Josep Grad School Portfolio 2024

JOSEP CAMPOY VALDEZ

ARCHITECTURE PORTFOLIO

At two years old, I was in occupational therapy for my thumb, and stacking blocks sparked my interest in building. I often found myself sneaking into my grandfather’s study, captivated by his civil engineering plans and eager to draw on the tracing paper I had taken from his drawers. This curiosity grew as I pursued an undergraduate degree in architecture abroad, where I began to truly understand the field. Through various professional design experiences across the U.S. and beyond, my passion deepened. My desire to continue understanding communities, investigating materials, and challenging design remains unceasing. I invite you to explore my personal space. In each spread, you will gain further insight into my design approach and sensibility towards creation.

DISCLAIMER: All work has been produced personally unless otherwise noted. No AI was used in the creation of images or text in this portfolio.

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3-D WOOD PRINTING

RIVERFRONT HOUSING

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THE 175

PUBLIC POOL

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TEACHING MUSEUM

LAMAY HOUSE

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CHRISTOPH KLEMMT

ACADEMIC

GROUP RESEARCH

CINCINNATI, OH

01 3D WOOD PRINTING

Our capstone semester began with a research component focused on continuing and strengthening the investigation initiated by our professor Christoph Klemmt. We concentrated on testing alternative fibers and binders to create a biodegradable aggregate suitable for 3-D printing. We conducted tensile and compression tests to compare different combinations, considering cost, drying time, and material shrinkage to assess the effectiveness of the proposed combinations.

Force (lb)

How vital is the investigation of new materials for a sustainable future in architecture?

Collaborating with Yuka Imada, we experimented with rice as an alternative binder, keeping wood as the primary fiber. We were inspired by the ancient Japanese technique of sokui, which uses rice as glue in carpentry. Though the process was time-intensive, rice bonded wood similarly to the original binder, with improved effectiveness when mixed with the other binders from the original formula.

Displacement (in)

FINALIZED FORMULA Solvent Rice as Binder Binder “a” Binder “b” Wood shavings/residue

200 % rice

100 % rice

70 % rice + “a” “b” binder

Load: 6.0670 lbf Displacement: 0.0250 in

Load: 16.720 lbf Displacement: 0.0350 in

Load: 46.640 lbf Displacement: 0.0270 in

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CHRISTOPH KLEMMT

ACADEMIC

GROUP FABRICATION

CINCINNATI, OH

STAMM Collaborating with Elizabeth Sturgeon, Kailey Atkins, Meghan Glass, and Yuka Imada in the design and fabrication of Stamm, we showcased the research from our capstone in a biodegradable object embodying the fundamental architectural concept of a column.

Using a Grasshopper script, we transformed the geometry to create an organic appearance, resembling a tree trunk. It poetically represents something that once grew from the earth before being cut down for human use. Stamm was showcased at the CAC in Cincinnati.

DESIGN LOGIC

SIMPLE GEOMETRY begin with a known architectural object

GROWTH SCRIPT transform to a complex shape

CONTINUOUS PATH ease printing process and fortify strcuture

STACKABLE benefit from material’s compression strength

Josep Campoy Valdez -Architecture Portfolio

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CHRISTOPH KLEMMT

ACADEMIC - 4TH YEAR

CINCINNATI, OH

FLIPP3D Flipp3d is my personal approach to 3D wood printing, with a futuristic vision for urban construction. The goal is to massproduce identical pieces to be used modularly in construction, reclaiming cities and urban living.

Cities across America suffer from the effects of car-centric urban development, from absurdly large parking spaces to the separation of activities into designated sectors. Flipp3d aims to populate empty pockets in urban areas—vacant lots and

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surface parking lots—with mixed-use buildings that stimulate an engaged, diverse community.

Vacant lots are segmented into modules, and the design is controlled by parameters that reflect urban guidelines. These modules are then populated with 3D wood-printed panels that can be flipped, rotated, and mirrored to create various spaces.

These buildings are biodegradable and have a biophilic qualities.

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R proposed test parking lots existing buildings

DESIGN LOGIC

SETBACK & SEGMENT divide maximum possible volume into modules

ESTABLISH PATH set constraints that limit building form and volume

ALLOCATE PROGRAM propose mixed uses for sustainable living

OVERHANG address humidity issues

Josep Campoy Valdez -Architecture Portfolio

CUSTOMIZABLE With the advancement of AI tools and parametric design, Flipp3d plans to adapt to an ever-changing design environment. By utilizing these tools, we can quickly assess various possibilities for arranging modules within a site. As exemplified above, we used constraints as paths to showcase representative elements for Cincinnati, such as the Ohio

River, the Cincinnati outline, and a pig as a tribute to the city’s nickname, “Porkopolis.” Just as we can set these elements as parameters to drive the design, we could similarly use real constraints like height limits, pervious versus impervious surfaces, setbacks, open space, public space, and more.

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TRADITIONAL 3D PRINTING

+ Better for compression loads + Structurally sound + More use of Material

HORIZONTAL 3D PRINTING

3D PRINTING ON COMPLEX SURFACE

+ Less use of material + Levels of transparency + Opportunity for intricate patterns

+Opportunity for intricate patterns on complex forms

A MOTHER PANEL Exploring different printing paths and methods, I developed several options for a “mother panel.” This panel would be flipped to perform various functions within a building, such as walls, floors, roofs, and separation panels. The selected panel was self-standing, thanks to an angled extension. The printing process and compressive strength were optimized by adding ridges and inflection points. I conducted tests on both wood and cellulose prints.

Josep Campoy Valdez -Architecture Portfolio

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FLIPPING FLIPPING The multiple approaches to 3D printing allowed the same panels to have varying characteristics. Some were more transparent to allow light to pass through, while others were denser for privacy or structural purposes. Flipping, rotating, and mirroring the panels created a textured experience across all spaces within the program. From simple bedrooms to more complex auditoriums, all spaces were composed of a combination of 3D-printed panels.

LOW DENSITY

MID DENSITY

Josep Campoy Valdez -Architecture Portfolio

HIGH DENSITY

SOLID

CONFERENCE

BEDROOM

INFO MODULE

CAFE - RESTAURANT

OFFICE

LOBBY

RETAIL

AUDITORIUM 05

UDO GREINACHER

ACADEMIC - 3RD YEAR

WITH ASHLEY MILLER

NEWPORT, KY

02 RIVERFRONT HILLS Can we integrate communities with architecture by proposing a mixed use program?

The challenge was to design a multi-family development consisting of 100 residential units. The three nonnegotiables in the design were: views of the river, amenities for residents, and an active commercial development to engage the surrounding neighborhood.

The tower’s architecture is designed to echo two important qualities of the surrounding context: the hilly nature of Cincinnati and the Ohio River. With an undulating façade and stepping social terraces, Riverfront Hills is planned to become a significant landmark along the Ohio River.

Public and private areas are separated by different levels.

The river level holds the promenade and the commercial portion of the tower, with restaurants and a bowling alley.

From the street level, and at a higher elevation we can find ammenities like pools, the gym, the main lobby and a park for residents.

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All graphics showcased were redone by me. The physical model and building design were created in collaboration with Ashley Miller.

DESIGN LOGIC

MODULAR ARRAY array modules and copy for three different towers

180 ° push towers and curve slightly for more views

1. Public Intervention 2. Commercial 3. Parking

EXTRUSION extrude towers offsetting maximum heights

4. Residential 5. Ammenities 6. Core

STEPPING & PASS add green terraces and puncture for circulation

3 BEDROOM

2 BEDROOM

1 BEDROOM

STUDIO

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PRIVATE

GREENERY GREENERY

SINGLE LOADED

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STUDIO TWO BEDROOM ONE BD. THREE BEDROOM

COMMERCIAL

PUBLIC

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WINTER HEAT RETENTION

PRIVATE

SINGLE LOADED

GREENERY GREENERY

STUDIO TWO BEDROOM ONE BD. THREE BEDROOM

COMMERCIAL

PUBLIC

SUMMER VENTILATION

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PRIVATE

SINGLE LOADED

GREENERY GREENERY

STUDIO TWO BEDROOM ONE BD. THREE BEDROOM

COMMERCIAL

PLATE OFFSET TO REPLICATE RIVER MOTION

PUBLIC

PROGRAM RELATIONS

Josep Campoy Valdez -Architecture Portfolio

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SUSTAINABLY DESIGNED The residential units were designed to be spaces where people could build a life and stay long-term. They feature comfortable dimensions, stunning views, proper illumination, and comfortable temperatures. The towers take advantage of their orientation and materiality to retain heat during the winter. Similarly, the singleloaded design of each tower allows residents to naturally cool down their spaces in the summer. Larger units are located closer to the ground floor to provide families with easier access to amenities like playgrounds and open spaces. Integrated into the public level, the commercial portion of the towers engages the existing community and offers opportunities for recreation.

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1/4’’ = 1’ 0’’ SECTION MODEL

LOUVER ADDITION TO FILTER LIGHT

SCREEN PEFORATED FOR VIEWS

RAIN CHAIN-LIKE LOUVER SYSTEM

Josep Campoy Valdez -Architecture Portfolio

A USEFUL FACADE The river-facing façades serve multiple purposes for Riverfront Hills. The louvers replicate the feeling of motion to accentuate the undulating façade. In addition, the spacing of the louvers filters direct northern light and carefully shades excess light.

Punctures were strategically created on the screens to allow unobstructed views of the river and the Cincinnati skyline. Most importantly, the louvers redirect rainwater, which is filtered and later used by the building’s tenants.

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1.Growing medium 2. Gravel 3. Filtering rocks 4. Water pump

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ANDREAS KRETZER

ACADEMIC, 4TH YEAR

STUTTGART, DE

03 ADAPTIVE RE-USE When repurposing a space, how can we ensure that we maintain its identity while meeting the needs of a community?

EXISTING CAR REPAIR/DEALERSHIP 1.

Reinburgstrasse 1, designed in the International Style by Wilhelm Graf in 1954, originally served as a car repair/ dealership. With a new owner, the question arose: what to do with the building?

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During my time living in Stuttgart, I identified a scarcity of queer spaces. For this reason, the proposed 175 project aims to be inhabited, activated, and transformed by queer-identifying individuals. To attract this community, the design includes a gender-neutral public restroom, a clothing store, and a bar. Public restrooms often present safety concerns for queer-identifying individuals due to bias and segmented designs. Clothing remains a fundamental part of queer identity and expression. Finally, clubs and nightlife have long served as safe havens for the queer community.

The furniture and interior architecture were influenced by automobile fabrication, responding to the building’s iconic curved form.

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1. Building on top N.I.S 2. Tire Storage 3. Car repair 4. Transit space 5. Admin / dealership 6. Core and bathrooms 7. Display 8. Mechanical room 9. Employee lounge 10. Storage Structural elements

DESIGN LOGIC

LIGHT TO DARK Allocate program from more to less exterior glazing

AXIS & SYMMETRY Align interior design with existing principles

GLORIFY THE CURVE Shape interior to evoke building’s organic nature

INTERIOR ENMESHING Combine middleground, background, and foreground

THE

175

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100 YEARS OF QUEERNESS IN GERMANY

FROM FINDING JOY

IN THE SHADOWS

ARTICLE 175 IS OVERTURNED

175 ARTICLE OUTLAWS HOMOSEXUALITY

FIRST PRIDE PARADE IN BERLIN

MEMORIAL FOR KILLED HOMOSEXUALS IN WWWII

BERGHEIN (OST GUT) “FIRST” GAY CLUB

SAME SEX MARRIAGE IS LEGALLIZED

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EL DORADO CABARET FIRST SAFE HAVEN FOR HOMOSEXUALS

1994

1971 1979

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TO EMBRACING

IT IS NOT THE HOMSEXUAL WHO IS PERVERSE, BUT THE SOCIETY IN WHICH HE LIVES IN. AVANT GARDE FILM

HOMOSEXUALS SENT TO CONCENTRATION CAMPS

2008

ALL SPACES WITH

UNWAVERING PRIDE THE 175 PROGRAM 1. Main display window.

2. Open floor clothing store with adaptable nn furniture.

3. Checkout module.

4. Gender neutral restroom entrance.

5. Bathroom stalls with privacy smartglass.

6. Open floor gender neutral bathroom.

7. Mechanical room.

8. Flexible open space, outdoor store in bbsummertime.

9. Open bar seating.

10. Stage mostly used for drag shows and xxxx.standup.

11. Booths.

12. Bar

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bar/club retail store roads 0’

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no public restrooms in portion showed 500’

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gypsum board recessed light metal profile hidden light transparent car-like panel car-like metal panel Faucet metal sink bowl

showcase modules

seating modules

showcase modules

runway modules

transparent car-like panel hidden light

car-like metal panel recessed light sink base concrete pour

Josep Campoy Valdez -Architecture Portfolio CLOTHING STORE ARRANGEMENT

FASHION SHOW ARRANGEMENT

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ADAPTIVE

SAFE

Expression in the queer community is highly valued and has consistently been a significant element in the ongoing fight for equality. For this reason, creating a dynamic space that encourages creativity was essential. The furniture was designed for multiple purposes: showcasing, walking, and seating.

The floor plans include both a traditional clothing display approach and an alternative design featuring a runway and an exterior summer store.

The greatest concern when designing a public restroom is the safety of users. When designing for an underrepresented and historically marginalized group, this concern becomes even more significant. The primary design decision was to eliminate corners and present an open, easily understood arrangement from any angle. Additionally, light was used to inspire confidence and harmony. Finally, privacy smart glass for the stalls added an extra layer of security.

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AN ODE TO THE CAR Like Wilhelm Graf’s original design, the automobile industry influenced the development of the 175. This influence is evident in the form, fabrication, materiality, and assembly. Furniture and architectural elements throughout the project feature organic geometry and streamlined properties, reminiscent of automobile design. Most finishes are metallic, high-gloss, and shiny, resembling car panels and evoking a futuristic feel. The project elements are designed for assembly in a manner similar to car manufacturing, with pre-fabricated panels that attach to an existing framework, as shown in the column-skylight detail above. Though the use is different, the 175 project maintains a love for cars through its design.

CAR PANELING SYSTEM

Josep Campoy Valdez -Architecture Portfolio

Opaque Transparent

FRAMEWORK FOR SUPPORT

FABRICATED PANELS 12

MICHAEL ROGOVIN

ACADEMIC, 2ND YEAR

CINCINNATI, OH

04 PUBLIC POOL When designing a public building, how can we maximize urban space to benefit the community?

Over-the-Rhine, one of the most iconic neighborhoods in Cincinnati, has seen recent gentrification. It is essential to create spaces for the resilient groups who refuse to abandon their community. With a low number of public spaces and scarce green areas, this project offers an opportunity for the community. Additionally, there is a significant racial history surrounding American swimming pools, and with Over-the-Rhine being predominantly Black, this project strives to help bridge that gap.

FINDLAY PLAYGROUND

FINDLAY MARKET

eet

The building is elevated to allow pathways that extend existing alleyways and sidewalks surrounding the site. On the ground level, in addition to pathways and an exterior pool, several pockets for seating and shading act as a park. A small greenhouse also offers opportunities for community engagement.

Elm Str

West Liberty street

WASHINGTON PARK extension alleys/roads green areas public spaces

The building program is informed by a structural grid, with cantilevered volumes connected by an imposing bridge, creating a landmark on Elm Street and West Liberty.

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DESIGN LOGIC

GREEN SETBACK Designate green areas for public use

PROGRAM SEPARATION Exterior and interior pools + independent volumes

LIFT & CONNECT Augment urban experience and bridge program

URBAN EDGE Cantilever elevated volumes

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3/32’’ = 1’ 0’’ SECTION MODEL

REGULATING LINES

STRUCTURAL CONNECTION

ADDITIONAL STRUCTURAL SUPPORT

Josep Campoy Valdez -Architecture Portfolio

VERTICAL EXPRESSION

TRUSS FOR SUPPORT

EMPHASIZE ENTRY POINTS 14

SUNLIGHT AND SHADNG Sunlight drove many of the decisions regarding program placement and material finishes. The bridge above has a transparent quality to filter light, allowing for enjoyable experiences during the summer. The public seating and gathering areas on the ground floor were strategically placed adjacent to the elevated structure to provide shade for comfort in the summer. Additionally, plants and trees were incorporated to enhance overall comfort for the community.

ambient north Light

direct south light

SMART FACADE

SLANTED VERTICAL FINS

Josep Campoy Valdez -Architecture Portfolio

VSA

HSA

EGGCRATE FACADE 15

RYAN LUDWIG

ACADEMIC, 3RD YEAR

CINCINNATI, OH

05 TEACHING MUSEUM With a diverse group of users and program, how can design bridge interests ?

The teaching museum explores the architectural connection between cultural production, education, exhibition display, and performance. The value of the campus lies in the symbiotic relationship between users who exchange knowledge and experiences in the various spaces spread across the site. The main division is between the artist residences (private) and the rest of the campus (public). However, these boundaries are blurred through the strategic use of outdoor spaces and tectonic elements that bridge and create interstitial moments throughout the project.

INTEGRATING INDOOR AND OUTDOOR

RADIATING

CONNECTING

BUFFER

Located in a remote forest east of Cincinnati, the architecture interacts with the landscape and responds to the topographical constraints and adjacency to the Ohio River. The high plateau was used as the main interstitial space that connects nearly every part of the program to each other and to the landscape. The addition of interior gardens was necessary not only to bring light to the deepest parts of the program but also to inspire calm and creativity for fabrication, appreciation, and learning.

DESIGN LOGIC

CARVE Remove dirt strategically to place program pieces.

STACK & SPLIT Stack program pieces with setbacks and divide program.

SEPARATE & LIFT Create social terrace in between program and address river proximity.

PUNCTURE Create voids for interior gardens and light.

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1. Public parking 2. Lobby 3. Artist studio 4. Artist residence 5. Interior garden 6. Amphitheatre 7. Ticketing 8. Admin room 9. Bathroom 10. Janitor closet 11. storage 12. Great Hall 13. Gallery 14. Fabrication space 15. Classroom 16. Woodshop 17. Pottery 18. Ext. fabrication 19. Cafe 20. Library 21. Conferencing

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FRAME

PLANE

TECTONIC APPROACH

VOLUME

Framing elements were used to maximize outward views and connections to the outdoors.

Slender elements delicately link all program components and inform circulation. Users in spaces with a planar strategy feel connected to the outdoors without leaving the semi-enclosed spaces. The abundance of natural lighting promotes activities like fabrication and learning. In fully enclosed spaces, the volume strategy maximized inward focus, creating a zen-like atmosphere with gardens and overhead light.

Josep Campoy Valdez -Architecture Portfolio

CLUMP STUDIES 18

PROFESSIONAL

RESIDENTIAL

SACRED VALLEY, PE

06 LAMAY HOUSE How can tradition adapt to reflect a client’s needs and desires?

During the winter break before my capstone semester, I was fortunate to be commissioned to design a house for clients related to my parents. I was given a program and a desire to blend modern style with the traditional homes found in the valley. The clients were deeply connected to nature and adhered to ancient beliefs that have been passed down since the time of the Incas. As such, views of the mountains, particularly those across the river, were of utmost importance.

CUSCO

URUBAM BA R VE RI

The house features several nods to Incan architecture. The ground floor has an open layout, connecting all social areas, differentiated only by subtle changes in height.

Elements such as floating steps echo traditional styles used on terraces throughout the Sacred Valley. The material finishes also reflect the mud homes found in the Sacred Valley. A double-height space that frames the view of the Huchuyqosqo ruins connects all the spaces in the house.

Lamay town Urubamba River Sacred Valley of the Incas 28B Road Urban roads Views to HuchuyQosqo ruins and Sacred Mountains Views to Sacred Mountains Site Cornfields

Design and concept were developed entirely by me. The design package was transferred to a local firm for construction documentation, which I supervised.

DESIGN LOGIC

INTERSECTION Modern blocks intersect a traditional valley house

CONNECTING SPINE A two-story volume is the heart of the project

HIERARCHICAL VIEWS The size of openings correlates to importance they face

SPACE SEPARATION Large open spaces are divided by slight level changes

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LAMAY HOUSE PROGRAM 1. Dining Room 2. Kitchen 3. Pantry 4. Laundry 5. Entrance Hall 6. Powder Room 7. Front Porch 8. Living Room 9. Office Storage

10. Planter Garden 11. Master Terrace 12. Master Bedroom 13. Walk-in Closet 14. Master Bathroom 15 Excercise Nuck 16. Bathroom 17. Bedroom 18. Study 20

Thank you.