THE EXHIBITION
Consensus The main goal of this exhibition is the promotion of The Universal Declaration of Human Rights and their essence as inspiration to some of the more relevant artists in history. A selection of the articles that constitute the Universal Declaration orchestrate a collection of paintings from different times and traditions with emphasis on Francisco de Goya’s Black paintings and Guernica by Pablo Picasso. The visit culminates with a stunning simulated visit to Miquel Barcelò Magnus Opus in the dome of the United Nations Human Rights Council Hall in Geneva. Inspired by the formal aspects of this composition the exhibition is a stunning display conceived to adapt to different venues creating an original, intimate atmosphere.
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A traveling showcase the design takes advantage of Digital Modeling and Fabrication, a process that joins design, architecture with the construction industry through the use of 3D modeling software and computer numerical control machines. a common fixture in the every medium sized city in the world. Fundación Onuart is a foundation dedicated to the promotion of Human Rights through Art.
THE DESIGN The flexible nature of this exhibition is embodied by its modular conception. It means that each cluster that compose the exhibition addresses one topic generating an extendible space that grows according to its objectives and possibilities. We have 3 modular units: small, medium and large. The combination of these, generates different forms which respond to the specific exhibition demand.
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GENERAL CONCEPT
Contents Welcome
The spirit of Human Rights in Art
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02 Origin
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Nature as inspiration
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Materials
Dome Making-Of
Simulator Auditorium
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Process
Holographic experience
Simulator Making-Of
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GENERAL CONCEPT
Content distribution
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PERSPECTIVE
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GENERAL CONCEPT
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View
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The Contents are displayed on individual modules arranged along a central path: 1- Welcome 2- Origin 3- The spirit of Human Rights in Art 7- Nature as inspiration 8- Process 9- Materials 10- Holographic experience 11- Dome Making-Of 12- Simulator Making-Of 13- Simulator
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PERSPECTIVE
MODULE 1
Welcome
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MODULE 1
Welcome
FRONT CONTENTS
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BACK CONTENTS
MODULE 2
Origin
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MODULE 2
Origin FRONT CONTENTS
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BACK CONTENTS
MODULE 3
The Human Rights and their spirit in art
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PERSPECTIVE
MODULE 3
Human Rights in the world. FRONT CONTENTS
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BACK CONTENTS
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MODULE 4
Goya: The Third of May 1808
Article 11 “Everyone charged with a penal offence has the right to be presumed innocent until proved guilty.”
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PERSPECTIVE
MODULE 4
Human Rights Spirit in Art Article 3 “Everyone has the right to security in the event of unemployment, sickness, disability, widowhood, old age…”
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BACK CONTENTS
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MODULE 5
Picasso’s Guernica
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MODULE 5
Picasso’s Guernica Article 3 “Everyone has the right to life, liberty and security of person.”
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FRONT CONTENTS
BACK CONTENTS
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PERSPECTIVE
MODULE 6
Human Rights spirit in Art
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MODULE 6
Article 18 “Everyone has the right to freedom of thought”
Human Rights Spirit in Art FRONT CONTENTS
Article 1 “All human beings are born free and equal in dignity and rights.”
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BACK CONTENTS
MODULE 7
Nature as inspiration for art
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MODULE 7
Nature as inspiration for art Coastline Majorca
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BACK CONTENTS
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MODULE 8
Process
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MODULE 8
Process
FRONT CONTENTS
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MODULE 9
Materials and Equipment
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MODULE 9
Materials and Equipment
FRONT CONTENTS
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BACK CONTENTS
MODULE 10
Holographic experience
Using the latest technology on image mapping and projection film materials, we create the illusion of a holographic image. A real life sized virtual presence of artist Miquel Barcelò who talks with the visitors about his creative process, influences and the experience of painting the Human Rights dome, over his image we see a sequence of images that support his words.
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PERSPECTIVE
MODULE 11
Dome Making-Of
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MODULE 11
Dome Making-Of
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FRONT CONTENTS
MODULE 12
Simulator Making-Of
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MODULE 12
Simulator Making-Of
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FRONT CONTENTS
MODULE 13
Auditorium
The human Rights Dome: Barcelo´s Sea.
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TECHNICAL
Construction
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TECHNICAL
Manufacture According to the needs of the project, we propose to use a digital fabrication process. All the units which define the exhibition space, will be designed to be cut with digital systems following the CAD files. Thus, each site which house the exhibition will receive a proper digital file necessary for the production. Once received this file, the pieces can be produced in any digital fabrication workshop. Afterwards the assembling process will be simple and quick so as to avoid as many screws as possible. To this end, we’ve designed a dovetailing joint. A colored lighting system is located inside of each unit.
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PERSPECTIVE