Gibney Company Digital Program by The Joyce Theater Foundation

Photo Credit: Jason Hudson

THREE DANCES (PREPARED PIANO)

JOHN CAGE

World premiere

Choreography: Lucinda Childs

Lighting Design: Burke Brown

Costume Design: Karen Young

Music Composition: John Cage; Three Dances for Prepared Pianos: 1, Three Dances for Prepared Pianos: II, Three Dances for Prepared Pianos: III

Performed by Xenia Pestova and Pascal Meyer

Recordings Courtesy of Naxos of America, Inc.

Presented under license by Henmar Press, copyright owners

Assistants to the Choreographer: Caitlin Scranton and Sharon Milanese

PERFORMED BY

Graham Feeny, Madison Goodman, Tiare Keeno, Lounes Landri, Andrew McShea, Jie-hung Connie Shiau, Zack Sommer, and Madi Tanguay

Run Time: 20 minutes

"Three Dances (for prepared piano) John Cage" embraces the rhythmic intensity of John Cage's 1994-45 composition "Three Dances," exploring the intricate interplay between music and movement. Childs' signature postmodern minimalist precision and deep reverence for structured repetition take center stage in this stunning new work, exemplifying Childs' lifelong fascination with transdisciplinarity and formalism, harkening back to her Judson Dance Theater roots.

The creation of Three Dances (for prepared piano) John Cage was made possible by Gibney Company's Master Makers Initiative, with generous support from Joan & Jerry Lozinski, Virginia & Timothy Millhiser, Andrew A. Davis and the Shelby Cullom Davis Charitable Fund, Richard Feldman and The SHS Foundation, the Simons Foundation, Nurit & Rick Amdur, Deborah Goodman Davis, and Pamela van Zandt. This project was made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. We are grateful to the Simons Foundation for their support of Lucinda Childs’ participation in Open Interval, a unique program created in partnership with Gibney that brings together dancemakers and scientists to explore the intersection of art and science.

ABOUT GIBNEY COMPANY

GIBNEY COMPANY , led by Artistic Director Gina Gibney and Director Gilbert T. Small II, commissions and performs works by renowned and emerging choreographers from New York and around the world who are committed to exploring connections between the rigorous, often superhuman physicality of contemporary dance alongside responsive, humanistic storytelling. Presenting a broad range of aesthetics and techniques, Gibney Company has an unrelenting focus on artistic excellence and social integrity.

Since its expansion in 2020, the Company has commissioned works from a wide range of choreographers including Rena Butler, Lucinda Childs, Peter Chu, William Forsythe, Emilie Leriche, Mthuthuzeli November, Alan Lucien Øyen, Gustavo Ramirez Sansano, Jermaine Spivey and Spenser Theberge, Sonya Tayeh, and Yue Yin, and performed works by Sharon Eyal, Johan Inger, Ohad Narahin, and Twyla Tharp. Performances at prestigious festivals and venues include New York City Center Fall for Dance, Fall for Dance North, Dance Victoria, Holland Dance Festival, Jacob’s Pillow, Global Arts Live, The Joyce Theater, Festival des arts de Saint-Sauveur, DANCECleveland, TITAS/DANCE UNBOUND, among many others.

Gibney Company’s model for a 21st-century dance company supports sustainable careers for dancers and healthy working relationships for artists and collaborators. The company members, known as Artistic Associates, advance the quality of the organization’s artistry through performance and deepen its community engagement through Moving Toward Justice Fellowships designed to address social issues and inequities in the dance field.

ABOUT THE CHOREOGRAPHERS

ROY ASSAF (Choreographer; A Couple) is a mammal of the hominid family, belonging to the species Homo sapiens, although there are those who are convinced he possesses Neanderthal genes. He was born in 1982 in the rural community of Sde Moshe in a place that some call Israel, and some call Palestine. He broke his front tooth at the age of five while dancing on the slippery floor of his family home. At age six, he began giving tap concerts for his neighbor, who watched him dance on his concrete balcony from her window across the yard. From 1990 to 1996 he began creating and performing his own dances for monthly family gatherings in Jerusalem. At the age of 16, he met Regba Gilboa, an educator, dance lover, and believer in people who rooted in Roy the confidence that dance is where he belongs. Two years later, Roy was drafted into the Israel Defense Forces, a fact which never prevented him from continuing to envision dances. And from time to time, when things got tough, he would sway and groove to uplift his spirits. In 2004, he met Emanuel Gat who introduced him to Schubert and for whom he wore his first dress. In 2005 Roy met Anat Inditzky, who loves him for all his shortcomings to this day. Between 2008 and 2017 he met Aya, Nuri, Layla and Jona who continue to teach him about patience, perseverance, and fortitude, among many other things. In 2010, after three years in France, he came back to the place that some call Israel, and some call Palestine. And after one year of idleness, he gathered the courage to make a dance...after which he created another one and another…and another… and continues to this day.

LUCINDA CHILDS (Choreographer; Three Dances (for prepared piano) John Cage) born in 1940, began her career at the Judson Dance Theater In New York in 1963. Since forming her dance company ten years later, she has created over fifty works, both solo and ensemble and received numerous awards including the Dance Magazine Award, The Golden Lion award from the Venice Biennale and the Samuel H. Scripps American Dance Festival award for lifetime achievement. In 1976 she was featured in the landmark avant-garde opera EINSTEIN ON THE BEACH by Philip Glass and Robert Wilson, for which she won an Obie Award. In 1979, Childs choreographed one of her most enduring works, DANCE, with music by Philip Glass and film décor by Sol LeWitt, which toured internationally and has been added to the repertory of the Lyon Opera Ballet. Since 1981 Childs has choreographed over thirty works for major ballet companies and directed and choreographed a number of contemporary and eighteenth-century operas for the Los Angeles Opera, for La Monnaie in Brussels and for the Opera du Rhin, among others. Most recently, Childs directed and choreographed Philip’ Glass AHKNATEN for Nice Opera Cote D’Azur which premiered in November 2021.

PETER CHU (Choreographer; Echoes of Sole and Animal) is a movement artist whose versatile roles encompass director, choreographer, stager, performer, educator, and mentor. Driven by a deep curiosity and a passion for learning, he generously shares his experiences and insights with others. Chu's love for the arts fuels his vivid imagination and creative expression. Born in the Bronx and raised in Cocoa Beach, Florida, Peter’s interest in Traditional Chinese Medicine deepened his understanding of his Chinese identity and influenced his

Elizabeth Howe, Jim Hwang, Kathryn Karipides & David N. Brown, Miriam Katowitz, Kathryn Kaufmann, Minta E. Kay*, Larry Keigwin, Gloria Kessler, David Kline & Dani Effron Kline, Chris & Betty Kosseff, Richard Kowall, Lois Krebs, Aggie Kurtz, Corey Labadorf, Lisa LaLonde, Harriet Leve, Jeffrey Librett & Dawn Marlan, Jody & David Lippman, Jocelyn Lorenz, Joan & Jerry Lozinski, Josefina & Gregory Lyons, Linda Evans & Sandy MacGowan, Claudia E. Marks, Corinne Marcus, Johanna Markson & Scott Freeman, Jessica A. Marshall*, Denise Martinez, Susan Mascitelli, Kimberly Maynard*, Christopher Jones & Deborah McAlister, Wendy A. McCain, Bethany & Euan C. Menzies/The Ready Foundation, Franny Milberg, Virginia & Timothy Millhiser, Steve Min, Susan Monk & Ed Henry, Jenny Morgenthau, Polly Motley & Molly Davies, Nancy & Mark Myers, Jeremy Nobel, Larry & Rachel Norton, Allison Olenginski, George & Margie Oshiro, Carol Ostrow & Michael Graff, Lisa & David Post, Judith Purvis, Barrie Raffel, Gary Rafuse, Gloria Rakovic, Ira & Beth Rapaport, Rebecca Rigert, Donald & Victoria Rose, James & Vida Rothschild, James A. Schmidt, BZ & Michael Schwartz, Judy Schwartz, Thomas Scott & Vanessa Woog*, Lou & Jana Sheinker, John Simoni, Barry Skovgaard & Marc Wolinsky, Nancy S. Skurnik, Ellen Sorrin & David York, Alison B. Snyder, Larry Apolzon & Jim Stanton, Dawn Steirn, Marie-Louise Stegall, Deborah Swiderski, Marcy Syms, Esther Goldbas Tanenbaum, Anne P. Thomas, Michelle Tiberio & Ann Duffey, Deann Turner, Kay Turner, Scott Turner, Alair Townsend, Hugh & Celia Verrier, Ilene & Ed Vroom, Karen E. Wagner & David L. Caplan, Meital Waibsnaider & Rick Kiley, Joan Wan, David Weaver, David & Vincent & Nathaniel IvillWeiner, Jane Weiss, Katherine C. Wickham*, Phoebe A. Wilkinson, Kenneth L. Wyse, and Pamela van Zandt.

*Denotes Gibney Board of Directors

GIBNEY INSTITUTIONAL SUPPORTERS

as of March 18, 2025

Gibney is proud to receive major institutional support from Jody & John Arnhold and the Arnhold Foundation, Andrew A. Davis and the Shelby Cullom Davis Charitable Fund, Joan & Jerry Lozinski, Richard Feldman and The SHS Foundation, Bloomberg Philanthropies, the Booth Ferris Foundation, the Ford Foundation, the Howard Gilman Foundation, the New York Community Trust, the New York State Council on the Arts, the Simons Foundation, and the Laurie M. Tisch Illumination Fund.

Gibney's work is also generously funded by the Altman Foundation, the Lily Auchincloss Foundation, the Stephen & Mary Birch Foundation, the Bossak/Heilbron Charitable Foundation, the Joseph and Joan Cullman Foundation for the Arts, Dance/NYC, The Gladys Krieble Delmas Foundation, The Dextra Baldwin McGonagle Foundation, the Gaea Foundation, the Mertz Gilmore Foundation, the Harkness Foundation for Dance, the Andrew and Irma Hilton Foundation, the Harold I. & Faye B. Liss Foundation, the MART Foundation, the Lester & Grace Maslow Foundation, The Pierre and Tana Matisse Foundation, Mid Atlantic Arts, the New York City Council and Council Member Carlina Rivera, the New York City Department of Cultural Affairs, New York University Community Fund, The Ready Foundation, the Jerome Robbins Foundation, the James E. Robison Foundation, the Billy Rose Foundation, The Fan Fox & Leslie R. Samuels Foundation, the Jeffrey Seller Family Foundation, the Shubert Foundation, the Seth Sprague Educational & Charitable Foundation, and the Joseph & Bernice Tanenbaum Foundation.

Let's Stay In Touch

Thank you for joining us at tonight's performance. Join the Gibney mailing list to continue to follow Gibney Company's journey.

ABOUT THE JOYCE THEATER FOUNDATION

VISION STATEMENT

The Joyce Theater Foundation is committed to fostering and supporting a diverse and inclusive environment, both on and off stage. We embrace and celebrate diversity in all its forms, and value the rich experiences and perspectives that arise from differences in race, ethnicity, socio-economic status, religion, age, sexual orientation, gender identity and expression, and cognitive and physical ability.

We strive to counteract the social injustices and racism that exist within our communities, our nation, and our world. Our aim as an organization is to embody the principles of diversity, equity, inclusion, and justice.

To achieve this, we will:

• Create and implement proactive diversity, equity, inclusion, and justice initiatives;

• Establish and maintain a culture of safe sharing, intentional listening, learning, and growth;

• Engage with and support disenfranchised communities by sharing information and resources and ensuring accessibility;

• Develop metrics and conduct regular reviews of our programs and policies to hold ourselves accountable and shift as neededs.

With these goals in place and our Vision Statement in mind, we are dedicated to the continued learning and growth needed to foster an inclusive environment for all. This is an ongoing process and by nature will be an evolving statement.

EXECUTIVE DIRECTOR LINDA SHELTON

Executive Assistant and Community Engagement Manager........

.....................................................................................................Ayo Janeen Jackson

ADMINISTRATION

General Manager Huong Hoang

Associate General Manager................................................Katy Myers

Director of Human Resources Sharonica Williams

Receptionist.......................................................................................Gilbert Balasa

Senior Director of Development Kirsten Munro

Director of Institutional Giving.........................................Jean M. Ross

Director of Individual Giving and Development Operations ...

.........................................................................................................................Meg White

Director of Special Events and Board Relations............Jesse Chin

Individual Giving Manager.................................................Catherine Eng

Institutional Giving Manager................................................Marisa Davis

Special Events Associate........................................................Maeve Brady

Development Coordinator...............................................Rachel Fontenot

Development Intern...............................................................Tah-Janay Hayes

Director of Programming Danni Gee

Programming Manager.............................................Noa Rui-Piin Weiss

Artist Services Manager..........................................................Barb Domue

Director of Dance Education & Family Programs

Heather McCartney

Dance Education & Family Programs Manager.....................................

.............................................................................................................Joyce Laoagan

Education Intern.............................................................................Alexia Quispe

Director of Marketing Andy Sheagren

Associate Director of Marketing Strategy......................Anjali Amin

Associate Director of Creative & Design..............Julia Thorncroft

Interim Digital Marketing Manager............................Greta LaLeike

Marketing Manager........................................................................Annie Marx

Marketing Assistant..............................................................................Dezi Tibbs

Director of Finance

Margaret Hollenbeck

Finance Associate.............................................................Savá M. B. Martin

Finance Clerk..............................................................................Xavier DelValle

Database Administrator..........................................................Jim Seggelink

PRODUCTION

Director of Production

Jeff Segal

Lighting Supervisor..........................................................................Kelly Atallah

Assistant Production Manager...........................................Olivia Brown

Head Audio........................................................................................Sean Mullins

Lighting Board Operator................................................Alexander Symes

Head Carpenter.......................................................................Web Crittenden

Head Electrician..................................................................Brittany Spencer

Stage Technicians.......................................Fabrizio Caputo, Edward Hill

The Joyce Theater is a member of APAP, Dance/NYC, and Dance/USA.

LAND ACKNOWLEDGEMENT

The Joyce Theater operates on the Lenape island of Manhahtaan (Mannahatta) and acknowledges that it was founded upon the stolen land and erasure of many Indigenous communities. This acknowledgement demonstrates our institution’s commitment to the process of dismantling the legacies of colonialism and cultural imperialism.

We acknowledge the ongoing violence towards Indigenous people through systemic inequality. We pay our respect to the Indigenous peoples who lived and continue to live upon this land, and whose rich history, artistic practices, and spirituality are tied to this land. It is within our responsibility as a cultural institution and our commitment to diversity and inclusion to embody a commitment to Indigenous rights and cultural equity.

We sincerely invite you as an audience member to take a moment to reflect on the history and legacy of displacement, migration, and settlement.

It is our intention to work with local Native American arts councils to better inform our land acknowledgment practices and anticipate that it will evolve over time.

JOYCE THEATER PRODUCTIONS

Producer.............................................................................................Ross LeClair

FRONT-OF-HOUSE

FOH Operations Manager Samantha Fernandez House Manager .Drew O'Bryan

Assistant House Managers.........Gilbert Balasa, Chikako Iwahori, Di’Shai Oquendo, Utafumi Takemura, Nicholas Thomas

BOX OFFICE

Box Office Manager Lisa Gendell Supervisors.............................................................Beth Miller, Vanessa Moton

Box Office Associates.......................................................................Imu Aghahowa, Valencia Lombardi-Chisholm, Madalyn Regrut, Robert Craddock, Tatiana Gomez, Yulidal Hernandez-Kin, Ashley Kail, Roy Odom, Jeremy Scharf, Kate Thackaberry

OPERATIONS

Director of Operations Lou Albruzzese

Studio Operations Manager (NYCC&D)............................Tamika Daniels

Studio Operations Rentals Associate...............................Lauren Marcolus Studio Operations Associates (NYCC&D)....................Kristin Maugeri, Calvin Osorio, Cameron Pelache

Studio Facilities................................................Stephon Bines, Daniel Hartnett, Ricardo Hernandez, Lori Write-Huertas

FACILITIES

Facilities Manager Jimmy Ortiz Maintenance Staff...............................................................Madelin Estrella, Pablo Rodriguez, Jonathan Singh

SPECIAL SERVICES FOR THE JOYCE THEATER

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Sara E. Solfanelli (Special Counsel for Pro Bono Initiatives), Debra R. Anisman (Special Counsel), Howard B. Epstein (Of Counsel), Gregory P. Pressman, Esq. (Of Counsel), Cristina Giappone, Esq., Andrew B. Lowy, Esq., Sabrina Singh, Esq, Steven M. Appel, Esq., Michelle M. Orge, Esq., Gordon W. VanWieren III, Lance M. Kodish............................................................................................................. Frankfurt Kurnit Klein & Selz PC................................................................ ................................................................................Kimberly M. Maynard, Esq. Stephanie Grassi, Esq. P.C...........………..Stephanie Grassi, Counsel Troutman Pepper Hamilton Sanders LLP............................................... .........................................................Aaron Abraham, Matthew Giacobbe Hogan Lovells………..................................................................Ross Moskowitz Accounting...........................................................................................Lutz & Carr Digital Marketing Firm...............................................Capacity Interactive

Donald J. Rose, MD Director, Harkness Center for Dance Injuries at NYU Langone Health is the orthopedic and dance medicine consultant for The Joyce Theater Foundation.

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