Samara Joy I Jorgensen Center for the Performing Arts I Fri, Nov 18, 8 pm

FOR YOUR INFORMATION

JORGENSEN BOX OFFICE

(860) 486-4226 jorgensen.uconn.edu Hours Mon-Fri, 10-5 pm, and 90 minutes before curtain.

CRT BOX OFFICE (860) 486-2113 crt.uconn.edu Hours Wed-Fri, 2-5 pm, and 60 minutes before curtain.

COVID-19 POLICIES: Please check our website for the latest policies and procedures: jorgensen.uconn.edu crt.uconn.edu

LATE ARRIVALS

Latecomers will be seated at the discretion of the artists’ management.

CAMERAS AND RECORDING DEVICES

Strictly prohibited.

SMOKING

Not permitted within 25 feet of the building.

CHILDREN AND INFANTS

Tickets are required for everyone, no matter how young. Children must be 4 years old to attend CRT productions. Minimum 4 years old recommended for Jorgensen Center events.

REST ROOMS

Located in the upper and lower Jorgensen lobbies and the CRT lobby.

SPECIAL SERVICE

Accessible rest rooms located in the lower Jorgensen & CRT lobbies. Elevator service from the main Jorgensen lobby down to the lower lobby only.

ASSISTIVE LISTENING SYSTEM

Free from the front office for Jorgensen and Katter Theatre productions.

TOO LOUD?

Free hearing protection is available upon request from the front office.

LOST AND FOUND ARTICLES

Can be reported or picked up at each box office.

REFRESHMENT BARS

Enjoy refreshments at your seat. Bars located in the upper Jorgensen and main lobbies of each theater. Food and beverage restrictions may apply due to Covid-19.

GROUP TICKETS

CRT: Call the group sales office for more information (860) 486-2113

BAG POLICY

For the safety of all, bags and backpacks larger than 10” x 10” are prohibited in the theater. Small bags and purses are permitted. An exception will be made for medically necessary items and diaper bags after proper inspection. All bags are subject to search.

PARKING & TRAVEL

Parking is available across from Jorgensen in the North Garage. For a detailed parking map, visit park.uconn.edu

PLEASE NOTE:

The parking fee for Jorgensen events is now included as part of your ticket price. Patrons will no longer have to pay upon entry or exit in the North Garage. All gates have been removed and gateless parking begins one hour prior to showtime through the conclusion of each performance. Please note: this applies to North Garage only.

IMPORTANT UPDATE:

Hillside Road on the UConn Storrs campus will be closed to vehicular traffic between Glenbrook Road and Jim Calhoun Way for the fall semester. This is an effort to enhance safety and make the area friendlier to pedestrians and bicyclists in the center of campus. Motorists who park in North Garage should access the garage by taking Discovery Drive or Glenbrook Road to the garage entrance on north Hillside Road.

Healthy is worth a standing ovation.

We’re proud to support so many award-winning performers. And while it may not be a Tony or Grammy, we’re also proud of own our cast for earning the highest honors in Patient Safety at Manchester Memorial Hospital and 4-Star Quality Care for Medicare and Medicaid patients. From one group of dedicated performers to another, good luck and good health!

Manchester Memorial Hospital Rockville General Hospital John A. DeQuattro Cancer Center ECHN Medical Group

Friday, November 18, 2022, 8:00 pm

University of Connecticut School of Fine Arts Alain Frogley, Interim Dean Jorgensen Center for the Performing Arts Rodney Rock, Director presents

Samara Joy

Media Sponsors

B Natural, Inc. 200 East 131st New York, NY https://bnatural.nyc/ chris@bnatural.nyc

Co-Sponsored by the H. Fred Simons African American Cultural Center & the UConn Women's Center

SAMARA JOY BIOGRAPHY

With her Verve Records debut, Linger Awhile, 22-year-old Samara Joy makes her case to join the likes of Sarah, Ella, and Billie as the next mononymous jazz singing sensation recorded by the venerable label. Her voice, rich and velvety yet precociously refined, has already earned her fans like Anita Baker and Regina King, appearances on The TODAY Show and millions of likes on TikTok — cementing her status as perhaps the first Gen Z jazz singing star. On Linger Awhile, Samara will introduce that massive audience to a slew of classic standards several times older than she is through her timeless, irresistible sound.

Samara is still relatively new to jazz. Growing up in the Bronx, it was music of the past — the music of her parent’s childhoods, as she put it — that she listened to most. She treasures her musical lineage, which goes back to her grandparents Elder Goldwire and Ruth McLendon, both of whom performed with Philadelphia gospel group the Savettes, and her father, who is a singer, songwriter and producer who toured with gospel artist Andraé Crouch. “Sometimes I catch myself when I’m singing — I'm like, ‘Whoa, that was a dad moment’,” Samara quips. Eventually, she did follow in the family tradition, singing in church and then with the jazz band at Fordham High School for the Arts, with whom she won Best Vocalist at JALC’s Essentially Ellington competition. That led to her enrolling in SUNY Purchase’s jazz studies program, where she fell deeply in love with the music.

Though she’s young, she relishes the process of digging through the music’s history and learning new standards. “I think maybe people connect with the fact that I'm not faking it, that I already feel embedded in it,” Samara says. “Maybe I'm able to reach people in person and on social media because it's real.” The gatekeepers of the jazz world tend to agree: in 2019, she won the Sarah Vaughan International Jazz Vocal Competition, and she’s since performed with legends like Christian McBride and Bill Charlap. Legendary late pianist Barry Harris was a particularly important influence and mentor. “You inspired me as well as many others with this fire for teaching and playing that couldn’t be dimmed by anything or anyone,” Samara writes in Linger Awhile’s liner notes, dedicating the project in part to Harris’ memory.

Samara is accompanied by esteemed veterans on Linger Awhile as well: her former professors, guitarist Pasquale Grasso and drummer Kenny Washington, form the core of the band, which also includes bassist David Wong and pianist Ben Paterson. With ease and a preternatural assurance, Samara swings right alongside them through understated yet powerful renditions of this creative collection of standards.

There are burnished, gleaming versions of chestnuts in “Misty,” “Linger Awhile” and “Someone To Watch Over Me,” transporting listeners to some romantic, longlost supper club. Those familiar tunes are listed alongside some more unusual,

if equally vintage selections: “Sweet Pumpkin,” a Ronnell Bright tune performed by the likes of Blue Mitchell and Gloria Lynne, and “Can’t Get Out Of This Mood,” which Samara uncovered on a collection of Sarah Vaughan rarities, add a lilting, upbeat bent to the album’s selections.

“When I heard the lyrics, I was like, ‘OK, this is positive — it's not as much about heartbreak,'” Samara says of “Mood.” “I liked the way I felt after hearing her singing it, and hopefully I can create the same feeling for people when they hear that song.”

Samara aims for the opposite on a spine-tingling version of “Guess Who I Saw Today,” originally popularized by Nancy Wilson. This gently grieving rendition showcases the young singer’s exceptional control and range, as well as her refined, distinctive style.

Marrying Samara’s interest in classic standards as well as crate-digging is her take on the iconic Thelonious Monk tune “‘Round Midnight” — instead of the traditional lyrics, Samara sings those written by Jon Hendricks, which she had only heard in a vintage TV performance by Carmen McRae. “Those lyrics haven't been recorded that much — so even though it’s a song that a lot of people know, this is a different take on it,” Samara says. It’s the only song on the album that includes a horn section, including trumpeter Terell Stafford, trombonist Donavan Austin, and finally tenor saxophonist Kendric McCallister, who is responsible for the arrangement, a transformation of Cootie Williams’ original.

A concept that will likely be foreign to Samara’s TikTok following is that of vocalese, a jazz technique showcased across Linger Awhile. “Nostalgia (The Day I Knew)” was the product of a jazz transcription class she took with trumpet master Jon Faddis at SUNY Purchase, in which she took down Fats Navarro’s solo from the original 1947 recording and wrote her own lyrics to that melody — inspired, she quips, by the teen romance novels she was reading. She went through the same process with “I’m Confessin’,” combining that song’s original lyrics with her own, set to Lester Young’s 1952 solo. Especially for a contemporary listener, hearing how seamlessly Samara transforms these instrumental lines into breezy lyrics is astounding.

Also included on Linger Awhile is “Social Call,” co-written by vocalese pioneer Hendricks and Gigi Gryce — a fitting, beautiful tribute to those who paved the way for Samara’s exploration of this often-overlooked subgenre.

The release is just one more step for the ascendant vocalist, who will spend the rest of 2022 touring increasingly large stages — still shocked to be performing in front of thousands who hang on every word. “I'm still very much a student, even though I've graduated,” Samara says. “So this is only the beginning ... there is much, much more to come."

Saturday, December 3, 2022, 8:00 pm University of Connecticut School of Fine Arts Alain Frogley, Interim Dean Jorgensen Center for the Performing Arts Rodney Rock, Director presents

Artists Management Partners Worldwide LLC 150 E. 93rd St, Apt 10B New York, NY 10128 (845) 323-7938 amp-worldwide.com

PROGRAM

On Christmas Night Burton

Christmas Canticles O’Loughlin Ma’oz Tzur (Rock of Ages) arr. Binder/Jacobson Drey Dreydeleh Ellstein/Oysher-Jacobson/Hollenbeck Fantasia on Greensleeves (What Child Is This?) Vaughan Williams Dance of the Tumblers, from The Snow Maiden Rimsky-Korsakov Two Ukrainian Carols

Dobryy vechir tobi (Good Evening to You) arr. Elliott Carol of the Bells arr. Wilhousky/Courage Noche de Posadas (The Night of the Posadas) Rodríguez

Text and images by Tomie dePaola Additional text by Arturo Rodríguez Karina Beleno Carney, narrator — Intermission —

The Twelve Days of Christmas arr. Chase God Rest Ye, Merry Kings arr. Mathes This Is My Wish/Let There Be Peace On Earth Lisa Graham conducting Lauer/Lauer & Miller/Jackson-Ray Sleigh Ride Anderson/Parish-Goldberg/Burton

A Visit from St. Nicholas (’Twas the Night Before Christmas) Reisman

Text by Clement C. Moore | Artwork by Jan Brett A Merry Little Sing-Along arr. Reisman Steve Colby, Sound Designer Pam Smith, Lighting Designer

The Boston Pops Orchestra may be heard on Boston Pops Recordings, RCA Victor, Sony Classical, and Philips Records. Special thanks to Michael Nock.

Tuesday, December 6, 7:30 pm

University of Connecticut School of Fine Arts Alain Frogley, Interim Dean Jorgensen Center for the Performing Arts Rodney Rock, Director presents

The Lenard Chamber Music Series The Boston Camerata

A Medieval Christmas - Hodie Christus Natus Est

Anne Azéma, voice, hurdy gurdy, bells, direction Camila Parias, voice Deborah Rentz-Moore, voice Allison Monroe, vielle, voice Christa Patton, harp, winds

Readings are excerpted from King James Bible. This program can be heard on the Harmonia Mundi CD released last year, available on the Camerata website and most streaming platforms.

Media Sponsors

Seth Cooper Arts Inc. (514) 467-5052 sethcooper.arts@gmail.com

THE BOSTON CAMERATA BIOGRAPHY

The Boston Camerata occupies a unique place in the densely populated universe of European and American early music ensembles. Camerata’s distinguished rank stems partly from its longevity: founded in 1954, when the field of endeavor was in its infancy, as an adjunct to the Boston Museum of Fine Arts’ musical instruments collection, Camerata is now one of the longest-lived groups to be vigorously functioning up to the present day.

But length of service by itself is not sufficient to account for Camerata’s preeminence, nor are its numerous distinctions including the American Critics’ Circle Award, grants from the National Endowment for the Arts, residencies at the Massachusetts Institute of Technology and the University of Tennessee, and the Grand Prix du Disque. The Boston Camerata has achieved its eminence in large part because of its willingness to approach, with consistent success, many kinds of historical repertoires from many centuries, from the early Middle Ages to the nineteenth century, and from many places and cultures, stretching from the Middle East to early New England, with numerous intermediate stops in Renaissance and Baroque Europe and Latin America. Directed from 1969 to 2009 by Joel Cohen, and from 2009 to the present day by Anne Azéma, the Boston Camerata has continued to create, over more than a half-century of activity, a large number of concert and recorded productions. These typically combine scholarship, much of it original, with high performance standards maintained by a distinguished roster of outstanding vocal soloists and instrumentalists. Camerata’s productions regularly combine dramatic flair with a certain humane, overarching perspective on the role music has played in (wo)mankind’s search for meaning and fulfillment. Camerata’s signature approach, as embodied in its touring, pedagogy, and media projects, has won the ensemble many listeners and followers on five continents as the ensemble presents new projects all the while maintaining in active repertoire many of its historic achievements.

Camerata’s diary in recent seasons has reflected intense activity. Borrowed Light, a music and dance production in collaboration with the Tero Saarinen Company of Helsinki, Finland, toured extensively, with over eighty performances from 2004 to 2015 in the United States (Brooklyn Academy, Jacob’s Pillow Festival), Europe, (France, Germany, Italy, Belgium, Scandinavia, Netherlands) the United Kingdom, and Australasia (Australia and New Zealand). The film of this production has been seen over twenty times on European cable television in 2018, 2019, and 2020. The ensemble has appeared in concert at the Théatre de la Ville, Paris (2015), the Alcântara Festival in Brasil (2016), The Metropolitan Museum The Cloisters (2017), Rockefeller Chapel Chicago (2018), La Philharmonie de Paris (2018). Anne Azéma’s innovative staged productions include The Night’s Tale, narrating a medieval tournament in France, which was first presented in France and Luxembourg (2007), then performed in Boston to great acclaim (2016), with further touring

in 2017 and 2018 (Switzerland, Holland, France), and in the US in 2020. Azéma’s reimagining of the Play of Daniel (premièred in 2014) is by now an integral part of the Camerata’s public face to the world. Further tours of Daniel took place in North America (Canada and the US Midwest) in late 2014, continuing in 2017, 2018, 2020. Collaborations with local choirs (both children and adults) and with young professionals-in-training in both Europe and the United States continue to be a distinctive feature of the company (2016-2020 touring seasons).

Two new media projects were released in 2019: Treasures of Devotion: European Spiritual Song ca 1500 (Music & Arts - Naxos); and Free America! Early Songs of Revolt and Rebellion, which renews a collaboration of the ensemble with Harmonia Mundi. In late 2020, Camerata’s trailblazing, made-for-streaming production of Henry Purcell’s Dido and Aeneas earned international acclaim as it was viewed by music lovers on five continents. Camerata’s latest Harmonia Mundi project, A Medieval Christmas – Hodie Christus Natus Est, was issued in 2021.

C oSt rs★

Jorgensen Center for the Performing Arts

2022 - 2023 Co-Chairs: Lin Klein & Jane Moskowitz $500 per person, $1,000 per couple

Elena Sevilla & Paul Aho Mona & Greg Anderson Marianne Barton Deborah Walsh Bellingham

In Memory of Dr. Bruce A. Bellingham Honey & Harry Birkenruth Ruth Buczynski Carol Colombo

In Memory of Paul Colombo Anne D’Alleva

Madison & Bob Day Susan & John DeWolf Stan & Sandy Hale Judy & Peter Halvorson

Patricia Hempel

Shareen Hertel & Donald Swinton

Jan Huber

Tina & Bryan Huey Blair T. Johnson & Blanche Serban

Lynn & Harry Johnson Janet & George Jones Lin & Waldo Klein

James Knox Ann Kouatly Becky & Scott Lehmann

Jean & John Lenard Gene Likens & Leola Spilbor Margarethe & Matthew Mashikian Antonia Moran

Jane & Robert Moskowitz Constance & Rodney Rock Nancy & John Silander Beverly Sims & William Okeson Anne & Winthrop Smith Maurice Thompson Karen Zimmer Susan Zito

Join the CoStars, Jorgensen’s Active Volunteers!

The CoStars is a special group of volunteers who generously donate not only $500 per person, but also their talent and time. The invaluable CoStars support Jorgensen through community advocacy by creative fund-raising activities, and by hosting pre- and post-concert receptions that often feature world-class luminaries. The CoStars have been instrumental in the purchase of the new portable chamber stage and acoustical shell, a new Steinway Model D Concert Grand Piano, funding the JOY! Conservatory Program, the installation of the exterior Jorgensen message center, the renovation of the Jorgensen Gallery, and continued support of Jorgensen programming. By becoming a CoStar, you’ll join with other vibrant, thoughtful and devoted arts lovers who have made Jorgensen’s success a priority.

CoStars receive an honorary membership in the Jorgensen Circle of Friends at the Producers Circle level. Benefits include early ticket ordering privileges for one full year from the date of enrollment; reserved lower-level parking in the North Garage, providing a speedier exit after each Jorgensen event; and recognition in the Jorgensen playbill.

As a Special Thank You... An Invitation to the CoStars

CoStar members receive an exclusive invitation to attend the Annual Sneak Peek hosted by Jorgensen Director Rodney Rock. This party offers attendees an exciting preview of the coming season – prior to the public announcement. Join the CoStars and be the first to know what’s new!

If you are interested in becoming a CoStar, please contact Rodney Rock at 860-486-1983, or by e-mail at rodney.rock@uconn.edu.

Circle of Friends 2022-2023 Jorgensen

Become a Friend of Jorgensen!

We invite you to join Jorgensen’s Circle of Friends, a group of generous arts supporters who over the years have made vital contributions to Jorgensen’s special projects, commissioned works, and interior restorations. Your membership in the Circle of Friends entitles you to early ticket ordering privileges for one full year from the date of your enrollment; you will be recognized in the Jorgensen Playbill; and if you contribute at the Directors or Producers Circle levels, you will enjoy reserved parking in the North Campus Parking Garage for each Jorgensen performance you attend.

Please consider making your tax-deductible donation and become a Circle of Friends member today. Simply call 860-486-4226 for more information.

Jorgensen Center for the Performing Arts

gratefully acknowledges the support of its Friends.

Producers Circle $500/person $1,000 & above/ couple Elena Sevilla & Paul Aho* Mona & Greg Anderson* Marianne Barton* Deborah Walsh jjBellingham* In Memory of Dr. Bruce A. jjjjjjjjjjjBellingham* Honey & Harry Birkenruth* Ruth Buczynski* Carol Colombo* In Memory of Paul Colombo* Anne D’Alleva* Madison & Bob Day* Susan & John DeWolf* Ms. Joan N. jjjjjjjjjjjjjGionfriddo

In Memory of Elaine D. jjNeiswanger, jjRobert jjjjjjNeiswanger, jj& Thomas jjNeiswanger Stan & Sandy Hale* Judy & Peter Halvorson* Patricia Hempel* Shareen Hertel & jjDonald Swinton* Jan Huber* Tina & Bryan Huey* Blair T. Johnson & jjBlanche Serban* Lynn & Harry Johnson* Janet & George Jones* Lin & Waldo Klein* James Knox* Ann Kouatly* Becky & Scott Lehmann*

Jean & John Lenard* Gene Likens & Leola Spilbor* Margarethe & Matthew Mashikian* Antonia Moran* Jane & Robert Moskowitz* Craig & Karen Nass Barbara Rhein & Stan Shaw Constance & Rodney Rock* Nancy & John Silander* Beverly Sims & William Okeson* Anne & Winthrop Smith* Maurice Thompson* Karen Zimmer* Susan Zito* * Members of the Jorgensen CoStars

Directors Circle

$250/person, $500/couple Kenneth A. Doeg Mona & Todd Friedland

In honor of Jane Moskowitz

Mr. David Johnson David & Carol Jordan Tom Martin & Susan Spiggle Carl Nawrocki Cheryl A. & Mark J. Roy Bonnie Ryan

Ms. Nancy Swiacki Keith Wilson & Marjorie Hayes

Artists Circle $125/person, $250/couple M. Kevin & Jeanne Fahey Betty & Kenneth Hanson Rob & Mary Hoskin

Ms. Cathy Jameson & Ms. Renee Fournier

Len Oberg Mrs. Kristin Santini

Susan Stoppelman

Harriet Walker

Patrons Circle

$50/person, $100/couple Anonymous Cynthia & Roger Adams Dorothy Blocker Susan & John Boland

Ms. Joyce Donohoo Richard & Karin James Dr. & Mrs. Uwe & Helen Koehn Yves & Carol Kraus Donna Matulis Pamela Paine

Jacqueline Seide Adeline Theis George Thompson

Dr. & Mrs. Joel Zuckerbraun

Critics Circle

$25/person, $50/couple Anonymous

Mrs. Audrey Gough

Dr. & Mrs. Ed & Susan Grace John H. Mayer & Irwin M. Krieger Linda Pelletier Mr. & Mrs. Ettore & jjLaura Raccagni Sari & jjJames Rosokoff Dr. Jay S. Shivers

Director’s Fund

Diane & Joseph Briody Carol Colombo David & Marilyn Foster Jennifer Person Mr. Allen Schmied & Ms. Tina Polttila-Schmied Nancy & John Silander Ms. Joanne Sousa In Memory of John P. Sousa

Endowed Sponsorship Program

The Endowed Sponsorship Program provides individuals and families with the opportunity to support Jorgensen by sponsoring any concert or other program. Benefits to Endowed Sponsors will include name recognition in the Jorgensen playbill, additional recognition in the community through press releases provided by the University, and an opportunity to visit with the guest artist.

Sponsorship could be a means of celebrating a special holiday or anniversary, or of dedicating an event to a loved one. Most importantly, by contributing to the cost of current programs, sponsors would help ensure that the Jorgensen Center for the Performing Arts will continue to present wonderful music and other programs in the future. Your gift would benefit not only Jorgensen, but also the community at large.

Patrons interested in sponsoring an event should contact Rodney Rock at 860-486-1983 or rodney.rock@uconn.edu for further information.

Jorgensen Outreach for Youth

Funded through private contributions as well as corporate support, JOY! provides school-age children, many from economically disadvantaged backgrounds, with access to live performances and special enrichment programs. Now in its 15th season, the JOY! Conservatory program offers instrumental and vocal students in grades 9-12 the opportunity for a rigorous course of study including private lessons, ensemble rehearsals and coaching, and basic musicianship courses. For more information, contact Jorgensen director Rodney Rock at 860-486-1983.

Corporate / Foundation Sponsors

SBM Charitable Foundation

Diamond / $1000+

Carol Colombo Nancy & John Silander

Ruby / $300+

Becky & Scott Lehmann

The University of Connecticut League, Inc.

Sapphire / $100+

Carol & David Jordan James Knox

Pearl / up to $99

Irwin Krieger & John Mayer

Pamela Paine

Peter Polomski

Bonnie Ryan Marti & Tom Smith

Dale Swett

Joanne Todd

Lenard Chamber Music Endowment Fund

The Lenard Chamber Series is made possible through the generosity of longtime patrons Jean and John Lenard and the Lenard Chamber Music Endowment.

Thanks to the generous philanthropy of patrons Jean and John Lenard, chamber music, one of the hallmarks and most dearly loved elements of the programming at Jorgensen, is secure well into the future. Also thanks to the Lenard Endowment, UConn students, non-UConn students, and area youth are invited to attend all chamber music events for free.

Please join this giving community and make your contribution today. To make a gift, contact Jorgensen Director Rodney Rock at rodney.rock@uconn.edu or 860-486-1983,

Jean & John Lenard

Elena Sevilla & Paul Aho

Greg & Mona Anderson

Deborah Walsh Bellingham

Ruth Buczynski

Carol Colombo Anne D’Alleva

Kenneth Doeg

Judy & Peter Halvorson

Patricia Hempel

George & Janet Jones

Carol & David Jordan

Lin & Waldo Klein

James Knox

June & Henry Krisch

Becky & Scott Lehmann

Shoshana Levinson & Chris Crossgrove Julia J. & Carl W. Lindquist, MD

Joan & Austin McGuigan

Jane & Robert Moskowitz

Lauren & Eric Prause

Donald Shankweiler & Ruth Garrett Millikan

John & Nancy Silander Beverly Sims & William Okeson

Marilyn & Arthur Wright

CELEBRATION!

A New Chapter for the

M. Estelle Sprague Costume Collection Curated by Susan J. Jerome

Left: Woman’s dress from 1870s. UConn 1878,20a, b.

Right:

Donor: Beatrice F. Auerbach. UConn 1965.7a, b.

Wool jumper and matching coat, designed by Bonnie Cashin, ca. 1965.

Hello,

Dine With Us

Coyote Flaco

50 Higgins Highway, Mansfield • 860.423.4414

Coyote Flaco is a family owned & operated restaurant. We invite you to try some of our favorite dishes such as our churrasco or one of our home-made tamales. Please try our many “Fresh-Lime Juice” margaritas, our full menu can be found at www.coyoteflacoct.comcoyoteflacomansfield.com

Dog Lane Cafe

One Dog Lane, Storrs • 860.429.4900

Northeastern Connecticut’s European/American cafe, offering something for everyone from early morning to late at night. Our menu and our daily specials emphasize seasonal, local and freshly-pre pared food, all made to order. Offering a wide variety of sandwiches, grilled items and freshly tossed salads or help yourself to coffee at our self-service coffee bar. Offering indoor and outdoor seating. Whether you are in a hurry or want to take some time and relax with friends, our style of service lets you set your own pace. Serving beer & wine. doglanecafe.com

Fresh Fork

Rte 195, Storrs Center • 860.477.0200

“The Fresh Fork Café is a fast casual restaurant owned by a University of Connecticut Alum. Their menu includes many Vegan and Gluten Free items alongside traditional café fare. All fruit smoothies, coffee, tea, beer, wine, and craft cocktails accompany the eclectic and inclusive menu. Breakfast served all day and a late night menu available on weekends. Catering available www.freshforkcafe.com

Hilltop

39 Adamec Rd., Willington• 860.477.1054

Come and visit Hilltop Restaurant, Bar & Banquet to experience a delicious meal, live entertainment, full bar with flat screen TVs, and more, stop in today. If you’re looking for a place to hold a party or event, call and talk to us about our banquet rooms, Make sure that you call ahead to find out what our Chef’s Specials are. They change daily. hilltopct.net

Hops 44

625 Middle Tpke., Storrs • 860.477.1174

Local Gastropub less than 1 mile from campus featuring local craft beer, cocktails and a full bar. Smoked BBQ, Burgers, Award Winning Wings, Salad and Lighter American Fare. Open Wed-Thurs 3-9, Fri 3-10, Sat 1-10, Sun 1-7. Enter as a stranger and leave as a friend, there is something for everyone. Indoor and Outdoor seating, dogs are welcome on the patio.

WWW.Hops44.com 10 % off the day of performance with ticket

Willimantic Brewing Co. Main Street Café

967 Main Street, Willimantic • 860.423.6777

The Willimantic Brewing Co./Main Street Café is a living landmark restaurant & pub brewery located in Willimantic, in the heart of rural northeastern Connecticut. We offer an extensive menu from fun appetizers, daily specials, gluten free, vegetarian and so much more. Fresh craft beers brewed on site, ciders, cocktails, and guest beers we have some thing to please everyone. Visit us at www.willibrew.com for more information.

Willington Pizza

Rte 32, Willington Center • 860.429.7433

Italian Cuisine served in a 200-year-old home with lovely antique decor. Seating for 200. National award-winning pizza featured on CBS This Morning and ABC Good Morning America. Desserts. Open Mon-Thurs 11am–11pm; Fri & Sat 11am–12am; Sun 11am–10pm. Casual attire. Entrées $6–$13. No reservations. (MC, V, D, AE) Best Pizza, Tolland County by Connecticut Magazine.

Box Office: 860.486.2113 802 Bolton Road, Unit 1127 Storrs, CT 06269-1127 crt.uconn.edu

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SCHOOL OF FINE ARTS

Alain Frogley

CRT ADMINISTRATION

Megan Monaghan Rivas

Interim Dean

Artistic Director & Head, Department of Dramatic Arts

Michelle S. Polgar Managing Director

Vince Tycer Associate Artistic Director

Panagiota Capaldi Box Office Manager Alana Conti Company/House Manager

CRT PRODUCTION

Robert Copley Production Manager

Tom Kosis Production Stage Manager

Michael Beschta Technical Director

John Parmelee Associate Technical Director

Daniela Weiser

Scenic Charge Artist

Susan Tolis Costume Shop Supervisor

Michael Demers Production Master Electrician

Paul Spirito Puppet Arts Technical Supervisor

Jake Neighbors Sound Supervisor

Gino Costabile Interim Properties Manager