utilizing prefabricated shells made of S-Glass, a composite material with an oaky texture, the project explores innovative structural and thermal elements. This approach grants the architect meticulous control over openings and structural features.

The design’s programmatic layout is intricately linked to the opacity of the S-Glass threading, where spaces allowing more light embrace a public nature, contrasting with tightly woven, private areas.

Supported by a concrete core, the house features expansive overhangs made possible by the lightweight yet robust nature of the composite material, enhancing both aesthetics and functionality.

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Hill Hou se Flo or Plan 1/8”=1’0”

Laundry Room---------- 40 sq ft HVAC --------------------- 30 sq ft Storage ------------------- 25 sqft Bathroom ---------------- 80 sq ft Bedroom ----------------155 sq ft Closet -------------------- 50 sq ft Kitchen ----------------- 162 sq ft Living Room ----------- 663 sq ft Hallway ----------------- 515 sq ft Total: 1720 sq ft

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Sec tion Perspect iv e 1/8”=1’0”

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04 Gulu Library The Gulu Library project aims to create an inclusive and inspiring space that serves as an Education Access Point and Social Integration Hub for the people of Uganda. It will seamlessly blend with the existing infrastructural and economic growth in theregion while fostering further educational development.

Floor Plan 01

The design incorporates multifunctional spaces that encourage collaboration, facilitate learning, and promote meaningful social interaction. Equal access to education will be at the core, ensuring that individuals from all walks of life have the opportunity to benefit from the library’s resources and programs. The flexible design will adapt to evolving educational needs, incorporating cutting-edge technology infrastructure to support digital literacy and future advancements in learning.

The library will serve as a vibrant social hub, featuring inviting communal areas, inviting courtyards, and interactive outdoor spaces that encourage community gatherings, discussions, and cultural exchange. Sustainability will be a key consideration, with eco-friendly features like energy-efficient systems and water conservation practices. The design will integrate elements of local culture, art, and heritage to create a sense of identity and pride within the community. Ultimately, the Gulu Library will become a dynamic center that fosters education, social integration, and cultural enrichmentfor the people of Gulu and its surrounding areas.

Floor Plan 02

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Exploded Axonometric

RANDOMIZED

SOCIALIZE

STAGE

THEATER

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Section Perspective 1/8”=1’0”

Passive Cooling

Water Collection 21

Noise Filtration

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05 Harboring Resillaince: A Revitilization Plan for Oakland, California Hill House, situated on Sentinal Peak in Tucson, Arizona, reimagines architectural fabrication by drawing inspiration from aerospace engineering. Utilizing prefabricated shells made of S-Glass, a composite material with an oaky texture, the project explores innovative structural and thermal elements. This approach grants the architect meticulous control over openings and structural features.

The design’s programmatic layout is intricately linked to the opacity of the S-Glass threading, where spaces allowing more light embrace a public nature, contrasting with tightly woven, private areas. Supported by a concrete core, the house features expansive overhangs made possible by the lightweight yet robust nature of the composite material, enhancing both aesthetics and functionality.

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06 MY FABRICATION WORK

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Los Manantiales, a project featuring hyperbolic paraboloid shells designed by architect Felix Candela, was completed in 1958. This building demonstrates his innovative use of thin-shell construction techniques to achieve remarkable architectural forms.

TECHNE III Jack Thomas Schulman Can Geometries Produced by a 3d Printer be Used to Fabricate Other Objects of a Different Materiality?

My objective was to explore the adaptability of 3D printing technology in transferring its fabrication technique to other materials, essentially using the prints as molds. I focused on testing this concept using a Polylactic Acid (PLA) printer, a type of 3D printer that operates by adhering molten PLA plastic layer by layer to a heated bed.

The rationale behind this approach lies in the distinct characteristics of 3D printing technology. The process involves melting layers of material together, resulting in a seamlessly fused structure. I hypothesized that, provided the mesh geometries are meticulously designed in RHINO, the 3D-printed molds should effectively serve their intended purpose due to the creation of watertight joinery during the mold process.

DESIGN: I began my methodology with test designs. I developed four distinct geometries capable of interconnecting. These geometries drew inspiration from the organic curves of the Taichung Opera House. To create a void for the plaster, I offset the face of the mesh by 1/32” to establish shell thickness. Subsequently, I offset the same mesh by an additional ⅛”, creating a void for casting the material.

PRINT: Fabricating these forms involved exporting them as meshes through an STL file. Due to the 3D printer’s overhang limitations, I had to split the molds in half and later join them using super glue post-printing. The printing process, conducted at 110% speed, took approximately one day. The nozzle temperature was set to 210 degrees, with the bed temperature at 55 degrees.

CAST: Upon gluing the molds together, I needed to seal the openings to prevent plaster leakage. The mixture I used consisted of 2 parts plaster to 1 part water. The plaster took a day to dry, forming a solid structure.

Designed by Toyo Ito, the Taichung Opera House in Taiwan was completed in 2016. Its known for its innovative and organic design.

3D printed shell within another shell offsetby 1/32”

Shells are placed inside a foam shell to encapsulate the mass while the cocrete dries

3D printed shells are discarded and you are left with a thin cast

Objective account of the results –The process progressed smoothly until the point of opening the molds. While the outer shell easily separated once the plaster dried, the inner shell posed a challenge. I had to carefully melt it off in a controlled environment and observed the resulting brittleness of the plaster. My working theory attributes this brittleness to the removal of all moisture from the plaster during the firing process, rendering it weakened and chalk-like. Subsequently, when cleaning the final product under water, I noticed a significant increase in weight, likely due to water absorption.

Another noteworthy observation was that the ⅛” thickness proved to be too thin. The plaster, being as delicate as it is, would be proven impractical for a full-scale structure. If I were to repeat this process, I would recommend a thickness of at least ½” for this scale.

ISOLATE

MULTIPLY

STRETCH

TWIST

I also identified a tendency for the plaster to break precisely around the edges where I had applied superglue to join the shell halves. I believe this occurred because the adhesion process caused some glue to extrude outward, forming a convex shape in the cast. Consequently, when pouring the plaster, this convex bubble translated into a concave curve in the mold, creating a potential weak point prone to breaking.

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