PORTFOLIO Joshua Waldman
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JOSHUA WALDMAN SELECTED WORKS
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CHICAGO reFRAMEd
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SYSTEM DEVELOPMENT
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BIODIVERSITY RESEARCH CENTER
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ARTIST SPACE FOR LIVING, MAKING, AND EXHIBITING ART
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WORLD OF VOLVO ANALYSIS
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WORK EXPERIENCE
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CHICAGO reFRAMEd
fall 2023 arch 311_architectural design III prof. Aaron Schump
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SOLID / VOID Using Grasshopper scripts, this exercise aimed to uncover potential by system-
atically exploring geometric interactions, resulting in a composition of solid and
void elements. The design features a rectangular vertical and horizontal volume, mainly carved with large organic ring shapes to create a dynamic interior landscape. By preserving the rectilinear form of the core, a series of interconnected voids and spaces begin to get exposed. The inclusion of thickened lines serves as a connective tissue, linking elements or voids with deliberate intent. The
result is a dynamic architectural exploration, an integration of diverse forms,
encapsulated in a series of interactions that showcase the potential of geometric unification and spatial exploration.
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MASSING AND SITE INTERACTION This massing exercise expanded on the previous digital project, utilizing a
diagrammatic model and a more defined tower concept to explore programmatic
organization, form, and site interaction. The initial diagrammatic massing
employed two voids of intersecting rings, symbolizing private and public spaces,
showcasing how their interaction could yield their own defined spaces while
also having semi public/semi private areas. Color coding presented distinctions
between these programs, emphasizing intersections where unique shared spaces emerged. The subsequent tower iteration incorporated an envelope system to
transform the large voids into usable and interior spaces, while strategically
exposing others as exterior balconies. This expiration not only tests the dynamic
relationship between private and public realms but also addresses the chal-
lenge of integrating live/work artist studios with public accessibility, laying the
foundation for further development at the scale of individual spaces in future
projects.
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LINES, SURFACES AND VOLUMES In this Grasshopper activity exploring facade design for the tower, three distinct
systems were developed, each aiming to harmonize organic and inorganic forms. These digital models served as studies, utilizing consistent shapes and exploring their convergence through grids, fields of lines, and surfaces. By experimenting with varying densities of solid and void elements, the process involved delving
into the interplay of these components and how they could dynamically intersect
within the framework of grids and fields. Acting as a canvas for abstract patterns, this exercise offered insight into potential spatial qualities while considering adaptability to future programmatic considerations.
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ENVELOPE STUDY In this project, the evolution of the facade design was explored by translating the previous digital study into a physical model that focused on a pivotal
moment in the design. The design process considered the facade as a dynamic interface between interior and exterior spaces. The geometry was adapted to
address factors when considering scale, human interaction, and environmental
performance. By envisioning the envelope as a three-dimensional continuum, the design not only responded to functional aspects but also incorporated elements
that shape spatial experiences, including program and circulation.
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CHICAGO reFRAMEd In the culmination of this expiration, the final project integrates the early
massing responding to the Chicago River site with the envelope concepts. The initial endeavor focused on creating a skyscraper that serves as a dynamic hub for artist live/work spaces, envisioning a systematic approach to the
envelope that ranges from opaque to expansive glass openings. Derived from the earlier projects, the design philosophy sought to harmonize private and
public realms, exemplified by the integration of voids and spaces that cascade throughout the building, inviting occupants up from the riverwalk. The facade study further extends these themes, revealing and exposing certain spaces based on programmatic requirements, thereby fostering privacy for private
space and maximizing natural light for public areas. This project represents a
synthesis of program, form, and spatial dynamics, illustrating the evolution of the design process.
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SYSTEM DEVELOPMENT
spring 2023 arch 408R_intelligentprefabrication prof. Chandler Ahrens, Scott Mitchell
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SYSTEM DEVELOPMENT This seminar introduced students to computational prefabrication thinking
and techniques, where they used STUD-IO’s StudFinder software to design and build full-scale parametric systems. The focus was on digital fabrication at a
medium to large scale using a proprietary system by STUD-IO Computational Construction. The system utilized custom parametric software to create robotically fabricated steel studs, enabling easy assembly into various
forms. Students worked in pairs to develop parametric systems, considering
constraints related to steel stud assembly, and explored geometric potential through analytical geometry. They used StudFinder to convert their models
into fabrication information, ensuring constraints were met and making the
systems fabricatable. The fabricated steel studs were created using a Howick
steel stud roll-forming machine with precise punched holes, facilitating quick and accurate assembly of the digital models on-site in St. Louis.
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BIODIVERSITY RESEARCH CENTER
spring 2023 arch 212_architectural design II prof. Sharvari Mhatre
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STRATIFIED CASTING MODELS
MATERIAL SWATCHES
Students were tasked with creating two distinct 3D models that approached a
The intent of this project was to explore the relationship between large-scale
relationships. In addition to considering the overall form and massing of their
materials and designs, students were able to create complex and nuanced forms
effects in the physical casting process, in order to create works that were both
from the layering process were not simply decorative elements, but rather they
sense of scale through the exploration of figure-ground and solid-void
designs, students were also encouraged to experiment with color and texture visually stimulating and intellectually engaging.
stratifications and small-scale material patterns. By layering four different
that conveyed a sense of scale and detail. The points and lines that emerged
represented the underlying structure of the forms. This project demonstrated how layering can be used to create architectural elements that are visually
striking.
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BIODIVERSITY
RESEARCH CENTER The Biodiversity Research Center is a light-sensitive building that studies the
effects of light pollution on plants. The center is located next to the Jewel Box
in Forest Park, St. Louis, and is designed to blend in with its natural surroundings. The interior of the building is organized around a central atrium, which is filled with plants that are exposed to different levels of light. This atrium
serves as a living laboratory, where visitors can learn about the effects of light pollution on plant growth and development. The atrium is also surrounded by research labs, offices, and a library/archive.The lower level of the building is dedicated to research, and is only accessible to scientists. The second floor houses more private and quiet spaces, such as offices and the archive. The
facade system of the building is designed to regulate the amount of light that enters each space, ensuring that the research spaces are protected from light pollution while the public spaces are flooded with natural light.
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SECOND LEVEL
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GROUND LEVEL
BASEMENT LEVEL
Up
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Egress Staircase Labratory Green House Bathroom Exterior Courtyard
1. 2. 3. 4. 5.
Egress Staircase Main Entrance Bathroom Exhibit Atrium / Gallery
1. 2. 3. 4. 5. 6. 7.
Egress Staircase Confrence Room Office Reading Space Atrium Archive Exterior Garden
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ARTIST SPACE FOR LIVING, MAKING, AND EXHIBITING ART
fall 2022 arch 211_architectural design I prof. Jess Vaneck
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CONCRETE CASTING As part of this project, students were organized into groups of three and tasked
with designing and casting eight concrete modular units that could be arranged
in various configurations to generate new forms and spaces. The final product is a wall that is supported solely by these units. Each unit was required to fit
within a 6x6x6 inch volume constraint. My group focused on utilizing triangular
geometries in our designs and developed a set of rules governing the orientation of the modules. One key rule was that we avoided flat surfaces on the ground,
instead utilizing only edges and points. Furthermore, the stability of the
structure depended on the interdependence of the individual units, such that the removal of any one unit would cause the entire structure to collapse.
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AN ARTIST SPACE FOR LIVING, MAKING, AND EXHIBITING ART
After visiting two empty lots on the historical Cherokee Street in St. Louis, MO, students were tasked with selecting an artist to design a living, exhibition,
and studio space. I chose the Swiss artist Ugo Rondinone for this project. In
order to incorporate similar forms as the concrete castings in our structure, I used one of the individual concrete modules as a starting point for the roof, and then Constructed the interior spaces beneath the roof. Ugo Rondinone, a multifaceted artist, works with a variety of mediums, including large and
small scale sculptures and paintings. In order to provide suitable spaces for exhibiting these diverse art forms, I included a spacious exhibition area for the sculptures as well as a separate gallery for the paintings and smaller
sculptures. Additionally, the first floor was designated as Ugo Rondinone’s
workspace, while the entire second floor was reserved as private living space.
SALENA
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WISCON SIN AVE
ILLINOIS
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CHEROKE E ST
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GROUND LEVEL
SECOND LEVEL
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WORLD OF
VOLVO ANALYSIS In our group of three for this course, we analyzed Henning Larsen’s World of Volvo in Gothenburg,
Sweden, examining both large-scale components and intricate details. Our exploration is
encapsulated in three boards, each offering a
distinct perspective on the building’s intricacies. The first board unravels the site’s complexity, delving into circulation patterns, structural
analysis, and the building’s response to wind and sun. On a micro scale, the second board details a section from foundation to roof, enhancing our
understanding of contemporary building practices. The culmination, our third board, is a three-
dimensional diagram peeling back the layers to
reveal core components. Throughout the course, we surveyed structural and enclosure elements,
embracing the intricacies of glazing, roofing, and finishing systems.
fall 2023 arch 445_building systems prof. Ross Welch
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WORK EXPERIENCE
MOJO STUMER ASSOCIATES Mojo Stumer Associates is a distinguished architectural and interior design
firm based in New York, renowned for their innovative and dynamic approach
to design. With a diverse portfolio spanning commercial, residential, hospitality, institutional, and mixed-use developments, Mojo Stumer excels in creating spaces that seamlessly blend functionality, aesthetics, and user experience.
Their expertise extends to crafting bespoke interiors and designing captivat-
ing facades and exteriors. Meticulous attention to detail and a commitment to pushing creative boundaries define their approach, resulting in architectural excellence that transcends convention.
During my tenure as an intern at Mojo Stumer Associates, I had the invaluable opportunity to immerse myself in various facets of architectural practice. I actively contributed to the design process by creating intricate floor plans, detailed wall sections, and precise elevation drawings. Additionally, I actively participated in client meetings, gaining firsthand experience in understanding and addressing their specific needs and preferences, while site visits provided invaluable insight into the practical aspects of construction and materiality.
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CL.
W.I.C PRIMARY BATHROOM
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KITCHEN CL.
PANTRY
ADA BATH
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CL. LAUNDRY
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CL. LIVING ROOM DINING BEDROOM
PRIMARY BEDROOM BEDROOM
FAMILY ROOM
3C
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