Joy C's M.Arch Portfolio Winter 2023

duwamish

A design for a boathouse for the local rowing club in South Park, Seattle that emphasizes the linear shapes of the sculls and shells and responds to the natural topography of the site. Part of a larger design including a clubhouse, landscaping, and a public viewing platform. The boat shelves direct visitors and teammates onto the 400-foot long dock and out onto the Duwamish river. A sectional model helped develop the small-scale details of the design at 1/2"=1-0'. Model used plaster, foam board, chipboard, craft paper, acrylic paint. Images used Rhino, Illustrator, PhotoShop.

rowing club boathouse - selected works Arch 400 / Dan Stettler / Autumn 2022

A playful design for an urban food center in Columbia City that focuses on creating a community space and produce to support the neighborhood. This project addresses the developing nature of Seattle’s neighborhoods and uses copper, and its eventual patina, to represent how the building will mature in time with its community. Featuring Good Thymes restaurant and bar which uses the herbs grown on site in their specialty cocktails. Rhino, Illustrator, and PhotoShop.

urban food center Arch 302 / Dan Stettler and Becky Roberts / Spring 2022

ground floor

1

Good Thymes reading space gardening market

luminosity

A gallery to display the

of Thomas

inspired by his specific, uncanny

The

uses polycarbonate to allow daylight and internal, artificial light after dark. This project was reinvented to incorporate lighting design techniques and specifically uses change in color tones and intensity to give movement to visitors. Rhino, Illustrator, PhotoShop, DiaLux Evo. Featured in the UW CBE Student Work Archive.

uncanny lighting Arch 301 / Kim Pham and Julia Reeve / Winter 2022; redesigned Arch 435 / Shaun Darragh / Autumn 2022

photography

Weinberger

style.

gallery

Three small outdoor interventions in the Union Bay Natural Area, Seattle, designed for an award-winning wildlife photographer that specializes in bird-watching. The structures emphasize the existing pathways while creating visual connections to each other. A combination of personal photography, pen drawings, and PhotoShop renders the interventions in the exact spots in the UBNA that they were designed to be placed.

visual path Arch 300 / Rob Corser and Juliette Dubroca / Autumn 2021

vegetation wetlands

An experimentation of model-making at a realistic level to produce one interior picture. The final image is completely unedited and includes real plants picked from a rain garden, a city-scape backdrop printed onto paper, and scale figures laser cut onto chipboard. The scene is of an indoor market space that is part of a larger design for an Urban Food Center. Crescent board, chipboard, acrylic paint, bass wood. 1/2” = 1’ - 0”

model of a staircase Arch 302 / Dan Stettler and Becky Roberts / Spring 2022

assorted Personal / 2020 - present

Assorted observational sketches in pencil capturing tonality of textures, shapes of shadows, and the character of little details.

A series of images using pushed black and white film photography to highlight textures and details at varying scales. The ability to heighten contrast as I developed and printed the film in the dark room emphasizes texture and creates emotional depth that would not have been there in digital color photography. Shot on a Canon AE-1 with Ilford HP5+ film.

push Arch 410 / Becky Reinhold / Spring 2022

monolith Personal / Spring-Winter 2022

A personal series capturing monolithic structures in the built environment and how they interact with the sky. The structures always emphasize the view of the sky, whether through creating a frame, guiding a viewer’s eyes to the horizon, or a combination of both. Digital camera.